Archive
2010: The Year of the Zorn
As posted on Tzadik.com…
GREAT NEWS FOR ZORN FANS!
2010 will be a landmark year for John Zorn who promises 12 new CD releases-one every month! Included will be new music from The Dreamers, Moonchild and Alhambra, 3 new releases in Masada Book Two: Book of Angels series, a major new studio composition dedicated to the Korean-American writer Theresa Hak Kyung Cha, a classical release featuring his acclaimed violin concerto Contes des Fées, the DVD release of his opera with Richard Foreman ASTRONOME, a ripping improvised duo recording with Fred Frith and undoubtedly several surprises. Most of the recordings are already completed and the release schedule set, so keep your eyes and ears open and expect a new Zorn release every 4th Tuesday of the month in 2010!
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Also on the new album front… as discussed earlier, the My Brightest Diamond remix boxset (4 EPs on 2 CDs) is now up for pre-order. There are only going to be 1,500 sets pressed, signed and numbered by Shara Worden. Find out more HERE.
~Dan – np: Nellie McKay – Normal As Blueberry Pie 
2009 mix
Well, thanks to a certain bigwig, I got off of my duff to make a mix CD for his round robin dealio. No major theme this time like prior mixes… the only rule I placed before myself was that everything is current (i.e.- released in 2009).
{If you aren’t part of the round robin and want a CD, contact me. If you’re local, even better. I’ll get ’em out around Thanksgiving.}
The following songs were put on the mix CD from lossless sources for promotional purposes only (read: free direct market advertising to people who decidedly love music). Most of the artists on this compilation are independent (put out the music themselves) or signed to smaller, independent labels. If you like what you hear, check out their music / support them with your wallet if you are able. The artists’ Webpage, MyFace & Spacebook (whether official or not), and Amazon links are available for each song below. I’ve also included concert review links if I’ve seen the artist recently.
PDF front liner is available HERE (designed to print double-sided).
UPDATE (12/18): free download / bonus track #18 below
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01 Nellie McKay “Do Do Do” from Normal As Blueberry Pie: A Tribute to Doris Day
Well, the person who got this round robin going (Brad) was a direct influence in me getting into Nellie McKay back when Get Away From Me came out. I’ve been a fan ever since. I think GAFM is my favorite of hers, but she’s still quite consistently entertaining to me. Her latest album is a tribute to the late great Doris Day. It’s missing some of Nellie’s sly wit, but is definitely fitting in her “I wish I was born in another era” wishes. The album art is 135% fitting for Nellie, too. Perfect choice!
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02 John Zorn “Miller’s Crake” from O’o
I could have put on some more skwoky Zorn, but I opted for a more accessible number. John Zorn is prolific, but this was actually a slow year – I only count six Zorn-related releases. O’o is twelve lyrical and adventurous instrumentals combining world music, surf, exotica, soundtracks, easy listening, and minimalism dedicated to twelve different birds (Chippy’s artwork is amazing). “Miller’s Crake” is a delightful Guaraldi-esque jaunt from the band that came out of the Electric Masada / The Gift / The Dreamers sessions: Marc Ribot, Jamie Saft, Kenny Wollesen, Trevor Dunn, Joey Baron, and Cyro Baptista.
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03 Extra Golden “Gimakiny Akia” from Thank You Very Quickly Vol 3
I was planning on going to Eugene Celebration anyway, but I got a call from a friend who suggested that we meet and definitely go to see Extra Golden. Um, OK, sure. Then I saw them, and wow… fuuuuun. I love African music, but sometimes it’s gets all too similar unless you do something fun (a la Fela Kuti, Antibalas, etc). Well, Extra Golden are half Kenyan and half American (which I guess is the “something fun” part? I don’t know). They fuse some great jam-rock with Kenyan beats* and singing… great stuff. Fantastic live show, too. *-Though, coincidentally, not so much Kenyan beats on this track. Yeah, sorry.
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04 Ember Swift “Hollowed Bones 空骨” from Lentic :: 子玉
Ember Swift (yes, her real name) is finally starting to head in a new direction. I mean, I dig her a lot, but her past albums have been slightly derivative of Ani DiFranco (with maybe a little more adventurism). She’s from Canada, but has spent time living in China recently. In fact, I think she’s still living there (don’t quote me on that)… that culture has definitely had an impact on her music.
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05 Works Progress Administration / Glen Phillips “Rise Up” from Works Progress Administration
This song first showed up on the Concert to End Slavery compilation as a Glen Phillips solo song. It’s my favorite from WPA, but it’s not very representative of the album. The album is more folky / americana via the heavy influence of Sean & Sara Watkins from Nickelcreek and Luke Bulla (from Lyle Lovett’s band).
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06 Madeleine Peyroux “Damn the Circumstances” from Bare Bones
I am usually not a fan of vocal jazz… it’s usually too full of schlock, if you ask me. Well, Madeleine’s smoky voice overrides that generalism for me. She’s a fantastic vocalist, a throwback to the golden era of jazz vocalists. This album is her first of non-covers. All original, either written solo or co-written, Bare Bones moves her from a “fantastic standards” singer to bringing vocal jazz back into fresh territory.
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07 dredg “Gathering Pebbles” from The Pariah, The Parrot, The Delusion
dredg is one of my favorite bands now. 2005’s Catch Without Arms floored me, and I was eagerly awaiting the follow-up. It took too long (4 years), but it was well worth it. The Pariah, The Parrot, The Delusion is by far my favorite album this year. It was inspired by Salmon Rushdie’s essay “Imagine There’s No Heaven: A Letter to the Sixth Billionth Citizen.” In fact, this past fall, dredg and Salmon did a joint show that was captured by Spin magazine.
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08 Porcupine Tree “Flicker” from The Incident
The best progressive rock band around, Porcupine Tree’s The Incident is a 55-minute epic concept album/song. “Flicker” is actually a session b-side from the 2nd disc from the collection. I got a chance to see Porcupine Tree this September, and Steven Wilson & Co delivered the impeccable studio sound to the stage. It’s almost magic.
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09 O.S.I. “Terminal” from Blood
I really like this 3rd record by O.S.I. (formerly know as the Office of Strategic Influence). O.S.I. is a joint collaboration of Chroma Key’s Kevin Moore and Fates Warning’s Jim Matheos. Most of Blood is heavier progressive rock, but I tend to like the more Chroma Key-esque tracks like “Terminal.” The album has guests Gavin Harrison (of Porcupine Tree) on drums, Mikael Åkerfeldt (of Opeth) on vocals for one track, and Tim Bowness (or No-Man) on vocals for one track as well. The 2nd disc also features a Kevin Moore-sung, rockin’ tribute to Elliott Smith (“Christian Brothers”).
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10 900X “The Black Beach” from Library Catalog Music Series: Music For Lubbock, 1980
Sufjan Steven’s label Asthmatic Kitty is really becoming a favorite. They host music by Sufjan, My Brightest Diamond, Fol Chen, Osso, and now the excellent experimentation from the various Library Catalog Music Series artists. The 900X release is my favorite of the six releases so far. I received the high quality mp3s from the record label for free, and I loved it so much that I bought it on vinyl.
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11 Chali 2Na featuring Talib Kweli “Lock Sh*t Down” from Fish Outta Water
I’m still sad that Jurassic 5 broke up, but now we get albums from Portable Payback (Marc7 & Soup), Cut Chemist, DJ Nu Mark, Akil the MC, and, of course, Chali 2Na (my favorite from the group). Chali’s got that deep booming voice that makes you pay attention. This song’s lyrics (and video) are kinda cheesy, IMO, but it still features some nice flow from the “lyrical manphibian.”
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12 Peter Mulvey “Vlad the Astrophysicist” from Letters From a Flying Machine
Storytelling has always been a fantastic part of Peter’s live shows. Nine years ago, when his first niece was born, Peter got into the habit of writing physical letters to his nieces and nephews (now 17 kids in total). This album is interspersed with spoken word letters and new music. I think it’s his strongest album since 2000’s The Trouble With Poets. I like a lot of different music, but with that being said, I think Peter is by far my favorite singer-songwriter. Support indie music!
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13 David Bazan “Curse Your Branches” from Curse Your Branches
I wanted to put on “Hard to Be,” but due to space limitations, I went for a shorter song. This is David’s first full-length solo album since disbanding the indie rock band Pedro the Lion. PTL was really David’s thing anyway; so him disbanding the band isn’t that big of a deal, if you ask me. This album also marks his first decided move away from the “religious guy” things into the “heavily agnostic thing” (kudos to him, from me at least). This album is peppered with his thoughts and doubts of his religious upbringing – even moreso than in his prior Pedro days. It very well called a “breakup letter to God” by some.
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14 John Zorn “Novato” from Alhambra Love Songs
Alhambra Love Songs is a set of 11 songs that are an eclectic homage to San Francisco Bay area musicians. This particular song is dedicated to Mike Patton (and, no, that’s not why I picked it). The album is played by pianist Rob Burger, bassist Greg Cohen, and drummer Ben Perowsky – and also falls into the “more accessible” John Zorn camp.
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15 Wussy “Little Paper Birds” from Wussy
This little band that could from Cincinnati is getting some good buzz in major publications (I know Spin has featured them several times). I went to college with their female lead singer, Lisa Walker, and remember when she did a more folky thing. I think Wussy’s sound suits her well (and vice versa). Anyway, this is their third record, and features some great songs from both Lisa and Ass Ponys’ Chuck Cleaver.
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16 The Dead Kenny G’s “Birther Blues” from Bewildered Herd
Prior to moving to the PacNW, I had heard of saxophonist Skerik via John Zorn and other avant-garde connections. I never got to hear him until I moved here and saw him at Sam Bond’s. He seems to be down here in Eugene every other month or so, in different band incarnations. The Dead Kenny G’s features Skerik on tenor sax & pianos, Mike Dillon on drums (who I recently saw drum with Ani DiFranco), and Brad Houser on bass & baritone sax.
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17 Ikue Mori “Redeye Skimmer” from Class Insecta
Ikue Mori is an interesting instrumentalist. She mostly utilizes a laptop, and I saw her play live with Ellery Eskelin & Jim Black in NYC in 2007 and was wowed by the improvisational nature of her craft. Most of her albums are more avant-garde. She has one album that I’d consider to be much more accessible (1995’s Painted Desert on Japan’s DIY/Avant label). Class Insecta is also more accessible than most of her work. I suppose if you like well composed, electronic music dedicated to insect species, it’s for you!
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18 Derek Webb “What Matters More” from Stockholm Syndrome
(bonus mp3) DOWNLOAD it >> http://www.derekwebb.com/387/WMM.zip
Stockholm Syndrome is an album that I’m bummed I didn’t get fit on the CD version of this compilation. It’s going to place fairly well in my year-end “Best of 2009” list. I think it’s the best thing Derek’s ever done, including Caedmon’s Call and prior solo work. It has a great overall vibe, and a message that I can agree with, even though I don’t agree with his religious philosophy. This song, while not the best on the album (IMO), has a great lyric and pro-gay marriage position and was actually banned by his independent Christian label (INO Records). He subsequently released an “uncensored” version of the album, and now has the song available for free on his site.
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Let me know what you think…
unfortunately missing (due to space or flow limitations, or that I simply didn’t get them in the mail yet): pop from Regina Spektor, Zero 7 & the Swell Season; jazz from Dave Douglas’ Brass Ecstasy and A Single Sky, Masada Quintet + Lovano, and The Fantastic Terrific Munkle; comedy from Flight of the Conchords; and some metal Ahleuchatistas, Megadeth, Isis, Dream Theater, Puscifer, Tides From Nebula & Alice in Chains. Oh well, those may make it on my “favorite albums” of 2009 list.
~Dan – np: Puscifer – C is For…
there are no torrents, free mp3 or other downloads available
REVIEW: Erik Friedlander @ Winningstad Theatre (Portland, OR – 9/12/09)
FYI… PHOTOS of the SHOW at the BOTTOM
Erik Friedlander grew up spending many of his summers on the road with his family due to his photographer father, Lee Friedlander. I knew his dad was a photographer with some notoriety, but I hadn’t known about the long, cross-country summer road trips – which were the basis for Erik’s 3-day run of Block Ice and Propane at the Portland Institute for Contemporary Art (PICA)’s TBA Festival (aka T:BA:09). More about T:BA:09 later…
I have been into Erik for a while… basically contemporaneously with my immersion into John Zorn, as Erik is a mainstay in the Downtown NYC jazz scene and finds his way on maaaaany of the Tzadik releases that I love. He’s a part of the Masada String Trio & Bar Kokhba Sextet, and has played with Dave Douglas, Ikue Mori, Wadada Leo Smith, severalk of Zorn’s Filmworks series, et cetera.
When I showed up for the event, I was caught off guard by the vast amount of people milling about the lobby. “Does Erik have this big of a draw in Portland?”
Well, the answer to that question is, “now he does.” This was the third night of his three-night run as part of the T:BA:09 festival put on by PICA. The entire 10-day festival was also coming to a crescendo on the 12th… needless to say, the program looked amazing, full of art of all kinds, not just music. I’m definitely putting T:BA:10 on my radar for next year.
Erik’s solo chair, laptop stand, and microphone in front of a projector screen was nicely lit with a blue light as the herd of an audience entered the Dolores Winningstad Theatre. I’d never been to the Winningstad Theatre, but it’s in the same complex as the Newmark Theatre (where I saw the SF Jazz Collective in ’08 and where I’ll see Patton Oswalt tonight), and it’s right next door to the Arlene Schnitzer Hall (where I’ve seen many shows). “The Winny” was a great venue… small & intimate, but seemingly able to fit in a large amount of people, including 2 tiers of balcony seating. Luckily I was solo; so I found a stray seat right up front-left.
As mentioned prior, the show was Erik playing solo cello in front of a backdrop of photos from his childhood, primarily taken by his father Lee Friedlander. The performance, specifically the backdrop, had a very “Americana” feel set to non-“Americana music.” Or perhaps it was Americana music set through the filter of the cello. It wasn’t Woody Guthrie-esque, but it had that dirty, road weary, wow-look-at-this-wonderful-country feel to it. Amongst the photos were also some videos shot by Bill Morrison.
Outside of photographing the country on big summer roadtrips, Erik’s father Lee also photographed many musicians… Ray Charles, Aretha Franklin, Ornette Coleman, John Coltrane… even up to the current era like a famous Madonna photo. Lee’s love of music spilled over to Erik, who found a love for music early in his life. He started on guitar and eventually moved to cello. However, his basis in guitar drove much of the style of playing last night. Only a few times did Erik pull out a bow – rather he plucked and strummed his cello like one would with a guitar… well, a guitar that you were holding like a cello. :)
Setlist:
- Block Ice & Propane
- Road Weary
- King Rig
- I’m Not Here
- Cold Chicken
- Yakima
- Pressure Cooking
- Winking at Highway 7
- Rusting in Honeysuckle
- Dream Song
- Airstream Envy
- Night White
Some of my favorite pieces were the lead-in, title track (to the 2007 CD of the same name), as well as “Pressure Cooking” and “Night White” (nice harmonics). The story about “Cold Chicken” was great, about how at a diner they were served very slowly and Lee stormed into the kitchen to complain about “who wants to eat cold chicken!?” while the family scurried away. The music, which I’ve heard several times before on the CD, totally made sense now. Nice…
Block Ice and Propane (the 2007 CD) can be purchased directly from Erik HERE.
The Appropriate Linkage:
~Dan – np: Porcupine Tree – The Incident
ERIK FRIEDLANDER PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
ha’fway 2009
Happy 233rd birthday, United States!
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(Sub)consciously prompted by these music blogs, here are my favs of the first half of 2009… it’s all bound to switch around by year’s end:
Artist – Album (label)
- Dredg – The Pariah, The Parrot, The Delusion (Ohlone)
- Masada Quintet + Joe Lovano – Masada Book Two: Book of Angels, Vol. 12 ~ Stolas (Tzadik)
- OSI – Blood (Inside Out Records)
- Wussy – Wussy (Shake It Records)
- Dave Douglas & Brass Ecstasy – Spirit Moves (Green Leaf Music)
- Wynton Marsalis – He and She (EMI / Blue Note)
- John Zorn – Alhambra: Love Songs (Tzadik)
- Regina Spektor – Far (Sire / Warner)
- Isis – Wavering Radiant (Ipecac)
- Zu – Carboniferous (Ipecac)
- Dream Theater – Black Clouds & Silver Linings, really only the instrumental disc (Roadrunner)
- Jamie Saft – Black Shabbis (Tzadik)
- Madeleine Peyroux – Bare Bones (Rounder)
- Secret Chiefs 3 – Le Mani Destre Recise Degli Ultimi Uomini (Web of Mimicry)
- Ember Swift – Lentic :: 子玉 (Few’ll Ignite Sound)
I didn’t get a few that already came out this year… the new Green Day, U2, Placebo, Eminem, Dave Matthews Band, Fever Ray, Crank 2 soundtrack (by Mike Patton). I’m waiting for them to be cheaper used, but they may make it to the list at the end of the year.
The 2nd half of 2009 promises to bring some potential great ones, too… John Zorn’s O’o, Medeski Martin & Wood Radiolarians 3, Mike Patton’s Mondo Cane (possibly by November), Secret Chiefs 3 Book of Souls (maybe), a new Sufjan Stevens (just speculating, since it’s been a while), Ani DiFranco always has something coming out, Jon Madof’s CircuitBreaker debut (maybe) & another Rashanim, The Tango Saloon’s Transylvania (stateside release?), new Tristeza, Over the Rhine Live from Nowhere IV, George Hrab ‘s 6th album Trebuchet, Derek Webb‘s Stockholm Syndrome, SFJazz 2009 with Dave Douglas & Joe Lovano and others, A Perfect Circle internet only single releases (as mentioned back here), and a new Tool record (they’ve worked on it some, but I doubt it’ll hit until 2010)… and I’m sure another dozen or more that I’ll dig from Tzadik.
~Dan – np: Cut Chemist – The Audience’s Listening
again… Happy 233rd birthday, United States!
This July 4th, celebrate Sarah Palin resigning as Alaskan governor!
tons of news
Nine Stories!
In this episode: The new Masada Quintet with special guest Joe Lovano, the Jenny Owen Youngs‘ video that I somehow missed, Nellie McKay‘s Election musical, Fanfarlo for $1, the deaths of JazzTimes & Jeff Hanson, the resurrection of Futurama, a new Wussy video, and Asthmatic Kitty’s most excellent Library Catalog Music Series…
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The new Masada Quintet with special guest Joe Lovano just came out for June on Tzadik Records. It’s the original Masada Quartet (John Zorn on alto sax, Dave Douglas on trumpet, Greg Cohen on bass & Joey Baron on drums) plus pianist Uri Caine… plus special guest tenor sax Joe Lovano. Holy cow!!! It’s the first official studio release from the Masada Quartet since 1999’s י [Yod] (or 2005 if you count the unreleased/rarities compilation Sanhedrin). This album is bound to be at the top of my “best of” list for 2009.
This video from Jenny Owen Youngs came out in September 2007. How did I miss it? It’s a brilliant singer-songwriter cover of rapper Nelly‘s “Hot in Herre” (so take off all your clothes). I bought the iTunes single… great stuff:
Nellie McKay is writing a musical based on the book/movie Election. Read more about it over on Brooklyn Vegan blog.
Fanfarlo just put on their debut album, Reservoir, for $1. Fanfarlo is a London-based band founded by Swedish musician Simon Balthazar. Nice textured indie pop… think Sigur Rós meets Sufjan Stevens. The album, in full, is available for only $1.00 until July 4th, 2009 at http://www.fanfarlo.com/.
The economy took another print-media victim. This time it’s the death (or “temporary suspension”) of JazzTimes magazine. The 38 year old magazine couldn’t maintain readership in the new era of online content. It’s a sad day, as it was a great magazine. I hope it’s able to come back later in some form or another under new ownership, as mentioned in the Howard Mandel article.
Whispy singer-songwriter Jeff Hanson died last Saturday (6/5) after an accidental fall on his cement-floored apartment in St. Paul, MN. Jeff was known for his feminine vocal style and songwriting/sound similar to late indie rocker Elliott Smith (who also died young). He had three great albums out on Kill Rock Stars. I hate to sound selfish, but I’m bummed I missed him when he recently came through Portland. We lost another one, far too young…
In “Oh Sweet, Futurama’s On” News, the resurrection of Futurama is eminent. Much like Family Guy, the popularity soared even after being originally canceled. Futurama had some straight-to-DVD movies recently, and it will return with new 26 episodes on Comedy Central in the winter 2010.
A favorite band of mine from Cincinnati, Wussy, has a new “acoustic from an RV” video of “Maglite.” They recently put out their 3rd full length album, and it lives up to the quality and momentum in their prior two albums (plus 1 EP). Check out the video and then check out the album at Shake It Records:
Asthmatic Kitty’s most excellent Library Catalog Music Series just came out. The naming of the series sounds… boring. However, it’s really great instrumental music. There are three issues thus far: 900X: Music for Lubbock 1980, Law of the Least Effort: Music for Measurements, and Casey Foubert/James McAlister: Music for Drums. My favorite is the 900X one. Really, really good electronic, post-rockiness. If you liked a more “sane” version of Sufjan Steven’s Enjoy Your Rabbit, I bet you’d like the LCMS. Check it out at Asthmatic Kitty Records.
~Dan – np: Fanfarlo – Reservoir
John Zorn in San Fran 2009
First off… Happy Pi Day…
Also, tomorrow (Sunday the 15th) marks the end of the run of special John Zorn’s Masada at Yoshi’s in San Francisco. Here’s a YouTube clip of the Secret Chiefs 3 performance of “Omael” from Xaphan on Tuesday night (pardon the video quality, the taper had to keep it “on the down low” due to the venue’s strict policies against such things):
And “Kemuel“…
Anyone able to sneak an audio recording of any of the Zorn Fest shows (below)? Hit me up…
~Dan – np: Kukl (early Björk punk band) – The Eye
Zorn Fest 2009
March 10 – The Secret Chiefs 3 Play Masada
March 11 – Masada String Trio – 2 sets
March 12 – Masada Quintet – 2 sets
March 13 – Bar Kokhba Sextet – 2 sets
March 14 – The Dreamers – 2 sets
March 15 – Electric Masada – 2 sets
My Brightest Diamond @ Le Poisson Rouge (Dec 2008)
I’m reusing this press photo of My Brightest Diamond, because I think it’s rad…
Baeble Music recently recorded My Brightest Diamond‘s entire concert at Le Poisson Rouge in NYC last year (12.13.08). I’ve only watched the first few songs so far, but it is fantastic. The setlist is very similar to the Eugene show that I went to in late November 2008, with a few songs swapped around in the order.
** Watch the full concert at baeblemusic.com **
** Watch the full concert at baeblemusic.com **
** Check out the blog & photos from the show as well **
I can’t get the embedding to work (WordPress.com blogs are like that sometimes on non-YouTube/Google videos); so just click the link or picture above. Baeble Music has tons of other live shows that they filmed on their site as well. Check ’em out: http://www.baeblemusic.com/
And as an unrelated side-note…
…the February 1 [2009] interview with John Zorn on WNYC‘s Ear to Ear with David Garland is excellent. It’s 76 minutes of new John Zorn music and insight into the overworked, overjoyed musical genius. It is available in its entirety for download over at WYNC’s website:
http://www.wnyc.org/shows/eveningmusic/episodes/2009/02/01
It features some recent music [fall/winter ’08] and some as of now unreleased music. Score!
~Dan – np: The Beatles – Let It Be
Masada in March @ Yoshi’s
I wish it weren’t during tax season (or) that I weren’t a CPA (or) that I lived closer…
These Zornfest dates were posted on Erik Friedlander’s website. It’s not on Yoshi’s website yet (too soon), but the Dreamers and Electric Masada sets are confirmed on bassist Trevor Dunn’s performance listing. Eleven (or more) sets of Masada and Masada-based music spread over six days by six different groups. This line-up looks totally freaking AMAZING…
ZORN FEST 2009 at Yoshi’s in Oakland, CA (changed to San Fran)
http://sf.yoshis.com/sf/jazzclub (tickets on sale now)
March 10 – The Secret Chiefs 3 Play Masada
March 11 – Masada String Trio – 2 sets
March 12 – Masada Quintet – 2 sets
March 13 – Bar Kokhba Sextet – 2 sets
March 14 – The Dreamers – 2 sets
March 15 – Electric Masada – 2 sets
Seriously, guys… come on… you’re killin’ me… it couldn’t have been one month later? :)
~Dan – np: Miles Davis – Get Up With It
* Favorite Instrumental Albums of 2008 *
Disclaimer section is again shamelessly plagiarized from Andy Whitman at Paste…
Disclaimer #1: No, I haven’t heard all 8,000 albums released this year. I’ve heard about 200 of them, which makes me at least 97.5% likely to be wrong. But hey, this isn’t math class, and I make no claims to objectivity. These albums are my favorites from 2008. You might think that the one you’ve heard that I haven’t heard is the best album of 2008. And you might be right.
Disclaimer #2: Yeah, yeah, yeah. Just get it out of your system now and be done with it. I am deliberately trying to be obscure. Who the hell has even heard of these people? So go ahead and vent, then read Disclaimer #1 again.
My Other Favorites of 2008 Recaps:
- Fave Concerts of ‘08 are recapped *HERE*
- Fave EPs/Vinyl/Live/more of ‘08 are recapped *HERE*
- Fave Vocal Albums ‘08 are recapped *HERE*
- Old Years: 2007V, 2007I, 2007C, 2006, 2005
As I start this post, I will say that this is all very subjective and really put together for my own purposes. I’ll also state that, yes, some of the music below does have some vocals. For the most part, it’s sequestered to a track or two on a long CD of mostly instrumental goodness. My list, my rules, and/or my breaking of the rules. With that being said, all of the artists below tend to be in the jazz and instrumental frame of reference anyway.
Hopefully my spilling out of music that I like finds interest with someone else. But if not, thanks for stopping by… check out their webpages, MySpaces, my fave song recommendations on iTunes (in 30 second bursts), yadda yadda yadda. OK, now on to the best of what’s hit my ears this year on the mainly instrumental front…
Honorable mentions (aka my list is too jam packed, and I still really love these records, too): Bill Frisell‘s History, Mystery (with Eyvind Kang, Jenny Scheinman, Kenny Wollesen, etc); Charlie Hunter‘s Baboon Strength; John Zorn‘s Filmworks XX & XXI: Sholem Aleichem & Belle de Nature / The New Rijksmuseum; Medeski Martin & Wood‘s Radiolarians I; and Dub Trio‘s Another Sound is Dying.
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 Reptet – Chicken or Beef? (Monktail Creative Music Concern) :: I feel like I’ve written too much (especially on my Top 20 Vocal albums blog); so these descriptions / raves might be shorter… we shall see. Reptet is a great 6-piece jazz band from Seattle. I heard about them via Jim Wilke’s Jazz Nothwest podcast back in late 2007, when a collaboration of Seattle jazz & avant bands called the Monktail Creative Music Concern played a gig that got aired in its entirety. Anyway, Reptet is one of my fave bands in the MCMC. They’re a quirky jazz band with an odd sense of humor. I dig it… a great, modern brass-forward jazz sextet. Favorite tracks are “Reptet Score!” and “Eve of Thrieve.” http://www.reptet.com/ -and- http://myspace.com/reptet |
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 Daniel Zamir – I Believe (Tzadik) :: I have some of Daniel’s Satlah project, of which I dig a plenty. This one was outside of the Satlah camp, enlisting NYC scene heavyweights Uri Caine, Greg Cohen, and Joey Baron. I waffled on including it until I heard it again recently. It’s really gorgeous. More on the mellower, nee spiritual, side of the the music coming out of the Radical Jewish Culture series, Zamir really offers up his soprano sax melodies as prayers. The title of the album and the music really match up perfectly. Favorite tracks are “Poem 10” and “Poem 51/52.” http://tzadik.com/ -and- http://myspace.com/danielzamir |
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 John Zorn – Filmworks XIX: Dimitri Geller’s The Rain Horse (Tzadik) :: John Zorn put out a handful of Filmworks this year, and all of them are good. FW XXI would have made it on the list as well, had it not been for the too often used harpsichord in The New Rijksmuseum scoring (the parts for the Belle de Nature score are really gorgeous, though). Anyway, the Filmworks series are usually some of John Zorn’s most accessible. The Rain Horse is a subtle trio of Erik Friedlander on cello, Greg Cohen on upright bass, and Rob Burger on piano. Favorite tracks are “Parable of Job” and “Tears of Morning.” http://tzadik.com/ -and- http://myspace.com/johnzorn |
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 Talkdemonic – Eyes at Half Mast (Arena Rock) :: No, their album cover doesn’t really do the animation thing (a la Tool’s Ænima). I just couldn’t help using that animated GIF from their MySpace page. This Portland post-rock duo swung through Eugene at least twice this year. I caught their brilliant February show. Their album didn’t come out until later in the year, and it continues in the sound from their prior two albums. Great electro-acoustic post-rock… drums, viola and electronics. Favorite tracks are “Duality of Deathening” and “Tides in Their Grave.” http://talkdemonic.com/ -and- http://myspace.com/talkdemonicmusicmaking |
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 NIИ – Ghosts I-IV (halo) :: Sparse and haunting, Ghosts I-IV reminds me of a soundtrack meets demos for Trent’s next album. Perhaps that’s where they came from, ideas kicking around in his head. For a fan of instrumental music, it’s a highly enjoyable 110 minute journey into many different soundscapes. For the download version, each track has it’s own artwork attached in the file which is a nice addition even though I hate the shift towards the potential eventual demise of the “album.” Favorite tracks are “14” and “31.” http://www.nin.com/ -and- http://myspace.com/nin |
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 Bobby Previte & New Bump – Set the Alarm for Monday (Palmetto) :: A new version of Previte’s Bump the Renaissance, this group includes two of my favorite players – – Ellery Eskelin on sax & Steven Bernstein on trumpet. Drummer Bobby Previte does many projects, some more in the avant-garde scene… but New Bump definitely fits into an accessible range (similar to Coalition of the Willing with Jamie Saft & Skerik). This album is really “jazz-cinematic” a la a private investigator drama soundtrack perhaps. Favorite tracks are “I’d Advise You Not to Miss Your Train” and “There Was Something In My Drink.” http://www.bobbyprevite.com/ -and- http://myspace.com/previte |
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 Steven Bernstein – Diaspora Suite (Tzadik) :: This is Bernstein’s fourth in his Diaspora series for Tzadik’s Radical Jewish Culture, and it very well be my favorite. It seems much more adventurous than the past efforts, which is what I like about Steven’s trumpet playing and compositions. I think Suite fits better in with his larger Sex Mob and Millennial Territory Orchestra catalog (but from a decidedly Jewish musical culture standpoint, obviously). I hope I get a chance to see him sometime… he played in Ohio just after I moved away, and he played in Seattle in November (as part of Earshot Jazz Fest), but being on a Wednesday… well, I didn’t make it up for the show. Favorite tracks are “Zebulon” and “Judah.” http://stevenbernstein.net/ -and- http://myspace.com/stevenbernsteinmusic |
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 Auragami – Esoteric (indie) :: Auragami is a former Dayton, OH, now San Diego-based bass guitarist named Michael Miller. This album isn’t commercially available, as far as I know. I know Michael Miller from going to shows around Dayton (and surrounding). We’ve got a lot of the same leanings with the rock stuff (Galactic Cowboys, King’s X, et cetera), and I’m happy that I made it on his Christmas card list… because the Christmas card list has been a new CD of his for the past few years. Esoteric is a 40-minute record with the melodies, crunch and remix-friendly bass that I’ve come to love about his music. He also collaborates with others on this album (a personal fave, Mike Georgin, being one of them). As far as the sound, it’s very much a bass with drum loop affair… some subtle melodies, some heavier/grittiness (a la NIN), and some organic-electronics that fit well with another San Diego artists, The Album Leaf and Goddamn Electric Bill. Not being commercially available officially, you can check out his music on MySpace and maybe see if he’ll sell you a copy. It seems to be a crime to not be out there. Anyway, thanks for the Christmas gift, Michael! Favorite tracks are “Colab” and “Clover.” http://www.myspace.com/auragami |
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 Goddamn Electric Bill – Topics for Gossip (99X) :: GdEB is a one-man electronic band from San Diego (Jason Torbert is his name), similar in that sense to The Album Leaf, but I’d say GdEB is less ambient and definitely more in the electronic / remix realm when compared to TAL. GdEB might compare similarly to Frog Pocket, but maybe less… um… buzzy & bleepy. I don’t know. I suppose me comparing a little known San Diego electronic artist to another lesser known Scottish electronic artist doesn’t help much. Check GdEB out for yourself… Favorite tracks are “The Morning Commute” and “The Shallows.” http://www.goddamnelectricbill.com/ -and- http://myspace.com/goddamnelectricbill |
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 Hiromi’s Sonicbloom – Beyond Standard (Telarc) :: Hiromi Uehara is a freakin’ whiz on the piano. I got into her with her 2007 CD Time Control after a few clips on BMG’s website (I was trying to round out an order). Her style is very much a jazz-rock fusion, which I’d almost say the rock element comes from her piano skills rather than the rest of the band. You wouldn’t expect this sound just based by the cover alone… the 29 year-old Hiromi amidst bright colors. You’d think it were some Japanese bubblegum pop or something. Anyway, this is her 2nd Sonicbloom album in as many years. She played a several date run at the Triple Door in Seattle this past summer. If she does it again soon, I’m totally making the drive up. Favorite tracks are “Led Boots” and “XYG.” http://www.hiromimusic.com/ -and- http://myspace.com/hiromimusic |
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 Medeski Martin & Wood play John Zorn‘s Masada Book Two – Book of Angels, Vol. 11: Zaebos (Tzadik) :: Medeski Martin & Wood have been in the Tzadik family for a while. They contributed a track to the Unknown Masada album, which was sort of the initial idea that eventually brought out the Masada Book Two series (i.e.- new, previously unrecorded Masada book tunes not recorded by the Masada quartet). John Medeski has also appeared on many other Tzadik releases in a studio musician sense. With that being said, MMW’s inclusion into the Masada Book Two series came as a total shock, though. I think it was announced in early June ’08 for a July release. Whereas Secret Chiefs 3’s Masada Book Two release was announced in winter ’07 for a May ’08 release (almost a year and a half). Anyway, MMW’s Zaebos is a great record. I’d say it doesn’t rank as high as Xaphan and Lucifer for this year’s releases in that for some reason I don’t think the MMW Masada tunes work as well with their style as the tunes work with Secret Chiefs 3 or Bar Kokhba Sextet’s style. All said and done, it’s still a brilliant record for 2008 and for both the Masada and MMW catalogs. Favorite tracks are “Chafriel” and “Tutrusa’i.” http://tzadik.com/ -and- http://mmw.net/ -and- http://www.myspace.com/medeskimartinandwood |
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 Tiptons Sax Quartet – Laws of Motion (Zipa! Spoot) :: Similar to Reptet, I got into the Tiptons via Jim Wilke’s Jazz Northwest podcast. I found out about them literally a day after they had been in Eugene in Dec ’07. D’oh! Anyway, I believe that this is their 3rd full length CD, though they had some former releases with different members under the name the Billy Tipton Memorial Saxophone Quartet. They’re an all-woman sax quartet (plus drums) from Seattle. They’ve got ties to some great jazz musicians & composers (Eyvind Kang & Wayne Horvitz for example). This album has some vocals, but all in all, it’s a jazz record with a touch of eastern European music (balkan-klezmer per my untrained ears) thrown in. Favorite tracks are “Fallout” and “Number Six.” http://www.tiptonssaxquartet.com/ -and- http://myspace.com/tiptons |
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 Mostly Other People Do the Killing – This is Our Moosic (Hot Cup) :: I saw trumpeter Peter Evans in Eugene in February, and it was a mind-blowing avant-garde set. This band on the other hand, led by Moppa Elliott, is more of a Sex Mob-influenced jazz funk romp. Great music from these NY gents. You can get their albums on CD Baby (please, support indie moosic). Favorite tracks are “The Bats in Belfry” and “Drainlick.” http://www.moppaelliott.com/ -and- http://myspace.com/mostlyotherpeopledothekilling |
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 Stebmo – Stebmo (indie) :: Multi-instrumentalist Steve Moore has played with Earth, Sunn 0))), and enlisted some friends (Eyvind Kang, Matt Chamberlain, Todd Sickafoose, Tucker Martine and more) to help out on his first solo album. I saw him open for Skerik’s Maelstrom Trio this past spring as well as play with Earth in June. As mentioned in the live review, his album is a bit like the organic/melodic elements of the Album Leaf mixed with the building nature of an Explosions in the Sky set mixed with a heaping handful of electronic jots & tittles like those that may have hit the Kid A cutting room floor. Favorite tracks are “Dark Circles” and “Waiting Game.” http://stebmo.com/ -and- http://myspace.com/stebmo |
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 John Zorn’s Moonchild Trio (Mike Patton/Joey Baron/Trevor Dunn) – The Crucible (Tzadik) :: This album is a rare December release on Tzadik (since 2000, they’ve taken the month off). Continuing in the Moonchild Trio’s glossolaliac noise metal theme, this album also adds John Zorn’s wonderful sax trade-off with Mike Patton’s screaming utterances. Guitarist Marc Ribot also adds very Led Zeppelin riffage on one track (“9×9”). When the original Moonchild album was released (2006), I thought it was going to be a one off… well, four albums in, I’m definitely hoping it continues a bit more… Favorite tracks are “Almadel” and “Maleficia.” http://tzadik.com/ -and- http://myspace.com/johnzorn |
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 Swami Late Plate (Bobby Previte & Jamie Saft) – Doom Jazz (Veal) :: The album’s title, Doom Jazz, says it all. This album fits well for fans of Sunn 0))), Earth, Bohren & Der Club of Gore and others in the slow rock, doom, sludge movement. I find it completely compelling… Favorite tracks are “Malignant Cloud” and “The Bearded Man Cannot Help You.” http://myspace.com/swamilateplate -and- http://myspace.com/doomjazz |
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 God of Shamisen – Dragon String Attack! (Reptile) :: God of Shamisen is Kevin Kmetz, an I first heard of him when he was playing with world metal band Estradasphere. He’s also played (briefly) with Secret Chiefs 3. He’s had a few solo albums, but this year saw GoS release two band efforts: the 7″ vinyl for “The Science Fiction of Ray Bradbury Attack!” and then their full-length debut this past fall. I picked up this debut at their show in Eugene (go here for my review with pictures). While it has some minor vocals on a song or two, it’s still primarily a instrumental attack. Japanese metal fusion… excellent stuff. Favorite tracks are “The Science Fiction of Ray Bradbury Attack!” and the spread across the album in several waves “Dragon String Attack!” http://godofshamisen.com/ -and- http://myspace.com/gos |
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 Mogwai – The Hawk is Howling (Matador) :: Much more enjoyable to me than their recent tour (review link). I can control the volume… yay! I dig this record A LOT. This Scottish band has put out some consistently great records. This one bounces back from their mellower Zidane with more gusto, more power, yet still retaining the melody. You know… the melody that gets drowned out in their live show. Favorite tracks are “I’m Jim Morrison, I’m Dead” and “The Precipice.” http://mogwai.co.uk/ -and- http://myspace.com/mogwai |
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 Yoshie Fruchter – Pitom (Tzadik) :: Wow… I’m definitely looking to more from Yoshie Fruchter in the future. Like Jon Madof’s Rashanim and Yves Weyh’s Zakarya, Yoshie Fruchter brings in a great rock vibe to the Radical Jewish Culture series. Favorite tracks are “Go Go Golem” and “Lungs and Spleen.” http://tzadik.com/ -and- http://www.yoshiefruchter.com/ |
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 SF Jazz Collective 2008 (Dave Douglas, Joe Lovano, Miguel Zenon, and more) – SF Jazz Collective 2008 (Wayne Shorter feature) (SFJAZZ) :: I became a fan of this band because of one man: trumpeter since their 2007 band, Dave Douglas. I also got to see them this past February at the PDX Jazz Fest (see my combo SF Jazz & Ornette Coleman review here). This jam-packed 3-CD set is full of Wayne Shorter arrangements and originals by the band members. It’s a little step on the price by today’s standards, but it helps support the not-for-profit SFJazz organization. Favorite tracks are “Aurora Borealis,” “Secrets of the Code,” and “Aung San Suu Kyi.”http://sfjazz.org/ |
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 John Zorn – The Dreamers (Tzadik) :: Played by the Electric Masada band, The Dreamers continues with the motif and accessibility of 2001’s The Gift… mixing world, jazz, exotica, surf and more into a very pleasing John Zorn package. Combined with the fantastic cute animal art by Chippy, this one will most definitely rank in the top Zorn releases. I hear it may find its way onto vinyl, or perhaps that’s just me stoking the embers of the rumor house’s fireplace. Favorite tracks are “A Ride On Cottonfair” and “Nekashim.” http://tzadik.com/ -and- http://myspace.com/johnzorn |
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 Jason Schimmel’s Orange Tulip Conspiracy – Orange Tulip Conspiracy (Web of Mimicry) :: Jason Schimmel has played with two bands that I love: Estradasphere & Secret Chiefs 3. This album continues on with Estradasphere’s Palace of Mirrors’ eclectic world music sound, but also brings in a bit of exotica, cinematic sound. I saw them in Eugene in November, and John Whooley’s sax blew me away as much as Jason’s guitar work. Favorite tracks are “Fall Creek” and “Rendezvous.” http://orangetulipconspiracy.com/ -and- http://www.myspace.com/orangetulipconspiracy |
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 Earth – The Bees Made Honey in the Lion’s Skull (Southern Lord) :: I went to their show at WOW Hall in Eugene in June after getting into Stebmo (see #12 above). They pretty much played stuff from their latest album. After the show, I quickly nabbed their prior work from Amazon used (and whatnot). Great band in the slowcore genre. They have deep ties to the Seattle scene, co-mingling with Kurt Cobain, the Melvins, Sunn 0))), and others. In fact, Kurt Cobain even guested on Earth’s 2nd EP, Extra-Capsular Extraction. With that being said, they’re definitely not grunge, they’re not rock, they’re not metal… they’re what you might call drone rock. Slow but powerful. Favorite tracks are “Engine of Ruin” and “Rise to Glory.” http://www.thronesanddominions.com/ -and- http://myspace.com/earthofficial |
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 The Bar Kokhba Sextet plays John Zorn‘s Masada Book Two – Book of Angels, Vol. 10: Lucifer (Tzadik) :: The Bar Kokhba Sextet showed up in 1996 as an almost direct spin-off of the Masada book; so them doing a Book Two album was almost a given. Holy cow, it’s a brilliant record… but I always loved what the Sextet had done previously. The Sextet is the tour de force of Cyro Baptista, Joey Baron, Greg Cohen, Mark Feldman, Erik Friedlander, and Marc Ribot. This is one band in my list that I wish I’d seen… I’m crossing my fingers that Earshot Jazz can bring ’em over to the PacNW sometime. Favorite tracks are “Sother” and “Abdiel.” http://tzadik.com/ -and- http://www.last.fm/music/Bar+Kokhba+Sextet |
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 The Secret Chiefs 3 play John Zorn‘s Masada Book Two – Book of Angels, Vol. 9: Xaphan (Tzadik) :: I shant write too much about Xaphan, as I wrote a fairly in-depth review of it back when it came out. I will say that it aged well and still held the Top spot all year. It’s a GREAT record. My main disappointment is that I wish they’d have played some from it at their tour this past fall. Favorite tracks are “Shoel,” “Bezriel,” and “Balberith.” http://webofmimicry.com/ -and- http://tzadik.com/ -and- http://myspace.com/secretchiefs3 |
Well, I bought ten (10) John Zorn CDs this year (unless I’m misscounting), and 2 of them didn’t make it anywhere on the list (the Lou Reed & Laurie Anderson improv benefit CD for The Stone NYC & the score for The Last Supper, aka Film Works XXII)… so, you can’t say that I’m totally biased towards John Zorn. :) Though, I do buy just about everything in his label Tzadik’s Archival series, Key series, and Radical Jewish Culture series (and a handful of the rest of the other series).
What I’m looking forward to in 2009? More great music…
~Dan – np: Miles Davis – Miles in the Sky
Vladimir Bozar ‘n’ Ze Sheraf Orkestar
new music alert
Vladimir Bozar ‘n’ Ze Sheraf Orkestar‘s Universal Sprache is one of those albums that is hard to define. Vladimir Bozar started as an offshoot from a French Frank Zappa cover band, The Children of Invention. Their last gig was Vladimir Bozar’s first gig. The music on this debut CD is a great mix of the insanity that comes from artists like Frank Zappa, Mr. Bungle, Secret Chiefs 3, and to some extent John Zorn.
Clearly not for the purveyor of “pop” music, this is a very imposingly hard to digest collection of great sounds that I wouldn’t necessarily call “songs.” With that being said… I love it. It jots and tittles across your mind, and right when you start getting into the groove… it slaps you upside the mouth, buzzes up your leg, claws through your pant leg and sits down like a puppy who wants to be petted, then zooms off for an espresso.
Metal, punk, classical music, jazz, movie sound, Tzigane music, electronic, and spoken word. This Ritalin-side effect gang of misfits has toured in Europe with Trey Spruance’s Secret Chiefs 3, as well as the stripped down Estradasphere Trio. Trey Spruance said of Vladimir Bozar ‘n’ Ze Sheraf Orkestar that “obviously, this music is composed of lunatics hopelessly.” :)
The album, Universal Sprache, was recorded in Estradasphere’s Seattle studio with Tim Smolens recording, Tim Smolens and Jason Schimmel* mixing, and Timb Harris contributing trumpet, TIm Smolens contributing bass & vocals, and Jason Schimmel contributing mandolin.
*– Speaking of Jason Schimmel, I’m stoked for his amazing Orange Tulip Conspiracy tour coming through Eugene, Oregon, next week… November 17th @ Samurai Duck.
Vladimir Bozar ‘n’ Ze Sheraf Orkestar are planning to tour Europe and (hopefully) the US in 2009. In the meantime, you can hear clips of the album on MySpace and order it from iTunes, EMusic, Rhapsody, et cetera… or physical CDs via Estradasphere’s Lobefood mail order should be coming soon (not yet, though).
The band is:
- Djé de Vence (Jérome Simond)-Clavier/Sequencer/Accordion
- B’hz (cédric Benard)-Drum
- Cyro (Cyril Torres)-Guitar/back vocal/kazoo
- Mina (Jasmina Barra)-Bass/vocal
- Pedral (Pierre Lacasa)-Lead vocal/mandolin
On the web:
- http://www.myspace.com/vladimirbozar
- http://www.sonicbids.com/epk/epk.aspx?epk_id=179208
- http://www.estradasphere.com/ (their recording buddies)
~Dan – np: Frank Zappa – One Shot Deal
a new John Zorn book & more MBD
A biography John Zorn by John Brackett is available by Indiana University Press. John Brackett is Assistant Professor of Music at the University of Utah. This is the full-length study of avant-garde American composer John Zorn.
http://www.iupress.indiana.edu/catalog/product_info.php?products_id=84773 (paperback)
http://www.iupress.indiana.edu/catalog/product_info.php?products_id=84699 (hardback)
“Brackett’s groundbreaking book . . . confronts Zorn’s contradictory modes of expression that couple the aesthetics of Stravinsky, Boulez, Duchamp and Godard with the transgressive sexuality and violence of Bataille, Genet and Maruo, brilliantly demonstrating how these powerful dualities of thought-real yet fantastic, pleasing yet horrifying-synergize to make Zorn’s compositional voice unique and seminal in the 21st century.” -Severine Neff, University of North Carolina, Chapel Hill
Check out the Table of Contents
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And to be totally nonsequitur, here’s a cute new animated video for My Brightest Diamond‘s song “Inside a Boy“:
Oh, and by cute, obviously that is to mean killing aliens with marbles slung from a slingshot…
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Oh, and go vote. Tomorrow is D-Day…
~Dan – np: Piano Magic – Dark Horses -EP-
astronome: a night at the opera
John Zorn’s Moonchild Trio (Mike Patton/Trevor Dunn/Joey Baron) is due out with a fourth recorded installment (The Crucible) later in 2008/early 2009. Their second installment, 2006’s Astronome, is getting a revised treatment for the stage. From the Downtown Music Gallery‘s newsletter this week:
ASTRONOME: A NIGHT AT THE OPERA!
Director Richard Foreman and musician John Zorn team up for Astronome: A Night at the Opera opening next year [2009] at Ontological-Hysteric Theater.
WATCH VIDEO FEED of rehearsals and see how Foreman develops this production… EVERY WEDNESDAY from 10 a.m. to 4:30 p.m. Nov. 26, 2008-Jan. 21, 2009 live from the Ontological-Hysteric Theater in Manhattan! [No rehearsals Dec. 24, 2008]
Tune in at http://www.free103point9.org
hmm… No word in the above weblinks if the Patton/Dunn/Baron Moonchild Trio (pictured below) will be in the production. I don’t know how it would work without them, but you never know. I mean, it could probably only be non-rad if they got Renee Zellweger to play Mike Patton’s parts. :) .
NYC trip in 2009 for me? Unlikely. But I can dream…
~Dan – np: Paul Brody’s Sadawi – For the Moment
Anakronic Electro Orkestra
OK, I love Jewish music. I didn’t know I loved it until early 2006, when I got into John Zorn’s Masada, a great mixture of composed, yet improvisationally free jazz, grounded in Jewish melodies.
(Dave Douglas & John Zorn of Masada, photo courtesy of volume12)
Masada led to discovering many more great Jewish, Klezmer, and Slavic/Balkan music artists on John Zorn’s Tzadik label (and other labels):
……Electric Masada / Masada String Trio / Bar Kokhba Sextet (splinter bands from the Masada Book), Steven Bernstein (of Sex Mob), Jon Madof’s Rashanim & CircuitBreaker, Bester Quartet (formerly the Cracow Klezmer Band), Daniel Zamir & Satlah, David Buchbinder’s Jewban (or Cubish) cultural mash-up Odessa/Havana (and the similar mashups from Irving Fields and Roberto Rodriguez), David Krakauer’s Klezmer Madness, Jamie Saft, So Called, Balkan Beat Box, Slavic Soul Party!, Davka, Eyol Moaz, Jennifer Charles & Oren Bloedow’s La Mar Enfortuna (both from Elysian Fields), Koby Israelite, Marc Ribot’s Jewish music, Paul Brody’s Sadawi, Talat, Yoshie Fruchter, Z’ev, Zakarya, Klez-Factor, the Tiptons Saxophone Quartet, the Lithuanian Empire, the Alexandria Kleztet, Alex Kontorovich, et cetera…
Anyway, after I got into more John Zorn, I also got into more jazz and more Jewish music. There are many cross-overs between the two worlds (jazz and klezmer). Around that time, I was also getting into podcasts… and the only podcast that focused on klezmer music (that wasn’t always heavy on the vocals) was/is Keith Wolzinger’s Klezmer Podcast.
Recently, Klezmer Podcast #38 (from 9/3/08) focused on French record label, Jumu Music… and then had some clips from the Anakronic Electro Orkestra.
Wow… Anakronic Electro Orkestra is really fresh Jewish music, with a fun rock-meets-klezmer feel – – complete with accordion & clarinet. They don’t have an album out yet, but they’re hoping to have an EP out later in 2008 and a full-length in 2009. Check out some of their music on the MySpaces (“Why Is It Funny” is my favorite):
- http://www.myspace.com/anakronicelectroorkestra
- http://www.myspace.com/jumumusic
- http://www.myspace.com/anakronic
- http://www.anakronic.com/
~Dan – np: George Carlin – It’s Bad For Ya
JZ’s The Crucible, The Dreamers, biography, and JFJO grumbles
Well, first.. I didn’t end up at the Jacob Fred Jazz Odyssey (JFJO) show last night. Boo. Stupid Eugene Celebration blocking off within 60 yards of the art gallery where they were playing and wanting me to buy a wristband to see a show I’d have to pay for that’s not on a stage at Eugene Celebration. I think me skipping it was on principle, not on lack for wanting to see JFJO. Rassen frassen… but I hope to catch the free Richard Crandell show today at Cozmic Pizza. He’s a mbira player, and I have one of his composer series CDs on Tzadik Records. He’s from frickin’ Eugene and on Tzadik Records – – how cool is that?
Speaking of Tzadik… on to some upcoming Jay-Z news… and by Jay-Z, I mean John Zorn (founder of Tzadik).
Graphic design artist extraordinaire Heung Heung “Chippy” posted on her blog about some new design stuff that she’s been working on for Tzadik:
I’m designing a book jacket for John Brackett’s biography on John Zorn, published by Indiana University Press. Title: John Zorn Tradition and Transgression. Cover photo by Scott Irvine, Book Jacket Design by myself, Book Interior Design by Jamison Cockerham. It’s nearly done and looking pretty good. Please look for it and buy this first biography ever on one of New York City’s heroes.
FOR MORE JOHN ZORN MUSIC, we have many treats for you–he’s been releasing amazing FilmWorks CDs (yes, prolific), another one is on its way–this one is extra special, one I’ve been listening to everyday–very meaningful, touching upon so many personal levels. (The Last Supper, FilmWorks XXII).
For those who are eagerly waiting for The Crucible (Moonchild’s 4th CD), it is coming very soon. Expect more killer photography by Scott Irvine (Tzadik’s official photographer–thank you to all who voted for him this summer), design by myself. Powerful music. And yes, you can have your Mike Patton too.
And it doesn’t stop there. The Dreamers will be expanding like a Chippy dream come true. For you audiophiles, this is our first yet–can’t say now until I’m working on it. Expect limited edition. Speaking of Limited Edition–The Dreamers’ shirts–they will now be considered limited edition, so please get them at Zakka in Dumbo (childrens are only available there or through me) or http://www.tzadik.com Note: once these go and we reprint, the artwork will be different.
My recap in backwards order…
I imagine The Dreamers limited edition thing for audiophiles may very well be a vinyl issue. That’s my inkling and heretofore a rumor. Tzadik hasn’t done a vinyl yet, and what else for audiophiles is considered limited edition these days? Sweet… The Dreamers is a fantastic, exotica meets Electric Masada ventures out earlier this year on Tzadik. It’s one of my favs of 2008 so far.
The Crucible… yay! A 4th installment from the noisemetal Moonchild Trio of Mike Patton, Trevor Dunn, and Joey Baron was inevitable.
I dig JZ’s Filmworks series… Sholem Aleichem: Filmworks XX is on its way to me now.
Additional info on the John Zorn biography… it’s due out in early 2009. It’s a book. With pages. Some probably graphic (just judging based on JZ’s Naked City album artwork and Dr. Brackett’s recent presentations at recent conferences).
~Dan – np: The Tiptons Sax Quartet – Laws of Motion
GOS Tour -and- MMW+Z
Japanese world-metal band God of Shamisen are making a run through the West Coast. I’ll be at the Eugene gig, fo’sheezy.
Sun Sept 7 – Seattle WA – Kevin Kmetz solo traditional performance @ ENMA 2008 Aki Matsuri
Mon Sept 8 – Seattle WA @ the Funhouse (with Diminished Men)
Tues Sept 9 – Portland OR @ Dunes (with SHAT)
Wed Sept 10 – Medford OR @ Johnny B’s
Thurs Sept 11 – Eugene OR @ Samurai Duck *yay*
Sat Sept 13 – Oakland CA @ the Fishtank
Sun Sept 14 – Glendale CA @ The Scene (with Foxycock)
Tues Sept 16 – Fresno CA @ Audie’s Olympic (with Foxycock & Brian Kenney Fresno)
Wed Sept 17 – Santa Cruz CA @ Blue Lagoon
Thurs Sept 18 – Mountain View CA Free in-store performance @ Rasputins Records
Fri Sept 19 – San Francisco CA @ Bottom of the Hill
http://godofshamisen.com/
http://www.myspace.com/gos
~*~*~*~*~*~*~*~*~*~
Three-degrees of separation (GOS’s Kevin Kmetz > Estradasphere > Secret Chiefs 3 > John Zorn), the Medeski Martin & Wood album of John Zorn’s Masada Book Two songs is now out on Tzadik Records. It’s called Zaebos (album cover & tracklist below). I haven’t had a chance to hear it yet (and probably won’t order it yet, as I’m moving in two weeks). But, I tell you what, once I’m moved, DMG‘s gettin’ a big order from me…
1. Zagzagel
2. Sefrial
3. Agmatia
4. Rifion
5. Chafriel
6. Ahaij
7. Asaliah
8. Vianuel
9. Jeduthun
10. Malach ha-Sopher
11. Tutrusa’i
Billy Martin: Drums
John Medeski: Keyboards
Chris Wood: Bass
all songs written by John Zorn
arranged by MMW
~Dan – np: Mike Patton’s Mondo Cane – Live in Holland
did he just say Masada Book THREE?
Happy 8/8/8…
Jazz trumpeter/composer/bandleader Dave Douglas posted this on his Greenleaf Music blog today:
In the months since the “Final Acoustic Masada” appearances[1], there have been a number of developments in John Zorn’s presentation of the Masada material. This past week saw a few shows in Europe reflecting this new phase. John’s preference at this point seems to be exposing multiple facets of the Masada music in one night or over the course of a week: from solos to string trio or guitar trio, from various quartets up to sextets and larger, sometimes with electronics. It’s an approach that gets at the real variety and depth found in the book, showing not only how many different kinds of pieces are in it, but how many ways it can be played.
This week saw the first shows of what feels like a whole new band: the Masada acoustic quartet (John Zorn, Dave Douglas, Greg Cohen, Joey Baron), plus Uri Caine on piano and Cyro Baptista[2] on percussion. There was an incredible amount of electricity for what is essentially a totally acoustic band. The new tunes (Book 2, Book of Angels) drive the music in unexpected new directions and provoke unusual instrumental combinations. And the old tunes exploded into completely new territory, each one we played reinventing itself with new improvisational dimensions. At this point I’ve lost track of how many tunes there are. No matter, apparently there is a third book coming[3].
Hells yeah… I may get a chance to see Zorn/Douglas/Cohen/Baron + Caine/Baptista eventually… :D
~Dan – np: Elsiane – Hybrid
[1]– referring to the acoustic quartet, of which I got to see twice… once at Duke University, once at Lincoln Center in NYC.
[2]– Cyro’s a wicked good, fun percussionist.
[3]– um… fuck yeah…
ha’fway
(Sub)consciously prompted by this music blog, here are my favs of the first half of 2008… it’s all bound to switch around by year’s end:
Artist Album (label)
- The Secret Chiefs 3 play Masada Book Two: Book of Angels, Vol. 9: Xaphan (Tzadik)
- The Bar Kokhba Sextet play Masada Book Two: Book of Angels, Vol. 10: Lucifer (Tzadik)
- My Brightest Diamond A Thousand Shark’s Teeth (Asthmatic Kitty)
- Opeth Watershed (RoadRunner)
- Earth The Bees Make Honey in the Lion’s Skull (Southern Lord)
- Dave Douglas & Keystone Live at Jazz Standard, 4/10/2008 to 4/13/2008 (2 sets each night = 8 CDs worth, each set downloadable within 24 hours of the performance… cool stuff…) (Green Leaf)
- Sigur Rós Með suð í eyrum við spilum endalaust (XL)
- Reptet Chicken or Beef? (Monktail Creative Music Concern)
- John Zorn’s The Dreamers (Tzadik)
- King’s X XV (Inside Out)
- Glen Phillips (of Toad the Wet Sprocket) Secrets of the New Explorers -EP- (Umami)
- Ashes Divide (Bill Howerdel of A Perfect Circle) Keep Telling Myself It’s Alright (Island)
- Mike Patton A Perfect Place (Ipecac)
- Puscifer V is for Viagra – The Remixes (Puscifer)
- Jacob Fred Jazz Odyssey Lil’ Tae Rides Again (Hyena)
- Bill Frisell History, Mystery (Nonesuch)
- Steven Bernstein (of Sex Mob) Diaspora Suite (Tzadik)
- Hiromi Beyond Standard (Telarc)
- Stebmo Stebmo (Stebmo)
- Bobby Previte & New Bump New Bump: Set the Alarm for Monday (Palmetto)
- Swami Late Plate (Previte & Saft) Doom Jazz (Veal)
- Porcupine Tree We Lost the Skyline -EP- (Transmission)
- Raquy and the Cavemen Mischief (Meef)
- Aimee Mann @#%&*! Smilers (Super Ego)
- Kaki King Dreaming of Revenge (Velour)
The 2nd half of 2008 promises to bring some potential great ones, too… Medeski Martin & Wood play John Zorn’s Masada Book Two, 3 other Medeski Martin & Wood albums (later in the year), Secret Chiefs 3 Book of Souls (maybe), God of Shamisen debut, Extreme Saudades de Rock, Mike Patton‘s Mondo Cane, Mike Patton & Dan the Automator’s Crudo, a new Sufjan Stevens (just speculating, since it’s been a while), Ben Folds is working on one, Ani DiFranco always has something coming out, Jude‘s Cuba, Jon Madof‘s CircuitBreaker debut (and maybe another Rashanim?), The Tango Saloon‘s Transylvania, new Tristeza, Over the Rhine Live from Nowhere III, David Bazan full-length, George Hrab (maybe?), SFJazz 2008 with Dave Douglas & Joe Lovano and others, Frank Zappa‘s One Shot Deal, another installment of the John Zorn avant-metal trio of Mike Patton/Trevor Dunn/Joey Baron… and I’m sure another dozen or more that I’ll dig from Tzadik.
“Jazz Snob: Eat Sh*t”
Some recent DIME torrents of old Naked City shows got me to wishing I could be nostalgic (even though I didn’t get into them until 3 or 4 years ago)…
Don’t have your speakers on too loud… here’s 28 seconds of delish jazz-core (mp3 link) from Naked City (a supergroup of misfits in John Zorn, Bill Frisell, Wayne Horvitz, Fred Frith, Joey Baron, Yamataka Eye).
from Torture Garden and Grand Guignol
Definitely not for everyone. The bleeding edge of art jazz…
~Dan – np: (oddly enough… not art jazz) Extreme‘s new song on MySpace called “Star” (it’s very Queen-y)
Medeski Martin Wood & Zorn
OYG!
According to Downtown Music Gallery‘s catalog search and this MTV entry, the next treatment for John Zorn‘s Masada Book Two: Book of Angels series is… MEDESKI MARTIN & WOOD. Wow.
It’ll be #11 in the series on Tzadik Records, and it’s named after the angel/demon Zaebos.
My recent review of #10 in the series (Secret Chiefs 3’s Xaphan) is HERE. I’m equally stoked about this forthcoming MMW treatment… and quite frankly it totally caught me completely off guard (I think I knew about the SC3 one, like, 18 months ahead of time).
-Eyvind Kang
-Frank Zappa
Amazon.com mp3 downloads
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