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PHOTOS: Secret Chiefs 3 – The Seattle Residency (5/7/13 & 5/8/13)

12th Jun 13 (Wed) 3 comments

Better late than never, I got the Secret Chiefs 3 Seattle residency photos edited.  Two days and four amazing sets by this amazing band.  Go here for the SUNSET 5/7 SETLISTS (UR & Ishraqiyun) and here for the CROCODILE 5/8 SETLISTS (John Zorn’s Masada Book Two: Xaphan & FORMS).

Note: The new album, Book of Souls: Folio 1, originally announced to come out in May has now been pushed back.

The Appropriate Linkage:

Secret Chiefs 3 in Seattle 2013

Secret Chiefs 3 in Seattle 2013

Secret Chiefs 3 in Seattle 2013

Secret Chiefs 3 in Seattle 2013

Secret Chiefs 3 in Seattle 2013

SECRET CHIEFS 3 PHOTOS
all pictures (cc) 2013 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

Secret Chiefs 3 – 2013 SPRING RESIDENCY TOUR

Seattle, WA
Tue May 7, 2013 @ The Sunset
Wed May 8, 2013 @ The Crocodile

San Francisco, CA
Fri May 10, 2013 @ Cafe Du Nord
Sat May 11, 2013 @ Cafe Du Nord

Los Angeles, CA
Sun May 12, 2013 @ Bootleg Bar
Tue May 14, 2013 @ Bootleg Bar

New York, NY
Fri May 17, 2013 @ Mercury Lounge

Brooklyn, NY
Sat May 18, 2013 @ Union Pool
Sun May 19, 2013 @ Union Pool

Chicago, IL
Tue May 21, 2013 @ Schubas Tavern
Wed May 22, 2013 @ Beat Kitchen

Toronto, ON
Fri May 24, 2013 @ The Drake
Sat May 25, 2013 @ The Drake

New York, NY @ The Stone (6 nights, 12 shows)
May 28, 2013
8pm: UR
10pm: FORMS etc.

May 29, 2013
8pm: Tesselations / Magic Squares
10pm: Ishraqiyun

May 30, 2013
8pm: FORMS etc. (expanded set + new material)
10pm: Xaphan

May 31, 2013
8pm: John Carpenter tribute + new material from Forms, UR, etc.
10pm: Tessellation 2: with guests Ches Smith and Gyan Riley

Jun 01, 2013
8pm: FORMS (new material adding Ches Smith, pipe organ favorites etc)
10pm: Ishraqiyun Kenny/Ches double-drum Cthulu mutations.

Jun 02, 2013
8pm: Final SC3 set, best of Stone week recap (with Ches Smith & Kenny Grohowski)
10pm: Masada (adding Gyan Riley to previous ensemble, the whole crew)

REVIEW: John Zorn at 60 @ Walker Art Center & St. Mark’s (Minneapolis, MN – 4/6/13)

12th Apr 13 (Fri) Leave a comment

John Zorn - only pulled out his horn at the very end

John Zorn turns 60 this coming September, and Minneapolis’ Walker Art Center wanted to throw a Zorn Fest of sorts.  Since Zorn doesn’t like to travel, he wanted to keep it to a minimum: not a 3+ day fest, but hey, let’s do it all on one day!  And thus “Zorn @ 60” at Walker Art Center was born!

Check out what 60 of Zorn’s contemporaries have said about him… Part 1 & Part 2.

There have already been a  few great reviews already posted (Jazz Police / Walker Art / City Pages); so I’ll keep my write-up to my own personal reflections, and not as in-depth, per se.  Here’s who Zorn had with him for this fest, in different assemblies… Cyro Baptista, percussion; Joey Baron, drums; Greg Cohen, bass; Chris Cunningham, guitar; Marc Feldman, violin; Eric Friedlander, cello; Michelle Kinney, cello; John Medeski, piano, Hammond B3; Ikue Mori, electronics; Marc Ribot, guitar; Joey Schad, electric keyboards; Kenny Wollesen, vibraphone, percussion, and drums.

Well, first off, due to documentaries, I know what Zorn sounds like… and I was getting off the elevator at my hotel and I heard a familiar voice.  Then I looked up, and “whoa, John Zorn is getting on the elevator that I’m getting off of.”  I almost wanted to act like I forgot something in my room and ride up with him.  Alas, I wussed out.  Then in the lobby, Marc Ribot was futzing around on his phone, and Greg Cohen’s massive upright bass case was blocking the front desk.  It all added to my overall giddiness for the day…

John Zorn discussion w/ Philip Bither

The full day of Zorn @ 60 started at 3pm with a sit down with fest curator Philip Bither.  Zorn is a lively, humorous, acerbic character.  I kinda love him.  Probably more f-bombs and frivolity than most Q&A sessions, the near hourlong session was highly interesting.

The first part of the discussion talked about Zorn’s age… as the fest was all about his experience and what got him to where he is now in the scene at 60.  Zorn talked a little bit about other “60” celebrations he’s doing this year (of all things MySpace has the best list), and one that he’s doing at The Met (NYC) completely intrigued me… ten performances every hour on the hour in different galleries throughout the museum on September 1st (Facebook link).  if I can swing a way to be in NYC for most of September, I’d be happy.  Unlikely, though.

Some of the best quotes from the interview and Q&A (paraphrased from my scribbles):

[about turning 60]“You don’t have any more doubts.”

“They’ve been saying I’ve been playing ironically for decades… that’s bullshit. But they don’t believe me when I say that’s bullshit.”

“Ribot plays guitar like a mutha’fucka!”

“I live in a library [of books, LPs, CDs, DVDs]… I didn’t have a kitchen for over a decade, but I didn’t have cockroaches either!”

[on creativity] “There were probably Bach-types banging on logs [in the earliest times]. Creativity is mystical, spiritual, ineffable.”

[on his schedule for the day] “Eating is a drag… it’ll only slow you down.”

[on critics] “The secret to longevity is to stay away from negative people… all reviews are bad. We don’t need that bullshit.”

And while I write reviews (and perhaps this is one), I understand his take on the industry of critique.

Marc Ribot plays selections from The Book of Heads
(about 20 minutes)

Mark Ribot performs with Doveman at The Studio in Sydney Opera House for Vivid Live 5th June 2010. (photo by Daniel Boud)

John Zorn / Marc Ribot - The Book of HeadsFirst music of the day… Marc Ribot by himself with a guitar, some pedals, a violin bow, some balloons, and an intenseness in his eyes.  The Book of Heads, an album of solo Etudes composed by Zorn, is a very difficult listen.  It screeches, it hurtles into many different directions.  It’s hard to follow, it’s hard to even want to listen to at some times.  Seeing it live, though, was quite fascinating.  It’s highly composed, but seemingly improvised.  Just seeing Marc’s stern look at the sheet music showed the composition.  He was intently following the haphazard that was on the page.  When one of the greatest guitarists is using balloons as a key part of the music making process, you know things are weird.  Weird but gripping.

Ribot played the following Etudes (not necessarily in this order): 13, 23, 9, 24, 22, 27, 7, 2.

Game Piece: Hockey with Kenny Wollesen & Erik Friedlander
(about 10 minutes)

John Zorn - Hockey

John Zorn - HockeyThe next piece was a trio game piece first created in 1978.  Zorn’s game pieces are a strict set of rules and is a structured, improvisational collaboration between the artists.  Hockey on record is OK to listen to, but like The Book of Heads and Cobra (below), it’s far more interesting in the live setting.

A game piece is…

As well as a sports game, a game piece may also be considered analogous to language: The performance is directed by a well defined set of rules (a grammar) but by no means fixed or predetermined (just as all sentences generated by the same grammar are not the same). The length of a piece may be arbitrary, just as a sentence can be of any imaginable length while still conforming to a strictly defined syntax.

This time is was Zorn on birdcalls, Kenny Wollesen on bird calls and percussion, and Erik Friedlander on cello.  With Kenny and Erik looking intently at Zorn for his verbal and hand motion directions.  The level of musicianship of these three players is amazing, and the game pieces are basically a way to stretch their creative musical muscles while making sounds that you’d never expect.  It’s not for the casual listener.

Game Piece: Cobra (for 11 players)
(3 games; about 30 minutes total)

John Zorn - holding up cue card during the Northsea Jazz Fest

John Zorn heard off stage before Cobra started: “Just don’t make any mistakes!”

John Zorn - CobraCobra takes the game piece concept to whole new levels.  The rules are more complex, and John Zorn doesn’t play but directs at the front.  Based on the card he holds up and his verbal and non-verbal cues, the musicians go off on an adventure – never the same in any repeat performance.

With eleven players on stage (all listed at the top of this post), they played three games of Cobra.  This was my first time seeing Cobra.  It’s very interactive, starting with Zorn’s lead, but the players get room to lead things too.  It’s improv, but still with a structure.  Here’s a glimpse at the cue card structure:

John Zorn - Cobra cue cardsHighlight for me: Joey Baron’s smile.  I get such a kick out of watching him play.  He’s probably the musician having the most fun ever on stage every time I see him.

Cobra was the end of the first program, and the fest broke for a couple hours.

Erik Friedlander plays selections from Masada Book Two: Volac
Masada String Trio, and
Bar Kokhba Sextet
(a little over an hour – total)

The second program was the chamber music segment (and also the part of the day where my notes have now gone missing).

Erik Friedlander plays Volac (John Zorn's Masada Book Two: Book of Angels)I’d seen Erik Friedlander before (both solo with his own stuff and playing Volac), and it was a great warm up for the increasingly larger groups playing music from John Zorn’s Masada Book Two set of music.  He played a gorgeous 20 minute selections from Volac.

Masada String TrioUp next was the Masada String Trio made up of the aforementioned Erik Friedlander on cello, Mark Feldman on violin, and Greg Cohen on upright bass.  While the music they played was composed (same with Bar Kokhba Sextet), John Zorn sat on the floor in front of them, conducting.  They played about 20 minutes from their Masada Book Two set.  Gorgeous players, gorgeous music!

Bar Kokhba SextetContinuing in the chamber music written & conducted by Zorn, the Bar Kokhba Sextet found the Masada String Trio joined by Joey Baron on drums, Cyro Baptista on percussion, and Marc Ribot on guitar.  This was probably the best part of the night for me – outside of the experience of seeing Cobra played for the first time.  The group effortlessly brought Zorn’s Masada tunes some groove, and seeing both Baron and Baptista work together percussively was a delight.

John Zorn’s Nova Express & The Concealed
encore:

John Zorn playing to Wallace Berman’s film Aleph
with Kenny Wollesen & Greg Cohen
(about 75 minutes total)

At the beginning of the third program, someone yelled out from the audience, “where’s your horn!?” to which John Zorn yelled back, “at home mother fucker!”  Irreverent and hilarious.  Even though he was lying (he brought out his alto sax for the final piece).John Zorn in Minneapolis 2013  Photo by Bryan Aaker.

Nova Express and The Concealed songs were played by Joey Baron on drums, show-stealer Kenny Wollesen on vibes, Erik Friedlander on cello, Mark Feldman on violin, Greg Cohen on upright bass, and John Medeski on piano.  These are two of Zorn’s better albums in the recent three years’ output (of ~36 albums!!!!).  Partly classical takes on Masada tunes (Nova Express), and partly mystical (The Concealed).

Zorn Zorn - Nova Express John Zorn - The Concealed

As mentioned, the only time John Zorn brought out his sax was for the visual installation piece Aleph – set to Wallace Bergman’s short cut-up film of the same name. Iit was a ripping, avant-garde piece in the dark, backlit by the film, with Zorn wailing on sax, Kenny Wollesen moving off of vibes on to the drums, and Greg Cohen on bass.  Stellar!

John Zorn’s The Hermetic Organ (midnight) @ St. Mark’s Episcopal Cathedral

John Zorn - hermetic organ

John Zorn - The Hermetic OrganA special free midnight performance of John Zorn’s The Hermetic Organ was across the street after the final third program of Zorn @ 60.  Most of the crowd piled over to St. Mark’s Cathedral to watch the contrasting and turgid organ piece.  I stayed for about half of the 30+ minute set and then slowly started my 2 mile, midnight walk back to my hotel – content at the day’s musical gifts.

A brilliant, music-packed day!  If you want to check out some videos of what went down, the French Zorn website le zornographe has linked to some performances posted from the Walker Art Center “Zorn @ 60” fest on YouTube:

Bar Kokhba Sextet “Sother”

Masada String Trio “Bethor”

John Zorn’s Cobra (piece 2)

Erik Friedlander ” Sannul”

The Concealed “Towards Kafiristan”

Nova Express “Between Two Worlds”

The Appropriate Linkage:

Next show for me… Soul’d Out Festival’s Charlie Hunter with Booker T. Jones & Carlton Jackson (first time as a trio) @ Dante’s (Portland 4/14)..

~Dan – np: ElleryLying Awake
Ellery - Lying Awake

http://www.amazon.com/gp/product/B000WDSRVY/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000WDSRVY&linkCode=as2&tag=essentialmusi-20

John Zorn @ 60 in Minneapolis (soon)

9th Apr 13 (Tue) Leave a comment

John Zorn @ 60 in Minneapolis was awesome… I’m still decompressing, but I should have a write-up posted this week sometime…

John Zorn

John Zorn @ 60 – McGuire Theater @ Walker Art Center :: Minneapolis, MN
John Zorn discussion w/ Philip Bither
Marc Ribot plays selections from Book of Heads
Game Piece: Hockey with Kenny Wollesen & Erik Friedlander
Game Piece: Cobra (for 11 players)
Erik Friedlander plays selections from Masada Book Two: Volac
Masada String Trio
Bar Kokhba Sextet
John Zorn’s Nova Express & The Concealed
John Zorn’s playing to Wallace Berman’s film Aleph with Kenny Wollesen & Greg Cohen
John Zorn’s The Hermetic Organ (midnight) @ St. Mark’s Episcopal Cathedral

Favorite Concerts of 2012

31st Dec 12 (Mon) Leave a comment

Well, this year was once again good to the Pacific Northwest on the concert front… 366 days, 85 shows, 144 artists, many long nights driving home, and a lot of photos… my best albums lists will likely push off into mid-January (due to being busy & heading out on vacation), but here are my favorite concerts of 2012…

My favorite concerts of 2012:

  1. Secret Chiefs 3 :: WOW Hall :: Eugene, OR {6 Feb} [review with photos] – I saw them twice on this tour, and both shows were great. The Eugene show gets the nod mainly because it was first in the order. :)
  2. Roger Waters presents Pink Floyd’s The Wall:: Rose Garden :: Portland, OR {22 May} [review with photos] – Wow. I don’t even think The Wall is in my Top 5 of Pink Floyd albums, but holy cow, this was an amazing show.  Truly stunning.
  3. Radiohead :: Key Arena :: Seattle, WA {9 Apr} [review with photos] – A phenomenal band that keeps making me drive multiple hours anytime I want to see them!  I’ll gladly continue, though.
  4. Sufjan Stevens presents the Surfjohn Stevens Christmas Sing-A-Long: Seasonal Affective Disorder Yuletide Disaster Pageant On Ice :: Aladdin Theater :: Portland, OR {6 Dec} [review with photos] – I hate Christmas music, but this spectacle of wonderment warmed me over.
  5. Puscifer :: Arlene Schnitzer Concert Hall :: Portland, OR {14 Mar} [review with photos] – A wine tasting and a concert from rock’s favorite frontman? Yes, please.
  6. Seun Kuti & the Egypt 80 :: WOW Hall :: Eugene, OR {18 Mar} [review with photos] – I love Nigerian music, and anyone with the last name of “Kuti” should come with a mandate that you go to the show.
  7. “Weird Al” Yankovic :: Lane County Fairgrounds :: Eugene, OR {18 Aug} [review with photos] – A long, many be-suited set of songs.  Saying it was a “fun time” would be an understatement.
  8. Over the Rhine :: The Triple Door :: Seattle, WA {17 Nov} [review with photos] – It had been too long since seeing Over the Rhine (a year).  I got spoiled when I lived in Cincinnati; so now Ive got to get my OTR fix when I can.  This was a gorgeous night.
  9. Levi Weaver :: my house :: Eugene, OR {16 Jul} [review with photos] – Going to an intimate house concert is great.  I recommend it.  Hosting an intimate house concert – doubly so!
  10. Peter Mulvey & Kris Delmhorst :: 3 venues :: 3 Oregon cities {17-19 Oct} [recap with photos] – Story time from two stupendous singer-songwriters.
  11. Dan Deacon :: Hawthorne Theatre :: Portland, OR {25 Oct} [recap with photos] – Dancing some asses off.
  12. Sigur Rós :: Edgefield :: Portland, OR {9 Aug} [review] – This was my first time at Edgefield and also my first time seeing Sigur Rós in an outdoor venue.  Plus side on a great venue, but a slight knock for loving how Sigur Rós works within a theater setting.  A great show regardless of venue, though.
  13. Fiona Apple :: Arlene Schnitzer Concert Hall :: Portland, OR {26 Jul} [review] – A bit spastic, but a phenomenal performer.  A mix of her new and old tunes, truly great show!
  14. Nellie McKay :: The John G. Shedd Institute for the Arts :: Eugene, OR {2 Mar} [review with photos] – I saw her four times this year, and they all rank well.  I’ll see Nellie any time she comes through.  She’s always a delight!
  15. Portland Cello Project plays Radiohead’s OK Computer :: The Majestic Theatre :: Corvallis, OR {21 Sep} [setlist] – While I would have gone a different route than a men chorus for the vocal aspect (i.e. the one song with a regular vocalist was the best one), this was a very special night.

Runners-Up: My Brightest Diamond in Tacoma (Sep) – only because it was a short set, Penn & Teller in Vegas (Jan), Cirque du Soleil’s Zumanity in Vegas (Jan), Trevor Dunn & Travis LaPlante at the Wandering Goat (Jan), and Skerik’s Bandalabra at Cozmic (Mar).

Disappointment: the absurd volume of Jack White at the Hult Center (May).

My favorite concert photos of 2012: (in chronological order)

 

(all images are free to use under a creative commons designation,
simply identify Daniel Temmesfeld with a
photo credit and link to pacificlectic.com.

Past Favorite Concerts Lists:

Favorite music of 2012 will be coming in a few weeks (unless I can squeak them out sooner)… EPs/DVDs/etc, vocal albums, instrumental albums

~Dan – np: George HrabCoelacanth
George Hrab - Coelacanth

REVIEW: Sigur Rós @ Edgefield (Portland, OR – 8/9/12)

10th Aug 12 (Fri) 1 comment

PHOTOS below from Sigur Rós’ Tumblr
(unless otherwise noted)

Sigur Rós is magical.  This was my 6th time seeing them, and quite frankly, it doesn’t get any less magical each time I am graced with their presence.  They don’t really speak to me on a linguistic level, but they blow me away on a musical and emotive level.

The sweeping movements that scream, the melodies that bleed, the ambient passages that don’t go anywhere by going everywhere.  The playing with light and shadows, the simplest/minimalist way to make a huge f*cking point.  That is what Sigur Rós is to its fans.

Their latest album, Valtari, is… well, it seems more minimalist than their prior albums.  It came out in late May 2012, and I’m only a few dozen spins in.  I’m still trying to let it sink in.  It’s slower going than the first spin of Agaetis Byrjun and ( ) for me.  It’s not a hooky (bwahaha!) as Takk… or Með suð í eyrum við spilum endalaust.

Is Valtari anything different than I’d expect from Sigur Rós?  No, not really.  It just hadn’t broken through to me, yet.

Despite Valtari not quite breaking through yet, the anticipation for this tour was killing me.  I had last seen Sigur Rós in October 2008 (review at my photo to the left), and I had last seen lead-singer Jónsi (solo) in April 2010 (review at my photo to the right).

The short trailer for the tour based on the Iceland rehearsals and the tour opening show in Philadelphia had me giddy…

After a delightful drive up and bite to eat at McMenamins’ Black Rabbit with a friend, we hit the venue right about 6 and found a nice shady spot on the lawn.  Opener Julia Holter went on at 6:30 as scheduled…

She played a mellow, 40-or-so-minute set with her 3-piece band (unless there was another member out of my sight).  We were far enough away and the crowd was a bit restless; so her set was more of a backdrop to discussions, people watching and decisions on pizza.  I’d have liked to get into her music more, but sadly things were not conducive to that.  Since she’s from Los Angeles, perhaps I’ll get another chance soon.

After a fairly short set-change, Sigur Rós hit the stage…

This was my first time seeing them in an outdoor venue.  No fancy lights bouncing Orri’s silhouette off the walls, no starting the show behind a white sheet, no cannons of confetti blasting.  Some of the “magic” was missing on the venue side of things, if you ask me – but I don’t think any magic was missing in the music.

Setlist: an hour & 45 min

  • Ekki Múkk
  • Svefn-g-englar
  • Olsen Olsen
  • Gong
  • Andvari
  • Viðrar Vel Til Loftárása
  • Í Gær
  • Vaka
  • Sæglópur
  • Hoppípolla
  • Með Blóðnasir
  • Festival
  • Varúð
  • Hafsól
  • Dauðalogn (on setlist, not played)
  • Encore: Popplagið

Many times throughout the set, within 2 or 3 notes, the crowd was clapping and hooting in anticipation for the song that was just started.  I love that I live in a day and age where I can escape and listen to good live music that sells out a large outdoor venue.  It’s not just the pop stars & starlets that draw a crowd, and it’s nice to see Sigur Rós’ progression and success over the years.

The lesser Valtari-focus made room for a great mix from their catalog, and I think songs from the different eras worked well together.  Some of my favorites from the night… “Svefn-g-englar” leading into “Olsen Olsen,” “Vaka,” “Sæglópur,” “Hoppípolla,” and the show-capper “Popplagið.”

Despite always knowing that they’ll end the show with an epic 10-15 minute “Popplagið,” I don’t think I could choose a better song to end a beautiful night on.

~Tumblr-Rós photos from Seattle 8/8~

The Appropriate Linkage:

Check out more Sigur Rós – North American tour dates below.

Next shows for me… Kevin Smith & Scott Mosier Live SModcast on 8/17 (Portland) and Weird Al Yankovic on 8/18 (Eugene / Lane County Fair).

~Dan – np: TestamentDark Roots of Earth

July 2012
29 & 30 – Philadelphia, Pa. @ Skyline Stage at The Mann
31 – Brooklyn, N.Y. @ Prospect Park Bandshell

August 2012
1 – Toronto, Ontario @ Echo Beach at Molson Canadian Amphitheatre
3 – Montreal, Quebec @ Osheaga Festival Musique Et Arts
5 – Chicago, Ill. @ Lollapalooza
8 – Seattle, Wash. @ The Paramount Theater
9 – Portland/Troutdale, Ore. @ Edgefield Amphitheater
11 – San Francisco @ Outside Lands
12 – Los Angeles, Calif. @ Hollywood Forever Cemetery

REVIEW: Seun Kuti & the Egypt 80 @ WOW Hall (Eugene, OR – 3/18/12)

21st Mar 12 (Wed) 4 comments

FYI… PHOTOS of the SHOW at the BOTTOM

I have to be honest, part of me loves afrobeat due to it originating from my country of birth – Fela Kuti brought it to the forefront in Nigeria in the 1970s (I was born in Jos, Nigeria in the mid-70s as well).  Another part of me loves afrobeat due to how straight-up awesome that it is… blending and stirring folk, jazz, funk, rock, and world music into a brilliant, bubbling, oozing-through-your-pores musical and political form of expression.  It represents the struggle alongside the joy… and it’s got a funky beat I can dance to

Sadly, I missed Femi Kuti (elder son of Fela) when he came through a few years back.  But I love the music, and didn’t want to miss that opportunity again.  I got into the style via NYC-based Antibalas.  When I saw that Seun Anikulapo Kuti was coming to Eugene, I had to go…

had. to.

The opener was California based instrumental afrobeat band Afromassive.  The crowd was sparse at first, but near the middle of the set, the WOW Hall was beginning to fill out…

They played a 45 minute set of instrumental afrobeat songs and a James Brown cover… definitely fun and danceable.  They were an 8-piece band on this tour – lighter on the horns than what was to come, but definitely a horn-centered funky vibe.

They were a perfect warm-up for Sean Kuti and the Egypt 80 The Egypt 80 was Fela Kuti’s band that Seun started singing in as a young boy.  After his father died in 1997, Seun took over the band when he was only 14!  Many of the members in this 15-piece (!) touring band were active in the band when Fela was alive and kicking.

The set kicked off with singer / trumpeter Muyiwa Kunnuji (in purple below) getting things going on vocals for “Giant of Africa.”  During this song, each member of the horn section got a chance to come out and show off their chops with a solo…

Sean came out during the 2nd song with backup singers/dancers and his sax in tow.  He took over the bulk of the lead vocals duties, but most of the band pitched in for the shouts and choruses…

The band played a spirited set of anthems with large swaths of stunning musicianship.  The band, presumably the same from the album’s liner notes (as the album photo appears to be the same people), was made up of the aforementioned Seun on sax & vocals, Muyiwa on vocals and trumpet, Bidemi Adekunle on baritone sax, Gdabe Okunade and Lekan Animashaun on trumpets, Oyinade Adeniran on tenor sax, David Obayendo and Gbenga Alade on guitars, Kunle Justice on bass, Ajayi Raimi on drums, Kola Onasanya on percussion, Okon Iyamba on shekere, Wale Toriola on keyboards, and Iyabo Adeniran and Yetunde Ademiluyi on backing vocals and dancing.

Setlist: 90+ mins

  • Giant of Africa
  • African Soldier
  • Kalakuta Show [Fela Kuti]
  • Zombie [Fela Kuti]
  • African Problems
  • Rise
  • Mr. Big Thief
  • The Good Leaf
  • You Can Run
    No Encore (despite “Mosquito Song” listed)

Seun was drinking hot tea during part of the set… which couldn’t have helped with the heat on the packed stage.  His voice had been giving him troubles; so they ended their set without the listed “Mosquito” encore, despite the many cheers for an encore from the nearly-danced out crowd.  This was only the band’s fourth show on a 2-month long tour (full tour dates at the bottom).  I wish Seun rest and many large mugs of tea!

I picked up their most recent record, From Africa With Fury: Rise.  I dig it.  It’s available in CD or 12″ double-vinyl at the show… or over on the Amazons.  And next time a Kuti or other afrobeat band comes to town… get there.  You won’t be disappointed.

many more photos below

The Appropriate Linkage:

Check out more tour dates below.

Next show for me… well, as I write this, it’s in a few hours… Skerik’s Bandalabra @ Cozmic Pizza (3/20).  After that, it’s Dan Bern @ Cozmic (3/27) and Ani DiFranco @ Roseland (3/31).

~Dan – np: Seun Kuti and the Egypt 80From Africa With Fury: Rise

SEUN KUTI & THE EGYPT 80 PHOTOS
all pictures (cc) 2012 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

Seun Kuti & the Egypt 80 – Spring 2012 U.S. Tour Dates
3/15 – SXSW – Austin, TX
3/16 – Neumo’s – Seattle, WA
3/17 – Mt. Tabor Theater – Portland, OR
3/18 – W.O.W. Hall – Eugene, OR
3/21 – Center for the Arts – Grass Valley, CA
3/23 – Moe’s – Santa Cruz, CA
3/24 – Mateel Cultural Center – Redway, CA
3/28 – Belly Up – Aspen, CO
3/29 – Boulder Theater – Boulder, CO
3/30 – Granada Theater – Lawrence, KS
3/31 – Englert Theater – Iowa City, IA
4/1 – House of Blues – Chicago, IL
4/4 – Variety – Atlanta, GA
4/5 – Duke Performances – Durham, NC
4/6- Soundstage – Baltimore, MD
4/7 – Club Helsinki – Hudson, NY
4/8 – Highline Ballroom – New York, NY
4/12 – UW Madison – Madison, WI
4/13 – Rhythm Foundation – Miami, FL
4/14 – The Cedar – Minneapolis, MN
4/15 – Coachella – Indio, CA
4/16 – Campbell Hall – Santa Barbara, CA
4/18 – UC San Diego – San Diego, CA
4/19 – Zellerbach Hall – Berkeley, CA
4/20 – UCLA Royce Hall – Los Angeles, CA
4/22 – Coachella – Indio, CA
4/24 – KTAOS Solar Center – Taos, NM
4/25 – Albuquerque Museum Amphitheater – Albuquerque, NM
4/27 – New Orleans Jazz Festival – New Orleans, LA
4/29 – Houston International Festival – Houston, TX
5/2 – House of Blues – New Orleans, LA
5/13 – Lake Eden Arts Festival – Black Mountain, NC

Seun Kuti & the Egypt 80 in Eugene [photos soon]

19th Mar 12 (Mon) Leave a comment

Youngest son of afrobeat legend Fela Kuti, Seun Anikulapo Kuti & the Egypt 80 hit Eugene’s WOW Hall on Sunday night… it was an amazing show!

More photos, setlist and review of the show to be posted by Wednesday morning are posted here.

~Dan

REVIEW: Secret Chiefs 3 in Oregon @ WOW Hall & Dante’s (Eugene & Portland – 2/6 & 2/7/12)

9th Feb 12 (Thu) 3 comments

FYI… PHOTOS of the SHOW at the BOTTOM

I’ve been a fan of instrumental world/surf/film metal shape-shifters Secret Chiefs 3 for a long time and a fan of Los Angeles-based, Cambodian-pop-fusion band Dengue Fever for a handful of years as well.

SC3 and DF has their own connection.  Dengue Fever’s debut album in 2003 was on Web of Mimicry, the label that SC3 frontman Trey Spruance runs.  Their connection goes a little deeper still.  Dengue guitarist Zac Holtzman was in Dieselhed with Danny Hefietz (drummer for Mr. Bungleanother Trey Spruance band).  Danny is also back drumming with SC3 on this co-headlining West Coast tour.

For this tour, the bands have been switching off their order of performance.  I was able to catch both Oregon shows… for Eugene (Mon 2/6), DF played first and SC3 closed.  There was no opener, and Dengue Fever went on just before 8:30 at WOW Hall.  I have a couple of their earlier records, but never had the chance to see them live.  I dug it… pretty fun, and it looked like they were having fun on stage as well.

They played about an hour of Cambodian power pop.  Trey Spruance joined them on stage and played guitar and a wicked solo for their final number “1000 Years of a Tarantula”…

DF Eugene 2/6 Setlist: about an hour

  • Genjer Genjer
  • Seeing Hands
  • New Year’s Eve
  • Hold My Hips
  • Tiger Phone Card
  • Durian Dowry
  • A Go Go
  • Uku
  • Pow Pow
  • Sober Driver
  • Only A Friend
  • Cement Slippers
  • 1000 Tears of a Tarantula [with Trey]
    No Encore

Secret Chiefs 3 came out at about 10pm, donned in long, dark hoods except for violinist/ guitarist Timb Harris dressed in more masked martial arts attire…

This was my third time seeing them, and it was definitely the tightest band I’ve witnessed.  They ripped through a blistering set of proggy, world metal.  The off-kilter timings, the meticulous instrumentation… all spot on.  “Bereshith” is a tune that I think I saw them start the 2007 NYC show with, and I thought it was “off” in NYC.  It’s a really odd number, from a timing perspective.  This time… they nailed it.

Probably the most strikingly different moment “live vs. studio” was the gorgeous intro/outro to “Exodus.”  The intro/outro on the Book of Horizons studio version is a lovely melody played on strings (Eyvind Kang on viola & Timb Harris on violin).  For this live setting, Timb put down his violin and played it on trumpet.  I looooooove trumpet… and this melody on trumpet about made me swoon…

SC3 Eugene 2/6 Setlist: about 80 mins

  • Radar (The Day the Earth Stood Still) [Bernard Herrmann]
  • Zombievision
  • Personnae: Halloween [John Carpenter]
  • Balance of the 19
  • Fast
  • Bereshith
  • RFID Slaverider / Agenda 21 / Codex Alimentarius (Le Mani Destre Recise Degli Ultimi Uomini Medley)
  • Sophia’s Theme
  • Vajra (Rat Puriya)
  • Combat for the Angel
  • Tistriya
  • Book T: Exodus [Ernest Gold]
  • Saptarshi
  • Encore: Hurqalya

For Portland (Tues 2/7), I showed up at Dante’s right around 8pm, and the first band wasn’t going on until closer to 8:45.  It was U SCO, who I had never heard of before; so I walked to the near-ish Deschutes Pub and had one of the last pours of their Jubel Kriek (their Jubel Ale aged 25 months in a barrel on cherries and with Brettanomyces).  They blew their 2nd (and last) 1/6 BBL keg shortly after I ordered.  Mmmm… sour beer… after that, I skedaddled back just in time to catch U SCO’s bitchin’ set.

U SCO were helmed by guitarist Ryan A. Miller, who I had just seen a week prior in Eugene opening for a solo bass show from Trevor Dunn (a former Trey Spruance band member as well).  Small musical world in a quite vast musical sea.  Crazy.  Anyway, U SCO was a shredding, avant-garde jazz-metal band – to the best of my descriptions.  They’re a three piece made up of Ryan on guitars, Jon Scheid on bass, and Phil Cleary on drums.  They also had a guest saxophonist for some songs.  They’re from Portland; so I hope I’ll get a chance to see them again.  Definitely!

SC3 started setting up right afterwards and hit the stage about 9:45pm… of core of their setlist was the same, but they did throw in a few new ones: “The 15,” “The 4” and “Zulfikar.”

They ripped through a great set once again.  They’re such a tight band on this tour – quite stunning.  Even when Trey kicked his cord out for about 5-10 seconds during “Halloween,” they didn’t miss a beat.  And, once again, Timb’s trumpet intro/outro for “Exodus“… swoon…

SC3 Portland 2/7 Setlist: about 70 mins

  • Bereshith
  • Radar (The Day the Earth Stood Still) [Bernard Herrmann]
  • Zombievision
  • Personnae: Halloween [John Carpenter]
  • The 15
  • The 4 (Great Ishraqi Sun)
  • RFID Slaverider / Agenda 21 / Codex Alimentarius (Le Mani Destre Recise Degli Ultimi Uomini Medley)
  • Vajra (Rat Puriya)
  • Zulfikar
  • Tistriya
  • Book T: Exodus [Ernest Gold]
  • Saptarshi
    No Encore

The one gripe with the Portland show… the lighting was pretty poorly matched.  They didn’t turn the house lights down until nearing the end of SC3’s first song.  Also, the lights in general were behind the band, and they were still too bright if you ask me.  For some bands, that’s probably good… but with the Chiefs, the air of mystery and cloaks in darkness adds to the allure of the live show.  Don’t get me wrong, it was still an amazing show.  I’m just glad I got to catch it in Eugene, too.

I had a long drive home and work in the morning; so I sadly bailed on Dengue Fever’s closing set in Portland.  I’m sure it was groovy like the Eugene show.  Sorry, but my body thanks me for getting home at 1am instead of 2:30am!

The tour wraps this weekend… but stick around, SC3 are bound to kick something off later in 2012.  More 7″ vinyls?  More touring?  The long-awaited Book of Souls?  A Chinese Democracy cover album?

If you missed the tour, I’d HIGHLY RECOMMEND checking out their new schwag… including the new SC3 Traditionalists Le Chanson de Jacky / The Western Exile 7″ split (featuring Trey’s fellow Mr. Bungle band-mate Mike Patton on “Jacky”), the 12″ re-releases of First and Second Grand Constitution & Bylaws, and three bitchin’-design new t-shirts.

many more photos below

The Appropriate Linkage:

Check out more tour dates below.

Next show for me… most likely the David Bazan (Pedro the Lion) house show in Portland on 2/15, unless something pops up before then.

~Dan – np: John ZornFilm Works XIII: Invitation to a Suicide

SECRET CHIEFS 3 & DENGUE FEVER PHOTOS
all pictures (cc) 2012 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

SC3 & DF 2012 West Coast Tour Dates

  • Jan 24 – Denver CO – Bluebird Theatre
  • Jan 25 – Santa Fe NM – Santa Fe Brewing Company
  • Jan 26 – Phoenix AZ – Crescent Ballroom
  • Jan 27 – Los Angeles CA – El Rey Theatre
  • Jan 28 – Santa Ana CA – Constellation Room
  • Jan 29 – San Diego CA – The Casbah
  • Jan 31 – San Luis Obispo CA – Club SLO Brew
  • Feb 1 – Santa Cruz CA – Moe’s Alley
  • Feb 2 – San Francisco CA – Great American Music Hall
  • Feb 3 – San Francisco CA – Slim’s
  • Feb 4 – Sacramento CA – Harlow’s
  • Feb 6 – Eugene OR – WOW Hall
  • Feb 7 – Portland OR – Dante’s
  • Feb 8 – Seattle WA – Neumos
  • Feb 9 – Bellingham WA – The Wild Buffalo
  • Feb 10 – Vancouver BC – Rickshaw Theatre

Secret Chiefs 3 & Dengue Fever in Eugene & Portland

7th Feb 12 (Tue) 1 comment

Due to my schedule, I won’t be able to edit photos until Wednesday night, but I should have my Secret Chiefs 3 / Dengue Fever post covering both the 2/6 Eugene WOW Hall show and the 2/7 Portland Dante’s show posted on Thursday morning.  Here’s a teaser from Eugene…

2/6/12 Eugene Setlists:

2/7/12 Portland Setlist (SC3 only):

Bereshith
Radar
Zombievision
Personnae: Halloween [John Carpenter]
The 15
The 4 (Great Ishraqi Sun)
Medley (Le Mani Destre Recise Degli Ultimi Uomini)
Vajra (Rat Puriya)
Zulfikar
Tistriya
Book T: Exodus [Ernest Gold]
Saptarshi
no encore

Check back Thursday morning for more photos…

~Dan – np: MadLoveWhite With Foam

REVIEW: Thee Silver Mt Zion Memorial Orchestra @ Mississippi Studios (Portland, OR – 2/4/12)

6th Feb 12 (Mon) Leave a comment

FYI… PHOTOS of the SHOW at the BOTTOM

Montreal’s Thee Silver Mt. Zion Memorial Orchestra appear to have an identity crisis.  They’ve been known as A Silver Mt. Zion, The Silver Mt. Zion Memorial Orchestra & Tra-La-La Band, Thee Silver Mt. Zion Memorial Orchestra and Tra-La-La Band with Choir, and Thee Silver Mountain Reveries.  For short hand, I’ll simply refer to them as Silver Mt Zion.  I’ll admit, I am new to their music… I got into them via ambient post-rock giants Godspeed You! Black Emperor, who share three members with Silver Mt Zion (singer/guitarist Efrim Menuck, violinist Sophie Trudeau, and bassist Thierry Amar).

More on Silver Mt Zion later…

The opener was a one-man band called Total Life.  He played a 25-minute, ambient/drone guitar & loop set (his clear guitar to the right).  It had a slow burn, then quickly morphed into a wall of sound.

For most opening gigs, this would not do, but for a post-something crowd, Total Life’s 25 minute experiment showed the audience’s patience and respect.  All bundled up, he was barely moving making the sounds, but sweat started dripping down his forehead and nose until the final note.

While GY!BE tend to stay in the ethereal, ambient, sweeping post-rock movement, Silver Mt Zion are a little more difficult to pin down.  They have many components similar to GY!BE, but they definitely write more in a “song” vein, with vocals.  Yet, I wouldn’t call them a singer-songwriter troupe.  The first two “songs” alone clocked in at 35 minutes.  They sweep, they go places, come back.  The vocals sometimes have choruses, and sometimes it more resembles lofty prayers… to whom? I do not know.

Their label describes their influences as “free jazz, community sight-singing, Minimalism and American folkways – still anchored to a punk-rock take on neo-classical and modern music tropes.”  If that narrows it down for you, well, you’re more forgiving of “genre-fication” than I.  Whatever you want to call them, they made great music on Saturday night at Mississippi Studios in Portland.

Setlist: about 90 minutes

  • 13 Blues for Thirteen Moons
  • There Is A Light
  • What We Loved Was Not Enough
  • Black Waters Blowed / Engine Broke Blues
  • Take Away These Early Grave Blues
  • Blind, Blind, Blind
  • Horses In The Sky
  • Encore: God Bless Our Dead Marines

more photos below

The Appropriate Linkage:

They only have a select number of dates on this tour.  Definitely go see them if you have the chance!  Check out more tour dates below.

Next shows for me… back-to-back Secret Chiefs 3 & Dengue Fever co-headlining in both Eugene (2/6 WOW Hall) and Portland (2/7 Dante’s).

~Dan – np: John ZornFilm Works IX: Trembling Before G-d

THEE SILVER MT ZION MEMORIAL ORCHESTRA PHOTOS
all pictures (cc) 2012 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

Thee Silver Mt Zion — 2012 Jan/Feb Tour Dates

  • 31.01.12 Calgary, CAN The Republik
  • 02.02.12 Vancouver, CAN The Rickshaw Theatre
  • 03.02.12 Seattle, USA The Crocodile
  • 04.02.12 Portland, USA Mississippi Studios
  • 06.02.12 San Francisco, USA Great American Music Hall
  • 07.02.12 Santa Ana, CA, USA Constellation Room
  • 08.02.12 Los Angeles, USA Troubadour
  • 09.02.12 San Diego, USA Casbah
  • 10.02.12 Tucson, USA Club Congress
  • 12.02.12 Dallas, USA Sons of Hermann Hall
  • 13.02.12 Austin, USA The Mohawk
  • 14.02.12 New Orleans, USA One Eyed Jacks
  • 15.02.12 Birmingham, USA Bottletree
  • 16.02.12 Cincinnati, USA MOTR Pub
  • 17.02.12 Buffalo, USA Soundlab
  • 18.02.12 Ottawa, CAN First Baptist Church
  • 19.02.12 Montreal, CAN La Tulipe

REVIEW: Cirque du Soleil (Zumanity & O), Penn & Teller, and Criss Angel (Las Vegas, NV – 1/17-21/12)

24th Jan 12 (Tue) Leave a comment

I was in Las Vegas last week for a conference/convention… no, not the AVN/Adult Entertainment Expo – that was just “serendipity“… outside of seeing the random porn star walking around a hotel lobby (like Dana DeArmond, Belladonna, and some others that “a friend” told me about…), I didn’t take in that frivolity.

Some excellent Las Vegas shows were taken in, though… and here is my mega, 4-part review

First up was the Cirque du Soleil show BeLIEVE from Criss Angel on Tuesday night (1/17).   I’ll say it now, that I’ve been a fan of Criss Angel before most of you had even heard of him (long before the TV show, long before “the Loyal” were dreamed up).  I’m not trying to gain “street cred,” but merely setting up a background for my ultimate opinion on the show…

I got into Criss Angel via his first album, Angel Dust’s 1998 debut Musical Conjurings from the World of Illusion – which was a collaboration between Criss Angel (on vocals) and hard-industrial artist Circle of Dust (music).  The album was later re-branded as a Criss Angel release called System 1 (nixing the Angel Dust moniker).  Klayton (Scott Albert aka Circle of Dust aka Celldweller) was still involved in the System 2 & 3 in the trilogy (and even in Criss’ Mindfreak Broadway show and the A&E Mindfreak TV series), but it definitely became more of a Criss Angel project, and less of a Circle of Dust/Celldweller project.  That’s all fine and good.  It became what Criss was… a loud, audacious rocker magician.  There’s a place for everything in this world of entertainment.

I was curious when I heard a few years ago that he was pairing with Circue du Soleil.  I love Cirque shows; so I thought it’d be a given show to see.  Well, Cirque still has its name associated with the BeLIEve show, but apparently toned down the acrobatic/dance/surreal aspects of the show, as it was distracting from the magic side.  What was left was more resembling the A&E Mindfreak show set on a stage… it wasn’t very Cirque-y anymore, but that was probably a-OK with me.

My thoughts… the “clowns” were only “meh.”  The set design was gorgeous.  Some of my favorite tricks were the metamorphosis, dove tricks, and swallowing razor blades and a string only to pull them out on the string (HOW!?).   The Celldweller score was great, the pyro was flashy/bodacious.  It does come off as a bit cheesy/corny/”metal,” but that’s part of what Criss Angel’s always been; so that wasn’t a shock.  One thing I will say, though, on this night’s performance, it did seem like there were too many similar tricks (teleportation/metamorphosis).  Yeah, sure, it’s cool… but how many times do I need to see Criss or one of his characters show up somewhere unexpected?

Bottom Line for Criss Angel’s Believe: I enjoyed it.  Drop the price $20, and I’d like it more.  3.5 of 5 stars.

BeLIEve snippets*
*- much of this show has been somewhat “de-Cirque’d” as it were.
the above was not what was presented when I saw it.
Criss Angel/Cirque website

On Wednesday (1/18), I decided to follow Criss with some more magic.  This had to be Penn & TellerThe hour prior to show was featuring the Mike Jones Duo (Mike on piano, and Penn on upright bass).  I’m a fan of Penn Jillette via his skepticism slant, his Crackle show, his Penn Point show, his book (God No!), and their recent Discovery show P&T Tell a LieI’ve yet to see the Bullshit series on Showtime (but I will!), but what I had seen via short internet clips – I knew I’d like.

Prior to the show on Wednesday, they invited everyone in the audience to come check out the big wooden box on stage and sign an envelope.  The box was solid, no false bottom / trap door that I could see.  The opening of the box was facing the crowd, and when the show started, Penn came out, shut the door, and only moments later Teller showed up inside the box.  WTF!?

Some of my favorite tricks were cell fish, metal detector, slight of hand, ball and string, phony psychics (with the audience signed envelope), helium, the ring trick with Grace, sawing woman in half (better than Criss Angel), goldfish/coins, cow barn camera, nail gun (wow! Penn’s memory!), American flag burning, flower shadow, and the magic bullet.

OK, those were basically all of the tricks.  There were honestly no slow parts.  I found it all profoundly interesting and genuinely entertaining.  Some tricks, I had an idea how they were done.  Other tricks were simply feats of the mind.  And some tricks are still driving me mad…

Bottom Line for Penn & Teller: If you love magic, go see this show.  Utterly brilliant.  They tip their hand a bit, but still mess with you.  4.5 of 5 stars.  I would see this again, without flinching.

the official P&T trailer
ignore the cheesy music (by Rio), this show rocked
Penn & Teller website

Friday night (1/20), it was date night… the sensual Cirque du Soleil show Zumanity.  This is the “sensual side” of Cirque du Soleil.  No, it was the HOT side.  We had 2nd row seats… luckily we escaped the torment of the Cirque “clowns” (barely).

The show started out with a beautiful wind dance mixed with an African dance.  The first bit of acrobatics was with a pool performance (see to the right) by two gorgeous beauties.  Up next was quite amazing… a hula hoop woman who did amazing work on stage, then hula hooped in the air, then hula hooped in the air while doing contortions, and then hula hooped about 20-30 hoops at one time in the air.  Her school girl outfit didn’t hurt either.

There were many aerial artists – all amazing, all sexy… even a “little person” aerial ropes artist.  There was a pole dancer; an extreme balance guy; a sensual balancing couple; a 2-man cage fight over a girl that turned into a lurid, long homo-erotic kiss (saw it coming a mile away, but it was hot); the rose guy’s striptease that worked the crowd into a frenzy; an amazing contortionist; some great audience participation with the clowns in between set changes; an S&M metal hoop guy (blindfolded during parts of his act); and the show culminated in a sexy bath dance number.

Bottom Line for Zumanity: Ya hozna!  Hot, sexy, and amazing Cirque acrobatics.  4.75 of 5 stars.  I would see this again, without flinching.  This is what a Cirque show in Sin City should be!  Pay extra and get a good seat – yum!

the official Zumanity trailer
fairly representative of the show
Cirque du Soleil / Zumanity website

The final show of the Vegas week was the water-borne Cirque du Soleil show O on Saturday (1/21).   The $70 million dollar pool/theatre was quite amazing.  The show was full of some pretty stunning feats – aerial acrobats, outrageous acrobatic diving, floor work with the raising and lowering underwater set, the usual Cirque clowns, a swinging balance girl… but it was all held together by a very confusing/odd storyline (more confusing and odd than other Cirque shows I’ve seen).

The most amazing feats were definitely the diving numbers and the balancing swing woman.  The other acrobatics were made a little bit more interesting than other normal Cirque shows simply due to the water element.  We even had one visible mistake (an acrobat fell off the aerial boat), but they swam to safety and rejoined the crew later.

Bottom Line for O: Pricier than the rest – I left confused but magically entertained.  4 of 5 stars.

the official O trailer
fairly representative of the show
Cirque du Soleil / O website

Best show: Zumanity, with P&T close behind.  If you compared the budgets of both shows, P&T’s was more economical from both an artist creation and audience wallet perspective (high quality entertainment, with a lot of thought and not a lot of exorbitant, unnecessary cash outlay).

Most Frivolous Vegas-y show: O for sheer audacity of grandeur.  BeLIEve for sheer audacity of ego.

Next time I go to Vegas, I’d take in Zumanity and Penn & Teller again in a heartbeat.  I’d also plan to save time for Mystère and – the other non-band-oriented Cirque du Soleil shows in Las Vegas.  I might go see the Beatles’ Cirque show (LOVE), but I am not as keen on the Elvis one (Viva).

~Dan – np: Frank ZappaZoot Allures

REVIEW: Cirque du Soleil’s Michael Jackson: The Immortal @ Matt Arena (Eugene, OR – 11/15/11)

16th Nov 11 (Wed) 1 comment

I love shows by Cirque du Soleil.  I also dig some Michael Jackson’s music.  A perfect combination?

The short of it: No, not a perfect combination in my opinion.

The stage set-up, lights and costumes, dancers, live band mixed with Michael Jackson vocal tracks was TOP NOTCH.

The usual acrobatics from a Cirque du Soleil show were a bit toned down.  Well, more than a bit… A LOT.  The intro spray can skit was great, the few aerial artists were awesome, the pole dancer was awesome (but seemingly out-of-place), and the dancing overall was awesome.  One of the dancers was one-legged… wild stuff.

But… I don’t think people tend to go to Cirque shows for “dancing.”

They played a great mix of MJ’s music.  The live band was top notch, though sometimes a bit over the top with the crazy rocking (it just seemed out-of-place).

My bottom line opinion: I had fun, but I think if you’re a Michael Jackson fan and have some money to blow… go for it.  If you’re more of a Cirque fan, I’d recommend saving your money for one of their other terrific shows.  For me, it was more of a “price tag” thing.  With that being said, I understand the price tag based on the number of people & sets involved.  I just don’t think the pay-off was up to past Cirque experiences.

~Dan – np: Chali 2Na – Fish Outta Water

MINI-REVIEW: Gonzalo Bergara Quartet @ house concert (Eugene, OR – 10/23/11)

24th Oct 11 (Mon) 1 comment

I love the Rolling & Tumbling house concerts.  If you’re in Eugene and love good music in an intimate setting, head over to HERE and sign up for the mailing list.  They host concerts about once a quarter, and it’s usually some interesting world music.  The next one is January 15th… the Michael Winograd klezmer trio from NYC.

Last night’s show was the Gonzalo Bergara Quartet from Los Angeles via Argentina.

They were a hot band, playing primarily Django Reinhardt-influenced gypsy jazz guitar pieces, with a few variations (like bossa nova) added in.  The frontman, Gonzalo Bergara, was phenomenal on guitar… truly worthy of following in Django’s shadow.  His band was made up of Rob Hardt primarily on clarinet (and sax on occasion), Jeffrey Radaich on rhythm guitar (and vocals for “L.O.V.E.“), and Brian Netzley on upright bass.

They played an hour-long set, then we broke for snacks/intermission and they came back for a show-capping 45 minute set.  They were humorous, graceful, and virtuosos.  They played many unidentifiable tunes, but I do know they played these: Simplicated, Gonzalogy, August (new/unrecorded), L.O.V.E., Coquette, Nightmare #1, Octubre/Noviembre, La Muerte De Un Lobo Bueno, some more Django tunes, a bossa nova tune (possibly Elena’s Bossa).

(click albums below for sound samples)

They play all over the world.  They played in Eugene a couple years ago; so they’re likely not back for a bit.  Check out their tour dates to see if they’re coming to your neck of the woods.

The Appropriate Linkage:

  • Gonzalo Bergara Quartet‘s Site
  • Gonzalo Bergara Quartet’s Social Media Links (see below)

Next show for me… John Scofield at the Shedd (Eugene) on 10/26, and then Pomplamoose at Doug Fir Lounge (Portland) on 10/27.

~Dan – np: Toad the Wet SprocketAll You Want

REVIEW: Melt Banana @ WOW Hall (Eugene, OR – 10/1/11)

3rd Oct 11 (Mon) Leave a comment

Melt Banana started off their two month U.S. tour with an initial stop at the WOW Hall in Eugene, Oregon, on Saturday.  Their last time through Oregon, the Tokyo-based screamo/noise metal band didn’t stop here, and the freezing rain & severe winter fog kept many Ducks who wanted to trek up to Portland away.  Not so this time… and I made it there just in time to catch their blistering set.

Agata shredded up the guitars, making dental exams seem pleasant.  Yako was a sandstorm of power and unexpectedness on vocal duties… and charming in between songs.  The drum & bass battery (presumably Takiya & Rika) propelled the blasts of music forward.

It’s one thing to hear this band on record, it’s quite another to see them live.  They’re going all over the U.S.A. from now until late November!  Catch them (dates below).  They’re also working on a new album, out in 2012.

more photos below

The Appropriate Linkage:

Check out more tour dates below.

Next shows for me… Chromeo & Opeth at the Roseland (Portland) in a couple of weeks!

~Dan – np: John ZornAt the Gates of Paradise

MELT-BANANA PHOTOS
all pictures (cc) 2011 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

MxBx 2011 U.S.A. Tour Dates

  • 10/1/2011 WOW Hall Eugene, OR
  • 10/2/2011 Star Theater Portland, OR
  • 10/3/2011 Chop Suey Seattle, WA
  • 10/4/2011 The Badlander Missoula, MT
  • 10/6/2011 Kilby Court Salt Lake City, UT
  • 10/8/2011 Larimer Lounge Denver, CO
  • 10/9/2011 The Record Bar Kansas City, MO
  • 10/10/2011 The Waiting Room Omaha, NE
  • 10/11/2011 The Mill Iowa City, IA
  • 10/12/2011 Nutty’s Sioux Falls, SD
  • 10/13/2011 Triple Rock Social Club Minneapolis, MN
  • 10/14/2011 High Noon Saloon Madison, WI
  • 10/15/2011 Cactus Club Milwaukee, WI
  • 10/16/2011 Subterranean Chicago, IL
  • 10/17/2011 Cicero’s St. Louis, MO
  • 10/18/2011 The Bishop Bloomington, IN
  • 10/19/2011 The Historic Southgate House Newport, KY
  • 10/20/2011 Mac’s Bar Lansing, MI
  • 10/22/2011 Grog Shop Cleveland Heights, OH
  • 10/23/2011 The Haunt Ithaca, NY
  • 10/25/2011 Wrongbar Toronto, ON
  • 10/26/2011 Il Motore Montreal, QC
  • 10/27/2011 T.T. The Bear’s Cambridge, MA
  • 10/28/2011 The Space Hamden, CT
  • 10/29/2011 Santos Party House New York, NY
  • 10/31/2011 First Unitarian Church Philadelphia, PA
  • 11/1/2011 The Red Palace Washington, DC
  • 11/2/2011 Ottobar Baltimore, MD
  • 11/4/2011 Local 506 Chapel Hill, NC
  • 11/5/2011 The EARL Atlanta, GA
  • 11/06/2011 The Engine Room Tallahassee, FL
  • 11/08/2011 Backbooth Orlando, FL
  • 11/09/2011 Crowbar Tampa, FL
  • 11/10/2011 Double Down Gainesville, FL
  • 11/11/2011 Jack Rabbits Jacksonville, FL
  • 11/12/2011 Caledonia Lounge Athens, GA
  • 11/13/2011 The End Nashville, TN
  • 11/15/2011 BottleTree Birmingham, AL
  • 11/16/2011 Alabama Music Box Mobile, AL
  • 11/17/2011 Fitzgerald’s Houston, TX
  • 11/18/2011 The Prophet Bar Dallas, TX
  • 11/19/2011 The Mohawk Austin, TX
  • 11/20/2011 Jack’s Patio Bar & Grill San Antonio, TX
  • 11/22/2011 Club Congress Tucson, AZ
  • 11/23/2011 Hollywood Alley Mesa, AZ
  • 11/25/2011 The Bunkhouse Las Vegas, NV
  • 11/26/2011 Soda Bar San Diego, CA
  • 11/27/2011 Echoplex Los Angeles, CA
  • 11/28/2011 Harlow’s Night Club Sacramento, CA
  • 11/29/2011 Bottom Of The Hill San Francisco , CA

John Zorn’s Masada Marathon 2011 (via Aural Addict)

31st Mar 11 (Thu) Leave a comment

Great review from Jeff from AuralAddict of the recent John Zorn Masada Marathon in New York City… CLICK BELOW…

John Zorn's Masada Marathon 2011 March 30, 2011 8:00PM City Opera at Lincoln Center, NYC When I saw this event listed I figured there was no way I was going to be able to go.  I happened across a ticket giveaway contest from Relix magazine and entered, then kinda forgot about it.  Tuesday morning I received an email saying I had won tickets…and there was much rejoicing.  The … Read More

via Aural Addict

REVIEW: Erik Friedlander plays John Zorn’s Masada Book Two @ the Shedd (Eugene, OR – 1/8/11)

9th Jan 11 (Sun) 5 comments

FYI… PHOTOS of the SHOW at the BOTTOM

NYC-based cellist Erik Friedlander is a favorite musician of mine.  I have only a handful of his solo works, but he shows up in the subtlest of places… I mean, if I do a quick search for “Friedlander” in my iTunes, I show 32 and a half hours of music (Tzadik Records & DMG are a key component of my monthly music budget).  He has worked with Courtney Love, Dar Williams, the Mountain Goats and many more… but I primarily know his work in the NYC jazz & avant-garde scene: Dave Douglas, Ikue Mori/Death Praxis, Jamie Saft, Yuka Honda, Wadada Leo Smith, Tim Sparks, Ned Rothenberg, and of course… John Zorn.

With John Zorn, Erik has been involved in several Masada incarnations, notably the Masada String Trio (with Greg Cohen & Mark Feldman) and the Bar Kokhba Sextet.  When John Zorn was done writing music for the original acoustic Masada Quartet, he sat down and penned over 300 songs that became the Masada Book Two: Book of Angels.  I’ve talked a lot about Masada Book Two on this blog… it is the most consistently amazing set of music out on Tzadik (John Zorn’s 503(c)3 record label).  MBT is essentially John Zorn’s Masada tunes, covered by those around him.  Some of my favorites are Secret Chiefs 3’s Xaphan, Bar Kokhba Sextet’s Lucifer, and Medeski Martin & Wood’s Zaebos… but quite honestly, all sixteen releases (to date) have been stunning and essential.

Erik was one of the early invites to the Masasa Book Two Club… releasing Volac (volume 8 in 2005).  The John G. Shedd Institute for the Arts in Eugene commissioned Erik Friedlander to come in a perform these Volac songs last night.  I had seen Erik in Portland in 2009 with his photography & music piece – Block Ice & Propane (his music set to his father Lee Friedlander’s photography); so I knew Erik would deliver a wonderful performance.  Set-up in the Shedd Recital Hall, just off the courtyard, Erik went on around 7:40 and entranced us with his playing…

He was playing his carbon-fiber “alien cello.”  I imagine that was his easiest axe to bring for a two-night Seattle & Eugene weekend before heading back home.  Its sound was quite similar to a wooden cello – at least to my untrained ears.  Per Erik, it’s not as ornery or sensitive as a wooden cello.

The Masada songs have a definitive Jewish klezmer feel in points of the melodies.  Erik’s arrangements and playing definitely bring in a chamber music and jazz improviser aspect to the Volac songs.  He played roughly half of the songs bowed, and the rest either plucked or strummed.  Switching between the styles for each song for the most part – as is one of John Zorn’s “rules” which Erik joked about.  Hush, don’t tell John, but Erik acknowledged that he broke a few “rules” during the night.

Setlist: about 70 minutes

  • Harhazial
  • Yeruel
  • Ylrng
  • Haseha
  • Sannul
  • Rachsiel
  • Kadal
  • Anahel (the 1st written by Zorn for MBT)
  • Zumiel
  • Ahaniel
  • Zawar
  • Encore: Sidriel

Essentially the entire Volac album, just in a different order. Erik doesn’t make it out to the Pacific Northwest as much as I’d like, but when he does make it out, I’m going.  If you love cello or other chamber music – you should go, too!  Nary a disappointment. Oh, also check out his free podcast First Light which features a weekly early morning improvisation.

more photos below

The Appropriate Linkage:

Next show for me… Reptet (jazz combo from Seattle) at Luckey’s in Eugene, Friday, January 14th!

~Dan – np: Nine Inch NailsGhosts I-IV

ERIK FRIEDLANDER PHOTOS
all pictures (cc) 2011 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

REVIEW: Le Serpent Rouge @ WOW Hall (Eugene, OR – 11/30/10)

1st Dec 10 (Wed) 4 comments

 FYI… PHOTOS of the SHOW at the BOTTOM
12/3 update: emobie photographs added

Last night, the Indigo Bellydance group and friends brought Eugene the stupendously entertaining Le Serpent Rouge: An Evening of Beguiling Dance and Strangely Familiar Music.

Le Serpent Rouge is a traveling road show that captivates.  At its core it is the Indigo: made up of Mardi Love, Rachel Brice, and Zoë Jakes (L-to-R in picture to the right).

While they have danced in various groups — including the Bellydance Superstars, Beats Antique and the Yard Dogs Road Show — The Indigo is the group that they call home. They each bring their own influences to make their own modern dance forms unique. Love’s fluidity, Brice’s sinewy strength, and Jakes’ intensity and charm make their sum greater than each one individually. They are known to be theatrical and playful, often playing characters within their performances.

While rooted in Middle Eastern styles, their dance style for this tour might be found in an old West saloon mixed with a Prohibition-era speakeasy. The burlesque and tribal fusion bellydance fits snugly with steampunk-meets-flapper blues/jazz/jug band from the Crow Quill Night Owls and Gallus Brothers. Tub bass, washboard, kazoo, banjo, guitars, percussive bones, feathers, tattoos and legs.

Local group Blair Street Mugwumps were the openers the show… fantastic performers.  I had never heard them, but I had heard of them, and well, now I’ll make a point to hear more of them.  All fantastic musicians, and while not all that dissimilar from the main group, they were a noticeable difference from “just another opening band.”  A jug band with a modern edge.  Quite entertaining.

Le Serpent Rouge started with Rachel Brice coming out dressed as an old lady… and introducing the show for us.  The show was a nice mix of saloon tunes from Crow Quill Night Owls and the Gallus Brothers with dancing (group, duo and solo) and skits mixed in.  The dramatic side of the Indigo shone through in their silly stage presence.

As far as the backing bands… the Gallus Brothers were actually part of the Crow Quill Night Owls band, but then splintered off to do silly tricks, juggling, and of course… glitter throwing.  Here’s a shot of one of their silly tricks during a song…

Of course, the ladies of the Indigo were lovely… here are a few photos, with more at the bottom.  I’ll also post some from Margaret O’Brien (emobie photography) once she gets them edited… update: added 12/3.

many more photos below

The Appropriate Linkage:

Tonight is their last night of the tour (Dec 1st at Portland’s Mississippi Studios).  For a list of where they’ve played, check below.

~Dan – np: PusciferC is for…

LE SERPENT ROUGE PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld
and Margaret O’Brien (emobie photography)
you may use freely under a creative commons attribution

(click for larger)

Le Serpent Rouge Fall 2010 Tour Dates

  • 11/5 – Seattle, WA – Market Theater
  • 11/6 – Bellingham, WA – Wild Buffalo
  • 11/9 – Ashland, OR – CultureWorks
  • 11/11 – Sabastopol, CA – Hopmonk Tavern
  • 11/12 – San Francisco, CA – Great American Music Hall
  • 11/14 – Reno, NV – The Great Escape
  • 11/16 – San Diego, CA – Casbah
  • 11/18 – Tucson, AZ – Solar Culture
  • 11/20 – Albuquerque, NM – Low Spirits
  • 11/23 – Los Angeles, CA – King King
  • 11/28 – Santa Cruz, CA – Moe’s Alley
  • 11/30 – Eugene, OR – WOW Hall
  • 12/1 – Portland, OR – Mississippi Studios

 

REVIEW: Yard Dogs Road Show @ WOW Hall (Eugene, OR – 11/5/10)

6th Nov 10 (Sat) Leave a comment

FYI… PHOTOS of the SHOW at the BOTTOM

Great show last night by local bellydance favorites / friends Audralina & Luminessah followed-up by a melting pot of sights and sounds from the headliner – Oakland’s Yard Dogs Road Show[I have to apologize, as due to a “user error” I lost about half of my photos when transferring to my computer.  Luckily Margarita was also snapping away.]

Opener Dela Project suffered the most from the lack of photos due to my error… sorry!  They were a great gypsy-folk duo… nice sound and a wide array of instruments including saw, wood block, cello, as well as a traditional bag of tricks.  Up next was a beautiful set of bellydance numbers by Lila, Regina & Ali of Luminessah with Audralina doing a couple of songs as a set break.

The bellydance set was more intimate than the last time I saw a MEDGE show at WOW Hall.  Both Luminesseh and Audralina danced on the floor (not the stage), surrounded by candles and tunes coming from DJ Layla.  Layla mixed it up for Luminessah’s last song (total improv!!).

The capper for the night was the Yard Dogs energetic set.  I had never experienced the Yard Dogs, but they were equal parts street band, roaring ’20s flapper show, burlesque, hipster steam-punk, and rock circus – including a sword (and chair leg) swallower.  It was a completely fun experience, and a nice set-up on the WOW Hall stage.  The YDRS banners seemed to box the group in pretty tight on stage, but they pulled it off amazingly.

many more photos below

The Appropriate Linkage:

~Dan – np: Elliott SmithAn Introduction to…

LUMINESSAH, AUDRALINA &
YARD DOGS ROAD SHOW PHOTOS
all pictures (cc) 2010 Margaret OBrien (emobie photography)
& Daniel Temmesfeld, you may use freely
under a creative commons attribution

(click for larger)

Higher Resolution (15 pics)

Limited to 1200 pixels wide or tall (42 pics)

REVIEW: AMA Trio @ House Show (Eugene, OR – 9/25/10)

26th Sep 10 (Sun) Leave a comment

FYI… PHOTOS of the SHOW at the BOTTOM

My second time to a lovely Rolling & Tumbling House Concert near UO campus in Eugene, OR.  R&T is a great!  They seem to bring in a lot of songwriters and world musicians.  SO, this was only my second of many R&T house shows…

When I saw Amy Denio on the list with a new project, the AMA Trio, I didn’t want to miss it.  I have been a fan of another of Amy’s bands – The Tiptons Sax Quartet.  The AMA Trio is a bit different from the woodwind-forward jazz of the Tiptons, more world fusion / Latin American music.  The AMA Trio is Amy Denio alongside Madeleine Sosin & Abel Rocha (who have a few CDs out under the name Correo Aereo).

They played traditional songs from Venezuela, Mexico and Argentina, as well as many of their own original tunes.  All three were proficient multi-instrumentalists.  Madeleine also played the violin, guitar, drum, shakers as well as singing on a few songs.  Amy played accordion, clarinet, and drum.  She sang on a few tunes as well.  Abel was the primary vocalist (when they weren’t jamming), as well as played a mean set of guitars and harp.  The ease of all three members switching from one instrument made it seem quite effortless.

Some of the most fascinating playing was what might be considered normally subdued instruments… Madeleine’s shaker playing made the little instruments seem way more distinctly rhythmic.  She should teach lessons… because I don’t know how many times I’ve seen people “just shaking” them with no real purpose.  Abel’s harp playing was also captivating… playing both the lead melodies and the rhythm parts.  Amy stuck to accordion for more than half the set, when she broke out the clarinet, she had some nice flavors and solos to add to the songs.  I dug the more jazzy textures she added when she was on reeds.

Setlist: a little over 2 hours

  • Set 1~ unknown
  • Carnaval (Venezuela)
  • Ararat (Armenian)
  • Jarabe Loco (Mexico)
  • Martiñana (Mexico)
  • “I Love You” (Amy’s tango for a cat)
  • Playa Grande (Venezuela)
  • Cuatrapeado
  • Raisa (Algerian-based original)
  • Ti Feu (Mexico – Spanish & Zapotec)
  • Entre a Mi Pago (Argentina)
  • Golpe de Agua
  • Set 2~ Tres Diamantes (Venezuela)
  • Finadita
  • Breakfast in Bed (Amy original)
  • Los Hermanos (Argentina)
  • unknown klezmer-Argentinian tune (Tiptons-y in spots to my ear, but actually arranged by Madeleine)
  • Guendanabani (Zapotec)
  • Darling, Please Don’t Wake Me (Amy original)
  • Golpes Tocuyanos
  • Hanana (Amy original)
    corrections to the setlist are welcomed

They’re going into the studio this coming week to make their first record as a trio.  Stay tuned to their MySpace page below for news as it becomes available.

more photos below

The Appropriate Linkage:

~Dan – np: Beats AntiqueBlind Threshold

AMA TRIO PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

REVIEW: Boys Eats Drum Machine & Beats Antique @ McDonald / Eugene Celebration (Eugene, OR – 8/28/10)

29th Aug 10 (Sun) 1 comment

FYI… PHOTOS of the SHOW at the BOTTOM

Eugene Celebration 2010Raise the Roof” was in full effect on Saturday.  This year’s Celebration was in a partnership with with Springfield/Eugene Habitat for Humanity and Northwest Community Credit Union to fund the construction of two houses in the Eugene-Springfield community over the next three years.

We caught some good grub, interesting people watching, scoped out the pretty damn awesome electric vehicle (the Pulse made by Arcimoto)… and some music.  The first band I saw was Upstate Trio.  They’re from New York, but now live in the Eugene area.  Great groove rock trio.  I hope to catch them again soon.

Boy Eats Drum Machine was the next major act to take in.  I saw him open for That1Guy in May (review link with photos below), and he put on a great show.  Last night’s performance wasn’t any exception.  Sax, turntable, drums, effects pad, loops, and all around great grooves from this one-man wrecking crew.  Check out the stop-animation video for “Hoop+Wire“:

You can also download the BEDM song “Hoop+Wire” on mp3 and FLAC (or other options) for FREE over at Bandcamp.  Next up…

As mentioned a little over a week ago, Beats Antique is coming out with a new album in about two weeks.  It’s called Blind Threshold.  If it’s anything like their past two albums and an EP, it’ll be great.

They hit the stage around 11pm and played a fairly percussive set.  Zoë Jakes wasn’t able to dance last night.  She hurt her knee a while ago and is on doctor’s orders to take it easy for a while.  So, we didn’t get the gorgeous dance performance that we’re used to (photos of Zoë dancing at prior events linked below).  Despite the lack of dancing by Zoë, their infectious music got the rest of the crowd to pick up some of the slack.  It was a great show, and hopefully they’ll be back soon, with Zoë in full health.

The overwhelming bass attacked our ears for both BEDM’s and Beats Antique’s sets.  It got especially painful up in the balcony; so we stayed downstairs for most of the night.  All in all, a great hour-long set from each band.  Round 2 of Celebration for me today… I hope to catch 3 Leg Torso‘s set.

many more photos below

The Appropriate Linkage:

Check out more Beats Antique tour dates below.

~Dan – np: Bar Kokhba SextetJohn Zorn 50th Birthday Celebration 11

BOY EATS DRUM MACHINE & BEATS ANTIQUE PHOTOS
pictures (cc) 2010 Daniel Temmesfeld, except for Beats Antique #21-29 (cc) 2010 Margaret O’Brien, you may use freely under a creative commons attribution

(click for larger)

Beats Antique Tour Dates

  • 8/20 – Sheldon, VT – Liberate Music And Arts Festival
  • 8/21 – Stephentown, NY – Bella Terra Music Festival
  • 8/28 – Eugene, OR – McDonald Theatre
  • 9/10 – Clarks Grove, MN – Harvestfest – Harmony Park
  • 9/11 – Minot, ME – 1st Annual Dankfest
  • 9/17 – Laytonville, CA – Earthdance
  • 9/18 – Denver, CO – Ogden Theatre
  • 9/24 – Seattle, WA – Decibel Festival @ Motor
  • 9/25 – Arcata, CA – Aracata Theatre
  • 9/28 – Fargo, ND – The Aquarium
  • 9/30 – Madison, WI – Majestic Live
  • 10/1 – Milwaukee, WI – Miramar Theatre
  • 10/2 – Chicago, IL – Abbey Pub
  • 10/3 – Grand Rapids, MI – The Intersection
  • 10/6 – New Orleans, LA – Republic
  • 10/9 – Austin, TX – Austin City Limits
  • 10/11 – Mobile, AL – Alabama Music Box
  • 10/12 – Birmingham, AL – Zydeco
  • 10/13 – Nashville, TN – Exit/In
  • 10/14 – Asheville, NC – TBD
  • 10/15 – Charleston, SC – The Pour House
  • 10/16 – Athens, GA – New Earth Music Hall
  • 10/17 – Atlanta, GA – Masquerade – Hell Room
  • 10/22 – Allston, MA – Harpers Ferry
  • 11/11 – Vancouver, BC – Biltmore Cabaret
  • 11/12 – Edmonton, AB – The Pawn Shop
  • 11/13 – Calgary, AB – Royal Canadian Legion
  • 11/14 – Winnipeg, MB – Crescent Wood United Church
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