Archive

Posts Tagged ‘john zorn’

ha’fway 2015

2nd Jul 15 (Thu) Leave a comment

Happy 239th birthday, United States!

~*~*~*~*~*~*~*~*~*~*~

I don’t blog much. Not much time. I haven’t even put out my Favorites from 2013 or 2014… well, here goes for my Top 10 of 2015 so far…

The Heart Is A Monster

Carrie & LowellSol InvictusGoliath
Hand. Cannot. Erase.TalkSong Project Live at Lpr
https://i0.wp.com/artistxite.com/imgcache/album/004/501/004501077_300.jpghttp://o.scdn.co/cover/ac550bf091effa553d4b043ae338e563f29347e7Purge

 Artist Album (style)

  1. FailureThe Heart is a Monster (rock)
  2. Sufjan StevensCarrie & Lowell (indie rock)
  3. Faith No MoreSol Invictus (hard rock)
  4. Steve Taylor & the Perfect FoilGoliath (rock)
  5. Steven Wilson (of Porcupine Tree) – Hand. Cannot. Erase. (progressive rock)
  6. Daniel Johns (of Silverchair) – TALK (pop, dance, rock)
  7. John Zorn’s The Dreamers with Mike Patton, Sofia Rei & Jesse HarrisThe Song Project Live at Le Poisson Rouge (jazz, avant garde, pop)
  8. Dave DouglasHigh Risk (jazz with electronics)
  9. Nellie McKayMy Weekly Reader (cheeky 70s rock tribute)
  10. DRKWAV (Skerik, Medeski & Deitch) – The Purge (doom, jazz, electronic, all over)

What’s still to come in 2015…

Ben Folds with yMusic, Holy Fuck (no release date, but they recorded it in late 2014), John Zorn (about every month), Puscifer (teaser on their Instagram?), TOOL (music done, lyrics nearing completion?), Charlie Hunter, and based on kickstarters/pledgemusic that I’ve supported: Chali 2Na of Jurassic 5 has a couple more EPs due, Dweezil Zappa, Jeremy Enigk of Sunny Day Real Estate, Jude Christodal, Dylan Carlson of Earth, and Fleming & John.

Will I continue with blogs in the future? I don’t know. :P

Dan – np: Critters BugginStampede

PHOTOS: Secret Chiefs 3 – The Seattle Residency (5/7/13 & 5/8/13)

12th Jun 13 (Wed) 3 comments

Better late than never, I got the Secret Chiefs 3 Seattle residency photos edited.  Two days and four amazing sets by this amazing band.  Go here for the SUNSET 5/7 SETLISTS (UR & Ishraqiyun) and here for the CROCODILE 5/8 SETLISTS (John Zorn’s Masada Book Two: Xaphan & FORMS).

Note: The new album, Book of Souls: Folio 1, originally announced to come out in May has now been pushed back.

The Appropriate Linkage:

Secret Chiefs 3 in Seattle 2013

Secret Chiefs 3 in Seattle 2013

Secret Chiefs 3 in Seattle 2013

Secret Chiefs 3 in Seattle 2013

Secret Chiefs 3 in Seattle 2013

SECRET CHIEFS 3 PHOTOS
all pictures (cc) 2013 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

Secret Chiefs 3 – 2013 SPRING RESIDENCY TOUR

Seattle, WA
Tue May 7, 2013 @ The Sunset
Wed May 8, 2013 @ The Crocodile

San Francisco, CA
Fri May 10, 2013 @ Cafe Du Nord
Sat May 11, 2013 @ Cafe Du Nord

Los Angeles, CA
Sun May 12, 2013 @ Bootleg Bar
Tue May 14, 2013 @ Bootleg Bar

New York, NY
Fri May 17, 2013 @ Mercury Lounge

Brooklyn, NY
Sat May 18, 2013 @ Union Pool
Sun May 19, 2013 @ Union Pool

Chicago, IL
Tue May 21, 2013 @ Schubas Tavern
Wed May 22, 2013 @ Beat Kitchen

Toronto, ON
Fri May 24, 2013 @ The Drake
Sat May 25, 2013 @ The Drake

New York, NY @ The Stone (6 nights, 12 shows)
May 28, 2013
8pm: UR
10pm: FORMS etc.

May 29, 2013
8pm: Tesselations / Magic Squares
10pm: Ishraqiyun

May 30, 2013
8pm: FORMS etc. (expanded set + new material)
10pm: Xaphan

May 31, 2013
8pm: John Carpenter tribute + new material from Forms, UR, etc.
10pm: Tessellation 2: with guests Ches Smith and Gyan Riley

Jun 01, 2013
8pm: FORMS (new material adding Ches Smith, pipe organ favorites etc)
10pm: Ishraqiyun Kenny/Ches double-drum Cthulu mutations.

Jun 02, 2013
8pm: Final SC3 set, best of Stone week recap (with Ches Smith & Kenny Grohowski)
10pm: Masada (adding Gyan Riley to previous ensemble, the whole crew)

REVIEW: John Zorn at 60 @ Walker Art Center & St. Mark’s (Minneapolis, MN – 4/6/13)

12th Apr 13 (Fri) Leave a comment

John Zorn - only pulled out his horn at the very end

John Zorn turns 60 this coming September, and Minneapolis’ Walker Art Center wanted to throw a Zorn Fest of sorts.  Since Zorn doesn’t like to travel, he wanted to keep it to a minimum: not a 3+ day fest, but hey, let’s do it all on one day!  And thus “Zorn @ 60” at Walker Art Center was born!

Check out what 60 of Zorn’s contemporaries have said about him… Part 1 & Part 2.

There have already been a  few great reviews already posted (Jazz Police / Walker Art / City Pages); so I’ll keep my write-up to my own personal reflections, and not as in-depth, per se.  Here’s who Zorn had with him for this fest, in different assemblies… Cyro Baptista, percussion; Joey Baron, drums; Greg Cohen, bass; Chris Cunningham, guitar; Marc Feldman, violin; Eric Friedlander, cello; Michelle Kinney, cello; John Medeski, piano, Hammond B3; Ikue Mori, electronics; Marc Ribot, guitar; Joey Schad, electric keyboards; Kenny Wollesen, vibraphone, percussion, and drums.

Well, first off, due to documentaries, I know what Zorn sounds like… and I was getting off the elevator at my hotel and I heard a familiar voice.  Then I looked up, and “whoa, John Zorn is getting on the elevator that I’m getting off of.”  I almost wanted to act like I forgot something in my room and ride up with him.  Alas, I wussed out.  Then in the lobby, Marc Ribot was futzing around on his phone, and Greg Cohen’s massive upright bass case was blocking the front desk.  It all added to my overall giddiness for the day…

John Zorn discussion w/ Philip Bither

The full day of Zorn @ 60 started at 3pm with a sit down with fest curator Philip Bither.  Zorn is a lively, humorous, acerbic character.  I kinda love him.  Probably more f-bombs and frivolity than most Q&A sessions, the near hourlong session was highly interesting.

The first part of the discussion talked about Zorn’s age… as the fest was all about his experience and what got him to where he is now in the scene at 60.  Zorn talked a little bit about other “60” celebrations he’s doing this year (of all things MySpace has the best list), and one that he’s doing at The Met (NYC) completely intrigued me… ten performances every hour on the hour in different galleries throughout the museum on September 1st (Facebook link).  if I can swing a way to be in NYC for most of September, I’d be happy.  Unlikely, though.

Some of the best quotes from the interview and Q&A (paraphrased from my scribbles):

[about turning 60]“You don’t have any more doubts.”

“They’ve been saying I’ve been playing ironically for decades… that’s bullshit. But they don’t believe me when I say that’s bullshit.”

“Ribot plays guitar like a mutha’fucka!”

“I live in a library [of books, LPs, CDs, DVDs]… I didn’t have a kitchen for over a decade, but I didn’t have cockroaches either!”

[on creativity] “There were probably Bach-types banging on logs [in the earliest times]. Creativity is mystical, spiritual, ineffable.”

[on his schedule for the day] “Eating is a drag… it’ll only slow you down.”

[on critics] “The secret to longevity is to stay away from negative people… all reviews are bad. We don’t need that bullshit.”

And while I write reviews (and perhaps this is one), I understand his take on the industry of critique.

Marc Ribot plays selections from The Book of Heads
(about 20 minutes)

Mark Ribot performs with Doveman at The Studio in Sydney Opera House for Vivid Live 5th June 2010. (photo by Daniel Boud)

John Zorn / Marc Ribot - The Book of HeadsFirst music of the day… Marc Ribot by himself with a guitar, some pedals, a violin bow, some balloons, and an intenseness in his eyes.  The Book of Heads, an album of solo Etudes composed by Zorn, is a very difficult listen.  It screeches, it hurtles into many different directions.  It’s hard to follow, it’s hard to even want to listen to at some times.  Seeing it live, though, was quite fascinating.  It’s highly composed, but seemingly improvised.  Just seeing Marc’s stern look at the sheet music showed the composition.  He was intently following the haphazard that was on the page.  When one of the greatest guitarists is using balloons as a key part of the music making process, you know things are weird.  Weird but gripping.

Ribot played the following Etudes (not necessarily in this order): 13, 23, 9, 24, 22, 27, 7, 2.

Game Piece: Hockey with Kenny Wollesen & Erik Friedlander
(about 10 minutes)

John Zorn - Hockey

John Zorn - HockeyThe next piece was a trio game piece first created in 1978.  Zorn’s game pieces are a strict set of rules and is a structured, improvisational collaboration between the artists.  Hockey on record is OK to listen to, but like The Book of Heads and Cobra (below), it’s far more interesting in the live setting.

A game piece is…

As well as a sports game, a game piece may also be considered analogous to language: The performance is directed by a well defined set of rules (a grammar) but by no means fixed or predetermined (just as all sentences generated by the same grammar are not the same). The length of a piece may be arbitrary, just as a sentence can be of any imaginable length while still conforming to a strictly defined syntax.

This time is was Zorn on birdcalls, Kenny Wollesen on bird calls and percussion, and Erik Friedlander on cello.  With Kenny and Erik looking intently at Zorn for his verbal and hand motion directions.  The level of musicianship of these three players is amazing, and the game pieces are basically a way to stretch their creative musical muscles while making sounds that you’d never expect.  It’s not for the casual listener.

Game Piece: Cobra (for 11 players)
(3 games; about 30 minutes total)

John Zorn - holding up cue card during the Northsea Jazz Fest

John Zorn heard off stage before Cobra started: “Just don’t make any mistakes!”

John Zorn - CobraCobra takes the game piece concept to whole new levels.  The rules are more complex, and John Zorn doesn’t play but directs at the front.  Based on the card he holds up and his verbal and non-verbal cues, the musicians go off on an adventure – never the same in any repeat performance.

With eleven players on stage (all listed at the top of this post), they played three games of Cobra.  This was my first time seeing Cobra.  It’s very interactive, starting with Zorn’s lead, but the players get room to lead things too.  It’s improv, but still with a structure.  Here’s a glimpse at the cue card structure:

John Zorn - Cobra cue cardsHighlight for me: Joey Baron’s smile.  I get such a kick out of watching him play.  He’s probably the musician having the most fun ever on stage every time I see him.

Cobra was the end of the first program, and the fest broke for a couple hours.

Erik Friedlander plays selections from Masada Book Two: Volac
Masada String Trio, and
Bar Kokhba Sextet
(a little over an hour – total)

The second program was the chamber music segment (and also the part of the day where my notes have now gone missing).

Erik Friedlander plays Volac (John Zorn's Masada Book Two: Book of Angels)I’d seen Erik Friedlander before (both solo with his own stuff and playing Volac), and it was a great warm up for the increasingly larger groups playing music from John Zorn’s Masada Book Two set of music.  He played a gorgeous 20 minute selections from Volac.

Masada String TrioUp next was the Masada String Trio made up of the aforementioned Erik Friedlander on cello, Mark Feldman on violin, and Greg Cohen on upright bass.  While the music they played was composed (same with Bar Kokhba Sextet), John Zorn sat on the floor in front of them, conducting.  They played about 20 minutes from their Masada Book Two set.  Gorgeous players, gorgeous music!

Bar Kokhba SextetContinuing in the chamber music written & conducted by Zorn, the Bar Kokhba Sextet found the Masada String Trio joined by Joey Baron on drums, Cyro Baptista on percussion, and Marc Ribot on guitar.  This was probably the best part of the night for me – outside of the experience of seeing Cobra played for the first time.  The group effortlessly brought Zorn’s Masada tunes some groove, and seeing both Baron and Baptista work together percussively was a delight.

John Zorn’s Nova Express & The Concealed
encore:

John Zorn playing to Wallace Berman’s film Aleph
with Kenny Wollesen & Greg Cohen
(about 75 minutes total)

At the beginning of the third program, someone yelled out from the audience, “where’s your horn!?” to which John Zorn yelled back, “at home mother fucker!”  Irreverent and hilarious.  Even though he was lying (he brought out his alto sax for the final piece).John Zorn in Minneapolis 2013  Photo by Bryan Aaker.

Nova Express and The Concealed songs were played by Joey Baron on drums, show-stealer Kenny Wollesen on vibes, Erik Friedlander on cello, Mark Feldman on violin, Greg Cohen on upright bass, and John Medeski on piano.  These are two of Zorn’s better albums in the recent three years’ output (of ~36 albums!!!!).  Partly classical takes on Masada tunes (Nova Express), and partly mystical (The Concealed).

Zorn Zorn - Nova Express John Zorn - The Concealed

As mentioned, the only time John Zorn brought out his sax was for the visual installation piece Aleph – set to Wallace Bergman’s short cut-up film of the same name. Iit was a ripping, avant-garde piece in the dark, backlit by the film, with Zorn wailing on sax, Kenny Wollesen moving off of vibes on to the drums, and Greg Cohen on bass.  Stellar!

John Zorn’s The Hermetic Organ (midnight) @ St. Mark’s Episcopal Cathedral

John Zorn - hermetic organ

John Zorn - The Hermetic OrganA special free midnight performance of John Zorn’s The Hermetic Organ was across the street after the final third program of Zorn @ 60.  Most of the crowd piled over to St. Mark’s Cathedral to watch the contrasting and turgid organ piece.  I stayed for about half of the 30+ minute set and then slowly started my 2 mile, midnight walk back to my hotel – content at the day’s musical gifts.

A brilliant, music-packed day!  If you want to check out some videos of what went down, the French Zorn website le zornographe has linked to some performances posted from the Walker Art Center “Zorn @ 60” fest on YouTube:

Bar Kokhba Sextet “Sother”

Masada String Trio “Bethor”

John Zorn’s Cobra (piece 2)

Erik Friedlander ” Sannul”

The Concealed “Towards Kafiristan”

Nova Express “Between Two Worlds”

The Appropriate Linkage:

Next show for me… Soul’d Out Festival’s Charlie Hunter with Booker T. Jones & Carlton Jackson (first time as a trio) @ Dante’s (Portland 4/14)..

~Dan – np: ElleryLying Awake
Ellery - Lying Awake

http://www.amazon.com/gp/product/B000WDSRVY/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000WDSRVY&linkCode=as2&tag=essentialmusi-20

John Zorn @ 60 in Minneapolis (soon)

9th Apr 13 (Tue) Leave a comment

John Zorn @ 60 in Minneapolis was awesome… I’m still decompressing, but I should have a write-up posted this week sometime…

John Zorn

John Zorn @ 60 – McGuire Theater @ Walker Art Center :: Minneapolis, MN
John Zorn discussion w/ Philip Bither
Marc Ribot plays selections from Book of Heads
Game Piece: Hockey with Kenny Wollesen & Erik Friedlander
Game Piece: Cobra (for 11 players)
Erik Friedlander plays selections from Masada Book Two: Volac
Masada String Trio
Bar Kokhba Sextet
John Zorn’s Nova Express & The Concealed
John Zorn’s playing to Wallace Berman’s film Aleph with Kenny Wollesen & Greg Cohen
John Zorn’s The Hermetic Organ (midnight) @ St. Mark’s Episcopal Cathedral

Secret Chiefs 3 – the long-awaited Book of Souls

3rd Apr 13 (Wed) Leave a comment
**FOR IMMEDIATE RELEASE**
Trey Spruance - Secret Chiefs 3 at WOW Hall, Eugene Oregon 2012
Secret Chiefs 3 announce the release of two full-length installments of their long awaited Book of Souls album, and two USA/Canada tours in support of them. The first [Book of Souls: Folio A] comes out in late May, and the second [Book of Souls: Folio B] comes out in September. BOOK OF SOULS: FOLIO A (CD), RELEASED IN MAY

Listeners have come to expect a lot from Secret Chiefs 3, and for Book of Souls, second in the band’s mega-trilogy (first being Book of Horizons, 2004), they expect nothing less than a vertigo-inducing follow up. True to expectation, Book of Souls: Folio A is a full-length album densely-packed with musical skyscrapers. Over a decade in the making along with Folio B, Book of Souls is Secret Chiefs 3’s most elaborate work yet. Following the 7-band schemata laid out in Book of Horizons, both Folios of Book of Souls thoroughly establish the depth of SC3’s journey into otherwise lost musical possibilities. With productions based in studios in the SF Bay Area, NY, LA, Seattle, UK and France over the last 11 years, the band’s leader Trey Spruance enlisted a small army of musicians — or actually not so small, since the orchestral tasks demanded by the music seem effectively unlimited in number.

But familiar names in the SC3 canon form the backbone of the recording-band: Timb Harris, Ches Smith, Shahzad Ismaily, Anonymous 13, Danny Heifetz, William Winant, with live-band initiates Matt Lebofsky, Kenny Grohowski and Toby Driver adding extra life among the zillions of enlisted musical enablers.

On Book of Souls: Folio A, it is evident that Secret Chiefs 3 continues to operate in blissful ignorance of current musical fashions, remaining enchanted only by what can be unlocked in modern mediums by applying a specific recipe of pre-modern (often ancient) processes to them.

While it’s true that the album represents the kind of titanic, almost Faustian undertaking that one would expect as being uniquely appropriate to Secret Chiefs 3, for all the pomp it’s easy to forget that everything having to do with the recording is DIY to the core. Book of Souls: Folio A is a fully organic production. Everything is honed with love in one of the last hermetically-sealed laboratories. Some may snort at the notion that there even could exist such a cauldron of limitless fascination extending so rigorously beyond the time/space boundaries of modern occidental groupthink; a place in-between, suspended, where the simplest motifs have the freedom either to radiate upward into geometric complexities that are beyond description, or to refine downward to a state of simple musical essence. But it’s the usual thing at the SC3 lab.

This press-release is offered as a summons to the impartial jury of all earthly ears. All snorts and scoffs will be answered with a supra-sensory choir. Coming in May and September.

MAY RESIDENCY TOUR – more details here

Two USA/Canada tours are happening in 2013 (May and October), one in support of each Book of Souls release. The first has already been booked: Secret Chiefs 3 will play multiple-night ‘residencies’ in select USA/Canada cities in May, in support of “Book of Souls: Folio A”. These residiencies will involve multiple sets per night. The music of SC3 “Heptad” bands FORMS, Ishraqiyun, UR, as well as other Secret Chiefs 3 material will be performed, including works arranged for John Zorn’s Masada. Check listings soon to see which configurations SC3 will be in on which night.

Seattle, WA
Tue May 7, 2013 @ The Sunset – tickets
Wed May 8, 2013 @ The Crocodile – tickets

San Francisco, CA
Fri May 10, 2013 @ Cafe Du Nord – tickets
Sat May 11, 2013 @ Cafe Du Nord – tickets

Los Angeles, CA
Sun May 12, 2013 @ Bootleg Bar – tickets
Tue May 14, 2013 @ Bootleg Bar – tickets

New York, NY
Fri May 17, 2013 @ Mercury Lounge – tickets

Brooklyn, NY
Sat May 18, 2013 @ Union Pool
Sun May 19, 2013 @ Union Pool

Chicago, IL
Tue May 21, 2013 @ Schubas Tavern – tickets
Wed May 22, 2013 @ Beat Kitchen – tickets

Toronto, ON
Fri May 24, 2013 @ The Drake – tickets
Sat May 25, 2013 @ The Drake – tickets

For a band that has been busy playing over 300 shows in over 30 countries in the last few years, one could imagine how well-seasoned a unit it might’ve become. And yes, the lineup has stabilized over the last few tours into the following elite team, who can handle everything and then some for both tours in 2013:

Trey Spruance, Timb Harris, Matt Lebofsky, Toby Driver, Kenny Grohowski

Timb Harris - Secret Chiefs 3 at WOW Hall Eugene Oregon 2012OCTOBER NATIONAL TOUR, SUPPORTING “BOOK OF SOULS: FOLIO B” (CD) RELEASED IN SEPTEMBER

After a brief pause to digest Folio A, listeners will hear the second installment, Book of Souls: Folio B in  September. Intimately thematically-intertwined with the previously-released Folio, Book of Souls: Folio B has more Autumnal sheen. Darker, in some ways more ballistic, but also intoxicated with Beauty and high on diabolical humours, Book of Souls: Folio B remains unquestionably secure at SC3’s well-established fulcrum between rationalistic chaos and anarchistic elegance.

* NOTE  A deluxe vinyl edition of the complete Book of Souls corpus, with expanded artwork and comprehensive conceptual material will be released in October.

** artwork and preview mp3s forthcoming

ha’fway 2012

4th Jul 12 (Wed) 3 comments

Happy 236th birthday, United States!

~*~*~*~*~*~*~*~*~*~*~

So, here are my faves of the first half of 2012… and outside of the Top 5, it’s all kind of random order on how I feel today… it’s all bound to switch around by year’s end (click album art for sound samples):

Artist Album (style)

  1. OSI Fire Make Thunder (glitch prog)
  2. Fiona Apple The Idler Wheel Is Wiser Than the Driver of the Screw and Whipping Cords Will Serve You More Than Ropes Will Ever Do (jazzy pop)
  3. Peter Mulvey The Good Stuff (indie songwriter playing standards with a band)
  4. Damien Jurado Maraqopa (indie rock)
  5. Celldweller Wish Upon A Blackstar (electronica)
  6. Sigur Rós Valtari (ambient icelandic)
  7. Emily Wells Mama (chamber hip-pop)
  8. Floratone Floratone II (jazz)
  9. s/s/s (Sufjan Stevens, Son Lux, Serengeti) – Beak & Claw -EP- (interesting)
  10. Storm Corrosion (Steven Wilson & Mikael Akerfeldt) – Storm Corrosion (ethereal proggy departure)
  11. John Zorn The Gnostic Preludes (jazzy experimental)
  12. John Zorn’s Moonchild Trio (Mike Patton, Trevor Dunn & Joey Baron) with John Medeski – Templars (noise rock)
  13. Earth Angels of Darkness, Demons of Light 2 (drone)
  14. The Chance Brothers Growing Concern (indie rock)
  15. Regina Spektor What We Saw From the Cheap Seats (pop)
  16. Ani DiFranco Which Side Are You On? (folk pop songwriter)
  17. Buckethead Electric Sea (gentler instrumental guitar)
  18. Bad Veins The Mess We’ve Made (indie rock)
  19. Cosa Brava (Fred Frith, Carla Kihlstedt, etc) – The Letter (rootsy jazz adventure)
  20. David Krakauer plays Masada Book Two Book of Angels, Vol. 18 (Pruflas) (klezmer jazz)

I didn’t get a few that already came out this year (yet) and whatever “et cetera” that the cool kids are listening to these days; but they may make it to the list at the end of the year.

The 2nd half of 2012 promises to bring some potential great ones, too… a few more from John Zorn, Mike Patton & Luciano Berio’s Laborintus II, Ben Folds Five’s reunion studio album, Ric Hordinski’s Arthurs Garden (physical CD, though the download came out a bit ago), the Dusted debut from Holy Fuck’s Brian Borcherdt, Erin McKeown’s kickstarter, and I’ve heard rumors of a new Nellie McKay disc for the Fall.

Favorite concerts of 2012 (so far):

  • Penn & Teller and Cirque’s Zumanity in Las Vegas, Jan 18th & 20th
  • Secret Chiefs 3 in Eugene & Portland, Feb 6th & 7th
  • Nellie McKay’s I Want To Live! in Eugene & Portland, Mar 2nd & 4th
  • Puscifer in Portland, Mar 14th
  • Seun Kuti & the Egypt 80 in Eugene, Mar 18th
  • Radiohead in Seattle, April 9th
  • Roger Waters presents Pink Floyd’s The Wall in Portland, May 22nd
  • Beck in Bend, May 27th
    (click pictures below for review links)

~Dan – np: CelldwellerWish Upon A Blackstar

Moonchild & Melvins Lite

17th Feb 12 (Fri) Leave a comment

The upcoming Moonchild record will be the first to feature lyrics that John Zorn has written for Mike Patton to sing.  Prior Moonchild albums have been trio affairs of noise/jazz metal glossolalia from Patton, Trevor Dunn (bass) and Joey Baron (drums) with a smattering of guests musicians like Ikue Mori, Jamie Saft and Marc Ribot.  The sixth (!!) Moonchild release is set for a 2012 delivery on Zorn’s Tzadik Records.  Based on info from Chippy (Tzadik’s art designer), the album name may very well be called Templars.

Here’s some more tidbits from the mixing/mastering crew:

Other related news… Trevor Dunn is also involved in the new stripped-down Melvins Lite band with the Melvins “core” members: King Buzzo and Dale Crover.  The debut album from this evolution of the band comes out in June 2012 on Patton’s Ipecac Recordings…

Source: Ipecac

Oh, Freak Puke… such lovely imagery…

~Dan – np: CelldwellerSoundtrack for the Voice in My Head Vol 2, Ch 2

%d bloggers like this: