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*FREE DOWNLOAD* Wussy’s Berneice Huff and son, Bill sings… Popular Favorites

4th Jan 13 (Fri) Leave a comment

Cincinnati rock quartet Wussy just released this collection of rarities, bsides and live tracks FOR FREE

Berneice Huff and son, Bill sings… Popular Favorites

Wussy - Berneice HuffAs a thank-you to our fans’ support and generosity in 2012, we are happy to present a free download album of rarities, B-sides and demos.

  1. Terry Gross Intro
  2. Nomenclature
  3. Maglite (remix)
  4. First Concert
  5. Bought It Again (demo)
  6. Blood & Guts
  7. WOXY Intro
  8. Rigor Mortis (live)
  9. Retarded
  10. Bedroom Posters
  11. Jonah (demo)
  12. Airborne (acoustic)
  13. Musical Style
  14. Linda Linda/Sweetie Sweetie (live)
  15. All the Bugs Are Growing (demo)
  16. Run Away
  17. What Band Would You Erase…
  18. Soak It Up (demo)

~Dan – np: O.S.I.Fire Make Thunder
OSI - Fire Make Thunder

2012 mix

24th Dec 12 (Mon) 3 comments

Time for this year’s mix CD, except I decided to go CD-free again (like 2011’s mix). It’s still formatted to stay contained on one CD (21 tracks ~79 mins); so if you want to download the whole shebang and burn to a CD – go for it!

Check out prior year-based mixes: 2009 (CD) and 2010 (CD) and 2011 (digital). No major theme this time like some of my prior mixes (4 Elements & A-to-Z mixes)… the only rule I placed before myself was that everything is current (i.e.- released in 2012).  A few of the songs were technically released in 2012, but the album will hit in 2013.

This year’s mix ended up poppier and/or melancholier than prior mixes.  Sometimes that’s just how things shake out. I hope you enjoy.

The following songs were put on the mix from mostly lossless sources where possible and for promotional purposes only (read: free direct market advertising to people who decidedly love music). Most of the artists on this compilation are independent (put out the music themselves) or signed to smaller, independent labels. If you like what you hear, check out their music / support them with your wallet if you are able. The artists’ Webpage, Facebook, and Amazon links are available for each song below. I’ve also included concert review links if I’ve seen the artist recently.

Download the ZIP File (140M) available *HERE*, extract then drag & drop the mp3 files to your iTunes (or other playback software).

All Songs Streaming Playlist (click arrows to skip back & forth… for individual songs find them below.)

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01 Brian Borcherdt / Dusted(Into The) Atmosphere” from Total Dust

Brian Borcherdt from Canadian live-electronic band Holy Fuck has done some singer-songwriter-y solo projects in the past, but this album in-between HF albums still held on to some electronics and keys versus the standard acoustic guitar fare.  This lo-fi, melodic, and haunting affair hit me well this rainy Oregon fall.

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02 O.S.I.Wind Won’t Howl” from Fire Make Thunder

The fourth album in the O.S.I. partnership of Kevin Moore (Chroma Key) and Jim Matheos (Fates Warning) isn’t a metal heavy as the other albums.  I love how there’s a bit of rock in this track to offset the melancholy delivery of Kevin’s vocals.  Guest drummer on the entire album is Gavin Harrison of Porcupine Tree.  The album fits in with what I’d call “glitch prog,” to which Kevin liked my moniker.  Organic/real drums cut up electronically alongside with prog rock keys & guitars.  This album is easily one of my favorites of 2012.

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03 Peter MulveyEgg Radio (instrumental)” from The Good Stuff

04 Peter MulveyGreen Grass” from The Good Stuff

Peter Mulvey is an American treasure. His lyrical storytelling, guitar prowess, and overall charm and earnestness make him a favorite artists of mine, period.  With his recent album, he put together a band and re-purposed others’ music… “new standards” if you will.  The instrumental “Egg Radio” is originally penned by jazz guitarist Bill Frisell and “Green Grass” is from Tom Waits & Kathleen Brennan.

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05 Levi WeaverTalk Me Down” from I Am Only A Tiny Noise [EP]

Less than a year ago, I had no idea who Levi Weaver was.  I joined a fantasy baseball league online (uncharacteristic of me) and met Levi via that.  I had no idea he was a travelling musician until he mentioned on twitter something about a documentary being shot about him (String Theory).  Then the cards fell in place for him to play a show at my house, and then I bought and fell in love with all of his records.  Such is my musical addiction.  Sometimes I luck into gems.  Levi put out the Tiny Noise EP in 2012, but I also strongly urge you to check out his earlier work.

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06 Emily WellsInstrumental (Lolo Remix)” from Mama Remixed

08 Emily WellsFire Song (Doctor Rosen Rosen Remix)” from Mama Remixed

Emily spans indie rock, chamber music, and hip-hop near flawlessly (check her cover of the Notorious B.I.G.’s “Juicy“).  With her latest album, Mama, she has continued in that vein… and then also released a remix album for free on Soundcloud.

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 Kim Taylor - Love's A Dog07 Kim TaylorSave My Life (demo)” from the forthcoming album Love’s A Dog

Heartfelt Cincinnati singer-songwriter Kim Taylor successfully Kickstarted her forthcoming album.  I loved this song so much; so here’s a glimpse in what is to come.  Since the Kickstarter is officially done, keep in the loop via her webpage and Facebook for when it’ll hit regular retail outlets in 2013.  Also, take a listen to her back catalog… her music has a special place in my heart.

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09 Sufjan StevensAlphabet St.” from Silver & Gold: Christmas Infinity Voyage [EP]

Five EPs of Christmas music released this year, and I find a non-holiday-forward Prince cover to break things up on this mix.  This song is more indicative of things on The Age of Adz versus the rest of the Christmas EPs.  Enjoy!  Skip below for the other Sufjan track on my 2012 mix for something different…

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10 Digital Noise AcademyMelting Inside” from the forthcoming album DNA

Way back in 2006, the Los Angeles Digital Noise Academy (LADNA) did a couple of shared tracks… passing around pieces via the internet as they’re all busy musicians in their own rights.  Back in those days, there was mention of releasing an album, but nothing ever materialized.  Well, in 2012, they changed things up to just DNA and finally had enough momentum to get a Kickstarter going – which succeeded on its 2nd try.  The album will come out in 2013.  DNA is the cooperative of Ken Andrews (Failure, On, producer/mixer of tons of rock bands), Charlotte Martin (pop singer-songwriter), Sharky Laguana (Creeper Lagoon), Justin Meldal-Johnsen (Beck & NIN), Fernando Sanchez (popular hired gun), and Jordan Zadorozny (Blinker the Star).

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11 Aimee MannLabrador” from Charmer

I don’t have much to say about this song outside of that I love Aimee Mann, and the video for it was a shot-for-shot remake of the “Voices Carry” video from her ‘Til Tuesday days.  Wacky and fun!

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12 The Album LeafStretched Home” from Forward/Return [EP]

The Album Leaf is Jimmy LaValle, and he’s had some good success making some great keyboard-driven, organic post-rock.  This EP almost escaped me, though, as the word on the street was faint.  Jimmy has an upcoming project with Mark Kozelek (Sun Kil Moon); so I guess I’ll have to keep my eyes & ears peeled better!

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13 Damien JuradoMuseum of Flight” from Maraqopa

Damien Jurado is one of those pure songwriters that hits me hard with his lyrics.  This song has impacted me a lot this year, and I think I’ve listened to it more than 100 times, which knowing the amount of music I go through each year is saying something.  Maraqopa is a gorgeous record, and it will end up high on my list for 2012.

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14 Glen PhillipsStill Carrying You” from Coyote Sessions

Glen Phillips (the voice behind Toad the Wet Sprocket) can bend my ear no matter what he’s doing.  His latest self-release, Coyote Sessions (via bandcamp), is full of some old favorites that he’s done for a while in a live setting, but have never made their way onto formal releases.  A must purchase for the pop singer-songwriter in me.

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15 Charlie Hunter & Scott AmendolaNot Getting Behind Is The New Getting Ahead” from album of the same name

The ease at which Charlie Hunter plays both the guitar and bass parts on his 8-string guitar makes witnessing him in concert confounding. Fuck that guy! He’s too damn good to be an actual human being.  He’s been working with drummer Scott Amendola in several incarnations in the past (trios, quartets).  For this recent album and tour, it was just the two of them.  Stripped down, yet full of sound.  Highly recommended guitar jazz.

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16 Ben Folds FiveAway When You Were Here” from The Sound of the Life of the Mind

One of the saddest days was when I heard that Ben Folds Five broke up.  I kind of always hoped they’d get back together, but Ben Folds kept chugging away on his solo stuff… which was excellent, but not… you know, not “the same.”  There was a glint of hope a handful of years ago when Darren Jessee and Robert Sledge joined forces with their pianist brother for some live shows.  This year, they got back together for real in the studio!  They’ll hit the road in early Winter 2013.  I’ll be lucky to see them in Portland in February.  When I saw them back in the late 90s/early 2000s, they blew me away.  Truly a fun band to see live!

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17 Bad VeinsIf Then” from The Mess We’ve Made

Cincinnati rock duo Bad Veins should own the world.  Their 2nd full length is lush, hooky, and a perfect follow-up to their 2009 debut.  With the lushness on this record, Ben & Sebastien are probably giving “Irene,” their reel-to-reel band member, a good workout.  Hopefully they buy her new cords and oil her joints in between gigs.

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18 John ZornPathway of Fire” from The Concealed

One of nine releases from John Zorn this year, this album is a jauntier, more accessible jazz compared to some of his other work.  I desperately wanted to put on some screeching, grating stuff from Music & Its Double, but I spared you all.  I was *that* close to doing it, too.  You’re welcome!  Anyway, The Concealed album features some excellent packaging – embossed white inks on white digipack with die-cut shapes in the front.  Kudos to Tzadik’s designer Chippy for her always stunning work.  The music was written by Zorn and performed by the usual suspects in his arsenal – the stellar cast of NYC jazz cats: Joey Baron on drums, Trevor Dunn on bass, Mark Feldman on violin, Erik Friedlander on cello, John Medeski on piano, and Kenny Wollesen on vibes.

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19 Fiona AppleWerewolf” from The Idler Wheel Is Wiser Than The Driver Of The Screw And Whipping Cords Will Serve You More Than Ropes Will Ever Do

It’s Fiona.  What can I say? Great standout track on her stupendous new album. There’s “nothing wrong when a song ends in a minor key.”

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20 Sufjan StevensJustice Delivers Its Death” from Silver & Gold: Christmas Unicorn [EP]

Sparse acoustic guitar and Sufjan’s angelic voice thrust this song into my head and heart like no other.  I take its lyrics as disappointment in the temporary, which can also be a call to do more fruitful things while we’re here.  Which I think is good advice for everyone.  This song is also not too indicative of most of what you’ll find on the Christmas EPs. I don’t really like Christmas music, but I think Sufjan makes some wonderful art.  And, whoa, his concert tour this year was amazing (see review with photos of the Portland/Aladdin show)!!!

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21 Au4So Just Hang On, Beautiful One” from the forthcoming album …And Down Goes the Sky

These Canadian soundscapers haven’t released music since 2006. I found them in the halcyon “MySpace days,” if that tells you anything.  Their first album (On: Audio) is amazing and textured.  Their 2nd album from which this song is from is out now (digitally) with an official release date in 2013.  It’s also textured and gorgeous, with a little mixing up on the vocal duties.  I’m still digesting it, but I can still very much recommend it!

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Let me know what you think… If you enjoyed what you heard, please support the music. Definitely feel free to pass the link the mix along:

http://tinyurl.com/MixyD2012

~Dan – np: Au4On: Audio

there are no torrents, free mp3 or other downloads available

Sufjan Stevens’ Silver & Gold (Xmas EP #’s 6-10)

2nd Oct 12 (Tue) Leave a comment

Update: the stop-motion Lego video is at the bottom.

Pre-order his upcoming Silver and Gold (Christmas EP boxset #2) on 5 CDs or 58 mp3.  The 5-vinyl set appears to be sold out (via bandcamp).

“Happy Holidays! On November 13, 2012, Asthmatic Kitty Records will release (another!) Christmas box-set extravaganza by the implacable singer/songwriter Sufjan StevensSilver & Gold: Songs for Christmas, Vols. 6-10, a compilation of 5 EPs recorded between 2006 and 2010.

Expanding on the tradition of the first box-set (Songs for Christmas, Vols. 1-5 from 2006), Silver & Gold is a generous document of five more years of holly-jolly jubilee — Christmas caroling, sleigh-bell-ringing, collaborative songwriting — undertaken by Sufjan and his various musical cohorts. Originally intended as gifts for family and friends, these musical snapshots have been re-mixed and re-assembled for the public in an exquisitely-designed gift box containing all the Yuletide pleasures money can buy: Christmas stickers, temporary tattoos, lyric sheets and chord charts, a paper ornament, an apocalyptic pull-out poster, photos, illustrations, and extensive liner notes—a veritable Christmas feast for the eyes and ears.

The album features collaborations with a running line-up of friends and musical peers, including Aaron and Bryce Dessner (The National), Richard Reed Parry (Arcade Fire), Cat Martino (Sufjan’s right-hand woman on all things Age of Adz), Sebastian Krueger (Inlets), Gabriel Kahane, Vesper Stamper, and members of Danielson (Daniel, Elin, Lilly, and Ida). Sufjan’s own indelible aesthetic and his tireless oblique strategies (in vain pursuit of the perfect Christmas song) maintain the album’s center of gravity, resulting in an abundant compilation (nearly 60 tracks) that investigates the canon of devotional hymns and holiday pop songs with reckless abandon (totaling nearly three hours of music).

Silver & Gold surpasses its predecessor both in style and scope by taking a wider stance and embracing a more liberal ethos. The box-set sails through musical fashions as various as ornaments on a Christmas tree (covering songs from John Dowland to Johnny Marks). The folksy old-world renaissance of Gloria (Vol. 6) gives way to bi-polar impertinence on I Am Santa’s Helper (Vol. 7). Christmas Infinity Voyage (Vol. 8) looks to the cosmos (and the drum machine) for inspiration, while Let It Snow (Vol. 9) and Christmas Unicorn (Vol.10) show a giddy return to form, unselfconsciously reveling in all the bubble-gum show tunes from the 1950s and 60s (“A Holly Jolly Christmas,” “Sleigh Ride,” and “I’ll Be Home For Christmas,” to name a few).

There are also 18 original songs intermixed throughout (some of them co-written or wholly composed by guest collaborators). Sufjan’s contribution to the Christmas canon exhibits an ever-expanding canopy of approaches: there’s the moody and affectionate Christmas ballad (“Happy Karma Christmas”), an ecclesiastical take on the Burl Ives classic “Silver & Gold” (re-titled here as “Justice Delivers Its Gift”), the rowdy, garage-rock, rumble-in-the-snow-bank (“Mr. Frosty Man”) and the psychedelic pop-anthem (“Christmas Unicorn”) that attempts to reconcile new age magic, fantasy fiction, and the commodification of Christmas with expository deftness.

Silver & Gold is more than just another Christmas album, but an ongoing exercise in theme and variation, an annual tradition that offers this songwriter a chance to experiment with fashion and technique without taking himself too seriously. Sufjan’s playful (yet purposeful) expedition through the superficial landscape of sugar plum fairies and marshmallow fluff has produced an exuberant musical account of “all things Christmas” in the pursuit of the sublime. What distinguishes this project from the glut of Christmas albums saturating the market today are Sufjan’s unguarded enthusiasm for the genre itself (the sense of freedom he shows in celebrating with reverence and rebellion) and the belief that Christmas music contains a multiplicity of sacred and secular significance (from Baby Jesus to Babes in Toyland) that is ultimately ours for the taking. It’s safe to say that no one has taken it further than Sufjan, for better and for worse.

Thanks for listening and may all your Christmas dreams come true.

Silver & Gold will be available in digital download, a CD box-set available November 13th, with a limited edition of 2000 vinyl box-sets available later this year or early 2013.

A special edition of the vinyl boxset, which will include some extra surprises, is available to US/Canada/EU for pre-order:

http://sufjanstevens.bandcamp.com/album/silver-gold

The CD Boxset includes: (price not listed yet)

1. Five CD EPs

2. Christmas stickers

3. Temporary tattoos  (non-toxic & safe for children)

4. A paper ornament (self-assembly with directions)

5. An apocalyptic pull-out poster

6. Song lyrics and chord charts (sing along with your friends and enemies)

7. Hallucinogenic photographs and psychedelic graphic design (by Sufjan Stevens, drug-free since 1975)

8. Extensive liner notes (introductory salutations and an essay on the Christmas tree by Sufjan Stevens, and a few theological words on the End Times by Pastor Vito Aiuto)

The vinyl boxset includes: ($120 + S/H)

1. Five EPs on 6 vinyl discs

2. Christmas stickers

3. Temporary tattoos

4. A paper ornament

5. A 40-page Christmas songbook with vocal and piano reductions

6. A Christmas coloring book

7. Hallucinogenic photographs and psychedelic graphic design

8. Extensive liner notes

Whoa!

Sufjan Stevens Lego Movie

~Dan – np: Carla Kihlstedt & Matthias BossiNiagara Falling: Tales for the Stage, III

Glen Phillips – Coyote Sessions

19th Sep 12 (Wed) Leave a comment

Just uploaded to bandcamp by Glen Phillips (the voice of Toad the Wet Sprocket) is Coyote Sessions.

Go here to buy it (only $7 for the full album):

http://glenphillips.bandcamp.com/releases

Here’s the 411…

This album is a collection of beloved orphans – songs I’ve played live but never put on a record, or co-writes that other artists have cut but I hadn’t gotten around to recording.

Coyote Sessions is also an experiment in recording. My friend Sean McCue lost his previous studio in the Tea Fire a couple years ago, and recently finished building a new workspace, Coyote Road Studio. It’s a big open room, with a distinctive sound. We wanted to see how truly we could capture a real performance – no electronic mixing, no overdubs, just a single microphone a couple feet away from me and players moved around the room to balance the sound. We hope you like the results.

**** Full album includes a video for Greer Zoller ****

Musicians:
Glen Phillips – Vocal, Acoustic Guitar
Sean McCue – Electric and High Strung Guitars, Percussion
Jim Connolly – Acoustic Bass, Piano
Alastair Greene – Electric and Steel Guitars
Tariqh Akoni – Electric Guitar
Bill Flores – Pedal Steel, Weissenborn, Mandolin
Anna Abbey – Piano
Tom Lackner – Drums

~Dan – np: Derek WebbStockholm Syndrome

Sigur Rós’ “Ég anda” video & Radiohead’s ‘OK Computer’ & ‘Kid A’ 8-bit

22nd May 12 (Tue) Leave a comment

Well, Pink Floyd’s Roger Waters plays The Wall in its entirety tonight (5/22) at the Rose Garden Arena in Portland, Oregon… I shall be there, and it shall be awesome.  Review posted, um… maybe by Thursday?  In the meantime, enjoy this…

Sigur RósÉg anda” video

pre-order Valtari here, and look out for the Mystery Film Experience
coming soon for the rest of the album’s videos

And this…

RadioheadOK Computer and Kid A in 8-bit

OK 8-bit mp3 download here

Kid 8-bit mp3 download here

~Dan – np: BeckThe Information

Ben Folds Five 4/26 “airplane blog”

27th Apr 12 (Fri) Leave a comment

5/4/12 Update: Ben Folds posted the 1st sneak peak (full track, free mp3 download) from the upcoming Ben Folds Five record…Do It Anywayhttp://bit.ly/IR7qg1

Ben Folds posted the following “airplane blog” last night on Facebook about the work they’ve done on the upcoming Ben Folds Five record… lots of news and insight…

About Ben Folds Five, the new album.

I’m writing this on a plane. I tweeted that I wanted to blog and most responses were – blog about the new album. Fine, I’ll start there. I won’t correct grammar or spelling so hopefully we’ll all deal. I’m typing as fast as I can… and I type damn fast if I do say so myself. I just screw up a lot….

The album started in January. We just started playing and recorded shitloads of stuff.

A way that I often wrote for us was to just sit and imagine what kind of sound, song, sentiment, arrangement I’d like to hear us do. It’s easy to imagine because we have a very distinct style of playing together that was pretty much writ in stone from our first rehearsal on. There were a couple of breakthroughs back in the day… Eddie Walker was one. We figured out some tonal stuff – the floor tom ride with lots of AAAHS and fuzz bass on the chorus was a defining technique for instance.

On the new album we’ve discovered quite a few new things like that. We’re tonally a few steps into the future. I remember when bands all had a ‘sound’. I know that sounds like a total old man thing to say, but hey if the orthopedic shoe fits… You know, a band that just set up their shit, played in the corner and just had a fresh sound. I’m not saying there’s no style today, just that plugging in and working with what you have makes you work hard to find a sound… okay. I’m rambling but that’s what I promised to do in the blog.

So we played hours of stuff on tape and it was inspired. Quite insane. I got little sleep for weeks as I had idea after idea on how to make these sounds into songs. I’d spend the mornings at the piano and then the guys would come in. It was a burst. We began on Pro Tools with the idea of moving off when we started recording ‘for real’ but we saw no advantage of moving over as we were only using the Tools as a tape deck anyway and were enjoying the freedom of being able to record more than a fifteen minutes of music at a time.

We set up in my studio in the same room with a little baffling, but without the interest in separation. In other words, for engineers, we welcomed bleed.

Lyrically it began to take shape quickly and we were much richer in ideas and material than any of the albums we did together. We were supporting each other, trying each idea instead of poo poo-ing each other’s creativity. It was a pretty amazing experience. UNTIL…

We ran out of time because I had stuff to do, Darren had a Hotel Lights tour and Robert’s son is too young to leave for too long. So we stopped and that’s where we are.

The lyric stuff. Loss of ego. That emerged as a theme. Ways to lose the ego. Funny thing is that I didn’t realize that each of those ego losing songs would be failures. I mean, each character who aspired to do so only succeeds for a short time and then the ego comes back. I guess that’s the way it works in real life. Anyway… for instance…. Being Frank. That’s a song on the album. It’s kind of historical fiction in a way. Certainly when Frank Sinatra died, he had a tour manager and let’s say that tour manager was with him his whole career. Decades. When Frank passed the tour manager might have realized that he’d spent most of his adult life setting the thermostat for someone else, eating his leftovers, essentially trying to think like Frank to anticipate his needs. Frank’s death would have been a crisis but an exciting one. How to be yourself when someone you’re attached to is gone. What kind of coffee do you like, who are you really? But then I started to realize that that tour manager would have wanted to take some credit for Frank’s career. He suggested THAT lyric or that TV show etc. Frank was really being HIM. Loss of ego, failure.

Other songs titles… Erase Me. Do It Anyway. The Sound Of The Life Of The Mind (that’s Nick Hornby’s lyric and my music). Sky High (beautifully written Darren song). We really spent quite a bit of production time on Sky High. It warranted it. You know that 10cc trick where they looped vocals, unison AHHHs and assigned each note to a fader on the console? Then they play the console like it’s a keyboard using the faders. We did that. Nobody does that and they should. It’s not “copying” 10cc… it’s recognizing that they invented an instrument. We play that instrument on Sky High. I’ll put up video of that. It’s kinda interesting.

What else… I’ve had a chorus that goes “If you can’t draw a crowd, draw dicks on the wall” for quite a while. Since Reinhold era. It had different melodies, but I always liked the idea. When someone wants attention and they don’t get it, often we do something really stupid or even destructive. The song is Draw A Crowd. It’s partially silly and partially deep. Many will latch on to the silly part and give me shit for it and maybe when they grow up they’re get the other part. If not, oh well. It’s okay. I like Kesha songs and some people don’t.

We’ll get back together in June. We kinda fucked up. We meant to finish the album and then do gigs. But we’re doing a few festivals and will be paddling ferociously between those gigs to finish our album. That’s alright. Deadlines are good.

I suppose the album should come out in September and we do not want to release it traditionally at all. I’m all into traditional record releases but for this one… I want to avoid ass kissing. It’s not healthy. I think we’re going to pass on radio promo and on most advance press. No sending it out for reviews etc. We’ll just let you know through Twitter and Facebook that it’s coming out. That’s the idea, and we’ll see how that goes. Maybe we’ll adjust our thinking. Just seems like such a musical experience I hate to be in the position of selling it to people who don’t care. I’d rather spend my time telling people who DO care and save the money and time. Sell fewer records probably to those who want it. That leaves more time to make new records and tour. Less ass kissing, more music and life. A good theory… we’ll see… lemme know what you think of that theory.

What else can I tell you. If you’re a Robert fan, you’ll shit. He’s better than ever and we’ve grown into knowing how to put him up front and letting him do what he does. Darren is playing lyrically as ever, like a fine jazz drummer – cymbals are gorgeous and he doesn’t give a damn so every once in a while he just makes a mockery of every drum fill you’ve ever heard but does it twice as crazy and makes it mean something. It’s quite damn amazing. Look out for what he does on a song called Michael Praytor. That song comes from a ‘rock this bitch’ partially. I’d always liked the melody but it comes to life with Robert and Darren in a way I never expected. Its a song about how some people just come back and back into your life whether you like it or not. You don’t choose them, they just show up.

There you go. I’ll do another blog now. The record pops out of the speakers and I’m finding myself wondering if we should tone it down. Nope. I think it’ll be just fine.

~Dan – np: Many ArmsMany Arms

Guano Padano’s 2 featuring Mike Patton

13th Mar 12 (Tue) Leave a comment

No word on when this will hit the US market, but Italian band Guano Padano is releasing their 2nd album, 2, on March 13, 2012 (today!).  It doesn’t show up in the US Amazon store (yet), but the whole album is streaming on Rolling Stone Italy.  The track “Prairie Fire” features Mike Patton on vocals…

~Dan – np: John Zorn & Bobby PreviteEuclid’s Nightmare

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