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Björk – Biophilia :: It started with an iPhone / iPad app… I was skeptical, but it turned out to be a really cool app and a really cool album. I don’t think the actual music broke any new ground for Bjork, but her willingness to approach technology and manifest an album initially with a new format is what will keep her in the forefront for me.
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Elysian Fields – Last Night on Earth :: Brooklyn-based sultry art rockers Elysian Fields don’t really tour outside of NYC often. Jennifer Charles and Oren Bloedow find their way to Europe on occasion, but most U.S. fans only really have their studio albums to sate their musical desires. This is their sixth full-length album in their near 16-year career. Well crafted, well produced, lush vocals and folk meets dusky jazz.
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Blackfield – Welcome to My DNA :: I was disappointed that I couldn’t make it out for this tour. The album is good, albeit a little disjointed compared to their other two albums (probably due to Aviv Geffen doing more of the writing versus Steven Wilson who was busy with his solo album – see #9 below). Nice orchestration and a solid offering from Blackfield.
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Dream Theater – A Dramatic Turn of Events :: I almost didn’t buy this album. I’m glad I did, but I’m still pretty pissed at the band for choosing to continue without founder/drummer Mike Portnoy after he expressed an interest in a short hiatus/breather. They picked up a drummer I like (Mike Mangini, who i saw play with Extreme in 1995), but a BIG piece of what I loved about DT (after Kevin Moore left in 1994) was Mike Portnoy’s energy. With his absence, I’m liking them less and less. The album is good, but it’s way more bitter than sweet to me.
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Foo Fighters – Wasting Light :: Dave Grohl is a modern rock genius. He rocks, he hooks, he continues to put out great music.
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Steven Bernstein’s Millennial Territory Orchestra – MTO Plays Sly :: A trumpet-led tribute to Sly and the Family Stone with guests vocalists. This superb collection is less funk, but still quite enjoyable. My favorite is the Antony-sung “Family Affair.”
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Florence + the Machine – Ceremonials :: Soulful baroque-rock chanteuse won me over with their first album Lungs, even though I didn’t pick it up this year. Her second album solidifies her as more than a fluke. The album is dancey and dark. Great for fans of Tori Amos & Kate Bush!
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Incubus – If Not Now, When? :: Incubus took some time off so guitarist Mike Einziger could work on his degree at Harvard and singer Brandon Boyd could put out some art as well as his solo album. They regrouped and put out an album that had a similar vibe to the ocean-groove Morning View. They aren’t breaking new ground, but they still have a solid position in my ears.
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The Jelly Jam – Shall We Descend :: The supergroup of Ty Tabor (King’s X), John Myung (Dream Theater) and Rod Morgenstein (Dixie Dregs) finally found some time to hit the studio! The result is an excellent rock album…
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Chevelle – Hats Off to the Bull :: Chevelle are a sleeper in my collection. I almost write them off and then with each album, I think how stupid it’d be to write them off. Great hard rock with a vocalist that reminds me of Maynard (Tool, etc). I really need to see this band live – I’ve yet to have a the chance…
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My Brightest Diamond & Murat Eyuboglu – Letters to Distant Cities :: A short spoken word album, featuring the words of Mustafa Ziyalan. Words spoken by Shara Worden (My Brightest Diamond), backing music by Murat Eyubolu, with two songs sandwiching the poetry – one by MBD and one by Clare & the Reasons. A great arty piece.
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Jason Ludwig – Tanglings :: Jason Ludwig returns to the Cincinnati music scene after his 2010 band break up (Noctaluca) with two full-length albums (Tanglings and Lost in Love). Tanglings is my favorite of the two, but they’re both quite excellent. Well-produced, well-arranged, creative singer-songwriter that reminds me of a cross between the pop of Glen Hansard (of the Swell Season and the Frames) and the creative of Daniel Johns (of Silverchair). If you don’t like these albums, I’d be surprised.
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Hotel Lights – Girl Graffiti :: Darren Jesse was the drummer for Ben Folds Five, and wrote one of my absolute favorite songs for them – “Magic” from The Unauthorized Biography of Reinhold Messner. He puts down the sticks and picks up the guitar and vocal duties for Hotel Lights. This is HL’s 3rd album, and he continues to impress me with his versatile skills. Poppy indie rock.
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Eisley – The Valley :: The long gap between The Valley and their last album was trying for the band. After many contract dispute with their former label (Warner), they were finally set free. Many bands don’t make it out of contract disputes alive – it’s easier to break up sometimes. Well, thankfully it’s difficult for Eisley to break-up, as they’d still see each other at holidays and family get-togethers (the band consists of 3 sisters, a brother, and a cousin). The Valley picks up where 2007’s Combinations left off. Alt-pop-rock goodness. Vocal duties traded off between sisters Sherri & Stacy…
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Tori Amos – Night of the Hunters :: This was Tori’s first album on classical label Deutsche Grammophon. I was skeptical at first, not because of the classical bent. I knew she could handle that… I was skeptical due to the first artwork that looked plastic (which sadly stayed) and her last studio album was a lackluster (IMO) holiday album (blech). Tori enlists her daughter Natashya on some vocals, and delivers one of my favorite Tori albums since 2002’s Scarlet’s Walk.
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David Bazan – Strange Negotiations :: Continuing in his solo expressions after the official ceasing of Pedro the Lion, David Bazan manifests wit, a sharp tongue, and a questioning mind into his DIY-indie rock. This year, he toured quite a bit, solo and with a band. An album last year (Curse Your Branches), an album this year, and another on the way. He’s slogging away, trekking all over the country, and making some great music on the way.
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Steven Wilson – Grace for Drowning :: Porcupine Tree frontman Steven Wilson is a hard worker. Whether he’s producing albums for others or making albums & touring with PT, Blackfield, No-Man, Storm Corrosion, or solo – he’s always busy each and every year. This year brought his second solo album and a small tour. The album is a bit more stripped down from his other projects. It is reminiscent of Pink Floyd in spots – specifically this song “Home in Negative.” He also rocks out a bit in the almost two hour double album… check out the video for “Track One” here (it’s a bit bleak then startling). Gorgeous work.
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Wussy – Strawberry :: Well, I was super happy when I found out that Wussy was putting out their fourth full-length studio album this year. They’re a fantastic rock quartet made up of Chuck Cleaver, Lisa Walker, Mark Messerly, and Joe Klug. They write catchy, poppy choruses and meld it perfectly with Midwest Americana-meets-indie-rock grit (or “Midwestern drone” as their press says). Vocal duties are traded off with Chuck (of Ass Ponys) and Lisa (of Magic Words).
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Radiohead – The King of Limbs :: I could probably put an “indie” icon next to Radiohead… I think technically they put TKOL out by themselves. But they’re a huge superpower of a band. I like this record, but I’ll admit that it’s still sinking in… I need to give it some more spins. This album spawned a seven 7″ vinyl remix set. The video for “Lotus Flower” also spawned a silly “Thom Yorke dancing” meme… one of my favorites being the tennis/fish and the “Single Ladies” editions.
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Jeffrey Foucault – Horse Latitudes :: Jeffrey Foucault is a favorite Americana artist that I got turned on to by singer-songwriter/storyteller Peter Mulvey. Jeffrey and Peter work together in the band Redbird (with David Goodrich and Jeffrey’s wife Kris Delmhorst). I didn’t pick up Jeffrey’s albums until the past year and a half. He’s definitely more on the cusp of country than I tend to traverse, but I dig his authenticity, poetic wit and charm. He’s a delight on stage and a fantastic John Prine-esque songwriter for the new generation.
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Opeth – Heritage :: Mikael Åkerfeldt hangs up the cookie monster vocals and “Swedish death metal” rattle and puts out a solid heavy metal album that is a tribute to his progressive metal ancestors. I’ll admit, I miss the heavier side, but it’s still good to see Mikael evolve.
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Over the Rhine – The Long Surrender :: For those that don’t know Over the Rhine, they started out as a four piece in Cincinnati in 1989 and put out their “post-nuclear, pseudo-alternative, folk-tinged art-pop” indie debut ‘Til We Have Faces in 1991. After about a decade as a four-piece, Ric Hordinski (guitars) & Brian Kelley (drums) left. Karin Bergquist (vocals) & Linford Detweiler (keys) carried on the Over the Rhine flame throughout the years… moving away from a rockier feel to a more folky-pop-Americana thing. What I like about Over the Rhine is they continually change and evolve into a different band with each album and each outing. I’ve seen them rock out, I’ve seen them jazz it up, I’ve seen them happy, I’ve seen them somber, I’ve seen them celebratory, and I’ve seen them tell stories that will make you laugh and cry.
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dredg – Chuckles and Mr. Squeezy :: I love this band. I hate the album title, but I love the band. Modern progressive rock, tons of talent, thoughtful lyrics, none of that “prog wankery” that is generally detestable. While it’s hard for them to follow-up the stunning The Pariah The Parrot The Delusion (from 2009), this new album does a hearty job of maintaining their quality rock standards.
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My Brightest Diamond – All Things Will Unwind :: Shara Worden (aka My Brightest Diamond) took some time off since her last album – 2008′s A Thousand Shark’s Teeth. She put out some stunning collaborations in the past three years (see #15 above) including her first kiddo; so the lapse in studio work was a-OK. On this album, Shara teams up with NYC-based ensemble yMusic to create a lush backdrop for her gorgeous voice. I can’t praise this album enough!
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Puscifer – Conditions of My Parole :: Tool / A Perfect Circle frontman Maynard James Keenan makes wine and makes other music in his time off from Tool and APC. I loved Puscifer’s debut and the subsequent EP, but this album tops it all. It’s a brilliant record, recorded in one of his wine cellars with his friends – featuring backing vocals from Carina Round. It’s self-released by Puscifer music with a small distribution partner (available in indie shops, primarily). The tour this year was great (I caught Seattle), and I’m glad they’re heading out in the spring again (I’ll be at Portland).
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i must check out puscifer immediately then. also surprised the roots aren’t a bit higher considering i didn’t care for blackfield 3 at all (and I saw them in VA…aviv kills the vibe for me). I feel that I’ve grown out of DT years ago but I love some of their older material (like scenes), but these recent 2 albums have done absolutely nothing for me because they seem so formulaic.
yeah, I got Roots later in the year, maybe it’s a nostalgia thing with Blackfield winning out. I imagine if I spend more time with the Roots album, it’ll grow on me more. I’m right there with you on Aviv. I saw them on their first tour (2007 NYC), and he got all rockstar and took his shirt off. Seems very clash-y compared to Steven Wilson’s more reserved demeanor. :)
Glad to see Jeff Foucault made it onto your list. Its a great album indeed.
All the best.
– MFA