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PHOTOS: Secret Chiefs 3 – The Seattle Residency (5/7/13 & 5/8/13)

12th Jun 13 (Wed) 3 comments

Better late than never, I got the Secret Chiefs 3 Seattle residency photos edited.  Two days and four amazing sets by this amazing band.  Go here for the SUNSET 5/7 SETLISTS (UR & Ishraqiyun) and here for the CROCODILE 5/8 SETLISTS (John Zorn’s Masada Book Two: Xaphan & FORMS).

Note: The new album, Book of Souls: Folio 1, originally announced to come out in May has now been pushed back.

The Appropriate Linkage:

Secret Chiefs 3 in Seattle 2013

Secret Chiefs 3 in Seattle 2013

Secret Chiefs 3 in Seattle 2013

Secret Chiefs 3 in Seattle 2013

Secret Chiefs 3 in Seattle 2013

SECRET CHIEFS 3 PHOTOS
all pictures (cc) 2013 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

Secret Chiefs 3 – 2013 SPRING RESIDENCY TOUR

Seattle, WA
Tue May 7, 2013 @ The Sunset
Wed May 8, 2013 @ The Crocodile

San Francisco, CA
Fri May 10, 2013 @ Cafe Du Nord
Sat May 11, 2013 @ Cafe Du Nord

Los Angeles, CA
Sun May 12, 2013 @ Bootleg Bar
Tue May 14, 2013 @ Bootleg Bar

New York, NY
Fri May 17, 2013 @ Mercury Lounge

Brooklyn, NY
Sat May 18, 2013 @ Union Pool
Sun May 19, 2013 @ Union Pool

Chicago, IL
Tue May 21, 2013 @ Schubas Tavern
Wed May 22, 2013 @ Beat Kitchen

Toronto, ON
Fri May 24, 2013 @ The Drake
Sat May 25, 2013 @ The Drake

New York, NY @ The Stone (6 nights, 12 shows)
May 28, 2013
8pm: UR
10pm: FORMS etc.

May 29, 2013
8pm: Tesselations / Magic Squares
10pm: Ishraqiyun

May 30, 2013
8pm: FORMS etc. (expanded set + new material)
10pm: Xaphan

May 31, 2013
8pm: John Carpenter tribute + new material from Forms, UR, etc.
10pm: Tessellation 2: with guests Ches Smith and Gyan Riley

Jun 01, 2013
8pm: FORMS (new material adding Ches Smith, pipe organ favorites etc)
10pm: Ishraqiyun Kenny/Ches double-drum Cthulu mutations.

Jun 02, 2013
8pm: Final SC3 set, best of Stone week recap (with Ches Smith & Kenny Grohowski)
10pm: Masada (adding Gyan Riley to previous ensemble, the whole crew)

Secret Chiefs 3 @ Crocodile 5/8 (Seattle)

9th May 13 (Thu) 2 comments

UPDATE: Photos posted HERE

I’ll have photos of the Secret Chiefs 3 shows from the Sunset Tavern (5/7) and the Crocodile (5/8) up after the weekend. The shows were amazing… here’s what they played at the 2nd show and a teaser photo…

Secret Chiefs 3 in Seattle 2013

John Zorn’s Masada Book Two: Xaphan – light cloaks ~60 mins
presumably the whole album of Xaphan

FORMS+ – dark cloaks ~70 mins
Danse Macabre [Camille Saint-Saëns]
Vajra
[noted as “trads” on setlist, a Traditionalists medley?]
Renunciation [Ananda Shankar]
Zombievision
Personnae: Halloween [John Carpenter]
Tistriya
Ship of Fools (Stone of Exile)
Toccata [Eugène Gigout]
Radar (The Day the Earth Stood Still) [Bernard Herrmann]
Saptarshi
———-
Stars and Stripes Forever [John Philip Sousa]

~Dan

Secret Chiefs 3 @ Sunset Tavern 5/7 (Seattle)

8th May 13 (Wed) 2 comments

UPDATE: Photos posted HERE

I’ll have photos of the Secret Chiefs 3 shows from the Sunset Tavern (5/7) and the Crocodile (5/8) up after the weekend.  The first show was amazing… here’s what they played and a teaser photo…

afba094ab7a611e2a8c922000a1fc80c_7[1]

UR – light cloaks ~60 mins
Book T: Waves of Blood
Book T: Broken Glass Hearse
Castle of Sand
Personnae: Halloween [John Carpenter]
Sophia’s Theme
Labyrinth of Light
Drive
Dolorous Stroke
Hurqalya
Book T: Exodus [Ernest Gold]

Ishraqiyun – dark cloaks ~80 mins
Balance of the 19
Fast
The 15
The 3 (Afghan Song)
The 7
Tistriya
The 4 (Great Ishraqi Sun)
Bereshith
Brazen Serpent
————
Saptarshi

~Dan

PHOTOS: Booker T Jones, Charlie Hunter & Carlton Jackson @ Soul’d Out Music Fest (Dante’s, Portland – 4/14/13)

15th Apr 13 (Mon) Leave a comment

The first time ever playing together, Booker T Jones (keys, voice, guitar), Charlie Hunter (guitar magic) and Carlton Jackson (drums) ripped up a 70 minute set at the Soul’d Out Music Festival last night at Dante’s in Portland.  Booker T. actually played on many of, if not all of, the studio recordings of the classics played last night… such a legend!!

Here are some photos and the setlist:

This slideshow requires JavaScript.

Setlist: ~70 minutes

  • Hip Hug-Her
  • Melting Pot
  • Born Under a Bad Sign (Albert King cover)
  • Green Onions
  • Oh Pretty Woman (Albert King cover)
  • Knockin’ on Heaven’s Door (Bob Dylan cover)
  • (Sittin’ On) The Dock of the Bay (Otis Redding cover)
  • Take Me to the River (Al Green cover)
  • Ain’t No Sunshine (Bill Withers cover)
  • Time Is Tight
  • I’ve Been Loving You Too Long (Otis Redding cover)
  • Encore: Unknown (by me)

The Appropriate Linkage:

~Dan

REVIEW: John Zorn at 60 @ Walker Art Center & St. Mark’s (Minneapolis, MN – 4/6/13)

12th Apr 13 (Fri) Leave a comment

John Zorn - only pulled out his horn at the very end

John Zorn turns 60 this coming September, and Minneapolis’ Walker Art Center wanted to throw a Zorn Fest of sorts.  Since Zorn doesn’t like to travel, he wanted to keep it to a minimum: not a 3+ day fest, but hey, let’s do it all on one day!  And thus “Zorn @ 60” at Walker Art Center was born!

Check out what 60 of Zorn’s contemporaries have said about him… Part 1 & Part 2.

There have already been a  few great reviews already posted (Jazz Police / Walker Art / City Pages); so I’ll keep my write-up to my own personal reflections, and not as in-depth, per se.  Here’s who Zorn had with him for this fest, in different assemblies… Cyro Baptista, percussion; Joey Baron, drums; Greg Cohen, bass; Chris Cunningham, guitar; Marc Feldman, violin; Eric Friedlander, cello; Michelle Kinney, cello; John Medeski, piano, Hammond B3; Ikue Mori, electronics; Marc Ribot, guitar; Joey Schad, electric keyboards; Kenny Wollesen, vibraphone, percussion, and drums.

Well, first off, due to documentaries, I know what Zorn sounds like… and I was getting off the elevator at my hotel and I heard a familiar voice.  Then I looked up, and “whoa, John Zorn is getting on the elevator that I’m getting off of.”  I almost wanted to act like I forgot something in my room and ride up with him.  Alas, I wussed out.  Then in the lobby, Marc Ribot was futzing around on his phone, and Greg Cohen’s massive upright bass case was blocking the front desk.  It all added to my overall giddiness for the day…

John Zorn discussion w/ Philip Bither

The full day of Zorn @ 60 started at 3pm with a sit down with fest curator Philip Bither.  Zorn is a lively, humorous, acerbic character.  I kinda love him.  Probably more f-bombs and frivolity than most Q&A sessions, the near hourlong session was highly interesting.

The first part of the discussion talked about Zorn’s age… as the fest was all about his experience and what got him to where he is now in the scene at 60.  Zorn talked a little bit about other “60” celebrations he’s doing this year (of all things MySpace has the best list), and one that he’s doing at The Met (NYC) completely intrigued me… ten performances every hour on the hour in different galleries throughout the museum on September 1st (Facebook link).  if I can swing a way to be in NYC for most of September, I’d be happy.  Unlikely, though.

Some of the best quotes from the interview and Q&A (paraphrased from my scribbles):

[about turning 60]“You don’t have any more doubts.”

“They’ve been saying I’ve been playing ironically for decades… that’s bullshit. But they don’t believe me when I say that’s bullshit.”

“Ribot plays guitar like a mutha’fucka!”

“I live in a library [of books, LPs, CDs, DVDs]… I didn’t have a kitchen for over a decade, but I didn’t have cockroaches either!”

[on creativity] “There were probably Bach-types banging on logs [in the earliest times]. Creativity is mystical, spiritual, ineffable.”

[on his schedule for the day] “Eating is a drag… it’ll only slow you down.”

[on critics] “The secret to longevity is to stay away from negative people… all reviews are bad. We don’t need that bullshit.”

And while I write reviews (and perhaps this is one), I understand his take on the industry of critique.

Marc Ribot plays selections from The Book of Heads
(about 20 minutes)

Mark Ribot performs with Doveman at The Studio in Sydney Opera House for Vivid Live 5th June 2010. (photo by Daniel Boud)

John Zorn / Marc Ribot - The Book of HeadsFirst music of the day… Marc Ribot by himself with a guitar, some pedals, a violin bow, some balloons, and an intenseness in his eyes.  The Book of Heads, an album of solo Etudes composed by Zorn, is a very difficult listen.  It screeches, it hurtles into many different directions.  It’s hard to follow, it’s hard to even want to listen to at some times.  Seeing it live, though, was quite fascinating.  It’s highly composed, but seemingly improvised.  Just seeing Marc’s stern look at the sheet music showed the composition.  He was intently following the haphazard that was on the page.  When one of the greatest guitarists is using balloons as a key part of the music making process, you know things are weird.  Weird but gripping.

Ribot played the following Etudes (not necessarily in this order): 13, 23, 9, 24, 22, 27, 7, 2.

Game Piece: Hockey with Kenny Wollesen & Erik Friedlander
(about 10 minutes)

John Zorn - Hockey

John Zorn - HockeyThe next piece was a trio game piece first created in 1978.  Zorn’s game pieces are a strict set of rules and is a structured, improvisational collaboration between the artists.  Hockey on record is OK to listen to, but like The Book of Heads and Cobra (below), it’s far more interesting in the live setting.

A game piece is…

As well as a sports game, a game piece may also be considered analogous to language: The performance is directed by a well defined set of rules (a grammar) but by no means fixed or predetermined (just as all sentences generated by the same grammar are not the same). The length of a piece may be arbitrary, just as a sentence can be of any imaginable length while still conforming to a strictly defined syntax.

This time is was Zorn on birdcalls, Kenny Wollesen on bird calls and percussion, and Erik Friedlander on cello.  With Kenny and Erik looking intently at Zorn for his verbal and hand motion directions.  The level of musicianship of these three players is amazing, and the game pieces are basically a way to stretch their creative musical muscles while making sounds that you’d never expect.  It’s not for the casual listener.

Game Piece: Cobra (for 11 players)
(3 games; about 30 minutes total)

John Zorn - holding up cue card during the Northsea Jazz Fest

John Zorn heard off stage before Cobra started: “Just don’t make any mistakes!”

John Zorn - CobraCobra takes the game piece concept to whole new levels.  The rules are more complex, and John Zorn doesn’t play but directs at the front.  Based on the card he holds up and his verbal and non-verbal cues, the musicians go off on an adventure – never the same in any repeat performance.

With eleven players on stage (all listed at the top of this post), they played three games of Cobra.  This was my first time seeing Cobra.  It’s very interactive, starting with Zorn’s lead, but the players get room to lead things too.  It’s improv, but still with a structure.  Here’s a glimpse at the cue card structure:

John Zorn - Cobra cue cardsHighlight for me: Joey Baron’s smile.  I get such a kick out of watching him play.  He’s probably the musician having the most fun ever on stage every time I see him.

Cobra was the end of the first program, and the fest broke for a couple hours.

Erik Friedlander plays selections from Masada Book Two: Volac
Masada String Trio, and
Bar Kokhba Sextet
(a little over an hour – total)

The second program was the chamber music segment (and also the part of the day where my notes have now gone missing).

Erik Friedlander plays Volac (John Zorn's Masada Book Two: Book of Angels)I’d seen Erik Friedlander before (both solo with his own stuff and playing Volac), and it was a great warm up for the increasingly larger groups playing music from John Zorn’s Masada Book Two set of music.  He played a gorgeous 20 minute selections from Volac.

Masada String TrioUp next was the Masada String Trio made up of the aforementioned Erik Friedlander on cello, Mark Feldman on violin, and Greg Cohen on upright bass.  While the music they played was composed (same with Bar Kokhba Sextet), John Zorn sat on the floor in front of them, conducting.  They played about 20 minutes from their Masada Book Two set.  Gorgeous players, gorgeous music!

Bar Kokhba SextetContinuing in the chamber music written & conducted by Zorn, the Bar Kokhba Sextet found the Masada String Trio joined by Joey Baron on drums, Cyro Baptista on percussion, and Marc Ribot on guitar.  This was probably the best part of the night for me – outside of the experience of seeing Cobra played for the first time.  The group effortlessly brought Zorn’s Masada tunes some groove, and seeing both Baron and Baptista work together percussively was a delight.

John Zorn’s Nova Express & The Concealed
encore:

John Zorn playing to Wallace Berman’s film Aleph
with Kenny Wollesen & Greg Cohen
(about 75 minutes total)

At the beginning of the third program, someone yelled out from the audience, “where’s your horn!?” to which John Zorn yelled back, “at home mother fucker!”  Irreverent and hilarious.  Even though he was lying (he brought out his alto sax for the final piece).John Zorn in Minneapolis 2013  Photo by Bryan Aaker.

Nova Express and The Concealed songs were played by Joey Baron on drums, show-stealer Kenny Wollesen on vibes, Erik Friedlander on cello, Mark Feldman on violin, Greg Cohen on upright bass, and John Medeski on piano.  These are two of Zorn’s better albums in the recent three years’ output (of ~36 albums!!!!).  Partly classical takes on Masada tunes (Nova Express), and partly mystical (The Concealed).

Zorn Zorn - Nova Express John Zorn - The Concealed

As mentioned, the only time John Zorn brought out his sax was for the visual installation piece Aleph – set to Wallace Bergman’s short cut-up film of the same name. Iit was a ripping, avant-garde piece in the dark, backlit by the film, with Zorn wailing on sax, Kenny Wollesen moving off of vibes on to the drums, and Greg Cohen on bass.  Stellar!

John Zorn’s The Hermetic Organ (midnight) @ St. Mark’s Episcopal Cathedral

John Zorn - hermetic organ

John Zorn - The Hermetic OrganA special free midnight performance of John Zorn’s The Hermetic Organ was across the street after the final third program of Zorn @ 60.  Most of the crowd piled over to St. Mark’s Cathedral to watch the contrasting and turgid organ piece.  I stayed for about half of the 30+ minute set and then slowly started my 2 mile, midnight walk back to my hotel – content at the day’s musical gifts.

A brilliant, music-packed day!  If you want to check out some videos of what went down, the French Zorn website le zornographe has linked to some performances posted from the Walker Art Center “Zorn @ 60” fest on YouTube:

Bar Kokhba Sextet “Sother”

Masada String Trio “Bethor”

John Zorn’s Cobra (piece 2)

Erik Friedlander ” Sannul”

The Concealed “Towards Kafiristan”

Nova Express “Between Two Worlds”

The Appropriate Linkage:

Next show for me… Soul’d Out Festival’s Charlie Hunter with Booker T. Jones & Carlton Jackson (first time as a trio) @ Dante’s (Portland 4/14)..

~Dan – np: ElleryLying Awake
Ellery - Lying Awake

http://www.amazon.com/gp/product/B000WDSRVY/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B000WDSRVY&linkCode=as2&tag=essentialmusi-20

John Zorn @ 60 in Minneapolis (soon)

9th Apr 13 (Tue) Leave a comment

John Zorn @ 60 in Minneapolis was awesome… I’m still decompressing, but I should have a write-up posted this week sometime…

John Zorn

John Zorn @ 60 – McGuire Theater @ Walker Art Center :: Minneapolis, MN
John Zorn discussion w/ Philip Bither
Marc Ribot plays selections from Book of Heads
Game Piece: Hockey with Kenny Wollesen & Erik Friedlander
Game Piece: Cobra (for 11 players)
Erik Friedlander plays selections from Masada Book Two: Volac
Masada String Trio
Bar Kokhba Sextet
John Zorn’s Nova Express & The Concealed
John Zorn’s playing to Wallace Berman’s film Aleph with Kenny Wollesen & Greg Cohen
John Zorn’s The Hermetic Organ (midnight) @ St. Mark’s Episcopal Cathedral

REVIEW: Tomahawk @ Wonder Ballroom (Portland, OR – 2/13/13)

17th Feb 13 (Sun) 1 comment

FYI… PHOTOS of the SHOW at the BOTTOM

Tomahawk 2013

Being a longtime Mike Patton fan, I got into Tomahawk right when the self-titled debut hit in 2001.  Mike Patton stated early on that Tomahawk was led by Duane Denison (from The Jesus Lizard).  It comes and goes at Duane’s pace.  With that, Tomahawk has tended to change a fair bit from album to album.  While Mit Gas (2003) was fairly similar to the debut in approach, the shape-shifting sound really caught me off-guard with their Native American-inspired third album – Anonymous (2007).Tomahawk - Oddfellows

Their latest album, Oddfellows, hit two weeks ago.  I’ve let it sink in a bit.  It’s a bit more “straight-forward” rock than their prior albums.  Still some Patton & Denison-isms thrown in to make it buck the normal rock trend.  Overall, it’s a solid record and I’ve been warming up nicely to it, getting ready for the show.

Their official video for the song “Oddfellows” came out late last week.  This is the one song on the album that I could see on the final Faith No More album (sandwiched in between Home Sick Home & Pristina perhaps)… it just has that “feel” to me…

The opener was Retox… and they played 30 minutes of homogenous tunes that were fairly screamy with muddy-drumming.  Nothing else to say there…Tomahawk

Tomahawk hit the stage a bit later than expected… at about 10pm after a 45-minute loop of the “Tomahawk Chop” chant (think Atlanta Braves cheering section, but with no game).  The band this go around is the previously mentioned Mike Patton on vocals/keys/sounds and Duane Denison on guitars with original Helmet drummer John Stanier and Mr. Bungle/Fantômas/Trio Convulsant/many more groups/NYC jazz bassist Trevor Dunn.

They played a great mix from their four records – showcasing the difference in the band’s catalog and the variety in Patton’s voice.  As this was the start to the tour, they seemed amped to be out there.  At one point during “God Hates A Coward,” Patton got a bit overzealous and yanked the cord out of his mic.  He got us to help him out, and while that’s oddly not a song where the “crowd takes over” technique would seem to fit, we worked through the technical difficulty well.

Setlist: about 90 minutes

  • Oddfellows
  • Flashback
  • 101 North
  • Stone Letter
  • Birdsong
  • Rape This Day
  • Baby Let’s Play ____
  • Capt. Midnight
  • White Hats / Black Hats
  • God Hates a Coward
  • I.O.U.
  • Rotgut
  • South Paw
  • Point and Click
  • Waratorium
  • Laredo
  • Encore 1: Totem
  • Stalkin’ [Duane Eddy]
  • *Encore 2: Pay To Cum [Bad Brains]
  •  Just One More [George Jones]
    *per FB & Setlist.fm commenters

Apparently they came back on after the 1st encore.  The house lights had already come on, and I was out the door before I heard anything; alas, I missed the 2nd encore. Damn!  I’m still stoked to have gotten to see them live – it had been far too long!

many more photos below

The Appropriate Linkage:

This was only the second date of the West Coast U.S. Tour; so definitely check out more tour dates below.  They’re hitting Australia after the U.S. West Coast and then hitting the rest of the U.S. hopefully later in the year.

Next show for me… two shows at the PDX Jazz Fest next weekend in Portland (Steve Kuhn Trio & Steven Bernstein’s Sex Mob).

~Dan – np: TomahawkMit Gas
Tomahawk - Mit Gas

TOMAHAWK PHOTOS
all pictures (cc) 2013 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

Tomahawk – West Coast & Australia 2013 Tour

  • 2/12 Seattle, WA Showbox at the Market
  • 2/13 Portland, OR Wonder Ballroom
  • 2/15 San Francisco, CA Great American Music Hall
  • 2/16 San Francisco, CA Great American Music Hall
  • 2/17 Santa Ana, CA The Observatory
  • 2/19 Los Angeles, CA The Mayan
  • 2/23 Brisbane, AUS RNA Showgrounds
  • 2/24 Sydney, AUS Olympic Park
  • 2/26 Sydney, AUS Metro Theatre
  • 2/27 Melbourne, AUS Billboard the Venue
  • 3/1 Melbourne, AUS Flemington Racecourse
  • 3/2 Adelaide, AUS Bonython Park
  • 3/4 Perth, AUS Claremont Showground
  • 3/30 Sao Paolo, BR Lollapalooza Brazil
  • 4/2 Buenos Aires, AR Malvinas Argentinas Stadium
  • 4/4 Santiago, CH Teatro La Cupula del Parque O’Higgins
  • 4/6 Santiago, CH Lollapalooza Chile
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