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ha’fway 2017

4th Jul 17 (Tue) Leave a comment

Happy 241st birthday, United States!

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Ah, the annual halfway through the year music recap where I rarely post an end of year recap. *eyeroll* Eh… I don’t blog much anymore… regardless, here goes for my Top 10 of 2017 so far…



Artist Album (style)

  1. Sufjan Stevens, Bryce Dessner, Nico Mulhy & James McAlisterPlanetarium (indie rock)
  2. Burning GhostsReclamation (jazz metal)
  3. KXM (Doug Pinnick / George Lynch / Ray Luzier) – Scatterbrain (hard rock)
  4. Peter MulveyAre You Listening? (singer-songwriter)
  5. SexmobCultural Capital (jazz)
  6. David BazanCare (indie rock)
  7. Ani DiFrancoBinary (singer-songwriter)
  8. Future IslandsThe Far Field (indie pop)
  9. Mostly Other People Do the Killing (with Steven Bernstein of Sexmob) – Loafer’s Hollow (jazz)
  10. Incubus8 (rock)

Honorable mentions…

  • Albums by Lydia Ainsworth, Alt-J, Brian Marsella Trio’s Masada Book Two, Aimee Mann, Dave Douglas’ Riverside, and Throttle Elevator Music (Kamasi Washington).
  • EP – ANOHNI’s Paradise
  • Live – ISIS’ Live VII: 2.25.2010
  • Re-issues – Pink Floyd early years boxset(s), the Beatles Srgt. Pepper’s 50th, U2 The Joshua Tree 30th, Radiohead OK Computer 20th
  • Novelty – A**l Trump’s If You Thought ********* **** Was a Lot of People, You Should Have Seen My Inauguration 5″ vinyl (in “Seth Putnam form,” shall we say).

What’s still to come in 2017…

Claypool-Lennon Delirium 12″ (RSD wider-issue), Spotlights, Antibalas, Steven Wilson, Queens of the Stone Age, Foo Fighters, Mogwai, Radiohead OKNOTOK (physical), Failure live vinyl, Lo Tom (David Bazan, TW Walsh & Starflyer 59 folks), Celldweller, The National, Secret Chiefs 3, Weird Al boxset, plus much more, I’m sure.

Will I continue with blogs in the future? I don’t know. :P

Dan – np: Critters BugginMuti -EP-

ha’fway 2016

4th Jul 16 (Mon) Leave a comment

Happy 240th birthday, United States!

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Ah, the annual halfway through the year music recap where I never post an end of year recap. *eyeroll* Eh… I don’t blog much anymore… regardless, here goes for my Top 10 of 2016 so far…

Sia - This is Acting81toq1nqrhl-_sx522_71526zlzvzl-_sx522_
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Artist Album (style)

  1. SiaThis Is Acting (pop)
  2. RadioheadA Moon Shaped Pool (rock)
  3. WussyForever Sounds (indie rock)
  4. Holy FuckCONGRATS (live electronic)
  5. Elliott SmithHeaven Adores You (soundtrack) (indie rock)
  6. Steve Taylor & the Danielson FoilWOW to the Deadness -EP- (indie rock)
  7. David BazanBlanco (indie rock)
  8. Allison Miller’s Boom Tic BoomOtis Was a Polar Bear (jazz)
  9. The Claypool-Lennon DeliriumMonolith of Phobos (rock)
  10. Damien JuradoVisions of Us on the Land (indie rock)

What’s still to come in 2016…

Chevelle, Peter Mulvey (it’s in the can), Alex Somers’ score for Captain Fantastic, John Zorn (about every month), TOOL (music done, lyrics nearing completion?), Sigur Rós (maybe 2017), Charlie Hunter, and based on kickstarters/pledgemusic that I’ve supported: Jeremy Enigk of Sunny Day Real Estate, Derek Webb‘s Mockingbird Remixed and Fleming & John, plus much more, I’m sure.

Will I continue with blogs in the future? I don’t know. :P

Dan – np: AuragamiFormation (single)
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ha’fway 2015

2nd Jul 15 (Thu) Leave a comment

Happy 239th birthday, United States!

~*~*~*~*~*~*~*~*~*~*~

I don’t blog much. Not much time. I haven’t even put out my Favorites from 2013 or 2014… well, here goes for my Top 10 of 2015 so far…

The Heart Is A Monster

Carrie & LowellSol InvictusGoliath
Hand. Cannot. Erase.TalkSong Project Live at Lpr
https://i2.wp.com/artistxite.com/imgcache/album/004/501/004501077_300.jpghttp://o.scdn.co/cover/ac550bf091effa553d4b043ae338e563f29347e7Purge

 Artist Album (style)

  1. FailureThe Heart is a Monster (rock)
  2. Sufjan StevensCarrie & Lowell (indie rock)
  3. Faith No MoreSol Invictus (hard rock)
  4. Steve Taylor & the Perfect FoilGoliath (rock)
  5. Steven Wilson (of Porcupine Tree) – Hand. Cannot. Erase. (progressive rock)
  6. Daniel Johns (of Silverchair) – TALK (pop, dance, rock)
  7. John Zorn’s The Dreamers with Mike Patton, Sofia Rei & Jesse HarrisThe Song Project Live at Le Poisson Rouge (jazz, avant garde, pop)
  8. Dave DouglasHigh Risk (jazz with electronics)
  9. Nellie McKayMy Weekly Reader (cheeky 70s rock tribute)
  10. DRKWAV (Skerik, Medeski & Deitch) – The Purge (doom, jazz, electronic, all over)

What’s still to come in 2015…

Ben Folds with yMusic, Holy Fuck (no release date, but they recorded it in late 2014), John Zorn (about every month), Puscifer (teaser on their Instagram?), TOOL (music done, lyrics nearing completion?), Charlie Hunter, and based on kickstarters/pledgemusic that I’ve supported: Chali 2Na of Jurassic 5 has a couple more EPs due, Dweezil Zappa, Jeremy Enigk of Sunny Day Real Estate, Jude Christodal, Dylan Carlson of Earth, and Fleming & John.

Will I continue with blogs in the future? I don’t know. :P

Dan – np: Critters BugginStampede

My Favorites of 2012

5th Feb 13 (Tue) Leave a comment

Life has been a been busy/hectic lately, to say the least. Not enough time to do the usual extended blogs for best of instrumental, vocal and whatnot with lots of descriptions. And since, hell, it’ll be 2014 before too long; so I figured I’d get out my favorites of 2012 list in some fashion now before it’s officially too late.

Here’s what was my favorite music from last year…

vocal top 10
(in no particular order beyond #1)

O.S.I. - Fire Make ThunderO.S.I.Fire Make Thunder

Damien Jurado - Maraqopa Peter Mulvey - The Good Stuff Fiona Apple - The Idler Wheel Is Wiser Than the Driver of the Screw and Whipping Cords Will Serve You More Than Ropes Will Ever Do

Ani DiFranco - Which Side Are You On? Bad Veins - The Mess We've Made Ben Folds Five - The Sound of the Life of the Mind

Storm Corrosion (Steven Wilson of Porcupine Tree & Mikael Akerfeldt of Opeth) Sigur Rós - Valtari Aimee Mann - Charmer

instrumental top 10
(in no particular order beyond #1)

Charlie Hunter & Scott Amendola - Not Getting Behind Is The New Getting Ahead

Charlie Hunter & Scott Amendola
Not Getting Behind is the New Getting Ahead

Godspeed You! Black Emperor - Alleujah! Don't Bend Ascend Guillaume Perret - The Electric Epic Buckethead - Electric Sea

Celldweller - Soundtrack for the Voices in My Head, Vol 2 Floratone - Floratone II Cosa Brava (Fred Frith with Kihlstedt, etc) - The Letter

John Zorn / Masada Book Two: Book of Angels, Vol. 18 (Pruflas by David Krakauer) John Zorn / Masada Book Two: Book of Angels, Vol. 19 (Abraxas by Shanir Ezra Blumenkranz) John Zorn - A Vision in Blakelight

ep, internet, etc

Best Novelty: Sufjan Stevens’ Silver and Gold boxset

Best Internet-only releases: Glen Phillips Coyote Sessions,
Greydon Square Type II : The Mandelbrot Set,
Sufjan Son Lux & Serengeti (s/s/s) beak and claw

Best EPs: Levi Weaver’s I Am Only A Tiny Noise
Peter Mulvey’s Chaser (OOP)

Best Vinyl-only: Wussy “Dangerous Highway” 7″
Sufjan Stevens & Rosie Thomas “Hit & Run” 7″

Enjoy! I’ll sort of promise to do better with timeliness on next year’s lists!

~Dan – np: Pinnick Gales PridgenPinnick Gales Pridgen
pinnick gales pridgen

Favorite Concerts of 2012

31st Dec 12 (Mon) Leave a comment

Well, this year was once again good to the Pacific Northwest on the concert front… 366 days, 85 shows, 144 artists, many long nights driving home, and a lot of photos… my best albums lists will likely push off into mid-January (due to being busy & heading out on vacation), but here are my favorite concerts of 2012…

My favorite concerts of 2012:

  1. Secret Chiefs 3 :: WOW Hall :: Eugene, OR {6 Feb} [review with photos] – I saw them twice on this tour, and both shows were great. The Eugene show gets the nod mainly because it was first in the order. :)
  2. Roger Waters presents Pink Floyd’s The Wall:: Rose Garden :: Portland, OR {22 May} [review with photos] – Wow. I don’t even think The Wall is in my Top 5 of Pink Floyd albums, but holy cow, this was an amazing show.  Truly stunning.
  3. Radiohead :: Key Arena :: Seattle, WA {9 Apr} [review with photos] – A phenomenal band that keeps making me drive multiple hours anytime I want to see them!  I’ll gladly continue, though.
  4. Sufjan Stevens presents the Surfjohn Stevens Christmas Sing-A-Long: Seasonal Affective Disorder Yuletide Disaster Pageant On Ice :: Aladdin Theater :: Portland, OR {6 Dec} [review with photos] – I hate Christmas music, but this spectacle of wonderment warmed me over.
  5. Puscifer :: Arlene Schnitzer Concert Hall :: Portland, OR {14 Mar} [review with photos] – A wine tasting and a concert from rock’s favorite frontman? Yes, please.
  6. Seun Kuti & the Egypt 80 :: WOW Hall :: Eugene, OR {18 Mar} [review with photos] – I love Nigerian music, and anyone with the last name of “Kuti” should come with a mandate that you go to the show.
  7. “Weird Al” Yankovic :: Lane County Fairgrounds :: Eugene, OR {18 Aug} [review with photos] – A long, many be-suited set of songs.  Saying it was a “fun time” would be an understatement.
  8. Over the Rhine :: The Triple Door :: Seattle, WA {17 Nov} [review with photos] – It had been too long since seeing Over the Rhine (a year).  I got spoiled when I lived in Cincinnati; so now Ive got to get my OTR fix when I can.  This was a gorgeous night.
  9. Levi Weaver :: my house :: Eugene, OR {16 Jul} [review with photos] – Going to an intimate house concert is great.  I recommend it.  Hosting an intimate house concert – doubly so!
  10. Peter Mulvey & Kris Delmhorst :: 3 venues :: 3 Oregon cities {17-19 Oct} [recap with photos] – Story time from two stupendous singer-songwriters.
  11. Dan Deacon :: Hawthorne Theatre :: Portland, OR {25 Oct} [recap with photos] – Dancing some asses off.
  12. Sigur Rós :: Edgefield :: Portland, OR {9 Aug} [review] – This was my first time at Edgefield and also my first time seeing Sigur Rós in an outdoor venue.  Plus side on a great venue, but a slight knock for loving how Sigur Rós works within a theater setting.  A great show regardless of venue, though.
  13. Fiona Apple :: Arlene Schnitzer Concert Hall :: Portland, OR {26 Jul} [review] – A bit spastic, but a phenomenal performer.  A mix of her new and old tunes, truly great show!
  14. Nellie McKay :: The John G. Shedd Institute for the Arts :: Eugene, OR {2 Mar} [review with photos] – I saw her four times this year, and they all rank well.  I’ll see Nellie any time she comes through.  She’s always a delight!
  15. Portland Cello Project plays Radiohead’s OK Computer :: The Majestic Theatre :: Corvallis, OR {21 Sep} [setlist] – While I would have gone a different route than a men chorus for the vocal aspect (i.e. the one song with a regular vocalist was the best one), this was a very special night.

Runners-Up: My Brightest Diamond in Tacoma (Sep) – only because it was a short set, Penn & Teller in Vegas (Jan), Cirque du Soleil’s Zumanity in Vegas (Jan), Trevor Dunn & Travis LaPlante at the Wandering Goat (Jan), and Skerik’s Bandalabra at Cozmic (Mar).

Disappointment: the absurd volume of Jack White at the Hult Center (May).

My favorite concert photos of 2012: (in chronological order)

 

(all images are free to use under a creative commons designation,
simply identify Daniel Temmesfeld with a
photo credit and link to pacificlectic.com.

Past Favorite Concerts Lists:

Favorite music of 2012 will be coming in a few weeks (unless I can squeak them out sooner)… EPs/DVDs/etc, vocal albums, instrumental albums

~Dan – np: George HrabCoelacanth
George Hrab - Coelacanth

* Favorite Instrumental Albums of 2011 *

31st Dec 11 (Sat) Leave a comment

As I start this post, I will say that this is all very subjective and really put together for my own purposes.  I’ll also state that, yes, some of the music below does have some vocals (i.e.- the Goddamn Electric Bill & Mike Patton CDs).  For the most part, it’s sequestered to a track or two on a long CD of mostly instrumental goodness.  My list, my rules, and/or my breaking of the rules.  With that being said, all of the artists below tend to be in the jazz and instrumental frame of reference anyway.

As said before… I’ve been buying less music… or, at least a lot less mainstream (major label) music. This is also my fourth year now that I bought more instrumental CDs than vocal CDs. I think as I get older, I am drawn more towards jazz and other instrumental forms of expression. Hopefully my spilling out of music that I like finds interest with someone else. But if not, thanks for stopping by… check out the artists’ webpages, Facebox pages, yadda yadda yadda. Some of these also made it on to my 2011 Mix CD (free streaming/download).

OK, now on to the best of what’s hit my ears this year…

Product Details Cyro Baptista’s Banquet of Spirits plays John Zorn’s Masada Book Two: Book of Angels, Vol. 17 (Caym) :: The Masada Book two series is some of my favorite music coming out of Tzadik.  Banquet of the Spirits is the touring band of Latin percussionist Cyro Baptista, a long time Zorn collaborator.  Each track touches upon a different world tradition, steeped in Zorn’s klez-jazz score.  Lyrical and moving and fun!

Artichaut OrkestraT For Teresa :: Featuring four young musicians  from Toulouse, Artichaut Orkestra mix jazz, klezmer and classical music, blending rock energy with improv.  This is their debut record, and I’m definitely looking forward to more coming from them in the near future.
Curtis MacdonaldCommunity Immunity :: To be honest, this was an impulse purchase.  One of my favorite record labels is Greenleaf Music – founded by my favorite living trumpet-player Dave Douglas.  I was picking up some new music from DD and figured, “eh, what the hell!”  I was impressed with Curtis’ melodic compositions and emotive alto sax playing.
MogwaiHardcore Will Never Die, But You Will :: Stunning double-disc set from post-rock’s Scottish kings.  I’ll still probably forgo seeing them live again (too loud, beyond their needs), but they put out some amazingly beautiful music.

(3 CDs)
John ZornNova Express / At the Gates of Paradise / A Dreamer Christmas :: Three discs made the cut of the six Zorn releases in 2011.  Nova Express combines quirky atonal classical lyricism with a touch of the cut up techniques of Naked City and virtuosity of the Masada songbook. Zorn scored this for Joey Baron (drums), Trevor Dunn (bass), John Medeski (piano), and Kenny Wollesen (vibes).  Paradise features the same band as Nova Express, brings some Medeski organ into the mix and adds more of Zorn’s “mystical” ambiance.  The Dreamer Christmas album was an oddity for me.  Why would a Jewish jazz musician put out a Christmas album?  Because he can!  The Dreamers is one of my favorite Zorn-assembled ensembles: Joey Baron (drums), Cyro Baptista (percussion), Trevor Dunn (bass), Marc Ribot (guitars), Jamie Saft (keys), and Kenny Wollesen (vibes).  Very accessible, but not smooth jazz!  Adventurous!  Mike Patton joins them on the final track for a croon-y “chestnut roasting.”  The holiday album was also put out as a 12″ vinyl and a 7″ single – both with gorgeous artwork and design by Chippy.
yMusicBeautiful Mechanical :: The yMusic Ensemble had a kickstarter earlier this year for their debut album – with songs composed by Son Lux, Annie Clark, Shara Worden (aka My Brightest Diamond), Saraha Kirkland snider (who penned a favorite album Penelope last year), and Gabriel Kahane.  Their string-heavy, indie chamber rock approach excites me.  Being the musical backdrop for My Brightest Diamond’s All Things Will Unwind album (my #2 vocal album in 2011) doesn’t hurt.
Peter Mulvey & David GoodrichNine Days Wonder :: Peter Mulvey has toured all over the US and the world for about 2 decades.  Some of the first times I saw him in concert, he had “Goody” with him on backing guitar.  They don’t get a chance to tour together much lately, but they did find some time to hole-up inside a studio to write and record some instrumental guitar duets.  While I love Peter’s vocal storytelling, it’s nice to hear his and Goody’s instrumental interplay tell a different story.
Goddamn Electric BillJazz :: GdEB is the one-man brainchild of Jason Torbert.  He hits the spot for organic electronic meets post-rock for me.  Ambient at times, melodic other times.  His latest work has featured some vocals, but he’s primarily a groove-induced soundscape kind of guy.  Chirps and glitches, too.  Excellent stuff!
The Dead Kenny G’sOperation Long Leash :: The Dead Kenny Gs is a duo started by saxophonist Skerik and drummer/vibes Mike Dillon in 2004.  shortly thereafter, they started adding Brian Haas, keyboard genius, when he is able, as well as Brad Houser, bassist from another Skerik band – Critters Buggin.  They push through the jazz/rock minefield to fight “injustice, cheese, and dishonesty in music, and society.”
TalkdemonicRuins :: Portland-based chamber-indie-post-rock… goodness.  So much sound from two people.  If you’re in Portland, they’re playing a big NYE show tonight… if in Eugene, they’ll be through our way (at Sam Bond’s) on Feb 24th.  Not to be missed!
Mike PattonThe Solitude of Prime Numbers :: I had to put this album as #13.  This chiefly instrumental album is a tribute to the book (by Paolo Giordano) and film of the same name.  The score is 16 tunes spread out over a 53 tracks, with the only tracks with content being 2, 3, 5, 7, 11, 13, 17, 19, 23, 29, 31, 37, 41, 43, 47, and 53. *slow clap* Clever, Mr. Patton!  For people who bought the CD, you can thank me for entering in the info to CDDB (t’was a pain).  The score/album fits more with his prior score for A Perfect Place – more accessible when compared to Patton’s usual schizophrenic output.  The packaging design is also brilliant – a gorgeous die-cut leaf that fold outwards.  I’d always recommend getting physical releases from Ipecac versus the digital download version.

Garage A TroisAlways Be Happy, But Stay Evil :: Skerik, Stanton Moore, Marco Benevento (who replaced Charlie Hunter) and Mike Dillon make their way through Oregon quite a bit.  They are a sight to see – you don’t know exactly what kind of show you’ll get, but it’s definitely a fun time.  Fun, groove-oriented “new jazz.”
Explosions in the SkyTake Care, Take Care, Take Care :: If not jazz, this list is also overtaken by post-rock.  it’s a love of mine, and Explosions in the Sky are one of the best in that game.  Epic, sweeping guitars crashing over a hearty drum & bass end.  This is another album where I’d recommend the physical edition – the  case can be unfolded to form a model of a house, where if viewed from the inside, the view from the door of the house is overlooking a tornado across a plain.

Erik FriedlanderBonebridge :: I started 2011 seeing Erik perform his John Zorn-penned Volac album in its entirety… brilliant and moving.  Later in the year, he came out with Bonebridge – a new band/concept that takes his Broken Arm Trio (with Trevor Dunn & Mike Sarin) and adds slide guitar player Doug Wamble to the mix.  What you get is a perfect chamber-Americana-jazz album.  I hope there are more where this came from…
Kevin Moore – Shine (Küçük Kıyamet Soundtrack) :: Kevin Moore’s main projects are the trippy/sample-heavy Chroma Key & heavier prog collaboration band O.S.I. (with Jim Matheos). Shine is the soundtrack to the 2006 Turkish film Küçük Kiyamet (“Little Apocalypse“).  It came out in early 2011 after a successful Kickstarter in 2010.  The next album from O.S.I. comes out in February 2012 on Metal Blade.  I can almost guarantee it will be my Top album of 2012, and I haven’t heard a shred of it yet.
ReptetAt the Cabin :: This Seattle-based jazz sextet is fuuuuuuuuuun – both on record and in the live setting.  I wish the distance on I-5 between me and them wasn’t 5-6 hours, as I’d see them far more often if I could.

Matt Chamberlain, Viktor Krauss, Dan PhelpsModular: Sonic Explorations :: Gorgeous soundscapes from Matt Chamberlain, Viktor Krauss, and Dan Phelps.  The Modular Project is the collaboration of the aforementioned musicians working together to “discover what the spontaneous and organic manipulation of sound can yield. Inspired by the world around them, they set out to discover what it might sound like when continents shift, clouds form, and roots push through soil.”  The track, “Everest,” features one of my favorite cellists – Eyvind Kang (who has worked with Secret Chiefs 3, John Zorn, Bill Frisell, Mike Patton).  It’s a great mix of cello, vibes and soaring atmosphere.  The album is only available digitally or on vinyl (it’s a luscious triple-gatefold!)…

(3 CDs)
Dave Douglas – Three Views: GPS Series – Rare Metals, Orange Afternoons & Bad Mango :: Originally released as the “Greenleaf Portable Series” (download only), these three different releases in 2011 finally got a proper physical (boxset) release.  Dave’s prolific writing comes out with different bands on each record: Rare Metals features Dave’s most recent band Brass Ecstasy; Orange Afternoons features a specially put together quintet with Ravi Coltrane, Vijay Iyer, Linda Oh, and Marcus Gilmore; and Bad Mango paired Dave’s trumpet with So Percussion’s marimba, drumset, glockenspiel, musical saw, toy bells, shruti box, crotales, and more.  Three very different records tied together with Dave’s fantastic playing.

Tides From NebulaEarthshine :: This Polish post-rock group won my heart in 2009 with their debut, Aura (in 2009).  They continue to tease me with emails or news that says “tour” until I open and can’t pronounce the names of the cities that they’re hitting.  Drat!  At least their music will keep me company!  Earthshine is perfect for those fans of Explosions in the Sky, Mogwai, and the like… and seeing as it beat out both those groups on my 2011 list, well, that should tell you something as well.

Michael KelseySubmerged :: Michael Kelsey is a HUGE amount of what I miss from the Midwest music scene.  He’s a musical genius – rarely paralleled on the frets.  Seeing him live (which I did any chance I could) was a site to behold.  His records do their best to capture his virtuosity, but they usually fail to capture his energy, too.  Catching fire in a bottle is tough.  Regardless, this one is a gem and also marks his first all instrumental affair.  Check him out, and if you live within a state or two from central Indiana, I count you a lucky one.  Go see him if he stops by your town.

Earth – Angels of Darkness, Demons of Light 1 :: More riff-oriented and melodic compared to the prior drone doom albums, Earth bring a cello into the mix for the first time and create an ominous soundscape that is both elegant and dreadful.  The follow-up, Angels & Demons 2, comes out in Feb 2012… and you can almost guarantee it’ll rise to the top of my list next year as well.

Note: Ric Hordinski’s Arthur’s Garden (which made it on my 2011 Mix) is technically a 2012 release, hence its absence above.

Where do I get most of these jazz and other instrumental releases?  My #1 favorite source for jazz is Downtown Music Gallery in New York.  Manny and Bruce and their great staff are superb… and being the official distributor for John Zorn’s Tzadik doesn’t hurt my affection for them.  I usually do a monthly Tzadik order (if the releases strike my fancy), and they have a ton of other non-Tzadik jazz and avant-garde releases as well.

And, no, I’m not affiliated, I don’t get a commission, and beyond my initial “big tax refund / gotta get caught up on Zorn order of 2005,” I haven’t gotten a discount with DMG.  I just love and support what they do.

Enjoy the New Years’ weekend!! Be safe! See you in 2012.

My Other Favorites of 2011 Recaps:

~Dan – np: Trent Reznor & Atticus RossThe Girl With the Dragon Tattoo

* Favorite Vocal Albums of 2011 *

29th Dec 11 (Thu) 6 comments

I’ve been buying less music… or, at least a lot less mainstream (major label) music. This is also my fourth year now that I bought more instrumental CDs than vocal CDs. I think as I get older, I am drawn more towards jazz and other instrumental forms of expression. For that reason, the favorite vocal albums list goes first this go ’round. Hopefully my spilling out of music that I like finds interest with someone else. But if not, thanks for stopping by… check out the artists’ webpages, Facebox pages, yadda yadda yadda. A lot of these also made it on to my 2011 Mix CD (free streaming/download).

OK, now on to the best of what’s hit my ears this year…

Honorable Mentions: Iron & WineKiss Each Other Clean, Tres MtsThree Mountains, PomplamooseThe Album You Bought At Our Show (Thanks for That), MC FrontalotSolved and The RootsUndun.

BjörkBiophilia :: It started with an iPhone / iPad app… I was skeptical, but it turned out to be a really cool app and a really cool album.  I don’t think the actual music broke any new ground for Bjork, but her willingness to approach technology and manifest an album initially with a new format is what will keep her in the forefront for me.
Elysian FieldsLast Night on Earth :: Brooklyn-based sultry art rockers Elysian Fields don’t really tour outside of NYC often.  Jennifer Charles and Oren Bloedow find their way to Europe on occasion, but most U.S. fans only really have their studio albums to sate their musical desires.  This is their sixth full-length album in their near 16-year career.  Well crafted, well produced, lush vocals and folk meets dusky jazz.
BlackfieldWelcome to My DNA :: I was disappointed that I couldn’t make it out for this tour.  The album is good, albeit a little disjointed compared to their other two albums (probably due to Aviv Geffen doing more of the writing versus Steven Wilson who was busy with his solo album – see #9 below).  Nice orchestration and a solid offering from Blackfield.
Dream TheaterA Dramatic Turn of Events :: I almost didn’t buy this album.  I’m glad I did, but I’m still pretty pissed at the band for choosing to continue without founder/drummer Mike Portnoy after he expressed an interest in a short hiatus/breather.  They picked up a drummer I like (Mike Mangini, who i saw play with Extreme in 1995), but a BIG piece of what I loved about DT (after Kevin Moore left in 1994) was Mike Portnoy’s energy.  With his absence, I’m liking them less and less.  The album is good, but it’s way more bitter than sweet to me.
Foo FightersWasting Light :: Dave Grohl is a modern rock genius.  He rocks, he hooks, he continues to put out great music.
Steven Bernstein’s Millennial Territory OrchestraMTO Plays Sly :: A trumpet-led tribute to Sly and the Family Stone with guests vocalists.  This superb collection is less funk, but still quite enjoyable.  My favorite is the Antony-sung “Family Affair.”
Florence + the MachineCeremonials :: Soulful baroque-rock chanteuse won me over with their first album Lungs, even though I didn’t pick it up this year.  Her second album solidifies her as more than a fluke.  The album is dancey and dark.  Great for fans of Tori Amos & Kate Bush!
IncubusIf Not Now, When? :: Incubus took some time off so guitarist Mike Einziger could work on his degree at Harvard and singer Brandon Boyd could put out some art as well as his solo album.  They regrouped and put out an album that had a similar vibe to the ocean-groove Morning View.  They aren’t breaking new ground, but they still have a solid position in my ears.
The Jelly JamShall We Descend :: The supergroup of Ty Tabor (King’s X), John Myung (Dream Theater) and Rod Morgenstein (Dixie Dregs) finally found some time to hit the studio!  The result is an excellent rock album…
ChevelleHats Off to the Bull :: Chevelle are a sleeper in my collection.  I almost write them off and then with each album, I think how stupid it’d be to write them off.  Great hard rock with a vocalist that reminds me of Maynard (Tool, etc).  I really need to see this band live – I’ve yet to have a the chance…
My Brightest Diamond & Murat EyubogluLetters to Distant Cities :: A short spoken word album, featuring the words of Mustafa Ziyalan.  Words spoken by Shara Worden (My Brightest Diamond), backing music by Murat Eyubolu, with two songs sandwiching the poetry – one by MBD and one by Clare & the Reasons.  A great arty piece.
 
Jason LudwigTanglings :: Jason Ludwig returns to the Cincinnati music scene after his 2010 band break up (Noctaluca) with two full-length albums (Tanglings and Lost in Love).  Tanglings is my favorite of the two, but they’re both quite excellent.  Well-produced, well-arranged, creative singer-songwriter that reminds me of a cross between the pop of Glen Hansard (of the Swell Season and the Frames) and the creative of Daniel Johns (of Silverchair). If you don’t like these albums, I’d be surprised.
Hotel LightsGirl Graffiti :: Darren Jesse was the drummer for Ben Folds Five, and wrote one of my absolute favorite songs for them – “Magic” from The Unauthorized Biography of Reinhold Messner.  He puts down the sticks and picks up the guitar and vocal duties for Hotel Lights.  This is HL’s 3rd album, and he continues to impress me with his versatile skills.  Poppy indie rock.
EisleyThe Valley :: The long gap between The Valley and their last album was trying for the band.  After many contract dispute with their former label (Warner), they were finally set free.  Many bands don’t make it out of contract disputes alive – it’s easier to break up sometimes.  Well, thankfully it’s difficult for Eisley to break-up, as they’d still see each other at holidays and family get-togethers (the band consists of 3 sisters, a brother, and a cousin).  The Valley picks up where 2007’s Combinations left off.  Alt-pop-rock goodness.  Vocal duties traded off between sisters Sherri & Stacy…
Tori AmosNight of the Hunters :: This was Tori’s first album on classical label Deutsche Grammophon.  I was skeptical at first, not because of the classical bent.  I knew she could handle that… I was skeptical due to the first artwork that looked plastic (which sadly stayed) and her last studio album was a lackluster (IMO) holiday album (blech).  Tori enlists her daughter Natashya on some vocals, and delivers one of my favorite Tori albums since 2002’s Scarlet’s Walk.
David BazanStrange Negotiations :: Continuing in his solo expressions after the official ceasing of Pedro the Lion, David Bazan manifests wit, a sharp tongue, and a questioning mind into his DIY-indie rock.  This year, he toured quite a bit, solo and with a band.  An album last year (Curse Your Branches), an album this year, and another on the way.  He’s slogging away, trekking all over the country, and making some great music on the way.
Steven WilsonGrace for Drowning :: Porcupine Tree frontman Steven Wilson is a hard worker.  Whether he’s producing albums for others or making albums & touring with PT, Blackfield, No-Man, Storm Corrosion, or solo – he’s always busy each and every year.  This year brought his second solo album and a small tour.  The album is a bit more stripped down from his other projects.  It is reminiscent of Pink Floyd in spots – specifically this song “Home in Negative.”  He also rocks out a bit in the almost two hour double album… check out the video for “Track One” here (it’s a bit bleak then startling).  Gorgeous work.
WussyStrawberry :: Well, I was super happy when I found out that Wussy was putting out their fourth full-length studio album this year. They’re a fantastic rock quartet made up of Chuck Cleaver, Lisa Walker, Mark Messerly, and Joe Klug. They write catchy, poppy choruses and meld it perfectly with Midwest Americana-meets-indie-rock grit (or “Midwestern drone” as their press says).   Vocal duties are traded off with Chuck (of Ass Ponys) and Lisa (of Magic Words).
RadioheadThe King of Limbs :: I could probably put an “indie” icon next to Radiohead… I think technically they put TKOL out by themselves.  But they’re a huge superpower of a band.  I like this record, but I’ll admit that it’s still sinking in… I need to give it some more spins.  This album spawned a seven 7″ vinyl remix set.  The video for “Lotus Flower” also spawned a silly “Thom Yorke dancing” meme… one of my favorites being the tennis/fish and the “Single Ladies” editions.
Jeffrey FoucaultHorse Latitudes :: Jeffrey Foucault is a favorite Americana artist that I got turned on to by singer-songwriter/storyteller Peter Mulvey.  Jeffrey and Peter work together in the band Redbird (with David Goodrich and Jeffrey’s wife Kris Delmhorst).  I didn’t pick up Jeffrey’s albums until the past year and a half.  He’s definitely more on the cusp of country than I tend to traverse, but I dig his authenticity, poetic wit and charm.  He’s a delight on stage and a fantastic John Prine-esque songwriter for the new generation.
OpethHeritage :: Mikael Åkerfeldt hangs up the cookie monster vocals and “Swedish death metal” rattle and puts out a solid heavy metal album that is a tribute to his progressive metal ancestors.  I’ll admit, I miss the heavier side, but it’s still good to see Mikael evolve.
Over the RhineThe Long Surrender :: For those that don’t know Over the Rhine, they started out as a four piece in Cincinnati in 1989 and put out their “post-nuclear, pseudo-alternative, folk-tinged art-pop” indie debut ‘Til We Have Faces in 1991. After about a decade as a four-piece, Ric Hordinski (guitars) & Brian Kelley (drums) left.  Karin Bergquist (vocals) & Linford Detweiler (keys) carried on the Over the Rhine flame throughout the years… moving away from a rockier feel to a more folky-pop-Americana thing. What I like about Over the Rhine is they continually change and evolve into a different band with each album and each outing. I’ve seen them rock out, I’ve seen them jazz it up, I’ve seen them happy, I’ve seen them somber, I’ve seen them celebratory, and I’ve seen them tell stories that will make you laugh and cry.
dredgChuckles and Mr. Squeezy :: I love this band.  I hate the album title, but I love the band.  Modern progressive rock, tons of talent, thoughtful lyrics, none of that “prog wankery” that is generally detestable.  While it’s hard for them to follow-up the stunning The Pariah The Parrot The Delusion (from 2009), this new album does a hearty job of maintaining their quality rock standards.
My Brightest DiamondAll Things Will Unwind :: Shara Worden (aka My Brightest Diamond) took some time off since her last album – 2008′s A Thousand Shark’s Teeth.  She put out some stunning collaborations in the past three years (see #15 above) including her first kiddo; so the lapse in studio work was a-OK.  On this album, Shara teams up with NYC-based ensemble yMusic to create a lush backdrop for her gorgeous voice.  I can’t praise this album enough!
PusciferConditions of My Parole :: Tool / A Perfect Circle frontman Maynard James Keenan makes wine and makes other music in his time off from Tool and APC.  I loved Puscifer’s debut and the subsequent EP, but this album tops it all.  It’s a brilliant record, recorded in one of his wine cellars with his friends – featuring backing vocals from Carina Round.  It’s self-released by Puscifer music with a small distribution partner (available in indie shops, primarily).  The tour this year was great (I caught Seattle), and I’m glad they’re heading out in the spring again (I’ll be at Portland).

Check out the 2011 Mix for some samples, click the Amazon buttons for other samples, and support the music if you like what you hear!

My Other Favorites of 2011 Recaps:

~Dan – np: Trent Reznor & Atticus RossThe Girl With the Dragon Tattoo

* Favorite EPs / Vinyl / Live Albums & more of 2011 *

28th Dec 11 (Wed) 4 comments

This is sort of a precursor to my “official” Favorites of 2011 blogs. Up later this week, I’ll post my favorite vocal and favorite instrumental albums of 2011. Anyway, on with the music pimping

Favorite EPs of 2011

  • Savanna Coen – Strength
  • Auragamieverything. Now.
  • Works Progress Administration4×4
  • Amanda Palmer/Ben Folds/etc8in8
  • CelldwellerWish Upon A Blackstar 4

Favorite Vinyl-only Release of 2011

  • Secret Chiefs 3 (FORMS & Ishraqiyun)Saptarshi / Radar 7″
  • Chamberlain/Krauss/Phelps – Modular: Sonic Explorations 12″
  • John Zorn’s The DreamersThe Christmas Song/Santa’s Workshop 7″
    fave non-vinyl-only issue: My Brightest DiamondAll Things Will Unwind 12″ (is luscious)

Favorite DVDs of 2011

  • Fantômas – The Director’s Cut Live
  • Kevin SmithRed State
  • Morgan SpurlockPOM Presents the Greatest Movie Ever Sold
  • Tucker & Dale vs. Evil
  • Sigur Rós – Inní

Favorite Internet Only Releases of 2011

  • Derek WebbDemocracy Vol 2 (monthly series from March to December)

Favorite Live Albums of 2011

  • Sigur RósInní
  • Dave Douglas & Brass EcstasyUnited Front (live at Newport)
  • Damien JuradoLive at Landlocked
  • Medeski Scofield Martin & WoodIn Case the World Changes Its Mind

Favorite Podcasts in 2011 (they’re free, yo! Search for them on iTunes)

  • George Hrab Geologic Podcast
  • Keith Olbermann Countdown on CurrentTV
  • Rachel Maddow – The RM Show on MSNBC
  • Bill Maher‘s New Rules
  • Adam Carolla The Adam Carolla Podcast, Ace on the House and CarCast
  • Kevin Smith & Scott MosierSModcast
  • Kevin Smith & Ralph Garman – Hollywood Babble On
  • The Skeptics Guide to the Universe
  • CNN’s Political Notebook
  • Marc MaronWTF Podcast
  • Dan SavageSavage Lovecast

Best Cover Art & Packaging in 2011 

  • Steven Wilson – Grace For Drowning (special edition)
  • Chamberlain/Krauss/PhelpsModular: Sonic Explorations 12″
  • Over the RhineThe Long Surrender (special edition)
  • My Brightest DiamondAll Things Will Unwind (colorful, lovely cover art)
  • Mike PattonThe Solitude of Prime Numbers (stunning die-cut leaf design)
  • John Zorn’s The DreamersA Dreamer Christmas (vinyl, designed by Chippy)

Favorite Indie Releases in 2011 (DIY all the way)

  • Jason Ludwig – Lost in Love and Tanglings (Cincinnati/Austin-based, former Noctaluca frontman)
  • Savanna CoenStrength EP (13yo Eugene singer with a voice beyond her years)

Best Re-issues in 2011

  • Dream TheaterMetropolis Part 2: Scenes From A Memory (on vinyl)
  • Ben FoldsBest Imitation of Myself (hits w/ some new BFF songs)
  • Toad the Wet SprocketAll I Want (hits, rerecorded)
  • Various Artists/Sufjan StevensOn Joyful Wings (tribute album to Seven Swans)

Worst Music News in 2011 (for me at least)

  • Faith No More‘s reunion tour didn’t hit the U.S. proper, again… and the promised Mondo Cane U.S. Tour didn’t happen.
  • Dream Theater not wanting to take a short break/hiatus, and thus kicking out Mike Portnoy, one of the best parts of that band…

Best Late-Getter in 2011 (something that came out before 2011)

  • Florence + The MachineLungs (from 2009)

Best Musical Novelty / Ingenuity in 2011

  • F*ck That! Erin McKeown’s Anti-Holiday Album
  • Weird Al YankovicALpocalypse

Best Soundtrack in 2011

  • Kevin Moore – Shine (for Küçük Kıyamet)
  • The Book of Mormon

So, yeah, this was the catch-all post… check back later this week for the more traditional year end wrap-up festivities…

My Other Favorites of 2011 Recaps:

~Dan – np: Ani DiFranco – Which Side Are You On?

Favorite Concerts of 2011

27th Dec 11 (Tue) 4 comments

Well, this year was once again good to the Pacific Northwest on the concert front… 365 days, 67 shows, 132 artists, many long nights driving home, and a lot of photos…

My favorite concerts of 2011:

  1. Puscifer :: Paramount Theater :: Seattle, WA {7 Nov} [review with photos] – brilliant new album, fantastic stripped down/meets over the top tour!
  2. U2 & Lenny Kravitz :: Qwest Field :: Seattle, WA {4 Jun} [review with photos] – one of the biggest tours ever doesn’t disappoint
  3. My Brightest Diamond :: Mississippi Studios :: Portland, OR {6 Nov} [review with photos] – Shara’s gorgeous voice works well even in a solo setting
  4. Peter Mulvey :: three shows :: Eugene/Creswell/Corvallis, OR {10-12 Nov} [3-show review with photos] – yes, I’m an addict, but I can’t pass up any chance to see Peter in my neck of the woods…
  5. Godspeed You! Black Emperor :: Crystal Ballroom :: Portland, OR {18 Feb} [review, no photos] – surreal and amazing!
  6. The Ghost of a Saber Tooth Tiger (Sean Lennon & Charlotte Kemp Muhl):: The Woods :: Portland, OR {28 Jan} [review with photos] – pure pop brilliance, Sean takes after his father…
  7. Nels Cline Singers :: Doug Fir Lounge :: Portland, OR {30 Jan} [review with photos] – avant garde guitar experimentation…
  8. Eddie Vedder (of Pearl Jam) & Glen Hansard (of The Swell Season) :: Arlene Schnitzer Concert Hall :: Portland, OR {14 Jul} [review with photos] – Glen is a great singer-songwriter, and Eddie is an amazing performer (this time, mainly on ukelele)…
  9. Explosions in the Sky / MusicFest NW :: Pioneer Courthouse Square :: Portland, OR {10 Sep} [no review] – I had to scuttle from this show to a follow-up MFNW show, but this was definitely a highlight…
  10. Pomplamoose :: Doug Fir Lounge :: Portland, OR {27 Oct} [review with photos] – the youtube stars make good with a real tour… A+!
  11. Over the Rhine :: Aladdin Theater :: Portland, OR {17 Nov} [review with photos] – OTR will always be a favorite
  12. Opeth :: Roseland Theater :: Portland, OR {16 Oct} [review with photos] – no cookie monster screams, I missed them, but Opeth still doesn’t disappoint.
  13. Erik Friedlander plays John Zorn’s Masada Book Two (Book of Angels, Volume 8: Volac) :: The John G. Shedd Institute for the Arts :: Eugene, OR {8 Jan} [review with photos] – an amazing cellist playing a amazing book of melodies
  14. Toad the Wet Sprocket :: Downtown Bend Celebration :: Bend, OR {8 Jul} [review with photos] – anytime Toad or lead singer GLen Phillips are playing in my radar, I’m going!
  15. Jeffrey Foucault :: Cozmic Pizza :: Eugene, OR {20 Oct} [review with photos] – Jeffrey is quickly becoming a favorite songwriter of mine, full of grit and charm…

Runners-Up: Reptet at Luckey’s (Jan), Elton John at Matthew Knight Arena (Feb), A Perfect Circle at Arlene Schnitzer Concert Hall (June), The Dead Kenny G’s at Sam Bond’s Garage (July), and Jason Webley & Mood Area 52 at WOW Hall (Oct).  Even after honorable mentions, I cut some GREAT ones… 2011 was a great year.

My favorite concert photos of 2011: (in chronological order)

(all images are free to use under a creative commons designation,
simply identify Daniel Temmesfeld with a
photo credit and link to pacificlectic.com.

Past Favorite Concerts Lists:

Favorite music of 2011 will be coming soon… EPs/DVDs/etc, vocal albums, instrumental albums

~Dan – np: Steven Bernstein’s Millennial Territory Orchestra – MTO Plays Sly

* Favorite Instrumental Albums of 2010 *

30th Dec 10 (Thu) 3 comments

Disclaimer: No, I haven’t heard all 8,000+albums released this year. I’ve heard about 120 of them, which makes me at least 98.5% likely to be wrong. I make no claims to objectivity. These albums are my favorites from 2010. You might think that the one you’ve heard that I haven’t heard is the best album of 2010. And you might be right. And, I while I generally agree with John Roderick about Year-End Lists, I still find it quite fun to compile my own.

As I start this post, I will say that this is all very subjective and really put together for my own purposes.  I’ll also state that, yes, some of the music below does have some vocals (i.e.- the Beats Antique & Tin Hat CDs).  For the most part, it’s sequestered to a track or two on a long CD of mostly instrumental goodness.  My list, my rules, and/or my breaking of the rules.  With that being said, all of the artists below tend to be in the jazz and instrumental frame of reference anyway.

As said before… I’ve been buying less music… or, at least a lot less mainstream (major label) music. This is also my third year now that I bought more instrumental CDs than vocal CDs. I think as I get older, I am drawn more towards jazz and other instrumental forms of expression. Hopefully my spilling out of music that I like finds interest with someone else. But if not, thanks for stopping by… check out the artists’ webpages, SpaceBook & MyFace pages, yadda yadda yadda. A lot of these also made it on to my 2010 Mix CD.

OK, now on to the best of what’s hit my ears this year…

Honorable Mentions: The Album Leaf‘s A Chorus of Storytellers, For a Minor Reflection‘s Höldum Í Átt Að Óreiðu, Yuka Honda‘s Heart Chamber Phantoms, Medeski Martin & Wood‘s The Stone Issue Four (great NFP/charity live release), and Jamie Saft‘s A Bag of Shells

Boy Eats Drum Machine20 Beats (self) :: OK, due to its title, 20 Beats had to come in at #20, right?  Regardless of wherever it hit, it’s a great album.  I first saw Boy Eats Drum Machine (aka Jon Ragel) open for That1Guy in Eugene.  I loved his turntablism, his sax playing, and his trippy sounds.  He’s a Portlander, too; so I’ve had a chance to see him twice this year.  Hopefully more in the near future…


John ZornFilmworks XXIV: The Nobel Peace Prize / In Search of the Miraculous / Interzone (Tzadik) :: John Zorn put out a ton of stuff in 2010.  Some of it didn’t make this list.  Some of it was great (these 3), and some of it was stupendous (some others higher up on the list). Filmworks XXIV is a more genteel offering. It is performed by the Rob Burger trio (and it’s a film score… duh). In Search of the Miraculous is in Zorn’s spiritual / “magick” subcategory (which has been hit or miss to me).  This album seems like a souped-up Rob Burger/Alhambra piano combo.  Quite delightful. Interzone is a return to Zorn’s “filecard” system and a tribute to William Burroughs. Some people on the Zornlist have raved about it… I find it good, but not amazing. Too much filler in the long-tracks… moments of brilliance, but also moments of meh-ness.  I’d rank it definitely better than “for the completist,” but lower than “legendary.”  All in all… solid experimental record.  The players are the usual fantastic Tzadik studio players: Medeski, Baptista, Dunn, Mori, Ribot, Wollesen and Zorn.
Mostly Other People Do the KillingForty Fort (Hot Cup) :: So, I’m a fan of composer Moppa Elliott and trumpet player Peter Evans. Peter’s solo show in Eugene a couple of years ago was an avant-garde delight. MOPDTK is a little more straight forward than Peter’s solo stuff. It’s a fun jazz group… very similar in feel and youthful, party jazz energy as Reptet (up in Seattle). This is their second album that I’ve heard but their fourth released. My favorite tracks are “Nanticoke Coke” and the title track “Forty Fort.” I’m looking forward to more from this killer band ensemble.
Masada String Trio plays John Zorn’s Masada Book Two, Volume 16: Haborym (Tzadik) :: Greg Cohen, Mark Feldman, and Erik Friedlander are fantastic players, and their contribution to the Masada Book Two series is an essential release.  One of the best of the series, and the Trio’s first studio recording in five years (last one was 2005’s Azazel #5).  Masada Book Two Sidenote: Cohen was actually in the original Masada quartet, but all of the members of the String Trio have also shown up on other MBT releases – Cohen (Astaroth #1, Lucifer #10, Stolas #12 and Baal #15), Friedlander (Volac #8, #10 and the upcoming Caym #17), and Feldman (Malphas #3 & #10).
John ZornThe Goddess (Tzadik) :: The Goddess is a continuation of In Search of the Miraculous, but I fancy it far more.  It is also a souped-up Rob Burger/Alhambra piano combo, quite lyrical and melodic.  As the title suggests, it is dedicated to the feminine.  It also features some harp work from Carol Emanuel – who unbeknownst to me until now has been on quite a bit of Zorn’s releases.
Derek WebbFeedback (INO) :: From my original writeup: Feedback is a self-proclaimed “worship album.” I also love the general aesthetics of it. It’s definitely got some electronic elements, but it has a more sweeping feel as well. Some of it feels like a mix of a happier ambiance of Amiina/Sigur Rós meets an acoustic-electronic bridge in a Sufjan Stevens song meets a gentle Ric Hordinski lyrical guitar solo (I am in a Monk mood). It’s a great quality instrumental album from a man who I loved via his witty voice from the get go. It’s nice to see him expand outside his comfort zone. As an atheist, I take it as a conduit into introspection and the worship of the divine as I see it – music.
Secret Chiefs 3Satellite Supersonic Vol 1 (Web of Mimicry) :: A new format release of the 7″ vinyl singles that SC3 put out in the Spring of 2007.  Nothing majorly new, but still nice to have in this format.  Secret Chiefs 3 fans are still waiting on Book of Souls, the follow-up to 2004’s Book of Horizons.  Who knows if we’ll ever get it… but this compilation is a great “tweener” – especially if you weren’t able to get the limited 7″ vinyls or didn’t have a record player.
John Zorn’s Moonchild Trio (with Marc Ribot) – Ipsissimus (Tzadik) :: The Moonchild Trio is one of the more experimental / scary groups.  It’s a highly composed, but seemingly improvisational group made up of Mike Patton on voice (not lyrical), Trevor Dunn on bass, and Joey Baron on drums. Ipsissimus is the fifth in the series, and includes Marc Ribot’s guitar and John Zorn’s sax for more than just one tune (like on The Crucible).  This release is not for the faint of heart.  Purely energetic, glossolaliac noise metal.
AutorYnoPastrami Bagel Social Club (Tzadik) :: I am fans of some of the other Jewish rock acts on John Zorn’s Tzadik label: like Eyal Maoz’s Edom, Jon Madof’s Rashanim, and Yoshie Fruchter’s Pitom. The description for this AutorYno debut from Tzadik was “a wild klezmer/rock fusion by this crazed band of Paris-born punk rockers… AutorYno hits with a hardedged sound and an exciting musical imagination. Full of youthful energy, massive guitar and centered by a powerful beat, they present eleven instrumentals that combine the power of rock with a taste of Jewish tradition.” Regardless of Tzadik’s usual/expected hyperbole, I couldn’t not get it. I’m glad I did.  Utterly fantastic klez-jazz-rock blend.
Tin HatForeign Legion (BAG) :: The Bay Area acoustic group is no longer a trio.  They are currently made up of Carla Kihlstedt on violin & voice, Mark Orton on guitar & dobro, Ben Goldberg on clarinets, Rob Reich on accordion & piano, and Zeena Parkins on harp.  It also features Willie Nelson on guest vocals on a track.  The album is part European explorer, part cinematic, part chamber group, part tango.  I generally by anything Carla Kihlstedt is involved in.  So far, I haven’t been steered wrong…
Beats AntiqueBlind Threshold (self) :: I got to see Zoe Jakes of Beats Antique twice this year… once with Beats Antique during Eugene Celebration, and once with the Indigo Bellydance troupe as part of their Le Serpent Rouge tour. She had a knee in a brace during Eugene Celebration; so she lended her stage presence to additional percussion instead of dance – which was unfortunate. Beats Antique is a bellydance-friendly, electronic and live instrument band from the Bay Area. Elements of Balkan music and tribal-fusion dance music. “Egyptic” is indicative of their infectuous sound.
Anakronic Electro OrkestraSpeak With Ghosts (Balagan Box) :: One of my favorite EPs of 2009 was Anakronic Electro Orkestra’s The Yiddish Part. My only complaint with the EP? It was too short. Well, in mid-November 2010, unbeknown to me at the time, they came out with their debut full-length Speak With Ghosts. AEO hail from Toulouse, France, and crank out a mighty fine mixture of drum & bass mixed with Eastern European-fused klezmer. This album is a 40+ minute shuffle through a modern klezmer forest – including one song featuring David Krakaeur (another favorite musician of mine). I think AEO is also great for fans of Beats Antique and Balkan Beat Box.
Loose GripLooking Glass (Fabrikant) :: Loose Grip is a fantastic Edinburgh-based jazz quartet led by drummer Chris Wallace. This guitar and tenor sax infused contemporary jazz band is great for fans of Chris Potter and Joe Lovano on the sax angle, great for fans of the guitar jazz like John Scofield, etc. It’s a well made record, and clearly stands out amongst the many jazz records that came out this year.
John Zorn’s The Dreamers play Masada Book Two, Volume 14: Ipos (Tzadik) :: Let’s just put this out there now… with thirteen albums and a DVD out in 2010, John Zorn might seem to have more misses than hits. Well, I don’t think there’s been a more consistent set of songs than his Masada songs, and there hasn’t been a more consistently great series than the Masada Book Two series (Zorn’s Masada songs covered by others). The Dreamers is a supergroup, too: Marc Ribot, Joey Baron, Cyro Baptista, Kenny Wollesen, Trevor Dunn and Jamie Saft – pillars in the adventurous, downtown NYC scene.
Charlie HunterGentlemen, I Neglect to Inform You You Will Not Be Getting Paid (Spire Artist) :: One of the most amazing things from this past year was watching Charlie play live (twice). His seeming ease at which he plays bass and guitar on one instrument is stunning (and curse-worthy for the guitar aficionado in the crowd). If you weren’t watching the stage, you’d easily be fooled that it was a quartet and not a trio. It’s quite an amazing thing to see and hear. He’s so unassuming about it, too… a showman without the show-off attitude. Gentlemen came out in early 2010, and is a great melodic romp.  For prior fans of Charlie, you won’t be disappointed.  For people who aren’t yet fans… you will be.
Dave Douglas & KeystoneSpark of Being (boxset) (Greenleaf) :: Dave and his fusion group Keystone were busy with this 3-CD boxset. All three releases were inspired by Douglas’ recent collaboration with experimental filmmaker Bill Morrison on the new multi-media project Spark of Being. The first release is the soundtrack to the film.  Two additional releases, Expand and Burst, feature Douglas and Keystone exploring and interpreting the themes of the film. Expand was also available on vinyl (a first for Dave’s Greenleaf label).
Dave HollandPathways (Dare2) :: I got into Dave Holland around the same time as a lot of other jazz. I got into jazz through the backdoor (John Zorn) and then slowly moved into the more straight ahead jazz. I think I can officially blame Ken Laster and his In the Groove, Jazz and Beyond podcast for playing a lot of Dave Holland. Anyway, shortly after hearing Holland, I picked up Extended Play: Live at Birdland and Critical Mass. Both are great, but the latter is quite fetching. Pathways is a superb combo and features some amazing playing by some other favorites of mine: saxophonist Chris Potter and drummer Nate Smith.  Outside of Joey Baron (Masada, etc), I think Nate Smith is one of the most entertaining drummers to see play.  I love how Dave Holland surrounds himiself with amazing players.  Great band, great record!
Holy FuckLatin (Young Turks) :: Despite what you think of their choice of band name, these Toronto band continue to put out great, groove-infused live electronic music that is both experimental and a poppy-force in the indie rock movement. Latin, their third full length album, grabbed me immediately when it came out this past May… and it’s #1 with a bullet as far as instrumental albums go in 2010. To top it off, they swung through Oregon twice this year (both excellent shows), and they put out quite possibly the cutest video for the raddest song (“Red Lights” – click the kitty to the right). The video now has over 1,000,000 views on the YouTubes. Only 900,000 views are from me.

Where do I get most of these jazz and other instrumental releases?  My #1 favorite source for jazz is Downtown Music Gallery in New York.  Manny and Bruce and their great staff are superb… and being the official distributor for John Zorn’s Tzadik doesn’t hurt my affection for them.  I usually do a monthly Tzadik order (if the releases strike my fancy), and they have a ton of other non-Tzadik jazz and avant-garde releases as well.

And, no, I’m not affiliated, I don’t get a commission, and beyond my initial “big tax refund / gotta get caught up on Zorn order of 2005,” I haven’t gotten a discount with DMG.  I just love and support what they do.

Enjoy the New Years weekend!! Be safe! See you in 2011.

My Other Favorites of 2010 Recaps:

~Dan – np: Kevin MooreShine

* Favorite Vocal Albums of 2010 *

29th Dec 10 (Wed) 7 comments

Disclaimer: No, I haven’t heard all 8,000+albums released this year. I’ve heard about 120 of them, which makes me at least 98.5% likely to be wrong. I make no claims to objectivity. These albums are my favorites from 2010. You might think that the one you’ve heard that I haven’t heard is the best album of 2010. And you might be right. And, I while I generally agree with John Roderick about Year-End Lists, I still find it quite fun to compile my own.

I’ve been buying less music… or, at least a lot less mainstream (major label) music. This is also my third year now that I bought more instrumental CDs than vocal CDs. I think as I get older, I am drawn more towards jazz and other instrumental forms of expression. For that reason, the favorite vocal albums list goes first this go ’round. Hopefully my spilling out of music that I like finds interest with someone else. But if not, thanks for stopping by… check out the artists’ webpages, SpaceBook & MyFace pages, yadda yadda yadda. A lot of these also made it on to my 2010 Mix CD.

OK, now on to the best of what’s hit my ears this year…

Honorable Mentions: Finger Eleven‘s Life Turns Electric, Gnashing of Teeth‘s Walking the Appian Way, Kaki King‘s Junior, Kim Taylor‘s Little Miracle (out late Dec ’09 digitally), and That1Guy & the Magic Pipe‘s Packs A Wallop!

The WeepiesBe My Thrill (Nettwerk) :: Lush singer-songwriter husband/wife duo from Northern California. Syrup-y sweet & poppy, but regardless of my penchant normally against those types of things – The Weepies do it up right. A superb piece of well-crafted pop.
Chali 2NaFish Market Part 2 (Decon) :: Another great solo outing from my favorite rapper from Jurassic 5. This is Chali’s 3rd solo album, and while the sound and vibe hasn’t changed much – his consistency is most what I like about him. Hard hitting, booming voice, witting lyricism, and generally moving into more positive territory (he’s not a “bitches and hoes”-type of rapper).
Caedmon’s CallRaising the Dead (INO) :: I’ve been a fan of Caedmon’s Call for going on fifteen years. I’ve stuck with them through some (personal opinion) lackluster lyricism after the departure of my favorite Caedmon’s songwriter – Derek Webb. He came back to produce and be in the band for this one; and quite frankly, I think this is their best record since 40 Acres. Lyrically, it still has a religious bent; but being in a minority of “non-Christian Caedmon’s Call fans,” I still didn’t find it cringe-worthy like most “contemporary Christian music.”
RedbirdLive at Café Carpe (Signature Sounds) :: Peter Mulvey, Jeffrey Foucault, Kris Delmhorst and David “Goody” Goodrich put out a great studio album of covers and originals in 2003. At the recent Mulvey/Foucault live shows this fall, they announced this new release. This new release is the live equivalent of the debut seven years ago (but different material) – a great mix of covers of people that influenced them, as well as a few of their own originals. Vocal duties split between Mulvey, Foucault & Delmhorst. I hope they are able to tour behind this in 2011.
Ty TaborSomething’s Coming (Molken) :: I’m a big fan of King’s X. As a trio, they put out a wall of sound, and a big component of their brilliance is Ty Tabor’s stellar guitar-work. His solo work also features his Beatles-esque vocals on top of his southern-grungy-rock sound. 2010 also saw the release of Ty’s Trip Magnet side solo project, Jelly Jam’s Additives bonus material, and the studio time with Jelly Jam (with John Myung & Rod Morgenstein) for their upcoming 3rd record. Whew, he’s been busy.
Ben Folds & Nick HornbyLonely Avenue (Nonesuch) :: I’m ambivalent about Ben Folds. I never know if I’ll like it; so I put off getting it. Then I get it and love it. This record was a collaboration between Ben and author Nick Hornby (High Fidelity, etc). The lyrics are a little jumpier to me (Nick’s style versus Ben’s style), but it still feels very much like a Ben Folds record. They also feature a bonus song (iTunes version) with “video song” heroes Pomplamoose.
Jeanne CherhalCharade (Barclay FR) :: I first heard Jeanne Cherhal when we picked up her second album (Douze fois par an) when in Toulouse, France, for my MBA program in 2004. Only available in France, I’ve managed to get her albums via Amazon.fr (good thing the buttons are in roughly the same spot). I still don’t know what she’s saying, but I dig her style.
S (Jenn Ghetto)I’m Not As Good At It As You (Own Records) :: Carissa’s Wierd [sic] front woman promised this 3rd ‘S’ record back in… oh, 2007?? It was worth the wait. Haunting lyrics and vocals, simple yet complex acoustic guitar (that hearkens back to Elliott Smith). Bright emo and depressing pop music. Carissa’s Wierd also put out a retrospective (with a couple new tunes) and a small handful of West coast dates. Who knows – maybe they’ll get active again in the near future? I could dig it…
Greydon SquareThe Kardashev Scale (self) :: A little more mature in lyricism compared to The CPT Theorem. Perhaps it’s due to putting some of the ‘Rational Response Squad’ fighting behind him. Greydon, the foremost atheist rapper, made his 3rd record into what I think to be his most consistent. It’s solid, smart and superlative-worthy.
Damien JuradoSaint Bartlett (Secretly Canadian) :: I got into Damien Jurado via the Seattle-based melancholy, indie singer-songwriter scene (i.e.- Pedro the Lion / David Bazan). While similar in general geography and friendship, Damien strikes me as more of a pure “songwriter” when compared to David’s social critique set to music. Saint Bartlett fits well into Damien’s oeuvre. At a show this past February (6 months before the album came out), I hardly knew any of the songs but felt as though I did. That’s a testament to his craft.
ClogsThe Creatures in the Garden of Lady Walton (Brassland) :: I first saw Clogs at MusicNow 2007 (in Cincinnati). Padma Newsome and Bryce Dessner (of The National) know how to make some interesting chamber pop. The album (as with the live premiere in 2007) features Sufjan Stevens and Shara Worden (My Brightest Diamond). It’s quite a lush record – as the title suggests.
Sufjan StevensAll Delighted People (Asthmatic Kitty) :: Two albums in 2010, Sufjan’s 50+ minute “EP” hit us first. Beautiful and haunting in “The Owl and the Tanager” and primarily experimental and adventurous throughout, especially compared to his older material. Originally only released online via bandcamp, the EP saw physical form (CD & vinyl) earlier this month. I’m bummed Sufjan nixed future “State” albums, but I’m still glad with his 2010 output.
George HrabTrebuchet (self) :: George Hrab creates one of my favorite podcasts ever… the Geologic Podcast. It’s not about geology. It’s about science, skepticism, and his general life as a musician from Bethlehem, PA. He is both humorous and intelligent, and he puts out great albums as well. Trebuchet is his 6th studio album, and it features some great instrumental songs as well as some witty numbers fitting his skeptical, atheistic viewpoint. One of my favorite songs on it is “A Small Comfort,” which is about the death of his dog Oscar. I also give George some kudos for kicking off his album with the Christopher Hitchens’ inspired “God Is Not Great” (an atheist pop song). Bravo!
Damien & Drake JuradoHoquiam (St. Ives) :: Short and sweet and beautiful. My only gripe with this record… well, it wasn’t made available on CD, and the vinyl didn’t include a free download code for the mp3’s. Industry standard practice aside, the Jurado brothers put out some fantastic music. I borrowed a vinyl-to-mp3 device from my friend; so I could enjoy it on my iPod as well. So, my gripes have been abated.
ElleryThis Isn’t Over Yet (Set Adrift) :: Ellery is one of my favorite things in Cincinnati… I miss being able to see them multiple times a year (sad face). Husband/wife duo of Justin & Tasha Golden craft singer-songwriter pop songs… usually layered nicely on their albums with the help of producer, knob-twiddler Ric Hordinski (of Over the Rhine fame). This album, they switched it up with Malcolm Burn at the helm (Daniel Lanois / Bob Dylan / Iggy Pop / Kaki King / Emmylou Harris / etc).
Nellie McKayHome Sweet Mobile Home (Verve) :: Nellie McKay’s move to Verve (instead of Sony) has been good for her. They seem to give her free reign to put out Doris Day cover albums one year and an album of originals the next. HSMH is a return to the quirky, diverse collection of songs that drove me to fall in love with her. The album is full of Nellie’s modern piano jazz-pop, ukulele ditties, and even a pro-animal reggae tune. The album has grown on me nicely, and I’m looking forward to more Nellie in the near future. She seems to be in a period of prolificity as of late. This is greatly welcomed.
JónsiGo (XL) :: Sigur Rós-frontman’s debut solo album was going to be an acoustic affair, and then it turned into a lushly produced, Rós-ian opus with a multimedia firestorm of a tour (two U.S. legs with stunning stage design by 59 Productions). Jónsi is superbly brilliant and and ambivalently hyper-sensitively shy individual (ex. his abrupt cancellation of in-store performance tour) and boisterous-acting performer (ex. his magnificent stageshow). This album makes me excited for more solo work in the future, but I hope his day job with Sigur Rós is not on hold for too much longer.
Sarah Kirkland Snider & Shara WordenPenelope (New Amsterdam) :: Chamber pop featuring Shara Worden (My Brightest Diamond) is a theme this year (see #10). Quite frankly, I think Shara Worden has one of the best voices in indie rock. Period. Sarah Kirkland Snider is a new musical force for me… she originally wrote Penelope as music for a theater piece and then debuted it as a song cycle with Signal in May 2009. When Shara came aboard, Sarah revised and expanded the songs yet again, tailoring them to Shara’s talents and arranging them for a 25-person orchestra of strings, harp, percussion, drums, electric guitar and bass, and electronics (with sound design by Michael Hammond). It is gorgeous.
Sufjan StevensThe Age of Adz (Asthmatic Kitty) :: His second album of the year, The Age of Adz is a odd musical assembly. At first I didn’t know what to think of it, then I started to like it, and then after seeing him live – I truly loved the album. For those previously familiar with Sufjan, this album may not fit easily in with his prior albums – but I think if you have an open mind and a desire to explore, you may very well fall in love with this record as well.
Mike PattonMondo Cane (Ipecac) :: Mike Patton of Faith No More, Mr. Bungle, Tomahawk, Fantômas, et cetera is known for more boisterous, left of center fare. With Mondo Cane, he classes up the joint that is Ipecac Records. Mondo Cane, named after the film, is Mike’s homage to 50s Italian pop songs. He croons some classic Italian songs with the backing of the Orchestra Filarmonica Arturo Toscanini conducted by Aldo Sisillo. The artwork, in both CD digipack and vinyl, is stupendous. This is a magnificent record – both aurally and visually.

Top 20 instrumental albums coming up later this week…

My Other Favorites of 2010 Recaps:

~Dan – np: Kevin MooreShine

* Favorite EPs / Vinyl / Live Albums & more of 2010 *

28th Dec 10 (Tue) 5 comments

This is sort of a precursor to my “official” Favorites of 2010 blogs. Up later this week, I’ll post my favorite vocal and favorite instrumental albums of 2010. Anyway, on with the music pimping

Favorite EPs of 2010

  • Holy Fuck+Ghost (bonus disc with Latin)
  • AuragamiResistance (thanks, Michael)
  • Sufjan StevensAll Delighted People
  • Owen PallettDemo (with Shara Worden – FREE)
  • Haftor Medbøe GroupBox of Monkeys (technically 2009, but I got it late)
     

Favorite Vinyl-only Release of 2010

  • My Brightest Diamond & Dayna KurtzGone Away / Postcards from Downtown 7″
  • Erik FriedlanderAlchemy 10″
  • Isis / Melvins split 12″
  • Damien & Drake JuradoHoquiam 12″
  • John Zorn’s The DreamersThe Gentle Side 12″
    fave non-vinyl-only issue
    :
    Mike Patton‘s Mondo Cane 12″ (is luscious)

Favorite DVDs of 2010 (I didn’t really get any outside of music-related and an old H.Potter)

  • Porcupine TreeAnesthetize: Live in Tilburg
  • Steven WilsonInsurgentes
  • JónsiGo Quiet & Go Live
  • John Zorn & Richard ForemanAstronome: A Night at the Opera

Favorite Internet Only Releases of 2010

  • KembweKembwe
  • Derek WebbDemocracy Vol 1 (monthly series)
  • My Terrible Friend EP (a folky Pomplamoose spin-off)
  • CelldwellerWish Upon a Blackstar (a few chapters)
  • PuyaAreyto EP
  • Ty TaborTrip Magnet & Jelly Jam‘s Additives
  • Asthmatic Kitty‘s Library Catalog Music Series (I think they also put some of these out as vinyl)
  • Glen PhillipsTornillo
  • Kevin MooreShine (late, late 2010 – CD in early 2011)
  • RafterAnimal Feelings (maybe it came out on CD, too?)

Favorite Live Albums of 2010

  • King’s XLive Love in London
  • JónsiGo Live
  • Redbird (Peter Mulvey / Jeffrey Foucault / Kris Delmhorst / David “Goody” Goodrich) – Live at Café Carpe 2008 & 2009

Favorite Podcasts in 2010 (they’re free, yo! Search for them on iTunes)

  • George Hrab Geologic Podcast
  • Keith Olbermann’s Countdown on MSNBC
  • The Rachel Maddow Show on MSNBC
  • Bill Maher‘s New Rules
  • The Adam Carolla Podcast
  • Kevin Smith & Scott MosierSModcast
  • Kevin Smith & Ralph Garman – Hollywood Babble On
  • Starfucking with Kevin Smith (OK, not free – proceeds for charity, though)
  • SMoviemakers with Kevin Smith
  • The Skeptics Guide to the Universe

Best Cover Art & Packaging in 2010 (all vinyl, but the CDs were cool, too)

  • Mike Patton Mondo Cane
  • Jónsi Go
  • John Zorn’s The DreamersGentle Side (vinyl, designed by Chippy)

Favorite Local Releases in 2010 (PacNW represent)

  • KembweKembwe (Ashland-based ambient, vocal alchemy)
  • I suck… that’s all the local-ish stuff I got this year…

Best Re-issues in 2010

  • Carissa’s Wierd‘s first three albums (Ugly But Honest / You Should Be Home Here / Songs About Leaving)
  • Mr. BungleCalifornia (on vinyl)
  • Frank ZappaGreasy Love Songs (deluxe re-issue of Cruisin’ with Rueben & the Jets)
  • Elliott SmithAn Introduction to… (career spanning compilation)

Best Not-for-Profit Release in 2010

  • Medeski Martin & Wood – The Stone Issue Four (for The Stone NYC)

Worst Music News in 2010 (for me)

  • Cincinnati rock band Noctaluca broke up.  Here’s hoping Jason Ludwig goes on to do some more interesting stuff.
  • Faith No More‘s reunion tour didn’t hit the U.S. proper.  Argh.

Best Late-Getter in 2010 (something that came out before 2010)

  • Abagail’s Ghostd_letion (from 2009)
  • Fever RayFever Ray (also from 2009)

Best Musical Novelty / Ingenuity

  • Tristan Perich1-Bit Symphony

Best Music Videos

  • Holy Fuck “Red Lights”
  • Turf Fienz “Rain Dance”
  • Cee-Lo Green “Fuck You” (original)
  • The Gregory Brothers & Antoine Dodson “The Bed Intruder”

So, yeah, this was the catch-all post… check back later this week for the more traditional year end wrap-up festivities…

My Other Favorites of 2010 Recaps:

~Dan – np: Anakronic Electro OrkestraSpeak With Ghosts

Favorite Concerts of 2010

23rd Dec 10 (Thu) 7 comments

Well, this year’s concert seasons were especially good to me… 365 days, 79 shows, 149 artists, many long nights driving home, and a lot of photos…

My favorite concerts of 2010:

  1. Sufjan Stevens :: Arlene Schnitzer Concert Hall :: Portland, OR {29 Oct} [review with photos] – completely stunning show
  2. Toad the Wet Sprocket :: Crystal Ballroom :: Portland, OR {28 Jul} [review with photos] – I am a slave to Glen & Co’s alt-pop
  3. Jon Þor “Jónsi” Birgisson (of Sigur Rós) :: Roseland Theater :: Portland, OR {13 Apr} [review with photos] – stupendous stage show
  4. Nellie McKay :: Berbati’s Pan :: Portland, OR {31 Mar} [review with photos] – missed her Eugene show while at Sufjan, I heard that show was also “the bomb”
  5. Dream Theater :: Roseland Theater :: Portland, OR {21 Jun} [review with photos] – made more special after Mike Portnoy left the band this fall
  6. Tegan and Sara :: Keller Auditorium :: Portland, OR {8 Apr} [review with photos] – first time seeing them, not too be missed
  7. Holy Fuck (twice) :: Mississippi Studios & Holocene :: Portland, OR {6 Jun & 14 Oct} [reviews with photos #1 & #2] – one of the most consistently great live acts, Holocene show was better, but Mississippi was also rad…
  8. Dweezil Zappa Plays Zappa :: McDonald Theatre :: Eugene, OR {12 Jun} [review with photos] – keeping the FZ torch alive!
  9. Dave Douglas’ Brass Ecstasy :: PDX Jazz Fest / Crystal Ballroom :: Portland, OR {28 Feb} [review with photos] – honestly, all of these Top 15 could be #1 in a slow concert year
  10. Over the Rhine (twice) :: WOW Hall & Aladdin Theater :: Eugene & Portland, OR {15 & 17 Nov} [reviews with photos #1 & #2] – twice after three years of OTR drought for me
  11. Charlie Hunter Trio (twice) :: WOW Hall & Sam Bond’s Garage :: Eugene, OR {18 May & 16 Dec} [reviews with photos #1 & #2] – Charlie has a pact with the devil… he’s too good…
  12. Peter Mulvey & Jeffrey Foucault (twice) :: The Woods & Sam Bond’s Garage :: Portland & Eugene, OR {22 & 24 Oct} [reviews with photos #1 & #2] – both brilliant storytellers before VH1 made it a show
  13. Susan Enan :: House Show :: Eugene, OR {15 Jul} [review with photos] – at our house… super fun & intimate
  14. Damien Jurado :: Mississippi Studios :: Portland, OR {27 Feb} [review] – I didn’t know more than half of the songs, but it didn’t matter
  15. Medeski Martin & Wood :: McDonald Theatre :: Eugene, OR {25 Feb} [review with photos] – jazz dance party!

Runners-Up: Bill Frisell Trio at The John G. Shedd Institute for the Arts, Fishtank Ensemble at a Eugene House Show, Pink Martini at The Hult Center / Oregon Bach Festival, Trio Subtonic & the Dead Kenny G’s at Mt. Tabor Theater, The Weepies at Aladdin Theater.  Even after honorable mentions, I cut some GREAT ones… 2010 was a great year.

My favorite concert photos of 2010: (in chronological order)


(all images are free to use under a creative commons designation, simply identify Daniel Temmesfeld with a photo credit and link to jazzsick.wordpress.com, or items noted with emobiephotography.com is photo credit Margaret O’Brien)

Past Favorite Concerts Lists:

Favorite music of 2010 will be coming soon… EPs/DVDs/etc, vocal albums, instrumental albums, artists of the decade

~Dan – np: nine inch nailsbroken

Introduction to Elliott Smith

26th Oct 10 (Tue) Leave a comment

Next week (Nov 2nd), a new Introduction to Elliott Smith release comes out.  There aren’t any new songs, but it’s being put out digitally, on CD, and on vinyl, too.  That, in and of itself, means I need to get it… as I have all of his albums on vinyl… can’t stop… :)

More importantly, if you don’t know any Elliott Smith, this would be the album to get.  You will soon fall in love.

XO,
~Dan – np: Sufjan StevensAll Delighted People

Artists of the Decade – 2000s (#1 to 10)

5th Jan 10 (Tue) 5 comments

Artists of the Decade – Honorable Mentions (1/1/2010 blog link)

  • Dweezil Zappa
  • Tori Amos
  • Celldweller
  • Iron & Wine
  • King’s X
  • Derek Webb

Artists of the Decade (#21 to 25) (1/1/2010 blog link)

25 ~ Ben Folds (solo)
24 ~ Peter Mulvey

23 ~ Opeth

22 ~ dredg

21 ~ Holy Fuck

Artists of the Decade (#11 to 20) (1/4/2010 blog link)

20 ~ Pedro the Lion (and David Bazan solo)
19 ~ Jurassic 5

18 ~ My Brightest Diamond

17 ~ Nellie McKay

16 ~ Secret Chiefs 3
15 ~ Over the Rhine

14 ~ Mike Patton

13 ~ Ani DiFranco
12 ~ Johnny Cash
11 ~ Dave Douglas

And now on to the final ten

~*~*~

10 ~ Glen Phillips

At the turn of the decade / century / millenium, Glen’s band Toad the Wet Sprocket were breaking up. He went on to make several solo albums (Winter Pays For Summer being my fave thus far), several mostly brilliant side ventures (Plover, RemoteTreeChildren, WPA, Mutual Admiration Society), and even reunite with Toad for some tours. He’s as active as ever and also quite the tweeter (oft humorous / oft political).

~*~*~

9 ~ Porcupine Tree (and Steven Wilson projects)

Near the beginning of the decade, I was giving up on “prog rock.” Then a buddy told me about Porcupine Tree (thanks, SteveC). 2002’s In Absentia is amazing, and I quickly bought PT’s catalogue. The entire decade was full of Steven Wilson projects – whether Porcupine Tree or his many (and I mean many) side projects.  Speaking of… Steven’s 6th and final Cover Versions CD and 7″ vinyl will be out sometime soon in the coming months.

~*~*~

8 ~ Sufjan Stevens

Illinoise was Paste’s #1 album of the decade. I think it’s in my Top 10 (as mentioned earlier, I honestly can’t bring myself to widdle down my album list to 20 or even 50 for the decade). Illinoise was my first foray into Sufjan’s world. The infatuation was near immediate. He ranges from poppy, to eclectic folk, to avant-electronic, to chamber music… and I think his song titles, while sometimes considered pretentious, put him in my hero list. :) The later part of the decade showed a more secluded Sufjan and a recant on the 50 States “promise.” However, I’m still very excited about what’s up his sleeves for the next decade.

~*~*~

7 ~ John Zorn (Masada and otherwise)

I knew of Zorn in the 1990s (via the connection to Mike Patton and specifically Mr. Bungle), but didn’t get into him until 2003 or so. Even still, I didn’t know about Masada (his klezmer-jazz quartet) until mid-decade. Their recorded studio work was all in the 1990s, but they stayed active touring throughout the 2000s… and John Zorn kept actively writing Masada Book Two – which is a book of music covered by other bands and has seen a dozen fantastic releases on his label, Tzadik. I just counted, and I have 82 John Zorn related disks from the decade (CDs, DVDs, vinyl). So, um, yeah, he’s prolific. The Masada / Bar Kokhba / Electric Masada is my favorite category of Zorn releases; but his Filmworks series, Moonchild Trio (Mike Patton, Joey Baron & Trevor Dunn), and The Gift / Dreamers band are also key releases. 2010 has 12 new Zorn releases on the docket. *drool*

~*~*~

6 ~ Maynard James Keenan (Tool / A Perfect Circle / Puscifer)

One of the best singers in the world of rock, Maynard has kept busy… this decade: three bands and eight or so albums, several DVD releases, remix albums & singles, vinyl singles, and a new winery. While he doesn’t always nail it every time, his and his bands’ hit rates far exceed most. His solid work ethic points to more releases next decade. A recent interview leads me to believe that the touring side of things may slow down some, but I’m hoping that just means “less touring” and not “no touring.” There have been hints of Tool and A Perfect Circle studio stuff in the near future… and Puscifer seems alive and kicking (and keen on the internet EP thing). Puscifer is hitting the Midwest and East Coast in early 2010.

~*~*~

5 ~ Daniel Johns (Silverchair & The Dissociatives)

2002’s Diorama (by Silverchair) is a contender for best album of the decade for me. Daniel Johns followed that up with a side project with Paul Mac called The Dissociatives. Their self-titled debut (2004) is also a contender for best album of the decade… then Silverchair came roaring back in 2007 with Young Modern – another strong contender. Daniel Johns and his couple of bands has large gaps between studio releases, but they all score high every time for me. They’ve moved well beyond their debut (which they released in the 90s at age 15). 2010 promises the follow-up to Young Modern… so, look out, Best of 2010 lists…

~*~*~

4 ~ Elliott Smith

I found out about Elliott in early 2000, a little bit after Figure 8 came out. I had the opportunity to see him live at Southgate House (Newport, KY) on the Figure 8 Tour. He quickly became an important part of my musical diet. His albums hit me emotionally, but he left us too early (he died of apparent self-induced stab wounds to the heart on October 21, 2003). I still get goosebumps with his music and quite frankly have never been affected by a celebrity’s death like I am by Elliott’s. An album and more of his unreleased material has made its way out since his death. I don’t believe in an afterlife, but if there were one, I’d hope to get to meet Elliott and have a beer with him.

~*~*~

3 ~ Sigur Rós

Ágætis byrjun and ( ) may be the most beautiful things that I don’t understand due to language barriers – two perfect albums, if you ask me. This past decade Sigur Rós went on to make four full length albums, a handful of EPs and soundtracks, several world tours, an utterly gorgeous tour documentary called Heima (that rivals Pink Floyd’s Live at Pompeii in stunning beauty),  and still find time to take time off (well, time off except for Jónsi – who released a duo album with his partner Alex Sommers and is set to release a solo album in early 2010).

~*~*~

2 ~ Radiohead (and Thom & Jonny solo)

One of the most unarguably overrated bands of all-time… yet, one of my favorites. The decade started with Kid A and ended with some Thom Yorke solo activity… it was a full decade of albums, tours, solo work (the aforementioned Thom solo stuff plus two soundtracks from Jonny). They branch out and sometimes get more praise and credit than is merited (I know skads of indie artists doing the “pay what you want” method years before In Rainbows), but I suppose Radiohead were the first formerly major-label / international band to do so.  Anyway, Radiohead, despite public pressure, continue to evolve as a band. That scores major points with me. They’re hitting the studio in January 2010… yippie.

~*~*~

1 ~ Kevin Moore (Chroma Key & OSI)

Yeah, the #1 of the decade who few know about… Kevin Moore left the progressive rock band Dream Theater in 1994, shedding the seemingly antithetic “progressive” constraints of the progressive scene to make his own music.  Chroma Key’s debut Dead Air For Radios (1999) is my #1 album of all-time… but it came out in the late 90s. The 2000 album You Go Now is probably in my Top 10 of all-time as well. The branching out into scoring with Kevin’s solo soundtrack Ghost Book (for the Turkish horror movie OKUL), political/religious-imagery radio/mix-taping with Memory Hole 1, and the new band project with Jim Matheos called the Office of Strategic Influence (aka O.S.I.) solidified Kevin in my favorite artists list. I’m looking forward to more Chroma Key, O.S.I., Memory Hole, or solo work that Kevin puts out… hopefully soon.

~*~*~*~*~

As pointed out the other day, the 2010s are shaping up to be a great decade… see you on the other side!

My Other Favorites of 2009 Recaps:

~Dan – np: Charlie Hunter Gentlemen, I Neglected To Inform You You Will Not Be Getting Paid

Oh, and for those who say that the decade ends at the end of 2010… meh. I’m starting with 0 and ending with 9 (like a LOT of people). Rationale: the 80s, the 90s… you don’t say the 80s went from 1/1/1981 to 12/31/1990 or the 90s from 1/1/1991 to 12/31/2000.

Artists of the Decade – 2000s (#11 to 20)

4th Jan 10 (Mon) 5 comments

Artists of the Decade – Honorable Mentions (1/1/2010 blog link)

  •  Dweezil Zappa
  • Tori Amos
  • Celldweller
  • Iron & Wine
  • King’s X
  • Derek Webb

Artists of the Decade (#21 to 25) (1/1/2010 blog link)

25 ~ Ben Folds (solo)
24 ~ Peter Mulvey

23 ~ Opeth

22 ~ dredg

21 ~ Holy Fuck

And now round 2

~*~*~

20 ~ Pedro the Lion (and David Bazan solo)

Pedro the Lion released their two most powerful and poignant albums in the early 2000s (Control and Achilles Heel), then frontman David Bazan decided to disband PTL and go solo (though by the 2000s, the writing was primarily Bazan anyway with hired guns for studios and tours).  Prior to his first full length solo album, he did a side project called Headphones, put out annual Christmas 7″ vinyls, and released a split electric/acoustic EP.  At the end of the decade, he hit the ground running with his fantastic “breaking up with God” record, Curse Your Branches.  He’s been touring in a solo fashion fairly regularly since 2007 or so and is going to hit the road again this coming spring…

~*~*~

19 ~ Jurassic 5

Jurassic 5 combined four well-versed, naturally flowing MCs (Chali 2Na, Soup, Marc7 & Akil) and two melodic, creative, musicianship-driven DJs (Cut Chemist and NuMark) to create some excellently catchy hip-hop and rap.  What I loved about them is that they weren’t all about the “drugs and bitches” that the gangsta rap had just previously been all about (don’t get me wrong, I love Dr. Dre’s The Chronic from the 90s, but J5 tended to keep it positive and definitely more musically-inclined).  All six members have gone on to do solo albums and/or side projects after the band’s official breakup in the late 2000s… my faves have been Cut Chemist’s The Audience’s Listening and Chali 2Na’s Fish Outta Water.  I still long for a reunion record, and I bet it’ll happen… maybe in the 2010s?

~*~*~

18 ~ My Brightest Diamond

Shara Worden’s utterly gorgeous, operatic voice is almost too much for the indie rock scene.  Almost.  It seems to fit in perfectly with Sufjan Stevens’ quirky folk and her own lush My Brightest Diamond string-infused indie pop (and the subsequent remix LPs/EPs centered around her studio albums).  In a live setting, her voice is powerful and sublime, and her stage presense is charming.  If you can get ahold of her pre-MBD band CDs, do so (AwRy was the name of the band).

~*~*~

17 ~ Nellie McKay

Her debut, Get Away From Me, is a 2-disc / 18-song satirical, poignant, humorous & angsty romp.  The tag-line of “Eminem meets Doris Day” rang true.  She followed it up with a couple of more subdued albums with the occasional harder edge tune, and then by decade’s end, she released a Doris Day only album.  It seems somewhere along the line, she lost the Eminem edge, but she ended up still topping my list with the more gentle album.  Her live performance for the Doris Day material was fantastic – which definitely helped its appeal with me.  She’s a vegetarian and animal rights activist, too… so, definitely on my friendly artists list.

~*~*~

16 ~ Secret Chiefs 3

Book M and Book of Horizons (both in the early 2000s) were SC3’s last officially “SC3 studio albums,” but since 2007, they have been busy with a handful of impressive 7″ vinyl singles, a “greatest hits” compilation, an amazing John Zorn Masada Book Two release in 2008 (Xaphan), a great concert DVD, a soundtrack to a made-up movie, and the ever-lasting promises of the Book of Souls (an album in the making… since… 2005?).

~*~*~

15 ~ Over the Rhine

In 2001, I think Over the Rhine made one of the best albums of their career… Films for Radio.  They followed with a stunning double-album (Ohio), several solo albums by pianist Linford Detweiler, four live compilations, a few more pretty darn decent albums (including a new holiday album), and continual touring every spring & fall/winter.  All in all, it was a pretty solid decade of a healthy work ethic.  I’m curious what the 2010s will bring in the land of Over the Rhine.  One can hope that they keep evolving.

~*~*~

14 ~ Mike Patton

Mr. Bungle broke up at the front end of the decade… but Mike continued on from Fantômas to Tomahawk to Lovage (with Dan the Automator & Elysian Fields’ Jennifer Charles) to Peeping Tom to multiple movie scores to many projects with John Zorn and back to Faith No More in 2009. As we lead into 2010, there are more Faith No More touring plans, more Fantômas plans, new bands Mondo Cane (50s Italian pop) and Crudo (DJ/rock-oriented), another Peeping Tom in 2011, and plenty else up his sleeve. Patton’s vocal versatility and hard work ethic make him one of my faves this past decade.

~*~*~

13 ~ Ani DiFranco

Similar to Tori Amos, the 1990s found a more consistently on her game Ani. While those days are gone, in the 2000s Ani kept delivering album after album after album and has way too many wins than loses, in my book. Revelling / Reckoning is quite possibly the most important release of her career (though not necessarily my favorite in this long oevre). She’s continually active and important in my musical world.

~*~*~

12 ~ Johnny Cash

This decade brought us American III, IV & V, and the Unearthed box set… all true genius from Johnny and Rick Rubin. The video for “Hurt” (a cover of the Nine Inch Nails song) is one of the most powerfully emotional videos I’ve ever seen (he really brought something new to that original NIИ song). If Rick Rubin never does anything important in the world of music ever again, he’ll still be the one who made Johnny Cash a legend (again).

~*~*~

11 ~ Dave Douglas

Founder of Greenleaf Music (a jazz label), and member of John Zorn’s Masada quartet… Dave Douglas is my #1 living trumpet player. My foray into a mega jazz love throughout the decade led me to be a fond admirer of Dave and his varied work.  His various incarnations – the Quintet, Keystone, Brass Ecstasy, the Big Band, and more – show that he’s a hard worker.  I can safely say, he’ll be back on this list in late 2019. :)

~*~*~

Tune in tomorrow for the final round…

My Other Favorites of 2009 Recaps:

~Dan – np: Charlie Hunter Gentlemen, I Neglected To Inform You You Will Not Be Getting Paid

Oh, and for those who say that the decade ends at the end of 2010… meh. I’m starting with 0 and ending with 9 (like a LOT of people). Rationale: the 80s, the 90s… you don’t say the 80s went from 1/1/1981 to 12/31/1990 or the 90s from 1/1/1991 to 12/31/2000.

Artists of the Decade – 2000s (#21 to 25)

1st Jan 10 (Fri) 5 comments

So, I can’t / won’t do a Top XX Albums of the Decade… it’s probably more “can’t” than “won’t.” There are so many great albums from the past 10 years… but, what I can do is recount the artists that have been my chief form of musical pleasure for the past 10 years.

But first…

Artist of the Decade – Special Mention

Dweezil Zappa only had a couple albums in the 2000s, but he gets a special call out for carrying on Frank Zappa‘s music since 2006. Dweezil & Co have toured for the past three and a half plus years, playing Frank’s music in a new setting each year. I hope this continues. It’s a fantastic tour, every time I’ve seen it.

~*~*~*~*~

Artists of the Decade – Honorable Mentions

Tori Amos ~ In the 1990s, she ruled. I still love what she does, and she’s very important in the foundation of my musical interests. The fact that she’s still active with albums and touring all throughout the decade gets her an honorable mention.

Her best albums of the decade…

Celldweller ~ He’s only released one regular album in the entire decade… had he done more, he’d probably make the proper 25 list. Despite the one album, he has released a mostly instrumental soundtrack, a handful of internet-only singles and Eps and a skad of remix CDs and EPs. He’s been far from lazy. I look forward to the 2nd full length Celldweller release sometime in the 2010s.

His most excellent debut and instrumental “score” release…

Iron & Wine ~ I got into Iron & Wine mid-decade, but immediately fell in love with Sam’s flourishing vocals and interesting guitar work. He has a beautiful whispy voice, a penchant for storytelling, and a great eye for videos (prior to music, he taught film down in Florida, and the videos he’s produced for his band and other bands have been fantastic).

My favorite release of his this decade…

King’s X (and related solo & side projects) ~ Between the regular band albums, all three solo members’ albums, the side projects, the live albums, and the indie demo issues – there are probably close 30 releases in the 2000s. Prolificity abounds. This is one band that keeps on ticking, and for that, I am grateful.

A few gems from this decade…

Derek Webb ~ Creative and exploratory since leaving his first band, Caedmon’s Call, Derek continues to push the boundaries of what a singer-songwriter is supposed to do. His latest, Stockholm Syndrome, is a fantastic exit from the 2000s and entrance into the 2010s. Rumor is that he’s working on one (or multiple) Caedmon’s Call-related releases with his old band, too… should be interesting.

My faves from this decade…

~*~*~*~*~

Artists of the Decade

25 ~ Ben Folds (solo)

The Five were no longer at the turn of the decade / century / millennium, which left the name sake on his own. Ben Folds was one of the first to ditch the full length and rapidly release several EPs all in one year. He saw the writing on the wall for the eventual, slow death of the CD format… and his solo albums (all in the 2000s) were generally fantastic – yeah, they are always a few tunes on each one that are doozies. He ended the decade with a cute (and enjoyable) acappella tribute album to himself from various college singing clubs. I was skeptical, but once I got it, I was very pleased with the covers.

~*~*~

24 ~ Peter Mulvey

Peter Mulvey is one of my favorite singer-songwriters around. He’s a hard worker, touring all around from Alaska, the entire U.S. (including Alaska) and Europe.  He’s put out more albums to count on two hands in the past 15 years.  He started off the decade with the stunning The Trouble with Poets and ended the decade with the fantastic Letters from a Flying Machine.  He’s a truly wonderful storyteller, and if he comes near your town… GO!

~*~*~

23 ~ Opeth

From singer-songwriter to Swedish death metal… roar!  Opeth came along with the “getting into prog band Porcupine Tree” period of the decade for me (check in later for Porcupine Tree’s position).  The string of three Opeth albums produced by PT’s Steven Wilson rank among the BEST metal out there… ranging from melodic rock to sweeping progressive movements to the in your face “cookie monster” vocals.  The first in the series, Blackwater Park, may be my favorite metal album of all-time (sorry, Dave Mustaine, you’ve been trumped).

~*~*~

22 ~ dredg

I showed up early to a Coheed & Cambria show and was blown away by the opener… once I dug into dredg’s music, I really fell in love.  They run a tight ship of well-crafted, melodic neo-progressive rock music.  Gavin’s vocals and lyrics are a major selling point, too.  Their latest album (The Pariah, The Parrot, The Delusion) is my favorite album of 2009 – hands down.

~*~*~

21 ~ Holy Fuck

Starting out as a more experimental “live electronic” noise-jazz band and evolving into a more groove-oriented electronic jam band, Holy Fuck shot up on my hot list quickly.  Their 2nd full length is superb, and their live show is not to be missed.  Raw energy, dual keyboards, groovy rhythm section, crazy film-reel instrumentation, and uncanny dance-ability.  They’ve also embraced the vinyl comeback… score!

~*~*~

The rest of the decade recap to follow in the next few days… more musical variety awaits…

My Other Favorites of 2009 Recaps:

~Dan – np: Charlie Hunter Gentlemen, I Neglected To Inform You You Will Not Be Getting Paid

Oh, and for those who say that the decade ends at the end of 2010… meh. I’m starting with 0 and ending with 9 (like a LOT of people). Rationale: the 80s, the 90s… you don’t say the 80s went from 1/1/1981 to 12/31/1990 or the 90s from 1/1/1991 to 12/31/2000.

* Favorite Instrumental Albums of 2009 *

31st Dec 09 (Thu) 10 comments

Disclaimer (with a nod to Andy Whitman of Paste): No, I haven’t heard all 8,000+albums released this year. I’ve heard about 200 of them, which makes me at least 97.5% likely to be wrong. I make no claims to objectivity. These albums are my favorites from 2009. You might think that the one you’ve heard that I haven’t heard is the best album of 2009. And you might be right. So go ahead and vent. Enjoy!

As I start this post, I will say that this is all very subjective and really put together for my own purposes. I’ll also state that, yes, some of the music below does have some vocals. For the most part, it’s sequestered to a track or two on a long CD of mostly instrumental goodness. My list, my rules, and/or my breaking of the rules. With that being said, all of the artists below tend to be in the jazz and instrumental frame of reference anyway.

Hopefully my spilling out of music that I like finds interest with someone else. But if not, thanks for stopping by… check out their webpages, SpaceBook pages, yadda yadda yadda. OK, now on to the best of what’s hit my ears this year on the mainly instrumental front…

Honorable mentions: Uri Gurvich‘s The Storyteller, John Zorn‘s Filmworks XXIII: El General, AhleuchatistasOf the Body Prone, Secret Chiefs 3‘s Le Mani Destre Recise Degli Ultimi Uomini (The Severed Right Hands of the Last Men), and Skerik & The Dead Kenny G’s Bewildered Herd.

Osso String QuartetRun Rabbit Run: A Tribute to Sufjan Stevens’ Enjoy Your Rabbit (Asthmatic Kitty) :: I feel lucky that I got to witness the world premiere of Osso playing Sufjan Stevens’ Enjoy Your Rabbit at MusicNOW Fest 2007 in Cincinnati. I think almost immediately after that show, I emailed Asthmatic Kitty to see if they were going to release audio or video of that performance. Little did I know that they’d do me one better by putting Osso into a studio to record the full length stringed tribute. Huzzah! While the novelty of the initial project has worn off for me, the musical arrangements stand firm. I really dig Osso and I’m looking forward to their further collaboration with Sufjan, My Brightest Diamond, or their own pieces.
Mike PattonCrank High Voltage Score (Lions Gate) :: Well, Mike Patton pretty much took a year off of Ipecac stuff due to Faith No More reuniting. I supposed this score satiated me, but I would have loved for Mondo Cane to make its way out the door in 2009 (as was initially promised by Patton himself). Anyway, this album has a couple of vocal tracks, but overall, it features Mike’s voicebox gymnastics and razor-edged composition schizophrenia that I’ve loved since I first got into Mr. Bungle… Fantômas… and the rest of his vast body of work…
Feldman / Caine / Cohen / BaronSecrets (Tzadik) :: This album snuck on me as I was re-listening to my 2009 CDs. It has that klezmer jazz feel as is common in the Tzadik Radical Jewish Culture series, but it also has a much more accessible feel as well. With Uri Caine’s piano in the mix, he almost adds a Vince Guaraldi aspect to the klez-jazz that permeates.
Jónsi & AlexRiceboy Sleeps (indie) :: Sigur Rós is one of my favorite groups, and a few years ago frontman Jónsi started an arty project with his partner Alex. At first it was a hand-printed notebook and a few musical things on MySpace, but it transformed into a full album as time went along. It’s much more ambient when compared to Sigur Rós – but definitely appeals to fans of Jónsi’s main band. In other news… they have a raw, vegan cookbook PDF on their website (for free)… holy cow… I’m totally gonna make some raw strawberry pie when the season comes around. That and many other recipes look flippin’ delicious… much like the music. Yeah, this is a music blog, right? Sorry for my drooling over “Icelandic rockstar” recipe books.
Wadada Leo Smith with Jack DeJohnetteAmerica (Tzadik) :: I love trumpet… I have some of Wadada’s other work, and I usually find it to be hit or miss. I wasn’t coming in with a lot of preconceptions or whetted appetite about this album, and after the first spin, I loved it. It’s fairly sparse sonically, with only Wadada on trumpet & flugelhorn and Jack on drums. The sound from his horns is so brilliant and melodic, yet searching. I hope they can get together for a 2nd duo outing sometime soon. This wins my “best surprise” award for instrumental albums in 2009.
The Fantastic Terrific MunkleMusic To Dance To (Jazz Groove Australia) :: I got into the Fantastic Terrific Munkle via band member Julian Curwin, who put out his fantastic Tango Saloon out on Ipecac a few years ago. Munkle and Tango Saloon have similar jazz meets groove meets world music meets danceable rhythms. This one was harder to get, as I had to directly order it from Australia (but at least they accept PayPal in US dollars). I wish I could find similar luck with Tango Saloon’s second album, Transylvania (still no stateside release, and the AUD to USD conversion is killin’ me these days).
900XMusic for Lubbock, 1980 (Asthmatic Kitty) :: I got this download for free from Asthmatic Kitty along with the other Library Catalog Music Series (they’re great in supplying review subjects to music bloggers), and the 900X album simply surpassed the others in the collection, if you ask me. I ended up buying it on vinyl… a great addition to the collection. I don’t know if 900x (or James McAlister dba 900x) have any future plans for further releases of this nature. I hope so.
McTuff (Skerik & Joe Doria)McTuff, Volume 1 (indie) :: Joe Doria’s tribute to Jack McDuff has turned into a great Northwest jazz quartet (and trio when Skerik isn’t available). I’m lucky to have seen them a couple times thus far. Skerik’s sax is fantastic, Doria’s hammond keeps the groove, Lewis’s drums are killer, and Coe’s guitars really know how to burn (which I didn’t really pick up on until the 2nd time seeing them live).
Roberto RodriguezThe First Basket (Tzadik) :: Roberto Rodriguez’s Cuban-meets-Judaic music have been some of my favorites out of Tzadik the last few years… this one was a bit different. It’s a score to a film (of the same name) that follows the history of Jewish basketball… its scope covers klezmer, classical, rock, dixieland, and more. Its variety is what helped this album beat out his other 2009 album from the list this year (Timba Talmud is also really good).

Medeski Martin & WoodRadiolarians II & III (Indirecto) :: Starting in 2008, MMW set out to record three albums back to back to back, heading out on a short tour before each album and going directly into the studio and then out on the road again. They swung through Eugene in late 2008 as part of the Radiolarians III Tour. By that time, only R1 had come out; so the crowd didn’t really know the material being played. They played two sets, one set of experimental meets groove and one set of the eventual R3 material. Near the end of 2009, they released the Evolutionary Boxset (all Radiolarians albums with tons of extras: vinyl/live/remixes/DVDs)… great material from a fantastic groove-oriented jazz band. I’m stoked, as they’re coming through Eugene again in Feb 2010. Yay!
Wynton MarsalisHe and She (EMI Blue Note) :: Wynton is a great trumpet player, puts on a great live show, writes and releases great music, and he’s also a jazz bigot. Sigh.
Eyal Maoz’s EdomHope and Destruction (Tzadik) :: Great Jewish instrumental rock. I dug Eyal’s first album, Edom. It appears he’s made an official band out of it… yay. I don’t have much else to add; so I’ll leave it with Tzadik’s P.R. niblit… “Hope and Destruction presents powerful Jewish rock instrumentals from a cutting edge guitarist who combines the harmonic lyricism of Bill Frisell with the angst and skronk of Marc Ribot.” Ribot and Frisell influences… me likey.
Jon Madof’s RashanimThe Gathering (Tzadik) :: Similar but a bit rockier compared to Eyal Maoz’s Edom, Jon Madof has been on my radar since his first instrumental Jewish rock album, Rashanim (which subsequently turned into the band name similar to Edom’s recent evolution). Anyway, this is Madof’s third album under this band moniker. Guitars, bass, drums… banjo… banjo bass… jaw harp… glockenspiel… melodica… tiple… chonguri… it all sounds great!! Jon also has another band called CircuitBreaker that I’m waiting on with baited breath.
Stabat AkishStabat Akish (Tzadik) :: From Toulouse, France, this is one of those rare Tzadik releases that fits into the “Composer Series” that doesn’t bore me to tears. Don’t get me wrong, there are some gems in the CS catalogue, but most of them are violin noodlers. This is more of the rock band variety of composers. It has elements of French street music (which I witnessed first hand in Toulouse, coincidentally), elements of Zorn’s schizophrenia, and elements of the ever excellent Frank Zappa… thanks to the vibraphone and bass marimba acrobatics.
ZuCarboniferous (Ipecac) :: I got this due to Mike Patton’s involvement… he actually sings on one track (and vocal instrumentation on another). Despite that Patton vocal song, this is definitely an instrumental band and a chiefly instrumental album. Zu is powerful rock from Rome, sometimes lumped in with the math rock scene, sometimes with metal. They have had their hand in the jazz scene in the past, too (their album placed in The Village Voice‘s 2004 jazz poll). This album is my only experience with them, but I hope to get into their diverse and vast back catalogue soon.
SF Jazz CollectiveLive 2009 (SF Jazz) :: SFJC 2010 will not quite be the same… they lost Dave Douglas, Joe Lovano, and Miguel Zenon – all key players in the 2007 through 2009 seasons. This 2009 season was dedicated to the music of McCoy Tyner and also features great compositions by the eight members of the band. It is truly a collective of many great musicians, not just a band fronted by a few.
Tim SparksLittle Princess: Tim Sparks plays Naftule Brandwein (Tzadik) :: A fingerstyle guitar virtuoso, I’d heard Tim on some other Tzadik releases, but I think this one is my favorite of his. This album is a trio of Tim, Cyro Baptista on percussion, and Greg Cohen on bass. I think the added players helped fill out Tim’s sound – which was awesomely virtuosic, but a touch too sparse on prior releases.
Dave DouglasA Single Sky (Greenleaf) :: This was the third of three Dave Douglas releases this year. It features three new Dave Douglas tunes and four rearranged Douglas tunes by Jim McNeely and his Frankfurt Radio Bigband. The entire album has a great big band feel, something I’m a sucker for – obviously. I love Dave Douglas’s prolific nature – 2009 was good to his fans.
John ZornAlhambra Love Songs (Tzadik) :: One of the more accessible albums in Zorn’s catalogue, this is his ode to his favorite San Francisco Bay Area artists and musicians: Vince Guaraldi, Clint Eastwood, David Lynch, Mike Patton, Harry Smith, and more. The music is played by the Rob Burger Trio (Rob + Greg Cohen & Ben Perowsky). The albums leads off with the very Guaraldian tribute to Vince himself – “Mountain View.”
Dave Douglas & Brass EcstasySpirit Moves (Greenleaf) :: Dave Douglas & Brass Ecstasy is coming to Portland / PDX Jazz Fest this coming February! I’m so stoked. This band features Dave on trumpet, Vincent Chancey (French horn), Luis Bonilla (trombone), Marcus Rojas (tuba) and Nasheet Waits (drums). The tuba really adds that bouncy backbone that I love (I’m also a fan of the rockier band Drums & Tuba). Check out DD&BE’s NPR Tiny Desk Concert (video).
Sufjan StevensThe BQE (Asthmatic Kitty) :: It is atrociously difficult to read the lettering on the front cover… maybe as easy as navigating the Brooklyn Queens Expressway in rush hour. This was Sufjan’s first foray into studio album land since the Avalanche (but that was more of a b-side collection of 2005’s Illinoise). Anyway… it’s a moving, 40 minute piece dedicated to NYC’s traffic clusterbomb. It comes with a film to accompany it, and if you get the double-gatefold vinyl, you get a spiffy comic book written by Sufjan and a fantastic full-color booklet. I like it how Sufjan “keeps it weird” when he’s “keeping it real.”
John ZornO’o (Tzadik) :: While the music is stunning, I think longtime Tzadik artwork designer Chippy deserves a ton of credit as well. This album is the band from The Dreamers: Baptista, Baron, Dunn, Ribot, Saft, and Wollesen. It carries on that world music / surf / exotica sound, but adds the element of nature: being a tribute to rare birds (the album is named after an extinct Hawaiian bird).
Tides from NebulaAura (indie from Poland) :: Tides of Nebula is powerful, evocative progressive post-rock goodness from Poland. They have links on their MySpace page on how to get their CD. It’s really, really, really, good. It combines the huge sound from post-rock giants like Explosions in the Sky or Mogwai, but adds a tight edge as well – similar to if Brit progressive rockers Porcupine Tree tweaked some Explosions or Mogwai songs. This is one of those bands and albums that I had no idea about even this summer, and then out of nowhere – BAM! Way up to the top of the pile. I’m looking forward to more from this great group.
Masada Quintet & Joe Lovano play Masada Book Two: Book of Angels, Vol. 12: Stolas (Tzadik) :: The original Masada quartet’s last studio album was in 1999. They continued as a quartet (John Zorn / Dave Douglas / Joey Baron / Greg Cohen) throughout most of the 2000s (I got to see one of their last shows in March 2007). Zorn moved on in the 2000s with writing a 2nd book of Masada tunes, not to be played by Masada, but rather interpreted by other bands. The past 11 albums in this series have been fantastic (Secret Chiefs 3, Medeski Martin & Wood, and the Bar Kokhba Sextet (related-to-but-not-Masada) albums have been my faves). I would never have imagined that Zorn would “allow” Masada to record an album for this Masada Book Two series. Well, he didn’t (sort of). He added pianist Uri Caine and tenor saxophonist Joe Lovano to the mix. A great “supergroup” album!!

Where do I get most of these jazz and other instrumental releases? My #1 favorite source for jazz is Downtown Music Gallery in New York. Manny and Bruce and their great staff are superb… and being the official distributor for John Zorn’s Tzadik doesn’t hurt my affection for them. I usually do a monthly Tzadik order (if the releases strike my fancy), and they have a ton of other non-Tzadik jazz and avant-garde releases as well.

And, no, I’m not affiliated, I don’t get a commission, and beyond my initial “big tax refund / gotta get caught up on Zorn order of 2005,” I haven’t gotten a discount with DMG. I just love and support what they do.

My Other Favorites of 2009 Recaps:

~Dan – np: Brian BorcherdtTorches

* Favorite Vocal Albums of 2009 *

29th Dec 09 (Tue) 20 comments

Disclaimer (with a nod to Andy Whitman of Paste): No, I haven’t heard all 8,000+albums released this year. I’ve heard about 200 of them, which makes me at least 97.5% likely to be wrong. I make no claims to objectivity. These albums are my favorites from 2009. You might think that the one you’ve heard that I haven’t heard is the best album of 2009. And you might be right. So go ahead and vent. Enjoy!

As I start this post, I will say that this is the second year now that I bought more instrumental CDs than vocal CDs. I think as I get older, I am drawn more towards jazz and other instrumental forms of expression. For that reason, the favorite vocal albums list goes first this go ’round. Hopefully my spilling out of music that I like finds interest with someone else. But if not, thanks for stopping by… check out the artists’ webpages, SpaceBook pages, yadda yadda yadda. OK, now on to the best of what’s hit my ears this year…

Honorable Mentions: Jars of Clay‘s The Long Fall Back to Earth, U2‘s No Line on the Horizon, Madeleine Peyroux‘s Bare Bones, Piano Magic‘s Ovations, and Ember Swift‘s Lentic :: 子玉.

ChevelleSci-Fi Crimes (Epic) :: I don’t find Chevelle to be all that original. I mean, I found them early on (the Squint days) and I liked them due to their sound similar to Tool. I don’t know… I continue to like what Chevelle puts out, regardless of its similarities to other bands. They have good hooks, vocals, and melodies. I’ve yet to see them live… they tend to always show up where I’m not. Maybe I’ll get lucky on their next batch of tour dates.
Kim TaylorLittle Miracle (indie) :: Kim is a Cincinnati favorite of mine. She tours a lot with another Cincinnati band, Over the Rhine – which is how I first heard of her (so many years ago). Anyway, if you’re in Cincinnati, swing by her coffee shop – Pleasant Perk (and buy a CD along with the Mocha you’re craving). This record came out only about a week ago. It still needs to sink in, but it’s got that Kim Taylor vibe – sultry/smoky vocals with heartfelt lyrics. This album is more stripped down than her prior releases, full of warmth.
Tori AmosAbnormally Attracted to Sin (Universal) :: Tori’s heyday for me was the 1990s. Sin hearkens back to those days, but still remains in this weird phase of “I don’t know if I like, but I do kinda like it” for me. It’s not classic Tori, but it is a good record. Her live show this year in Portland helped me get into this album a bit more. After 20 or so years of touring, she still delivers the goods consistently.
Chali 2NaFish Outta Water (Decon) :: Chali 2Na was always my favorite rapper in Jurassic 5. I dig all of those gents, but Chali has that powerful booming baritone with quick delivery. His first official solo album [he had a mixtape type thing a few years back], this one doesn’t disappoint the J5 fan in me.
Alice in ChainsBlack Gives Way to Blue (EMI Virgin) :: New singer, same great grunge sound. Jerry Cantrell and Company are back with a great new hard rocking record. While Layne can’t be replaced, the band goes on and it doesn’t disappoint. Their live show this year was excellent as well.
IsisWavering Radiant (Ipecac) :: Post-rock, post-metal, ambient metal… I don’t know what you want to call it. I first saw these guys open up for Tool a few years back, and I subsequently quit putting off getting their music. They’re on Mike Patton’s Ipecac label (so I had heard of them prior to the Tool gig), and they are both meandering and powerful. This is not a metal band full of riffs… they would fit more in the camp with post-rockers Explosions in the Sky and Godspeed! You Black Emperor than with Metallica and Megadeth.
Talking Snakes (Gary Lenaire)Nonogram Zen (indie) :: Former guitarist/vocalist for metal band Tourniquet, Gary Lenaire, released his book An Infidel Manifesto a few years back. This album is his first solo album as being an out atheist. I love the music and lyrics in Nonogram Zen. I think this album stacks up to anything he did in Tourniquet (OK, Pathogenic Ocular Dissonance still “owns” Gary’s catalogue, in my opinion). Musically, Nonogram Zen ranges from really heavy, to electronic-tinged, to more melodic pop songs (with auto-tune… *shudder*) – but all in all, I’d consider it to be a metal/hard rock album. It’s only currently available as a digital release, but perhaps it will see a physical form in the near future.
Dream TheaterBlack Clouds and Silver Linings (Roadrunner) :: I bought the special edition of this record, mainly for the CD of completely instrumental versions of Black Clouds songs. While I love the instrumental versions better, the entire album is really well crafted. As much as I think James LaBrie’s vocals and Mike Portnoy’s oft-clunky rhyme-writing get in the way, I think this album holds up in their ever-expanding catalogue.
Bad VeinsBad Veins (Dangerbird) :: Three years in existence and the band finally gets their debut album out the door. While I think it’s a solid album, and I think the song-writing is superb, I think my fondness of their early live shows and acoustic / in-studio sets have more musical magic to me. I did get a chance to see Bad Veins twice this year, which was quite the coup – as they live 2,300+ miles from me. I’m glad that this album finally made its way out and I hope there’s another one to follow in less than three years time.
dUg Pinnick (of King’s X) & RAZR 13RAZR 13 (RockArmy) :: Doug Pinnick (aka dUg) has an amazing voice; so when he starts lending his voice out to other bands, well, I am not complaining. This collaboration finds dUg rockin’ out with Austin metal band RAZR 13. It is more like his prior metal collaborations with The Mob and 24-7 Spyz than the more straight-ahead Supershine or Pearl Jam’s Jeff Ament collaborations. 2010 promises another dUg Pinnick collaboration in the new group with 24-7’s Jimi Hazel called A.N.M. Yay, more metal Pinnick!!
Regina SpektorFar (Sire Warner) :: Regina’s latest album grew on me slowly. By the time I saw her in Portland (in early November), I was digging this latest album the best out of her material thus far. It is quirky, poppy, and makes you think (especially on “Laughing With”). Her live show is energetic and quite a full night of music.
Extra GoldenThank You Very Quickly Vol. 3 (Thrill Jockey) :: I didn’t know about Extra Golden until about 3 or 4 months ago, when my friend Aaron told me about their set at Eugene Celebration. I went to that show and was a fan. They are a half American, half Kenyan group… and they play sort of jammy, sort of African songs. It’s a great melting pot of sound. Their record and live show are highly recommended!
Various Artists (produced by Ric Hordinski) – Notes From the Monastery (indie) :: Rarely do I buy a “various artists” album… in the age of iTunes, it’s easier (and usually beneficial) to just buy the few tracks from artists that I know. Well, this compilation is all music produced by a person who I enjoy and respect… Mr. Ric Hordinski. He was a founding member of Cincinnati band Over the Rhine, the creative force behind the more meandering band MONK, and the knob-noodler for his Monastery Studios. This album features all new, previously unreleased songs by Ellery, Over the Rhine, Sarah Masen, Ric Hordinski, Phil Keaggy, David Wilcox, and more. There is not a bad song on the whole disc. Kudos, Ric!
Works Progress Administration (featuring Glen Phillips)WPA (Elite Artist Services) :: While I often lump this in the “Glen Phillips side project” category, it that doesn’t really do it justice. My favorite songs are the Glen ones, but Luke Bulla and Sean & Sara Watkins (of Nickel Creek) round this album out into an important Americana album in 2009. Let’s just say, I came to find WPA due to Glen, but I stuck around due to it being a great band with a great new record.
FanfarloReservoir (indie) :: The best way to build a fanbase overnight… have a moderately successful internationally touring artist pimp your music directly via their website and offer your album for a $1 download months before it’s available in shops. Sigur Rós’s web viewers and mailing list got a first taste and nudge to check out Fanfarlo, and that’s all it took – a gentle nudge. While Fanfarlo isn’t really all too much like Sigur Rós, I can see why their fans intersect… gentle songs with complex and often unusual instrumentation. I missed Fanfarlo as they swung through the Pacific Northwest, as I was on vacation, but I hope they come through again soon.
Tegan and SaraSainthood (Sire Vapor) :: This T&S album is rockier than their last few albums, but after the second listen, I think I like it more than both The Con and So Jealous (and, yeah, their pre-Jealous ones, too). I think with The Con, they had started to really figure out to write really hooky yet still mature songs. While Sainthood heats it up on the rockier edge, I think the songs are better overall. This was their first album where they wrote a large chunk of the songs together in the same room – maybe that was their secret formula. I’m looking forward to their upcoming tour… April 2010 in Portland!
The Swell SeasonStrict Joy (Anti-) :: The ONCE soundtrack sunk in immediately after I heard it. While Strict Joy took a while to sink in, I think it’s a more solid record than Once. While this album represents their personal “break up,” I hope they keep working together as a band. I’ve heard some of Glen’s work with The Frames, and it’s good – but Marketa and Glen together really seems magical.
David BazanCurse Your Branches (Barsuk) :: The oft-used tagline for this record is “David’s break-up album with God.” Sure, OK. I never really thought his prior albums were all that ostentatiously “God-y” anyway. I admired David’s doubting and questioning in his prior Pedro the Lion music. His move to a more agnostic / atheistic-leaning artistic expression is a-OK with me. I realize that it’s a personal journey, and as long as he keeps putting out challenging and witty lyrical numbers, and he keeps touring & bringing some fun Q&A time to stages near me – I’m fine with whatever his philosophy moves towards.
O.S.I.Blood (Inside Out) :: What, a Kevin Moore album at #7 in its release year? I know, I know… Chroma Key and the first two O.S.I. albums were at least Top 3 spots in their respective years. While I have been moving towards a lot more instrumental music, this year’s vocal albums that I did get had some great music… the Top 10 vocal albums for me this year are especially strong albums, regardless of my bent towards the sans vocal route. Anyway, I really dig this new O.S.I. record. I wish more news and touring from Kevin Moore would leak out… I mean, news bites are few and far between. It gets a bit frustrating in this era of readily available information. Chroma Key or O.S.I. album #4… I hope not too far out there.
Nellie McKayNormal As Blueberry Pie: A Tribute to Doris Day (Verve) :: While I dig Nellie’s own music better than this batch of mostly Doris Day cover songs (there is one Nellie original), this may be the most perfect tribute album. From the cover art, to the campy photos inside, to the delivery that truly honors Doris Day, to Nellie’s excellent jaunt with The Aristocrats – this album I think is more than the sum of its parts. Back on a major label (this time Verve instead of Sony), I hope they give Nellie some creative control to go back in the studio to make her next originals album.
Porcupine TreeThe Incident (Roadrunner) :: I think I like the non-concept songs on disc 2 more than the individual parts in The Incident concept disc. Regardless, I think Steven Wilson has turned the corner away from Fear of a Blank Planet, and maybe he’s heading back into a more interesting progressive arena. The tour was also great this year, but maybe they play their instruments too perfectly. I almost felt as if I could have gotten as much out of the DVD of the show as the actual show (hey, my only negative about this latest effort is that they play “too perfectly”). Go figure!
Peter MulveyLetters From a Flying Machine (Signature Sounds) :: Half spoken word, half poppy singer-songwriter tunes… that doesn’t scream “Top 5” album release. But it is. I think this is Peter’s most solid piece of work in a while, and it ranks amongst The Trouble with Poets and Kitchen Radio for me. Peter is still fairly unknown… but he is quite prolific (12+ full lengths in 17+ years), hard-working (constantly touring all places from Alaska to Ireland), quite witty (he could be a comedian if the whole music thing doesn’t work out), and energetic (he did a 1,100 bicycle tour this year – playing gigs from Michigan to Massachusetts). He plans to do a bicycle tour from Wisconsin to the West Coast in 2010… yay!
Derek WebbStockholm Syndrome (INO) :: I grew up with Derek Webb as he made his musical start in the contemporary christian music scene – with Caedmon’s Call. I always loved his songs and vocals the best; so when he left the band, I followed. His latest album gets it right in both music and lyrics… calling out those who hate others due to their sexuality (the “controversial” What Matters More) and calling out hate in the name of God (“Freddie, Please” dedicated to Westboro Baptist’s jackass preacher). I feel that even though I have differing (non-)religious beliefs, I still can call Derek Webb a compatriot. The more electronic-tinged music is also welcome from his more “guy & a guitar” days (though, he carried that sound well, too). I look forward to his upcoming subscriber series in 2010 – Democracy, Volume 1.
WussyWussy (Shake It) :: Wussy just keeps getting better. Lisa and Chuck & Company have really stepped it up on their third full-length. I wish I still lived in Cincinnati sometimes after seeing their “hey, we’re playing at Northside Tavern” posts on SpaceBook and MyFace. Anyway, I’m utterly delighted with this record, and they’ve unofficially promised to hit the West Coast in Spring 2010. Fingers crossed…
dredgThe Pariah, The Parrot, The Delusion (Ohlone) :: dredg has evolved from “good opener” the first time I saw them to “really good rock band” after I delved into Catch Without Arms (specifically “Ode to the Sun” and the b-side “Stone By Stone”) to one of my favorite bands with this new release. Quite honestly, from the first full listen back in June, I knew this would be my #1 album for 2009. It’s a concept album based loosely on Salmon Rushdie’s “Letter to the Six Billionth Citizen,” and, well, it shows off dredg’s great vocals, subtle progressive guitars, and unique and inspiring drumming. I hope album #5 is not another 4 years away… or, if it is, I hope they keep touring. I got to see them twice this year – both fantastic shows.

Top 25 instrumental albums coming up later this week… still making my way through them at this point… oy…

My Other Favorites of 2009 Recaps:

  • Fave Concerts of ‘09 are recapped *HERE*
  • Fave EPs/Vinyl/Live/more of ‘09 are recapped *HERE*
  • Fave Instrumental Albums ‘09 are coming soon
  • Fave Artists of the Decade are coming soon
  • Old Years: 2008I, 2008V, 2008ep, 2008C, 2007V, 2007I, 2007C, 2006, 2005

~Dan – np: Roberto RodriguezThe First Basket

* Favorite EPs / Vinyl / Live Albums & more of 2009 *

28th Dec 09 (Mon) 6 comments

This is sort of a precursor to my “official” Favorites of 2009 blogs.  Up later this week, I’ll post my favorite vocal and favorite instrumental albums of 2009, as well as my favorite artists of the decadeAnyway, on with the music pimping

Favorite EPs of 2009

  1. CelldwellerWish Upon a Blackstar Chapters 1 & 2
  2. Emily WellsDirty
  3. PusciferC is For…
  4. Anakronic Electro-OrkestraThe Yiddish Part
  5. EisleyFire Kite
    hm: ElleryDown, Down, Down
    hm: One EskimoTour EP

Favorite Vinyl of 2009

  1. Symphony of Science featuring Carl SaganA Glorious Dawn 7″
    (best song of the year, too)
  2. Holy Fuck & Off the International RadarHot Lips 12″
    (playable at 33 & 45)
  3. ReptetAgendacide 7″
    (great jazz from Seattle)
  4. Sufjan StevensThe BQE special edition
    (luscious packaging)
  5. Melt Bananainitial t. 5″

Favorite DVDs of 2009 (I didn’t really get many)

  • Michel GondryVideos 2
  • Dollhouse: Season One
  • Bill Maher’s Religulous
  • Criss Angel Mindfreak: Collector’s Edition
  • Secret Chiefs 3 Live at the Great American Music Hall 2007

Favorite Internet Only Releases of 2009

  • Jenny Owen Youngs “Hot in Herre”
  • Anakronic Electro-OrkestraThe Yiddish Part
  • My Brightest Diamond Shark Remixes
  • Celldweller Wish Upon a Blackstar Ch’s 1 & 2
  • Eisley Fire Kite EP
  • Glen Phillips “Little Bunny Foo Foo”
  • Talking SnakesNonogram Zen
  • Puscifer C is For…
  • Ellery Down, Down, Down
  • Kim Taylor Little Miracle

Favorite Live Albums of 2009

  • Over the Rhine Live from Nowhere, Volume 4 (’08 Reunion Taft show)
  • Noctaluca Unplugged
  • Ani DiFranco – the Saratoga and Chicago shows

Favorite Audiobooks of 2009

  • David Cross I Drink for a Reason
  • Richard Dawkins The Greatest Show on Earth
  • Ricky Gervais, Steve Merchant, and Karl Pilkington The Guide to… (series)

Favorite Podcasts in 2009 (they’re free, yo!  Search for them on iTunes)

  • George Hrab Geologic Podcast
  • Keith Olbermann’s Countdown on MSNBC
  • The Rachel Maddow Show on MSNBC
  • Bill Maher‘s New Rules
  • Kevin Smith & Scott MosierSModcast
  • The Adam Carolla Podcast
  • The Skeptics Guide to the Universe

Best Cover Art in 2009

  • Celldweller Wish Upon a Blackstar Chapter 1
  • Nellie McKayNormal As Blueberry Pie
  • John ZornO’o (designed by Chippy)

Worst Cover Art: Tori AmosMidwinter Graces

Best Packaging in 2009 (de-lux!)

  • Sufjan StevensThe BQE (gorgeous double-gatefold layout, super hero comic book, fun stuff)
  • Porcupine TreeThe Incident (deluxe edition: sturdy hardback book with arty photos)
  • Steven WilsonInsurgentes (deluxe edition: sturdy hardback book with arty photos)
  • FanfarloReservoir (deluxe edition: complete with a small board game)
  • John ZornFemina (standard size, but nice clear slipcase and 52 page booklet.  Tzadik has been kicking it up a notch!)

Favorite Local Releases in 2009 (PacNW represent)

  • Douglas DetrickThe Turning Point (Eugene jazz)
  • Hashem AssadullahiThe Strange Neighbor (Eugene jazz)
  • I didn’t get jazz trio from Portland Trio Subtonic‘s CD yet… but soon…

Best Greatest Hits Releases of 2009

  • Iron & WineAround the Well (tons of b-sides and new songs)
  • IncubusMonuments and Melodies (ditto)

Best Re-issues in 2009

  • Radiohead – vinyl re-issues (I got the Drill EP on vinyl)
  • Radiohead – Capital Special Collector’s Editions (2 CD + 1 DVD for their first 6 albums)

Best Surprise / Adaptation in 2009

  • Despite the horrible cover art, Tori Amos‘ holiday album Midwinter Graces was quite delightful

Best Late-Getter in 2009 (something that came out before 2009)

  • RoninHolon (from 2008)

Favorite iTunes iPhone Apps

  • Facebook
  • Lose It
  • BeatMaker
  • I Am T-Pain
  • Veg Out (Around Me for Vegetarians)
  • Veggie Passport (international translator specific to vegetarian concerns)
  • Vegan Yum Yum (like Epicurious for veg only)
  • Vegan Xpress (find veg items on national chains menus)
  • Shop Saavy (bar-code scan and price shop)
  • Dragon Dictation (speak an email or text message)

So, yeah, this was the catch-all post… check back tomorrow for the more traditional year end wrap-up festivities…

My Other Favorites of 2009 Recaps:

  • Fave Concerts of ‘09 are recapped *HERE*
  • Fave Vocal Albums ‘09 are coming soon
  • Fave Instrumental of ‘09 are coming soon
  • Fave Artists of the Decade are coming soon
  • Old Years: 2008I, 2008V, 2008ep, 2008C, 2007V, 2007I, 2007C, 2006, 2005

~Dan – np: Mike PattonCrank High Volume Soundtrack

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