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ha’fway 2011
Happy belated 235th birthday, United States!
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So, here are my faves of the first half of 2011… it’s all bound to switch around by year’s end (click album art for sound samples):
Artist – Album (style)
- Murat Eyuboglu & My Brightest Diamond – Letters to Distant Cities EP featuring the words of Mustafa Ziyalan (spoken word/indie rock)
- Over the Rhine – The Long Surrender (folk-americana)
- Radiohead – The King of Limbs (anti-radio rock)
- David Bazan (of Pedro the Lion) – Strange Negotiations (indie rock)
- dredg – Chuckles and Mr Squeezy (modern progressive)
- Earth – Angels of Darkness, Demons of Light 1 (drone metal)
- Tides from Nebula – Earthshine (postrock)
- Garage A Trois (Skerik & Co) – Always Be Happy, But Stay Evil (groove jazz)
- Kevin Moore – Shine (Küçük Kıyamet Soundtrack) (movie score)
- Explosions in the Sky – Take Care, Take Care, Take Care (postrock)
- Reptet – At the Cabin (horny jazz)
- Goddamn Electric Bill – Jazz (organic electronic)
- Mogwai – Hardcore Will Never Die, But You Will (postrock)
- Yoshie Fruchter’s Pitom – Blasphemy and Other Serious Crimes (instrumental klez-rock)
- Tres Mts (Jeff Ament of Pearl Jam & dUg Pinnick of King’s X) – Three Mountains (rock supergroup)
- Eisley – The Valley (modern rock)
- Michael Kelsey – Submerged (Midwest guitar virtuoso)
- Trey Parker & Matt Stone / Original Cast Recording – The Book of Mormon (sacrilegious broadway)
- Elysian Fields – Last Night on Earth (lusty indie-pop)
- Iron & Wine – Kiss Each Other Clean (whispy indie rock)
I didn’t get a few that already came out this year (yet)… the new Hiromi, Gangpol & Mit, and whatever “et cetera” that the cool kids are listening to these days; but they may make it to the list at the end of the year.
The 2nd half of 2011 promises to bring some potential great ones, too… a few more from John Zorn, (including The Dreamers Xmas CD & the Rovo Sax Quartet collaboration), Secret Chiefs 3 Book of Souls (maybe), Maynard James Keenan’s Puscifer (2nd album), some digital releases from A Perfect Circle, the doomy Bohren & Der Club of Gore, Opeth‘s 70s throwback album, Porcupine Tree frontman Steven Wilson‘s 2nd solo album, My Brightest Diamond is wrapping up one in the studio (will it be out in 2011?), Ani DiFranco always has something coming out (it’s been a while though), probably something from one of Mike Patton‘s other bands (Fantômas live DVD, Tomahawk’s 4th album, more?), and I’m sure another dozen or more that I’ll dig from Tzadik.
Favorite concerts of 2011 (so far):
- Erik Friedlander plays John Zorn’s Masada Book Two – The Shedd, Eugene, Jan 8th
- Reptet – Luckey’s, Eugene, Jan 14th
- The Ghost of a Saber Tooth Tiger (Sean Lennon & Charlotte Kemp Muhl) – The Woods, Portland, Jan 28th
- Nels Cline Singers – Doug Fir Lounge, Portland, Jan 30th
- Godspeed You! Black Emperor – Crystal Ballroom, Portland, Feb 18th
- U2 – Qwest Field, Seattle, Jun 4th
- A Perfect Circle – The Schnitzer, Portland, Jun 29th
(click pictures below for review links)
~Dan – np: Secret Chiefs 3 – Book M
dredg “Upon Returning” video
The official video for “Upon Returning” from dredg:
Directed & edited by merkley???
Produced by merkley??? & Tyler Gourley
Water FX: James Dirschberger & Ken Fisk
End FX: merkley???
Elder Derelict: Ron Turner
Teen Derelict: Lars Gourley
Younger Derelict: Liam Bridges
Youngest Derelict: Jett Bridges
Life Guard: Dexter Simmons
Koolaid Fairy: Athena Rose Djurkovic
Koolaid Fairy Assistant: Mila Lilith Djurkovic
Cute, colorful and clever – nice work from merkley???. They had me until… the second part of the “watersports.” The watersports set aside, the video and album are both quite great. It’s still building on me, but I dig it. Chuckles and Mr Squeezy, silly name, solid tunes. My favorite track is probably “The Tent,” highlighted in this trailer by Jorge Feres…
~Dan – np: Les Rhinocéros – Les Rhinocéros 
dredg – Chuckles and Mr. Squeezy
Coming off the amazing The Pariah, The Parrot, The Delusion album in 2009, a few weeks from now dredg will put out their follow-up entitled Chuckles and Mr. Squeezy:
| 1. | Another Tribe |
| 2. | Upon Returning |
| 3. | The Tent |
| 4. | Somebody is Laughing |
| 5. | Down Without A Fight |
| 6. | The Ornament |
| 7. | The Thought Of Losing You |
| 8. | Kalathat |
| 9. | Sun Goes Down |
| 10. | Where I’ll End Up |
| 11. | Before It Began |
Here’s an mp3 from the album, courtesy of Alternative Press magazine:
More news on pre-ordering the album (digital/CD/LP) will be posted once it’s out there…
~Dan – np: dredg – Chuckles and Mr. Squeezy
2011 anticipated albums
So, the year end recaps are in process (instrumental list maybe later today or Friday) … I needed something to fill the gap… here are some artists who are expecting to release new material in 2011 (some are carryovers from 2010’s anticipation), all of which I’m looking forward to…
Kevin Moore‘s Shine (digital out now, CDs en route), dredg has one due at the end of March, Over the Rhine‘s The Long Surrender, Earth‘s Angels of Darkness, Demons of Light 1 (in February), Iron & Wine‘s Kiss Each Other Clean, Mogwai‘s Hardcore Will Never Die But You Will, Reptet‘s At the Cabin, My Brightest Diamond‘s as of yet untitled (she’s in the studio), a bunch of new stuff from John Zorn, Derek Webb‘s Democracy Vol 2 (10 cover songs for 2011), maybe the Secret Chiefs 3 will finally release Book of Souls (it’s their “Chinese Democracy”), Eisley‘s The Valley, Jelly Jam with Ty Tabor of King’s X/John Myung of Dream Theater/Rod Morgenstein of Dixie Dregs, Goddamn Electric Bill‘s Jazz, A.N.M. featuring Doug Pinnick of King’s X and Jimi Hazel of 24-7 Spyz, Ken Andrew and Co’s Digital Noise Academy (maybe), Silverchair are working on one (didn’t hit in 2010), Radiohead have put in studio time in 2010 (maybe something out by year’s end), Glen Phillips likely has a few in the hopper (RemoteTreeChildren #2? new Toad? new WPA? new solo?), Opeth is in the studio, Steven Wilson with Mike Portnoy & Mikael Akerfeldt (of Opeth) too, Sufjan Stevens tribute album (due out in March), more chapters from Celldweller‘s Wish Upon a Blackstar, new tracks from Billy & Maynard’s A Perfect Circle, Mike Patton‘s electronic Fantômas or Peeping Tom #2, and… Ani DiFranco – I mean, it’s inevitable… right? Well, not always, she totally missed 2010 (as of now, no studio albums out in 821 days / 257 since a live EP on Record Store Day 2010).
Plus many more great albums due out in 2011, I’m sure.
~Dan – np: Kevin Smith – Red State of the Union (podcast)
REVIEW: dredg @ Wonder Ballroom (Portland, OR – 11/9/10)
FYI… PHOTOS of the SHOW at the BOTTOM
Call me a focused, but I showed up shortly before dredg‘s 8:35pm start time and left immediately after*. Frontman Gavin Hayes came on and said something along the lines of “we’re hypocrites,” and they kicked into their first song “Ode to the Sun” – a bombastic lead off from Catch Without Arms. I’m not sure what he was referring to regarding the “hypocrites” comment, maybe it was just the mood he was in…
As one of the several openers, they only got an opener-sized slot, but they made the most of it…
Setlist: about 45 mins
- Ode To The Sun
- Same Ol’ Road
- Pariah
- Jamais Vu
- Upon Returning [new song]
- Bug Eyes
- Saviour
- Lightswitch
- Down to the Cellar
Their new album, as of yet untitled, comes out March 29, 2011. If it’s anything like The Pariah, The Parrot, The Delusion – it’ll be awesome. Great melodic prog-ish rock. Gavin tweeted on Nov 5th that the album was done (with compelling photographic proof):
a few more photos below
The Appropriate Linkage:
- dredg’s Site
- dredg’s Social Media Links (see below)
- My Other Related Reviews~
- Hawthorne Theater (Portland – Apr 2009)
- Wonder Ballroom (Portland – Aug 2009)
- Wonder Ballroom’s Site / Facebook
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*– or perhaps call me dickish… I love music, but I don’t generally enjoy the 4 or 5 band “rock tours” – especially when 3-4 of the bands are underwhelming and the crowd is annoying (see POV video below). I will apologize, as I didn’t give Circa Survive a fair shake (or a shake at all). I’m sure they’re great. Sorry, after a 4 hour round-trip drive, a couple sour beers at Cascade Brewing and dredg was what I cared about. And I’m getting old (rock bands! get off my lawn!). Sorry. It is what it is. If the Circa Survive kids troll my comment section… well, it’s understood.
“POV Rock Concert“
~Dan – np: A Perfect Circle – The Thirteenth Step
dredg PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
dredg review soon…
dredg was excellent last night in Portland…
Setlist: about 45 mins
- Ode To The Sun
- Same Ol’ Road
- Pariah
- Jamais Vu
- Upon Returning [new song]
- Bug Eyes
- Saviour
- Lightswitch
- Down to the Cellar
Review & more photos by Thursday…
~Dan – np: Eisley – Combinations
dredg fall tour
Modern progressive rock group dredg is hitting the road again. Not much news other than that, but if you forgot, they put out the fantastic The Pariah, The Parrot, The Delusion – aka my favorite record last year. I saw them twice last year, and both shows were amazing. Check them out if they’re coming near your town:
| 10/15/10 | Hartford, CT | Webster Theater | |||
| 10/16/10 | Asbury Park, NJ | Stone Pony | |||
| 10/17/10 | Towson, MD | Recher Theatre | |||
| 10/19/10 | Carrboro, NC | Cat’s Cradle | |||
| 10/20/10 | Charleston, SC | Music Farm | |||
| 10/21/10 | Atlanta, GA | The Masquerade | |||
| 10/22/10 | Lake Buena Vista, FL | House Of Blues | |||
| 10/23/10 | Fort Lauderdale, FL | Revolution | |||
| 10/26/10 | New Orleans, LA | House Of Blues | |||
| 10/27/10 | Houston, TX | House Of Blues | |||
| 10/29/10 | San Antonio, TX | White Rabbit | |||
| 10/30/10 | San Antonio, TX | White Rabbit | |||
| 10/31/10 | Dallas, TX | House Of Blues | |||
| 11/04/10 | Anaheim, CA | House Of Blues | |||
| 11/05/10 | San Diego, CA | House Of Blues | |||
| 11/06/10 | Los Angeles, CA | The Avalon / Bardot Hollywood | |||
| 11/07/10 | San Francisco, CA | The Regency Ballroom | |||
| 11/09/10 | Portland, OR | Wonder Ballroom | |||
| 11/10/10 | Seattle, WA | El Corazon | |||
| 11/12/10 | Salt Lake City, UT | The Complex | |||
| 11/13/10 | Denver, CO | Summit Music Hall | |||
| 11/14/10 | Kansas City, MO | Beaumont Club | |||
| 11/17/10 | Minneapolis, MN | The Cabooze | |||
| 11/18/10 | Milwaukee, WI | The Rave Eagles Club | |||
| 11/19/10 | Chicago, IL | House Of Blues | |||
| 11/20/10 | Detroit, MI | St. Andrews Hall | |||
| 11/21/10 | Cleveland, OH | House Of Blues | |||
| 11/23/10 | Poughkeepsie, NY | Chance Entertainment Complex | |||
| 11/24/10 | Boston, MA | House Of Blues Boston – Foxwoods | |||
| 11/26/10 | Philadelphia, PA | Theatre Of The Living Arts | |||
| 11/27/10 | New York, NY | Irving Plaza | |||
| 11/28/10 | New York, NY | Irving Plaza |
~Dan – np: Masada String Trio plays Masada Book Two, Vol 16: Haborym
Artists of the Decade – 2000s (#21 to 25)
So, I can’t / won’t do a Top XX Albums of the Decade… it’s probably more “can’t” than “won’t.” There are so many great albums from the past 10 years… but, what I can do is recount the artists that have been my chief form of musical pleasure for the past 10 years.
But first…
Artist of the Decade – Special Mention
Dweezil Zappa only had a couple albums in the 2000s, but he gets a special call out for carrying on Frank Zappa‘s music since 2006. Dweezil & Co have toured for the past three and a half plus years, playing Frank’s music in a new setting each year. I hope this continues. It’s a fantastic tour, every time I’ve seen it.
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Artists of the Decade – Honorable Mentions
Tori Amos ~ In the 1990s, she ruled. I still love what she does, and she’s very important in the foundation of my musical interests. The fact that she’s still active with albums and touring all throughout the decade gets her an honorable mention.
Her best albums of the decade…
Celldweller ~ He’s only released one regular album in the entire decade… had he done more, he’d probably make the proper 25 list. Despite the one album, he has released a mostly instrumental soundtrack, a handful of internet-only singles and Eps and a skad of remix CDs and EPs. He’s been far from lazy. I look forward to the 2nd full length Celldweller release sometime in the 2010s.
His most excellent debut and instrumental “score” release…
Iron & Wine ~ I got into Iron & Wine mid-decade, but immediately fell in love with Sam’s flourishing vocals and interesting guitar work. He has a beautiful whispy voice, a penchant for storytelling, and a great eye for videos (prior to music, he taught film down in Florida, and the videos he’s produced for his band and other bands have been fantastic).
My favorite release of his this decade…
King’s X (and related solo & side projects) ~ Between the regular band albums, all three solo members’ albums, the side projects, the live albums, and the indie demo issues – there are probably close 30 releases in the 2000s. Prolificity abounds. This is one band that keeps on ticking, and for that, I am grateful.
A few gems from this decade…
Derek Webb ~ Creative and exploratory since leaving his first band, Caedmon’s Call, Derek continues to push the boundaries of what a singer-songwriter is supposed to do. His latest, Stockholm Syndrome, is a fantastic exit from the 2000s and entrance into the 2010s. Rumor is that he’s working on one (or multiple) Caedmon’s Call-related releases with his old band, too… should be interesting.
My faves from this decade…
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Artists of the Decade
25 ~ Ben Folds (solo)
The Five were no longer at the turn of the decade / century / millennium, which left the name sake on his own. Ben Folds was one of the first to ditch the full length and rapidly release several EPs all in one year. He saw the writing on the wall for the eventual, slow death of the CD format… and his solo albums (all in the 2000s) were generally fantastic – yeah, they are always a few tunes on each one that are doozies. He ended the decade with a cute (and enjoyable) acappella tribute album to himself from various college singing clubs. I was skeptical, but once I got it, I was very pleased with the covers.
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24 ~ Peter Mulvey
Peter Mulvey is one of my favorite singer-songwriters around. He’s a hard worker, touring all around from Alaska, the entire U.S. (including Alaska) and Europe. He’s put out more albums to count on two hands in the past 15 years. He started off the decade with the stunning The Trouble with Poets and ended the decade with the fantastic Letters from a Flying Machine. He’s a truly wonderful storyteller, and if he comes near your town… GO!
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23 ~ Opeth
From singer-songwriter to Swedish death metal… roar! Opeth came along with the “getting into prog band Porcupine Tree” period of the decade for me (check in later for Porcupine Tree’s position). The string of three Opeth albums produced by PT’s Steven Wilson rank among the BEST metal out there… ranging from melodic rock to sweeping progressive movements to the in your face “cookie monster” vocals. The first in the series, Blackwater Park, may be my favorite metal album of all-time (sorry, Dave Mustaine, you’ve been trumped).
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22 ~ dredg
I showed up early to a Coheed & Cambria show and was blown away by the opener… once I dug into dredg’s music, I really fell in love. They run a tight ship of well-crafted, melodic neo-progressive rock music. Gavin’s vocals and lyrics are a major selling point, too. Their latest album (The Pariah, The Parrot, The Delusion) is my favorite album of 2009 – hands down.
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21 ~ Holy Fuck
Starting out as a more experimental “live electronic” noise-jazz band and evolving into a more groove-oriented electronic jam band, Holy Fuck shot up on my hot list quickly. Their 2nd full length is superb, and their live show is not to be missed. Raw energy, dual keyboards, groovy rhythm section, crazy film-reel instrumentation, and uncanny dance-ability. They’ve also embraced the vinyl comeback… score!
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The rest of the decade recap to follow in the next few days… more musical variety awaits…
My Other Favorites of 2009 Recaps:
- Fave Concerts of ‘09 are recapped *HERE*
- Fave EPs/Vinyl/Live/more of ‘09 are recapped *HERE*
- Fave Vocal Albums ‘09 are recapped *HERE*
- Fave Instrumental Albums ’09 are *HERE*
- Old Years: 2008I, 2008V, 2008ep, 2008C, 2007V, 2007I, 2007C, 2006, 2005
~Dan – np: Charlie Hunter – Gentlemen, I Neglected To Inform You You Will Not Be Getting Paid
Oh, and for those who say that the decade ends at the end of 2010… meh. I’m starting with 0 and ending with 9 (like a LOT of people). Rationale: the 80s, the 90s… you don’t say the 80s went from 1/1/1981 to 12/31/1990 or the 90s from 1/1/1991 to 12/31/2000.
* Favorite Vocal Albums of 2009 *
Disclaimer (with a nod to Andy Whitman of Paste): No, I haven’t heard all 8,000+albums released this year. I’ve heard about 200 of them, which makes me at least 97.5% likely to be wrong. I make no claims to objectivity. These albums are my favorites from 2009. You might think that the one you’ve heard that I haven’t heard is the best album of 2009. And you might be right. So go ahead and vent. Enjoy!
As I start this post, I will say that this is the second year now that I bought more instrumental CDs than vocal CDs. I think as I get older, I am drawn more towards jazz and other instrumental forms of expression. For that reason, the favorite vocal albums list goes first this go ’round. Hopefully my spilling out of music that I like finds interest with someone else. But if not, thanks for stopping by… check out the artists’ webpages, SpaceBook pages, yadda yadda yadda. OK, now on to the best of what’s hit my ears this year…
Honorable Mentions: Jars of Clay‘s The Long Fall Back to Earth, U2‘s No Line on the Horizon, Madeleine Peyroux‘s Bare Bones, Piano Magic‘s Ovations, and Ember Swift‘s Lentic :: 子玉.
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 Chevelle – Sci-Fi Crimes (Epic) :: I don’t find Chevelle to be all that original. I mean, I found them early on (the Squint days) and I liked them due to their sound similar to Tool. I don’t know… I continue to like what Chevelle puts out, regardless of its similarities to other bands. They have good hooks, vocals, and melodies. I’ve yet to see them live… they tend to always show up where I’m not. Maybe I’ll get lucky on their next batch of tour dates.    |
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 Kim Taylor – Little Miracle (indie) :: Kim is a Cincinnati favorite of mine. She tours a lot with another Cincinnati band, Over the Rhine – which is how I first heard of her (so many years ago). Anyway, if you’re in Cincinnati, swing by her coffee shop – Pleasant Perk (and buy a CD along with the Mocha you’re craving). This record came out only about a week ago. It still needs to sink in, but it’s got that Kim Taylor vibe – sultry/smoky vocals with heartfelt lyrics. This album is more stripped down than her prior releases, full of warmth. |
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 Tori Amos – Abnormally Attracted to Sin (Universal) :: Tori’s heyday for me was the 1990s. Sin hearkens back to those days, but still remains in this weird phase of “I don’t know if I like, but I do kinda like it” for me. It’s not classic Tori, but it is a good record. Her live show this year in Portland helped me get into this album a bit more. After 20 or so years of touring, she still delivers the goods consistently.  |
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 Chali 2Na – Fish Outta Water (Decon) :: Chali 2Na was always my favorite rapper in Jurassic 5. I dig all of those gents, but Chali has that powerful booming baritone with quick delivery. His first official solo album [he had a mixtape type thing a few years back], this one doesn’t disappoint the J5 fan in me. |
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 Alice in Chains – Black Gives Way to Blue (EMI Virgin) :: New singer, same great grunge sound. Jerry Cantrell and Company are back with a great new hard rocking record. While Layne can’t be replaced, the band goes on and it doesn’t disappoint. Their live show this year was excellent as well. |
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 Isis – Wavering Radiant (Ipecac) :: Post-rock, post-metal, ambient metal… I don’t know what you want to call it. I first saw these guys open up for Tool a few years back, and I subsequently quit putting off getting their music. They’re on Mike Patton’s Ipecac label (so I had heard of them prior to the Tool gig), and they are both meandering and powerful. This is not a metal band full of riffs… they would fit more in the camp with post-rockers Explosions in the Sky and Godspeed! You Black Emperor than with Metallica and Megadeth. |
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 Talking Snakes (Gary Lenaire) – Nonogram Zen (indie) :: Former guitarist/vocalist for metal band Tourniquet, Gary Lenaire, released his book An Infidel Manifesto a few years back. This album is his first solo album as being an out atheist. I love the music and lyrics in Nonogram Zen. I think this album stacks up to anything he did in Tourniquet (OK, Pathogenic Ocular Dissonance still “owns” Gary’s catalogue, in my opinion). Musically, Nonogram Zen ranges from really heavy, to electronic-tinged, to more melodic pop songs (with auto-tune… *shudder*) – but all in all, I’d consider it to be a metal/hard rock album. It’s only currently available as a digital release, but perhaps it will see a physical form in the near future. |
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 Dream Theater – Black Clouds and Silver Linings (Roadrunner) :: I bought the special edition of this record, mainly for the CD of completely instrumental versions of Black Clouds songs. While I love the instrumental versions better, the entire album is really well crafted. As much as I think James LaBrie’s vocals and Mike Portnoy’s oft-clunky rhyme-writing get in the way, I think this album holds up in their ever-expanding catalogue. |
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 Bad Veins – Bad Veins (Dangerbird) :: Three years in existence and the band finally gets their debut album out the door. While I think it’s a solid album, and I think the song-writing is superb, I think my fondness of their early live shows and acoustic / in-studio sets have more musical magic to me. I did get a chance to see Bad Veins twice this year, which was quite the coup – as they live 2,300+ miles from me. I’m glad that this album finally made its way out and I hope there’s another one to follow in less than three years time. |
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 Regina Spektor – Far (Sire Warner) :: Regina’s latest album grew on me slowly. By the time I saw her in Portland (in early November), I was digging this latest album the best out of her material thus far. It is quirky, poppy, and makes you think (especially on “Laughing With”). Her live show is energetic and quite a full night of music. |
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 Extra Golden – Thank You Very Quickly Vol. 3 (Thrill Jockey) :: I didn’t know about Extra Golden until about 3 or 4 months ago, when my friend Aaron told me about their set at Eugene Celebration. I went to that show and was a fan. They are a half American, half Kenyan group… and they play sort of jammy, sort of African songs. It’s a great melting pot of sound. Their record and live show are highly recommended! |
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 Various Artists (produced by Ric Hordinski) – Notes From the Monastery (indie) :: Rarely do I buy a “various artists” album… in the age of iTunes, it’s easier (and usually beneficial) to just buy the few tracks from artists that I know. Well, this compilation is all music produced by a person who I enjoy and respect… Mr. Ric Hordinski. He was a founding member of Cincinnati band Over the Rhine, the creative force behind the more meandering band MONK, and the knob-noodler for his Monastery Studios. This album features all new, previously unreleased songs by Ellery, Over the Rhine, Sarah Masen, Ric Hordinski, Phil Keaggy, David Wilcox, and more. There is not a bad song on the whole disc. Kudos, Ric! |
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 Works Progress Administration (featuring Glen Phillips) – WPA (Elite Artist Services) :: While I often lump this in the “Glen Phillips side project” category, it that doesn’t really do it justice. My favorite songs are the Glen ones, but Luke Bulla and Sean & Sara Watkins (of Nickel Creek) round this album out into an important Americana album in 2009. Let’s just say, I came to find WPA due to Glen, but I stuck around due to it being a great band with a great new record. |
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 Fanfarlo – Reservoir (indie) :: The best way to build a fanbase overnight… have a moderately successful internationally touring artist pimp your music directly via their website and offer your album for a $1 download months before it’s available in shops. Sigur Rós’s web viewers and mailing list got a first taste and nudge to check out Fanfarlo, and that’s all it took – a gentle nudge. While Fanfarlo isn’t really all too much like Sigur Rós, I can see why their fans intersect… gentle songs with complex and often unusual instrumentation. I missed Fanfarlo as they swung through the Pacific Northwest, as I was on vacation, but I hope they come through again soon. |
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 Tegan and Sara – Sainthood (Sire Vapor) :: This T&S album is rockier than their last few albums, but after the second listen, I think I like it more than both The Con and So Jealous (and, yeah, their pre-Jealous ones, too). I think with The Con, they had started to really figure out to write really hooky yet still mature songs. While Sainthood heats it up on the rockier edge, I think the songs are better overall. This was their first album where they wrote a large chunk of the songs together in the same room – maybe that was their secret formula. I’m looking forward to their upcoming tour… April 2010 in Portland! |
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 The Swell Season – Strict Joy (Anti-) :: The ONCE soundtrack sunk in immediately after I heard it. While Strict Joy took a while to sink in, I think it’s a more solid record than Once. While this album represents their personal “break up,” I hope they keep working together as a band. I’ve heard some of Glen’s work with The Frames, and it’s good – but Marketa and Glen together really seems magical. |
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 David Bazan – Curse Your Branches (Barsuk) :: The oft-used tagline for this record is “David’s break-up album with God.” Sure, OK. I never really thought his prior albums were all that ostentatiously “God-y” anyway. I admired David’s doubting and questioning in his prior Pedro the Lion music. His move to a more agnostic / atheistic-leaning artistic expression is a-OK with me. I realize that it’s a personal journey, and as long as he keeps putting out challenging and witty lyrical numbers, and he keeps touring & bringing some fun Q&A time to stages near me – I’m fine with whatever his philosophy moves towards. |
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 O.S.I. – Blood (Inside Out) :: What, a Kevin Moore album at #7 in its release year? I know, I know… Chroma Key and the first two O.S.I. albums were at least Top 3 spots in their respective years. While I have been moving towards a lot more instrumental music, this year’s vocal albums that I did get had some great music… the Top 10 vocal albums for me this year are especially strong albums, regardless of my bent towards the sans vocal route. Anyway, I really dig this new O.S.I. record. I wish more news and touring from Kevin Moore would leak out… I mean, news bites are few and far between. It gets a bit frustrating in this era of readily available information. Chroma Key or O.S.I. album #4… I hope not too far out there. |
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 Nellie McKay – Normal As Blueberry Pie: A Tribute to Doris Day (Verve) :: While I dig Nellie’s own music better than this batch of mostly Doris Day cover songs (there is one Nellie original), this may be the most perfect tribute album. From the cover art, to the campy photos inside, to the delivery that truly honors Doris Day, to Nellie’s excellent jaunt with The Aristocrats – this album I think is more than the sum of its parts. Back on a major label (this time Verve instead of Sony), I hope they give Nellie some creative control to go back in the studio to make her next originals album. |
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 Porcupine Tree – The Incident (Roadrunner) :: I think I like the non-concept songs on disc 2 more than the individual parts in The Incident concept disc. Regardless, I think Steven Wilson has turned the corner away from Fear of a Blank Planet, and maybe he’s heading back into a more interesting progressive arena. The tour was also great this year, but maybe they play their instruments too perfectly. I almost felt as if I could have gotten as much out of the DVD of the show as the actual show (hey, my only negative about this latest effort is that they play “too perfectly”). Go figure! |
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Peter Mulvey – Letters From a Flying Machine (Signature Sounds) :: Half spoken word, half poppy singer-songwriter tunes… that doesn’t scream “Top 5” album release. But it is. I think this is Peter’s most solid piece of work in a while, and it ranks amongst The Trouble with Poets and Kitchen Radio for me. Peter is still fairly unknown… but he is quite prolific (12+ full lengths in 17+ years), hard-working (constantly touring all places from Alaska to Ireland), quite witty (he could be a comedian if the whole music thing doesn’t work out), and energetic (he did a 1,100 bicycle tour this year – playing gigs from Michigan to Massachusetts). He plans to do a bicycle tour from Wisconsin to the West Coast in 2010… yay! |
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 Derek Webb – Stockholm Syndrome (INO) :: I grew up with Derek Webb as he made his musical start in the contemporary christian music scene – with Caedmon’s Call. I always loved his songs and vocals the best; so when he left the band, I followed. His latest album gets it right in both music and lyrics… calling out those who hate others due to their sexuality (the “controversial” What Matters More) and calling out hate in the name of God (“Freddie, Please” dedicated to Westboro Baptist’s jackass preacher). I feel that even though I have differing (non-)religious beliefs, I still can call Derek Webb a compatriot. The more electronic-tinged music is also welcome from his more “guy & a guitar” days (though, he carried that sound well, too). I look forward to his upcoming subscriber series in 2010 – Democracy, Volume 1. |
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 Wussy – Wussy (Shake It) :: Wussy just keeps getting better. Lisa and Chuck & Company have really stepped it up on their third full-length. I wish I still lived in Cincinnati sometimes after seeing their “hey, we’re playing at Northside Tavern” posts on SpaceBook and MyFace. Anyway, I’m utterly delighted with this record, and they’ve unofficially promised to hit the West Coast in Spring 2010. Fingers crossed… |
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dredg – The Pariah, The Parrot, The Delusion (Ohlone) :: dredg has evolved from “good opener” the first time I saw them to “really good rock band” after I delved into Catch Without Arms (specifically “Ode to the Sun” and the b-side “Stone By Stone”) to one of my favorite bands with this new release. Quite honestly, from the first full listen back in June, I knew this would be my #1 album for 2009. It’s a concept album based loosely on Salmon Rushdie’s “Letter to the Six Billionth Citizen,” and, well, it shows off dredg’s great vocals, subtle progressive guitars, and unique and inspiring drumming. I hope album #5 is not another 4 years away… or, if it is, I hope they keep touring. I got to see them twice this year – both fantastic shows. |
Top 25 instrumental albums coming up later this week… still making my way through them at this point… oy…
My Other Favorites of 2009 Recaps:
- Fave Concerts of ‘09 are recapped *HERE*
- Fave EPs/Vinyl/Live/more of ‘09 are recapped *HERE*
- Fave Instrumental Albums ‘09 are coming soon
- Fave Artists of the Decade are coming soon
- Old Years: 2008I, 2008V, 2008ep, 2008C, 2007V, 2007I, 2007C, 2006, 2005
~Dan – np: Roberto Rodriguez – The First Basket
Favorite Concerts of 2009
Well, this year’s concert seasons were especially good to me… 365 days, 70 shows, 119 artists, 1 wine-tasting rock show, many long nights driving home, and a lot of photos…
My favorite concerts of 2009:
- Maynard James Keenan’s Puscifer (2 nights) :: Roseland Theater :: Portland, OR {14&16 Nov} [reviews with pictures – night #1 & night #2]
- Nellie McKay & the Aristocrats :: Dimitriou’s Jazz Alley :: Seattle, WA {20 Oct} [review with pictures]
- dredg :: Hawthorne Theatre :: Portland, OR {3 Apr} [review]
- Holy Fuck :: Doug Fir Lounge :: Portland, OR {4 Jun} [review with pictures & video]
- The Swell Season :: McDonald Theatre :: Eugene, OR {23 Nov} [review with pictures]
- Zappa Plays Zappa :: Hawthorne Theatre :: Portland, OR {2 Jan} [review]
- Flight of the Conchords & Arj Barker :: Arlene Schnitzer Hall :: Portland, OR {14 May} [review]
- SFJazz Collective 2009 with Dave Douglas, Joe Lovano, Miguel Zenon, and more focusing on the music of McCoy Tyner :: The John G. Shedd Institute for the Arts :: Eugene, OR {19 Mar} [review with pictures]
- Opeth & Enslaved :: Roseland Theater :: Portland, OR {12 May} [review]
- The Melvins (2 sets) :: John Henry’s :: Eugene, OR {9 Aug} [review with pictures]
- My Weekend with Peter Mulvey & Krista Detor :: Alberta Street Pub/Sam Bond’s Garage :: Portland/Eugene, OR {7&8 Nov} [review with pictures]
- Hiromi’s Sonicbloom :: Dimitriou’s Jazz Alley :: Seattle, WA {16 Jun} [review with pictures]
- David Bazan (of Pedro the Lion) :: House Show :: Eugene, OR {25 Jul} [review with pictures]
- Madeleine Peyroux :: The John G. Shedd Institute for the Arts :: Eugene, OR {25 Mar} [review]
- Patton Oswalt :: Newmark Theatre :: Portland, OR {13 Sep} [review]
Runners-Up: Emily Wells & PCP at Cozmic, UofO’s Percussion Ensemble Tribute to Frank Zappa, David Cross at Newmark, Porcupine Tree & That1Guy at Roseland (Portland), Wynton Marsalis and the Lincoln Center Jazz Orchestra at Hult Center, and Spinal Tap at Paramount (Seattle).
Biggest Disappointments: missing Zappa Plays Zappa in Eugene in late November due to them getting stuck in California due to snow, missing Tristeza in Portland in early December due to a bad sinus infection, missing Melt Banana in Portland due to freezing rain & fog, seeing Yann Tiersen play an utterly dreadful show in Portland, and not seeing Over the Rhine for the 2nd year in a row (we’ll have to make up for it in 2010).
And to end on a positive note…
My favorite concert photos of 2009: (in no particular order)
- The Swell Season in Eugene
- Sweethead, opener for Puscifer in Portland
- Carina Round and Maynard James Keenan behind their boxes for Puscifer in Portland
- Sin Fang Bous, opener for Múm in Portland
- Hildur Guðnadóttir of Múm screaming her heart out in Portland
- Nellie McKay in Seattle
- Aimee Mann smiles in Portland
- Sara Watkins of Works Progress Administration in Eugene
- Alice in Chains iPhone shot in Portland
- Gavin from dredg moves too fast for me in Portland
- King Buzzo of The Melvins in Eugene
- Zoë Jakes dancing with Beats Antique in Eugene
- Jerry Gaskill’s stick action with King’s X in Portland
- Brian Borcherdt of Holy Fuck in Portland
(all images are free to use under a creative commons designation, simply identify Daniel Temmesfeld with a photo credit and link to jazzsick.wordpress.com)
Past Favorite Concerts Lists:
Favorite music of 2009 will be coming the week of Dec 28th… EPs/DVDs/etc, vocal albums, instrumental albums, artists of the decade…
~Dan – np: Anthony Coleman – Freakish: A Tribute to Jelly Roll Morton
2009 mix
Well, thanks to a certain bigwig, I got off of my duff to make a mix CD for his round robin dealio. No major theme this time like prior mixes… the only rule I placed before myself was that everything is current (i.e.- released in 2009).
{If you aren’t part of the round robin and want a CD, contact me. If you’re local, even better. I’ll get ’em out around Thanksgiving.}
The following songs were put on the mix CD from lossless sources for promotional purposes only (read: free direct market advertising to people who decidedly love music). Most of the artists on this compilation are independent (put out the music themselves) or signed to smaller, independent labels. If you like what you hear, check out their music / support them with your wallet if you are able. The artists’ Webpage, MyFace & Spacebook (whether official or not), and Amazon links are available for each song below. I’ve also included concert review links if I’ve seen the artist recently.
PDF front liner is available HERE (designed to print double-sided).
UPDATE (12/18): free download / bonus track #18 below
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01 Nellie McKay “Do Do Do” from Normal As Blueberry Pie: A Tribute to Doris Day
Well, the person who got this round robin going (Brad) was a direct influence in me getting into Nellie McKay back when Get Away From Me came out. I’ve been a fan ever since. I think GAFM is my favorite of hers, but she’s still quite consistently entertaining to me. Her latest album is a tribute to the late great Doris Day. It’s missing some of Nellie’s sly wit, but is definitely fitting in her “I wish I was born in another era” wishes. The album art is 135% fitting for Nellie, too. Perfect choice!
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02 John Zorn “Miller’s Crake” from O’o
I could have put on some more skwoky Zorn, but I opted for a more accessible number. John Zorn is prolific, but this was actually a slow year – I only count six Zorn-related releases. O’o is twelve lyrical and adventurous instrumentals combining world music, surf, exotica, soundtracks, easy listening, and minimalism dedicated to twelve different birds (Chippy’s artwork is amazing). “Miller’s Crake” is a delightful Guaraldi-esque jaunt from the band that came out of the Electric Masada / The Gift / The Dreamers sessions: Marc Ribot, Jamie Saft, Kenny Wollesen, Trevor Dunn, Joey Baron, and Cyro Baptista.
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03 Extra Golden “Gimakiny Akia” from Thank You Very Quickly Vol 3
I was planning on going to Eugene Celebration anyway, but I got a call from a friend who suggested that we meet and definitely go to see Extra Golden. Um, OK, sure. Then I saw them, and wow… fuuuuun. I love African music, but sometimes it’s gets all too similar unless you do something fun (a la Fela Kuti, Antibalas, etc). Well, Extra Golden are half Kenyan and half American (which I guess is the “something fun” part? I don’t know). They fuse some great jam-rock with Kenyan beats* and singing… great stuff. Fantastic live show, too. *-Though, coincidentally, not so much Kenyan beats on this track. Yeah, sorry.
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04 Ember Swift “Hollowed Bones 空骨” from Lentic :: 子玉
Ember Swift (yes, her real name) is finally starting to head in a new direction. I mean, I dig her a lot, but her past albums have been slightly derivative of Ani DiFranco (with maybe a little more adventurism). She’s from Canada, but has spent time living in China recently. In fact, I think she’s still living there (don’t quote me on that)… that culture has definitely had an impact on her music.
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05 Works Progress Administration / Glen Phillips “Rise Up” from Works Progress Administration
This song first showed up on the Concert to End Slavery compilation as a Glen Phillips solo song. It’s my favorite from WPA, but it’s not very representative of the album. The album is more folky / americana via the heavy influence of Sean & Sara Watkins from Nickelcreek and Luke Bulla (from Lyle Lovett’s band).
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06 Madeleine Peyroux “Damn the Circumstances” from Bare Bones
I am usually not a fan of vocal jazz… it’s usually too full of schlock, if you ask me. Well, Madeleine’s smoky voice overrides that generalism for me. She’s a fantastic vocalist, a throwback to the golden era of jazz vocalists. This album is her first of non-covers. All original, either written solo or co-written, Bare Bones moves her from a “fantastic standards” singer to bringing vocal jazz back into fresh territory.
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07 dredg “Gathering Pebbles” from The Pariah, The Parrot, The Delusion
dredg is one of my favorite bands now. 2005’s Catch Without Arms floored me, and I was eagerly awaiting the follow-up. It took too long (4 years), but it was well worth it. The Pariah, The Parrot, The Delusion is by far my favorite album this year. It was inspired by Salmon Rushdie’s essay “Imagine There’s No Heaven: A Letter to the Sixth Billionth Citizen.” In fact, this past fall, dredg and Salmon did a joint show that was captured by Spin magazine.
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08 Porcupine Tree “Flicker” from The Incident
The best progressive rock band around, Porcupine Tree’s The Incident is a 55-minute epic concept album/song. “Flicker” is actually a session b-side from the 2nd disc from the collection. I got a chance to see Porcupine Tree this September, and Steven Wilson & Co delivered the impeccable studio sound to the stage. It’s almost magic.
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09 O.S.I. “Terminal” from Blood
I really like this 3rd record by O.S.I. (formerly know as the Office of Strategic Influence). O.S.I. is a joint collaboration of Chroma Key’s Kevin Moore and Fates Warning’s Jim Matheos. Most of Blood is heavier progressive rock, but I tend to like the more Chroma Key-esque tracks like “Terminal.” The album has guests Gavin Harrison (of Porcupine Tree) on drums, Mikael Åkerfeldt (of Opeth) on vocals for one track, and Tim Bowness (or No-Man) on vocals for one track as well. The 2nd disc also features a Kevin Moore-sung, rockin’ tribute to Elliott Smith (“Christian Brothers”).
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10 900X “The Black Beach” from Library Catalog Music Series: Music For Lubbock, 1980
Sufjan Steven’s label Asthmatic Kitty is really becoming a favorite. They host music by Sufjan, My Brightest Diamond, Fol Chen, Osso, and now the excellent experimentation from the various Library Catalog Music Series artists. The 900X release is my favorite of the six releases so far. I received the high quality mp3s from the record label for free, and I loved it so much that I bought it on vinyl.
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11 Chali 2Na featuring Talib Kweli “Lock Sh*t Down” from Fish Outta Water
I’m still sad that Jurassic 5 broke up, but now we get albums from Portable Payback (Marc7 & Soup), Cut Chemist, DJ Nu Mark, Akil the MC, and, of course, Chali 2Na (my favorite from the group). Chali’s got that deep booming voice that makes you pay attention. This song’s lyrics (and video) are kinda cheesy, IMO, but it still features some nice flow from the “lyrical manphibian.”
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12 Peter Mulvey “Vlad the Astrophysicist” from Letters From a Flying Machine
Storytelling has always been a fantastic part of Peter’s live shows. Nine years ago, when his first niece was born, Peter got into the habit of writing physical letters to his nieces and nephews (now 17 kids in total). This album is interspersed with spoken word letters and new music. I think it’s his strongest album since 2000’s The Trouble With Poets. I like a lot of different music, but with that being said, I think Peter is by far my favorite singer-songwriter. Support indie music!
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13 David Bazan “Curse Your Branches” from Curse Your Branches
I wanted to put on “Hard to Be,” but due to space limitations, I went for a shorter song. This is David’s first full-length solo album since disbanding the indie rock band Pedro the Lion. PTL was really David’s thing anyway; so him disbanding the band isn’t that big of a deal, if you ask me. This album also marks his first decided move away from the “religious guy” things into the “heavily agnostic thing” (kudos to him, from me at least). This album is peppered with his thoughts and doubts of his religious upbringing – even moreso than in his prior Pedro days. It very well called a “breakup letter to God” by some.
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14 John Zorn “Novato” from Alhambra Love Songs
Alhambra Love Songs is a set of 11 songs that are an eclectic homage to San Francisco Bay area musicians. This particular song is dedicated to Mike Patton (and, no, that’s not why I picked it). The album is played by pianist Rob Burger, bassist Greg Cohen, and drummer Ben Perowsky – and also falls into the “more accessible” John Zorn camp.
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15 Wussy “Little Paper Birds” from Wussy
This little band that could from Cincinnati is getting some good buzz in major publications (I know Spin has featured them several times). I went to college with their female lead singer, Lisa Walker, and remember when she did a more folky thing. I think Wussy’s sound suits her well (and vice versa). Anyway, this is their third record, and features some great songs from both Lisa and Ass Ponys’ Chuck Cleaver.
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16 The Dead Kenny G’s “Birther Blues” from Bewildered Herd
Prior to moving to the PacNW, I had heard of saxophonist Skerik via John Zorn and other avant-garde connections. I never got to hear him until I moved here and saw him at Sam Bond’s. He seems to be down here in Eugene every other month or so, in different band incarnations. The Dead Kenny G’s features Skerik on tenor sax & pianos, Mike Dillon on drums (who I recently saw drum with Ani DiFranco), and Brad Houser on bass & baritone sax.
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17 Ikue Mori “Redeye Skimmer” from Class Insecta
Ikue Mori is an interesting instrumentalist. She mostly utilizes a laptop, and I saw her play live with Ellery Eskelin & Jim Black in NYC in 2007 and was wowed by the improvisational nature of her craft. Most of her albums are more avant-garde. She has one album that I’d consider to be much more accessible (1995’s Painted Desert on Japan’s DIY/Avant label). Class Insecta is also more accessible than most of her work. I suppose if you like well composed, electronic music dedicated to insect species, it’s for you!
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18 Derek Webb “What Matters More” from Stockholm Syndrome
(bonus mp3) DOWNLOAD it >> http://www.derekwebb.com/387/WMM.zip
Stockholm Syndrome is an album that I’m bummed I didn’t get fit on the CD version of this compilation. It’s going to place fairly well in my year-end “Best of 2009” list. I think it’s the best thing Derek’s ever done, including Caedmon’s Call and prior solo work. It has a great overall vibe, and a message that I can agree with, even though I don’t agree with his religious philosophy. This song, while not the best on the album (IMO), has a great lyric and pro-gay marriage position and was actually banned by his independent Christian label (INO Records). He subsequently released an “uncensored” version of the album, and now has the song available for free on his site.
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Let me know what you think…
unfortunately missing (due to space or flow limitations, or that I simply didn’t get them in the mail yet): pop from Regina Spektor, Zero 7 & the Swell Season; jazz from Dave Douglas’ Brass Ecstasy and A Single Sky, Masada Quintet + Lovano, and The Fantastic Terrific Munkle; comedy from Flight of the Conchords; and some metal Ahleuchatistas, Megadeth, Isis, Dream Theater, Puscifer, Tides From Nebula & Alice in Chains. Oh well, those may make it on my “favorite albums” of 2009 list.
~Dan – np: Puscifer – C is For…
there are no torrents, free mp3 or other downloads available
dredg & Salmon Rushdie
One of my favorite rock bands around right now is dredg. I’ve seen them twice this year, and their 2009 album The Pariah, The Parrot, The Delusion is at this time the easiest pick for album of the year for me. Easiest. It’s fantastic. The aforementioned album is a concept album inspired by Salmon Rushdie‘s “Imagine There’s No Heaven: A Letter to the Sixth Billionth Citizen.”
Well, SPIN just put out an article with a review, live videos, and music downloads from a joint performance by dredg & Salmon Rushdie at Manhattan’s Housing Works’ Bookstore Café (click the picture below).
The videos included are Salmon reading his essay and then dredg performing “The Pariah,” “The Ornament,” and”Information.” Also available for download on the site are mp3’s of three dredg songs:
DOWNLOAD (free music):
~Dan – np: Foo Fighters – Foo Fighters
REVIEW: dredg @ Wonder Ballroom (Portland, OR – 8/15/09)
FYI… PHOTOS of the SHOW at the BOTTOM
This was my third time seeing dredg, and the second time this year. Their latest record (The Pariah, The Parrot, The Delusion) is an amazing album… a definite front runner for album of the year for me. It is inspired by Salman Rushdie’s essay “Imagine There’s No Heaven: A Letter to the Sixth Billionth Citizen.” I gladly made the trek up to Portland, and now that I’d been able to soak in their latest album (it wasn’t out when I saw them in April), I knew much more of the material being played. I was also able to bring my camera… yay!
The first opener As Tall As Lions were really good. The first song, the bassist was acting a bit goofy. I thought it seemed weird, or that he was “overacting.” However, throughout their whole 5-6 song set (35 minutes), he kept it up. Maybe it grew on me, or maybe I changed my mind and felt he really was into it that much (plus he’s got some backing vocal chops). :) Anyway, As Tall As Lions were a 6-piece in this live setting. They’re from New York, and had a good indie rock vibe – nice vocals, nice groove, and good use of horns. The band was way forward on the stage; so my only downside was that I was right next to the drums, which drowned out a lot of their vocals. But, all in all, a very good opener.
The second opener Rx Bandits may as well have been a co-headliner (maybe they were billed as such). It seemed as if tons of the crowd were there to see RxB. They started the set with all four members on drums, which was fun. One of the highlights of their 70 minute set was their lead guitarist and their drummer. Their drummer had a dirty Daniel Johns (of Silverchair) look, and was kicking the crap out of his drumkit. And their lead guitarist didn’t have the most “rock” stage presence, but he seemed like he could fit in a really into a shredder band… he played some really complex underlying scales, all while having a nonchalant look on his face. :) Their vocalist reminded me physically as Brett McKenzie (from Flight of the Conchords). And vocally, he seemed like he could fit in a jamband meets reggae/punk band. Their bassist looked like he also fit in a jamband, and he had a very nice groove and bounced around the stage a lot. It was an odd mix for a group, but it worked. I’ll definitely see them if they swing through Eugene. I took a few pics of RxB, but they didn’t turn out… oh well… next time…
Dredg came on right at 10:50pm and blasted into the trio of songs that kicks off The Pariah, The Parrott, The Delusion. They seemed a little toured out (only compared to the last show in April). They still put on a great show. Gavin (singer/ lap steel), Dino (drums/ keyboard), Drew (bass) and Mark (guitars) were joined by a second guitarist for a few songs (I didn’t catch his name). He played with them on Pariah, Drunk Slide, and Information. Great 85 minute set. Here’s what they played…
Setlist:
- Pariah
- Drunk Slide
- Ireland
- Ode to the Sun
- Catch without Arms
- Same Ol’ Road
- Saviour
- RUOK?
- I Don’t Know
- Δ
- Bug Eyes
- Information
- Light Switch
- Zebraskin
- The Tanbark is Hot Lava
- The Canyon Behind Her
- Down to the Cellar
- Cartoon Showroom
No encore (again), but perhaps that’s their M.O. I’m not putting my usual “a fave of the night” notations by any song, because, quite frankly, it was all amazing. At the end of Down the Cellar, the crew took Dino’s drum kit away one piece at a time at the end, with him ending on piano and no drums around him. That was fun.
The only song I really wish they played but didn’t was “Gathering Pebbles” (from their new one). I could play that song on repeat all day…
As much as I can get across in words, dredg is quickly becoming one of my favorite bands. Rarely does an opener hit me, and ever since I saw dredg open for Coheed & Cambria (a few years back), I’ve been an immediate fan. Their latest is their best yet, and their other albums are great as well. I’d recommend picking The Pariah, The Parrot, The Delusion up on CD, vinyl (from the dredg store), or if you are silly… on mp3 (why go for the lower quality folks?). :)
dredg “Information“
The Appropriate Linkage:
- http://www.dredg.com/
- http://www.myspace.com/dredg
- http://www.myspace.com/rxbandits
- http://www.myspace.com/astallaslions
- http://www.wonderballroom.com/
~Dan – np: Dub Trio – New Heavy
DREDG PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution
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Higher Resolution (6 pics)
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ha’fway 2009
Happy 233rd birthday, United States!
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(Sub)consciously prompted by these music blogs, here are my favs of the first half of 2009… it’s all bound to switch around by year’s end:
Artist – Album (label)
- Dredg – The Pariah, The Parrot, The Delusion (Ohlone)
- Masada Quintet + Joe Lovano – Masada Book Two: Book of Angels, Vol. 12 ~ Stolas (Tzadik)
- OSI – Blood (Inside Out Records)
- Wussy – Wussy (Shake It Records)
- Dave Douglas & Brass Ecstasy – Spirit Moves (Green Leaf Music)
- Wynton Marsalis – He and She (EMI / Blue Note)
- John Zorn – Alhambra: Love Songs (Tzadik)
- Regina Spektor – Far (Sire / Warner)
- Isis – Wavering Radiant (Ipecac)
- Zu – Carboniferous (Ipecac)
- Dream Theater – Black Clouds & Silver Linings, really only the instrumental disc (Roadrunner)
- Jamie Saft – Black Shabbis (Tzadik)
- Madeleine Peyroux – Bare Bones (Rounder)
- Secret Chiefs 3 – Le Mani Destre Recise Degli Ultimi Uomini (Web of Mimicry)
- Ember Swift – Lentic :: 子玉 (Few’ll Ignite Sound)
I didn’t get a few that already came out this year… the new Green Day, U2, Placebo, Eminem, Dave Matthews Band, Fever Ray, Crank 2 soundtrack (by Mike Patton). I’m waiting for them to be cheaper used, but they may make it to the list at the end of the year.
The 2nd half of 2009 promises to bring some potential great ones, too… John Zorn’s O’o, Medeski Martin & Wood Radiolarians 3, Mike Patton’s Mondo Cane (possibly by November), Secret Chiefs 3 Book of Souls (maybe), a new Sufjan Stevens (just speculating, since it’s been a while), Ani DiFranco always has something coming out, Jon Madof’s CircuitBreaker debut (maybe) & another Rashanim, The Tango Saloon’s Transylvania (stateside release?), new Tristeza, Over the Rhine Live from Nowhere IV, George Hrab ‘s 6th album Trebuchet, Derek Webb‘s Stockholm Syndrome, SFJazz 2009 with Dave Douglas & Joe Lovano and others, A Perfect Circle internet only single releases (as mentioned back here), and a new Tool record (they’ve worked on it some, but I doubt it’ll hit until 2010)… and I’m sure another dozen or more that I’ll dig from Tzadik.
~Dan – np: Cut Chemist – The Audience’s Listening
again… Happy 233rd birthday, United States!
This July 4th, celebrate Sarah Palin resigning as Alaskan governor!
dredg, radiohead, dave douglas, and a holy eff bailout
dredg‘s new album, The Pariah, the Parrot, the Delusion, is gonna be good great. Their Portland show in early April was TOPS! I like “I Don’t Know” better as a lead off, but regardless of what I think, here’s the video for “Information“…
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Radiohead are hitting the studio again to follow-up the revolutionary pay-what-you-want album from 2007, In Rainbows. Colin said, “it was really good. It was really noisy and chaotic and really fun…. We’re at the stage where we’ve got the big Lego box out and we’ve tipped it out on the floor and we’re looking at all the bits and thinking, what next?” Read more on the BBC. I’d post a version of Radiohead’s “Just” done up in Legos, alas it’s been long removed due to terms of service blah blah blah.
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Trumpter Dave Douglas has a new album coming out with his Spirit Moves quartet. More info over at Greenleaf Music.
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Toronto instrumental rockers Holy Fuck have benefited from the auto bailout. I’d like to think of my tax dollars going directly to them being able to make album #3; so all-in-all, I’m happy about seeing their music as part of a Chrysler commercial:
~Dan – np: Dave Douglas – Spirit Moves (bonus tracks)
REVIEW: dredg @ the Hawthorne Theater (Portland, OR – – 4/3/09)
No photos this time around. Rock shows aren’t conducive to them unless you have a really good camera, plus last time I was here, the venue wasn’t allowing it. Anyway, on to the show…
The openers… well, I’m bummed because I only caught the very last song of From Monuments to Masses. I kinda dug them… they are a three-piece instrumental band and seemed to have a good groove. The guitars were a little low in the mix, but I could at least hear what was going on. Torche, on the other hand, was 40 minutes of painful uninterest. It wasn’t a wall of sound, it was a wall of mud. And not the good kind of mud that Earth or Sunn 0))) might throw down, but just muddy, sloppy metal. Bad sound that night, maybe they’re good on record. They seemed to be having fun, and there were some obvious fans in the crowd.
Dredg came on around 10:45, after what seemed to be a very long sound check. They seemed to be having some feedback or other issues going on, and it actually caused some minor technical difficulties early in dredg’s set. Anyway, this Portland show was the very first show of this tour. They played a handful of tunes from their upcoming record (see album cover below), and they played a great set with song from their other albums as well.
This was officially my first time seeing them live “as a fan. ” The last time I saw them was when they were opening for the Blood Brothers and Coheed & Cambria. I was blown away enough to get into their music after that show, but for this show I actually knew the words. :)
I had some major respect for Gavin (singer/ lap steel) and Dino (drums/ keyboard), but now I have much more respect for all four members. Drew (bass) and Mark (guitars) contribute so much to the dredg sound… excellent grooves and guitar that hearkens some of (Radiohead) Jonny Greenwood’s antics.
Setlist:
- Stamp of Origin: Pessimistic (new song)
- I Don’t Know (new song)
- Ireland (new song)
- Same Ol’ Road
- Of the Room
- Ode to the Sun (a fave of the night)
- Catch Without Arms (a fave of the night)
- R U O K? (new song)
- Saviour (new song)
- Information (new song)
- Bug Eyes
- Sang Real (a fave of the night)
- Jamais Vu
- The Canyon Behind Her
- Down to the Cellar (new song)
- Stamp of Origin: Horizon (new song)
- No Encore
Great show, about 75 minutes… lots of stuff from their upcoming album The Pariah, The Parrot, The Delusion (due out June 9th). I bet they would have played longer had it not been for the earlier technical difficulties, but maybe the venue had a midnight curfew. I got a peek at someone who snagged the setlist; so I think I got most of the correct new songs and placement. The stuff after “Jamais Vu” was more of a blur, big jam thing. Overall, the new songs definitely fit with Catch Without Arms and El Cielo. I’m looking forward to the new record, big time…
The Appropriate Linkage:
- http://www.dredg.com/
- http://www.myspace.com/dredg
- http://www.myspace.com/frommonumentstomasses
- http://www.myspace.com/torche
- http://www.hawthornetheater.com/
~Dan – np: Zu – Carboniferous
Kim Taylor – I Feel Like A Fading Light (vinyl)
Cincinnati folky singer-songwriter Kim Taylor has a voice that hearkens back to another Cincinnatian Karin Bergquist of Over the Rhine. Her 2007 album I Feel Like a Fading Light was a great piece of music. It just got released on vinyl with new cover art:
check it out: http://kim-taylor.net/
If you are one of the first 25 people, you get her new hardcopy EP The Greatest Story for free. I think even past the first 25, you get the digital version of her new EP for free.
Oh, and two sidenotes / news stories…
Shara Worden / My Brightest Diamond has covered David Bowie‘s “Nature Boy” for the I’ll Stay ‘Til After Christmas compilation. You can get it on the iTunes or Amazon digital. In iTunes, just search for “I’ll Stay ‘Til After Christmas”… a’doy!
dredg‘s long-awaited 4th album (by me at least) is due out March 24, 2009. Their last album, Catch Without Arms, is utterly brilliant. It was their 3rd album, out in 2005… I found out about them by accident (they were an opener for Coheed & Cambria and the Blood Brothers and I barely made it in time to see them). I feel in love with dredg‘s sound almost immediately. Think rock that touches on prog with a great singer and an ethereal slide guitar. Check out “Ode to the Sun,” “Sang Real,” or “Stone By Stone” on your internet box.
~Dan – np: Mitch Hedberg – Do You Believe in Gosh?
The 4 Elements (Mix CD)
Posty‘s Not-All-That-Quarterly Compilation
The 4 Elements
It’s thematic, obviously. Some of it is new music, yet most of it is just music I’ve always liked that seemed to fit the compilation’s schema. The liners are not completed, yet. Hell, a test pressing hasn’t even been completed; so the track order might change some. I’m just drumming up interest before I decide how much energy to expend… email me if interested. It’ll likely go out sometime in mid-to-late July ’06…
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Music Shared without permission, but without ill-intent either, from these artists…
EARTH
1 – On “Avalanche” (from the album Shifting Skin )
2 – El Douje “Colision De Mundos” (from the album Worlds Collide )
3 – Celldweller “Own Little World” (from the album Celldweller )
4 – John Zorn “La Flor del Barrio” (from the album Music Romance, Vol. III: The Gift )
5 – Porcupine Tree “Collapse the Light into Earth” (from the album In Absentia )
SKY
6 – Tristeza “Stumble On Air” (from the album A Colores )
7 – Dredg “Ode to the Sun” (from the album Catch Without Arms )
8 – Pearl Jam “Thin Air” (from the album Binaural )
9 – The Tango Saloon “The Little Plane That Could” (from the album The Tango Saloon )
10 – Nick Drake “Pink Moon” (from the album Pink Moon )
WATER
11 – O.S.I. “Bigger Wave” (from the album Free )
12 – Au4 “An Ocean’s Measure of Sorrow” (from the album On: Audio )
13 – Chroma Key “Even the Waves” (from the album Dead Air For Radios )
14 – The Squirts “Lobster” (from the album Resquirted )
FIRE
15 – Tori Amos “Spark” (from the album From the Choirgirl Hotel )
16 – The Times “Laser Beams” (from the album Begin )
17 – Heatmiser (early Elliott Smith) “Flame!” (from the album Cop and Speeder )
18 – Fantômas “Twin Peaks: Fire Walk With Me” (from the album The Director’s Cut )
19 – Angeldust “Firestorm” (from the album System 3 )
Think of it as a stroll through a museum installation. The headsets are free this weekend.
And since we’re germophobes… um… go on and keep those there headphones…
~Dan – np: electric masada – john zorn’s 50th birthday month, vol. 4
Liner info, for those that care-o (fuzzy due to not having a proper Adobe P-Shop install on my new work laptop, had to do this via screencaps & MSPaint… oy…).
-Eyvind Kang
-Frank Zappa
Amazon.com mp3 downloads
Creative Commons
This blog and concert photos therein are licensed under a Creative Commons License. Available with Attribution for Non-Commercial, Non-Derivative Use.
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