Archive
Favorite Albums & Concerts of 2016
- Car Seat Headrest – Teens of Denial (lo-fi indie rock) fave song: “Drunk Drivers/Killer Whales” (#6)
- Glen Phillips (of Toad the Wet Sprocket) – Swallowed by the New (singer-songwriter) fave song: “Criminal Career” (#3)
- Sia – This Is Acting (pop) fave song: “Alive” (#2)
- Radiohead – A Moon Shaped Pool (rock) fave song: “Ful Stop” (#5)
- Wussy – Forever Sounds (lo-fi indie rock) fave song: “Dropping Houses” (#1)
- Holy Fuck – CONGRATS (groove electronic) fave song: “Tom Tom” (#2)
- Elliott Smith – Heaven Adores You (indie rock) fave song: “Plainclothes Man” (#6)
- Steve Taylor & the Danielson Foil – WOW to the Deadness -EP- coffin (indie rock) fave song: “Wow to the Deadness” (#1)
- Circle of Dust – Machines of Our Disgrace (hard industrial) fave song: “Machines of Our Disgrace” (#2)
- Lily & Madeleine – Keep It Together (singer-songwriter duo) fave song: “For the Weak” (#2)
- Charlie Hunter, Bobby Previte, and more – Everybody Has a Plan Until They Get Punched in the Mouth (jazz) fave song: “No Money, No Honey” (#7)
- Allison Miller’s Boom Tic Boom – Otis Was a Polar Bear (jazz) fave song: “Fuster” (#1)
- David Bazan (of Pedro the Lion) – Blanco (indie rock) fave song: “Little Landslide” (#7)
- Anna Tivel – Heroes Waking Up (singer-songwriter) fave song: “Black Balloon” (#2)
- The Jelly Jam –
ProphetProfit (prog rock) fave song: “Care” (#1) - Dave Douglas’ High Risk – Dark Territory (jazz with electronics) fave song: “Celine” (#1)
- Amendola vs. Blades – Greatest Hits (jazz) fave song: “Lima Bean” (#1)
- Damien Jurado – Visions of Us on the Land (indie rock) fave song: “Exit 353” (#11)
- Greydon Square – Omniverse : Type 3 : Aum Niverse (rap/hip hop) fave song: “Defiant” (#5)
- Elysian Fields – Ghosts of No (sultry indie rock) fave song: “Shadows of the Living Light” (#11)
- Steven Wilson (of Porcupine Tree) – 4 ½ -EP- (prog rock) fave song: “My Book of Regrets” (#1)
- Opeth – Sorceress (prog metal) fave song: “Will o’ the Wisp” (#4)
- Scandroid – Scandroid (keyboard electronic) fave song: “Aphelion” (#3)
- The Claypool-Lennon Delirium – Monolith of Phobos (weird rock) fave song: “Cricket and the Genie, Movement I: The Delirium” (#2)
- Kaada & Patton – Bacteria Cult (ambient experimental) fave song: “Immodium” (#7)
- {8 Apr} Peter Mulvey w/ Anna Tivel :: Alberta Rose Theatre :: Portland, OR
- {22 Apr} Sufjan Stevens, BØRNS, Parov Stelar, LCD Soundsystem & more :: Coachella 2016 :: Indio, CA
- {23 Apr} CHVRCHES, Guns N’ Roses, Gary Clark Jr., Ice Cube, GoGo Penguin & more :: Coachella 2016 :: Indio, CA
- {24 Apr} Sia, Kamasi Washington, Wolf Alice, Joywave & more :: Coachella 2016 :: Indio, CA
- {16 Jun} Holy Fuck :: Doug Fir Lounge :: Portland, OR
- {25 Jun} Flight of the Conchords with Eugene Mirman :: Keller Auditorium :: Portland, OR
- {28 Jul} Ozomatli :: HiFi Music Hall :: Eugene, OR
- {29 Jul} Weird Al Yankovic :: Cuthbert Amphitheater :: Eugene, OR
- {13 Aug} Buster Keaton’s The General film with live score by Mark Orton, Carla Kihlstedt, Matthias Bossi, Todd Sickafoose :: Bohemia Park :: Cottage Grove, OR
- {29 Oct} Failure presents Fantastic Planet’s 20th Anniversary :: Star Theater :: Portland, OR
- {9 Nov} Glen Phillips of Toad the Wet Sprocket :: Alberta Rose Theatre :: Portland, OR
- {17 Nov} Car Seat Headrest :: The WOW Hall :: Eugene, OR
My Favorites of 2012
Life has been a been busy/hectic lately, to say the least. Not enough time to do the usual extended blogs for best of instrumental, vocal and whatnot with lots of descriptions. And since, hell, it’ll be 2014 before too long; so I figured I’d get out my favorites of 2012 list in some fashion now before it’s officially too late.
Here’s what was my favorite music from last year…
vocal top 10
(in no particular order beyond #1)
O.S.I. – Fire Make Thunder
instrumental top 10
(in no particular order beyond #1)
Charlie Hunter & Scott Amendola –
Not Getting Behind is the New Getting Ahead
ep, internet, etc
Best Novelty: Sufjan Stevens’ Silver and Gold boxset
Best Internet-only releases: Glen Phillips Coyote Sessions,
Greydon Square Type II : The Mandelbrot Set,
Sufjan Son Lux & Serengeti (s/s/s) beak and claw
Best EPs: Levi Weaver’s I Am Only A Tiny Noise
Peter Mulvey’s Chaser (OOP)
Best Vinyl-only: Wussy “Dangerous Highway” 7″
Sufjan Stevens & Rosie Thomas “Hit & Run” 7″
Enjoy! I’ll sort of promise to do better with timeliness on next year’s lists!
~Dan – np: Pinnick Gales Pridgen – Pinnick Gales Pridgen
2012 mix
Time for this year’s mix CD, except I decided to go CD-free again (like 2011’s mix). It’s still formatted to stay contained on one CD (21 tracks ~79 mins); so if you want to download the whole shebang and burn to a CD – go for it!
Check out prior year-based mixes: 2009 (CD) and 2010 (CD) and 2011 (digital). No major theme this time like some of my prior mixes (4 Elements & A-to-Z mixes)… the only rule I placed before myself was that everything is current (i.e.- released in 2012). A few of the songs were technically released in 2012, but the album will hit in 2013.
This year’s mix ended up poppier and/or melancholier than prior mixes. Sometimes that’s just how things shake out. I hope you enjoy.
The following songs were put on the mix from mostly lossless sources where possible and for promotional purposes only (read: free direct market advertising to people who decidedly love music). Most of the artists on this compilation are independent (put out the music themselves) or signed to smaller, independent labels. If you like what you hear, check out their music / support them with your wallet if you are able. The artists’ Webpage, Facebook, and Amazon links are available for each song below. I’ve also included concert review links if I’ve seen the artist recently.
Download the ZIP File (140M) available *HERE*, extract then drag & drop the mp3 files to your iTunes (or other playback software).
All Songs Streaming Playlist (click arrows to skip back & forth… for individual songs find them below.)
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01 Brian Borcherdt / Dusted “(Into The) Atmosphere” from Total Dust
Brian Borcherdt from Canadian live-electronic band Holy Fuck has done some singer-songwriter-y solo projects in the past, but this album in-between HF albums still held on to some electronics and keys versus the standard acoustic guitar fare. This lo-fi, melodic, and haunting affair hit me well this rainy Oregon fall.
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02 O.S.I. “Wind Won’t Howl” from Fire Make Thunder
The fourth album in the O.S.I. partnership of Kevin Moore (Chroma Key) and Jim Matheos (Fates Warning) isn’t a metal heavy as the other albums. I love how there’s a bit of rock in this track to offset the melancholy delivery of Kevin’s vocals. Guest drummer on the entire album is Gavin Harrison of Porcupine Tree. The album fits in with what I’d call “glitch prog,” to which Kevin liked my moniker. Organic/real drums cut up electronically alongside with prog rock keys & guitars. This album is easily one of my favorites of 2012.
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03 Peter Mulvey “Egg Radio (instrumental)” from The Good Stuff
04 Peter Mulvey “Green Grass” from The Good Stuff
Peter Mulvey is an American treasure. His lyrical storytelling, guitar prowess, and overall charm and earnestness make him a favorite artists of mine, period. With his recent album, he put together a band and re-purposed others’ music… “new standards” if you will. The instrumental “Egg Radio” is originally penned by jazz guitarist Bill Frisell and “Green Grass” is from Tom Waits & Kathleen Brennan.
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05 Levi Weaver “Talk Me Down” from I Am Only A Tiny Noise [EP]
Less than a year ago, I had no idea who Levi Weaver was. I joined a fantasy baseball league online (uncharacteristic of me) and met Levi via that. I had no idea he was a travelling musician until he mentioned on twitter something about a documentary being shot about him (String Theory). Then the cards fell in place for him to play a show at my house, and then I bought and fell in love with all of his records. Such is my musical addiction. Sometimes I luck into gems. Levi put out the Tiny Noise EP in 2012, but I also strongly urge you to check out his earlier work.
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06 Emily Wells “Instrumental (Lolo Remix)” from Mama Remixed
08 Emily Wells “Fire Song (Doctor Rosen Rosen Remix)” from Mama Remixed
Emily spans indie rock, chamber music, and hip-hop near flawlessly (check her cover of the Notorious B.I.G.’s “Juicy“). With her latest album, Mama, she has continued in that vein… and then also released a remix album for free on Soundcloud.
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07 Kim Taylor “Save My Life (demo)” from the forthcoming album Love’s A Dog
Heartfelt Cincinnati singer-songwriter Kim Taylor successfully Kickstarted her forthcoming album. I loved this song so much; so here’s a glimpse in what is to come. Since the Kickstarter is officially done, keep in the loop via her webpage and Facebook for when it’ll hit regular retail outlets in 2013. Also, take a listen to her back catalog… her music has a special place in my heart.
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09 Sufjan Stevens “Alphabet St.” from Silver & Gold: Christmas Infinity Voyage [EP]
Five EPs of Christmas music released this year, and I find a non-holiday-forward Prince cover to break things up on this mix. This song is more indicative of things on The Age of Adz versus the rest of the Christmas EPs. Enjoy! Skip below for the other Sufjan track on my 2012 mix for something different…
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10 Digital Noise Academy “Melting Inside” from the forthcoming album DNA
Way back in 2006, the Los Angeles Digital Noise Academy (LADNA) did a couple of shared tracks… passing around pieces via the internet as they’re all busy musicians in their own rights. Back in those days, there was mention of releasing an album, but nothing ever materialized. Well, in 2012, they changed things up to just DNA and finally had enough momentum to get a Kickstarter going – which succeeded on its 2nd try. The album will come out in 2013. DNA is the cooperative of Ken Andrews (Failure, On, producer/mixer of tons of rock bands), Charlotte Martin (pop singer-songwriter), Sharky Laguana (Creeper Lagoon), Justin Meldal-Johnsen (Beck & NIN), Fernando Sanchez (popular hired gun), and Jordan Zadorozny (Blinker the Star).
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11 Aimee Mann “Labrador” from Charmer
I don’t have much to say about this song outside of that I love Aimee Mann, and the video for it was a shot-for-shot remake of the “Voices Carry” video from her ‘Til Tuesday days. Wacky and fun!
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12 The Album Leaf “Stretched Home” from Forward/Return [EP]
The Album Leaf is Jimmy LaValle, and he’s had some good success making some great keyboard-driven, organic post-rock. This EP almost escaped me, though, as the word on the street was faint. Jimmy has an upcoming project with Mark Kozelek (Sun Kil Moon); so I guess I’ll have to keep my eyes & ears peeled better!
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13 Damien Jurado “Museum of Flight” from Maraqopa
Damien Jurado is one of those pure songwriters that hits me hard with his lyrics. This song has impacted me a lot this year, and I think I’ve listened to it more than 100 times, which knowing the amount of music I go through each year is saying something. Maraqopa is a gorgeous record, and it will end up high on my list for 2012.
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14 Glen Phillips “Still Carrying You” from Coyote Sessions
Glen Phillips (the voice behind Toad the Wet Sprocket) can bend my ear no matter what he’s doing. His latest self-release, Coyote Sessions (via bandcamp), is full of some old favorites that he’s done for a while in a live setting, but have never made their way onto formal releases. A must purchase for the pop singer-songwriter in me.
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15 Charlie Hunter & Scott Amendola “Not Getting Behind Is The New Getting Ahead” from album of the same name
The ease at which Charlie Hunter plays both the guitar and bass parts on his 8-string guitar makes witnessing him in concert confounding. Fuck that guy! He’s too damn good to be an actual human being. He’s been working with drummer Scott Amendola in several incarnations in the past (trios, quartets). For this recent album and tour, it was just the two of them. Stripped down, yet full of sound. Highly recommended guitar jazz.
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16 Ben Folds Five “Away When You Were Here” from The Sound of the Life of the Mind
One of the saddest days was when I heard that Ben Folds Five broke up. I kind of always hoped they’d get back together, but Ben Folds kept chugging away on his solo stuff… which was excellent, but not… you know, not “the same.” There was a glint of hope a handful of years ago when Darren Jessee and Robert Sledge joined forces with their pianist brother for some live shows. This year, they got back together for real in the studio! They’ll hit the road in early Winter 2013. I’ll be lucky to see them in Portland in February. When I saw them back in the late 90s/early 2000s, they blew me away. Truly a fun band to see live!
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17 Bad Veins “If Then” from The Mess We’ve Made
Cincinnati rock duo Bad Veins should own the world. Their 2nd full length is lush, hooky, and a perfect follow-up to their 2009 debut. With the lushness on this record, Ben & Sebastien are probably giving “Irene,” their reel-to-reel band member, a good workout. Hopefully they buy her new cords and oil her joints in between gigs.
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18 John Zorn “Pathway of Fire” from The Concealed
One of nine releases from John Zorn this year, this album is a jauntier, more accessible jazz compared to some of his other work. I desperately wanted to put on some screeching, grating stuff from Music & Its Double, but I spared you all. I was *that* close to doing it, too. You’re welcome! Anyway, The Concealed album features some excellent packaging – embossed white inks on white digipack with die-cut shapes in the front. Kudos to Tzadik’s designer Chippy for her always stunning work. The music was written by Zorn and performed by the usual suspects in his arsenal – the stellar cast of NYC jazz cats: Joey Baron on drums, Trevor Dunn on bass, Mark Feldman on violin, Erik Friedlander on cello, John Medeski on piano, and Kenny Wollesen on vibes.
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19 Fiona Apple “Werewolf” from The Idler Wheel Is Wiser Than The Driver Of The Screw And Whipping Cords Will Serve You More Than Ropes Will Ever Do
It’s Fiona. What can I say? Great standout track on her stupendous new album. There’s “nothing wrong when a song ends in a minor key.”
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20 Sufjan Stevens “Justice Delivers Its Death” from Silver & Gold: Christmas Unicorn [EP]
Sparse acoustic guitar and Sufjan’s angelic voice thrust this song into my head and heart like no other. I take its lyrics as disappointment in the temporary, which can also be a call to do more fruitful things while we’re here. Which I think is good advice for everyone. This song is also not too indicative of most of what you’ll find on the Christmas EPs. I don’t really like Christmas music, but I think Sufjan makes some wonderful art. And, whoa, his concert tour this year was amazing (see review with photos of the Portland/Aladdin show)!!!
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21 Au4 “So Just Hang On, Beautiful One” from the forthcoming album …And Down Goes the Sky
These Canadian soundscapers haven’t released music since 2006. I found them in the halcyon “MySpace days,” if that tells you anything. Their first album (On: Audio) is amazing and textured. Their 2nd album from which this song is from is out now (digitally) with an official release date in 2013. It’s also textured and gorgeous, with a little mixing up on the vocal duties. I’m still digesting it, but I can still very much recommend it!
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Let me know what you think… If you enjoyed what you heard, please support the music. Definitely feel free to pass the link the mix along:
~Dan – np: Au4 – On: Audio
there are no torrents, free mp3 or other downloads available
* Favorite Instrumental Albums of 2011 *
As I start this post, I will say that this is all very subjective and really put together for my own purposes. I’ll also state that, yes, some of the music below does have some vocals (i.e.- the Goddamn Electric Bill & Mike Patton CDs). For the most part, it’s sequestered to a track or two on a long CD of mostly instrumental goodness. My list, my rules, and/or my breaking of the rules. With that being said, all of the artists below tend to be in the jazz and instrumental frame of reference anyway.
As said before… I’ve been buying less music… or, at least a lot less mainstream (major label) music. This is also my fourth year now that I bought more instrumental CDs than vocal CDs. I think as I get older, I am drawn more towards jazz and other instrumental forms of expression. Hopefully my spilling out of music that I like finds interest with someone else. But if not, thanks for stopping by… check out the artists’ webpages, Facebox pages, yadda yadda yadda. Some of these also made it on to my 2011 Mix CD (free streaming/download).
OK, now on to the best of what’s hit my ears this year…
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 Cyro Baptista’s Banquet of Spirits plays John Zorn’s Masada Book Two: Book of Angels, Vol. 17 (Caym) :: The Masada Book two series is some of my favorite music coming out of Tzadik. Banquet of the Spirits is the touring band of Latin percussionist Cyro Baptista, a long time Zorn collaborator. Each track touches upon a different world tradition, steeped in Zorn’s klez-jazz score. Lyrical and moving and fun!
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 Artichaut Orkestra – T For Teresa :: Featuring four young musicians from Toulouse, Artichaut Orkestra mix jazz, klezmer and classical music, blending rock energy with improv. This is their debut record, and I’m definitely looking forward to more coming from them in the near future. |
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 Curtis Macdonald – Community Immunity :: To be honest, this was an impulse purchase. One of my favorite record labels is Greenleaf Music – founded by my favorite living trumpet-player Dave Douglas. I was picking up some new music from DD and figured, “eh, what the hell!” I was impressed with Curtis’ melodic compositions and emotive alto sax playing. |
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 Mogwai – Hardcore Will Never Die, But You Will :: Stunning double-disc set from post-rock’s Scottish kings. I’ll still probably forgo seeing them live again (too loud, beyond their needs), but they put out some amazingly beautiful music. |
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 John Zorn – Nova Express / At the Gates of Paradise / A Dreamer Christmas :: Three discs made the cut of the six Zorn releases in 2011. Nova Express combines quirky atonal classical lyricism with a touch of the cut up techniques of Naked City and virtuosity of the Masada songbook. Zorn scored this for Joey Baron (drums), Trevor Dunn (bass), John Medeski (piano), and Kenny Wollesen (vibes).  Paradise features the same band as Nova Express, brings some Medeski organ into the mix and adds more of Zorn’s “mystical” ambiance. The Dreamer Christmas album was an oddity for me. Why would a Jewish jazz musician put out a Christmas album? Because he can! The Dreamers is one of my favorite Zorn-assembled ensembles: Joey Baron (drums), Cyro Baptista (percussion), Trevor Dunn (bass), Marc Ribot (guitars), Jamie Saft (keys), and Kenny Wollesen (vibes). Very accessible, but not smooth jazz! Adventurous! Mike Patton joins them on the final track for a croon-y “chestnut roasting.” The holiday album was also put out as a 12″ vinyl and a 7″ single – both with gorgeous artwork and design by Chippy. |
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 yMusic – Beautiful Mechanical :: The yMusic Ensemble had a kickstarter earlier this year for their debut album – with songs composed by Son Lux, Annie Clark, Shara Worden (aka My Brightest Diamond), Saraha Kirkland snider (who penned a favorite album Penelope last year), and Gabriel Kahane. Their string-heavy, indie chamber rock approach excites me. Being the musical backdrop for My Brightest Diamond’s All Things Will Unwind album (my #2 vocal album in 2011) doesn’t hurt. |
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 Peter Mulvey & David Goodrich – Nine Days Wonder :: Peter Mulvey has toured all over the US and the world for about 2 decades. Some of the first times I saw him in concert, he had “Goody” with him on backing guitar. They don’t get a chance to tour together much lately, but they did find some time to hole-up inside a studio to write and record some instrumental guitar duets. While I love Peter’s vocal storytelling, it’s nice to hear his and Goody’s instrumental interplay tell a different story. |
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 Goddamn Electric Bill – Jazz :: GdEB is the one-man brainchild of Jason Torbert. He hits the spot for organic electronic meets post-rock for me. Ambient at times, melodic other times. His latest work has featured some vocals, but he’s primarily a groove-induced soundscape kind of guy. Chirps and glitches, too. Excellent stuff! |
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 The Dead Kenny G’s – Operation Long Leash :: The Dead Kenny Gs is a duo started by saxophonist Skerik and drummer/vibes Mike Dillon in 2004. shortly thereafter, they started adding Brian Haas, keyboard genius, when he is able, as well as Brad Houser, bassist from another Skerik band – Critters Buggin. They push through the jazz/rock minefield to fight “injustice, cheese, and dishonesty in music, and society.” |
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 Talkdemonic – Ruins :: Portland-based chamber-indie-post-rock… goodness. So much sound from two people. If you’re in Portland, they’re playing a big NYE show tonight… if in Eugene, they’ll be through our way (at Sam Bond’s) on Feb 24th. Not to be missed! |
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 Mike Patton – The Solitude of Prime Numbers :: I had to put this album as #13. This chiefly instrumental album is a tribute to the book (by Paolo Giordano) and film of the same name. The score is 16 tunes spread out over a 53 tracks, with the only tracks with content being 2, 3, 5, 7, 11, 13, 17, 19, 23, 29, 31, 37, 41, 43, 47, and 53. *slow clap* Clever, Mr. Patton! For people who bought the CD, you can thank me for entering in the info to CDDB (t’was a pain). The score/album fits more with his prior score for A Perfect Place – more accessible when compared to Patton’s usual schizophrenic output. The packaging design is also brilliant – a gorgeous die-cut leaf that fold outwards. I’d always recommend getting physical releases from Ipecac versus the digital download version.
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 Garage A Trois – Always Be Happy, But Stay Evil :: Skerik, Stanton Moore, Marco Benevento (who replaced Charlie Hunter) and Mike Dillon make their way through Oregon quite a bit. They are a sight to see – you don’t know exactly what kind of show you’ll get, but it’s definitely a fun time. Fun, groove-oriented “new jazz.” |
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 Explosions in the Sky – Take Care, Take Care, Take Care :: If not jazz, this list is also overtaken by post-rock. it’s a love of mine, and Explosions in the Sky are one of the best in that game. Epic, sweeping guitars crashing over a hearty drum & bass end. This is another album where I’d recommend the physical edition – the case can be unfolded to form a model of a house, where if viewed from the inside, the view from the door of the house is overlooking a tornado across a plain.
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 Erik Friedlander – Bonebridge :: I started 2011 seeing Erik perform his John Zorn-penned Volac album in its entirety… brilliant and moving. Later in the year, he came out with Bonebridge – a new band/concept that takes his Broken Arm Trio (with Trevor Dunn & Mike Sarin) and adds slide guitar player Doug Wamble to the mix. What you get is a perfect chamber-Americana-jazz album. I hope there are more where this came from… |
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 Kevin Moore – Shine (Küçük Kıyamet Soundtrack) :: Kevin Moore’s main projects are the trippy/sample-heavy Chroma Key & heavier prog collaboration band O.S.I. (with Jim Matheos). Shine is the soundtrack to the 2006 Turkish film Küçük Kiyamet (“Little Apocalypse“). It came out in early 2011 after a successful Kickstarter in 2010. The next album from O.S.I. comes out in February 2012 on Metal Blade. I can almost guarantee it will be my Top album of 2012, and I haven’t heard a shred of it yet. |
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 Reptet – At the Cabin :: This Seattle-based jazz sextet is fuuuuuuuuuun – both on record and in the live setting. I wish the distance on I-5 between me and them wasn’t 5-6 hours, as I’d see them far more often if I could.
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 Matt Chamberlain, Viktor Krauss, Dan Phelps – Modular: Sonic Explorations :: Gorgeous soundscapes from Matt Chamberlain, Viktor Krauss, and Dan Phelps. The Modular Project is the collaboration of the aforementioned musicians working together to “discover what the spontaneous and organic manipulation of sound can yield. Inspired by the world around them, they set out to discover what it might sound like when continents shift, clouds form, and roots push through soil.” The track, “Everest,” features one of my favorite cellists – Eyvind Kang (who has worked with Secret Chiefs 3, John Zorn, Bill Frisell, Mike Patton). It’s a great mix of cello, vibes and soaring atmosphere. The album is only available digitally or on vinyl (it’s a luscious triple-gatefold!)… |
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 Dave Douglas – Three Views: GPS Series – Rare Metals, Orange Afternoons & Bad Mango :: Originally released as the “Greenleaf Portable Series” (download only), these three different releases in 2011 finally got a proper physical (boxset) release. Dave’s prolific writing comes out with different bands on each record: Rare Metals features Dave’s most recent band Brass Ecstasy; Orange Afternoons features a specially put together quintet with Ravi Coltrane, Vijay Iyer, Linda Oh, and Marcus Gilmore; and Bad Mango paired Dave’s trumpet with So Percussion’s marimba, drumset, glockenspiel, musical saw, toy bells, shruti box, crotales, and more. Three very different records tied together with Dave’s fantastic playing.
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 Tides From Nebula – Earthshine :: This Polish post-rock group won my heart in 2009 with their debut, Aura (in 2009). They continue to tease me with emails or news that says “tour” until I open and can’t pronounce the names of the cities that they’re hitting. Drat! At least their music will keep me company! Earthshine is perfect for those fans of Explosions in the Sky, Mogwai, and the like… and seeing as it beat out both those groups on my 2011 list, well, that should tell you something as well.
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 Michael Kelsey – Submerged :: Michael Kelsey is a HUGE amount of what I miss from the Midwest music scene. He’s a musical genius – rarely paralleled on the frets. Seeing him live (which I did any chance I could) was a site to behold. His records do their best to capture his virtuosity, but they usually fail to capture his energy, too. Catching fire in a bottle is tough. Regardless, this one is a gem and also marks his first all instrumental affair. Check him out, and if you live within a state or two from central Indiana, I count you a lucky one. Go see him if he stops by your town.
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 Earth – Angels of Darkness, Demons of Light 1 :: More riff-oriented and melodic compared to the prior drone doom albums, Earth bring a cello into the mix for the first time and create an ominous soundscape that is both elegant and dreadful. The follow-up, Angels & Demons 2, comes out in Feb 2012… and you can almost guarantee it’ll rise to the top of my list next year as well.
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Note: Ric Hordinski’s Arthur’s Garden (which made it on my 2011 Mix) is technically a 2012 release, hence its absence above.
Where do I get most of these jazz and other instrumental releases? My #1 favorite source for jazz is Downtown Music Gallery in New York. Manny and Bruce and their great staff are superb… and being the official distributor for John Zorn’s Tzadik doesn’t hurt my affection for them. I usually do a monthly Tzadik order (if the releases strike my fancy), and they have a ton of other non-Tzadik jazz and avant-garde releases as well.
And, no, I’m not affiliated, I don’t get a commission, and beyond my initial “big tax refund / gotta get caught up on Zorn order of 2005,” I haven’t gotten a discount with DMG. I just love and support what they do.
Enjoy the New Years’ weekend!! Be safe! See you in 2012.
My Other Favorites of 2011 Recaps:
- Fave Concerts & Photos of ‘11 are recapped *HERE*
- Fave EPs/Vinyl/Live/DVDs/more of ‘11 are *HERE*
- Fave Vocal Albums ‘11 are *HERE*
- Old Years:
- 2010: Instrumental, Vocal, EPs/etc, Concerts,
- Best of the 2000s Decade (1-10, 11-20, 21-25)
- 2009: Instrumental, Vocal, EPs/etc, Concerts
- 2008: Instrumental, Vocal, EPS/etc, Concerts
- 2007: Vocal, Instrumental, Concerts
- 2006 & 2005
~Dan – np: Trent Reznor & Atticus Ross – The Girl With the Dragon Tattoo
* Favorite Vocal Albums of 2011 *
I’ve been buying less music… or, at least a lot less mainstream (major label) music. This is also my fourth year now that I bought more instrumental CDs than vocal CDs. I think as I get older, I am drawn more towards jazz and other instrumental forms of expression. For that reason, the favorite vocal albums list goes first this go ’round. Hopefully my spilling out of music that I like finds interest with someone else. But if not, thanks for stopping by… check out the artists’ webpages, Facebox pages, yadda yadda yadda. A lot of these also made it on to my 2011 Mix CD (free streaming/download).
OK, now on to the best of what’s hit my ears this year…
Honorable Mentions: Iron & Wine – Kiss Each Other Clean, Tres Mts – Three Mountains, Pomplamoose – The Album You Bought At Our Show (Thanks for That), MC Frontalot – Solved and The Roots – Undun.
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 Björk – Biophilia :: It started with an iPhone / iPad app… I was skeptical, but it turned out to be a really cool app and a really cool album. I don’t think the actual music broke any new ground for Bjork, but her willingness to approach technology and manifest an album initially with a new format is what will keep her in the forefront for me. |
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 Elysian Fields – Last Night on Earth :: Brooklyn-based sultry art rockers Elysian Fields don’t really tour outside of NYC often. Jennifer Charles and Oren Bloedow find their way to Europe on occasion, but most U.S. fans only really have their studio albums to sate their musical desires. This is their sixth full-length album in their near 16-year career. Well crafted, well produced, lush vocals and folk meets dusky jazz. |
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 Blackfield – Welcome to My DNA :: I was disappointed that I couldn’t make it out for this tour. The album is good, albeit a little disjointed compared to their other two albums (probably due to Aviv Geffen doing more of the writing versus Steven Wilson who was busy with his solo album – see #9 below). Nice orchestration and a solid offering from Blackfield. |
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 Dream Theater – A Dramatic Turn of Events :: I almost didn’t buy this album. I’m glad I did, but I’m still pretty pissed at the band for choosing to continue without founder/drummer Mike Portnoy after he expressed an interest in a short hiatus/breather. They picked up a drummer I like (Mike Mangini, who i saw play with Extreme in 1995), but a BIG piece of what I loved about DT (after Kevin Moore left in 1994) was Mike Portnoy’s energy. With his absence, I’m liking them less and less. The album is good, but it’s way more bitter than sweet to me. |
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 Foo Fighters – Wasting Light :: Dave Grohl is a modern rock genius. He rocks, he hooks, he continues to put out great music. |
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 Steven Bernstein’s Millennial Territory Orchestra – MTO Plays Sly :: A trumpet-led tribute to Sly and the Family Stone with guests vocalists. This superb collection is less funk, but still quite enjoyable. My favorite is the Antony-sung “Family Affair.” |
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 Florence + the Machine – Ceremonials :: Soulful baroque-rock chanteuse won me over with their first album Lungs, even though I didn’t pick it up this year. Her second album solidifies her as more than a fluke. The album is dancey and dark. Great for fans of Tori Amos & Kate Bush! |
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 Incubus – If Not Now, When? :: Incubus took some time off so guitarist Mike Einziger could work on his degree at Harvard and singer Brandon Boyd could put out some art as well as his solo album. They regrouped and put out an album that had a similar vibe to the ocean-groove Morning View. They aren’t breaking new ground, but they still have a solid position in my ears. |
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 The Jelly Jam – Shall We Descend :: The supergroup of Ty Tabor (King’s X), John Myung (Dream Theater) and Rod Morgenstein (Dixie Dregs) finally found some time to hit the studio! The result is an excellent rock album… |
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 Chevelle – Hats Off to the Bull :: Chevelle are a sleeper in my collection. I almost write them off and then with each album, I think how stupid it’d be to write them off. Great hard rock with a vocalist that reminds me of Maynard (Tool, etc). I really need to see this band live – I’ve yet to have a the chance… |
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 My Brightest Diamond & Murat Eyuboglu – Letters to Distant Cities :: A short spoken word album, featuring the words of Mustafa Ziyalan. Words spoken by Shara Worden (My Brightest Diamond), backing music by Murat Eyubolu, with two songs sandwiching the poetry – one by MBD and one by Clare & the Reasons. A great arty piece. |
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 Jason Ludwig – Tanglings :: Jason Ludwig returns to the Cincinnati music scene after his 2010 band break up (Noctaluca) with two full-length albums (Tanglings and Lost in Love). Tanglings is my favorite of the two, but they’re both quite excellent. Well-produced, well-arranged, creative singer-songwriter that reminds me of a cross between the pop of Glen Hansard (of the Swell Season and the Frames) and the creative of Daniel Johns (of Silverchair). If you don’t like these albums, I’d be surprised. |
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 Hotel Lights – Girl Graffiti :: Darren Jesse was the drummer for Ben Folds Five, and wrote one of my absolute favorite songs for them – “Magic” from The Unauthorized Biography of Reinhold Messner. He puts down the sticks and picks up the guitar and vocal duties for Hotel Lights. This is HL’s 3rd album, and he continues to impress me with his versatile skills. Poppy indie rock. |
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 Eisley – The Valley :: The long gap between The Valley and their last album was trying for the band. After many contract dispute with their former label (Warner), they were finally set free. Many bands don’t make it out of contract disputes alive – it’s easier to break up sometimes. Well, thankfully it’s difficult for Eisley to break-up, as they’d still see each other at holidays and family get-togethers (the band consists of 3 sisters, a brother, and a cousin). The Valley picks up where 2007’s Combinations left off. Alt-pop-rock goodness. Vocal duties traded off between sisters Sherri & Stacy… |
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 Tori Amos – Night of the Hunters :: This was Tori’s first album on classical label Deutsche Grammophon. I was skeptical at first, not because of the classical bent. I knew she could handle that… I was skeptical due to the first artwork that looked plastic (which sadly stayed) and her last studio album was a lackluster (IMO) holiday album (blech). Tori enlists her daughter Natashya on some vocals, and delivers one of my favorite Tori albums since 2002’s Scarlet’s Walk. |
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 David Bazan – Strange Negotiations :: Continuing in his solo expressions after the official ceasing of Pedro the Lion, David Bazan manifests wit, a sharp tongue, and a questioning mind into his DIY-indie rock. This year, he toured quite a bit, solo and with a band. An album last year (Curse Your Branches), an album this year, and another on the way. He’s slogging away, trekking all over the country, and making some great music on the way. |
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 Steven Wilson – Grace for Drowning :: Porcupine Tree frontman Steven Wilson is a hard worker. Whether he’s producing albums for others or making albums & touring with PT, Blackfield, No-Man, Storm Corrosion, or solo – he’s always busy each and every year. This year brought his second solo album and a small tour. The album is a bit more stripped down from his other projects. It is reminiscent of Pink Floyd in spots – specifically this song “Home in Negative.” He also rocks out a bit in the almost two hour double album… check out the video for “Track One” here (it’s a bit bleak then startling). Gorgeous work. |
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 Wussy – Strawberry :: Well, I was super happy when I found out that Wussy was putting out their fourth full-length studio album this year. They’re a fantastic rock quartet made up of Chuck Cleaver, Lisa Walker, Mark Messerly, and Joe Klug. They write catchy, poppy choruses and meld it perfectly with Midwest Americana-meets-indie-rock grit (or “Midwestern drone” as their press says). Vocal duties are traded off with Chuck (of Ass Ponys) and Lisa (of Magic Words). |
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 Radiohead – The King of Limbs :: I could probably put an “indie” icon next to Radiohead… I think technically they put TKOL out by themselves. But they’re a huge superpower of a band. I like this record, but I’ll admit that it’s still sinking in… I need to give it some more spins. This album spawned a seven 7″ vinyl remix set. The video for “Lotus Flower” also spawned a silly “Thom Yorke dancing” meme… one of my favorites being the tennis/fish and the “Single Ladies” editions. |
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 Jeffrey Foucault – Horse Latitudes :: Jeffrey Foucault is a favorite Americana artist that I got turned on to by singer-songwriter/storyteller Peter Mulvey. Jeffrey and Peter work together in the band Redbird (with David Goodrich and Jeffrey’s wife Kris Delmhorst). I didn’t pick up Jeffrey’s albums until the past year and a half. He’s definitely more on the cusp of country than I tend to traverse, but I dig his authenticity, poetic wit and charm. He’s a delight on stage and a fantastic John Prine-esque songwriter for the new generation. |
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 Opeth – Heritage :: Mikael Åkerfeldt hangs up the cookie monster vocals and “Swedish death metal” rattle and puts out a solid heavy metal album that is a tribute to his progressive metal ancestors. I’ll admit, I miss the heavier side, but it’s still good to see Mikael evolve. |
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 Over the Rhine – The Long Surrender :: For those that don’t know Over the Rhine, they started out as a four piece in Cincinnati in 1989 and put out their “post-nuclear, pseudo-alternative, folk-tinged art-pop” indie debut ‘Til We Have Faces in 1991. After about a decade as a four-piece, Ric Hordinski (guitars) & Brian Kelley (drums) left. Karin Bergquist (vocals) & Linford Detweiler (keys) carried on the Over the Rhine flame throughout the years… moving away from a rockier feel to a more folky-pop-Americana thing. What I like about Over the Rhine is they continually change and evolve into a different band with each album and each outing. I’ve seen them rock out, I’ve seen them jazz it up, I’ve seen them happy, I’ve seen them somber, I’ve seen them celebratory, and I’ve seen them tell stories that will make you laugh and cry. |
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 dredg – Chuckles and Mr. Squeezy :: I love this band. I hate the album title, but I love the band. Modern progressive rock, tons of talent, thoughtful lyrics, none of that “prog wankery” that is generally detestable. While it’s hard for them to follow-up the stunning The Pariah The Parrot The Delusion (from 2009), this new album does a hearty job of maintaining their quality rock standards. |
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 My Brightest Diamond – All Things Will Unwind :: Shara Worden (aka My Brightest Diamond) took some time off since her last album – 2008′s A Thousand Shark’s Teeth. She put out some stunning collaborations in the past three years (see #15 above) including her first kiddo; so the lapse in studio work was a-OK. On this album, Shara teams up with NYC-based ensemble yMusic to create a lush backdrop for her gorgeous voice. I can’t praise this album enough! |
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 Puscifer – Conditions of My Parole :: Tool / A Perfect Circle frontman Maynard James Keenan makes wine and makes other music in his time off from Tool and APC. I loved Puscifer’s debut and the subsequent EP, but this album tops it all. It’s a brilliant record, recorded in one of his wine cellars with his friends – featuring backing vocals from Carina Round. It’s self-released by Puscifer music with a small distribution partner (available in indie shops, primarily). The tour this year was great (I caught Seattle), and I’m glad they’re heading out in the spring again (I’ll be at Portland). |
Check out the 2011 Mix for some samples, click the Amazon buttons for other samples, and support the music if you like what you hear!
My Other Favorites of 2011 Recaps:
- Fave Concerts & Photos of ‘11 are recapped *HERE*
- Fave EPs/Vinyl/Live/DVDs/more of ‘11 are *HERE*
- Fave Instrumental Albums ‘11 are coming soon
- Old Years:
- 2010: Instrumental, Vocal, EPs/etc, Concerts,
- Best of the 2000s Decade (1-10, 11-20, 21-25)
- 2009: Instrumental, Vocal, EPs/etc, Concerts
- 2008: Instrumental, Vocal, EPS/etc, Concerts
- 2007: Vocal, Instrumental, Concerts
- 2006 & 2005
~Dan – np: Trent Reznor & Atticus Ross – The Girl With the Dragon Tattoo
2011 mix
Time for this year’s mix CD, except I decided to go CD-free this year. It’s still formatted to stay contained on one CD (20 tracks ~77 mins); so if you want to download the whole shebang and burn to a CD – go for it!
Check out 2009’s mix over here and 2010’s mix over here. No major theme this time like some of my prior mixes (4 Elements & A-to-Z mixes)… the only rule I placed before myself was that everything is current (i.e.- released in 2011). This year’s mix ended up mellower than most mixes from me. There are a few rock songs, but whilst re-listening, it’s definitely less rocky. I hope you enjoy.
The following songs were put on the mix from mostly lossless sources where possible and for promotional purposes only (read: free direct market advertising to people who decidedly love music). Most of the artists on this compilation are independent (put out the music themselves) or signed to smaller, independent labels. If you like what you hear, check out their music / support them with your wallet if you are able. The artists’ Webpage, Facebook, and Amazon links are available for each song below. I’ve also included concert review links if I’ve seen the artist recently.
Download the ZIP File (136M) available *HERE*, extract then drag & drop the mp3 files to your iTunes (or other playback software).
All Songs Streaming Playlist (click arrows to skip back & forth… for individual songs find them below. Note: Track 20 has explicit content.)
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01 Puscifer “The Green Valley” from Conditions of My Parole
Tool / A Perfect Circle frontman Maynard James Keenan makes wine and makes other music in his time off from Tool and APC. I loved Puscifer’s debut and the subsequent EP, but this album tops it all. It’s a brilliant record, recorded in one of his wine cellars with his friends – featuring backing vocals from Carina Round. It’s self-released by Puscifer music with a small distribution partner (available in indie shops, primarily). While there are some rockers (maybe 1/3 of the album), this song is fairly representative of the feel of the album. It’s my #1 album in 2011.
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02 My Brightest Diamond “Be Brave” from All Things Will Unwind
Shara Worden (aka My Brightest Diamond) took some time off since her last album – 2008’s A Thousand Shark’s Teeth. She put out some stunning collaborations in the past three years (including her first kiddo); so the lapse in studio work was a-OK. On this album, Shara teams up with NYC-based ensemble yMusic to create a lush backdrop for her gorgeous voice. It’s my #2 album in 2011. I can’t praise it enough!
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03 Ric Hordinski “My Pretty Bagatelle” from Arthur’s Garden
Guitarist extraordinaire Ric Hordinski (formerly of Over the Rhine – in their rockier days) has been a favorite of mine for a LONG TIME. He’s the kind of guitarist who is subtle and unassuming in his approach, but you end up wracking your brain how he gets such lush and complex sounds out of the frets. This album was part of a Kickstarter campaign, and while the physical manifestation hasn’t hit my mailbox yet, I was happy he sent it out to Kickstarter funders early. It’s such a great record… you can get it now on bandcamp!
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04 Goddamn Electric Bill “Sin” from Jazz
GdEB is the one-man brainchild of Jason Torbert. He hits the spot for organic electronic meets post-rock for me. Ambient at times, melodic other times. His latest work has featured some vocals, but he’s primarily a groove-induced soundscape kind of guy. Chirps and glitches, too. Excellent stuff!
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05 Radiohead “Codex” from The King of Limbs
I could probably put the “indie” icon next to Radiohead, too… I think technically they put TKOL out by themselves. But they’re a huge superpower of a band. I like this record, but I’ll admit that it’s still sinking in… I need to give it some more spins. This album spawned a seven 7″ vinyl remix set. The video for “Lotus Flower” also spawned a silly “Thom Yorke dancing” meme… one of my favorites being the tennis/fish and the “Single Ladies” editions.
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06 Garage A Trois “Assault on Precinct 13” from Always Be Happy, But Stay Evil
Skerik, Stanton Moore, Marco Benevento (who replaced Charlie Hunter) and Mike Dillon make their way through Oregon quite a bit. They are a sight to see – you don’t know exactly what kind of show you’ll get, but it’s definitely a fun time. Fun, groove-oriented “new jazz.”
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07 dredg “The Tent” from Chuckles and Mr. Squeezy
I love this band. I hate the album title, but I love the band. Modern progressive rock, tons of talent, thoughtful lyrics, none of that “prog wankery” that is generally detestable. While it’s hard for them to follow-up the stunning The Pariah The Parrot The Delusion, this new album does a hearty job of maintaining their quality rock standards.
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08 Tres Mts. “Makes Me Feel” from Three Mountains
Supergroup made up of dUg Pinnick of King’s X, Jeff Ament of Pearl Jam, and Richard Stuverud of the Fastbacks. They jangle through about an hour of solid rock tunes… more closely resembling a soulful King’s X trajectory vs. Pearl Jam – mainly due to dUg’s vocal duties. This is a great trio that I hope isn’t a one-off. With King’s X on tour in 2012, I doubt we’ll hear more from Tres Mts for a while, though.
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09 Chamberlain/Krauss/Phelps “Everest” from Modular: Sonic Explorations
Gorgeous soundscapes from Matt Chamberlain, Viktor Krauss, and Dan Phelps. The Modular Project is the collaboration of the aforementioned musicians working together to “discover what the spontaneous and organic manipulation of sound can yield. Inspired by the world around them, they set out to discover what it might sound like when continents shift, clouds form, and roots push through soil.” This track, “Everest,” features one of my favorite cellists – Eyvind Kang (who has worked with Secret Chiefs 3, John Zorn, Bill Frisell, Mike Patton). It’s a great mix of cello, vibes and soaring atmosphere. It’s only available digitally or on vinyl (it’s a luscious triple-gatefold!)…
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10 Jeffrey Foucault “Passerines” from Horse Latitudes
Jeffrey Foucault is a favorite Americana artist that I got turned on to by singer-songwriter/storyteller Peter Mulvey. Jeffrey and Peter work together in the band Redbird (with David Goodrich and Jeffrey’s wife Kris Delmhorst). I didn’t pick up Jeffrey’s albums until the past year and a half. He’s definitely more on the cusp of country than I tend to traverse, but I dig his authenticity, poetic wit and charm. He’s a delight on stage and a fantastic Prine-esque songwriter for the new generation.
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11 Peter Mulvey & David Goodrich “Drumlin Trail” from Nine Days Wonder
Peter Mulvey has toured all over the US and the world for about 2 decades. Some of the first times I saw him in concert, he had “Goody” with him on backing guitar. They don’t get a chance to tour together much lately, but they did find some time to hole-up inside a studio to write and record some instrumental guitar duets. While I love Peter’s vocal storytelling, it’s nice to hear his and Goody’s instrumental interplay tell a different story.
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12 Steven Wilson “Home in Negative” from Grace for Drowning
Porcupine Tree frontman Steven Wilson is a hard worker. Whether he’s producing albums for others or making albums & touring with PT, Blackfield, No-Man, Storm Corrosion, or solo – he’s always busy each and every year. 
This year brought his second solo album and a small tour. The album is a bit more stripped down from his other projects. It is reminiscent of Pink Floyd in spots – specifically this song “Home in Negative.” He also rocks out a bit in the almost two hour double album… check out the video for “Track One” here (it’s a bit bleak then startling). Gorgeous work.
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13 Wussy “Pulverized” from Strawberry
Well, I was super happy when I found out that Wussy was putting out their fourth full-length studio album this year. They’re a fantastic rock quartet made up of Chuck Cleaver, Lisa Walker, Mark Messerly, and Joe Klug. They write catchy, poppy choruses and meld it perfectly with Midwest Americana-meets-indie-rock grit (or “Midwestern drone” as their press says). Vocal duties are traded off with Chuck (of Ass Ponys) and Lisa (of Magic Words).
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14 Pomplamoose “Telephone” from The Album You Bought At Our Show…
This is the song that got me into Pomplamoose. It’s a cover of the collaboration between 
Lady Gaga and Beyoncé (whose ridiculous but still kind awesome original video has 129 million hits as of Dec 2011). Pomplamoose does “video songs,” and this was the hook to lure me in. Click the image at the left to see their video of the song. The CD came out this year as part of their first tour ever… which I caught in Portland. Excellent, fun band!
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15 David Bazan “Wolves at the Door” from Strange Negotiations
Continuing in his solo expressions after the official ceasing of Pedro the Lion, David Bazan manifests wit, a sharp tongue, and a questioning mind into his DIY-indie rock. This year, he toured quite a bit, solo and with a band. An album last year (Curse Your Branches), an album this year, and another on the way. He’s slogging away, trekking all over the country, and making some great music on the way.
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16 John Zorn “Song of Experience” from At the Gates of Paradise
“Channeling the work of Romantic visionary William Blake and ancient Gnostic writings from the Nag Hammadi archives, At the Gates of Paradise is the newest installment in Zorn’s ever growing catalog of mystical works. The music is filled with bright light and a childlike innocence, and ranges from long form compositions with constantly shifting time signatures that unfold with a compelling inner logic to mysterious ballads and hypnotic moods.” The album features a quartet that I know and love from many jazz/avant outfits: drummer Joey Baron (Masada and many more), bassist Trevor Dunn (Mr Bungle, Fantômas, Nels Cline Singers), keyboardist John Medeski (Medeski Martin & Wood) and vibraphonist Kenny Wollesen (Sex Mob, Electric Masada, etc).
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17 Over the Rhine “Days Like This” from The Long Surrender
For those that don’t know Over the Rhine, they started out as a four piece in Cincinnati in 1989 and put out their “post-nuclear, pseudo-alternative, folk-tinged art-pop” indie debut ‘Til We Have Faces in 1991. After about a decade as a four-piece, Ric Hordinski (guitars) & Brian Kelley (drums) left. Karin Bergquist (vocals) & Linford Detweiler (keys) carried on the Over the Rhine flame throughout the years… moving away from a rockier feel to a more folky-pop-Americana thing. What I like about Over the Rhine is they continually change and evolve into a different band with each album and each outing. I’ve seen them rock out, I’ve seen them jazz it up, I’ve seen them happy, I’ve seen them somber, I’ve seen them celebratory, and I’ve seen them tell stories that will make you laugh and cry. This tune was written by fellow Cincinnati singer-songwriter Kim Taylor (it originally appeared on her 2008 EP The Greatest Story). I’d highly recommend checking her out as well.
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18 Elysian Fields “Sleepover” from Last Night On Earth
Brooklyn-based sultry art rockers Elysian Fields don’t really tour outside of NYC often. Jennifer Charles and Oren Bloedow find their way to Europe on occasion, but most U.S. fans only really have their studio albums to sate their musical desires. This is their sixth full-length album in their near 16-year career. Well crafted, well produced, lush vocals and folk meets dusky jazz.
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19 Kevin Moore “Hypnogogic” from Shine
This is a little palette cleanser for the mix CD – right before the end. Kevin Moore’s main projects are the trippy/sample-heavy Chroma Key & heavier prog collaboration band O.S.I. (with Jim Matheos). Shine is the soundtrack to the 2006 Turkish film Küçük Kiyamet (“Little Apocalypse“). It came out in early 2011 after a successful Kickstarter in 2010. The next album from O.S.I. comes out in February 2012 on Metal Blade. I can almost guarantee it will be my Top album of 2012, and I haven’t heard a shred of it yet.
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20 Childish Gambino “Heartbeat” from Camp (warning: explicit content)
I first heard of Childish Gambino (aka Donald Glover) like many people – via television. Donald plays Troy Barnes on NBC’s Community. I’ve heard a few of his albums, but this was his first full-length with a wide release. This song almost didn’t make the cut, but the melody in the chorus and the grinding keyboards just made it to difficult to ultimately cut from the mix. Brilliant song about the messiness of dating. If you’d like the “clean” version of the song, there is a “clean” version of the whole album on Amazon.
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Near misses from the mix: something from Earth’s Angels of Darkness Demons of Light 1 & Opeth’s Heritage (songs are too long) and Azealia Bank’s “212” (infectious as hell)… plus songs from several other albums that’ll still be on my Best of 2011 lists (coming soon).
Let me know what you think… If you enjoyed what you heard, please support the music. Definitely feel free to pass the link the mix along:
~Dan – np: Florence + the Machine – Ceremonials
there are no torrents, free mp3 or other downloads available
* Favorite Instrumental Albums of 2010 *
Disclaimer: No, I haven’t heard all 8,000+albums released this year. I’ve heard about 120 of them, which makes me at least 98.5% likely to be wrong. I make no claims to objectivity. These albums are my favorites from 2010. You might think that the one you’ve heard that I haven’t heard is the best album of 2010. And you might be right. And, I while I generally agree with John Roderick about Year-End Lists, I still find it quite fun to compile my own.
As I start this post, I will say that this is all very subjective and really put together for my own purposes. I’ll also state that, yes, some of the music below does have some vocals (i.e.- the Beats Antique & Tin Hat CDs). For the most part, it’s sequestered to a track or two on a long CD of mostly instrumental goodness. My list, my rules, and/or my breaking of the rules. With that being said, all of the artists below tend to be in the jazz and instrumental frame of reference anyway.
As said before… I’ve been buying less music… or, at least a lot less mainstream (major label) music. This is also my third year now that I bought more instrumental CDs than vocal CDs. I think as I get older, I am drawn more towards jazz and other instrumental forms of expression. Hopefully my spilling out of music that I like finds interest with someone else. But if not, thanks for stopping by… check out the artists’ webpages, SpaceBook & MyFace pages, yadda yadda yadda. A lot of these also made it on to my 2010 Mix CD.
OK, now on to the best of what’s hit my ears this year…
Honorable Mentions: The Album Leaf‘s A Chorus of Storytellers, For a Minor Reflection‘s Höldum Í Átt Að Óreiðu, Yuka Honda‘s Heart Chamber Phantoms, Medeski Martin & Wood‘s The Stone Issue Four (great NFP/charity live release), and Jamie Saft‘s A Bag of Shells…
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 Boy Eats Drum Machine – 20 Beats (self) :: OK, due to its title, 20 Beats had to come in at #20, right? Regardless of wherever it hit, it’s a great album. I first saw Boy Eats Drum Machine (aka Jon Ragel) open for That1Guy in Eugene. I loved his turntablism, his sax playing, and his trippy sounds. He’s a Portlander, too; so I’ve had a chance to see him twice this year. Hopefully more in the near future…  |
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 John Zorn – Filmworks XXIV: The Nobel Peace Prize / In Search of the Miraculous / Interzone (Tzadik) :: John Zorn put out a ton of stuff in 2010. Some of it didn’t make this list. Some of it was great (these 3), and some of it was stupendous (some others higher up on the list). Filmworks XXIV is a more genteel offering.  It is performed by the Rob Burger trio (and it’s a film score… duh). In Search of the Miraculous is in Zorn’s spiritual / “magick” subcategory (which has been hit or miss to me). This album seems like a souped-up Rob Burger/Alhambra piano combo. Quite delightful. Interzone is a return to Zorn’s “filecard” system and a tribute to William Burroughs.  Some people on the Zornlist have raved about it… I find it good, but not amazing. Too much filler in the long-tracks… moments of brilliance, but also moments of meh-ness. I’d rank it definitely better than “for the completist,” but lower than “legendary.” All in all… solid experimental record. The players are the usual fantastic Tzadik studio players: Medeski, Baptista, Dunn, Mori, Ribot, Wollesen and Zorn. |
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 Mostly Other People Do the Killing – Forty Fort (Hot Cup) :: So, I’m a fan of composer Moppa Elliott and trumpet player Peter Evans. Peter’s solo show in Eugene a couple of years ago was an avant-garde delight. MOPDTK is a little more straight forward than Peter’s solo stuff. It’s a fun jazz group… very similar in feel and youthful, party jazz energy as Reptet (up in Seattle). This is their second album that I’ve heard but their fourth released. My favorite tracks are “Nanticoke Coke” and the title track “Forty Fort.” I’m looking forward to more from this killer band ensemble. |
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 Masada String Trio plays John Zorn’s Masada Book Two, Volume 16: Haborym (Tzadik) :: Greg Cohen, Mark Feldman, and Erik Friedlander are fantastic players, and their contribution to the Masada Book Two series is an essential release. One of the best of the series, and the Trio’s first studio recording in five years (last one was 2005’s Azazel #5). Masada Book Two Sidenote: Cohen was actually in the original Masada quartet, but all of the members of the String Trio have also shown up on other MBT releases – Cohen (Astaroth #1, Lucifer #10, Stolas #12 and Baal #15), Friedlander (Volac #8, #10 and the upcoming Caym #17), and Feldman (Malphas #3 & #10). |
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 John Zorn – The Goddess (Tzadik) :: The Goddess is a continuation of In Search of the Miraculous, but I fancy it far more. It is also a souped-up Rob Burger/Alhambra piano combo, quite lyrical and melodic. As the title suggests, it is dedicated to the feminine. It also features some harp work from Carol Emanuel – who unbeknownst to me until now has been on quite a bit of Zorn’s releases. |
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 Derek Webb – Feedback (INO) :: From my original writeup: Feedback is a self-proclaimed “worship album.” I also love the general aesthetics of it. It’s definitely got some electronic elements, but it has a more sweeping feel as well. Some of it feels like a mix of a happier ambiance of Amiina/Sigur Rós meets an acoustic-electronic bridge in a Sufjan Stevens song meets a gentle Ric Hordinski lyrical guitar solo (I am in a Monk mood). It’s a great quality instrumental album from a man who I loved via his witty voice from the get go. It’s nice to see him expand outside his comfort zone. As an atheist, I take it as a conduit into introspection and the worship of the divine as I see it – music. |
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 Secret Chiefs 3 – Satellite Supersonic Vol 1 (Web of Mimicry) :: A new format release of the 7″ vinyl singles that SC3 put out in the Spring of 2007. Nothing majorly new, but still nice to have in this format. Secret Chiefs 3 fans are still waiting on Book of Souls, the follow-up to 2004’s Book of Horizons. Who knows if we’ll ever get it… but this compilation is a great “tweener” – especially if you weren’t able to get the limited 7″ vinyls or didn’t have a record player. |
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 John Zorn’s Moonchild Trio (with Marc Ribot) – Ipsissimus (Tzadik) :: The Moonchild Trio is one of the more experimental / scary groups. It’s a highly composed, but seemingly improvisational group made up of Mike Patton on voice (not lyrical), Trevor Dunn on bass, and Joey Baron on drums. Ipsissimus is the fifth in the series, and includes Marc Ribot’s guitar and John Zorn’s sax for more than just one tune (like on The Crucible). This release is not for the faint of heart. Purely energetic, glossolaliac noise metal. |
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 AutorYno – Pastrami Bagel Social Club (Tzadik) :: I am fans of some of the other Jewish rock acts on John Zorn’s Tzadik label: like Eyal Maoz’s Edom, Jon Madof’s Rashanim, and Yoshie Fruchter’s Pitom. The description for this AutorYno debut from Tzadik was “a wild klezmer/rock fusion by this crazed band of Paris-born punk rockers… AutorYno hits with a hardedged sound and an exciting musical imagination. Full of youthful energy, massive guitar and centered by a powerful beat, they present eleven instrumentals that combine the power of rock with a taste of Jewish tradition.” Regardless of Tzadik’s usual/expected hyperbole, I couldn’t not get it. I’m glad I did. Utterly fantastic klez-jazz-rock blend. |
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 Tin Hat – Foreign Legion (BAG) :: The Bay Area acoustic group is no longer a trio. They are currently made up of Carla Kihlstedt on violin & voice, Mark Orton on guitar & dobro, Ben Goldberg on clarinets, Rob Reich on accordion & piano, and Zeena Parkins on harp. It also features Willie Nelson on guest vocals on a track. The album is part European explorer, part cinematic, part chamber group, part tango. I generally by anything Carla Kihlstedt is involved in. So far, I haven’t been steered wrong… |
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 Beats Antique – Blind Threshold (self) :: I got to see Zoe Jakes of Beats Antique twice this year… once with Beats Antique during Eugene Celebration, and once with the Indigo Bellydance troupe as part of their Le Serpent Rouge tour. She had a knee in a brace during Eugene Celebration; so she lended her stage presence to additional percussion instead of dance – which was unfortunate. Beats Antique is a bellydance-friendly, electronic and live instrument band from the Bay Area. Elements of Balkan music and tribal-fusion dance music. “Egyptic” is indicative of their infectuous sound. |
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 Anakronic Electro Orkestra – Speak With Ghosts (Balagan Box) :: One of my favorite EPs of 2009 was Anakronic Electro Orkestra’s The Yiddish Part. My only complaint with the EP? It was too short. Well, in mid-November 2010, unbeknown to me at the time, they came out with their debut full-length Speak With Ghosts. AEO hail from Toulouse, France, and crank out a mighty fine mixture of drum & bass mixed with Eastern European-fused klezmer. This album is a 40+ minute shuffle through a modern klezmer forest – including one song featuring David Krakaeur (another favorite musician of mine). I think AEO is also great for fans of Beats Antique and Balkan Beat Box. |
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 Loose Grip – Looking Glass (Fabrikant) :: Loose Grip is a fantastic Edinburgh-based jazz quartet led by drummer Chris Wallace. This guitar and tenor sax infused contemporary jazz band is great for fans of Chris Potter and Joe Lovano on the sax angle, great for fans of the guitar jazz like John Scofield, etc. It’s a well made record, and clearly stands out amongst the many jazz records that came out this year. |
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 John Zorn’s The Dreamers play Masada Book Two, Volume 14: Ipos (Tzadik) :: Let’s just put this out there now… with thirteen albums and a DVD out in 2010, John Zorn might seem to have more misses than hits. Well, I don’t think there’s been a more consistent set of songs than his Masada songs, and there hasn’t been a more consistently great series than the Masada Book Two series (Zorn’s Masada songs covered by others). The Dreamers is a supergroup, too: Marc Ribot, Joey Baron, Cyro Baptista, Kenny Wollesen, Trevor Dunn and Jamie Saft – pillars in the adventurous, downtown NYC scene. |
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 Charlie Hunter – Gentlemen, I Neglect to Inform You You Will Not Be Getting Paid (Spire Artist) :: One of the most amazing things from this past year was watching Charlie play live (twice). His seeming ease at which he plays bass and guitar on one instrument is stunning (and curse-worthy for the guitar aficionado in the crowd). If you weren’t watching the stage, you’d easily be fooled that it was a quartet and not a trio. It’s quite an amazing thing to see and hear. He’s so unassuming about it, too… a showman without the show-off attitude. Gentlemen came out in early 2010, and is a great melodic romp. For prior fans of Charlie, you won’t be disappointed. For people who aren’t yet fans… you will be. |
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 Dave Douglas & Keystone – Spark of Being (boxset) (Greenleaf) :: Dave and his fusion group Keystone were busy with this 3-CD boxset. All three releases were inspired by Douglas’ recent collaboration with experimental filmmaker Bill Morrison on the new multi-media project Spark of Being. The first release is the soundtrack to the film. Two additional releases, Expand and Burst, feature Douglas and Keystone exploring and interpreting the themes of the film. Expand was also available on vinyl (a first for Dave’s Greenleaf label). |
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 Dave Holland – Pathways (Dare2) :: I got into Dave Holland around the same time as a lot of other jazz. I got into jazz through the backdoor (John Zorn) and then slowly moved into the more straight ahead jazz. I think I can officially blame Ken Laster and his In the Groove, Jazz and Beyond podcast for playing a lot of Dave Holland. Anyway, shortly after hearing Holland, I picked up Extended Play: Live at Birdland and Critical Mass. Both are great, but the latter is quite fetching. Pathways is a superb combo and features some amazing playing by some other favorites of mine: saxophonist Chris Potter and drummer Nate Smith. Outside of Joey Baron (Masada, etc), I think Nate Smith is one of the most entertaining drummers to see play. I love how Dave Holland surrounds himiself with amazing players. Great band, great record! |
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 Holy Fuck – Latin (Young Turks) ::  Despite what you think of their choice of band name, these Toronto band continue to put out great, groove-infused live electronic music that is both experimental and a poppy-force in the indie rock movement. Latin, their third full length album, grabbed me immediately when it came out this past May… and it’s #1 with a bullet as far as instrumental albums go in 2010. To top it off, they swung through Oregon twice this year (both excellent shows), and they put out quite possibly the cutest video for the raddest song (“Red Lights” – click the kitty to the right). The video now has over 1,000,000 views on the YouTubes. Only 900,000 views are from me. |
Where do I get most of these jazz and other instrumental releases? My #1 favorite source for jazz is Downtown Music Gallery in New York. Manny and Bruce and their great staff are superb… and being the official distributor for John Zorn’s Tzadik doesn’t hurt my affection for them. I usually do a monthly Tzadik order (if the releases strike my fancy), and they have a ton of other non-Tzadik jazz and avant-garde releases as well.
And, no, I’m not affiliated, I don’t get a commission, and beyond my initial “big tax refund / gotta get caught up on Zorn order of 2005,” I haven’t gotten a discount with DMG. I just love and support what they do.
Enjoy the New Years weekend!! Be safe! See you in 2011.
My Other Favorites of 2010 Recaps:
- Fave Concerts & Photos of ‘10 are recapped *HERE*
- Fave EPs/Vinyl/Live/DVDs/more of ‘10 are recapped *HERE*
- Fave Vocal Albums of ‘10 are recapped *HERE*
- Old Years: Best of the Decade (1-10, 11-20, 21-25), 2009I, 2009V, 2009ep, 2009C, 2008I, 2008V, 2008ep, 2008C, 2007V, 2007I, 2007C, 2006, 2005
~Dan – np: Kevin Moore – Shine 
* Favorite Vocal Albums of 2010 *
Disclaimer: No, I haven’t heard all 8,000+albums released this year. I’ve heard about 120 of them, which makes me at least 98.5% likely to be wrong. I make no claims to objectivity. These albums are my favorites from 2010. You might think that the one you’ve heard that I haven’t heard is the best album of 2010. And you might be right. And, I while I generally agree with John Roderick about Year-End Lists, I still find it quite fun to compile my own.
I’ve been buying less music… or, at least a lot less mainstream (major label) music. This is also my third year now that I bought more instrumental CDs than vocal CDs. I think as I get older, I am drawn more towards jazz and other instrumental forms of expression. For that reason, the favorite vocal albums list goes first this go ’round. Hopefully my spilling out of music that I like finds interest with someone else. But if not, thanks for stopping by… check out the artists’ webpages, SpaceBook & MyFace pages, yadda yadda yadda. A lot of these also made it on to my 2010 Mix CD.
OK, now on to the best of what’s hit my ears this year…
Honorable Mentions: Finger Eleven‘s Life Turns Electric, Gnashing of Teeth‘s Walking the Appian Way, Kaki King‘s Junior, Kim Taylor‘s Little Miracle (out late Dec ’09 digitally), and That1Guy & the Magic Pipe‘s Packs A Wallop!…
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 The Weepies – Be My Thrill (Nettwerk) :: Lush singer-songwriter husband/wife duo from Northern California. Syrup-y sweet & poppy, but regardless of my penchant normally against those types of things – The Weepies do it up right. A superb piece of well-crafted pop. |
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 Chali 2Na – Fish Market Part 2 (Decon) :: Another great solo outing from my favorite rapper from Jurassic 5. This is Chali’s 3rd solo album, and while the sound and vibe hasn’t changed much – his consistency is most what I like about him. Hard hitting, booming voice, witting lyricism, and generally moving into more positive territory (he’s not a “bitches and hoes”-type of rapper). |
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 Caedmon’s Call – Raising the Dead (INO) :: I’ve been a fan of Caedmon’s Call for going on fifteen years. I’ve stuck with them through some (personal opinion) lackluster lyricism after the departure of my favorite Caedmon’s songwriter – Derek Webb. He came back to produce and be in the band for this one; and quite frankly, I think this is their best record since 40 Acres. Lyrically, it still has a religious bent; but being in a minority of “non-Christian Caedmon’s Call fans,” I still didn’t find it cringe-worthy like most “contemporary Christian music.” |
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 Redbird – Live at Café Carpe (Signature Sounds) :: Peter Mulvey, Jeffrey Foucault, Kris Delmhorst and David “Goody” Goodrich put out a great studio album of covers and originals in 2003. At the recent Mulvey/Foucault live shows this fall, they announced this new release. This new release is the live equivalent of the debut seven years ago (but different material) – a great mix of covers of people that influenced them, as well as a few of their own originals. Vocal duties split between Mulvey, Foucault & Delmhorst. I hope they are able to tour behind this in 2011. |
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 Ty Tabor – Something’s Coming (Molken) :: I’m a big fan of King’s X. As a trio, they put out a wall of sound, and a big component of their brilliance is Ty Tabor’s stellar guitar-work. His solo work also features his Beatles-esque vocals on top of his southern-grungy-rock sound. 2010 also saw the release of Ty’s Trip Magnet side solo project, Jelly Jam’s Additives bonus material, and the studio time with Jelly Jam (with John Myung & Rod Morgenstein) for their upcoming 3rd record. Whew, he’s been busy. |
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 Ben Folds & Nick Hornby – Lonely Avenue (Nonesuch) :: I’m ambivalent about Ben Folds. I never know if I’ll like it; so I put off getting it. Then I get it and love it. This record was a collaboration between Ben and author Nick Hornby (High Fidelity, etc). The lyrics are a little jumpier to me (Nick’s style versus Ben’s style), but it still feels very much like a Ben Folds record. They also feature a bonus song (iTunes version) with “video song” heroes Pomplamoose. |
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 Jeanne Cherhal – Charade (Barclay FR) :: I first heard Jeanne Cherhal when we picked up her second album (Douze fois par an) when in Toulouse, France, for my MBA program in 2004. Only available in France, I’ve managed to get her albums via Amazon.fr (good thing the buttons are in roughly the same spot). I still don’t know what she’s saying, but I dig her style. |
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 S (Jenn Ghetto) – I’m Not As Good At It As You (Own Records) :: Carissa’s Wierd [sic] front woman promised this 3rd ‘S’ record back in… oh, 2007?? It was worth the wait. Haunting lyrics and vocals, simple yet complex acoustic guitar (that hearkens back to Elliott Smith). Bright emo and depressing pop music. Carissa’s Wierd also put out a retrospective (with a couple new tunes) and a small handful of West coast dates. Who knows – maybe they’ll get active again in the near future? I could dig it… |
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 Greydon Square – The Kardashev Scale (self) :: A little more mature in lyricism compared to The CPT Theorem. Perhaps it’s due to putting some of the ‘Rational Response Squad’ fighting behind him. Greydon, the foremost atheist rapper, made his 3rd record into what I think to be his most consistent. It’s solid, smart and superlative-worthy. |
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 Damien Jurado – Saint Bartlett (Secretly Canadian) :: I got into Damien Jurado via the Seattle-based melancholy, indie singer-songwriter scene (i.e.- Pedro the Lion / David Bazan). While similar in general geography and friendship, Damien strikes me as more of a pure “songwriter” when compared to David’s social critique set to music. Saint Bartlett fits well into Damien’s oeuvre. At a show this past February (6 months before the album came out), I hardly knew any of the songs but felt as though I did. That’s a testament to his craft. |
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 Clogs – The Creatures in the Garden of Lady Walton (Brassland) :: I first saw Clogs at MusicNow 2007 (in Cincinnati). Padma Newsome and Bryce Dessner (of The National) know how to make some interesting chamber pop. The album (as with the live premiere in 2007) features Sufjan Stevens and Shara Worden (My Brightest Diamond). It’s quite a lush record – as the title suggests. |
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 Sufjan Stevens – All Delighted People (Asthmatic Kitty) :: Two albums in 2010, Sufjan’s 50+ minute “EP” hit us first. Beautiful and haunting in “The Owl and the Tanager” and primarily experimental and adventurous throughout, especially compared to his older material. Originally only released online via bandcamp, the EP saw physical form (CD & vinyl) earlier this month. I’m bummed Sufjan nixed future “State” albums, but I’m still glad with his 2010 output. |
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 George Hrab – Trebuchet (self) :: George Hrab creates one of my favorite podcasts ever… the Geologic Podcast. It’s not about geology. It’s about science, skepticism, and his general life as a musician from Bethlehem, PA. He is both humorous and intelligent, and he puts out great albums as well. Trebuchet is his 6th studio album, and it features some great instrumental songs as well as some witty numbers fitting his skeptical, atheistic viewpoint. One of my favorite songs on it is “A Small Comfort,” which is about the death of his dog Oscar. I also give George some kudos for kicking off his album with the Christopher Hitchens’ inspired “God Is Not Great” (an atheist pop song). Bravo! |
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 Damien & Drake Jurado – Hoquiam (St. Ives) :: Short and sweet and beautiful. My only gripe with this record… well, it wasn’t made available on CD, and the vinyl didn’t include a free download code for the mp3’s. Industry standard practice aside, the Jurado brothers put out some fantastic music. I borrowed a vinyl-to-mp3 device from my friend; so I could enjoy it on my iPod as well. So, my gripes have been abated. |
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 Ellery – This Isn’t Over Yet (Set Adrift) :: Ellery is one of my favorite things in Cincinnati… I miss being able to see them multiple times a year (sad face). Husband/wife duo of Justin & Tasha Golden craft singer-songwriter pop songs… usually layered nicely on their albums with the help of producer, knob-twiddler Ric Hordinski (of Over the Rhine fame). This album, they switched it up with Malcolm Burn at the helm (Daniel Lanois / Bob Dylan / Iggy Pop / Kaki King / Emmylou Harris / etc). |
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 Nellie McKay – Home Sweet Mobile Home (Verve) :: Nellie McKay’s move to Verve (instead of Sony) has been good for her. They seem to give her free reign to put out Doris Day cover albums one year and an album of originals the next. HSMH is a return to the quirky, diverse collection of songs that drove me to fall in love with her. The album is full of Nellie’s modern piano jazz-pop, ukulele ditties, and even a pro-animal reggae tune. The album has grown on me nicely, and I’m looking forward to more Nellie in the near future. She seems to be in a period of prolificity as of late. This is greatly welcomed. |
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 Jónsi – Go (XL) :: Sigur Rós-frontman’s debut solo album was going to be an acoustic affair, and then it turned into a lushly produced, Rós-ian opus with a multimedia firestorm of a tour (two U.S. legs with stunning stage design by 59 Productions). Jónsi is superbly brilliant and and ambivalently hyper-sensitively shy individual (ex. his abrupt cancellation of in-store performance tour) and boisterous-acting performer (ex. his magnificent stageshow). This album makes me excited for more solo work in the future, but I hope his day job with Sigur Rós is not on hold for too much longer. |
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 Sarah Kirkland Snider & Shara Worden – Penelope (New Amsterdam) :: Chamber pop featuring Shara Worden (My Brightest Diamond) is a theme this year (see #10). Quite frankly, I think Shara Worden has one of the best voices in indie rock. Period. Sarah Kirkland Snider is a new musical force for me… she originally wrote Penelope as music for a theater piece and then debuted it as a song cycle with Signal in May 2009. When Shara came aboard, Sarah revised and expanded the songs yet again, tailoring them to Shara’s talents and arranging them for a 25-person orchestra of strings, harp, percussion, drums, electric guitar and bass, and electronics (with sound design by Michael Hammond). It is gorgeous. |
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 Sufjan Stevens – The Age of Adz (Asthmatic Kitty) :: His second album of the year, The Age of Adz is a odd musical assembly. At first I didn’t know what to think of it, then I started to like it, and then after seeing him live – I truly loved the album. For those previously familiar with Sufjan, this album may not fit easily in with his prior albums – but I think if you have an open mind and a desire to explore, you may very well fall in love with this record as well. |
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 Mike Patton – Mondo Cane (Ipecac) :: Mike Patton of Faith No More, Mr. Bungle, Tomahawk, Fantômas, et cetera is known for more boisterous, left of center fare. With Mondo Cane, he classes up the joint that is Ipecac Records. Mondo Cane, named after the film, is Mike’s homage to 50s Italian pop songs. He croons some classic Italian songs with the backing of the Orchestra Filarmonica Arturo Toscanini conducted by Aldo Sisillo. The artwork, in both CD digipack and vinyl, is stupendous. This is a magnificent record – both aurally and visually. |
Top 20 instrumental albums coming up later this week…
My Other Favorites of 2010 Recaps:
- Fave Concerts & Photos of ‘10 are recapped *HERE*
- Fave EPs/Vinyl/Live/DVDs/more of ‘10 are recapped *HERE*
- Fave Instrumental Albums of ‘10 are coming soon
- Old Years: Best of the Decade (1-10, 11-20, 21-25), 2009I, 2009V, 2009ep, 2009C, 2008I, 2008V, 2008ep, 2008C, 2007V, 2007I, 2007C, 2006, 2005
~Dan – np: Kevin Moore – Shine
2010 mix
Time for this years mix CD… check out 2009’s over here. No major theme this time like prior mixes… the only rule I placed before myself was that everything is current (i.e.- released in 2010).
The following songs were put on the mix CD from lossless sources where possible and for promotional purposes only (read: free direct market advertising to people who decidedly love music). Most of the artists on this compilation are independent (put out the music themselves) or signed to smaller, independent labels. If you like what you hear, check out their music / support them with your wallet if you are able. The artists’ Webpage, MyFace & Spacebook (whether official or not), and Amazon links are available for each song below. I’ve also included concert review links if I’ve seen the artist recently.
If you want one of these mix CDs, message me (see my “About” page).
PDF front liner is available HERE (designed to print double-sided).
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01 Mike Patton “Il Cielo In Una Stanza” from Mondo Cane
Mike Patton of Faith No More, Mr. Bungle, Tomahawk, Fantômas, et cetera is known for more boisterous, left of center fare. With Mondo Cane, he classes up the joint that is Ipecac Records. Mondo Cane, named after the film, is Mike’s homage to 50s Italian pop songs. He croons some classic Italian songs with the backing of the Orchestra Filarmonica Arturo Toscanini conducted by Aldo Sisillo. The artwork, in both CD digipack and vinyl, is stupendous. This is a magnificent record – both aurally and visually. It’ll rank near the top of my upcoming year-end lists…
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02 Charlotte Gainsbourg & Beck “IRM” from IRM
IRM came out in late November 2009 – which was after I had done last year’s mix; so I’m sneaking it into this year’s mix. Beck collaborated with singer/actress Charlotte on the whole album (outside of one song). It’s a nice poppy-electronic mix… some French tunes as well (her father is French musical legend Serge Gainsbourg). The album and track were inspired by her head trauma in 2007 (“IRM” is the French acronym synonymous with what we call an “MRI machine” in the US). My favorite part may be that the IRM delivers rhythmic support to the track.
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03 Ellery “Pieces (live)” original from This Isn’t Over Yet
This version is from Ellery’s live album that preceded their wonderful 2nd studio album that hit this year. Ellery is one of my favorite things in Cincinnati… I miss being able to see them multiple times a year (sad face). Husband/wife duo of Justin & Tasha Golden craft singer-songwriter pop songs… usually layered nicely on their albums with the help of producer, knob-twiddler Ric Hordinski (of Over the Rhine fame). This album is with Malcolm Burn at the helm (Daniel Lanois / Bob Dylan / Iggy Pop / Kaki King / Emmylou Harris / etc).
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04 Comic Wow “Nice Chaps” from Library Catalog Music Series: Music for Mysteries of Mind Space and Time
Asthmatic Kitty’s Library Catalog Music Series (LCMS) is much more hit than miss. There have been a couple albums that didn’t interest me for multiple listens, but Comic Wow’s settled nicely from the get go. LCMS (as a series) is made up of instrumental albums designed for possible use in films and television, background sounds for home or office. Per the P.R., “Comic Wow are sonic illustrators, alchemists, designers, dilettantes’, poets, teachers, Socialists, and outdoorsmen whose advocacy of affordable colored cod pieces helped influence the look of thirty-third century America.” Whatever you call it, I like it.
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05 Holy Fuck “Red Lights” from Latin
Despite what you think of their choice of band name, these Toronto band continue to put out great, groove-infused live electronic music that is both experimental and a poppy-force in the indie rock movement. Latin, their third full length album, grabbed me immediately when it came out this past May… and it’s #1 with a bullet as far as instrumental albums go in 2010. To top it off, they swung through Oregon twice this year (both excellent shows), and they put out quite possibly the cutest video for the raddest song (“Red Lights” – click the kitty to the right). The video now has over 1,000,000 views on the YouTubes. Only 900,000 views are from me.
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06 Damien Jurado “Beacon Hill” from Saint Bartlett
I got into Damien Jurado via the Seattle-based melancholy, indie singer-songwriter scene (i.e.- Pedro the Lion / David Bazan). While similar in general geography and friendship, Damien strikes me as more of a pure “songwriter” when compared to David’s social critique set to music. Saint Bartlett fits well into Damien’s oeuvre. At a show this past February (6 months before the album came out), I hardly knew any of the songs but felt as though I did. That’s a testament to his craft.
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07 Jeanne Cherhal “Certains Animaux” from Charade
I first heard Jeanne Cherhal when we picked up her second album (Douze fois par an) when in Toulouse, France, for my MBA program in 2004. Only available in France, I’ve managed to get her albums via Amazon.fr (good thing the buttons are in roughly the same spot). I still don’t know what she’s saying, but I dig her style.
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08 Nellie McKay “The Portal” from Home Sweet Mobile Home
Nellie McKay’s move to Verve (instead of Sony) has been good for her. They seem to give her free reign to put out Doris Day cover albums one year and an album of originals the next. HSMH is a return to the quirky, diverse collection of songs that drove me to fall in love with her. “The Portal” is one of the mellower tunes from the album… the rest of the album is full of Nellie’s modern piano jazz-pop, ukulele ditties, and even a pro-animal reggae tune. The album has grown on me nicely, and I’m looking forward to more Nellie in the near future. She seems to be in a period of prolificity as of late. This is greatly welcomed.
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09 Puscifer “The Humbling River (Duet Mix)” from C is for… EP
When Tool / A Perfect Circle frontman Maynard James Keenan isn’t rocking with those bands (both had touring activity this year), he’s usually tending to his grapes or noodling around on some mildly offensive, but well-crafted music with his other side-project Puscifer. The C is for… EP actually came out last year, but since it was digital only at that stage and since the 2010 CD & vinyl releases contained a touch of new material – it fits the criteria for this year’s compilation. He also put out new mixes / remixes for the Blood Into Wine documentary (about the Arizona wine scene). That record is called Sounds Into Blood Into Wine. As I type this, I actually got a call from my local Eugene Oregon wine/beer shop (16tons). They have my Caduceus/Merkin order in stock… so, coincidentally, I’ll be dropping some major coin on some of Maynard’s wine very shortly… glug glug.
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10 Haftor Medbøe Group “Pneumatic” from A Box of Monkeys EP
This is another record that came out in late 2009… but I got it in 2010 and iTunes recognized it as 2010 (plus it was too late to be stricken from the CD mix rolls, as I liked it too much). The track faatures some nice guitar-based jazz, and the EP also features some songs with vocals that aren’t too unlike Björk or Under Byen (also known as “a-OK with me”). It’s a delightful EP that put Haftor on my radar… for good.
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11 Sufjan Stevens “Futile Devices” from The Age of Adz
The first Sufjan track that made its way onto this 2010 compilation comes from his second release from 2010. The Age of Adz is a odd musical assembly. At first I didn’t know what to think of it, then I started to like it, and then after seeing him live – I truly loved the album. This song is actually one of the songs that I fell in love with right away. For those not familiar with Sufjan, this track fits better with some of his earlier work and not so much with Adz as a whole. But I think if you have an open mind and a desire to explore, you may very well fall in love with this record as well.
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12 AutorYno “Overture Automatique” from Pastrami Bagel Social Club
I am fans of some of the other Jewish rock acts on John Zorn’s Tzadik label: like Eyal Maoz’s Edom, Jon Madof’s Rashanim, and Yoshie Fruchter’s Pitom. The description for this AutorYno debut from Tzadik was “a wild klezmer/rock fusion by this crazed band of Paris-born punk rockers… AutorYno hits with a hardedged sound and an exciting musical imagination. Full of youthful energy, massive guitar and centered by a powerful beat, they present eleven instrumentals that combine the power of rock with a taste of Jewish tradition.” Regardless of Tzadik’s usual/expected hyperbole, I couldn’t not get it. I’m glad I did, and I will say that it will rank high amongst my instrumental finds in 2010.
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13 Glen Phillips “The Innocent” from Tornillo
The voice of Toad the Wet Sprocket has been putting out some fantastic albums since his first solo album (2000’s Abulum). Tornillo was recorded in 2003 with David Garza, but was shelved / lost. Many of the songs were re-recorded and put out on 2005’s Winter Pays For Summer (a favorite of mine). Regardless of some of the songs making their way out to the fans, there are still some never-before-released gems on here. Glen put it out about a month ago via his bandcamp page. $7. A total steal.
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14 Beats Antique “Egyptic” from Blind Threshold
I got to see Zoe Jakes of Beats Antique twice this year… once with Beats Antique during Eugene Celebration, and once with the Indigo Bellydance troupe as part of their Le Serpent Rouge tour. She had a knee in a brace during Eugene Celebration; so she lended her stage presence to additional percussion instead of dance – which was unfortunate. Beats Antique is a bellydance-friendly, electronic and live instrument band from the Bay Area. Elements of Balkan music and tribal-fusion dance music. “Egyptic” is indicative of their infectuous sound.
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15 The Weepies “Empty Your Hands” from Be My Thrill
Syrupy singer-songwriter pop is not my bailiwick, but I do find myself drawn to it on occasion. I guess even my CD collection needs a “rom-com” soundtrack every now and again. The Weepies write well-crafted songs about love and life. It’s hard to say anything bad about them.
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16 Jónsi “Kolniður” from Go
Sigur Rós-frontman’s debut solo album was going to be an acoustic affair, and then it turned into a lushly produced, Rós-ian opus with a multimedia firestorm of a tour (two U.S. legs with stunning stage design by 59 Productions). Jónsi is superbly brilliant and and ambivalently hyper-sensitively shy individual (ex. his abrupt cancelation of in-store performance tour) and boisterous-acting performer (ex. his magnificent stageshow). This album makes me excited for more solo work in the future, but I hope his day job with Sigur Rós is not on hold for too much longer.
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17 George Hrab “Hai Yookito ‘Ya” from Trebuchet
George Hrab creates one of my favorite podcasts ever… the Geologic Podcast. It’s not about geology. It’s about science, skepticism, and his general life as a musician from Bethlehem, PA. He is both humorous and intelligent, and he puts out great albums as well. Trebuchet is his 6th studio album, and it features some great instrumental songs as well as some witty numbers fitting his skeptical, atheistic viewpoint. One of my favorite songs on it is “A Small Comfort,” which is about the death of his dog Oscar. I’d put it on a mix CD, but it honestly makes me cry everytime I hear it. I also give George some kudos for kicking off his album with the Christopher Hitchens’ inspired “God Is Not Great” (an atheist pop song). Bravo!
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18 Kaki King “Falling Day” from Junior
Kaki King is a guitar phenom, and this is her second album in a row that seems to be moving more towards turning into a more vocal, indie rock songstress. It’s still full of her amazing guitarwork, but brings in a whistful lyricism. I’m still getting used to her “vocal legs,” but I like what I hear so far.
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19 John Zorn’s The Dreamers “Hashul” from Masada Book Two: Book of Angels, Vol. 14 (Ipos)
Let’s just put this out there now… with thirteen albums and a DVD out in 2010, John Zorn might seem to have more misses than hits. Well, I don’t think there’s been a more consistent set of songs than his Masada songs, and there hasn’t been a more consistently great series than the Masada Book Two series (Zorn’s Masada songs covered by others). The Dreamers is a supergroup, too: Marc Ribot, Joey Baron, Cyro Baptista, Kenny Wollesen, Trevor Dunn and Jamie Saft – pillars in the adventurous, downtown NYC scene.
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20 Sufjan Stevens “The Owl and the Tanager” from All Delighted People EP
This is my favorite song from Sufjan’s 50+ minute “EP” from earlier this year. Beautiful and haunting, and again, not as characteristic of the rest of the EP, which seems more experimental and adventurous compared to “Owl” or his older material. Originally only released online via bandcamp, the EP saw physical form (CD & vinyl) earlier this month. I’m looking forward to spinning the vinyl when it hits my front porch.
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Let me know what you think…
unfortunately missing (due to space or flow limitations, or that I simply didn’t get them in the mail yet): Kevin Moore’s Shine, Ghost of a Saber Tooth Tiger (Sean Lennon & Charlotte Kemp Muhl)’s Acoustic Sessions, Mogwai’s Special Moves/Burning, Zero 7’s Record… and John Zorn’s Moonchild Trio Ipsissimus, because I didn’t want to scare you. Oh well, those may make it on my “favorite albums” of 2010 list.
~Dan – np: Radiohead – 101010 (aka OK Computer & In Rainbows cross-fade mix)
for more on the Radiohead cross-fade mix, check out Puddlegum
there are no torrents, free mp3 or other downloads available
Artists of the Decade – 2000s (#1 to 10)
Artists of the Decade – Honorable Mentions (1/1/2010 blog link)
- Dweezil Zappa
- Tori Amos
- Celldweller
- Iron & Wine
- King’s X
- Derek Webb
Artists of the Decade (#21 to 25) (1/1/2010 blog link)
25 ~ Ben Folds (solo)
24 ~ Peter Mulvey
23 ~ Opeth
22 ~ dredg
21 ~ Holy Fuck
Artists of the Decade (#11 to 20) (1/4/2010 blog link)
20 ~ Pedro the Lion (and David Bazan solo)
19 ~ Jurassic 5
18 ~ My Brightest Diamond
17 ~ Nellie McKay
16 ~ Secret Chiefs 3
15 ~ Over the Rhine
14 ~ Mike Patton
13 ~ Ani DiFranco
12 ~ Johnny Cash
11 ~ Dave Douglas
And now on to the final ten…
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10 ~ Glen Phillips
At the turn of the decade / century / millenium, Glen’s band Toad the Wet Sprocket were breaking up. He went on to make several solo albums (Winter Pays For Summer being my fave thus far), several mostly brilliant side ventures (Plover, RemoteTreeChildren, WPA, Mutual Admiration Society), and even reunite with Toad for some tours. He’s as active as ever and also quite the tweeter (oft humorous / oft political).
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9 ~ Porcupine Tree (and Steven Wilson projects)
Near the beginning of the decade, I was giving up on “prog rock.” Then a buddy told me about Porcupine Tree (thanks, SteveC). 2002’s In Absentia is amazing, and I quickly bought PT’s catalogue. The entire decade was full of Steven Wilson projects – whether Porcupine Tree or his many (and I mean many) side projects. Speaking of… Steven’s 6th and final Cover Versions CD and 7″ vinyl will be out sometime soon in the coming months.
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8 ~ Sufjan Stevens
Illinoise was Paste’s #1 album of the decade. I think it’s in my Top 10 (as mentioned earlier, I honestly can’t bring myself to widdle down my album list to 20 or even 50 for the decade). Illinoise was my first foray into Sufjan’s world. The infatuation was near immediate. He ranges from poppy, to eclectic folk, to avant-electronic, to chamber music… and I think his song titles, while sometimes considered pretentious, put him in my hero list. :) The later part of the decade showed a more secluded Sufjan and a recant on the 50 States “promise.” However, I’m still very excited about what’s up his sleeves for the next decade.
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7 ~ John Zorn (Masada and otherwise)
I knew of Zorn in the 1990s (via the connection to Mike Patton and specifically Mr. Bungle), but didn’t get into him until 2003 or so. Even still, I didn’t know about Masada (his klezmer-jazz quartet) until mid-decade. Their recorded studio work was all in the 1990s, but they stayed active touring throughout the 2000s… and John Zorn kept actively writing Masada Book Two – which is a book of music covered by other bands and has seen a dozen fantastic releases on his label, Tzadik. I just counted, and I have 82 John Zorn related disks from the decade (CDs, DVDs, vinyl). So, um, yeah, he’s prolific. The Masada / Bar Kokhba / Electric Masada is my favorite category of Zorn releases; but his Filmworks series, Moonchild Trio (Mike Patton, Joey Baron & Trevor Dunn), and The Gift / Dreamers band are also key releases. 2010 has 12 new Zorn releases on the docket. *drool*
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6 ~ Maynard James Keenan (Tool / A Perfect Circle / Puscifer)
One of the best singers in the world of rock, Maynard has kept busy… this decade: three bands and eight or so albums, several DVD releases, remix albums & singles, vinyl singles, and a new winery. While he doesn’t always nail it every time, his and his bands’ hit rates far exceed most. His solid work ethic points to more releases next decade. A recent interview leads me to believe that the touring side of things may slow down some, but I’m hoping that just means “less touring” and not “no touring.” There have been hints of Tool and A Perfect Circle studio stuff in the near future… and Puscifer seems alive and kicking (and keen on the internet EP thing). Puscifer is hitting the Midwest and East Coast in early 2010.
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5 ~ Daniel Johns (Silverchair & The Dissociatives)
2002’s Diorama (by Silverchair) is a contender for best album of the decade for me. Daniel Johns followed that up with a side project with Paul Mac called The Dissociatives. Their self-titled debut (2004) is also a contender for best album of the decade… then Silverchair came roaring back in 2007 with Young Modern – another strong contender. Daniel Johns and his couple of bands has large gaps between studio releases, but they all score high every time for me. They’ve moved well beyond their debut (which they released in the 90s at age 15). 2010 promises the follow-up to Young Modern… so, look out, Best of 2010 lists…
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4 ~ Elliott Smith
I found out about Elliott in early 2000, a little bit after Figure 8 came out. I had the opportunity to see him live at Southgate House (Newport, KY) on the Figure 8 Tour. He quickly became an important part of my musical diet. His albums hit me emotionally, but he left us too early (he died of apparent self-induced stab wounds to the heart on October 21, 2003). I still get goosebumps with his music and quite frankly have never been affected by a celebrity’s death like I am by Elliott’s. An album and more of his unreleased material has made its way out since his death. I don’t believe in an afterlife, but if there were one, I’d hope to get to meet Elliott and have a beer with him.
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3 ~ Sigur Rós
Ágætis byrjun and ( ) may be the most beautiful things that I don’t understand due to language barriers – two perfect albums, if you ask me. This past decade Sigur Rós went on to make four full length albums, a handful of EPs and soundtracks, several world tours, an utterly gorgeous tour documentary called Heima (that rivals Pink Floyd’s Live at Pompeii in stunning beauty), and still find time to take time off (well, time off except for Jónsi – who released a duo album with his partner Alex Sommers and is set to release a solo album in early 2010).
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2 ~ Radiohead (and Thom & Jonny solo)
One of the most unarguably overrated bands of all-time… yet, one of my favorites. The decade started with Kid A and ended with some Thom Yorke solo activity… it was a full decade of albums, tours, solo work (the aforementioned Thom solo stuff plus two soundtracks from Jonny). They branch out and sometimes get more praise and credit than is merited (I know skads of indie artists doing the “pay what you want” method years before In Rainbows), but I suppose Radiohead were the first formerly major-label / international band to do so. Anyway, Radiohead, despite public pressure, continue to evolve as a band. That scores major points with me. They’re hitting the studio in January 2010… yippie.
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1 ~ Kevin Moore (Chroma Key & OSI)
Yeah, the #1 of the decade who few know about… Kevin Moore left the progressive rock band Dream Theater in 1994, shedding the seemingly antithetic “progressive” constraints of the progressive scene to make his own music. Chroma Key’s debut Dead Air For Radios (1999) is my #1 album of all-time… but it came out in the late 90s. The 2000 album You Go Now is probably in my Top 10 of all-time as well. The branching out into scoring with Kevin’s solo soundtrack Ghost Book (for the Turkish horror movie OKUL), political/religious-imagery radio/mix-taping with Memory Hole 1, and the new band project with Jim Matheos called the Office of Strategic Influence (aka O.S.I.) solidified Kevin in my favorite artists list. I’m looking forward to more Chroma Key, O.S.I., Memory Hole, or solo work that Kevin puts out… hopefully soon.
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As pointed out the other day, the 2010s are shaping up to be a great decade… see you on the other side!
My Other Favorites of 2009 Recaps:
- Fave Concerts of ‘09 are recapped *HERE*
- Fave EPs/Vinyl/Live/more of ‘09 are recapped *HERE*
- Fave Vocal Albums ‘09 are recapped *HERE*
- Fave Instrumental Albums ’09 are *HERE*
- Old Years: 2008I, 2008V, 2008ep, 2008C, 2007V, 2007I, 2007C, 2006, 2005
~Dan – np: Charlie Hunter – Gentlemen, I Neglected To Inform You You Will Not Be Getting Paid
Oh, and for those who say that the decade ends at the end of 2010… meh. I’m starting with 0 and ending with 9 (like a LOT of people). Rationale: the 80s, the 90s… you don’t say the 80s went from 1/1/1981 to 12/31/1990 or the 90s from 1/1/1991 to 12/31/2000.
Artists of the Decade – 2000s (#11 to 20)
Artists of the Decade – Honorable Mentions (1/1/2010 blog link)
- Dweezil Zappa
- Tori Amos
- Celldweller
- Iron & Wine
- King’s X
- Derek Webb
Artists of the Decade (#21 to 25) (1/1/2010 blog link)
25 ~ Ben Folds (solo)
24 ~ Peter Mulvey
23 ~ Opeth
22 ~ dredg
21 ~ Holy Fuck
And now round 2…
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20 ~ Pedro the Lion (and David Bazan solo)
Pedro the Lion released their two most powerful and poignant albums in the early 2000s (Control and Achilles Heel), then frontman David Bazan decided to disband PTL and go solo (though by the 2000s, the writing was primarily Bazan anyway with hired guns for studios and tours). Prior to his first full length solo album, he did a side project called Headphones, put out annual Christmas 7″ vinyls, and released a split electric/acoustic EP. At the end of the decade, he hit the ground running with his fantastic “breaking up with God” record, Curse Your Branches. He’s been touring in a solo fashion fairly regularly since 2007 or so and is going to hit the road again this coming spring…
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19 ~ Jurassic 5
Jurassic 5 combined four well-versed, naturally flowing MCs (Chali 2Na, Soup, Marc7 & Akil) and two melodic, creative, musicianship-driven DJs (Cut Chemist and NuMark) to create some excellently catchy hip-hop and rap. What I loved about them is that they weren’t all about the “drugs and bitches” that the gangsta rap had just previously been all about (don’t get me wrong, I love Dr. Dre’s The Chronic from the 90s, but J5 tended to keep it positive and definitely more musically-inclined). All six members have gone on to do solo albums and/or side projects after the band’s official breakup in the late 2000s… my faves have been Cut Chemist’s The Audience’s Listening and Chali 2Na’s Fish Outta Water. I still long for a reunion record, and I bet it’ll happen… maybe in the 2010s?
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18 ~ My Brightest Diamond
Shara Worden’s utterly gorgeous, operatic voice is almost too much for the indie rock scene. Almost. It seems to fit in perfectly with Sufjan Stevens’ quirky folk and her own lush My Brightest Diamond string-infused indie pop (and the subsequent remix LPs/EPs centered around her studio albums). In a live setting, her voice is powerful and sublime, and her stage presense is charming. If you can get ahold of her pre-MBD band CDs, do so (AwRy was the name of the band).
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17 ~ Nellie McKay
Her debut, Get Away From Me, is a 2-disc / 18-song satirical, poignant, humorous & angsty romp. The tag-line of “Eminem meets Doris Day” rang true. She followed it up with a couple of more subdued albums with the occasional harder edge tune, and then by decade’s end, she released a Doris Day only album. It seems somewhere along the line, she lost the Eminem edge, but she ended up still topping my list with the more gentle album. Her live performance for the Doris Day material was fantastic – which definitely helped its appeal with me. She’s a vegetarian and animal rights activist, too… so, definitely on my friendly artists list.
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16 ~ Secret Chiefs 3
Book M and Book of Horizons (both in the early 2000s) were SC3’s last officially “SC3 studio albums,” but since 2007, they have been busy with a handful of impressive 7″ vinyl singles, a “greatest hits” compilation, an amazing John Zorn Masada Book Two release in 2008 (Xaphan), a great concert DVD, a soundtrack to a made-up movie, and the ever-lasting promises of the Book of Souls (an album in the making… since… 2005?).
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15 ~ Over the Rhine
In 2001, I think Over the Rhine made one of the best albums of their career… Films for Radio. They followed with a stunning double-album (Ohio), several solo albums by pianist Linford Detweiler, four live compilations, a few more pretty darn decent albums (including a new holiday album), and continual touring every spring & fall/winter. All in all, it was a pretty solid decade of a healthy work ethic. I’m curious what the 2010s will bring in the land of Over the Rhine. One can hope that they keep evolving.
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14 ~ Mike Patton
Mr. Bungle broke up at the front end of the decade… but Mike continued on from Fantômas to Tomahawk to Lovage (with Dan the Automator & Elysian Fields’ Jennifer Charles) to Peeping Tom to multiple movie scores to many projects with John Zorn and back to Faith No More in 2009. As we lead into 2010, there are more Faith No More touring plans, more Fantômas plans, new bands Mondo Cane (50s Italian pop) and Crudo (DJ/rock-oriented), another Peeping Tom in 2011, and plenty else up his sleeve. Patton’s vocal versatility and hard work ethic make him one of my faves this past decade.
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13 ~ Ani DiFranco
Similar to Tori Amos, the 1990s found a more consistently on her game Ani. While those days are gone, in the 2000s Ani kept delivering album after album after album and has way too many wins than loses, in my book. Revelling / Reckoning is quite possibly the most important release of her career (though not necessarily my favorite in this long oevre). She’s continually active and important in my musical world.
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12 ~ Johnny Cash
This decade brought us American III, IV & V, and the Unearthed box set… all true genius from Johnny and Rick Rubin. The video for “Hurt” (a cover of the Nine Inch Nails song) is one of the most powerfully emotional videos I’ve ever seen (he really brought something new to that original NIИ song). If Rick Rubin never does anything important in the world of music ever again, he’ll still be the one who made Johnny Cash a legend (again).
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11 ~ Dave Douglas
Founder of Greenleaf Music (a jazz label), and member of John Zorn’s Masada quartet… Dave Douglas is my #1 living trumpet player. My foray into a mega jazz love throughout the decade led me to be a fond admirer of Dave and his varied work. His various incarnations – the Quintet, Keystone, Brass Ecstasy, the Big Band, and more – show that he’s a hard worker. I can safely say, he’ll be back on this list in late 2019. :)
~*~*~
Tune in tomorrow for the final round…
My Other Favorites of 2009 Recaps:
- Fave Concerts of ‘09 are recapped *HERE*
- Fave EPs/Vinyl/Live/more of ‘09 are recapped *HERE*
- Fave Vocal Albums ‘09 are recapped *HERE*
- Fave Instrumental Albums ’09 are *HERE*
- Old Years: 2008I, 2008V, 2008ep, 2008C, 2007V, 2007I, 2007C, 2006, 2005
~Dan – np: Charlie Hunter – Gentlemen, I Neglected To Inform You You Will Not Be Getting Paid
Oh, and for those who say that the decade ends at the end of 2010… meh. I’m starting with 0 and ending with 9 (like a LOT of people). Rationale: the 80s, the 90s… you don’t say the 80s went from 1/1/1981 to 12/31/1990 or the 90s from 1/1/1991 to 12/31/2000.
Artists of the Decade – 2000s (#21 to 25)
So, I can’t / won’t do a Top XX Albums of the Decade… it’s probably more “can’t” than “won’t.” There are so many great albums from the past 10 years… but, what I can do is recount the artists that have been my chief form of musical pleasure for the past 10 years.
But first…
Artist of the Decade – Special Mention
Dweezil Zappa only had a couple albums in the 2000s, but he gets a special call out for carrying on Frank Zappa‘s music since 2006. Dweezil & Co have toured for the past three and a half plus years, playing Frank’s music in a new setting each year. I hope this continues. It’s a fantastic tour, every time I’ve seen it.
~*~*~*~*~
Artists of the Decade – Honorable Mentions
Tori Amos ~ In the 1990s, she ruled. I still love what she does, and she’s very important in the foundation of my musical interests. The fact that she’s still active with albums and touring all throughout the decade gets her an honorable mention.
Her best albums of the decade…
Celldweller ~ He’s only released one regular album in the entire decade… had he done more, he’d probably make the proper 25 list. Despite the one album, he has released a mostly instrumental soundtrack, a handful of internet-only singles and Eps and a skad of remix CDs and EPs. He’s been far from lazy. I look forward to the 2nd full length Celldweller release sometime in the 2010s.
His most excellent debut and instrumental “score” release…
Iron & Wine ~ I got into Iron & Wine mid-decade, but immediately fell in love with Sam’s flourishing vocals and interesting guitar work. He has a beautiful whispy voice, a penchant for storytelling, and a great eye for videos (prior to music, he taught film down in Florida, and the videos he’s produced for his band and other bands have been fantastic).
My favorite release of his this decade…
King’s X (and related solo & side projects) ~ Between the regular band albums, all three solo members’ albums, the side projects, the live albums, and the indie demo issues – there are probably close 30 releases in the 2000s. Prolificity abounds. This is one band that keeps on ticking, and for that, I am grateful.
A few gems from this decade…
Derek Webb ~ Creative and exploratory since leaving his first band, Caedmon’s Call, Derek continues to push the boundaries of what a singer-songwriter is supposed to do. His latest, Stockholm Syndrome, is a fantastic exit from the 2000s and entrance into the 2010s. Rumor is that he’s working on one (or multiple) Caedmon’s Call-related releases with his old band, too… should be interesting.
My faves from this decade…
~*~*~*~*~
Artists of the Decade
25 ~ Ben Folds (solo)
The Five were no longer at the turn of the decade / century / millennium, which left the name sake on his own. Ben Folds was one of the first to ditch the full length and rapidly release several EPs all in one year. He saw the writing on the wall for the eventual, slow death of the CD format… and his solo albums (all in the 2000s) were generally fantastic – yeah, they are always a few tunes on each one that are doozies. He ended the decade with a cute (and enjoyable) acappella tribute album to himself from various college singing clubs. I was skeptical, but once I got it, I was very pleased with the covers.
~*~*~
24 ~ Peter Mulvey
Peter Mulvey is one of my favorite singer-songwriters around. He’s a hard worker, touring all around from Alaska, the entire U.S. (including Alaska) and Europe. He’s put out more albums to count on two hands in the past 15 years. He started off the decade with the stunning The Trouble with Poets and ended the decade with the fantastic Letters from a Flying Machine. He’s a truly wonderful storyteller, and if he comes near your town… GO!
~*~*~
23 ~ Opeth
From singer-songwriter to Swedish death metal… roar! Opeth came along with the “getting into prog band Porcupine Tree” period of the decade for me (check in later for Porcupine Tree’s position). The string of three Opeth albums produced by PT’s Steven Wilson rank among the BEST metal out there… ranging from melodic rock to sweeping progressive movements to the in your face “cookie monster” vocals. The first in the series, Blackwater Park, may be my favorite metal album of all-time (sorry, Dave Mustaine, you’ve been trumped).
~*~*~
22 ~ dredg
I showed up early to a Coheed & Cambria show and was blown away by the opener… once I dug into dredg’s music, I really fell in love. They run a tight ship of well-crafted, melodic neo-progressive rock music. Gavin’s vocals and lyrics are a major selling point, too. Their latest album (The Pariah, The Parrot, The Delusion) is my favorite album of 2009 – hands down.
~*~*~
21 ~ Holy Fuck
Starting out as a more experimental “live electronic” noise-jazz band and evolving into a more groove-oriented electronic jam band, Holy Fuck shot up on my hot list quickly. Their 2nd full length is superb, and their live show is not to be missed. Raw energy, dual keyboards, groovy rhythm section, crazy film-reel instrumentation, and uncanny dance-ability. They’ve also embraced the vinyl comeback… score!
~*~*~
The rest of the decade recap to follow in the next few days… more musical variety awaits…
My Other Favorites of 2009 Recaps:
- Fave Concerts of ‘09 are recapped *HERE*
- Fave EPs/Vinyl/Live/more of ‘09 are recapped *HERE*
- Fave Vocal Albums ‘09 are recapped *HERE*
- Fave Instrumental Albums ’09 are *HERE*
- Old Years: 2008I, 2008V, 2008ep, 2008C, 2007V, 2007I, 2007C, 2006, 2005
~Dan – np: Charlie Hunter – Gentlemen, I Neglected To Inform You You Will Not Be Getting Paid
Oh, and for those who say that the decade ends at the end of 2010… meh. I’m starting with 0 and ending with 9 (like a LOT of people). Rationale: the 80s, the 90s… you don’t say the 80s went from 1/1/1981 to 12/31/1990 or the 90s from 1/1/1991 to 12/31/2000.
* Favorite Instrumental Albums of 2009 *
Disclaimer (with a nod to Andy Whitman of Paste): No, I haven’t heard all 8,000+albums released this year. I’ve heard about 200 of them, which makes me at least 97.5% likely to be wrong. I make no claims to objectivity. These albums are my favorites from 2009. You might think that the one you’ve heard that I haven’t heard is the best album of 2009. And you might be right. So go ahead and vent. Enjoy!
As I start this post, I will say that this is all very subjective and really put together for my own purposes. I’ll also state that, yes, some of the music below does have some vocals. For the most part, it’s sequestered to a track or two on a long CD of mostly instrumental goodness. My list, my rules, and/or my breaking of the rules. With that being said, all of the artists below tend to be in the jazz and instrumental frame of reference anyway.
Hopefully my spilling out of music that I like finds interest with someone else. But if not, thanks for stopping by… check out their webpages, SpaceBook pages, yadda yadda yadda. OK, now on to the best of what’s hit my ears this year on the mainly instrumental front…
Honorable mentions: Uri Gurvich‘s The Storyteller, John Zorn‘s Filmworks XXIII: El General, Ahleuchatistas‘ Of the Body Prone, Secret Chiefs 3‘s Le Mani Destre Recise Degli Ultimi Uomini (The Severed Right Hands of the Last Men), and Skerik & The Dead Kenny G’s Bewildered Herd.
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 Osso String Quartet – Run Rabbit Run: A Tribute to Sufjan Stevens’ Enjoy Your Rabbit (Asthmatic Kitty) :: I feel lucky that I got to witness the world premiere of Osso playing Sufjan Stevens’ Enjoy Your Rabbit at MusicNOW Fest 2007 in Cincinnati. I think almost immediately after that show, I emailed Asthmatic Kitty to see if they were going to release audio or video of that performance. Little did I know that they’d do me one better by putting Osso into a studio to record the full length stringed tribute. Huzzah! While the novelty of the initial project has worn off for me, the musical arrangements stand firm. I really dig Osso and I’m looking forward to their further collaboration with Sufjan, My Brightest Diamond, or their own pieces. |
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 Mike Patton – Crank High Voltage Score (Lions Gate) :: Well, Mike Patton pretty much took a year off of Ipecac stuff due to Faith No More reuniting. I supposed this score satiated me, but I would have loved for Mondo Cane to make its way out the door in 2009 (as was initially promised by Patton himself). Anyway, this album has a couple of vocal tracks, but overall, it features Mike’s voicebox gymnastics and razor-edged composition schizophrenia that I’ve loved since I first got into Mr. Bungle… Fantômas… and the rest of his vast body of work… |
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 Feldman / Caine / Cohen / Baron – Secrets (Tzadik) :: This album snuck on me as I was re-listening to my 2009 CDs. It has that klezmer jazz feel as is common in the Tzadik Radical Jewish Culture series, but it also has a much more accessible feel as well. With Uri Caine’s piano in the mix, he almost adds a Vince Guaraldi aspect to the klez-jazz that permeates. |
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 Jónsi & Alex – Riceboy Sleeps (indie) :: Sigur Rós is one of my favorite groups, and a few years ago frontman Jónsi started an arty project with his partner Alex. At first it was a hand-printed notebook and a few musical things on MySpace, but it transformed into a full album as time went along. It’s much more ambient when compared to Sigur Rós – but definitely appeals to fans of Jónsi’s main band. In other news… they have a raw, vegan cookbook PDF on their website (for free)… holy cow… I’m totally gonna make some raw strawberry pie when the season comes around. That and many other recipes look flippin’ delicious… much like the music. Yeah, this is a music blog, right? Sorry for my drooling over “Icelandic rockstar” recipe books. |
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 Wadada Leo Smith with Jack DeJohnette – America (Tzadik) :: I love trumpet… I have some of Wadada’s other work, and I usually find it to be hit or miss. I wasn’t coming in with a lot of preconceptions or whetted appetite about this album, and after the first spin, I loved it. It’s fairly sparse sonically, with only Wadada on trumpet & flugelhorn and Jack on drums. The sound from his horns is so brilliant and melodic, yet searching. I hope they can get together for a 2nd duo outing sometime soon. This wins my “best surprise” award for instrumental albums in 2009. |
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 The Fantastic Terrific Munkle – Music To Dance To (Jazz Groove Australia) :: I got into the Fantastic Terrific Munkle via band member Julian Curwin, who put out his fantastic Tango Saloon out on Ipecac a few years ago. Munkle and Tango Saloon have similar jazz meets groove meets world music meets danceable rhythms. This one was harder to get, as I had to directly order it from Australia (but at least they accept PayPal in US dollars). I wish I could find similar luck with Tango Saloon’s second album, Transylvania (still no stateside release, and the AUD to USD conversion is killin’ me these days). |
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 900X – Music for Lubbock, 1980 (Asthmatic Kitty) :: I got this download for free from Asthmatic Kitty along with the other Library Catalog Music Series (they’re great in supplying review subjects to music bloggers), and the 900X album simply surpassed the others in the collection, if you ask me. I ended up buying it on vinyl… a great addition to the collection. I don’t know if 900x (or James McAlister dba 900x) have any future plans for further releases of this nature. I hope so. |
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 McTuff (Skerik & Joe Doria) – McTuff, Volume 1 (indie) :: Joe Doria’s tribute to Jack McDuff has turned into a great Northwest jazz quartet (and trio when Skerik isn’t available). I’m lucky to have seen them a couple times thus far. Skerik’s sax is fantastic, Doria’s hammond keeps the groove, Lewis’s drums are killer, and Coe’s guitars really know how to burn (which I didn’t really pick up on until the 2nd time seeing them live).  |
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 Roberto Rodriguez – The First Basket (Tzadik) :: Roberto Rodriguez’s Cuban-meets-Judaic music have been some of my favorites out of Tzadik the last few years… this one was a bit different. It’s a score to a film (of the same name) that follows the history of Jewish basketball… its scope covers klezmer, classical, rock, dixieland, and more. Its variety is what helped this album beat out his other 2009 album from the list this year (Timba Talmud is also really good). |
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  Medeski Martin & Wood – Radiolarians II & III (Indirecto) :: Starting in 2008, MMW set out to record three albums back to back to back, heading out on a short tour before each album and going directly into the studio and then out on the road again. They swung through Eugene in late 2008 as part of the Radiolarians III Tour. By that time, only R1 had come out; so the crowd didn’t really know the material being played. They played two sets, one set of experimental meets groove and one set of the eventual R3 material. Near the end of 2009, they released the Evolutionary Boxset (all Radiolarians albums with tons of extras: vinyl/live/remixes/DVDs)… great material from a fantastic groove-oriented jazz band. I’m stoked, as they’re coming through Eugene again in Feb 2010. Yay! |
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 Wynton Marsalis – He and She (EMI Blue Note) :: Wynton is a great trumpet player, puts on a great live show, writes and releases great music, and he’s also a jazz bigot. Sigh. |
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 Eyal Maoz’s Edom – Hope and Destruction (Tzadik) :: Great Jewish instrumental rock. I dug Eyal’s first album, Edom. It appears he’s made an official band out of it… yay. I don’t have much else to add; so I’ll leave it with Tzadik’s P.R. niblit… “Hope and Destruction presents powerful Jewish rock instrumentals from a cutting edge guitarist who combines the harmonic lyricism of Bill Frisell with the angst and skronk of Marc Ribot.” Ribot and Frisell influences… me likey. |
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 Jon Madof’s Rashanim – The Gathering (Tzadik) :: Similar but a bit rockier compared to Eyal Maoz’s Edom, Jon Madof has been on my radar since his first instrumental Jewish rock album, Rashanim (which subsequently turned into the band name similar to Edom’s recent evolution). Anyway, this is Madof’s third album under this band moniker. Guitars, bass, drums… banjo… banjo bass… jaw harp… glockenspiel… melodica… tiple… chonguri… it all sounds great!! Jon also has another band called CircuitBreaker that I’m waiting on with baited breath. |
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 Stabat Akish – Stabat Akish (Tzadik) :: From Toulouse, France, this is one of those rare Tzadik releases that fits into the “Composer Series” that doesn’t bore me to tears. Don’t get me wrong, there are some gems in the CS catalogue, but most of them are violin noodlers. This is more of the rock band variety of composers. It has elements of French street music (which I witnessed first hand in Toulouse, coincidentally), elements of Zorn’s schizophrenia, and elements of the ever excellent Frank Zappa… thanks to the vibraphone and bass marimba acrobatics. |
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 Zu – Carboniferous (Ipecac) :: I got this due to Mike Patton’s involvement… he actually sings on one track (and vocal instrumentation on another). Despite that Patton vocal song, this is definitely an instrumental band and a chiefly instrumental album. Zu is powerful rock from Rome, sometimes lumped in with the math rock scene, sometimes with metal. They have had their hand in the jazz scene in the past, too (their album placed in The Village Voice‘s 2004 jazz poll). This album is my only experience with them, but I hope to get into their diverse and vast back catalogue soon. |
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 SF Jazz Collective – Live 2009 (SF Jazz) :: SFJC 2010 will not quite be the same… they lost Dave Douglas, Joe Lovano, and Miguel Zenon – all key players in the 2007 through 2009 seasons. This 2009 season was dedicated to the music of McCoy Tyner and also features great compositions by the eight members of the band. It is truly a collective of many great musicians, not just a band fronted by a few.  |
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 Tim Sparks – Little Princess: Tim Sparks plays Naftule Brandwein (Tzadik) :: A fingerstyle guitar virtuoso, I’d heard Tim on some other Tzadik releases, but I think this one is my favorite of his. This album is a trio of Tim, Cyro Baptista on percussion, and Greg Cohen on bass. I think the added players helped fill out Tim’s sound – which was awesomely virtuosic, but a touch too sparse on prior releases. |
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 Dave Douglas – A Single Sky (Greenleaf) :: This was the third of three Dave Douglas releases this year. It features three new Dave Douglas tunes and four rearranged Douglas tunes by Jim McNeely and his Frankfurt Radio Bigband. The entire album has a great big band feel, something I’m a sucker for – obviously. I love Dave Douglas’s prolific nature – 2009 was good to his fans. |
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 John Zorn – Alhambra Love Songs (Tzadik) :: One of the more accessible albums in Zorn’s catalogue, this is his ode to his favorite San Francisco Bay Area artists and musicians: Vince Guaraldi, Clint Eastwood, David Lynch, Mike Patton, Harry Smith, and more. The music is played by the Rob Burger Trio (Rob + Greg Cohen & Ben Perowsky). The albums leads off with the very Guaraldian tribute to Vince himself – “Mountain View.” |
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Dave Douglas & Brass Ecstasy – Spirit Moves (Greenleaf) :: Dave Douglas & Brass Ecstasy is coming to Portland / PDX Jazz Fest this coming February! I’m so stoked. This band features Dave on trumpet, Vincent Chancey (French horn), Luis Bonilla (trombone), Marcus Rojas (tuba) and Nasheet Waits (drums). The tuba really adds that bouncy backbone that I love (I’m also a fan of the rockier band Drums & Tuba). Check out DD&BE’s NPR Tiny Desk Concert (video). |
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Sufjan Stevens – The BQE (Asthmatic Kitty) :: It is atrociously difficult to read the lettering on the front cover… maybe as easy as navigating the Brooklyn Queens Expressway in rush hour. This was Sufjan’s first foray into studio album land since the Avalanche (but that was more of a b-side collection of 2005’s Illinoise). Anyway… it’s a moving, 40 minute piece dedicated to NYC’s traffic clusterbomb. It comes with a film to accompany it, and if you get the double-gatefold vinyl, you get a spiffy comic book written by Sufjan and a fantastic full-color booklet. I like it how Sufjan “keeps it weird” when he’s “keeping it real.” |
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 John Zorn – O’o (Tzadik) :: While the music is stunning, I think longtime Tzadik artwork designer Chippy deserves a ton of credit as well. This album is the band from The Dreamers: Baptista, Baron, Dunn, Ribot, Saft, and Wollesen. It carries on that world music / surf / exotica sound, but adds the element of nature: being a tribute to rare birds (the album is named after an extinct Hawaiian bird). |
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 Tides from Nebula – Aura (indie from Poland) :: Tides of Nebula is powerful, evocative progressive post-rock goodness from Poland. They have links on their MySpace page on how to get their CD. It’s really, really, really, good. It combines the huge sound from post-rock giants like Explosions in the Sky or Mogwai, but adds a tight edge as well – similar to if Brit progressive rockers Porcupine Tree tweaked some Explosions or Mogwai songs. This is one of those bands and albums that I had no idea about even this summer, and then out of nowhere – BAM! Way up to the top of the pile. I’m looking forward to more from this great group.  |
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Masada Quintet & Joe Lovano play Masada Book Two: Book of Angels, Vol. 12: Stolas (Tzadik) :: The original Masada quartet’s last studio album was in 1999. They continued as a quartet (John Zorn / Dave Douglas / Joey Baron / Greg Cohen) throughout most of the 2000s (I got to see one of their last shows in March 2007). Zorn moved on in the 2000s with writing a 2nd book of Masada tunes, not to be played by Masada, but rather interpreted by other bands. The past 11 albums in this series have been fantastic (Secret Chiefs 3, Medeski Martin & Wood, and the Bar Kokhba Sextet (related-to-but-not-Masada) albums have been my faves). I would never have imagined that Zorn would “allow” Masada to record an album for this Masada Book Two series. Well, he didn’t (sort of). He added pianist Uri Caine and tenor saxophonist Joe Lovano to the mix. A great “supergroup” album!! |
Where do I get most of these jazz and other instrumental releases? My #1 favorite source for jazz is Downtown Music Gallery in New York. Manny and Bruce and their great staff are superb… and being the official distributor for John Zorn’s Tzadik doesn’t hurt my affection for them. I usually do a monthly Tzadik order (if the releases strike my fancy), and they have a ton of other non-Tzadik jazz and avant-garde releases as well.
And, no, I’m not affiliated, I don’t get a commission, and beyond my initial “big tax refund / gotta get caught up on Zorn order of 2005,” I haven’t gotten a discount with DMG. I just love and support what they do.
My Other Favorites of 2009 Recaps:
- Fave Concerts of ‘09 are recapped *HERE*
- Fave EPs/Vinyl/Live/more of ‘09 are recapped *HERE*
- Fave Vocal Albums ‘09 are recapped *HERE*
- Fave Artists of the Decade are coming soon
- Old Years: 2008I, 2008V, 2008ep, 2008C, 2007V, 2007I, 2007C, 2006, 2005
~Dan – np: Brian Borcherdt – Torches
* Favorite Vocal Albums of 2009 *
Disclaimer (with a nod to Andy Whitman of Paste): No, I haven’t heard all 8,000+albums released this year. I’ve heard about 200 of them, which makes me at least 97.5% likely to be wrong. I make no claims to objectivity. These albums are my favorites from 2009. You might think that the one you’ve heard that I haven’t heard is the best album of 2009. And you might be right. So go ahead and vent. Enjoy!
As I start this post, I will say that this is the second year now that I bought more instrumental CDs than vocal CDs. I think as I get older, I am drawn more towards jazz and other instrumental forms of expression. For that reason, the favorite vocal albums list goes first this go ’round. Hopefully my spilling out of music that I like finds interest with someone else. But if not, thanks for stopping by… check out the artists’ webpages, SpaceBook pages, yadda yadda yadda. OK, now on to the best of what’s hit my ears this year…
Honorable Mentions: Jars of Clay‘s The Long Fall Back to Earth, U2‘s No Line on the Horizon, Madeleine Peyroux‘s Bare Bones, Piano Magic‘s Ovations, and Ember Swift‘s Lentic :: 子玉.
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 Chevelle – Sci-Fi Crimes (Epic) :: I don’t find Chevelle to be all that original. I mean, I found them early on (the Squint days) and I liked them due to their sound similar to Tool. I don’t know… I continue to like what Chevelle puts out, regardless of its similarities to other bands. They have good hooks, vocals, and melodies. I’ve yet to see them live… they tend to always show up where I’m not. Maybe I’ll get lucky on their next batch of tour dates. |
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 Kim Taylor – Little Miracle (indie) :: Kim is a Cincinnati favorite of mine. She tours a lot with another Cincinnati band, Over the Rhine – which is how I first heard of her (so many years ago). Anyway, if you’re in Cincinnati, swing by her coffee shop – Pleasant Perk (and buy a CD along with the Mocha you’re craving). This record came out only about a week ago. It still needs to sink in, but it’s got that Kim Taylor vibe – sultry/smoky vocals with heartfelt lyrics. This album is more stripped down than her prior releases, full of warmth. |
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 Tori Amos – Abnormally Attracted to Sin (Universal) :: Tori’s heyday for me was the 1990s. Sin hearkens back to those days, but still remains in this weird phase of “I don’t know if I like, but I do kinda like it” for me. It’s not classic Tori, but it is a good record. Her live show this year in Portland helped me get into this album a bit more. After 20 or so years of touring, she still delivers the goods consistently. |
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 Chali 2Na – Fish Outta Water (Decon) :: Chali 2Na was always my favorite rapper in Jurassic 5. I dig all of those gents, but Chali has that powerful booming baritone with quick delivery. His first official solo album [he had a mixtape type thing a few years back], this one doesn’t disappoint the J5 fan in me. |
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 Alice in Chains – Black Gives Way to Blue (EMI Virgin) :: New singer, same great grunge sound. Jerry Cantrell and Company are back with a great new hard rocking record. While Layne can’t be replaced, the band goes on and it doesn’t disappoint. Their live show this year was excellent as well. |
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 Isis – Wavering Radiant (Ipecac) :: Post-rock, post-metal, ambient metal… I don’t know what you want to call it. I first saw these guys open up for Tool a few years back, and I subsequently quit putting off getting their music. They’re on Mike Patton’s Ipecac label (so I had heard of them prior to the Tool gig), and they are both meandering and powerful. This is not a metal band full of riffs… they would fit more in the camp with post-rockers Explosions in the Sky and Godspeed! You Black Emperor than with Metallica and Megadeth. |
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 Talking Snakes (Gary Lenaire) – Nonogram Zen (indie) :: Former guitarist/vocalist for metal band Tourniquet, Gary Lenaire, released his book An Infidel Manifesto a few years back. This album is his first solo album as being an out atheist. I love the music and lyrics in Nonogram Zen. I think this album stacks up to anything he did in Tourniquet (OK, Pathogenic Ocular Dissonance still “owns” Gary’s catalogue, in my opinion). Musically, Nonogram Zen ranges from really heavy, to electronic-tinged, to more melodic pop songs (with auto-tune… *shudder*) – but all in all, I’d consider it to be a metal/hard rock album. It’s only currently available as a digital release, but perhaps it will see a physical form in the near future. |
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 Dream Theater – Black Clouds and Silver Linings (Roadrunner) :: I bought the special edition of this record, mainly for the CD of completely instrumental versions of Black Clouds songs. While I love the instrumental versions better, the entire album is really well crafted. As much as I think James LaBrie’s vocals and Mike Portnoy’s oft-clunky rhyme-writing get in the way, I think this album holds up in their ever-expanding catalogue. |
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 Bad Veins – Bad Veins (Dangerbird) :: Three years in existence and the band finally gets their debut album out the door. While I think it’s a solid album, and I think the song-writing is superb, I think my fondness of their early live shows and acoustic / in-studio sets have more musical magic to me. I did get a chance to see Bad Veins twice this year, which was quite the coup – as they live 2,300+ miles from me. I’m glad that this album finally made its way out and I hope there’s another one to follow in less than three years time. |
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 Regina Spektor – Far (Sire Warner) :: Regina’s latest album grew on me slowly. By the time I saw her in Portland (in early November), I was digging this latest album the best out of her material thus far. It is quirky, poppy, and makes you think (especially on “Laughing With”). Her live show is energetic and quite a full night of music. |
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 Extra Golden – Thank You Very Quickly Vol. 3 (Thrill Jockey) :: I didn’t know about Extra Golden until about 3 or 4 months ago, when my friend Aaron told me about their set at Eugene Celebration. I went to that show and was a fan. They are a half American, half Kenyan group… and they play sort of jammy, sort of African songs. It’s a great melting pot of sound. Their record and live show are highly recommended! |
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 Various Artists (produced by Ric Hordinski) – Notes From the Monastery (indie) :: Rarely do I buy a “various artists” album… in the age of iTunes, it’s easier (and usually beneficial) to just buy the few tracks from artists that I know. Well, this compilation is all music produced by a person who I enjoy and respect… Mr. Ric Hordinski. He was a founding member of Cincinnati band Over the Rhine, the creative force behind the more meandering band MONK, and the knob-noodler for his Monastery Studios. This album features all new, previously unreleased songs by Ellery, Over the Rhine, Sarah Masen, Ric Hordinski, Phil Keaggy, David Wilcox, and more. There is not a bad song on the whole disc. Kudos, Ric! |
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 Works Progress Administration (featuring Glen Phillips) – WPA (Elite Artist Services) :: While I often lump this in the “Glen Phillips side project” category, it that doesn’t really do it justice. My favorite songs are the Glen ones, but Luke Bulla and Sean & Sara Watkins (of Nickel Creek) round this album out into an important Americana album in 2009. Let’s just say, I came to find WPA due to Glen, but I stuck around due to it being a great band with a great new record. |
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 Fanfarlo – Reservoir (indie) :: The best way to build a fanbase overnight… have a moderately successful internationally touring artist pimp your music directly via their website and offer your album for a $1 download months before it’s available in shops. Sigur Rós’s web viewers and mailing list got a first taste and nudge to check out Fanfarlo, and that’s all it took – a gentle nudge. While Fanfarlo isn’t really all too much like Sigur Rós, I can see why their fans intersect… gentle songs with complex and often unusual instrumentation. I missed Fanfarlo as they swung through the Pacific Northwest, as I was on vacation, but I hope they come through again soon. |
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 Tegan and Sara – Sainthood (Sire Vapor) :: This T&S album is rockier than their last few albums, but after the second listen, I think I like it more than both The Con and So Jealous (and, yeah, their pre-Jealous ones, too). I think with The Con, they had started to really figure out to write really hooky yet still mature songs. While Sainthood heats it up on the rockier edge, I think the songs are better overall. This was their first album where they wrote a large chunk of the songs together in the same room – maybe that was their secret formula. I’m looking forward to their upcoming tour… April 2010 in Portland! |
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 The Swell Season – Strict Joy (Anti-) :: The ONCE soundtrack sunk in immediately after I heard it. While Strict Joy took a while to sink in, I think it’s a more solid record than Once. While this album represents their personal “break up,” I hope they keep working together as a band. I’ve heard some of Glen’s work with The Frames, and it’s good – but Marketa and Glen together really seems magical. |
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David Bazan – Curse Your Branches (Barsuk) :: The oft-used tagline for this record is “David’s break-up album with God.” Sure, OK. I never really thought his prior albums were all that ostentatiously “God-y” anyway. I admired David’s doubting and questioning in his prior Pedro the Lion music. His move to a more agnostic / atheistic-leaning artistic expression is a-OK with me. I realize that it’s a personal journey, and as long as he keeps putting out challenging and witty lyrical numbers, and he keeps touring & bringing some fun Q&A time to stages near me – I’m fine with whatever his philosophy moves towards. |
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 O.S.I. – Blood (Inside Out) :: What, a Kevin Moore album at #7 in its release year? I know, I know… Chroma Key and the first two O.S.I. albums were at least Top 3 spots in their respective years. While I have been moving towards a lot more instrumental music, this year’s vocal albums that I did get had some great music… the Top 10 vocal albums for me this year are especially strong albums, regardless of my bent towards the sans vocal route. Anyway, I really dig this new O.S.I. record. I wish more news and touring from Kevin Moore would leak out… I mean, news bites are few and far between. It gets a bit frustrating in this era of readily available information. Chroma Key or O.S.I. album #4… I hope not too far out there. |
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Nellie McKay – Normal As Blueberry Pie: A Tribute to Doris Day (Verve) :: While I dig Nellie’s own music better than this batch of mostly Doris Day cover songs (there is one Nellie original), this may be the most perfect tribute album. From the cover art, to the campy photos inside, to the delivery that truly honors Doris Day, to Nellie’s excellent jaunt with The Aristocrats – this album I think is more than the sum of its parts. Back on a major label (this time Verve instead of Sony), I hope they give Nellie some creative control to go back in the studio to make her next originals album. |
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Porcupine Tree – The Incident (Roadrunner) :: I think I like the non-concept songs on disc 2 more than the individual parts in The Incident concept disc. Regardless, I think Steven Wilson has turned the corner away from Fear of a Blank Planet, and maybe he’s heading back into a more interesting progressive arena. The tour was also great this year, but maybe they play their instruments too perfectly. I almost felt as if I could have gotten as much out of the DVD of the show as the actual show (hey, my only negative about this latest effort is that they play “too perfectly”). Go figure! |
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Peter Mulvey – Letters From a Flying Machine (Signature Sounds) :: Half spoken word, half poppy singer-songwriter tunes… that doesn’t scream “Top 5” album release. But it is. I think this is Peter’s most solid piece of work in a while, and it ranks amongst The Trouble with Poets and Kitchen Radio for me. Peter is still fairly unknown… but he is quite prolific (12+ full lengths in 17+ years), hard-working (constantly touring all places from Alaska to Ireland), quite witty (he could be a comedian if the whole music thing doesn’t work out), and energetic (he did a 1,100 bicycle tour this year – playing gigs from Michigan to Massachusetts). He plans to do a bicycle tour from Wisconsin to the West Coast in 2010… yay! |
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 Derek Webb – Stockholm Syndrome (INO) :: I grew up with Derek Webb as he made his musical start in the contemporary christian music scene – with Caedmon’s Call. I always loved his songs and vocals the best; so when he left the band, I followed. His latest album gets it right in both music and lyrics… calling out those who hate others due to their sexuality (the “controversial” What Matters More) and calling out hate in the name of God (“Freddie, Please” dedicated to Westboro Baptist’s jackass preacher). I feel that even though I have differing (non-)religious beliefs, I still can call Derek Webb a compatriot. The more electronic-tinged music is also welcome from his more “guy & a guitar” days (though, he carried that sound well, too). I look forward to his upcoming subscriber series in 2010 – Democracy, Volume 1. |
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 Wussy – Wussy (Shake It) :: Wussy just keeps getting better. Lisa and Chuck & Company have really stepped it up on their third full-length. I wish I still lived in Cincinnati sometimes after seeing their “hey, we’re playing at Northside Tavern” posts on SpaceBook and MyFace. Anyway, I’m utterly delighted with this record, and they’ve unofficially promised to hit the West Coast in Spring 2010. Fingers crossed… |
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dredg – The Pariah, The Parrot, The Delusion (Ohlone) :: dredg has evolved from “good opener” the first time I saw them to “really good rock band” after I delved into Catch Without Arms (specifically “Ode to the Sun” and the b-side “Stone By Stone”) to one of my favorite bands with this new release. Quite honestly, from the first full listen back in June, I knew this would be my #1 album for 2009. It’s a concept album based loosely on Salmon Rushdie’s “Letter to the Six Billionth Citizen,” and, well, it shows off dredg’s great vocals, subtle progressive guitars, and unique and inspiring drumming. I hope album #5 is not another 4 years away… or, if it is, I hope they keep touring. I got to see them twice this year – both fantastic shows. |
Top 25 instrumental albums coming up later this week… still making my way through them at this point… oy…
My Other Favorites of 2009 Recaps:
- Fave Concerts of ‘09 are recapped *HERE*
- Fave EPs/Vinyl/Live/more of ‘09 are recapped *HERE*
- Fave Instrumental Albums ‘09 are coming soon
- Fave Artists of the Decade are coming soon
- Old Years: 2008I, 2008V, 2008ep, 2008C, 2007V, 2007I, 2007C, 2006, 2005
~Dan – np: Roberto Rodriguez – The First Basket
Favorite Concerts of 2009
Well, this year’s concert seasons were especially good to me… 365 days, 70 shows, 119 artists, 1 wine-tasting rock show, many long nights driving home, and a lot of photos…
My favorite concerts of 2009:
- Maynard James Keenan’s Puscifer (2 nights) :: Roseland Theater :: Portland, OR {14&16 Nov} [reviews with pictures – night #1 & night #2]
- Nellie McKay & the Aristocrats :: Dimitriou’s Jazz Alley :: Seattle, WA {20 Oct} [review with pictures]
- dredg :: Hawthorne Theatre :: Portland, OR {3 Apr} [review]
- Holy Fuck :: Doug Fir Lounge :: Portland, OR {4 Jun} [review with pictures & video]
- The Swell Season :: McDonald Theatre :: Eugene, OR {23 Nov} [review with pictures]
- Zappa Plays Zappa :: Hawthorne Theatre :: Portland, OR {2 Jan} [review]
- Flight of the Conchords & Arj Barker :: Arlene Schnitzer Hall :: Portland, OR {14 May} [review]
- SFJazz Collective 2009 with Dave Douglas, Joe Lovano, Miguel Zenon, and more focusing on the music of McCoy Tyner :: The John G. Shedd Institute for the Arts :: Eugene, OR {19 Mar} [review with pictures]
- Opeth & Enslaved :: Roseland Theater :: Portland, OR {12 May} [review]
- The Melvins (2 sets) :: John Henry’s :: Eugene, OR {9 Aug} [review with pictures]
- My Weekend with Peter Mulvey & Krista Detor :: Alberta Street Pub/Sam Bond’s Garage :: Portland/Eugene, OR {7&8 Nov} [review with pictures]
- Hiromi’s Sonicbloom :: Dimitriou’s Jazz Alley :: Seattle, WA {16 Jun} [review with pictures]
- David Bazan (of Pedro the Lion) :: House Show :: Eugene, OR {25 Jul} [review with pictures]
- Madeleine Peyroux :: The John G. Shedd Institute for the Arts :: Eugene, OR {25 Mar} [review]
- Patton Oswalt :: Newmark Theatre :: Portland, OR {13 Sep} [review]
Runners-Up: Emily Wells & PCP at Cozmic, UofO’s Percussion Ensemble Tribute to Frank Zappa, David Cross at Newmark, Porcupine Tree & That1Guy at Roseland (Portland), Wynton Marsalis and the Lincoln Center Jazz Orchestra at Hult Center, and Spinal Tap at Paramount (Seattle).
Biggest Disappointments: missing Zappa Plays Zappa in Eugene in late November due to them getting stuck in California due to snow, missing Tristeza in Portland in early December due to a bad sinus infection, missing Melt Banana in Portland due to freezing rain & fog, seeing Yann Tiersen play an utterly dreadful show in Portland, and not seeing Over the Rhine for the 2nd year in a row (we’ll have to make up for it in 2010).
And to end on a positive note…
My favorite concert photos of 2009: (in no particular order)
- The Swell Season in Eugene
- Sweethead, opener for Puscifer in Portland
- Carina Round and Maynard James Keenan behind their boxes for Puscifer in Portland
- Sin Fang Bous, opener for Múm in Portland
- Hildur Guðnadóttir of Múm screaming her heart out in Portland
- Nellie McKay in Seattle
- Aimee Mann smiles in Portland
- Sara Watkins of Works Progress Administration in Eugene
- Alice in Chains iPhone shot in Portland
- Gavin from dredg moves too fast for me in Portland
- King Buzzo of The Melvins in Eugene
- Zoë Jakes dancing with Beats Antique in Eugene
- Jerry Gaskill’s stick action with King’s X in Portland
- Brian Borcherdt of Holy Fuck in Portland
(all images are free to use under a creative commons designation, simply identify Daniel Temmesfeld with a photo credit and link to jazzsick.wordpress.com)
Past Favorite Concerts Lists:
Favorite music of 2009 will be coming the week of Dec 28th… EPs/DVDs/etc, vocal albums, instrumental albums, artists of the decade…
~Dan – np: Anthony Coleman – Freakish: A Tribute to Jelly Roll Morton
2009 mix
Well, thanks to a certain bigwig, I got off of my duff to make a mix CD for his round robin dealio. No major theme this time like prior mixes… the only rule I placed before myself was that everything is current (i.e.- released in 2009).
{If you aren’t part of the round robin and want a CD, contact me. If you’re local, even better. I’ll get ’em out around Thanksgiving.}
The following songs were put on the mix CD from lossless sources for promotional purposes only (read: free direct market advertising to people who decidedly love music). Most of the artists on this compilation are independent (put out the music themselves) or signed to smaller, independent labels. If you like what you hear, check out their music / support them with your wallet if you are able. The artists’ Webpage, MyFace & Spacebook (whether official or not), and Amazon links are available for each song below. I’ve also included concert review links if I’ve seen the artist recently.
PDF front liner is available HERE (designed to print double-sided).
UPDATE (12/18): free download / bonus track #18 below
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01 Nellie McKay “Do Do Do” from Normal As Blueberry Pie: A Tribute to Doris Day
Well, the person who got this round robin going (Brad) was a direct influence in me getting into Nellie McKay back when Get Away From Me came out. I’ve been a fan ever since. I think GAFM is my favorite of hers, but she’s still quite consistently entertaining to me. Her latest album is a tribute to the late great Doris Day. It’s missing some of Nellie’s sly wit, but is definitely fitting in her “I wish I was born in another era” wishes. The album art is 135% fitting for Nellie, too. Perfect choice!
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02 John Zorn “Miller’s Crake” from O’o
I could have put on some more skwoky Zorn, but I opted for a more accessible number. John Zorn is prolific, but this was actually a slow year – I only count six Zorn-related releases. O’o is twelve lyrical and adventurous instrumentals combining world music, surf, exotica, soundtracks, easy listening, and minimalism dedicated to twelve different birds (Chippy’s artwork is amazing). “Miller’s Crake” is a delightful Guaraldi-esque jaunt from the band that came out of the Electric Masada / The Gift / The Dreamers sessions: Marc Ribot, Jamie Saft, Kenny Wollesen, Trevor Dunn, Joey Baron, and Cyro Baptista.
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03 Extra Golden “Gimakiny Akia” from Thank You Very Quickly Vol 3
I was planning on going to Eugene Celebration anyway, but I got a call from a friend who suggested that we meet and definitely go to see Extra Golden. Um, OK, sure. Then I saw them, and wow… fuuuuun. I love African music, but sometimes it’s gets all too similar unless you do something fun (a la Fela Kuti, Antibalas, etc). Well, Extra Golden are half Kenyan and half American (which I guess is the “something fun” part? I don’t know). They fuse some great jam-rock with Kenyan beats* and singing… great stuff. Fantastic live show, too. *-Though, coincidentally, not so much Kenyan beats on this track. Yeah, sorry.
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04 Ember Swift “Hollowed Bones 空骨” from Lentic :: 子玉
Ember Swift (yes, her real name) is finally starting to head in a new direction. I mean, I dig her a lot, but her past albums have been slightly derivative of Ani DiFranco (with maybe a little more adventurism). She’s from Canada, but has spent time living in China recently. In fact, I think she’s still living there (don’t quote me on that)… that culture has definitely had an impact on her music.
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05 Works Progress Administration / Glen Phillips “Rise Up” from Works Progress Administration
This song first showed up on the Concert to End Slavery compilation as a Glen Phillips solo song. It’s my favorite from WPA, but it’s not very representative of the album. The album is more folky / americana via the heavy influence of Sean & Sara Watkins from Nickelcreek and Luke Bulla (from Lyle Lovett’s band).
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06 Madeleine Peyroux “Damn the Circumstances” from Bare Bones
I am usually not a fan of vocal jazz… it’s usually too full of schlock, if you ask me. Well, Madeleine’s smoky voice overrides that generalism for me. She’s a fantastic vocalist, a throwback to the golden era of jazz vocalists. This album is her first of non-covers. All original, either written solo or co-written, Bare Bones moves her from a “fantastic standards” singer to bringing vocal jazz back into fresh territory.
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07 dredg “Gathering Pebbles” from The Pariah, The Parrot, The Delusion
dredg is one of my favorite bands now. 2005’s Catch Without Arms floored me, and I was eagerly awaiting the follow-up. It took too long (4 years), but it was well worth it. The Pariah, The Parrot, The Delusion is by far my favorite album this year. It was inspired by Salmon Rushdie’s essay “Imagine There’s No Heaven: A Letter to the Sixth Billionth Citizen.” In fact, this past fall, dredg and Salmon did a joint show that was captured by Spin magazine.
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08 Porcupine Tree “Flicker” from The Incident
The best progressive rock band around, Porcupine Tree’s The Incident is a 55-minute epic concept album/song. “Flicker” is actually a session b-side from the 2nd disc from the collection. I got a chance to see Porcupine Tree this September, and Steven Wilson & Co delivered the impeccable studio sound to the stage. It’s almost magic.
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09 O.S.I. “Terminal” from Blood
I really like this 3rd record by O.S.I. (formerly know as the Office of Strategic Influence). O.S.I. is a joint collaboration of Chroma Key’s Kevin Moore and Fates Warning’s Jim Matheos. Most of Blood is heavier progressive rock, but I tend to like the more Chroma Key-esque tracks like “Terminal.” The album has guests Gavin Harrison (of Porcupine Tree) on drums, Mikael Åkerfeldt (of Opeth) on vocals for one track, and Tim Bowness (or No-Man) on vocals for one track as well. The 2nd disc also features a Kevin Moore-sung, rockin’ tribute to Elliott Smith (“Christian Brothers”).
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10 900X “The Black Beach” from Library Catalog Music Series: Music For Lubbock, 1980
Sufjan Steven’s label Asthmatic Kitty is really becoming a favorite. They host music by Sufjan, My Brightest Diamond, Fol Chen, Osso, and now the excellent experimentation from the various Library Catalog Music Series artists. The 900X release is my favorite of the six releases so far. I received the high quality mp3s from the record label for free, and I loved it so much that I bought it on vinyl.
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11 Chali 2Na featuring Talib Kweli “Lock Sh*t Down” from Fish Outta Water
I’m still sad that Jurassic 5 broke up, but now we get albums from Portable Payback (Marc7 & Soup), Cut Chemist, DJ Nu Mark, Akil the MC, and, of course, Chali 2Na (my favorite from the group). Chali’s got that deep booming voice that makes you pay attention. This song’s lyrics (and video) are kinda cheesy, IMO, but it still features some nice flow from the “lyrical manphibian.”
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12 Peter Mulvey “Vlad the Astrophysicist” from Letters From a Flying Machine
Storytelling has always been a fantastic part of Peter’s live shows. Nine years ago, when his first niece was born, Peter got into the habit of writing physical letters to his nieces and nephews (now 17 kids in total). This album is interspersed with spoken word letters and new music. I think it’s his strongest album since 2000’s The Trouble With Poets. I like a lot of different music, but with that being said, I think Peter is by far my favorite singer-songwriter. Support indie music!
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13 David Bazan “Curse Your Branches” from Curse Your Branches
I wanted to put on “Hard to Be,” but due to space limitations, I went for a shorter song. This is David’s first full-length solo album since disbanding the indie rock band Pedro the Lion. PTL was really David’s thing anyway; so him disbanding the band isn’t that big of a deal, if you ask me. This album also marks his first decided move away from the “religious guy” things into the “heavily agnostic thing” (kudos to him, from me at least). This album is peppered with his thoughts and doubts of his religious upbringing – even moreso than in his prior Pedro days. It very well called a “breakup letter to God” by some.
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14 John Zorn “Novato” from Alhambra Love Songs
Alhambra Love Songs is a set of 11 songs that are an eclectic homage to San Francisco Bay area musicians. This particular song is dedicated to Mike Patton (and, no, that’s not why I picked it). The album is played by pianist Rob Burger, bassist Greg Cohen, and drummer Ben Perowsky – and also falls into the “more accessible” John Zorn camp.
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15 Wussy “Little Paper Birds” from Wussy
This little band that could from Cincinnati is getting some good buzz in major publications (I know Spin has featured them several times). I went to college with their female lead singer, Lisa Walker, and remember when she did a more folky thing. I think Wussy’s sound suits her well (and vice versa). Anyway, this is their third record, and features some great songs from both Lisa and Ass Ponys’ Chuck Cleaver.
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16 The Dead Kenny G’s “Birther Blues” from Bewildered Herd
Prior to moving to the PacNW, I had heard of saxophonist Skerik via John Zorn and other avant-garde connections. I never got to hear him until I moved here and saw him at Sam Bond’s. He seems to be down here in Eugene every other month or so, in different band incarnations. The Dead Kenny G’s features Skerik on tenor sax & pianos, Mike Dillon on drums (who I recently saw drum with Ani DiFranco), and Brad Houser on bass & baritone sax.
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17 Ikue Mori “Redeye Skimmer” from Class Insecta
Ikue Mori is an interesting instrumentalist. She mostly utilizes a laptop, and I saw her play live with Ellery Eskelin & Jim Black in NYC in 2007 and was wowed by the improvisational nature of her craft. Most of her albums are more avant-garde. She has one album that I’d consider to be much more accessible (1995’s Painted Desert on Japan’s DIY/Avant label). Class Insecta is also more accessible than most of her work. I suppose if you like well composed, electronic music dedicated to insect species, it’s for you!
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18 Derek Webb “What Matters More” from Stockholm Syndrome
(bonus mp3) DOWNLOAD it >> http://www.derekwebb.com/387/WMM.zip
Stockholm Syndrome is an album that I’m bummed I didn’t get fit on the CD version of this compilation. It’s going to place fairly well in my year-end “Best of 2009” list. I think it’s the best thing Derek’s ever done, including Caedmon’s Call and prior solo work. It has a great overall vibe, and a message that I can agree with, even though I don’t agree with his religious philosophy. This song, while not the best on the album (IMO), has a great lyric and pro-gay marriage position and was actually banned by his independent Christian label (INO Records). He subsequently released an “uncensored” version of the album, and now has the song available for free on his site.
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Let me know what you think…
unfortunately missing (due to space or flow limitations, or that I simply didn’t get them in the mail yet): pop from Regina Spektor, Zero 7 & the Swell Season; jazz from Dave Douglas’ Brass Ecstasy and A Single Sky, Masada Quintet + Lovano, and The Fantastic Terrific Munkle; comedy from Flight of the Conchords; and some metal Ahleuchatistas, Megadeth, Isis, Dream Theater, Puscifer, Tides From Nebula & Alice in Chains. Oh well, those may make it on my “favorite albums” of 2009 list.
~Dan – np: Puscifer – C is For…
there are no torrents, free mp3 or other downloads available
* Favorite Instrumental Albums of 2008 *
Disclaimer section is again shamelessly plagiarized from Andy Whitman at Paste…
Disclaimer #1: No, I haven’t heard all 8,000 albums released this year. I’ve heard about 200 of them, which makes me at least 97.5% likely to be wrong. But hey, this isn’t math class, and I make no claims to objectivity. These albums are my favorites from 2008. You might think that the one you’ve heard that I haven’t heard is the best album of 2008. And you might be right.
Disclaimer #2: Yeah, yeah, yeah. Just get it out of your system now and be done with it. I am deliberately trying to be obscure. Who the hell has even heard of these people? So go ahead and vent, then read Disclaimer #1 again.
My Other Favorites of 2008 Recaps:
- Fave Concerts of ‘08 are recapped *HERE*
- Fave EPs/Vinyl/Live/more of ‘08 are recapped *HERE*
- Fave Vocal Albums ‘08 are recapped *HERE*
- Old Years: 2007V, 2007I, 2007C, 2006, 2005
As I start this post, I will say that this is all very subjective and really put together for my own purposes. I’ll also state that, yes, some of the music below does have some vocals. For the most part, it’s sequestered to a track or two on a long CD of mostly instrumental goodness. My list, my rules, and/or my breaking of the rules. With that being said, all of the artists below tend to be in the jazz and instrumental frame of reference anyway.
Hopefully my spilling out of music that I like finds interest with someone else. But if not, thanks for stopping by… check out their webpages, MySpaces, my fave song recommendations on iTunes (in 30 second bursts), yadda yadda yadda. OK, now on to the best of what’s hit my ears this year on the mainly instrumental front…
Honorable mentions (aka my list is too jam packed, and I still really love these records, too): Bill Frisell‘s History, Mystery (with Eyvind Kang, Jenny Scheinman, Kenny Wollesen, etc); Charlie Hunter‘s Baboon Strength; John Zorn‘s Filmworks XX & XXI: Sholem Aleichem & Belle de Nature / The New Rijksmuseum; Medeski Martin & Wood‘s Radiolarians I; and Dub Trio‘s Another Sound is Dying.
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 Reptet – Chicken or Beef? (Monktail Creative Music Concern) :: I feel like I’ve written too much (especially on my Top 20 Vocal albums blog); so these descriptions / raves might be shorter… we shall see. Reptet is a great 6-piece jazz band from Seattle. I heard about them via Jim Wilke’s Jazz Nothwest podcast back in late 2007, when a collaboration of Seattle jazz & avant bands called the Monktail Creative Music Concern played a gig that got aired in its entirety. Anyway, Reptet is one of my fave bands in the MCMC. They’re a quirky jazz band with an odd sense of humor. I dig it… a great, modern brass-forward jazz sextet. Favorite tracks are “Reptet Score!” and “Eve of Thrieve.” http://www.reptet.com/ -and- http://myspace.com/reptet |
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 Daniel Zamir – I Believe (Tzadik) :: I have some of Daniel’s Satlah project, of which I dig a plenty. This one was outside of the Satlah camp, enlisting NYC scene heavyweights Uri Caine, Greg Cohen, and Joey Baron. I waffled on including it until I heard it again recently. It’s really gorgeous. More on the mellower, nee spiritual, side of the the music coming out of the Radical Jewish Culture series, Zamir really offers up his soprano sax melodies as prayers. The title of the album and the music really match up perfectly. Favorite tracks are “Poem 10” and “Poem 51/52.” http://tzadik.com/ -and- http://myspace.com/danielzamir |
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 John Zorn – Filmworks XIX: Dimitri Geller’s The Rain Horse (Tzadik) :: John Zorn put out a handful of Filmworks this year, and all of them are good. FW XXI would have made it on the list as well, had it not been for the too often used harpsichord in The New Rijksmuseum scoring (the parts for the Belle de Nature score are really gorgeous, though). Anyway, the Filmworks series are usually some of John Zorn’s most accessible. The Rain Horse is a subtle trio of Erik Friedlander on cello, Greg Cohen on upright bass, and Rob Burger on piano. Favorite tracks are “Parable of Job” and “Tears of Morning.” http://tzadik.com/ -and- http://myspace.com/johnzorn |
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 Talkdemonic – Eyes at Half Mast (Arena Rock) :: No, their album cover doesn’t really do the animation thing (a la Tool’s Ænima). I just couldn’t help using that animated GIF from their MySpace page. This Portland post-rock duo swung through Eugene at least twice this year. I caught their brilliant February show. Their album didn’t come out until later in the year, and it continues in the sound from their prior two albums. Great electro-acoustic post-rock… drums, viola and electronics. Favorite tracks are “Duality of Deathening” and “Tides in Their Grave.” http://talkdemonic.com/ -and- http://myspace.com/talkdemonicmusicmaking |
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 NIИ – Ghosts I-IV (halo) :: Sparse and haunting, Ghosts I-IV reminds me of a soundtrack meets demos for Trent’s next album. Perhaps that’s where they came from, ideas kicking around in his head. For a fan of instrumental music, it’s a highly enjoyable 110 minute journey into many different soundscapes. For the download version, each track has it’s own artwork attached in the file which is a nice addition even though I hate the shift towards the potential eventual demise of the “album.” Favorite tracks are “14” and “31.” http://www.nin.com/ -and- http://myspace.com/nin |
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 Bobby Previte & New Bump – Set the Alarm for Monday (Palmetto) :: A new version of Previte’s Bump the Renaissance, this group includes two of my favorite players – – Ellery Eskelin on sax & Steven Bernstein on trumpet. Drummer Bobby Previte does many projects, some more in the avant-garde scene… but New Bump definitely fits into an accessible range (similar to Coalition of the Willing with Jamie Saft & Skerik). This album is really “jazz-cinematic” a la a private investigator drama soundtrack perhaps. Favorite tracks are “I’d Advise You Not to Miss Your Train” and “There Was Something In My Drink.” http://www.bobbyprevite.com/ -and- http://myspace.com/previte |
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 Steven Bernstein – Diaspora Suite (Tzadik) :: This is Bernstein’s fourth in his Diaspora series for Tzadik’s Radical Jewish Culture, and it very well be my favorite. It seems much more adventurous than the past efforts, which is what I like about Steven’s trumpet playing and compositions. I think Suite fits better in with his larger Sex Mob and Millennial Territory Orchestra catalog (but from a decidedly Jewish musical culture standpoint, obviously). I hope I get a chance to see him sometime… he played in Ohio just after I moved away, and he played in Seattle in November (as part of Earshot Jazz Fest), but being on a Wednesday… well, I didn’t make it up for the show. Favorite tracks are “Zebulon” and “Judah.” http://stevenbernstein.net/ -and- http://myspace.com/stevenbernsteinmusic |
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 Auragami – Esoteric (indie) :: Auragami is a former Dayton, OH, now San Diego-based bass guitarist named Michael Miller. This album isn’t commercially available, as far as I know. I know Michael Miller from going to shows around Dayton (and surrounding). We’ve got a lot of the same leanings with the rock stuff (Galactic Cowboys, King’s X, et cetera), and I’m happy that I made it on his Christmas card list… because the Christmas card list has been a new CD of his for the past few years. Esoteric is a 40-minute record with the melodies, crunch and remix-friendly bass that I’ve come to love about his music. He also collaborates with others on this album (a personal fave, Mike Georgin, being one of them). As far as the sound, it’s very much a bass with drum loop affair… some subtle melodies, some heavier/grittiness (a la NIN), and some organic-electronics that fit well with another San Diego artists, The Album Leaf and Goddamn Electric Bill. Not being commercially available officially, you can check out his music on MySpace and maybe see if he’ll sell you a copy. It seems to be a crime to not be out there. Anyway, thanks for the Christmas gift, Michael! Favorite tracks are “Colab” and “Clover.” http://www.myspace.com/auragami |
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 Goddamn Electric Bill – Topics for Gossip (99X) :: GdEB is a one-man electronic band from San Diego (Jason Torbert is his name), similar in that sense to The Album Leaf, but I’d say GdEB is less ambient and definitely more in the electronic / remix realm when compared to TAL. GdEB might compare similarly to Frog Pocket, but maybe less… um… buzzy & bleepy. I don’t know. I suppose me comparing a little known San Diego electronic artist to another lesser known Scottish electronic artist doesn’t help much. Check GdEB out for yourself… Favorite tracks are “The Morning Commute” and “The Shallows.” http://www.goddamnelectricbill.com/ -and- http://myspace.com/goddamnelectricbill |
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 Hiromi’s Sonicbloom – Beyond Standard (Telarc) :: Hiromi Uehara is a freakin’ whiz on the piano. I got into her with her 2007 CD Time Control after a few clips on BMG’s website (I was trying to round out an order). Her style is very much a jazz-rock fusion, which I’d almost say the rock element comes from her piano skills rather than the rest of the band. You wouldn’t expect this sound just based by the cover alone… the 29 year-old Hiromi amidst bright colors. You’d think it were some Japanese bubblegum pop or something. Anyway, this is her 2nd Sonicbloom album in as many years. She played a several date run at the Triple Door in Seattle this past summer. If she does it again soon, I’m totally making the drive up. Favorite tracks are “Led Boots” and “XYG.” http://www.hiromimusic.com/ -and- http://myspace.com/hiromimusic |
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 Medeski Martin & Wood play John Zorn‘s Masada Book Two – Book of Angels, Vol. 11: Zaebos (Tzadik) :: Medeski Martin & Wood have been in the Tzadik family for a while. They contributed a track to the Unknown Masada album, which was sort of the initial idea that eventually brought out the Masada Book Two series (i.e.- new, previously unrecorded Masada book tunes not recorded by the Masada quartet). John Medeski has also appeared on many other Tzadik releases in a studio musician sense. With that being said, MMW’s inclusion into the Masada Book Two series came as a total shock, though. I think it was announced in early June ’08 for a July release. Whereas Secret Chiefs 3’s Masada Book Two release was announced in winter ’07 for a May ’08 release (almost a year and a half). Anyway, MMW’s Zaebos is a great record. I’d say it doesn’t rank as high as Xaphan and Lucifer for this year’s releases in that for some reason I don’t think the MMW Masada tunes work as well with their style as the tunes work with Secret Chiefs 3 or Bar Kokhba Sextet’s style. All said and done, it’s still a brilliant record for 2008 and for both the Masada and MMW catalogs. Favorite tracks are “Chafriel” and “Tutrusa’i.” http://tzadik.com/ -and- http://mmw.net/ -and- http://www.myspace.com/medeskimartinandwood |
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 Tiptons Sax Quartet – Laws of Motion (Zipa! Spoot) :: Similar to Reptet, I got into the Tiptons via Jim Wilke’s Jazz Northwest podcast. I found out about them literally a day after they had been in Eugene in Dec ’07. D’oh! Anyway, I believe that this is their 3rd full length CD, though they had some former releases with different members under the name the Billy Tipton Memorial Saxophone Quartet. They’re an all-woman sax quartet (plus drums) from Seattle. They’ve got ties to some great jazz musicians & composers (Eyvind Kang & Wayne Horvitz for example). This album has some vocals, but all in all, it’s a jazz record with a touch of eastern European music (balkan-klezmer per my untrained ears) thrown in. Favorite tracks are “Fallout” and “Number Six.” http://www.tiptonssaxquartet.com/ -and- http://myspace.com/tiptons |
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 Mostly Other People Do the Killing – This is Our Moosic (Hot Cup) :: I saw trumpeter Peter Evans in Eugene in February, and it was a mind-blowing avant-garde set. This band on the other hand, led by Moppa Elliott, is more of a Sex Mob-influenced jazz funk romp. Great music from these NY gents. You can get their albums on CD Baby (please, support indie moosic). Favorite tracks are “The Bats in Belfry” and “Drainlick.” http://www.moppaelliott.com/ -and- http://myspace.com/mostlyotherpeopledothekilling |
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 Stebmo – Stebmo (indie) :: Multi-instrumentalist Steve Moore has played with Earth, Sunn 0))), and enlisted some friends (Eyvind Kang, Matt Chamberlain, Todd Sickafoose, Tucker Martine and more) to help out on his first solo album. I saw him open for Skerik’s Maelstrom Trio this past spring as well as play with Earth in June. As mentioned in the live review, his album is a bit like the organic/melodic elements of the Album Leaf mixed with the building nature of an Explosions in the Sky set mixed with a heaping handful of electronic jots & tittles like those that may have hit the Kid A cutting room floor. Favorite tracks are “Dark Circles” and “Waiting Game.” http://stebmo.com/ -and- http://myspace.com/stebmo |
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 John Zorn’s Moonchild Trio (Mike Patton/Joey Baron/Trevor Dunn) – The Crucible (Tzadik) :: This album is a rare December release on Tzadik (since 2000, they’ve taken the month off). Continuing in the Moonchild Trio’s glossolaliac noise metal theme, this album also adds John Zorn’s wonderful sax trade-off with Mike Patton’s screaming utterances. Guitarist Marc Ribot also adds very Led Zeppelin riffage on one track (“9×9”). When the original Moonchild album was released (2006), I thought it was going to be a one off… well, four albums in, I’m definitely hoping it continues a bit more… Favorite tracks are “Almadel” and “Maleficia.” http://tzadik.com/ -and- http://myspace.com/johnzorn |
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 Swami Late Plate (Bobby Previte & Jamie Saft) – Doom Jazz (Veal) :: The album’s title, Doom Jazz, says it all. This album fits well for fans of Sunn 0))), Earth, Bohren & Der Club of Gore and others in the slow rock, doom, sludge movement. I find it completely compelling… Favorite tracks are “Malignant Cloud” and “The Bearded Man Cannot Help You.” http://myspace.com/swamilateplate -and- http://myspace.com/doomjazz |
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 God of Shamisen – Dragon String Attack! (Reptile) :: God of Shamisen is Kevin Kmetz, an I first heard of him when he was playing with world metal band Estradasphere. He’s also played (briefly) with Secret Chiefs 3. He’s had a few solo albums, but this year saw GoS release two band efforts: the 7″ vinyl for “The Science Fiction of Ray Bradbury Attack!” and then their full-length debut this past fall. I picked up this debut at their show in Eugene (go here for my review with pictures). While it has some minor vocals on a song or two, it’s still primarily a instrumental attack. Japanese metal fusion… excellent stuff. Favorite tracks are “The Science Fiction of Ray Bradbury Attack!” and the spread across the album in several waves “Dragon String Attack!” http://godofshamisen.com/ -and- http://myspace.com/gos |
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 Mogwai – The Hawk is Howling (Matador) :: Much more enjoyable to me than their recent tour (review link). I can control the volume… yay! I dig this record A LOT. This Scottish band has put out some consistently great records. This one bounces back from their mellower Zidane with more gusto, more power, yet still retaining the melody. You know… the melody that gets drowned out in their live show. Favorite tracks are “I’m Jim Morrison, I’m Dead” and “The Precipice.” http://mogwai.co.uk/ -and- http://myspace.com/mogwai |
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 Yoshie Fruchter – Pitom (Tzadik) :: Wow… I’m definitely looking to more from Yoshie Fruchter in the future. Like Jon Madof’s Rashanim and Yves Weyh’s Zakarya, Yoshie Fruchter brings in a great rock vibe to the Radical Jewish Culture series. Favorite tracks are “Go Go Golem” and “Lungs and Spleen.” http://tzadik.com/ -and- http://www.yoshiefruchter.com/ |
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 SF Jazz Collective 2008 (Dave Douglas, Joe Lovano, Miguel Zenon, and more) – SF Jazz Collective 2008 (Wayne Shorter feature) (SFJAZZ) :: I became a fan of this band because of one man: trumpeter since their 2007 band, Dave Douglas. I also got to see them this past February at the PDX Jazz Fest (see my combo SF Jazz & Ornette Coleman review here). This jam-packed 3-CD set is full of Wayne Shorter arrangements and originals by the band members. It’s a little step on the price by today’s standards, but it helps support the not-for-profit SFJazz organization. Favorite tracks are “Aurora Borealis,” “Secrets of the Code,” and “Aung San Suu Kyi.”http://sfjazz.org/ |
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 John Zorn – The Dreamers (Tzadik) :: Played by the Electric Masada band, The Dreamers continues with the motif and accessibility of 2001’s The Gift… mixing world, jazz, exotica, surf and more into a very pleasing John Zorn package. Combined with the fantastic cute animal art by Chippy, this one will most definitely rank in the top Zorn releases. I hear it may find its way onto vinyl, or perhaps that’s just me stoking the embers of the rumor house’s fireplace. Favorite tracks are “A Ride On Cottonfair” and “Nekashim.” http://tzadik.com/ -and- http://myspace.com/johnzorn |
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 Jason Schimmel’s Orange Tulip Conspiracy – Orange Tulip Conspiracy (Web of Mimicry) :: Jason Schimmel has played with two bands that I love: Estradasphere & Secret Chiefs 3. This album continues on with Estradasphere’s Palace of Mirrors’ eclectic world music sound, but also brings in a bit of exotica, cinematic sound. I saw them in Eugene in November, and John Whooley’s sax blew me away as much as Jason’s guitar work. Favorite tracks are “Fall Creek” and “Rendezvous.” http://orangetulipconspiracy.com/ -and- http://www.myspace.com/orangetulipconspiracy |
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 Earth – The Bees Made Honey in the Lion’s Skull (Southern Lord) :: I went to their show at WOW Hall in Eugene in June after getting into Stebmo (see #12 above). They pretty much played stuff from their latest album. After the show, I quickly nabbed their prior work from Amazon used (and whatnot). Great band in the slowcore genre. They have deep ties to the Seattle scene, co-mingling with Kurt Cobain, the Melvins, Sunn 0))), and others. In fact, Kurt Cobain even guested on Earth’s 2nd EP, Extra-Capsular Extraction. With that being said, they’re definitely not grunge, they’re not rock, they’re not metal… they’re what you might call drone rock. Slow but powerful. Favorite tracks are “Engine of Ruin” and “Rise to Glory.” http://www.thronesanddominions.com/ -and- http://myspace.com/earthofficial |
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 The Bar Kokhba Sextet plays John Zorn‘s Masada Book Two – Book of Angels, Vol. 10: Lucifer (Tzadik) :: The Bar Kokhba Sextet showed up in 1996 as an almost direct spin-off of the Masada book; so them doing a Book Two album was almost a given. Holy cow, it’s a brilliant record… but I always loved what the Sextet had done previously. The Sextet is the tour de force of Cyro Baptista, Joey Baron, Greg Cohen, Mark Feldman, Erik Friedlander, and Marc Ribot. This is one band in my list that I wish I’d seen… I’m crossing my fingers that Earshot Jazz can bring ’em over to the PacNW sometime. Favorite tracks are “Sother” and “Abdiel.” http://tzadik.com/ -and- http://www.last.fm/music/Bar+Kokhba+Sextet |
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The Secret Chiefs 3 play John Zorn‘s Masada Book Two – Book of Angels, Vol. 9: Xaphan (Tzadik) :: I shant write too much about Xaphan, as I wrote a fairly in-depth review of it back when it came out. I will say that it aged well and still held the Top spot all year. It’s a GREAT record. My main disappointment is that I wish they’d have played some from it at their tour this past fall. Favorite tracks are “Shoel,” “Bezriel,” and “Balberith.” http://webofmimicry.com/ -and- http://tzadik.com/ -and- http://myspace.com/secretchiefs3 |
Well, I bought ten (10) John Zorn CDs this year (unless I’m misscounting), and 2 of them didn’t make it anywhere on the list (the Lou Reed & Laurie Anderson improv benefit CD for The Stone NYC & the score for The Last Supper, aka Film Works XXII)… so, you can’t say that I’m totally biased towards John Zorn. :) Though, I do buy just about everything in his label Tzadik’s Archival series, Key series, and Radical Jewish Culture series (and a handful of the rest of the other series).
What I’m looking forward to in 2009? More great music…
~Dan – np: Miles Davis – Miles in the Sky
* Favorite Vocal Albums of 2008 *
Disclaimer section shamelessly plagiarized from Andy Whitman at Paste…
Disclaimer #1: No, I haven’t heard all 8,000 albums released this year. I’ve heard about 200 of them, which makes me at least 97.5% likely to be wrong. But hey, this isn’t math class, and I make no claims to objectivity. These albums are my favorites from 2008. You might think that the one you’ve heard that I haven’t heard is the best album of 2008. And you might be right.
Disclaimer #2: Yeah, yeah, yeah. Just get it out of your system now and be done with it. I am deliberately trying to be obscure. Who the hell has even heard of these people? I am a sell-out who includes ridiculously well-known artists such as Metallica on his list. Who the hell actually believes that Metallica could make a great album after their atrocious efforts post-1996? So go ahead and vent, then read Disclaimer #1 again.
My Other Favorites of 2008 Recaps:
- Fave Concerts of ‘08 are recapped *HERE*
- Fave EPs/Vinyl/Live/more of ‘08 are recapped *HERE*
- Old Years: 2007V, 2007I, 2007C, 2006, 2005
As I start this post, I will say that this is the first year (ever) that I bought more instrumental CDs than vocal CDs (though after 12/31/07, 2007 instrumental albums have since overtaken 2007 vocal albums in the CD racks). For that reason, the favorite vocal albums list goes first this go ’round… and now on to the best of what’s hit my ears this year…
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 Jude Christodal – Cuba (indie) :: 2008 marked the first time in 8 years or so where I had the absolute pleasure to see Jude live. He came through Portland in June, and absolutely blew me away. This Cuba record didn’t necessarily “blow me away,” but it is full of some gems that for some reason or another never made their way onto a real release. Call it a “b-sides” record. Since Jude is totally independent these days, it’s available on CD Baby. Favorite tracks are the title track and “One of These Days.” http://www.judemusic.com/ -and- http://myspace.com/judechristodal |
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 Praxis – Profanation: Preparation for a Coming Darkness (Columbia Japan) :: Bill Laswell’s supergroup with Buckethead & Brain on just about every track with guests spots by Iggy Pop, Mike Patton, Serj Tankian, Killah Priest, Tatsuya Yoshida, Otomo Yoshihide, and more… It’s a veritiable onslaught of sound. This is definitely on the heavier side of things, with a touch of the avant-garde. As far as I know, it’s only available in Japan (or cool outlets like the Downtown Music Gallery in NYC). Favorite track is “Larynx” with Mike Patton. http://www.innerhythmic.com/ |
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 Metallica – Death Magnetic (Warner Bros) :: Ever since May of 1996, I never thought I’d really care that much about another Metallica record again. Load, Re-Load, St Anger, and all of the crap in between was utter rubbish. St Anger being the absolute nadir of their recorded work, in my opinion. Well, somewhere inside I hate to say it, “Death Magnetic is a great record.” I don’t know if the band (specifically Lars Ulrich) can pull it off live… nor do I plan on spending a brazilian dollars for a nose-bleed seat to find out. Anyway, it was good to hear the band in good form again (even with their ridiculous lyrics). Sometimes it’s like it’s a comedy record with shreddin’ guitars behind it. Favorite track is “Broken, Beat & Scarred.” http://www.metallica.com/ -and- http://myspace.com/metallica |
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 Ty Tabor – Balance (Molken Music) :: A late release… just got it a few weeks ago. Ty Tabor is one of my favorite guitarists around. He’s got the whole “volume swell” thing down to a science, and while he can do some flashy work, he’s more of the subdued genius. Being in King’s X, he’s one of the founders of the grunge sound (though rarely gets credit). Anyway, he’s got the chops, but when he puts out a solo album… it’s usually more of a subdued affair. Well, not this time… it’s definitely more rocking and shows off some of his great guitar work while still maintaining the balance of his usual songwriting. I could totally skip the opening track (“Money Mouth”), but he recovers from it greatly (IMO). My favorite track is “Good that Way.” http://www.tytabor.com/ -and- http://myspace.com/tytabor |
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 Opeth – Watershed (Roadrunner) :: My favorite Swedish death metal band, Opeth, is known for their blistering drums, shredding guitars, cookie monster vocals, and… their softer side? Eh, since 2006’s Damnation album of slower tunes, they’ve had that option to expand into more genteel tunes. The two videos from Watershed thus far (“Porcelain Heart” and “Burden”) have (IMO) been a mockery of their sound. I mean, regardless of Damnation, these videos are totally butchered into ballads that I don’t think are giving a good representation of Opeth’s sound. Anyway, with that being said, the nearly hour-long 6.5 song album finds great favor to my ears. My favorite tracks are “Heir Apparent” and the aforementioned “Porcelain Heart.” http://www.opeth.com/ -and- http://myspace.com/opeth |
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 Mike Patton – A Perfect Place (Ipecac) :: While Mike Patton has had some silver screen exposure (he “acted” in the indie flick Firecracker and was the voice of the evil animals in Will Smith’s I Am Legend), this was his first time scoring anything (though he’s on the docket to score the feature-length Crank 2). Released as a double-disc (soundtrack CD and short film on DVD), this was a great way to get a small budget indie short film by Derrick Scocchera out to people who may never have seen it. It’s got a twist of murder, idiocy, and humor. Mike Patton’s score suits it well, and it also fits his eclectic back catalog fairly well also. Favorite tracks are “A Little Poker Tomorrow Night?” and the title track. http://ipecac.com/ |
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King’s X – XV (Inside Out) :: King’s X rarely disappoints (2003’s release fit that rare disappointment category). Anyway, getting beyond the opening track “Pray” (what is it with both King’s X and Ty Tabor leading off with doozies?) it gets into the great rockin’ groove that King’s X is known for. Doug Pinnick covers most of the lead vocals on this album, but Ty handles a few, and drummer Jerry Gaskill also pulls out his excellent lead vocals this time around on “Julie.” I also got to see them in August in Cincinnati (my review with pictures), and they were a tight 3-piece unit. They’ve been making music together for more than 25 years. I hope they continue for a little bit more. Favorite tracks are “Move” and “Alright.” http://www.kingsxrocks.com/ -and- http://myspace.com/kingsx |
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 Noctaluca – Still the Wicked Rest (indie) :: I bought this thinking it was just some live CDR or something (I don’t pay attention sometimes). When it showed up, I was all like, “holy cow, they went all out on packaging a live CD.” Well, my mind was blown when I heard the first bursts from the newly recorded “Monkey Moon,” which didn’t make it on their last stellar album (2006’s Towering the Sum). Let’s just say that I hope Jason Ludwig and Noctaluca can continue to make great music. This sophomore studio record doesn’t disappoint at all. It’s a great mix of grungy hardrock with dreams of Pink Floyd, Radiohead, and Alice in Chains with Rage Against the Machine meets Operation:Mindcrime lyrics. And, yes, I’ll continue calling them one of my favorite local bands. I still own property in Cincinnati (under duress due to the whole housing bubble elephant dump in Ohio); so they still count as local to me here in Eugene, Oregon. :) Favorite tracks are “Monkey Moon” and “Hegemaniacal.” And the vocal work by Jason at the beginning of “Doomed are the Killers Who Hide Behind the Banner of God” totally pwns me. http://www.noctaluca.com/ -and- http://myspace.com/noctaluca |
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 Kaki King – Dreaming of Revenge (Velour) :: Venturing more and more into singing… Kaki’s 4th album shows off her songwriting in addition to the reason I found her music – her superb fretwork. She’s on my list of “why does she keep swinging through town when I can’t go see her” artists. Anyway, excellent songwriting, excellent guitars… a beautiful record. Favorite tracks are “Bone Chaos in the Castle,” “Life Being What It Is,” and “Can Anyone Who Has Heard This Music Really Be A Bad Person?.” http://www.kakiking.com/ -and- http://www.myspace.com/kakiking |
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 Carla Kihlstedt’s 2 Foot Yard – Borrowed Arms (indie) :: Carla Kihlstedt almost made it on here with another album as well (her collaboration with Matthias Bossi & Dan Rathbun called Ravish and Other Tales for the Stage). She’s an outspoken violinist from the SF Baby area, who works in the chamber music, avant-garde jazz, and experimental metal scenes with Tin Hat Trio, Book of Knots, Sleepytime Gorilla Museum, Fred Frith’s Cosa Brava, and many more. 2 Foot Yard is more of her string rock band with Charming Hostess’s Marika Hughes and avant-world guitarist Shahzad Ismaily (who has worked with the Secret Chiefs 3 & Marc Ribot to name a couple). 2 Foot Yard is a supergroup of sorts. Anyway, their 2nd album, Borrowed Arms, is a tour-du-force… my favorite track “Octopus” grabs you with it’s first lyrical sting of confusion, pizzicatto strings, and reverse-sounding effects on the drums in spots… “I have three hearts and one’s for you. It’s only big enough for two.” fwoup fwoup fwoup http:/www.2footyard.com/ -and- http://www.myspace.com/carlakihlstedt -and- http://www.myspace.com/2footyard |
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 Greydon Square – The CPT Theorem (indie internet release) :: As if being a rapper doesn’t bring you drama enough… Greydon is also an atheist who tends to have beefs with his own group of people (Brian Sapient and the Rational Response Squad). Anyway, major drama notwithstanding, Greydon put out a great follow-up to 2007’s The Compton Effect. With content like Richard Dawkins and Christopher Hitchens and style like Eminem (and some say Germaine Williams aka Canibus, of whom I haven’t heard), Greydon’s music really pops with me. Favorite tracks are “Cubed” and “Judge Me.” This album was an internet-only release; so it’s only available on iTunes and other e-music shops. http://myspace.com/greydonsquare |
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 Hotel Lights – Firecracker People (Bar/None) :: I loved Ben Folds Five… a lot. One of my favorite songs of theirs wasn’t one of the quirky tunes, it was the sentimental “Magic” written by their drummer Darren Jessee. Well, after Ben Folds Five broke up, Darren went on to form Hotel Lights. He’s traded the skins in for a guitar and the vocal duties. 2006 brought the excellent self-titled debut. Last year brought a great EP, goodnightgoodmorning. And this year brought their sophomore record, Firecracker People. My favorite track is the lead-off “Blue Always Finds Me.” http://www.hotellights.net/ -and- http://www.myspace.com/hotellightsmusic |
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Ani DiFranco – Red Letter Year (Righteous Babe) :: Ani DiFranco played a few tunes that made it on this record for us in Eugene in April. It was a fantastic show, but it doesn’t take an accountant with a spreadsheet fetish to tell you that she was bound to release that album 9.38 months after her previous release, Canon. Oh wait, yeah, it might take an accountant with a spreadsheet fetish to get that detailed. Anyway, this is yet again a solid product put out by her indie empire build on car tires and chicken wire. Sometimes her detractors think her albums have too much filler (and she shouldn’t put out so much music). Well, with every song that doesn’t work like (IMO) “The Atom” (it might work better as a poem), she has gems like “Alla This,” “Present/Infant,” and the horn-driven “Red Letter Year Reprise.” I think if she had a new album every other month, it’d still be more geniius than what’s hovering at the top of the Billboard charts. http://www.righteousbaberecords.com/ -and- http://myspace.com/anidifranco |
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 Sigur Rós – Með suð í eyrum við spilum endalaust (XL) :: With a buzz in our ears we play endlessly… Sigur Rós continue to deliver excellent music in superbly and lovingly crafted packages. This album might be their most “accessible.” It took a bit to grow on me, though. While it doesn’t seem as compelling as their earlier albums, I still dig it a plenty. I also got the chance to see them in Portland in October (excellent show!). It baffles me how this group of non-conformist, non-mainstream musicians from a small country like Iceland seem to have taken the indie rock scene by storm since 2001. I mean how does it happen? I guess I’m just glad that it did happen. My favorite tracks are “Gobbledigook” and “Við spilum endalaust.” http://www.sigur-ros.co.uk/ -and- http://myspace.com/sigurros |
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 Celldweller – Soundtrack for the Voices in My Head (FiXT) :: OK, this one actually fits my rules for an instrumental album… most of the tracks are instrumental industrial jams that Scott Albert (aka Klayton aka Circle of Dust aka Celldweller) has been kicking around since working on the follow-up to his utterly superb debut (under the Celldweller moniker). However, one of the lead off tracks and other tracks intertwined in the CD have lyrics. So, I’m making a judgment call and including it in this list rather than the instrumental list. The truth is that my instrumental top list is getting jammed up and I needed to flip this one to the vocal list to make room. I make the list… I can break my own rules.I’ve been a fan of Scott/Klayton since, oh, 1995? His music is mezmerizing, full of powerfully rhythmic industrial music with a very heavy dose of pop sensibility. “Celldweller” is my favorite project of his, though his other musical work (even with magician Criss Angel) rank high in my music collection. I hope the long-awaited sophomore Celldweller release sees the light of day before 2012. Oh, this album is available for free in mp3 format (though the CD is cheap and comes with extra bonus tracks). Favorite track is “Birthright.” Check out his webpages for more info. http://www.celldweller.com/ -and- http://myspace.com/celldweller |
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 Plover (Glen Phillips / Neilson Hubbard / Garrison Starr) – Plover (indie freebie on the internets) :: I’m a big fan of Glen Phillips, whether with Toad the Wet Sprocket, solo, or side projects. Well, this year saw him release a solo EP (which is grand), tour on his own (of which I saw when he came through Eugene), tour with Toad the Wet Sprocket (which I sadly didn’t see this time), collaborate with nerdcore rapper MC Frontalot, tour again with Jonatha Brooke (which I missed due to work schedules changing), sit on and break a glass coffee table and shred up his arm (he’s recovering nicely, I hear), and put out two solid A++ side-projects. Plover is the more subdued side-project (compared to RemoteTreeChildren further down the list), but it really fits in well with Glen’s music. I’d never heard Neilson or Garrison’s music before, but I like what all three artists brought to the table. Also, it‘s absolutely free (if you want). You can pay what you want for better quality 320kbps or FLAC (and you should, as it’s also the only way the artists get money). Favorite tracks are “Wishing You Were Somewhere Instead of Wishing You Were Somewhere Else” and “All Eyes.” http://plovermusic.com/ |
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 Extreme – Saudades de Rock (Open E) :: What can I say? I spent more than words on this band this year… I flew to Cincinnati to see them put on a kick-ass show at Union Center Blvd Bash. Go here for my review with many pictures of King’s X and Extreme. While I think there are a couple of snoozers on this record, overall it’s still a very solid record. I hope Gary, Nuno, Pat and whatever drummer they bring along (sorry KFigg) continue to make great music. And I hope it’s not another 13 years until their 6th studio album comes out. Favorite tracks are “Comfortably Dumb” and “Interface” (one of Nuno’s from Dramagods). http://www.extreme-band.com/ -and- http://myspace.com/extreme |
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 Steven Wilson – Insurgentes (indie) :: I felt guilty paying for this limited edition release. The original pressing was only 4,000 copies, complete with in a special coffee-table book photo edition. Well, I felt guilty until I got it and saw how beautiful it it turned out. Great job Steven! And the music is pretty damn kick ass as well. For those familiar with Steven Wilson (and his many bands: Porcupine Tree, Blackfield, No-Man, Bass Communion, IEM, et cetera), this first solo album hit the spot for me compared to the most recent PT & No-Man releases. It’ll be out in a “normal” version in Feb 2009. My luck is that Steven will tweak it or add stuff to the Feb 2009 (or later) release(s) and I’ll have to buy it again. He’s like that… hmph. Favorite tracks are “Harmony Korine” and “Insurgentes (Mexico).” http://swhq.co.uk/ -and- http://myspace.com/therealstevenwilson |
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My Brightest Diamond – A Thousand Shark’s Teeth (Asthmatic Kitty) :: When this album first came out, I liked it. But I didn’t think it’d rise to be in the top 2. I mean, I like it, but I liked her debut (Bring Me the Workhorse) a lot better right out of the gates. This one was more of a slow burn. I suppose seeing her play a lot of these tracks live last month also helped solidify the album in my mind as a gem. Shara is charming, witty, powerful and sublime. This is a great record, and there has also been a plethora of other MBD activity on the internets (iTunes EPs, remixes, etc) to keep me happy this year. My only complaint… she needs to get her buddy Sufjan back in the studio and on the road. Favorite tracks are “Inside a Boy” and the deliciously cute “Apples.” http://mybrightestdiamond.com -and- http://myspace.com/mybrightestdiamond |
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 Remote Tree Children (Glen Phillips / John Askew / others?) – Veteran of the Loudness Wars (indie freebie on the internets) :: OK, first off, this may seem totally unfair to the albums that were in my collection for longer… but as of December 9th, I had no idea about the impending pwnage of this record. Then Glen Phillips posted a blog and dropped it on top of the internets’ head. Then I downloaded it… and it’s such a slut, it made sweet love to my ear holes. I think I spun it about 10 times that first day. Actually, maybe my ears are th sluts. Never one to not be hyperbolous, I think it’s great and it wins as my favorite vocal album of 2008. And the kicker? It’s absolutely free (if you want). You can pay what you want for better quality 320kbps or FLAC (and you should, as it’s also the only way the artists get money and can continue to make sweet love to ear holes all around the world). Favorite tracks are “You Will Be Pwned” and “Blood Pressure Rise.” http://remote-tree-children.com/ |
OK, so 3 of my top 6 are ones you can nab for free (legally). So… go on… get some great music!
Top 25 instrumental albums coming up later… before year’s end, I promise.
~Dan – np: Goddamn Electric Bill – Topics for Gossip
* Favorite EPs / Vinyl / Live Albums & more of 2008 *
Before I start… happy 68th birthday to Frank Zappa. You are missed. Ya Hozna!
This is sort of a precursor to my “official” Favorites of 2008 blog. Up later this coming week or two, I’ll post my favorite vocal and favorite instrumental albums of 2008. I’m still making my way through the re-listening phase. Yeah, I know, I’m slow (or dedicated? or certifiable?). I was waiting on a few to show up in my mailbox. Anyway, on with the music pimping…
My Other Favorites of 2008 Recaps:
- Fave Concerts of ‘08 are recapped *HERE*
Favorite EPs of 2008 (coincidentally all indie artists)
1 Ellery You Did Everything Right – http://www.ellerymusic.com/
2 Estradasphere The Pegasus Vault – http://www.estradasphere.com/
3 Glen Phillips Secrets of the New Explorers – http://www.glenphillips.com/
4 Kim Taylor The Greatest Story – http://www.kim-taylor.net/
5 Wussy Rigor Mortis – http://www.wussymusic.com/
Favorite Vinyl of 2008
1 Holy Fuck Lovely Allen 19″ single (7″+12″) – http://www.holyfuckmusic.com/
2 God of Shamisen The Science Fiction of Ray Bradbury Attack! 7″ single – http://www.godofshamisen.com/
3 Puscifer Dozo 7″ single – http://www.puscifer.com/
4 David Bazan (of Pedro the Lion) Jingle Bells / All I Want for Christmas (Christmas 7″) – http://www.davidbazan.com/
5 Puscifer Queen B 7″ single
Favorite Live Albums of 2008
1 Dave Douglas & Keystone Live at the Jazz Standard, April 2008 – http://www.greenleafmusic.com/ (this was 4 nights, 2 sets each night, 8 hours of music released as “instant live” within 24 hours of each performance… and fantastic)
2 Porcupine Tree We Lost the Skyline EP – http://www.porcupinetree.com/
3 David Gilmour (of Pink Floyd) Live in Gdańsk – http://www.davidgilmour.com/
4 Ani DiFranco Hamburg Germany, 10.18.07 – http://www.righteousbabe.com/
5 Tori Amos Live at Montreux 1991 & 1992 – http://www.toriamos.com/
Favorite Comedy Albums of 2008
1 Flight of the Conchords Flight of the Conchords
2 George Carlin It’s Bad For Ya
3 Mitch Hedberg Do You Believe in Gosh?
Favorite Reissues in 2008
1 Jurassic 5 – Jurassic 5 11th Anniversary
2 John Zorn, Bill Frisell & George Lewis – News for Lulu
3 John Coltrane – The Impulse Albums, Vol 2 (including John Coltrane & Johnny Hartman, Impressions, Live at Birdland, Crescent, and A Love Supreme)
4 Ahleuchatistas – The Same and the Other
5 Beck – Odelay (deluxe edition)
Favorite Debut of 2008
God of Shamisen‘s Dragon String Attack! -and- Ashes Divide‘s Keep Telling Myself It’s Alright
Favorite Internet Only Releases in 2008
Glen Phillips had his hand in both of them… and they’re both free…
Plover – Plover -and- RemoteTreeChildren – Veteran of the Loudness Wars
Favorite Internet Leaks in 2008
Ben Folds – Way to Normal (fake version of the album leaked by Ben himself) -and-
Sufjan Stevens – Songs for Christmas, Vol VIII: Astral Inter Planet Space Captain Christmas Infinity Voyage (he made it for family & friends… luckily one of those also let it loose for the rest of us)
Favorite Artwork in 2008
NIN – Ghosts I-IV – each song in the download version had it’s own unique artwork attached to it. Whether studio or nature or electronic, it worked well with this release.
Favorite Packaging / Design in 2008
- Sigur Rós – Með suð í eyrum við spilum endalaust (deluxe edition)
Steven Wilson – Insurgentes (deluxe edition) – Both Sigur Rós and Steven Wilson came out with lush coffee table-sized books that housed the music. Call it an incentive to somewhat combat the illegal downloaders. I call it great art. - Ani DiFranco – Red Letter Year – Always a packaging visionary, this one was more subtle than recent efforts… the glow in the dark moon was a nice touch.
- Metallica – Death Magnetic – Not necessarily breaking new ground musically, their packaging for the return to form metal album evokes digging through 6 feet of fresh dirt to see if Lars Ulrich’s drumming sounds better than beating on a metal folding chair. Thankfully it does… this time.
- Secret Chiefs 3 plays John Zorn‘s Masada Book Two: Xaphan – I love what Chippy does for Tzadik Records. The Masada Book Two series artwork and die-cut Star of David with offset colors that poke through is some of her best work.
Favorite “Local” Album of 2008
OK, they’re from Cincinnati and Portland (respectively)… but local enough for me… I’ve got my ears in two locales (the Cincinnati/Dayton scene will probably always have a shot at winning in this category).
Noctaluca‘s Still the Wicked Rest -and- Talkdemonic‘s Eyes at Half Mast
Favorite Soundtrack or Score
Joss Whedon‘s Dr Horrible’s Sing-along Blog -and- Mike Patton‘s A Perfect Place
Favorite Concept Album
Noctaluca‘s Still the Wicked Rest -and- Zakarya‘s The True Story Concerning Martin Behaim
That’s all for now… more coming in the next week…
~Dan – np: Celldweller – Soundtrack for the Voices in My Head
Favorite Concerts of 2008
Well, shockingly, I don’t have any concerts on the calendar for December 2008 (next up is Zappa Plays Zappa on Jan 2nd). Of course, Sam Bond’s may book a jazz show that I don’t find out about until a week prior. Eh, anyway, I’ve seen 42 concerts and 91* artists perform so far in 2008 (which is oddly considered a “slow year” for me).
Assuming no other shows pop up out of nowhere and blow me away, here are my favorite concerts for 2008:
- Extreme & King’s X – Union Center Blvd Bash – Cincinnati, OH {10 Aug} [review with pictures]
- Jude Christodal, opener: Ryan Andrew – Aladdin Theater – Portland, OR {6 June} [review with pictures]
- Secret Chiefs 3 with Secret Chefs 3, Diminished Men – Doug Fir Lounge – Portland, OR {3 Aug} [review with pictures]
- Sigur Rós with Parachutes – Arlene Schnitzer Hall – Portland, OR {6 Oct} [review with pictures]
- Ornette Coleman – Arlene Schnitzer Hall/PDX Jazz Fest – Portland, OR {15 Feb} [review]
- SFJazz Collective with Dave Douglas, Joe Lovano, Miguel Zenon and more focusing on the music of Wayne Shorter – Newmark Theatre/PDX Jazz Fest – Portland, OR {15 Feb} [review]
- Ani DiFranco, openers: Animal Prufrock, Judy Grahn – McDonald Theatre – Eugene, OR {16 Apr} [review]
- My Brightest Diamond with Clare & the Reasons – W.O.W. Hall – Eugene, OR {21 Nov} [review with pictures]
- Nellie McKay, opener: Amorèe Lovell – Doug Fir Lounge – Portland, OR {15 Aug} [review with pictures]
- Orange Tulip Conspiracy – Samurai Duck – Eugene, OR {17 Nov} [review with pictures]
- Bill Frisell / Eyvind Kang / Rudy Royston – The John G. Shedd Institute for the Arts – Eugene, OR {7 June} [review with pictures]
- Glen Phillips of Toad the Wet Sprocket with J.Kingham – W.O.W. Hall – Eugene, OR {21 Feb} [review]
- Branford Marsalis and the Philharmonia Brasileira – The Hult Center – Eugene, OR {2 Oct} [review]
- Medeski Martin & Wood – McDonald Theatre – Eugene, OR {15 Nov} [review with pictures]
- Talkdemonic with Heavenly Oceans – Sam Bond’s Garage – Eugene, OR {9 Feb} [review]
Runners Up: God of Shamisen at Samurai Duck, EARTH at WOW Hall, Radiohead at White River Amphitheatre, Skerik’s McTuff & Skerik’s Maelstrom Trio at Sam Bond’s Garage, and Raquy and the Cavemen at Cozmic Pizza.
Shows I’m bummed I missed… Beck in Bend, Tegan & Sara in Salem and/or Portland, Sunn 0))) in Portland, Jacob Fred Jazz Odyssey (twice) in Eugene, Glen Phillips in Portland, Chali 2Na & Ozomatli in Portland, Steven Bernstein’s Millenium Territory Orchestra at Seattle’s Earshot Jazz Fest, and next week’s Charlie Hunter in Portland (I wish it weren’t on a Monday). :( Oh well, maybe next year…
Of my concert photos this year, I think these are my faves (in no particular order):
- Jude Christodal
- Silhouetted Secret Chiefs 3
- Jason Schimmel & Timb Harris from Secret Chiefs 3
- Sunspot Doug Pinnick & Ty Tabor from King’s X
- Nuno Bettencourt from Extreme
- Nellie McKay
- Ninja, laser-eyes Lee Smith from God of Shamisen
- Jónsi Birgisson from Sigur Rós
I’m definitely looking forward to 2009… Dweezil Zappa & Co playing Frank’s music, trumpeter Jeremy Pelt, the SF Jazz Collective (with Dave Douglas & Joe Lovano), and Madeleine Peyroux are already on the calendar…
~Dan – np: John Zorn – Film Works XXII: The Last Supper
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*– This was also the first year in 11 years that I haven’t seen Over the Rhine. I wish I was able to make it to their reunion show with Ric Hordinski, but alas, I shan’t be able to go.
Past Concert Fave Recap: 2007