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* Favorite Instrumental Albums of 2008 *

29th Dec 08 (Mon) 9 comments

Disclaimer section is again shamelessly plagiarized from Andy Whitman at Paste

Disclaimer #1: No, I haven’t heard all 8,000 albums released this year. I’ve heard about 200 of them, which makes me at least 97.5% likely to be wrong. But hey, this isn’t math class, and I make no claims to objectivity. These albums are my favorites from 2008. You might think that the one you’ve heard that I haven’t heard is the best album of 2008. And you might be right.


Disclaimer #2: Yeah, yeah, yeah. Just get it out of your system now and be done with it. I am deliberately trying to be obscure. Who the hell has even heard of these people? So go ahead and vent, then read Disclaimer #1 again.

My Other Favorites of 2008 Recaps:

  • Fave Concerts of ‘08 are recapped *HERE*
  • Fave EPs/Vinyl/Live/more of ‘08 are recapped *HERE*
  • Fave Vocal Albums ‘08 are recapped *HERE*
  • Old Years: 2007V, 2007I, 2007C, 2006, 2005

As I start this post, I will say that this is all very subjective and really put together for my own purposes.  I’ll also state that, yes, some of the music below does have some vocals.  For the most part, it’s sequestered to a track or two on a long CD of mostly instrumental goodness.  My list, my rules, and/or my breaking of the rules.  With that being said, all of the artists below tend to be in the jazz and instrumental frame of reference anyway.

Hopefully my spilling out of music that I like finds interest with someone else.  But if not, thanks for stopping by… check out their webpages, MySpaces, my fave song recommendations on iTunes (in 30 second bursts), yadda yadda yadda.  OK, now on to the best of what’s hit my ears this year on the mainly instrumental front…

Honorable mentions (aka my list is too jam packed, and I still really love these records, too): Bill Frisell‘s History, Mystery (with Eyvind Kang, Jenny Scheinman, Kenny Wollesen, etc); Charlie Hunter‘s Baboon Strength; John Zorn‘s Filmworks XX & XXI: Sholem Aleichem & Belle de Nature / The New Rijksmuseum; Medeski Martin & Wood‘s Radiolarians I; and Dub Trio‘s Another Sound is Dying.

ReptetChicken or Beef? (Monktail Creative Music Concern) :: I feel like I’ve written too much (especially on my Top 20 Vocal albums blog); so these descriptions / raves might be shorter… we shall see.  Reptet is a great 6-piece jazz band from Seattle.  I heard about them via Jim Wilke’s Jazz Nothwest podcast back in late 2007, when a collaboration of Seattle jazz & avant bands called the Monktail Creative Music Concern played a gig that got aired in its entirety.  Anyway, Reptet is one of my fave bands in the MCMC.  They’re a quirky jazz band with an odd sense of humor.  I dig it… a great, modern brass-forward jazz sextet.  Favorite tracks are “Reptet Score!” and “Eve of Thrieve.” http://www.reptet.com/ -and- http://myspace.com/reptet
Daniel ZamirI Believe (Tzadik) :: I have some of Daniel’s Satlah project, of which I dig a plenty.  This one was outside of the Satlah camp, enlisting NYC scene heavyweights Uri Caine, Greg Cohen, and Joey Baron.  I waffled on including it until I heard it again recently.  It’s really gorgeous.  More on the mellower, nee spiritual, side of the the music coming out of the Radical Jewish Culture series, Zamir really offers up his soprano sax melodies as prayers.  The title of the album and the music really match up perfectly. Favorite tracks are “Poem 10” and “Poem 51/52.” http://tzadik.com/ -and- http://myspace.com/danielzamir
John ZornFilmworks XIX: Dimitri Geller’s The Rain Horse (Tzadik) :: John Zorn put out a handful of Filmworks this year, and all of them are good.  FW XXI would have made it on the list as well, had it not been for the too often used harpsichord in The New Rijksmuseum scoring (the parts for the Belle de Nature score are really gorgeous, though).  Anyway, the Filmworks series are usually some of John Zorn’s most accessible. The Rain Horse is a subtle trio of Erik Friedlander on cello, Greg Cohen on upright bass, and Rob Burger on piano.  Favorite tracks are “Parable of Job” and “Tears of Morning.” http://tzadik.com/ -and- http://myspace.com/johnzorn
TalkdemonicEyes at Half Mast (Arena Rock) :: No, their album cover doesn’t really do the animation thing (a la Tool’s Ænima).  I just couldn’t help using that animated GIF from their MySpace page.  This Portland post-rock duo swung through Eugene at least twice this year.  I caught their brilliant February show.  Their album didn’t come out until later in the year, and it continues in the sound from their prior two albums.  Great electro-acoustic post-rock… drums, viola and electronics. Favorite tracks are “Duality of Deathening” and “Tides in Their Grave.” http://talkdemonic.com/ -and- http://myspace.com/talkdemonicmusicmaking
NIИ Ghosts I-IV (halo) :: Sparse and haunting, Ghosts I-IV reminds me of a soundtrack meets demos for Trent’s next album.  Perhaps that’s where they came from, ideas kicking around in his head.  For a fan of instrumental music, it’s a highly enjoyable 110 minute journey into many different soundscapes.  For the download version, each track has it’s own artwork attached in the file which is a nice addition even though I hate the shift towards the potential eventual demise of the “album.” Favorite tracks are “14” and “31.” http://www.nin.com/ -and- http://myspace.com/nin
Bobby Previte & New BumpSet the Alarm for Monday (Palmetto) :: A new version of Previte’s Bump the Renaissance, this group includes two of my favorite players – – Ellery Eskelin on sax & Steven Bernstein on trumpet.  Drummer Bobby Previte does many projects, some more in the avant-garde scene… but New Bump definitely fits into an accessible range (similar to Coalition of the Willing with Jamie Saft & Skerik).  This album is really “jazz-cinematic” a la a private investigator drama soundtrack perhaps. Favorite tracks are “I’d Advise You Not to Miss Your Train” and “There Was Something In My Drink.” http://www.bobbyprevite.com/ -and- http://myspace.com/previte
Steven BernsteinDiaspora Suite (Tzadik) :: This is Bernstein’s fourth in his Diaspora series for Tzadik’s Radical Jewish Culture, and it very well be my favorite.  It seems much more adventurous than the past efforts, which is what I like about Steven’s trumpet playing and compositions.  I think Suite fits better in with his larger Sex Mob and Millennial Territory Orchestra catalog (but from a decidedly Jewish musical culture standpoint, obviously).  I hope I get a chance to see him sometime… he played in Ohio just after I moved away, and he played in Seattle in November (as part of Earshot Jazz Fest), but being on a Wednesday… well, I didn’t make it up for the show. Favorite tracks are “Zebulon” and “Judah.” http://stevenbernstein.net/ -and- http://myspace.com/stevenbernsteinmusic
AuragamiEsoteric (indie) :: Auragami is a former Dayton, OH, now San Diego-based bass guitarist named Michael Miller.  This album isn’t commercially available, as far as I know.  I know Michael Miller from going to shows around Dayton (and surrounding).  We’ve got a lot of the same leanings with the rock stuff (Galactic Cowboys, King’s X, et cetera), and I’m happy that I made it on his Christmas card list… because the Christmas card list has been a new CD of his for the past few years. Esoteric is a 40-minute record with the melodies, crunch and remix-friendly bass that I’ve come to love about his music.  He also collaborates with others on this album (a personal fave, Mike Georgin, being one of them).  As far as the sound, it’s very much a bass with drum loop affair… some subtle melodies, some heavier/grittiness (a la NIN), and some organic-electronics that fit well with another San Diego artists, The Album Leaf and Goddamn Electric Bill.  Not being commercially available officially, you can check out his music on MySpace and maybe see if he’ll sell you a copy.  It seems to be a crime to not be out there.  Anyway, thanks for the Christmas gift, Michael! Favorite tracks are “Colab” and “Clover.” http://www.myspace.com/auragami
Goddamn Electric BillTopics for Gossip (99X) :: GdEB is a one-man electronic band from San Diego (Jason Torbert is his name), similar in that sense to The Album Leaf, but I’d say GdEB is less ambient and definitely more in the electronic / remix realm when compared to TAL.  GdEB might compare similarly to Frog Pocket, but maybe less… um… buzzy & bleepy.  I don’t know.  I suppose me comparing a little known San Diego electronic artist to another lesser known Scottish electronic artist doesn’t help much.  Check GdEB out for yourself… Favorite tracks are “The Morning Commute” and “The Shallows.” http://www.goddamnelectricbill.com/ -and- http://myspace.com/goddamnelectricbill
Hiromi’s SonicbloomBeyond Standard (Telarc) :: Hiromi Uehara is a freakin’ whiz on the piano.  I got into her with her 2007 CD Time Control after a few clips on BMG’s website (I was trying to round out an order).  Her style is very much a jazz-rock fusion, which I’d almost say the rock element comes from her piano skills rather than the rest of the band.  You wouldn’t expect this sound just based by the cover alone… the 29 year-old Hiromi amidst bright colors.  You’d think it were some Japanese bubblegum pop or something.  Anyway, this is her 2nd Sonicbloom album in as many years.  She played a several date run at the Triple Door in Seattle this past summer.  If she does it again soon, I’m totally making the drive up. Favorite tracks are “Led Boots” and “XYG.” http://www.hiromimusic.com/ -and- http://myspace.com/hiromimusic
Medeski Martin & Wood play John Zorn‘s Masada Book Two – Book of Angels, Vol. 11: Zaebos (Tzadik) :: Medeski Martin & Wood have been in the Tzadik family for a while.  They contributed a track to the Unknown Masada album, which was sort of the initial idea that eventually brought out the Masada Book Two series (i.e.- new, previously unrecorded Masada book tunes not recorded by the Masada quartet).  John Medeski has also appeared on many other Tzadik releases in a studio musician sense.  With that being said, MMW’s inclusion into the Masada Book Two series came as a total shock, though.  I think it was announced in early June ’08 for a July release.  Whereas Secret Chiefs 3’s Masada Book Two release was announced in winter ’07 for a May ’08 release (almost a year and a half).  Anyway, MMW’s Zaebos is a great record.  I’d say it doesn’t rank as high as Xaphan and Lucifer for this year’s releases in that for some reason I don’t think the MMW Masada tunes work as well with their style as the tunes work with Secret Chiefs 3 or Bar Kokhba Sextet’s style.  All said and done, it’s still a brilliant record for 2008 and for both the Masada and MMW catalogs. Favorite tracks are “Chafriel” and “Tutrusa’i.” http://tzadik.com/ -and- http://mmw.net/ -and- http://www.myspace.com/medeskimartinandwood
Tiptons Sax QuartetLaws of Motion (Zipa! Spoot) :: Similar to Reptet, I got into the Tiptons via Jim Wilke’s Jazz Northwest podcast.  I found out about them literally a day after they had been in Eugene in Dec ’07.  D’oh!  Anyway, I believe that this is their 3rd full length CD, though they had some former releases with different members under the name the Billy Tipton Memorial Saxophone Quartet.  They’re an all-woman sax quartet (plus drums) from Seattle.  They’ve got ties to some great jazz musicians & composers (Eyvind Kang & Wayne Horvitz for example).  This album has some vocals, but all in all, it’s a jazz record with a touch of eastern European music (balkan-klezmer per my untrained ears) thrown in. Favorite tracks are “Fallout” and “Number Six.” http://www.tiptonssaxquartet.com/ -and- http://myspace.com/tiptons
Mostly Other People Do the KillingThis is Our Moosic (Hot Cup) :: I saw trumpeter Peter Evans in Eugene in February, and it was a mind-blowing avant-garde set.  This band on the other hand, led by Moppa Elliott, is more of a Sex Mob-influenced jazz funk romp.  Great music from these NY gents.  You can get their albums on CD Baby (please, support indie moosic). Favorite tracks are “The Bats in Belfry” and “Drainlick.” http://www.moppaelliott.com/ -and- http://myspace.com/mostlyotherpeopledothekilling
StebmoStebmo (indie) :: Multi-instrumentalist Steve Moore has played with Earth, Sunn 0))), and enlisted some friends (Eyvind Kang, Matt Chamberlain, Todd Sickafoose, Tucker Martine and more) to help out on his first solo album.  I saw him open for Skerik’s Maelstrom Trio this past spring as well as play with Earth in June.  As mentioned in the live review, his album is a bit like the organic/melodic elements of the Album Leaf mixed with the building nature of an Explosions in the Sky set mixed with a heaping handful of electronic jots & tittles like those that may have hit the Kid A cutting room floor. Favorite tracks are “Dark Circles” and “Waiting Game.” http://stebmo.com/ -and- http://myspace.com/stebmo
John Zorn’s Moonchild Trio (Mike Patton/Joey Baron/Trevor Dunn) – The Crucible (Tzadik) :: This album is a rare December release on Tzadik (since 2000, they’ve taken the month off).  Continuing in the Moonchild Trio’s glossolaliac noise metal theme, this album also adds John Zorn’s wonderful sax trade-off with Mike Patton’s screaming utterances.  Guitarist Marc Ribot also adds very Led Zeppelin riffage on one track (“9×9”).  When the original Moonchild album was released (2006), I thought it was going to be a one off… well, four albums in, I’m definitely hoping it continues a bit more… Favorite tracks are “Almadel” and “Maleficia.” http://tzadik.com/ -and- http://myspace.com/johnzorn
Swami Late Plate (Bobby Previte & Jamie Saft) – Doom Jazz (Veal) :: The album’s title, Doom Jazz, says it all.  This album fits well for fans of Sunn 0))), Earth, Bohren & Der Club of Gore and others in the slow rock, doom, sludge movement.  I find it completely compelling… Favorite tracks are “Malignant Cloud” and “The Bearded Man Cannot Help You.” http://myspace.com/swamilateplate -and- http://myspace.com/doomjazz
God of ShamisenDragon String Attack! (Reptile) :: God of Shamisen is Kevin Kmetz, an I first heard of him when he was playing with world metal band Estradasphere.  He’s also played (briefly) with Secret Chiefs 3.  He’s had a few solo albums, but this year saw GoS release two band efforts: the 7″ vinyl for “The Science Fiction of Ray Bradbury Attack!” and then their full-length debut this past fall.  I picked up this debut at their show in Eugene (go here for my review with pictures).  While it has some minor vocals on a song or two, it’s still primarily a instrumental attack.  Japanese metal fusion… excellent stuff. Favorite tracks are “The Science Fiction of Ray Bradbury Attack!” and the spread across the album in several waves “Dragon String Attack!” http://godofshamisen.com/ -and- http://myspace.com/gos
MogwaiThe Hawk is Howling (Matador) :: Much more enjoyable to me than their recent tour (review link). I can control the volume… yay! I dig this record A LOT. This Scottish band has put out some consistently great records. This one bounces back from their mellower Zidane with more gusto, more power, yet still retaining the melody. You know… the melody that gets drowned out in their live show. Favorite tracks are “I’m Jim Morrison, I’m Dead” and “The Precipice.” http://mogwai.co.uk/ -and- http://myspace.com/mogwai
Yoshie FruchterPitom (Tzadik) :: Wow… I’m definitely looking to more from Yoshie Fruchter in the future.  Like Jon Madof’s Rashanim and Yves Weyh’s Zakarya, Yoshie Fruchter brings in a great rock vibe to the Radical Jewish Culture series. Favorite tracks are “Go Go Golem” and “Lungs and Spleen.” http://tzadik.com/ -and- http://www.yoshiefruchter.com/
SF Jazz Collective 2008 (Dave Douglas, Joe Lovano, Miguel Zenon, and more) – SF Jazz Collective 2008  (Wayne Shorter feature) (SFJAZZ) :: I became a fan of this band because of one man: trumpeter since their 2007 band, Dave Douglas.  I also got to see them this past February at the PDX Jazz Fest (see my combo SF Jazz & Ornette Coleman review here).  This jam-packed 3-CD set is full of Wayne Shorter arrangements and originals by the band members.  It’s a little step on the price by today’s standards, but it helps support the not-for-profit SFJazz organization. Favorite tracks are “Aurora Borealis,” “Secrets of the Code,” and “Aung San Suu Kyi.”
http://sfjazz.org/
John ZornThe Dreamers (Tzadik) :: Played by the Electric Masada band, The Dreamers continues with the motif and accessibility of 2001’s The Gift… mixing world, jazz, exotica, surf and more into a very pleasing John Zorn package.  Combined with the fantastic cute animal art by Chippy, this one will most definitely rank in the top Zorn releases.  I hear it may find its way onto vinyl, or perhaps that’s just me stoking the embers of the rumor house’s fireplace. Favorite tracks are “A Ride On Cottonfair” and “Nekashim.” http://tzadik.com/ -and- http://myspace.com/johnzorn
Jason Schimmel’s Orange Tulip ConspiracyOrange Tulip Conspiracy (Web of Mimicry) :: Jason Schimmel has played with two bands that I love: Estradasphere & Secret Chiefs 3.  This album continues on with Estradasphere’s Palace of Mirrors’ eclectic world music sound, but also brings in a bit of exotica, cinematic sound.  I saw them in Eugene in November, and John Whooley’s sax blew me away as much as Jason’s guitar work. Favorite tracks are “Fall Creek” and “Rendezvous.” http://orangetulipconspiracy.com/ -and- http://www.myspace.com/orangetulipconspiracy
EarthThe Bees Made Honey in the Lion’s Skull (Southern Lord) :: I went to their show at WOW Hall in Eugene in June after getting into Stebmo (see #12 above).  They pretty much played stuff from their latest album.  After the show, I quickly nabbed their prior work from Amazon used (and whatnot).  Great band in the slowcore genre.  They have deep ties to the Seattle scene, co-mingling with Kurt Cobain, the Melvins, Sunn 0))), and others.  In fact, Kurt Cobain even guested on Earth’s 2nd EP, Extra-Capsular Extraction.  With that being said, they’re definitely not grunge, they’re not rock, they’re not metal… they’re what you might call drone rock.  Slow but powerful. Favorite tracks are “Engine of Ruin” and “Rise to Glory.” http://www.thronesanddominions.com/ -and- http://myspace.com/earthofficial
The Bar Kokhba Sextet plays John Zorn‘s Masada Book Two – Book of Angels, Vol. 10: Lucifer (Tzadik) :: The Bar Kokhba Sextet showed up in 1996 as an almost direct spin-off of the Masada book; so them doing a Book Two album was almost a given.  Holy cow, it’s a brilliant record… but I always loved what the Sextet had done previously.  The Sextet is the tour de force of Cyro Baptista, Joey Baron, Greg Cohen, Mark Feldman, Erik Friedlander, and Marc Ribot.  This is one band in my list that I wish I’d seen… I’m crossing my fingers that Earshot Jazz can bring ’em over to the PacNW sometime. Favorite tracks are “Sother” and “Abdiel.” http://tzadik.com/ -and- http://www.last.fm/music/Bar+Kokhba+Sextet
The Secret Chiefs 3 play John Zorn‘s Masada Book Two – Book of Angels, Vol. 9: Xaphan (Tzadik) :: I shant write too much about Xaphan, as I wrote a fairly in-depth review of it back when it came out.  I will say that it aged well and still held the Top spot all year.  It’s a GREAT record.  My main disappointment is that I wish they’d have played some from it at their tour this past fall.  Favorite tracks are “Shoel,” “Bezriel,” and “Balberith.” http://webofmimicry.com/ -and- http://tzadik.com/ -and- http://myspace.com/secretchiefs3

Well, I bought ten (10) John Zorn CDs this year (unless I’m misscounting), and 2 of them didn’t make it anywhere on the list (the Lou Reed & Laurie Anderson improv benefit CD for The Stone NYC & the score for The Last Supper, aka Film Works XXII)… so, you can’t say that I’m totally biased towards John Zorn. :)  Though, I do buy just about everything in his label Tzadik’s Archival series, Key series, and Radical Jewish Culture series (and a handful of the rest of the other series).

What I’m looking forward to in 2009? More great music…

~Dan – np: Miles DavisMiles in the Sky

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* Favorite Vocal Albums of 2008 *

24th Dec 08 (Wed) 7 comments

Disclaimer section shamelessly plagiarized from Andy Whitman at Paste

Disclaimer #1: No, I haven’t heard all 8,000 albums released this year. I’ve heard about 200 of them, which makes me at least 97.5% likely to be wrong. But hey, this isn’t math class, and I make no claims to objectivity. These albums are my favorites from 2008. You might think that the one you’ve heard that I haven’t heard is the best album of 2008. And you might be right.

Disclaimer #2: Yeah, yeah, yeah. Just get it out of your system now and be done with it. I am deliberately trying to be obscure. Who the hell has even heard of these people? I am a sell-out who includes ridiculously well-known artists such as Metallica on his list. Who the hell actually believes that Metallica could make a great album after their atrocious efforts post-1996? So go ahead and vent, then read Disclaimer #1 again.

My Other Favorites of 2008 Recaps:

As I start this post, I will say that this is the first year (ever) that I bought more instrumental CDs than vocal CDs (though after 12/31/07, 2007 instrumental albums have since overtaken 2007 vocal albums in the CD racks).  For that reason, the favorite vocal albums list goes first this go ’round… and now on to the best of what’s hit my ears this year…

Jude ChristodalCuba (indie) :: 2008 marked the first time in 8 years or so where I had the absolute pleasure to see Jude live.  He came through Portland in June, and absolutely blew me away.  This Cuba record didn’t necessarily “blow me away,” but it is full of some gems that for some reason or another never made their way onto a real release.  Call it a “b-sides” record.  Since Jude is totally independent these days, it’s available on CD Baby.  Favorite tracks are the title track and “One of These Days.” http://www.judemusic.com/ -and- http://myspace.com/judechristodal
Praxis – Profanation: Preparation for a Coming Darkness (Columbia Japan) :: Bill Laswell’s supergroup with Buckethead & Brain on just about every track with guests spots by Iggy Pop, Mike Patton, Serj Tankian, Killah Priest, Tatsuya Yoshida, Otomo Yoshihide, and more… It’s a veritiable onslaught of sound.  This is definitely on the heavier side of things, with a touch of the avant-garde.  As far as I know, it’s only available in Japan (or cool outlets like the Downtown Music Gallery in NYC). Favorite track is “Larynx” with Mike Patton. http://www.innerhythmic.com/
MetallicaDeath Magnetic (Warner Bros) :: Ever since May of 1996, I never thought I’d really care that much about another Metallica record again. Load, Re-Load, St Anger, and all of the crap in between was utter rubbish. St Anger being the absolute nadir of their recorded work, in my opinion.  Well, somewhere inside I hate to say it, “Death Magnetic is a great record.”  I don’t know if the band (specifically Lars Ulrich) can pull it off live… nor do I plan on spending a brazilian dollars for a nose-bleed seat to find out.  Anyway, it was good to hear the band in good form again (even with their ridiculous lyrics).  Sometimes it’s like it’s a comedy record with shreddin’ guitars behind it.  Favorite track is “Broken, Beat & Scarred.” http://www.metallica.com/ -and- http://myspace.com/metallica
Ty TaborBalance (Molken Music) :: A late release… just got it a few weeks ago.  Ty Tabor is one of my favorite guitarists around.  He’s got the whole “volume swell” thing down to a science, and while he can do some flashy work, he’s more of the subdued genius.  Being in King’s X, he’s one of the founders of the grunge sound (though rarely gets credit).  Anyway, he’s got the chops, but when he puts out a solo album… it’s usually more of a subdued affair.  Well, not this time… it’s definitely more rocking and shows off some of his great guitar work while still maintaining the balance of his usual songwriting.  I could totally skip the opening track (“Money Mouth”), but he recovers from it greatly (IMO).  My favorite track is “Good that Way.” http://www.tytabor.com/ -and- http://myspace.com/tytabor
OpethWatershed (Roadrunner) :: My favorite Swedish death metal band, Opeth, is known for their blistering drums, shredding guitars, cookie monster vocals, and… their softer side?  Eh, since 2006’s Damnation album of slower tunes, they’ve had that option to expand into more genteel tunes.  The two videos from Watershed thus far (“Porcelain Heart” and “Burden”) have (IMO) been a mockery of their sound.  I mean, regardless of Damnation, these videos are totally butchered into ballads that I don’t think are giving a good representation of Opeth’s sound.  Anyway, with that being said, the nearly hour-long 6.5 song album finds great favor to my ears.  My favorite tracks are “Heir Apparent” and the aforementioned “Porcelain Heart.” http://www.opeth.com/ -and- http://myspace.com/opeth
Mike PattonA Perfect Place (Ipecac) :: While Mike Patton has had some silver screen exposure (he “acted” in the indie flick Firecracker and was the voice of the evil animals in Will Smith’s I Am Legend), this was his first time scoring anything (though he’s on the docket to score the feature-length Crank 2).  Released as a double-disc (soundtrack CD and short film on DVD), this was a great way to get a small budget indie short film by Derrick Scocchera out to people who may never have seen it.  It’s got a twist of murder, idiocy, and humor.  Mike Patton’s score suits it well, and it also fits his eclectic back catalog fairly well also.  Favorite tracks are “A Little Poker Tomorrow Night?” and the title track. http://ipecac.com/
King’s XXV (Inside Out) :: King’s X rarely disappoints (2003’s release fit that rare disappointment category).  Anyway, getting beyond the opening track “Pray” (what is it with both King’s X and Ty Tabor leading off with doozies?) it gets into the great rockin’ groove that King’s X is known for.  Doug Pinnick covers most of the lead vocals on this album, but Ty handles a few, and drummer Jerry Gaskill also pulls out his excellent lead vocals this time around on “Julie.”  I also got to see them in August in Cincinnati (my review with pictures), and they were a tight 3-piece unit.  They’ve been making music together for more than 25 years.  I hope they continue for a little bit more.  Favorite tracks are “Move” and “Alright.” http://www.kingsxrocks.com/ -and- http://myspace.com/kingsx
NoctalucaStill the Wicked Rest (indie) :: I bought this thinking it was just some live CDR or something (I don’t pay attention sometimes).  When it showed up, I was all like, “holy cow, they went all out on packaging a live CD.”  Well, my mind was blown when I heard the first bursts from the newly recorded “Monkey Moon,” which didn’t make it on their last stellar album (2006’s Towering the Sum).  Let’s just say that I hope Jason Ludwig and Noctaluca can continue to make great music.  This sophomore studio record doesn’t disappoint at all.  It’s a great mix of grungy hardrock with dreams of Pink Floyd, Radiohead, and Alice in Chains with Rage Against the Machine meets Operation:Mindcrime lyrics.  And, yes, I’ll continue calling them one of my favorite local bands.  I still own property in Cincinnati (under duress due to the whole housing bubble elephant dump in Ohio); so they still count as local to me here in Eugene, Oregon. :)  Favorite tracks are “Monkey Moon” and “Hegemaniacal.”  And the vocal work by Jason at the beginning of “Doomed are the Killers Who Hide Behind the Banner of God” totally pwns me. http://www.noctaluca.com/ -and- http://myspace.com/noctaluca
Kaki KingDreaming of Revenge (Velour) :: Venturing more and more into singing… Kaki’s 4th album shows off her songwriting in addition to the reason I found her music – her superb fretwork.  She’s on my list of “why does she keep swinging through town when I can’t go see her” artists.  Anyway, excellent songwriting, excellent guitars… a beautiful record.  Favorite tracks are “Bone Chaos in the Castle,” “Life Being What It Is,” and “Can Anyone Who Has Heard This Music Really Be A Bad Person?.” http://www.kakiking.com/ -and- http://www.myspace.com/kakiking
Carla Kihlstedt’s 2 Foot YardBorrowed Arms (indie) :: Carla Kihlstedt almost made it on here with another album as well (her collaboration with Matthias Bossi & Dan Rathbun called Ravish and Other Tales for the Stage).  She’s an outspoken violinist from the SF Baby area, who works in the chamber music, avant-garde jazz, and experimental metal scenes with Tin Hat Trio, Book of Knots, Sleepytime Gorilla Museum, Fred Frith’s Cosa Brava, and many more.  2 Foot Yard is more of her string rock band with Charming Hostess’s Marika Hughes and avant-world guitarist Shahzad Ismaily (who has worked with the Secret Chiefs 3 & Marc Ribot to name a couple).  2 Foot Yard is a supergroup of sorts.  Anyway, their 2nd album, Borrowed Arms, is a tour-du-force… my favorite track “Octopus” grabs you with it’s first lyrical sting of confusion, pizzicatto strings, and reverse-sounding effects on the drums in spots… “I have three hearts and one’s for you.  It’s only big enough for two.” fwoup fwoup fwoup http:/www.2footyard.com/ -and- http://www.myspace.com/carlakihlstedt -and- http://www.myspace.com/2footyard
Greydon SquareThe CPT Theorem (indie internet release) :: As if being a rapper doesn’t bring you drama enough… Greydon is also an atheist who tends to have beefs with his own group of people (Brian Sapient and the Rational Response Squad).  Anyway, major drama notwithstanding, Greydon put out a great follow-up to 2007’s The Compton Effect.  With content like Richard Dawkins and Christopher Hitchens and style like Eminem (and some say Germaine Williams aka Canibus, of whom I haven’t heard), Greydon’s music really pops with me.  Favorite tracks are “Cubed” and “Judge Me.”  This album was an internet-only release; so it’s only available on iTunes and other e-music shops. http://myspace.com/greydonsquare
Hotel LightsFirecracker People (Bar/None) :: I loved Ben Folds Five… a lot.  One of my favorite songs of theirs wasn’t one of the quirky tunes, it was the sentimental “Magic” written by their drummer Darren Jessee.  Well, after Ben Folds Five broke up, Darren went on to form Hotel Lights.  He’s traded the skins in for a guitar and the vocal duties.  2006 brought the excellent self-titled debut.  Last year brought a great EP, goodnightgoodmorning.  And this year brought their sophomore record, Firecracker People.  My favorite track is the lead-off “Blue Always Finds Me.” http://www.hotellights.net/ -and- http://www.myspace.com/hotellightsmusic
Ani DiFrancoRed Letter Year (Righteous Babe) :: Ani DiFranco played a few tunes that made it on this record for us in Eugene in April.  It was a fantastic show, but it doesn’t take an accountant with a spreadsheet fetish to tell you that she was bound to release that album 9.38 months after her previous release, Canon.  Oh wait, yeah, it might take an accountant with a spreadsheet fetish to get that detailed.  Anyway, this is yet again a solid product put out by her indie empire build on car tires and chicken wire.  Sometimes her detractors think her albums have too much filler (and she shouldn’t put out so much music).  Well, with every song that doesn’t work like (IMO) “The Atom” (it might work better as a poem), she has gems like “Alla This,” “Present/Infant,” and the horn-driven “Red Letter Year Reprise.”  I think if she had a new album every other month, it’d still be more geniius than what’s hovering at the top of the Billboard charts. http://www.righteousbaberecords.com/ -and- http://myspace.com/anidifranco
Sigur RósMeð suð í eyrum við spilum endalaust (XL) :: With a buzz in our ears we play endlessly… Sigur Rós continue to deliver excellent music in superbly and lovingly crafted packages.  This album might be their most “accessible.”  It took a bit to grow on me, though.  While it doesn’t seem as compelling as their earlier albums, I still dig it a plenty.  I also got the chance to see them in Portland in October (excellent show!).  It baffles me how this group of non-conformist, non-mainstream musicians from a small country like Iceland seem to have taken the indie rock scene by storm since 2001.  I mean how does it happen?  I guess I’m just glad that it did happen.  My favorite tracks are “Gobbledigook” and “Við spilum endalaust.” http://www.sigur-ros.co.uk/ -and- http://myspace.com/sigurros
CelldwellerSoundtrack for the Voices in My Head (FiXT) :: OK, this one actually fits my rules for an instrumental album… most of the tracks are instrumental industrial jams that Scott Albert (aka Klayton aka Circle of Dust aka Celldweller) has been kicking around since working on the follow-up to his utterly superb debut (under the Celldweller moniker).  However, one of the lead off tracks and other tracks intertwined in the CD have lyrics.  So, I’m making a judgment call and including it in this list rather than the instrumental list.  The truth is that my instrumental top list is getting jammed up and I needed to flip this one to the vocal list to make room.  I make the list… I can break my own rules.

I’ve been a fan of Scott/Klayton since, oh, 1995?  His music is mezmerizing, full of powerfully rhythmic industrial music with a very heavy dose of pop sensibility.  “Celldweller” is my favorite project of his, though his other musical work (even with magician Criss Angel) rank high in my music collection.  I hope the long-awaited sophomore Celldweller release sees the light of day before 2012.  Oh, this album is available for free in mp3 format (though the CD is cheap and comes with extra bonus tracks).  Favorite track is “Birthright.”  Check out his webpages for more info. http://www.celldweller.com/ -and- http://myspace.com/celldweller

Plover (Glen Phillips / Neilson Hubbard / Garrison Starr)Plover (indie freebie on the internets) :: I’m a big fan of Glen Phillips, whether with Toad the Wet Sprocket, solo, or side projects.  Well, this year saw him release a solo EP (which is grand), tour on his own (of which I saw when he came through Eugene), tour with Toad the Wet Sprocket (which I sadly didn’t see this time), collaborate with nerdcore rapper MC Frontalot, tour again with Jonatha Brooke (which I missed due to work schedules changing), sit on and break a glass coffee table and shred up his arm (he’s recovering nicely, I hear), and put out two solid A++ side-projects.  Plover is the more subdued side-project (compared to RemoteTreeChildren further down the list), but it really fits in well with Glen’s music.  I’d never heard Neilson or Garrison’s music before, but I like what all three artists brought to the table.  Also, it‘s absolutely free (if you want).  You can pay what you want for better quality 320kbps or FLAC (and you should, as it’s also the only way the artists get money).  Favorite tracks are “Wishing You Were Somewhere Instead of Wishing You Were Somewhere Else” and “All Eyes.” http://plovermusic.com/
ExtremeSaudades de Rock (Open E) :: What can I say?  I spent more than words on this band this year… I flew to Cincinnati to see them put on a kick-ass show at Union Center Blvd Bash.  Go here for my review with many pictures of King’s X and Extreme.  While I think there are a couple of snoozers on this record, overall it’s still a very solid record.  I hope Gary, Nuno, Pat and whatever drummer they bring along (sorry KFigg) continue to make great music.  And I hope it’s not another 13 years until their 6th studio album comes out.  Favorite tracks are “Comfortably Dumb” and “Interface” (one of Nuno’s from Dramagods). http://www.extreme-band.com/ -and- http://myspace.com/extreme
Steven WilsonInsurgentes (indie) :: I felt guilty paying for this limited edition release.  The original pressing was only 4,000 copies, complete with in a special coffee-table book photo edition. Well, I felt guilty until I got it and saw how beautiful it it turned out.  Great job Steven!  And the music is pretty damn kick ass as well.  For those familiar with Steven Wilson (and his many bands: Porcupine Tree, Blackfield, No-Man, Bass Communion, IEM, et cetera), this first solo album hit the spot for me compared to the most recent PT & No-Man releases.  It’ll be out in a “normal” version in Feb 2009.  My luck is that Steven will tweak it or add stuff to the Feb 2009 (or later) release(s) and I’ll have to buy it again.  He’s like that… hmph.  Favorite tracks are “Harmony Korine” and “Insurgentes (Mexico).” http://swhq.co.uk/ -and- http://myspace.com/therealstevenwilson
My Brightest DiamondA Thousand Shark’s Teeth (Asthmatic Kitty) :: When this album first came out, I liked it.  But I didn’t think it’d rise to be in the top 2.  I mean, I like it, but I liked her debut (Bring Me the Workhorse) a lot better right out of the gates.  This one was more of a slow burn.  I suppose seeing her play a lot of these tracks live last month also helped solidify the album in my mind as a gem.  Shara is charming, witty, powerful and sublime.  This is a great record, and there has also been a plethora of other MBD activity on the internets (iTunes EPs, remixes, etc) to keep me happy this year.  My only complaint… she needs to get her buddy Sufjan back in the studio and on the road.  Favorite tracks are “Inside a Boy” and the deliciously cute “Apples.” http://mybrightestdiamond.com -and- http://myspace.com/mybrightestdiamond
Remote Tree Children (Glen Phillips / John Askew / others?)Veteran of the Loudness Wars (indie freebie on the internets) :: OK, first off, this may seem totally unfair to the albums that were in my collection for longer… but as of December 9th, I had no idea about the impending pwnage of this record.  Then Glen Phillips posted a blog and dropped it on top of the internets’ head.  Then I downloaded it… and it’s such a slut, it made sweet love to my ear holes.  I think I spun it about 10 times that first day.  Actually, maybe my ears are th sluts.  Never one to not be hyperbolous, I think it’s great and it wins as my favorite vocal album of 2008.  And the kicker?  It’s absolutely free (if you want).  You can pay what you want for better quality 320kbps or FLAC (and you should, as it’s also the only way the artists get money and can continue to make sweet love to ear holes all around the world).  Favorite tracks are “You Will Be Pwned” and “Blood Pressure Rise.” http://remote-tree-children.com/

OK, so 3 of my top 6 are ones you can nab for free (legally).  So… go on… get some great music!

Top 25 instrumental albums coming up later… before year’s end, I promise.

~Dan – np: Goddamn Electric BillTopics for Gossip

* Favorite EPs / Vinyl / Live Albums & more of 2008 *

21st Dec 08 (Sun) 9 comments

Before I start… happy 68th birthday to Frank Zappa.  You are missed.  Ya Hozna!

This is sort of a precursor to my “official” Favorites of 2008 blog.  Up later this coming week or two, I’ll post my favorite vocal and favorite instrumental albums of 2008.  I’m still making my way through the re-listening phase.  Yeah, I know, I’m slow (or dedicated? or certifiable?).  I was waiting on a few to show up in my mailbox.  Anyway, on with the music pimping

My Other Favorites of 2008 Recaps:

  • Fave Concerts of ‘08 are recapped *HERE*

Favorite EPs of 2008 (coincidentally all indie artists)
1 Ellery You Did Everything Righthttp://www.ellerymusic.com/
2 Estradasphere The Pegasus Vaulthttp://www.estradasphere.com/
3 Glen Phillips Secrets of the New Explorershttp://www.glenphillips.com/
4 Kim Taylor The Greatest Storyhttp://www.kim-taylor.net/
5 Wussy Rigor Mortishttp://www.wussymusic.com/

Favorite Vinyl of 2008
1 Holy Fuck Lovely Allen 19″ single (7″+12″) – http://www.holyfuckmusic.com/
2 God of Shamisen The Science Fiction of Ray Bradbury Attack! 7″ single – http://www.godofshamisen.com/
3 Puscifer Dozo 7″ single – http://www.puscifer.com/
4 David Bazan (of Pedro the Lion) Jingle Bells / All I Want for Christmas (Christmas 7″) – http://www.davidbazan.com/
5 Puscifer Queen B 7″ single

Favorite Live Albums of 2008
1 Dave Douglas & Keystone Live at the Jazz Standard, April 2008http://www.greenleafmusic.com/ (this was 4 nights, 2 sets each night, 8 hours of music released as “instant live” within 24 hours of each performance… and fantastic)
2 Porcupine Tree We Lost the Skyline EPhttp://www.porcupinetree.com/
3 David Gilmour (of Pink Floyd) Live in Gdańskhttp://www.davidgilmour.com/
4 Ani DiFranco Hamburg Germany, 10.18.07http://www.righteousbabe.com/
5 Tori Amos Live at Montreux 1991 & 1992http://www.toriamos.com/


Favorite Comedy Albums of 2008
1 Flight of the Conchords Flight of the Conchords
2 George Carlin It’s Bad For Ya
3 Mitch Hedberg Do You Believe in Gosh?


Favorite Reissues in 2008
1 Jurassic 5Jurassic 5 11th Anniversary
2 John Zorn, Bill Frisell & George Lewis News for Lulu
3 John Coltrane The Impulse Albums, Vol 2 (including John Coltrane & Johnny Hartman, Impressions, Live at Birdland, Crescent, and A Love Supreme)
4 Ahleuchatistas The Same and the Other
5 Beck Odelay (deluxe edition)


Favorite Debut of 2008
God of Shamisen‘s Dragon String Attack! -and- Ashes Divide‘s Keep Telling Myself It’s Alright

Favorite Internet Only Releases in 2008
Glen Phillips had his hand in both of them… and they’re both free
PloverPlover -and- RemoteTreeChildrenVeteran of the Loudness Wars

Favorite Internet Leaks in 2008
Ben FoldsWay to Normal (fake version of the album leaked by Ben himself) -and-
Sufjan StevensSongs for Christmas, Vol VIII: Astral Inter Planet Space Captain Christmas Infinity Voyage (he made it for family & friends… luckily one of those also let it loose for the rest of us)

Favorite Artwork in 2008
NINGhosts I-IV each song in the download version had it’s own unique artwork attached to it.  Whether studio or nature or electronic, it worked well with this release.

Favorite Packaging / Design in 2008

  • Sigur RósMeð suð í eyrum við spilum endalaust (deluxe edition)
    Steven Wilson Insurgentes (deluxe edition) – Both Sigur Rós and Steven Wilson came out with lush coffee table-sized books that housed the music. Call it an incentive to somewhat combat the illegal downloaders.  I call it great art.
  • Ani DiFranco Red Letter Year – Always a packaging visionary, this one was more subtle than recent efforts… the glow in the dark moon was a nice touch.
  • Metallica Death Magnetic – Not necessarily breaking new ground musically, their packaging for the return to form metal album evokes digging through 6 feet of fresh dirt to see if Lars Ulrich’s drumming sounds better than beating on a metal folding chair.  Thankfully it does… this time.
  • Secret Chiefs 3 plays John Zorn‘s Masada Book Two: Xaphan – I love what Chippy does for Tzadik Records.  The Masada Book Two series artwork and die-cut Star of David with offset colors that poke through is some of her best work.

Favorite “Local” Album of 2008
OK, they’re from Cincinnati and Portland (respectively)… but local enough for me… I’ve got my ears in two locales (the Cincinnati/Dayton scene will probably always have a shot at winning in this category).
Noctaluca‘s Still the Wicked Rest -and- Talkdemonic‘s Eyes at Half Mast

Favorite Soundtrack or Score
Joss Whedon‘s Dr Horrible’s Sing-along Blog -and- Mike Patton‘s A Perfect Place

Favorite Concept Album
Noctaluca‘s Still the Wicked Rest -and- Zakarya‘s The True Story Concerning Martin Behaim

That’s all for now… more coming in the next week…

~Dan – np: CelldwellerSoundtrack for the Voices in My Head

Favorite Concerts of 2008

3rd Dec 08 (Wed) Leave a comment

Well, shockingly, I don’t have any concerts on the calendar for December 2008 (next up is Zappa Plays Zappa on Jan 2nd).  Of course, Sam Bond’s may book a jazz show that I don’t find out about until a week prior.  Eh, anyway, I’ve seen 42 concerts and 91* artists perform so far in 2008 (which is oddly considered a “slow year” for me).

Assuming no other shows pop up out of nowhere and blow me away, here are my favorite concerts for 2008:

  1. Extreme & King’s X – Union Center Blvd Bash – Cincinnati, OH {10 Aug} [review with pictures]
  2. Jude Christodal, opener: Ryan Andrew – Aladdin Theater – Portland, OR {6 June} [review with pictures]
  3. Secret Chiefs 3 with Secret Chefs 3, Diminished Men – Doug Fir Lounge – Portland, OR {3 Aug} [review with pictures]
  4. Sigur Rós with Parachutes – Arlene Schnitzer Hall – Portland, OR {6 Oct} [review with pictures]
  5. Ornette Coleman – Arlene Schnitzer Hall/PDX Jazz Fest – Portland, OR {15 Feb} [review]
  6. SFJazz Collective with Dave Douglas, Joe Lovano, Miguel Zenon and more focusing on the music of Wayne Shorter – Newmark Theatre/PDX Jazz Fest – Portland, OR {15 Feb} [review]
  7. Ani DiFranco, openers: Animal Prufrock, Judy Grahn – McDonald Theatre – Eugene, OR {16 Apr} [review]
  8. My Brightest Diamond with Clare & the Reasons – W.O.W. Hall – Eugene, OR {21 Nov} [review with pictures]
  9. Nellie McKay, opener: Amorèe Lovell – Doug Fir Lounge – Portland, OR {15 Aug} [review with pictures]
  10. Orange Tulip Conspiracy – Samurai Duck – Eugene, OR {17 Nov} [review with pictures]
  11. Bill Frisell / Eyvind Kang / Rudy Royston – The John G. Shedd Institute for the Arts – Eugene, OR {7 June} [review with pictures]
  12. Glen Phillips of Toad the Wet Sprocket with J.Kingham – W.O.W. Hall – Eugene, OR {21 Feb} [review]
  13. Branford Marsalis and the Philharmonia Brasileira – The Hult Center – Eugene, OR {2 Oct} [review]
  14. Medeski Martin & Wood – McDonald Theatre – Eugene, OR {15 Nov} [review with pictures]
  15. Talkdemonic with Heavenly Oceans – Sam Bond’s Garage – Eugene, OR {9 Feb} [review]

Runners Up: God of Shamisen at Samurai Duck, EARTH at WOW Hall, Radiohead at White River Amphitheatre, Skerik’s McTuff & Skerik’s Maelstrom Trio at Sam Bond’s Garage, and Raquy and the Cavemen at Cozmic Pizza.

Shows I’m bummed I missed… Beck in Bend, Tegan & Sara in Salem and/or Portland, Sunn 0))) in Portland, Jacob Fred Jazz Odyssey (twice) in Eugene, Glen Phillips in Portland, Chali 2Na & Ozomatli in Portland, Steven Bernstein’s Millenium Territory Orchestra at Seattle’s Earshot Jazz Fest, and next week’s Charlie Hunter in Portland (I wish it weren’t on a Monday). :( Oh well, maybe next year

Of my concert photos this year, I think these are my faves (in no particular order):

  • Jude Christodal
  • Silhouetted Secret Chiefs 3
  • Jason Schimmel & Timb Harris from Secret Chiefs 3
  • Sunspot Doug Pinnick & Ty Tabor from King’s X
  • Nuno Bettencourt from Extreme
  • Nellie McKay
  • Ninja, laser-eyes Lee Smith from God of Shamisen
  • Jónsi Birgisson from Sigur Rós

I’m definitely looking forward to 2009… Dweezil Zappa & Co playing Frank’s music, trumpeter Jeremy Pelt, the SF Jazz Collective (with Dave Douglas & Joe Lovano), and Madeleine Peyroux are already on the calendar

~Dan – np: John Zorn Film Works XXII: The Last Supper

~~~~~~~~~~~~~~
*
This was also the first year in 11 years that I haven’t seen Over the Rhine.  I wish I was able to make it to their reunion show with Ric Hordinski, but alas, I shan’t be able to go.

Past Concert Fave Recap: 2007

Eugene’s Saturday Market Live Stage 2008

18th May 08 (Sun) Leave a comment

I usually head down early to Eugene’s Farmers’ Market / Saturday Market for good local veg… then sometimes, if there’s good music scheduled, I make my way back in the afternoon…

Here are my 2008‘s catches, in descending chronological order (updated as they happen -or- as I remember to write about them)…

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May 17th: Pojama People (http://www.myspace.com/glennleonard) Good thing they had a tagline on the poster at Saturday Market; otherwise, there’s no way I’d head back out in the heat (it was bloody hot today). The tagline was something along the lines of “the music of Frank Zappa.”

I found a spot in the shade (thankfully)… I bought an ice cream sandwich (which ended up being a totally messy pile of yum)… I sat down and took in some Zappa and Zappa-inspired tunes (a not as messy pile of yum). They are made up of Alli Bach on percussion, winds, vocals; Glenn Leonard on drums (and a 13-yo student, Spencer Ewing, very capably sat in a few tunes, too); Brian Casey on bass; Ted Clifford on keys; and B-Bo on guitar. Per some webpages, they also sometimes have Ike Willis sing with them sometimes, too… cool.

They played a lot of instrumental songs, and they also played some Zappa tunes with lyrics with “liberty taken to them” — almost all politically bent (which is fine with me… and likely Zappa). Here’s what they played (thanks to Glenn for the setlist corrections)…

  • Zoot Allures
  • Arrogant Dubya Son (new lyrics to FZ’s “Idiot Bastard Son“)
  • Help, I’m Iraq (new lyrics to FZ’s “Help, I’m a Rock“)
  • RDNZL
  • Duke of Prunes
  • Eat That Tin Kong (a mashup of “Eat That Question” & “King Kong“)
  • Sofa
  • If I Fell (Beatles)
  • You Are What You Is / Dupree’s Paradise / Improv
  • Alien Orifice / Tribute to American Idol (new lyrics to FZ’s “Tinsel Town Rebellion“)
  • McCain (new lyrics to Clapton’s “Cocaine“)
  • Let’s Make Blackwater Turn Back (new lyrics to FZ’s “Let’s Make the Water Turn Black“)
  • Village of the Sun / Achidna’s Arf / Don’t You Ever Wash That Thing? (with “13“)

They’re playing at Sam Bonds Garage on June 28th. If I’m free, I hope to see them again. They were good (ie- not your usual cover band).

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May 3rd: Big Roy and the Twigs (http://www.myspace.com/bigroyandthetwigs) I went to see Big Roy because I know him via the head of the accounting department at UofO, Steve Matsunaga (Roy is Steve’s son). I heard some of their tunes on MySpace, and figured, “what the hell.” I showed up, and they had already started their set. It was hot (not bloody hot), but I caught 4 or 5 songs. They had some decent chops, alas, all I really remember is that they seemed to play a lot of alt-rock covers (Red Hot Chili Peppers’ songs appeared at least twice). It would have been nice to hear some of their originals, too. I was melting; so I headed back to the car. Nice set, though. Hopefully I can catch ’em again sometime…

~Dan

Ornette Coleman -and- Dave Douglas (YAY!)

11th Jan 08 (Fri) Leave a comment

I may have a rare opportunity to see both free jazz pioneer Ornette Coleman and current compositional/improvisational personal favorite Dave Douglas (playing with the SF Jazz Collective) on the same day. The Portland Jazz Festival is next month. Woot! Now I gotta see if I can swing it with the wife. *crossing fingers*

Ornette Coleman is a revolutionary saxophonist and a major influence on one of my favorite musicians of all-time (John Zorn). Ornette’s 1959 release, The Shape of Jazz to Come, is remarkable.

Dave Douglas is a brilliant modern composer/horn player. My first exposure to him was with John Zorn’s composed, yet improvisational-driven, klez-jazz quartet Masada. I quick fell in love with his trumpet sounds. His solo work and groups as band leader (Keystone, DD Quintet, etc) are fantastic modern improvisation jazz.

Re: the PDX Jazz Fest… my wife and I are going to the Bela Fleck and the Flecktones show where they’re playing with the Oregon Symphony Orchestra near the end of the fest (Feb 23rd). That should be great (I saw a similar show in Columbus-OH with the BF&tF and the Promusica Chamber Orchestra). Jazz pianist Anat Cohen is playing that same day (but way earlier in the afternoon)… and I know I can’t work that into our schedule… sadly. She’s good…

~Dan – np: Ornette ColemanThe Shape of Jazz to Come

Favorite Concerts of 2007

24th Dec 07 (Mon) 2 comments

Well, there are still some 2007 CDs that may or may not arrive in my hands before the year’s over (specifically Eyvind Kang, Dave Douglas, Greydon Square, Radiohead, Doug Pinnick & La Mar Enfortunaall of which have Top 20 potential); so I’m not ready to post my “Best CDs of 2007” list, yet. Look for that one sometime in early 2008…

This blog is for my favorite concerts of 2007. I went to too many to recount in detail, but these are the tip-top ones…

  1. Music Now Festival 2007 (Pedro Soler, Bryce Dessner, David Cossin, the Clogs, the Havels, Osso, Amiina, My Brightest Diamond, Sufjan Stevens) at the Memorial Hall, Cincinnati-OH (4/5/07 to 4/7/07) my review
  2. Masada (John Zorn, Dave Douglas, Greg Cohen, Joey Baron) at the Rose Theatre at the Lincoln Center, New York-NY (3/10/07) my review
  3. Nellie McKay at the Shedd Institute, Eugene-OR (10/5/07) my review
  4. Silverchair at the Fillmore @ the TLA, Philadelphia-PA (7/28/07) review snippet
  5. Secret Chiefs 3 at the Bowery Ballroom, New York-NY (3/15/07) my review
  6. John Zorn’s Moonchild (Mike Patton, Trevor Dunn, Joey Baron) at the Moore Theatre, Seattle-WA (11/4/07) my review
  7. Holy Fuck at the Southgate House, Newport-KY (4/1/07) my review
  8. Antibalas at the Southgate House, Newport-KY (4/29/07) review snippet
  9. Noctaluca at the Taste of Cincinnati, Cincinnati-OH (5/28/07)
  10. Blackfield (Steven Wilson & Aviv Geffen) at the Bowery Ballroom, New York-NY (3/16/07) my review

OK, I guess I’ve still got coming up in 2007 Iron & Wine in Portland (12/2) and maybe David Bazan (Pedro the Lion) in Eugene (12/14); but the above concerts were my favorites of 2007…

Happy thanksgiving, yo! One thing I’m thankful for is definitely music… :-)

~Dan – np: npr jazz profiles (podcast) – duke ellington: the bandleader, pt. 1

12/24 Update: wow… I totally forgot the kick ass Zappa Plays Zappa show at Moonlite Gardens in Cincinnati, OH on 7/24/07. I think I forgot because I didn’t blog about it when it happened (gettin’ ready to quit my job and pack up and head west at the time)… but now reading this week’s CityBeat, tons of people listed it as a favorite, and man, I was at that show, too… Dweezil = awesomes! Ray White = awesomes! Frank on a big screen behind the band, singing and soloing with the live band = awesomes! 2nd time seeing the ZPZ tour in 2 years (completely different setlist, too). I think it needs to be a once-a-year thing… in perpetuity.

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