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Posts Tagged ‘instrumental music’

Bird on a Wire

22nd Jan 10 (Fri) Leave a comment

Being a fan of animals and a fan of avant-garde/experimental music, I am really digging this…

New commission for The Curve

French artist Céleste Boursier-Mougenot creates works by drawing on the rhythms of daily life to produce sound in unexpected ways.  For his installation in The Curve, Boursier-Mougenot creates a walk-though aviary for a flock of zebra finches, furnished with electric guitars and other musical instruments. As the birds go about their routine activities, perching on or feeding from the various pieces of equipment, they create a captivating, live soundscape.

Thanks, Jim Tuerk of Greenleaf.

~Dan – np: Hotel LightsHotel Lights

Auragami “Resistance”

20th Jan 10 (Wed) Leave a comment

One of my favorite bass-playing gents, Auragami (aka San Diego’s Michael Miller) is putting out a new 2-track EP/single shortly called Resistance.  He’s got the chunky, groove-oriented title track up streaming over here…

http://auragami.tumblr.com/

Go check it out!

~Dan – np: That1GuyPacks a Wallop!

REVIEW: Holy Fuck @ Doug Fir Lounge (Portland, OR – 6/4/09)

5th Jun 09 (Fri) 4 comments

FYI… PHOTOS of the SHOW at the BOTTOM

I love my job.  I get to be in towns that quite often host artists I like to see… so I don’t have to drive up to make a special trip.  Well, this time, it was for my second time seeing the instrumental, avant-groove, live electronic band from Toronto – – Holy Fuck.  While their name may be offensive to some, their music is delicious.  I tried to make the “gotta eat there while in Portland” stop at Blossoming Lotus, but downtown was PACKED – no parking to be found; so I crossed the River and checked out The Farm instead.  Then I scuttled off to the venue to meet some Eugene friends and take in some great music.

Crocodiles went on first, and they played about a half hour.  It was a singer & guitarist playing to a drum machine or tape.  It wasn’t too shabby.  Two man bands are usually more miss than hit, but these guys had some good songs and rocked out fairly well.

Holy Fuck took the stage around 10:15 and played a jam-packed hour or so.  I forget how infectious these guys are, even when not playing something all that melodic (though they had plenty of groove last night as well).  We got right up front, and I was able to snap some pics and a video or two (see below).  I was glad to see the audience show up, too… at first, it was looking grim, like a 10 person crowd.  By HF show time, the MFDF was filling up quite nicely.  Much groove, much film scratchin’, oft screamin’ and looping, with a thumping rhythm section…

Songs are harder to distinguish when there are no vocals (i.e.- no official “setlist” here).  I know they played The Pulse, Super Inuit, and Lovely Allen, and I’m pretty sure they played Milkshake, Safari, Frenchy’s, Jungle, maybe Royal Gregory.  Those last five are just a guess, though.  I do know that it was a bitchin’ show!!  It’s great to see them in progressively bigger venues.  First Newport, KY’s Southgate House “parlor” (i.e.- the very small room upstairs) to the real venue of Doug Fir Lounge as the headliner.  A+… and I hope it’s not another 2+ years until I get to see them again.

Holy Fuck “The Pulse” @ Doug Fir Lounge, 6/4/2009

Holy Fuck “Lovely Allen” @ Doug Fir Lounge, 6/4/2009

The videos are just “OK,” but not too shabby for a digital camera (not a digital video camera), if I do say so myself.  Regardless of the video quality, quite frankly, this show is probably one of my favorite shows this year so far.

The Appropriate Linkage:

~Dan – np: John ZornAlhambra Love Songs

no torrent or free download available here

CROCODILES / HOLY FUCK PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

* Favorite Instrumental Albums of 2008 *

29th Dec 08 (Mon) 9 comments

Disclaimer section is again shamelessly plagiarized from Andy Whitman at Paste

Disclaimer #1: No, I haven’t heard all 8,000 albums released this year. I’ve heard about 200 of them, which makes me at least 97.5% likely to be wrong. But hey, this isn’t math class, and I make no claims to objectivity. These albums are my favorites from 2008. You might think that the one you’ve heard that I haven’t heard is the best album of 2008. And you might be right.


Disclaimer #2: Yeah, yeah, yeah. Just get it out of your system now and be done with it. I am deliberately trying to be obscure. Who the hell has even heard of these people? So go ahead and vent, then read Disclaimer #1 again.

My Other Favorites of 2008 Recaps:

  • Fave Concerts of ‘08 are recapped *HERE*
  • Fave EPs/Vinyl/Live/more of ‘08 are recapped *HERE*
  • Fave Vocal Albums ‘08 are recapped *HERE*
  • Old Years: 2007V, 2007I, 2007C, 2006, 2005

As I start this post, I will say that this is all very subjective and really put together for my own purposes.  I’ll also state that, yes, some of the music below does have some vocals.  For the most part, it’s sequestered to a track or two on a long CD of mostly instrumental goodness.  My list, my rules, and/or my breaking of the rules.  With that being said, all of the artists below tend to be in the jazz and instrumental frame of reference anyway.

Hopefully my spilling out of music that I like finds interest with someone else.  But if not, thanks for stopping by… check out their webpages, MySpaces, my fave song recommendations on iTunes (in 30 second bursts), yadda yadda yadda.  OK, now on to the best of what’s hit my ears this year on the mainly instrumental front…

Honorable mentions (aka my list is too jam packed, and I still really love these records, too): Bill Frisell‘s History, Mystery (with Eyvind Kang, Jenny Scheinman, Kenny Wollesen, etc); Charlie Hunter‘s Baboon Strength; John Zorn‘s Filmworks XX & XXI: Sholem Aleichem & Belle de Nature / The New Rijksmuseum; Medeski Martin & Wood‘s Radiolarians I; and Dub Trio‘s Another Sound is Dying.

ReptetChicken or Beef? (Monktail Creative Music Concern) :: I feel like I’ve written too much (especially on my Top 20 Vocal albums blog); so these descriptions / raves might be shorter… we shall see.  Reptet is a great 6-piece jazz band from Seattle.  I heard about them via Jim Wilke’s Jazz Nothwest podcast back in late 2007, when a collaboration of Seattle jazz & avant bands called the Monktail Creative Music Concern played a gig that got aired in its entirety.  Anyway, Reptet is one of my fave bands in the MCMC.  They’re a quirky jazz band with an odd sense of humor.  I dig it… a great, modern brass-forward jazz sextet.  Favorite tracks are “Reptet Score!” and “Eve of Thrieve.” http://www.reptet.com/ -and- http://myspace.com/reptet
Daniel ZamirI Believe (Tzadik) :: I have some of Daniel’s Satlah project, of which I dig a plenty.  This one was outside of the Satlah camp, enlisting NYC scene heavyweights Uri Caine, Greg Cohen, and Joey Baron.  I waffled on including it until I heard it again recently.  It’s really gorgeous.  More on the mellower, nee spiritual, side of the the music coming out of the Radical Jewish Culture series, Zamir really offers up his soprano sax melodies as prayers.  The title of the album and the music really match up perfectly. Favorite tracks are “Poem 10” and “Poem 51/52.” http://tzadik.com/ -and- http://myspace.com/danielzamir
John ZornFilmworks XIX: Dimitri Geller’s The Rain Horse (Tzadik) :: John Zorn put out a handful of Filmworks this year, and all of them are good.  FW XXI would have made it on the list as well, had it not been for the too often used harpsichord in The New Rijksmuseum scoring (the parts for the Belle de Nature score are really gorgeous, though).  Anyway, the Filmworks series are usually some of John Zorn’s most accessible. The Rain Horse is a subtle trio of Erik Friedlander on cello, Greg Cohen on upright bass, and Rob Burger on piano.  Favorite tracks are “Parable of Job” and “Tears of Morning.” http://tzadik.com/ -and- http://myspace.com/johnzorn
TalkdemonicEyes at Half Mast (Arena Rock) :: No, their album cover doesn’t really do the animation thing (a la Tool’s Ænima).  I just couldn’t help using that animated GIF from their MySpace page.  This Portland post-rock duo swung through Eugene at least twice this year.  I caught their brilliant February show.  Their album didn’t come out until later in the year, and it continues in the sound from their prior two albums.  Great electro-acoustic post-rock… drums, viola and electronics. Favorite tracks are “Duality of Deathening” and “Tides in Their Grave.” http://talkdemonic.com/ -and- http://myspace.com/talkdemonicmusicmaking
NIИ Ghosts I-IV (halo) :: Sparse and haunting, Ghosts I-IV reminds me of a soundtrack meets demos for Trent’s next album.  Perhaps that’s where they came from, ideas kicking around in his head.  For a fan of instrumental music, it’s a highly enjoyable 110 minute journey into many different soundscapes.  For the download version, each track has it’s own artwork attached in the file which is a nice addition even though I hate the shift towards the potential eventual demise of the “album.” Favorite tracks are “14” and “31.” http://www.nin.com/ -and- http://myspace.com/nin
Bobby Previte & New BumpSet the Alarm for Monday (Palmetto) :: A new version of Previte’s Bump the Renaissance, this group includes two of my favorite players – – Ellery Eskelin on sax & Steven Bernstein on trumpet.  Drummer Bobby Previte does many projects, some more in the avant-garde scene… but New Bump definitely fits into an accessible range (similar to Coalition of the Willing with Jamie Saft & Skerik).  This album is really “jazz-cinematic” a la a private investigator drama soundtrack perhaps. Favorite tracks are “I’d Advise You Not to Miss Your Train” and “There Was Something In My Drink.” http://www.bobbyprevite.com/ -and- http://myspace.com/previte
Steven BernsteinDiaspora Suite (Tzadik) :: This is Bernstein’s fourth in his Diaspora series for Tzadik’s Radical Jewish Culture, and it very well be my favorite.  It seems much more adventurous than the past efforts, which is what I like about Steven’s trumpet playing and compositions.  I think Suite fits better in with his larger Sex Mob and Millennial Territory Orchestra catalog (but from a decidedly Jewish musical culture standpoint, obviously).  I hope I get a chance to see him sometime… he played in Ohio just after I moved away, and he played in Seattle in November (as part of Earshot Jazz Fest), but being on a Wednesday… well, I didn’t make it up for the show. Favorite tracks are “Zebulon” and “Judah.” http://stevenbernstein.net/ -and- http://myspace.com/stevenbernsteinmusic
AuragamiEsoteric (indie) :: Auragami is a former Dayton, OH, now San Diego-based bass guitarist named Michael Miller.  This album isn’t commercially available, as far as I know.  I know Michael Miller from going to shows around Dayton (and surrounding).  We’ve got a lot of the same leanings with the rock stuff (Galactic Cowboys, King’s X, et cetera), and I’m happy that I made it on his Christmas card list… because the Christmas card list has been a new CD of his for the past few years. Esoteric is a 40-minute record with the melodies, crunch and remix-friendly bass that I’ve come to love about his music.  He also collaborates with others on this album (a personal fave, Mike Georgin, being one of them).  As far as the sound, it’s very much a bass with drum loop affair… some subtle melodies, some heavier/grittiness (a la NIN), and some organic-electronics that fit well with another San Diego artists, The Album Leaf and Goddamn Electric Bill.  Not being commercially available officially, you can check out his music on MySpace and maybe see if he’ll sell you a copy.  It seems to be a crime to not be out there.  Anyway, thanks for the Christmas gift, Michael! Favorite tracks are “Colab” and “Clover.” http://www.myspace.com/auragami
Goddamn Electric BillTopics for Gossip (99X) :: GdEB is a one-man electronic band from San Diego (Jason Torbert is his name), similar in that sense to The Album Leaf, but I’d say GdEB is less ambient and definitely more in the electronic / remix realm when compared to TAL.  GdEB might compare similarly to Frog Pocket, but maybe less… um… buzzy & bleepy.  I don’t know.  I suppose me comparing a little known San Diego electronic artist to another lesser known Scottish electronic artist doesn’t help much.  Check GdEB out for yourself… Favorite tracks are “The Morning Commute” and “The Shallows.” http://www.goddamnelectricbill.com/ -and- http://myspace.com/goddamnelectricbill
Hiromi’s SonicbloomBeyond Standard (Telarc) :: Hiromi Uehara is a freakin’ whiz on the piano.  I got into her with her 2007 CD Time Control after a few clips on BMG’s website (I was trying to round out an order).  Her style is very much a jazz-rock fusion, which I’d almost say the rock element comes from her piano skills rather than the rest of the band.  You wouldn’t expect this sound just based by the cover alone… the 29 year-old Hiromi amidst bright colors.  You’d think it were some Japanese bubblegum pop or something.  Anyway, this is her 2nd Sonicbloom album in as many years.  She played a several date run at the Triple Door in Seattle this past summer.  If she does it again soon, I’m totally making the drive up. Favorite tracks are “Led Boots” and “XYG.” http://www.hiromimusic.com/ -and- http://myspace.com/hiromimusic
Medeski Martin & Wood play John Zorn‘s Masada Book Two – Book of Angels, Vol. 11: Zaebos (Tzadik) :: Medeski Martin & Wood have been in the Tzadik family for a while.  They contributed a track to the Unknown Masada album, which was sort of the initial idea that eventually brought out the Masada Book Two series (i.e.- new, previously unrecorded Masada book tunes not recorded by the Masada quartet).  John Medeski has also appeared on many other Tzadik releases in a studio musician sense.  With that being said, MMW’s inclusion into the Masada Book Two series came as a total shock, though.  I think it was announced in early June ’08 for a July release.  Whereas Secret Chiefs 3’s Masada Book Two release was announced in winter ’07 for a May ’08 release (almost a year and a half).  Anyway, MMW’s Zaebos is a great record.  I’d say it doesn’t rank as high as Xaphan and Lucifer for this year’s releases in that for some reason I don’t think the MMW Masada tunes work as well with their style as the tunes work with Secret Chiefs 3 or Bar Kokhba Sextet’s style.  All said and done, it’s still a brilliant record for 2008 and for both the Masada and MMW catalogs. Favorite tracks are “Chafriel” and “Tutrusa’i.” http://tzadik.com/ -and- http://mmw.net/ -and- http://www.myspace.com/medeskimartinandwood
Tiptons Sax QuartetLaws of Motion (Zipa! Spoot) :: Similar to Reptet, I got into the Tiptons via Jim Wilke’s Jazz Northwest podcast.  I found out about them literally a day after they had been in Eugene in Dec ’07.  D’oh!  Anyway, I believe that this is their 3rd full length CD, though they had some former releases with different members under the name the Billy Tipton Memorial Saxophone Quartet.  They’re an all-woman sax quartet (plus drums) from Seattle.  They’ve got ties to some great jazz musicians & composers (Eyvind Kang & Wayne Horvitz for example).  This album has some vocals, but all in all, it’s a jazz record with a touch of eastern European music (balkan-klezmer per my untrained ears) thrown in. Favorite tracks are “Fallout” and “Number Six.” http://www.tiptonssaxquartet.com/ -and- http://myspace.com/tiptons
Mostly Other People Do the KillingThis is Our Moosic (Hot Cup) :: I saw trumpeter Peter Evans in Eugene in February, and it was a mind-blowing avant-garde set.  This band on the other hand, led by Moppa Elliott, is more of a Sex Mob-influenced jazz funk romp.  Great music from these NY gents.  You can get their albums on CD Baby (please, support indie moosic). Favorite tracks are “The Bats in Belfry” and “Drainlick.” http://www.moppaelliott.com/ -and- http://myspace.com/mostlyotherpeopledothekilling
StebmoStebmo (indie) :: Multi-instrumentalist Steve Moore has played with Earth, Sunn 0))), and enlisted some friends (Eyvind Kang, Matt Chamberlain, Todd Sickafoose, Tucker Martine and more) to help out on his first solo album.  I saw him open for Skerik’s Maelstrom Trio this past spring as well as play with Earth in June.  As mentioned in the live review, his album is a bit like the organic/melodic elements of the Album Leaf mixed with the building nature of an Explosions in the Sky set mixed with a heaping handful of electronic jots & tittles like those that may have hit the Kid A cutting room floor. Favorite tracks are “Dark Circles” and “Waiting Game.” http://stebmo.com/ -and- http://myspace.com/stebmo
John Zorn’s Moonchild Trio (Mike Patton/Joey Baron/Trevor Dunn) – The Crucible (Tzadik) :: This album is a rare December release on Tzadik (since 2000, they’ve taken the month off).  Continuing in the Moonchild Trio’s glossolaliac noise metal theme, this album also adds John Zorn’s wonderful sax trade-off with Mike Patton’s screaming utterances.  Guitarist Marc Ribot also adds very Led Zeppelin riffage on one track (“9×9”).  When the original Moonchild album was released (2006), I thought it was going to be a one off… well, four albums in, I’m definitely hoping it continues a bit more… Favorite tracks are “Almadel” and “Maleficia.” http://tzadik.com/ -and- http://myspace.com/johnzorn
Swami Late Plate (Bobby Previte & Jamie Saft) – Doom Jazz (Veal) :: The album’s title, Doom Jazz, says it all.  This album fits well for fans of Sunn 0))), Earth, Bohren & Der Club of Gore and others in the slow rock, doom, sludge movement.  I find it completely compelling… Favorite tracks are “Malignant Cloud” and “The Bearded Man Cannot Help You.” http://myspace.com/swamilateplate -and- http://myspace.com/doomjazz
God of ShamisenDragon String Attack! (Reptile) :: God of Shamisen is Kevin Kmetz, an I first heard of him when he was playing with world metal band Estradasphere.  He’s also played (briefly) with Secret Chiefs 3.  He’s had a few solo albums, but this year saw GoS release two band efforts: the 7″ vinyl for “The Science Fiction of Ray Bradbury Attack!” and then their full-length debut this past fall.  I picked up this debut at their show in Eugene (go here for my review with pictures).  While it has some minor vocals on a song or two, it’s still primarily a instrumental attack.  Japanese metal fusion… excellent stuff. Favorite tracks are “The Science Fiction of Ray Bradbury Attack!” and the spread across the album in several waves “Dragon String Attack!” http://godofshamisen.com/ -and- http://myspace.com/gos
MogwaiThe Hawk is Howling (Matador) :: Much more enjoyable to me than their recent tour (review link). I can control the volume… yay! I dig this record A LOT. This Scottish band has put out some consistently great records. This one bounces back from their mellower Zidane with more gusto, more power, yet still retaining the melody. You know… the melody that gets drowned out in their live show. Favorite tracks are “I’m Jim Morrison, I’m Dead” and “The Precipice.” http://mogwai.co.uk/ -and- http://myspace.com/mogwai
Yoshie FruchterPitom (Tzadik) :: Wow… I’m definitely looking to more from Yoshie Fruchter in the future.  Like Jon Madof’s Rashanim and Yves Weyh’s Zakarya, Yoshie Fruchter brings in a great rock vibe to the Radical Jewish Culture series. Favorite tracks are “Go Go Golem” and “Lungs and Spleen.” http://tzadik.com/ -and- http://www.yoshiefruchter.com/
SF Jazz Collective 2008 (Dave Douglas, Joe Lovano, Miguel Zenon, and more) – SF Jazz Collective 2008  (Wayne Shorter feature) (SFJAZZ) :: I became a fan of this band because of one man: trumpeter since their 2007 band, Dave Douglas.  I also got to see them this past February at the PDX Jazz Fest (see my combo SF Jazz & Ornette Coleman review here).  This jam-packed 3-CD set is full of Wayne Shorter arrangements and originals by the band members.  It’s a little step on the price by today’s standards, but it helps support the not-for-profit SFJazz organization. Favorite tracks are “Aurora Borealis,” “Secrets of the Code,” and “Aung San Suu Kyi.”
http://sfjazz.org/
John ZornThe Dreamers (Tzadik) :: Played by the Electric Masada band, The Dreamers continues with the motif and accessibility of 2001’s The Gift… mixing world, jazz, exotica, surf and more into a very pleasing John Zorn package.  Combined with the fantastic cute animal art by Chippy, this one will most definitely rank in the top Zorn releases.  I hear it may find its way onto vinyl, or perhaps that’s just me stoking the embers of the rumor house’s fireplace. Favorite tracks are “A Ride On Cottonfair” and “Nekashim.” http://tzadik.com/ -and- http://myspace.com/johnzorn
Jason Schimmel’s Orange Tulip ConspiracyOrange Tulip Conspiracy (Web of Mimicry) :: Jason Schimmel has played with two bands that I love: Estradasphere & Secret Chiefs 3.  This album continues on with Estradasphere’s Palace of Mirrors’ eclectic world music sound, but also brings in a bit of exotica, cinematic sound.  I saw them in Eugene in November, and John Whooley’s sax blew me away as much as Jason’s guitar work. Favorite tracks are “Fall Creek” and “Rendezvous.” http://orangetulipconspiracy.com/ -and- http://www.myspace.com/orangetulipconspiracy
EarthThe Bees Made Honey in the Lion’s Skull (Southern Lord) :: I went to their show at WOW Hall in Eugene in June after getting into Stebmo (see #12 above).  They pretty much played stuff from their latest album.  After the show, I quickly nabbed their prior work from Amazon used (and whatnot).  Great band in the slowcore genre.  They have deep ties to the Seattle scene, co-mingling with Kurt Cobain, the Melvins, Sunn 0))), and others.  In fact, Kurt Cobain even guested on Earth’s 2nd EP, Extra-Capsular Extraction.  With that being said, they’re definitely not grunge, they’re not rock, they’re not metal… they’re what you might call drone rock.  Slow but powerful. Favorite tracks are “Engine of Ruin” and “Rise to Glory.” http://www.thronesanddominions.com/ -and- http://myspace.com/earthofficial
The Bar Kokhba Sextet plays John Zorn‘s Masada Book Two – Book of Angels, Vol. 10: Lucifer (Tzadik) :: The Bar Kokhba Sextet showed up in 1996 as an almost direct spin-off of the Masada book; so them doing a Book Two album was almost a given.  Holy cow, it’s a brilliant record… but I always loved what the Sextet had done previously.  The Sextet is the tour de force of Cyro Baptista, Joey Baron, Greg Cohen, Mark Feldman, Erik Friedlander, and Marc Ribot.  This is one band in my list that I wish I’d seen… I’m crossing my fingers that Earshot Jazz can bring ’em over to the PacNW sometime. Favorite tracks are “Sother” and “Abdiel.” http://tzadik.com/ -and- http://www.last.fm/music/Bar+Kokhba+Sextet
The Secret Chiefs 3 play John Zorn‘s Masada Book Two – Book of Angels, Vol. 9: Xaphan (Tzadik) :: I shant write too much about Xaphan, as I wrote a fairly in-depth review of it back when it came out.  I will say that it aged well and still held the Top spot all year.  It’s a GREAT record.  My main disappointment is that I wish they’d have played some from it at their tour this past fall.  Favorite tracks are “Shoel,” “Bezriel,” and “Balberith.” http://webofmimicry.com/ -and- http://tzadik.com/ -and- http://myspace.com/secretchiefs3

Well, I bought ten (10) John Zorn CDs this year (unless I’m misscounting), and 2 of them didn’t make it anywhere on the list (the Lou Reed & Laurie Anderson improv benefit CD for The Stone NYC & the score for The Last Supper, aka Film Works XXII)… so, you can’t say that I’m totally biased towards John Zorn. :)  Though, I do buy just about everything in his label Tzadik’s Archival series, Key series, and Radical Jewish Culture series (and a handful of the rest of the other series).

What I’m looking forward to in 2009? More great music…

~Dan – np: Miles DavisMiles in the Sky

You down with OTC?

26th Aug 08 (Tue) 2 comments

Jason Schimmel, from Estradasphere (and the recent Secret Chiefs 3 live incarnation), has a lovely new album out now… Orange Tulip Conspiracy. It’s available directly from Web of Mimicry (SC3’s label), but oddly not yet from Lobefood (Estradasphere’s distro) or Amazon (a large women & rainforest wholesaler). I picked it up at the Portland SC3 gig, and I absolutely LOVE IT. Behind SC3’s Xaphan, it’s probably my #2 album of 2008 so far.

Well, apparently the OTC is going to tour. YAY! The tour is going to feature Jason Schimmel (guitar/ keys), John Whooley (sax, an original Estradasphere member), Dan Robbins (bass), Zach Cline (guitar/ keys) and Lee Smith (drums).

Here are the dates and cities (subject to change):

Saturday Nov 15- Seattle, WA @ Rendezvous
Sunday Nov 16- Portland, OR @ Dante’s
Monday Nov 17- Eugene, OR @ Samurai Duck :)
Tuesday Nov 18- Sacramento, CA @ On the Y
Wednesday Nov 19- Santa Cruz, CA @ Moe’s Alley
Friday Nov 21- Los Angeles, CA @ The Knitting Factory

http://www.myspace.com/orangetulipconspiracy
http://www.myspace.com/estradasphere

Jason needs help with opening band slots and additional venues in or around the cities above. If you are in a band or know of any good venues, contact him through either the OTC or Estradasphere MySpace pages (above).

~Dan – np: Frank ZappaTrance-Fusion

GOS Tour -and- MMW+Z

17th Aug 08 (Sun) Leave a comment

Japanese world-metal band God of Shamisen are making a run through the West Coast. I’ll be at the Eugene gig, fo’sheezy.

Sun Sept 7 – Seattle WA – Kevin Kmetz solo traditional performance @ ENMA 2008 Aki Matsuri
Mon Sept 8 – Seattle WA @ the Funhouse (with Diminished Men)
Tues Sept 9 – Portland OR @ Dunes (with SHAT)
Wed Sept 10 – Medford OR @ Johnny B’s
Thurs Sept 11 – Eugene OR @ Samurai Duck *yay*
Sat Sept 13 – Oakland CA @ the Fishtank
Sun Sept 14 – Glendale CA @ The Scene (with Foxycock)
Tues Sept 16 – Fresno CA @ Audie’s Olympic (with Foxycock & Brian Kenney Fresno)
Wed Sept 17 – Santa Cruz CA @ Blue Lagoon
Thurs Sept 18 – Mountain View CA Free in-store performance @ Rasputins Records
Fri Sept 19 – San Francisco CA @ Bottom of the Hill
http://godofshamisen.com/
http://www.myspace.com/gos

~*~*~*~*~*~*~*~*~*~

Three-degrees of separation (GOS’s Kevin Kmetz > Estradasphere > Secret Chiefs 3 > John Zorn), the Medeski Martin & Wood album of John Zorn’s Masada Book Two songs is now out on Tzadik Records. It’s called Zaebos (album cover & tracklist below). I haven’t had a chance to hear it yet (and probably won’t order it yet, as I’m moving in two weeks). But, I tell you what, once I’m moved, DMG‘s gettin’ a big order from me…

1. Zagzagel
2. Sefrial
3. Agmatia
4. Rifion
5. Chafriel
6. Ahaij
7. Asaliah
8. Vianuel
9. Jeduthun
10. Malach ha-Sopher
11. Tutrusa’i

Billy Martin: Drums
John Medeski: Keyboards
Chris Wood: Bass
all songs written by John Zorn
arranged by MMW

~Dan – np: Mike Patton’s Mondo CaneLive in Holland

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