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PDX Jazz Fest :: Dave Douglas & Brass Ecstasy

16th Feb 10 (Tue) Leave a comment

Well, the PDX Jazzfest in Portland, Oregon, is only 1 week away.  You won’t want to miss it.  There are many fantastic local and national acts, including these great headliners:

Thursday, February 25 – Luciana Souza
Friday, February 26 – Mingus Big Band
Saturday, February 27 (3pm) – Trygve Seim & Frode Haltli
Saturday, February 27 (7:30) – Dave Holland Quintet
Sunday, February 28 (3pm) – Pharoah Sanders
Sunday, February 28 (7:30) – Dave Douglas Brass Ecstasy

As we lead up to the event, I’ll focus on one of the headliners a week… last up Dave Douglas and his horny band Brass Ecstasy.  I’ll be going to this show, which caps the PDX Jazz Fest.  I got into Dave Douglas via John Zorn’s Masada.  I’ve since gotten into Dave’s other bands: Tiny Bell Trio, Keystone, DD Quartet, DD Quintet, SF Jazz Collective, Second Sight, New & Used, Mosiac Sextet, Orange Then Blue, A Single Sky… tons of releases over 20+ years.

His Brass Ecstasy band released their debut recording, Spirit Moves, in 2009 – which features Dave joined by Vincent Chancey on french horn, Luis Bonilla on trombone, Marcus Rojas on tuba, and Nasheet Waits on drums and releases on Greenleaf Music.

Two-time Grammy-nominated jazz musician Dave Douglas is arguably the most prolific and original trumpeter & composer of his generation. From his New York base, where he’s lived since the mid 1980s, Douglas has continued to earn lavish national and international acclaim including trumpeter, composer, and jazz “Artist of the Year” by such organizations as the New York Jazz Awards, Down Beat, Jazz Times, Jazziz, and the Italian Jazz Critics’ Society. His solo recording career began in 1993 with Parallel Worlds on Soul Note and he has since released over twenty-eight recordings. In 2005, after seven critically-acclaimed albums for Bluebird/RCA, Douglas launched his own record label, Greenleaf Music. The same year, he was honored with a Guggenheim Fellowship. On Greenleaf, Douglas has released albums with his long standing Quintet, the electronic sextet Keystone, and the mixed chamber ensemble Nomad. His latest project, Brass Ecstasy, features a brass quintet of trumpet, french horn, trombone, tuba and drums and will release Spring 2009.

Douglas is currently the artistic director of the Workshop in Jazz and Creative Music at the Banff Center and the co-founder and director of the Festival of New Trumpet Music, which will celebrate its 7th year in 2009.

In addition to leading his own groups, Douglas has an important ongoing musical relationship as a member of John Zorn’s Masada and with artists such as Anthony Braxton, Don Byron, Joe Lovano, Miguel Zenon, Uri Caine, Bill Frisell, Cibo Matto, Mark Dresser, Han Bennink and Misha Mengelberg. As a composer, Douglas has been commissioned by the Trisha Brown Dance Company, Birmingham Contemporary Music Group, Norddeutscher Rundfunk, Essen Philharmonie, Library of Congress and Stanford University. Recent large scale works have included Blue Latitudes, for chamber orchestra and 3 improvisers, and Delighted States, for big band with soloists (both unreleased as of press date).

Webpage: http://www.davedouglas.com/

FOR INFO & TICKETS: http://pdxjazz.com/tickets/

~Dan – np: Hotel LightsHotel Lights

Dave Douglas – A Single Sky

2nd Oct 09 (Fri) Leave a comment

I got the SF Jazz Collective‘s Live 2009 CD in the mail the other day. It’s a smokin’ hot remembrance for me of the show they put on at The Shedd in February of this year.  The SF Jazz Collective features Dave Douglas, Joe Lovano, Miguel Zenon, and many more great musicians.  The new SFJC CD set put my Dave Douglas 2009 music count up to 7 ¾ hours… that includes the excellent Brass Ecstasy Spirit Moves CD, the BE: On Stage Live series, the Masada Book Two’s New Masada Quintet (with Joe Lovano) playing Stolas, and the SFJC Live 2009.

Well, yesterday I logged in to my Greenleaf Music Subscriber page (as it’s a new month, and I wanted to see if they had any new treats), and they had some samples of the new Dave Douglas A Single Sky CD.  I checked my email, and “bam!” there’s an email notifying me of pre-order status of the new album – due out October 27th (I must have been sleeping).

It features Jim McNeely and the Frankfurt Radio Bigband.  The collaboration offers three new Douglas compositions alongside four works from the Douglas songbook reimagined by McNeely.  Find out more HERE.

~Dan – np: Dave Douglas – “The Presidents” from A Single Sky

* Favorite Instrumental Albums of 2008 *

29th Dec 08 (Mon) 9 comments

Disclaimer section is again shamelessly plagiarized from Andy Whitman at Paste

Disclaimer #1: No, I haven’t heard all 8,000 albums released this year. I’ve heard about 200 of them, which makes me at least 97.5% likely to be wrong. But hey, this isn’t math class, and I make no claims to objectivity. These albums are my favorites from 2008. You might think that the one you’ve heard that I haven’t heard is the best album of 2008. And you might be right.


Disclaimer #2: Yeah, yeah, yeah. Just get it out of your system now and be done with it. I am deliberately trying to be obscure. Who the hell has even heard of these people? So go ahead and vent, then read Disclaimer #1 again.

My Other Favorites of 2008 Recaps:

  • Fave Concerts of ‘08 are recapped *HERE*
  • Fave EPs/Vinyl/Live/more of ‘08 are recapped *HERE*
  • Fave Vocal Albums ‘08 are recapped *HERE*
  • Old Years: 2007V, 2007I, 2007C, 2006, 2005

As I start this post, I will say that this is all very subjective and really put together for my own purposes.  I’ll also state that, yes, some of the music below does have some vocals.  For the most part, it’s sequestered to a track or two on a long CD of mostly instrumental goodness.  My list, my rules, and/or my breaking of the rules.  With that being said, all of the artists below tend to be in the jazz and instrumental frame of reference anyway.

Hopefully my spilling out of music that I like finds interest with someone else.  But if not, thanks for stopping by… check out their webpages, MySpaces, my fave song recommendations on iTunes (in 30 second bursts), yadda yadda yadda.  OK, now on to the best of what’s hit my ears this year on the mainly instrumental front…

Honorable mentions (aka my list is too jam packed, and I still really love these records, too): Bill Frisell‘s History, Mystery (with Eyvind Kang, Jenny Scheinman, Kenny Wollesen, etc); Charlie Hunter‘s Baboon Strength; John Zorn‘s Filmworks XX & XXI: Sholem Aleichem & Belle de Nature / The New Rijksmuseum; Medeski Martin & Wood‘s Radiolarians I; and Dub Trio‘s Another Sound is Dying.

ReptetChicken or Beef? (Monktail Creative Music Concern) :: I feel like I’ve written too much (especially on my Top 20 Vocal albums blog); so these descriptions / raves might be shorter… we shall see.  Reptet is a great 6-piece jazz band from Seattle.  I heard about them via Jim Wilke’s Jazz Nothwest podcast back in late 2007, when a collaboration of Seattle jazz & avant bands called the Monktail Creative Music Concern played a gig that got aired in its entirety.  Anyway, Reptet is one of my fave bands in the MCMC.  They’re a quirky jazz band with an odd sense of humor.  I dig it… a great, modern brass-forward jazz sextet.  Favorite tracks are “Reptet Score!” and “Eve of Thrieve.” http://www.reptet.com/ -and- http://myspace.com/reptet
Daniel ZamirI Believe (Tzadik) :: I have some of Daniel’s Satlah project, of which I dig a plenty.  This one was outside of the Satlah camp, enlisting NYC scene heavyweights Uri Caine, Greg Cohen, and Joey Baron.  I waffled on including it until I heard it again recently.  It’s really gorgeous.  More on the mellower, nee spiritual, side of the the music coming out of the Radical Jewish Culture series, Zamir really offers up his soprano sax melodies as prayers.  The title of the album and the music really match up perfectly. Favorite tracks are “Poem 10” and “Poem 51/52.” http://tzadik.com/ -and- http://myspace.com/danielzamir
John ZornFilmworks XIX: Dimitri Geller’s The Rain Horse (Tzadik) :: John Zorn put out a handful of Filmworks this year, and all of them are good.  FW XXI would have made it on the list as well, had it not been for the too often used harpsichord in The New Rijksmuseum scoring (the parts for the Belle de Nature score are really gorgeous, though).  Anyway, the Filmworks series are usually some of John Zorn’s most accessible. The Rain Horse is a subtle trio of Erik Friedlander on cello, Greg Cohen on upright bass, and Rob Burger on piano.  Favorite tracks are “Parable of Job” and “Tears of Morning.” http://tzadik.com/ -and- http://myspace.com/johnzorn
TalkdemonicEyes at Half Mast (Arena Rock) :: No, their album cover doesn’t really do the animation thing (a la Tool’s Ænima).  I just couldn’t help using that animated GIF from their MySpace page.  This Portland post-rock duo swung through Eugene at least twice this year.  I caught their brilliant February show.  Their album didn’t come out until later in the year, and it continues in the sound from their prior two albums.  Great electro-acoustic post-rock… drums, viola and electronics. Favorite tracks are “Duality of Deathening” and “Tides in Their Grave.” http://talkdemonic.com/ -and- http://myspace.com/talkdemonicmusicmaking
NIИ Ghosts I-IV (halo) :: Sparse and haunting, Ghosts I-IV reminds me of a soundtrack meets demos for Trent’s next album.  Perhaps that’s where they came from, ideas kicking around in his head.  For a fan of instrumental music, it’s a highly enjoyable 110 minute journey into many different soundscapes.  For the download version, each track has it’s own artwork attached in the file which is a nice addition even though I hate the shift towards the potential eventual demise of the “album.” Favorite tracks are “14” and “31.” http://www.nin.com/ -and- http://myspace.com/nin
Bobby Previte & New BumpSet the Alarm for Monday (Palmetto) :: A new version of Previte’s Bump the Renaissance, this group includes two of my favorite players – – Ellery Eskelin on sax & Steven Bernstein on trumpet.  Drummer Bobby Previte does many projects, some more in the avant-garde scene… but New Bump definitely fits into an accessible range (similar to Coalition of the Willing with Jamie Saft & Skerik).  This album is really “jazz-cinematic” a la a private investigator drama soundtrack perhaps. Favorite tracks are “I’d Advise You Not to Miss Your Train” and “There Was Something In My Drink.” http://www.bobbyprevite.com/ -and- http://myspace.com/previte
Steven BernsteinDiaspora Suite (Tzadik) :: This is Bernstein’s fourth in his Diaspora series for Tzadik’s Radical Jewish Culture, and it very well be my favorite.  It seems much more adventurous than the past efforts, which is what I like about Steven’s trumpet playing and compositions.  I think Suite fits better in with his larger Sex Mob and Millennial Territory Orchestra catalog (but from a decidedly Jewish musical culture standpoint, obviously).  I hope I get a chance to see him sometime… he played in Ohio just after I moved away, and he played in Seattle in November (as part of Earshot Jazz Fest), but being on a Wednesday… well, I didn’t make it up for the show. Favorite tracks are “Zebulon” and “Judah.” http://stevenbernstein.net/ -and- http://myspace.com/stevenbernsteinmusic
AuragamiEsoteric (indie) :: Auragami is a former Dayton, OH, now San Diego-based bass guitarist named Michael Miller.  This album isn’t commercially available, as far as I know.  I know Michael Miller from going to shows around Dayton (and surrounding).  We’ve got a lot of the same leanings with the rock stuff (Galactic Cowboys, King’s X, et cetera), and I’m happy that I made it on his Christmas card list… because the Christmas card list has been a new CD of his for the past few years. Esoteric is a 40-minute record with the melodies, crunch and remix-friendly bass that I’ve come to love about his music.  He also collaborates with others on this album (a personal fave, Mike Georgin, being one of them).  As far as the sound, it’s very much a bass with drum loop affair… some subtle melodies, some heavier/grittiness (a la NIN), and some organic-electronics that fit well with another San Diego artists, The Album Leaf and Goddamn Electric Bill.  Not being commercially available officially, you can check out his music on MySpace and maybe see if he’ll sell you a copy.  It seems to be a crime to not be out there.  Anyway, thanks for the Christmas gift, Michael! Favorite tracks are “Colab” and “Clover.” http://www.myspace.com/auragami
Goddamn Electric BillTopics for Gossip (99X) :: GdEB is a one-man electronic band from San Diego (Jason Torbert is his name), similar in that sense to The Album Leaf, but I’d say GdEB is less ambient and definitely more in the electronic / remix realm when compared to TAL.  GdEB might compare similarly to Frog Pocket, but maybe less… um… buzzy & bleepy.  I don’t know.  I suppose me comparing a little known San Diego electronic artist to another lesser known Scottish electronic artist doesn’t help much.  Check GdEB out for yourself… Favorite tracks are “The Morning Commute” and “The Shallows.” http://www.goddamnelectricbill.com/ -and- http://myspace.com/goddamnelectricbill
Hiromi’s SonicbloomBeyond Standard (Telarc) :: Hiromi Uehara is a freakin’ whiz on the piano.  I got into her with her 2007 CD Time Control after a few clips on BMG’s website (I was trying to round out an order).  Her style is very much a jazz-rock fusion, which I’d almost say the rock element comes from her piano skills rather than the rest of the band.  You wouldn’t expect this sound just based by the cover alone… the 29 year-old Hiromi amidst bright colors.  You’d think it were some Japanese bubblegum pop or something.  Anyway, this is her 2nd Sonicbloom album in as many years.  She played a several date run at the Triple Door in Seattle this past summer.  If she does it again soon, I’m totally making the drive up. Favorite tracks are “Led Boots” and “XYG.” http://www.hiromimusic.com/ -and- http://myspace.com/hiromimusic
Medeski Martin & Wood play John Zorn‘s Masada Book Two – Book of Angels, Vol. 11: Zaebos (Tzadik) :: Medeski Martin & Wood have been in the Tzadik family for a while.  They contributed a track to the Unknown Masada album, which was sort of the initial idea that eventually brought out the Masada Book Two series (i.e.- new, previously unrecorded Masada book tunes not recorded by the Masada quartet).  John Medeski has also appeared on many other Tzadik releases in a studio musician sense.  With that being said, MMW’s inclusion into the Masada Book Two series came as a total shock, though.  I think it was announced in early June ’08 for a July release.  Whereas Secret Chiefs 3’s Masada Book Two release was announced in winter ’07 for a May ’08 release (almost a year and a half).  Anyway, MMW’s Zaebos is a great record.  I’d say it doesn’t rank as high as Xaphan and Lucifer for this year’s releases in that for some reason I don’t think the MMW Masada tunes work as well with their style as the tunes work with Secret Chiefs 3 or Bar Kokhba Sextet’s style.  All said and done, it’s still a brilliant record for 2008 and for both the Masada and MMW catalogs. Favorite tracks are “Chafriel” and “Tutrusa’i.” http://tzadik.com/ -and- http://mmw.net/ -and- http://www.myspace.com/medeskimartinandwood
Tiptons Sax QuartetLaws of Motion (Zipa! Spoot) :: Similar to Reptet, I got into the Tiptons via Jim Wilke’s Jazz Northwest podcast.  I found out about them literally a day after they had been in Eugene in Dec ’07.  D’oh!  Anyway, I believe that this is their 3rd full length CD, though they had some former releases with different members under the name the Billy Tipton Memorial Saxophone Quartet.  They’re an all-woman sax quartet (plus drums) from Seattle.  They’ve got ties to some great jazz musicians & composers (Eyvind Kang & Wayne Horvitz for example).  This album has some vocals, but all in all, it’s a jazz record with a touch of eastern European music (balkan-klezmer per my untrained ears) thrown in. Favorite tracks are “Fallout” and “Number Six.” http://www.tiptonssaxquartet.com/ -and- http://myspace.com/tiptons
Mostly Other People Do the KillingThis is Our Moosic (Hot Cup) :: I saw trumpeter Peter Evans in Eugene in February, and it was a mind-blowing avant-garde set.  This band on the other hand, led by Moppa Elliott, is more of a Sex Mob-influenced jazz funk romp.  Great music from these NY gents.  You can get their albums on CD Baby (please, support indie moosic). Favorite tracks are “The Bats in Belfry” and “Drainlick.” http://www.moppaelliott.com/ -and- http://myspace.com/mostlyotherpeopledothekilling
StebmoStebmo (indie) :: Multi-instrumentalist Steve Moore has played with Earth, Sunn 0))), and enlisted some friends (Eyvind Kang, Matt Chamberlain, Todd Sickafoose, Tucker Martine and more) to help out on his first solo album.  I saw him open for Skerik’s Maelstrom Trio this past spring as well as play with Earth in June.  As mentioned in the live review, his album is a bit like the organic/melodic elements of the Album Leaf mixed with the building nature of an Explosions in the Sky set mixed with a heaping handful of electronic jots & tittles like those that may have hit the Kid A cutting room floor. Favorite tracks are “Dark Circles” and “Waiting Game.” http://stebmo.com/ -and- http://myspace.com/stebmo
John Zorn’s Moonchild Trio (Mike Patton/Joey Baron/Trevor Dunn) – The Crucible (Tzadik) :: This album is a rare December release on Tzadik (since 2000, they’ve taken the month off).  Continuing in the Moonchild Trio’s glossolaliac noise metal theme, this album also adds John Zorn’s wonderful sax trade-off with Mike Patton’s screaming utterances.  Guitarist Marc Ribot also adds very Led Zeppelin riffage on one track (“9×9”).  When the original Moonchild album was released (2006), I thought it was going to be a one off… well, four albums in, I’m definitely hoping it continues a bit more… Favorite tracks are “Almadel” and “Maleficia.” http://tzadik.com/ -and- http://myspace.com/johnzorn
Swami Late Plate (Bobby Previte & Jamie Saft) – Doom Jazz (Veal) :: The album’s title, Doom Jazz, says it all.  This album fits well for fans of Sunn 0))), Earth, Bohren & Der Club of Gore and others in the slow rock, doom, sludge movement.  I find it completely compelling… Favorite tracks are “Malignant Cloud” and “The Bearded Man Cannot Help You.” http://myspace.com/swamilateplate -and- http://myspace.com/doomjazz
God of ShamisenDragon String Attack! (Reptile) :: God of Shamisen is Kevin Kmetz, an I first heard of him when he was playing with world metal band Estradasphere.  He’s also played (briefly) with Secret Chiefs 3.  He’s had a few solo albums, but this year saw GoS release two band efforts: the 7″ vinyl for “The Science Fiction of Ray Bradbury Attack!” and then their full-length debut this past fall.  I picked up this debut at their show in Eugene (go here for my review with pictures).  While it has some minor vocals on a song or two, it’s still primarily a instrumental attack.  Japanese metal fusion… excellent stuff. Favorite tracks are “The Science Fiction of Ray Bradbury Attack!” and the spread across the album in several waves “Dragon String Attack!” http://godofshamisen.com/ -and- http://myspace.com/gos
MogwaiThe Hawk is Howling (Matador) :: Much more enjoyable to me than their recent tour (review link). I can control the volume… yay! I dig this record A LOT. This Scottish band has put out some consistently great records. This one bounces back from their mellower Zidane with more gusto, more power, yet still retaining the melody. You know… the melody that gets drowned out in their live show. Favorite tracks are “I’m Jim Morrison, I’m Dead” and “The Precipice.” http://mogwai.co.uk/ -and- http://myspace.com/mogwai
Yoshie FruchterPitom (Tzadik) :: Wow… I’m definitely looking to more from Yoshie Fruchter in the future.  Like Jon Madof’s Rashanim and Yves Weyh’s Zakarya, Yoshie Fruchter brings in a great rock vibe to the Radical Jewish Culture series. Favorite tracks are “Go Go Golem” and “Lungs and Spleen.” http://tzadik.com/ -and- http://www.yoshiefruchter.com/
SF Jazz Collective 2008 (Dave Douglas, Joe Lovano, Miguel Zenon, and more) – SF Jazz Collective 2008  (Wayne Shorter feature) (SFJAZZ) :: I became a fan of this band because of one man: trumpeter since their 2007 band, Dave Douglas.  I also got to see them this past February at the PDX Jazz Fest (see my combo SF Jazz & Ornette Coleman review here).  This jam-packed 3-CD set is full of Wayne Shorter arrangements and originals by the band members.  It’s a little step on the price by today’s standards, but it helps support the not-for-profit SFJazz organization. Favorite tracks are “Aurora Borealis,” “Secrets of the Code,” and “Aung San Suu Kyi.”
http://sfjazz.org/
John ZornThe Dreamers (Tzadik) :: Played by the Electric Masada band, The Dreamers continues with the motif and accessibility of 2001’s The Gift… mixing world, jazz, exotica, surf and more into a very pleasing John Zorn package.  Combined with the fantastic cute animal art by Chippy, this one will most definitely rank in the top Zorn releases.  I hear it may find its way onto vinyl, or perhaps that’s just me stoking the embers of the rumor house’s fireplace. Favorite tracks are “A Ride On Cottonfair” and “Nekashim.” http://tzadik.com/ -and- http://myspace.com/johnzorn
Jason Schimmel’s Orange Tulip ConspiracyOrange Tulip Conspiracy (Web of Mimicry) :: Jason Schimmel has played with two bands that I love: Estradasphere & Secret Chiefs 3.  This album continues on with Estradasphere’s Palace of Mirrors’ eclectic world music sound, but also brings in a bit of exotica, cinematic sound.  I saw them in Eugene in November, and John Whooley’s sax blew me away as much as Jason’s guitar work. Favorite tracks are “Fall Creek” and “Rendezvous.” http://orangetulipconspiracy.com/ -and- http://www.myspace.com/orangetulipconspiracy
EarthThe Bees Made Honey in the Lion’s Skull (Southern Lord) :: I went to their show at WOW Hall in Eugene in June after getting into Stebmo (see #12 above).  They pretty much played stuff from their latest album.  After the show, I quickly nabbed their prior work from Amazon used (and whatnot).  Great band in the slowcore genre.  They have deep ties to the Seattle scene, co-mingling with Kurt Cobain, the Melvins, Sunn 0))), and others.  In fact, Kurt Cobain even guested on Earth’s 2nd EP, Extra-Capsular Extraction.  With that being said, they’re definitely not grunge, they’re not rock, they’re not metal… they’re what you might call drone rock.  Slow but powerful. Favorite tracks are “Engine of Ruin” and “Rise to Glory.” http://www.thronesanddominions.com/ -and- http://myspace.com/earthofficial
The Bar Kokhba Sextet plays John Zorn‘s Masada Book Two – Book of Angels, Vol. 10: Lucifer (Tzadik) :: The Bar Kokhba Sextet showed up in 1996 as an almost direct spin-off of the Masada book; so them doing a Book Two album was almost a given.  Holy cow, it’s a brilliant record… but I always loved what the Sextet had done previously.  The Sextet is the tour de force of Cyro Baptista, Joey Baron, Greg Cohen, Mark Feldman, Erik Friedlander, and Marc Ribot.  This is one band in my list that I wish I’d seen… I’m crossing my fingers that Earshot Jazz can bring ’em over to the PacNW sometime. Favorite tracks are “Sother” and “Abdiel.” http://tzadik.com/ -and- http://www.last.fm/music/Bar+Kokhba+Sextet
The Secret Chiefs 3 play John Zorn‘s Masada Book Two – Book of Angels, Vol. 9: Xaphan (Tzadik) :: I shant write too much about Xaphan, as I wrote a fairly in-depth review of it back when it came out.  I will say that it aged well and still held the Top spot all year.  It’s a GREAT record.  My main disappointment is that I wish they’d have played some from it at their tour this past fall.  Favorite tracks are “Shoel,” “Bezriel,” and “Balberith.” http://webofmimicry.com/ -and- http://tzadik.com/ -and- http://myspace.com/secretchiefs3

Well, I bought ten (10) John Zorn CDs this year (unless I’m misscounting), and 2 of them didn’t make it anywhere on the list (the Lou Reed & Laurie Anderson improv benefit CD for The Stone NYC & the score for The Last Supper, aka Film Works XXII)… so, you can’t say that I’m totally biased towards John Zorn. :)  Though, I do buy just about everything in his label Tzadik’s Archival series, Key series, and Radical Jewish Culture series (and a handful of the rest of the other series).

What I’m looking forward to in 2009? More great music…

~Dan – np: Miles DavisMiles in the Sky

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