Archive

Posts Tagged ‘sf jazz collective’

PDX Jazz Fest :: Dave Douglas & Brass Ecstasy

16th Feb 10 (Tue) Leave a comment

Well, the PDX Jazzfest in Portland, Oregon, is only 1 week away.  You won’t want to miss it.  There are many fantastic local and national acts, including these great headliners:

Thursday, February 25 – Luciana Souza
Friday, February 26 – Mingus Big Band
Saturday, February 27 (3pm) – Trygve Seim & Frode Haltli
Saturday, February 27 (7:30) – Dave Holland Quintet
Sunday, February 28 (3pm) – Pharoah Sanders
Sunday, February 28 (7:30) – Dave Douglas Brass Ecstasy

As we lead up to the event, I’ll focus on one of the headliners a week… last up Dave Douglas and his horny band Brass Ecstasy.  I’ll be going to this show, which caps the PDX Jazz Fest.  I got into Dave Douglas via John Zorn’s Masada.  I’ve since gotten into Dave’s other bands: Tiny Bell Trio, Keystone, DD Quartet, DD Quintet, SF Jazz Collective, Second Sight, New & Used, Mosiac Sextet, Orange Then Blue, A Single Sky… tons of releases over 20+ years.

His Brass Ecstasy band released their debut recording, Spirit Moves, in 2009 – which features Dave joined by Vincent Chancey on french horn, Luis Bonilla on trombone, Marcus Rojas on tuba, and Nasheet Waits on drums and releases on Greenleaf Music.

Two-time Grammy-nominated jazz musician Dave Douglas is arguably the most prolific and original trumpeter & composer of his generation. From his New York base, where he’s lived since the mid 1980s, Douglas has continued to earn lavish national and international acclaim including trumpeter, composer, and jazz “Artist of the Year” by such organizations as the New York Jazz Awards, Down Beat, Jazz Times, Jazziz, and the Italian Jazz Critics’ Society. His solo recording career began in 1993 with Parallel Worlds on Soul Note and he has since released over twenty-eight recordings. In 2005, after seven critically-acclaimed albums for Bluebird/RCA, Douglas launched his own record label, Greenleaf Music. The same year, he was honored with a Guggenheim Fellowship. On Greenleaf, Douglas has released albums with his long standing Quintet, the electronic sextet Keystone, and the mixed chamber ensemble Nomad. His latest project, Brass Ecstasy, features a brass quintet of trumpet, french horn, trombone, tuba and drums and will release Spring 2009.

Douglas is currently the artistic director of the Workshop in Jazz and Creative Music at the Banff Center and the co-founder and director of the Festival of New Trumpet Music, which will celebrate its 7th year in 2009.

In addition to leading his own groups, Douglas has an important ongoing musical relationship as a member of John Zorn’s Masada and with artists such as Anthony Braxton, Don Byron, Joe Lovano, Miguel Zenon, Uri Caine, Bill Frisell, Cibo Matto, Mark Dresser, Han Bennink and Misha Mengelberg. As a composer, Douglas has been commissioned by the Trisha Brown Dance Company, Birmingham Contemporary Music Group, Norddeutscher Rundfunk, Essen Philharmonie, Library of Congress and Stanford University. Recent large scale works have included Blue Latitudes, for chamber orchestra and 3 improvisers, and Delighted States, for big band with soloists (both unreleased as of press date).

Webpage: http://www.davedouglas.com/

FOR INFO & TICKETS: http://pdxjazz.com/tickets/

~Dan – np: Hotel LightsHotel Lights

Advertisements

Dave Douglas – A Single Sky

2nd Oct 09 (Fri) Leave a comment

I got the SF Jazz Collective‘s Live 2009 CD in the mail the other day. It’s a smokin’ hot remembrance for me of the show they put on at The Shedd in February of this year.  The SF Jazz Collective features Dave Douglas, Joe Lovano, Miguel Zenon, and many more great musicians.  The new SFJC CD set put my Dave Douglas 2009 music count up to 7 ¾ hours… that includes the excellent Brass Ecstasy Spirit Moves CD, the BE: On Stage Live series, the Masada Book Two’s New Masada Quintet (with Joe Lovano) playing Stolas, and the SFJC Live 2009.

Well, yesterday I logged in to my Greenleaf Music Subscriber page (as it’s a new month, and I wanted to see if they had any new treats), and they had some samples of the new Dave Douglas A Single Sky CD.  I checked my email, and “bam!” there’s an email notifying me of pre-order status of the new album – due out October 27th (I must have been sleeping).

It features Jim McNeely and the Frankfurt Radio Bigband.  The collaboration offers three new Douglas compositions alongside four works from the Douglas songbook reimagined by McNeely.  Find out more HERE.

~Dan – np: Dave Douglas – “The Presidents” from A Single Sky

REVIEW: SFJazz Collective @ the Shedd (Eugene, OR – – 3/19/09)

20th Mar 09 (Fri) Leave a comment

FYI… PHOTOS of the SHOW at the BOTTOM

This is my second time seeing the SF Jazz Collective.  Last time (Feb 2008) was a tour dedicated to Wayne Shorter.  This time, it was a McCoy Tyner-focused tour.  The same line-up as last year, except for this show we were missing Stefon Harris’ vibraphone playing.  Perhaps he wasn’t able to make it or isn’t in the touring version of the band this spring.  He’s on all of the promo photos.  Regardless, they likely wouldn’t have had room for him, as it was a packed stage at the Shedd with the seven members of this tour: Dave Douglas (on trumpet), Joe Lovano (on tenor sax), Miguel Zenon (on alto sax), Renee Rosnes (on piano), Robin Eubanks (on trombone), Matt Penman (on bass), and Eric Harland (on drums).

The show started promptly at 7:30pm, and the band hit the stage after a short introduction.  I’m getting spoiled with these Shedd shows: no opener, 90-120 minutes – – boom goes the dynamite, and then you’re done and home at a reasonable time (we even got home in time to watch 30 Rock; i.e.- the best show on network TV right now).

The band started in a way quite opposite to what I just told my wife… “oh, SF Jazz isn’t avant-garde, they’re much more poppy / groove-oriented.”  Well, I’d never heard McCoy Tyner, and the first song started out with a bunch of free jazz “noodling” that almost sounded like a warm-up.  I like this kinda of stuff (hey, I’m a big John Zorn fan)… but I looked over at my wife, and she had this look of, “oh, crap, this is gonna be a long night.”  Well, this noodling quickly turned into the swinging, groovy jazz fest that I came to know from the prior SFJC show and their CDs.  So, I think my wife had a good time despite the uncertain start. :)

(Robin, Dave, Matt, Joe)

Setlist:   [solos noted as best I remember… I likely forgot to note some of them]

  • Fly with the Wind   –  by McCoy Tyner, arranged by RR
  • Three Flowers  –  by McCoy Tyner, arranged by MP; solo: DD
  • Yes We Can (Victory Dance)  –  by Robin Eubanks; solo(s): RE, DD, RR
  • Sycamore  –  by Dave Douglas; solo(s): MP, JL, MZ, JL & MZ trade-off
  • Jazz Free  –  by Joe Lovano; solo(s): basically everyone
  • No Filter  –  by Miguel Zenon; solo(s): RE, MZ (was on fire)  (*fave of the night*)
  • Encore: Concensus  –  by McCoy Tyner, arranged by EH; solo: DD

Oddly enough, they had a congo drum over to the right but never used it… well, other than for Miguel to rest his hands on occasion.  Oh well… they treated us to 90 minutes of some great, smokin’ jazz… so, 7 songs over 90 minutes – – you do the math.  The show was a wonderful treat, and I hope they keep this up in the coming years.

The Appropriate Linkage:

~Dan – np: Paul Brody’s Sadawi – Kabbalah Dream

SF JAZZ COLLECTIVE PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

 

recent spins

30th Sep 08 (Tue) 2 comments

9 recent releases in random order…

Medeski Martin & WoodZaebos :: MMW had a song on 2003’s Unknown Masada compilation.  That compilation is what I see to be the basis for the whole Masada Book Two set-up (other bands playing Zorn’s new Masada tunes).  MMW don’t disappoint on the full-album workings of Masada tunes.  While I think I like Secret Chiefs 3’s Xaphan and the Bar Kokhba Sextet’s Lucifer better from this year’s Masada Book Two crop, Zaebos does rocketh much.  MMW also has something like 3 more CDs coming out this year… the 1st one due out today (Radiolarians 1) – – and I hope to pick it up at their Eugene gig in mid-November.  I am curious about the sales numbers for Zaebos, as I think this is one of Tzadik’s more “mainstream artist” releases (very relatively speaking).

Ani DiFrancoRed Letter Year :: Glow in the dark moon on the front… nice.  I also dig the chunky guitars in “Alla This,” a fav of mine from her concerts the past two years or so (recent review HERE).  More band oriented, as well as a return to some horns on a few songs… a good move for Ani, IMO.  I’ve only made it through the CD twice so far, but it doesn’t seem to have any filler.  It’s good to hear the formerly only live tunes done up right in the studio.  For a more in-depth review, check out my friend ZSS’s 8th Notes blog HERE.

SF Jazz CollectiveLive 2008 :: SF Jazz Collective 2008 features Dave Douglas, Joe Lovano, new MacArthur Fellow Miguel Zenón, and many other great modern jazz talents.  The 2008 SF Jazz Collective features original compositions and compositions by Wayne Shorter.  Originally planned as a 2-CD set to come out in July, it ended up being a 3-CD set getting bumped back to late Sept/early Oct.  It was worth the wait… this is 3 hours of solid new jazz music and solid arrangements of Wayne Shorter’s classics.  Favorites from each CD: “Aurora Borealis,” “Secrets of the Code,” and “Aung San Suu Kyi.”

Mitch HedbergDo You Believe in Gosh? :: A good remembrance of one of the funniest guys who used to like to stay at the hotel with the two trees.  It’s only around 40 minutes, but it doesn’t contain many misses or duplicates from his prior offerings.  Short, but sweet.

Hotel LightsFirecracker People :: Darren Jesse (former drummer of Ben Folds Five) wrote one of the best songs on BFF’s final record (“Magic” from The Unauthorized Biography of Reinhold Messner).  In Hotel Lights, he takes up the guitar, piano, and songwriting torch and delivers from indie pop brilliance.  Much mellower than BFF material, but in line with the aforementioned “Magic.”  This is the Hotel Lights 3rd release… they’re on the indie Bar-None Records.  Support indie music.

George CarlinIt’s Bad For Ya :: While he is missed, his legacy lives on.  Brutally honest, or funny, or both.  He pulls no punches, even at 70 years young.

The Tiptons Sax QuartetLaws of Motion :: Yay, the Tiptons are coming back to Eugene in December.  I got into them late last year, right after they played here.  Four sax players, drums, and some great jazz meets world songs.  They are based in Seattle… and I think Amy Denio has ties to the Monktail Creative Music Concern and/or Eyvind Kang.  Anyway, the Tiptons are in good company.  Their Tsunami CD from 2007 made a late entry into my instrumental favs of the year.  Laws of Motion has a great shot for this year as well.  Indie music alert… support indie music.  Check ’em out on CD Baby.

Ben FoldsWay To Normal :: While I wish I could have made it to the Ben Folds Five “Reinhold Messner” reunion show (sponsored by MySpace), I wish Ben Folds Five would just reunite for good.  Alas, I suppose two albums by BFF alums in a span on one month isn’t so bad either (see Hotel Lights above). :)  While this album is slightly not as solid as recent Ben Folds solo outings (or perhaps he’s just predictable for me nowadays), it’s still a good album.  Maybe the super special edition b-sides from the overpriced special boxset fill the album in better.  I wasn’t up for paying that kind of coin, though… I’m sure they’ll surface somewhere.

Yoshie Fruchter – Pitom :: One of the more “rock band” efforts in Tzadik’s “Radical Jewish Culture” series.  Along with Zakarya & Jon Madof’s Rashanim, this is a welcome addition to the fold.  Great guitars and great violin & viola as well.  Grounded in Jewish music, yet soaring riffs.  I’m looking forward to hearing more and more from this great band.

~Dan – np: Ani DifrancoRed Letter Year

REVIEW: Ornette Coleman and SFJazz Collective @ PDX Jazz fest (Portland – – 2/15/08)

16th Feb 08 (Sat) 3 comments

Gettin’ there… oy… bad “car on fire” accident just outside of Salem. Parking around the venue was wicked bad. It’s near Portland State University… which automatically means “minimal parking options” and there were tons of roads closed for construction… I ended up parking about a mile away. Grabbed a notdog from a hotdog shop en route. It was a yummy spicy Boca variety. Yay! I love living in Oregon — you can actually get a non-meat protein, horseradish-and-ketchup-into-your-system delivery device in a fauxtube-steak format from a fastfood-type outlet.

Anyway, post-dawg… I showed up at the venue at 7:23pm for the 7:30 show. I ran part of the way; so it was a close one…

Ornette Coleman @ the Arlene Schnitzer Concert Hall
The main dude (artistic director) for the PDX Jazz Fest 503(c)(3) looked sorta like James Randi — alas, he wasn’t (he’s Bill Royston). He announced the sponsors: Oregonian A&E, Qwest Communications, and the Portland Trailblazers. My a priori understanding of the Oregonian A&E is that they have TV shows of Criss Angel-types who make your pilate mat and hummus plate disappear while playing indie rock in the background at silly volumes. I might be wrong, though. Qwest Communications is most famously known for providing reasonably-priced, high-speed internets that aren’t available at my address. The Portland Trailblazers play what I understand to be a game called “basketball.” It’s like a big game of team-based ping-pong. Except the table is huge, you stand on it, and the net isn’t in the middle, it’s on the ends of the huge table. Oh, and you can hit the net, but you don’t use paddles. You use your hands!! Oh, and the ball is huge and not made out of plastic. So, the Trailblazers are basically a ping-pong team. Once Mr. Royston got the sponsors out of the way, he introduced SF Jazz’s Joe Lovano who introduced Ornette Coleman

Ornette started playing around 7:40pm… his band wasn’t the band from his last CD (the Pulitzer Prize winning Sound Grammar); and I didn’t get their names, as they weren’t listed in the program. He had a drummer (possibly his son), a guitarist, and two bassists (one upright, one electric). I’m more horrible with Ornette’s song names than just about anyone, though. I do know for a fact that he played “Lonely Woman” (from The Shape of Jazz to Come). I also think he played “Song X.” He only announced one song from the stage (the opener to the set), but he’s got a slight lisp and the mic wasn’t on all the way. It sounded like he said “Buttered Helen.” So, yeah, I don’t know. He and his band played a blistering hour+twentyfive improv set, only stopping briefly prior to the encore. Ornette primarily played his trend-bucking non-metallic white sax. He also played violin (lefty) and trumpet during some songs. It was a brilliant free jazz set all around. I’m thoroughly glad that I got to see this pioneer of the free jazz movement.

I left as the band left the stage the second time… to get to the Newmark Theatre for Round 2 of the PDX Jazz Fest. Luckily the Newmark Theatre is 50 yards away, if that. Which was good, because as I was planning online, Ask.com’s maps… well, they’re utter crap. It said the venues were 1.2 miles away by foot. Wrong!

SF Jazz Collective @ the Newmark Theatre
Mr. Royston announced a new sponsor for this SFJC show: American Airlines. I hear that they are a busline that provides “air vents” for every passenger’s seat. Seems “OK” for a bus trip. I’d rather fly, though. He then introduced The Bad Plus (who I wish I could have seen last week in Eugene, they rock) who introduced the 8-piece SF Jazz Collective

SF Jazz Collective is a group that is commissioned each year to arrange and play the works of a jazz great. Past years have been Ornette Coleman (2004), John Coltrane (2005), Herbie Hancock (2006), and Thelonious Monk (2007). This year’s group arranged Wayne Shorter tunes. I haven’t gotten into Wayne Shorter (yet), but I know he played with Art Blakey, Miles Davis, and he’s on Herbie Hancock’s V.S.O.P.. Oh, I guess I’ve also heard his band Weather Report. So, I lied, I have gotten into him at least through WR and Herbie… Anyway, the SF Jazz Collective build a new repertoire each year based on a jazz great and then they all each write a new tune for the group.

The band for 2008 (links and instruments below) is Joe Lovano, Dave Douglas (one of my fav jazzmen), Stefon Harris, Miguel Zenón, Robin Eubanks, Renee Rosnes, Matt Penman, and Eric Harland. This was Dave’s 2nd season with the group. This show was their first show of the 2008 season, but they were far from rusty. They played for about an hour and half before I left (I had to bail half way through the encore in order to get home by 1am… oy). They announced their songs from stage, and they had a handy-dandy program available, too. Here’s what they played: “Go” [Wayne Shorter: hereafter WS], “Armageddon” [WS], “The Angel’s Share” [Matt Penman], “The Year 2008” [Eric Harland], “Black Nile” [WS], “Infant Eyes” [WS], “Secrets of the Code” [Dave Douglas], and the encore was announced by the pianist as “another Wayne Shorter tune that I’m sure you know.” Alas, I didn’t know it. It started out with piano… so I’ll leave it at that.

8 songs, 90 minutes. You do the math (I’ll give you a hint: divide, don’t multiply. Show all work to receive partial credit).

Also in their 2008 repertoire (sets change nightly): Wayne Shorter tunes “Aung San Suu Kyi,” “Diana,” “Footprints,” “El Guacho,” and “Yes or No.” Band member tunes “Aurora Borealis” [Renee Rosnes], “Frontline” [Miguel Zenón], “Road to Dharma” [Stefon Harris], “This That and the Other” [Joe Lovano], and “Breakthrough” [Robin Eubanks].

Oh, I forgot to say… somehow my ticket for SFJC was in the “wheelchair section.” That ruckin’ focked!! I could spread out. Totally luck of the draw on the ticket… but I tain’t complainin’…

The Appropriate Linkage:

yay… Glen Phillips and Belà Fleck next week…

~Dan – np: Charlie Hunter TrioCopperopolis

EDIT (4/7/08): Allaboutjazz.com has a nice review of the Ornette show HERE

%d bloggers like this: