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ha’fway 2017

4th Jul 17 (Tue) Leave a comment

Happy 241st birthday, United States!

~*~*~*~*~*~*~*~*~*~*~

Ah, the annual halfway through the year music recap where I rarely post an end of year recap. *eyeroll* Eh… I don’t blog much anymore… regardless, here goes for my Top 10 of 2017 so far…



Artist Album (style)

  1. Sufjan Stevens, Bryce Dessner, Nico Mulhy & James McAlisterPlanetarium (indie rock)
  2. Burning GhostsReclamation (jazz metal)
  3. KXM (Doug Pinnick / George Lynch / Ray Luzier) – Scatterbrain (hard rock)
  4. Peter MulveyAre You Listening? (singer-songwriter)
  5. SexmobCultural Capital (jazz)
  6. David BazanCare (indie rock)
  7. Ani DiFrancoBinary (singer-songwriter)
  8. Future IslandsThe Far Field (indie pop)
  9. Mostly Other People Do the Killing (with Steven Bernstein of Sexmob) – Loafer’s Hollow (jazz)
  10. Incubus8 (rock)

Honorable mentions…

  • Albums by Lydia Ainsworth, Alt-J, Brian Marsella Trio’s Masada Book Two, Aimee Mann, Dave Douglas’ Riverside, and Throttle Elevator Music (Kamasi Washington).
  • EP – ANOHNI’s Paradise
  • Live – ISIS’ Live VII: 2.25.2010
  • Re-issues – Pink Floyd early years boxset(s), the Beatles Srgt. Pepper’s 50th, U2 The Joshua Tree 30th, Radiohead OK Computer 20th
  • Novelty – A**l Trump’s If You Thought ********* **** Was a Lot of People, You Should Have Seen My Inauguration 5″ vinyl (in “Seth Putnam form,” shall we say).

What’s still to come in 2017…

Claypool-Lennon Delirium 12″ (RSD wider-issue), Spotlights, Antibalas, Steven Wilson, Queens of the Stone Age, Foo Fighters, Mogwai, Radiohead OKNOTOK (physical), Failure live vinyl, Lo Tom (David Bazan, TW Walsh & Starflyer 59 folks), Celldweller, The National, Secret Chiefs 3, Weird Al boxset, plus much more, I’m sure.

Will I continue with blogs in the future? I don’t know. :P

Dan – np: Critters BugginMuti -EP-

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* Favorite Vocal Albums of 2011 *

29th Dec 11 (Thu) 6 comments

I’ve been buying less music… or, at least a lot less mainstream (major label) music. This is also my fourth year now that I bought more instrumental CDs than vocal CDs. I think as I get older, I am drawn more towards jazz and other instrumental forms of expression. For that reason, the favorite vocal albums list goes first this go ’round. Hopefully my spilling out of music that I like finds interest with someone else. But if not, thanks for stopping by… check out the artists’ webpages, Facebox pages, yadda yadda yadda. A lot of these also made it on to my 2011 Mix CD (free streaming/download).

OK, now on to the best of what’s hit my ears this year…

Honorable Mentions: Iron & WineKiss Each Other Clean, Tres MtsThree Mountains, PomplamooseThe Album You Bought At Our Show (Thanks for That), MC FrontalotSolved and The RootsUndun.

BjörkBiophilia :: It started with an iPhone / iPad app… I was skeptical, but it turned out to be a really cool app and a really cool album.  I don’t think the actual music broke any new ground for Bjork, but her willingness to approach technology and manifest an album initially with a new format is what will keep her in the forefront for me.
Elysian FieldsLast Night on Earth :: Brooklyn-based sultry art rockers Elysian Fields don’t really tour outside of NYC often.  Jennifer Charles and Oren Bloedow find their way to Europe on occasion, but most U.S. fans only really have their studio albums to sate their musical desires.  This is their sixth full-length album in their near 16-year career.  Well crafted, well produced, lush vocals and folk meets dusky jazz.
BlackfieldWelcome to My DNA :: I was disappointed that I couldn’t make it out for this tour.  The album is good, albeit a little disjointed compared to their other two albums (probably due to Aviv Geffen doing more of the writing versus Steven Wilson who was busy with his solo album – see #9 below).  Nice orchestration and a solid offering from Blackfield.
Dream TheaterA Dramatic Turn of Events :: I almost didn’t buy this album.  I’m glad I did, but I’m still pretty pissed at the band for choosing to continue without founder/drummer Mike Portnoy after he expressed an interest in a short hiatus/breather.  They picked up a drummer I like (Mike Mangini, who i saw play with Extreme in 1995), but a BIG piece of what I loved about DT (after Kevin Moore left in 1994) was Mike Portnoy’s energy.  With his absence, I’m liking them less and less.  The album is good, but it’s way more bitter than sweet to me.
Foo FightersWasting Light :: Dave Grohl is a modern rock genius.  He rocks, he hooks, he continues to put out great music.
Steven Bernstein’s Millennial Territory OrchestraMTO Plays Sly :: A trumpet-led tribute to Sly and the Family Stone with guests vocalists.  This superb collection is less funk, but still quite enjoyable.  My favorite is the Antony-sung “Family Affair.”
Florence + the MachineCeremonials :: Soulful baroque-rock chanteuse won me over with their first album Lungs, even though I didn’t pick it up this year.  Her second album solidifies her as more than a fluke.  The album is dancey and dark.  Great for fans of Tori Amos & Kate Bush!
IncubusIf Not Now, When? :: Incubus took some time off so guitarist Mike Einziger could work on his degree at Harvard and singer Brandon Boyd could put out some art as well as his solo album.  They regrouped and put out an album that had a similar vibe to the ocean-groove Morning View.  They aren’t breaking new ground, but they still have a solid position in my ears.
The Jelly JamShall We Descend :: The supergroup of Ty Tabor (King’s X), John Myung (Dream Theater) and Rod Morgenstein (Dixie Dregs) finally found some time to hit the studio!  The result is an excellent rock album…
ChevelleHats Off to the Bull :: Chevelle are a sleeper in my collection.  I almost write them off and then with each album, I think how stupid it’d be to write them off.  Great hard rock with a vocalist that reminds me of Maynard (Tool, etc).  I really need to see this band live – I’ve yet to have a the chance…
My Brightest Diamond & Murat EyubogluLetters to Distant Cities :: A short spoken word album, featuring the words of Mustafa Ziyalan.  Words spoken by Shara Worden (My Brightest Diamond), backing music by Murat Eyubolu, with two songs sandwiching the poetry – one by MBD and one by Clare & the Reasons.  A great arty piece.
 
Jason LudwigTanglings :: Jason Ludwig returns to the Cincinnati music scene after his 2010 band break up (Noctaluca) with two full-length albums (Tanglings and Lost in Love).  Tanglings is my favorite of the two, but they’re both quite excellent.  Well-produced, well-arranged, creative singer-songwriter that reminds me of a cross between the pop of Glen Hansard (of the Swell Season and the Frames) and the creative of Daniel Johns (of Silverchair). If you don’t like these albums, I’d be surprised.
Hotel LightsGirl Graffiti :: Darren Jesse was the drummer for Ben Folds Five, and wrote one of my absolute favorite songs for them – “Magic” from The Unauthorized Biography of Reinhold Messner.  He puts down the sticks and picks up the guitar and vocal duties for Hotel Lights.  This is HL’s 3rd album, and he continues to impress me with his versatile skills.  Poppy indie rock.
EisleyThe Valley :: The long gap between The Valley and their last album was trying for the band.  After many contract dispute with their former label (Warner), they were finally set free.  Many bands don’t make it out of contract disputes alive – it’s easier to break up sometimes.  Well, thankfully it’s difficult for Eisley to break-up, as they’d still see each other at holidays and family get-togethers (the band consists of 3 sisters, a brother, and a cousin).  The Valley picks up where 2007’s Combinations left off.  Alt-pop-rock goodness.  Vocal duties traded off between sisters Sherri & Stacy…
Tori AmosNight of the Hunters :: This was Tori’s first album on classical label Deutsche Grammophon.  I was skeptical at first, not because of the classical bent.  I knew she could handle that… I was skeptical due to the first artwork that looked plastic (which sadly stayed) and her last studio album was a lackluster (IMO) holiday album (blech).  Tori enlists her daughter Natashya on some vocals, and delivers one of my favorite Tori albums since 2002’s Scarlet’s Walk.
David BazanStrange Negotiations :: Continuing in his solo expressions after the official ceasing of Pedro the Lion, David Bazan manifests wit, a sharp tongue, and a questioning mind into his DIY-indie rock.  This year, he toured quite a bit, solo and with a band.  An album last year (Curse Your Branches), an album this year, and another on the way.  He’s slogging away, trekking all over the country, and making some great music on the way.
Steven WilsonGrace for Drowning :: Porcupine Tree frontman Steven Wilson is a hard worker.  Whether he’s producing albums for others or making albums & touring with PT, Blackfield, No-Man, Storm Corrosion, or solo – he’s always busy each and every year.  This year brought his second solo album and a small tour.  The album is a bit more stripped down from his other projects.  It is reminiscent of Pink Floyd in spots – specifically this song “Home in Negative.”  He also rocks out a bit in the almost two hour double album… check out the video for “Track One” here (it’s a bit bleak then startling).  Gorgeous work.
WussyStrawberry :: Well, I was super happy when I found out that Wussy was putting out their fourth full-length studio album this year. They’re a fantastic rock quartet made up of Chuck Cleaver, Lisa Walker, Mark Messerly, and Joe Klug. They write catchy, poppy choruses and meld it perfectly with Midwest Americana-meets-indie-rock grit (or “Midwestern drone” as their press says).   Vocal duties are traded off with Chuck (of Ass Ponys) and Lisa (of Magic Words).
RadioheadThe King of Limbs :: I could probably put an “indie” icon next to Radiohead… I think technically they put TKOL out by themselves.  But they’re a huge superpower of a band.  I like this record, but I’ll admit that it’s still sinking in… I need to give it some more spins.  This album spawned a seven 7″ vinyl remix set.  The video for “Lotus Flower” also spawned a silly “Thom Yorke dancing” meme… one of my favorites being the tennis/fish and the “Single Ladies” editions.
Jeffrey FoucaultHorse Latitudes :: Jeffrey Foucault is a favorite Americana artist that I got turned on to by singer-songwriter/storyteller Peter Mulvey.  Jeffrey and Peter work together in the band Redbird (with David Goodrich and Jeffrey’s wife Kris Delmhorst).  I didn’t pick up Jeffrey’s albums until the past year and a half.  He’s definitely more on the cusp of country than I tend to traverse, but I dig his authenticity, poetic wit and charm.  He’s a delight on stage and a fantastic John Prine-esque songwriter for the new generation.
OpethHeritage :: Mikael Åkerfeldt hangs up the cookie monster vocals and “Swedish death metal” rattle and puts out a solid heavy metal album that is a tribute to his progressive metal ancestors.  I’ll admit, I miss the heavier side, but it’s still good to see Mikael evolve.
Over the RhineThe Long Surrender :: For those that don’t know Over the Rhine, they started out as a four piece in Cincinnati in 1989 and put out their “post-nuclear, pseudo-alternative, folk-tinged art-pop” indie debut ‘Til We Have Faces in 1991. After about a decade as a four-piece, Ric Hordinski (guitars) & Brian Kelley (drums) left.  Karin Bergquist (vocals) & Linford Detweiler (keys) carried on the Over the Rhine flame throughout the years… moving away from a rockier feel to a more folky-pop-Americana thing. What I like about Over the Rhine is they continually change and evolve into a different band with each album and each outing. I’ve seen them rock out, I’ve seen them jazz it up, I’ve seen them happy, I’ve seen them somber, I’ve seen them celebratory, and I’ve seen them tell stories that will make you laugh and cry.
dredgChuckles and Mr. Squeezy :: I love this band.  I hate the album title, but I love the band.  Modern progressive rock, tons of talent, thoughtful lyrics, none of that “prog wankery” that is generally detestable.  While it’s hard for them to follow-up the stunning The Pariah The Parrot The Delusion (from 2009), this new album does a hearty job of maintaining their quality rock standards.
My Brightest DiamondAll Things Will Unwind :: Shara Worden (aka My Brightest Diamond) took some time off since her last album – 2008′s A Thousand Shark’s Teeth.  She put out some stunning collaborations in the past three years (see #15 above) including her first kiddo; so the lapse in studio work was a-OK.  On this album, Shara teams up with NYC-based ensemble yMusic to create a lush backdrop for her gorgeous voice.  I can’t praise this album enough!
PusciferConditions of My Parole :: Tool / A Perfect Circle frontman Maynard James Keenan makes wine and makes other music in his time off from Tool and APC.  I loved Puscifer’s debut and the subsequent EP, but this album tops it all.  It’s a brilliant record, recorded in one of his wine cellars with his friends – featuring backing vocals from Carina Round.  It’s self-released by Puscifer music with a small distribution partner (available in indie shops, primarily).  The tour this year was great (I caught Seattle), and I’m glad they’re heading out in the spring again (I’ll be at Portland).

Check out the 2011 Mix for some samples, click the Amazon buttons for other samples, and support the music if you like what you hear!

My Other Favorites of 2011 Recaps:

~Dan – np: Trent Reznor & Atticus RossThe Girl With the Dragon Tattoo

REVIEW: Steven Bernstein’s Sex Mob @ Goodfoot Lounge (Portland, OR – 5/23/09)

24th May 09 (Sun) 3 comments

FYI… PHOTOS of the SHOW at the BOTTOM

Sex Mob is a downtown NYC jazz band made up of bandleader Steven Bernstein on slide trumpet, Briggan Krauss on saxophone, Tony Scherr on bass, and Kenny Wolleson on drums.  For those keeping score, Steven Bernstein is one of my top 3 favorite (living) trumpet players [Dave Douglas & Wynton Marsalis being the other 2].  I got into Steven via some of his CDs on John Zorn’s label Tzadik and their Radical Jewish Culture series… then I found Sex Mob (and also Millennial Territory Orchestra).  Steven Bernstein came through Ohio just shortly after I moved away; so last night was actually my first time to see him live.  And for it to be a Sex Mob show made it much more special.

The opener, Trio Subtonic, was great.  I saw them last fall at a small college, but this time it was nice to see them in a more intimate, non-auditorium setting.  They played for 75 minutes or so, more than a normal opener.  In fact, had they not been so good, I would have kind of been pissed. :)  In my opinion, the best part of their set was when they ripped into an instrumental jazzy, slightly obscured cover of Radiohead‘s “Just” (the original has one of my favorite videos).  I was singing along…  Shortly thereafter, they were joined on stage by a saxophonist for about half of their set – which was a great addition.  Maybe they should add him permanently and change their name to Quartet Subtonic.

Sex Mob came on around 11:45, and they started in on an avant-garde piece. I’d seen Sex Mob’s saxophonist Briggan Krauss play with NYC downtown avant-garde musicians Ikue Mori and Jim Black in March 2007; so I expected some avant-garde from this group of downtown NYC musicians.  Sex Mob mixed it up a bit and jammed as well, but every corner had a bit of the avant-garde nature hiding in it.  Maybe more of a halfway point between groove jazz and avant-garde jazz would be a good explanation – “raucous.”  I think my favorite from their set was the tune whose opener reminds me of Dizzy Gillespie‘s “Salt Peanuts.”

Sex Mob Intro @ the Goodfoot, 5/23/09

Sex Mob #2 @ the Goodfoot, 5/23/09

I hope they come back again soon… and maybe start earlier (or play closer to me). :)  I bailed around 1am to head back home to Eugene.  All in all, a great night for jazz.

The Appropriate Linkage:

~Dan – np: IsisWavering Radiant

no torrent here

TRIO SUBTONIC / SEX MOB PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a
creative commons attribution

(click for larger)

ha’fway

30th Jun 08 (Mon) 3 comments

(Sub)consciously prompted by this music blog, here are my favs of the first half of 2008… it’s all bound to switch around by year’s end:

Artist Album (label)

  1. The Secret Chiefs 3 play Masada Book Two: Book of Angels, Vol. 9: Xaphan (Tzadik)
  2. The Bar Kokhba Sextet play Masada Book Two: Book of Angels, Vol. 10: Lucifer (Tzadik)
  3. My Brightest Diamond A Thousand Shark’s Teeth (Asthmatic Kitty)
  4. Opeth Watershed (RoadRunner)
  5. Earth The Bees Make Honey in the Lion’s Skull (Southern Lord)
  6. Dave Douglas & Keystone Live at Jazz Standard, 4/10/2008 to 4/13/2008 (2 sets each night = 8 CDs worth, each set downloadable within 24 hours of the performance… cool stuff…) (Green Leaf)
  7. Sigur Rós Með suð í eyrum við spilum endalaust (XL)
  8. Reptet Chicken or Beef? (Monktail Creative Music Concern)
  9. John Zorn’s The Dreamers (Tzadik)
  10. King’s X XV (Inside Out)
  11. Glen Phillips (of Toad the Wet Sprocket) Secrets of the New Explorers -EP- (Umami)
  12. Ashes Divide (Bill Howerdel of A Perfect Circle) Keep Telling Myself It’s Alright (Island)
  13. Mike Patton A Perfect Place (Ipecac)
  14. Puscifer V is for Viagra – The Remixes (Puscifer)
  15. Jacob Fred Jazz Odyssey Lil’ Tae Rides Again (Hyena)
  16. Bill Frisell History, Mystery (Nonesuch)
  17. Steven Bernstein (of Sex Mob) Diaspora Suite (Tzadik)
  18. Hiromi Beyond Standard (Telarc)
  19. Stebmo Stebmo (Stebmo)
  20. Bobby Previte & New Bump New Bump: Set the Alarm for Monday (Palmetto)
  21. Swami Late Plate (Previte & Saft) Doom Jazz (Veal)
  22. Porcupine Tree We Lost the Skyline -EP- (Transmission)
  23. Raquy and the Cavemen Mischief (Meef)
  24. Aimee Mann @#%&*! Smilers (Super Ego)
  25. Kaki King Dreaming of Revenge (Velour)

The 2nd half of 2008 promises to bring some potential great ones, too… Medeski Martin & Wood play John Zorn’s Masada Book Two, 3 other Medeski Martin & Wood albums (later in the year), Secret Chiefs 3 Book of Souls (maybe), God of Shamisen debut, Extreme Saudades de Rock, Mike Patton‘s Mondo Cane, Mike Patton & Dan the Automator’s Crudo, a new Sufjan Stevens (just speculating, since it’s been a while), Ben Folds is working on one, Ani DiFranco always has something coming out, Jude‘s Cuba, Jon Madof‘s CircuitBreaker debut (and maybe another Rashanim?), The Tango Saloon‘s Transylvania, new Tristeza, Over the Rhine Live from Nowhere III, David Bazan full-length, George Hrab (maybe?), SFJazz 2008 with Dave Douglas & Joe Lovano and others, Frank Zappa‘s One Shot Deal, another installment of the John Zorn avant-metal trio of Mike Patton/Trevor Dunn/Joey Baron… and I’m sure another dozen or more that I’ll dig from Tzadik.

~Dan – np: ReptetChicken or Beef?

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