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ha’fway 2016
Happy 240th birthday, United States!
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Ah, the annual halfway through the year music recap where I never post an end of year recap. *eyeroll* Eh… I don’t blog much anymore… regardless, here goes for my Top 10 of 2016 so far…
Artist – Album (style)
- Sia – This Is Acting (pop)
- Radiohead – A Moon Shaped Pool (rock)
- Wussy – Forever Sounds (indie rock)
- Holy Fuck – CONGRATS (live electronic)
- Elliott Smith – Heaven Adores You (soundtrack) (indie rock)
- Steve Taylor & the Danielson Foil – WOW to the Deadness -EP- (indie rock)
- David Bazan – Blanco (indie rock)
- Allison Miller’s Boom Tic Boom – Otis Was a Polar Bear (jazz)
- The Claypool-Lennon Delirium – Monolith of Phobos (rock)
- Damien Jurado – Visions of Us on the Land (indie rock)
What’s still to come in 2016…
Chevelle, Peter Mulvey (it’s in the can), Alex Somers’ score for Captain Fantastic, John Zorn (about every month), TOOL (music done, lyrics nearing completion?), Sigur Rós (maybe 2017), Charlie Hunter, and based on kickstarters/pledgemusic that I’ve supported: Jeremy Enigk of Sunny Day Real Estate, Derek Webb‘s Mockingbird Remixed and Fleming & John, plus much more, I’m sure.
Will I continue with blogs in the future? I don’t know. :P
Allison Miller’s BOOM TIC BOOM
I got this email this past week about a new album from Ani DiFranco drummer Allison Miller – who I can say was a delight to watch play when I saw her with Ani in the spring of 2008. The album description sounds fantastic to me! I can’t wait to hear it.
The example that Miller sets on BOOM TIC BOOM is that of a powerhouse drummer with an unerring sense of swing and a moving melodicism; an inventive composer with a gift for memorable tunes that leave ample space for bright improvisations; and a bandleader who ably marries these pieces with the right collaborators to breathe life into them. Here, those collaborators are pianist/composer Myra Melford; longtime collaborator Todd Sickafoose on bass; and guest violinist Jenny Scheinman on one track.
Half of the album is comprised of original pieces penned by Miller during a one-month break from the road during the summer of 2008. The diversity of influences evident in the music belies the short time span in which it was written but is reflective of the wealth of musical experience that makes up Miller’s résumé.
For BOOM TIC BOOM, Miller assembled a trio that she knew would stretch the limits of the music she had written. “I come from a straight ahead jazz tradition,” she explains, “but I play so many different styles of music that I don’t want to stick strictly to that tradition. So, for BOOM TIC BOOM I wanted more of an avant-garde approach to my semi-traditional compositions.”
http://www.allisonmiller.com/ – Order the CD
I dig Allison, in addition to both Todd Sickafoose and Jenny Scheinman. I think this is gonna be right up my alley…