Archive
Favorite Albums & Concerts of 2016
- Car Seat Headrest – Teens of Denial (lo-fi indie rock) fave song: “Drunk Drivers/Killer Whales” (#6)
- Glen Phillips (of Toad the Wet Sprocket) – Swallowed by the New (singer-songwriter) fave song: “Criminal Career” (#3)
- Sia – This Is Acting (pop) fave song: “Alive” (#2)
- Radiohead – A Moon Shaped Pool (rock) fave song: “Ful Stop” (#5)
- Wussy – Forever Sounds (lo-fi indie rock) fave song: “Dropping Houses” (#1)
- Holy Fuck – CONGRATS (groove electronic) fave song: “Tom Tom” (#2)
- Elliott Smith – Heaven Adores You (indie rock) fave song: “Plainclothes Man” (#6)
- Steve Taylor & the Danielson Foil – WOW to the Deadness -EP- coffin (indie rock) fave song: “Wow to the Deadness” (#1)
- Circle of Dust – Machines of Our Disgrace (hard industrial) fave song: “Machines of Our Disgrace” (#2)
- Lily & Madeleine – Keep It Together (singer-songwriter duo) fave song: “For the Weak” (#2)
- Charlie Hunter, Bobby Previte, and more – Everybody Has a Plan Until They Get Punched in the Mouth (jazz) fave song: “No Money, No Honey” (#7)
- Allison Miller’s Boom Tic Boom – Otis Was a Polar Bear (jazz) fave song: “Fuster” (#1)
- David Bazan (of Pedro the Lion) – Blanco (indie rock) fave song: “Little Landslide” (#7)
- Anna Tivel – Heroes Waking Up (singer-songwriter) fave song: “Black Balloon” (#2)
- The Jelly Jam –
ProphetProfit (prog rock) fave song: “Care” (#1) - Dave Douglas’ High Risk – Dark Territory (jazz with electronics) fave song: “Celine” (#1)
- Amendola vs. Blades – Greatest Hits (jazz) fave song: “Lima Bean” (#1)
- Damien Jurado – Visions of Us on the Land (indie rock) fave song: “Exit 353” (#11)
- Greydon Square – Omniverse : Type 3 : Aum Niverse (rap/hip hop) fave song: “Defiant” (#5)
- Elysian Fields – Ghosts of No (sultry indie rock) fave song: “Shadows of the Living Light” (#11)
- Steven Wilson (of Porcupine Tree) – 4 ½ -EP- (prog rock) fave song: “My Book of Regrets” (#1)
- Opeth – Sorceress (prog metal) fave song: “Will o’ the Wisp” (#4)
- Scandroid – Scandroid (keyboard electronic) fave song: “Aphelion” (#3)
- The Claypool-Lennon Delirium – Monolith of Phobos (weird rock) fave song: “Cricket and the Genie, Movement I: The Delirium” (#2)
- Kaada & Patton – Bacteria Cult (ambient experimental) fave song: “Immodium” (#7)
- {8 Apr} Peter Mulvey w/ Anna Tivel :: Alberta Rose Theatre :: Portland, OR
- {22 Apr} Sufjan Stevens, BØRNS, Parov Stelar, LCD Soundsystem & more :: Coachella 2016 :: Indio, CA
- {23 Apr} CHVRCHES, Guns N’ Roses, Gary Clark Jr., Ice Cube, GoGo Penguin & more :: Coachella 2016 :: Indio, CA
- {24 Apr} Sia, Kamasi Washington, Wolf Alice, Joywave & more :: Coachella 2016 :: Indio, CA
- {16 Jun} Holy Fuck :: Doug Fir Lounge :: Portland, OR
- {25 Jun} Flight of the Conchords with Eugene Mirman :: Keller Auditorium :: Portland, OR
- {28 Jul} Ozomatli :: HiFi Music Hall :: Eugene, OR
- {29 Jul} Weird Al Yankovic :: Cuthbert Amphitheater :: Eugene, OR
- {13 Aug} Buster Keaton’s The General film with live score by Mark Orton, Carla Kihlstedt, Matthias Bossi, Todd Sickafoose :: Bohemia Park :: Cottage Grove, OR
- {29 Oct} Failure presents Fantastic Planet’s 20th Anniversary :: Star Theater :: Portland, OR
- {9 Nov} Glen Phillips of Toad the Wet Sprocket :: Alberta Rose Theatre :: Portland, OR
- {17 Nov} Car Seat Headrest :: The WOW Hall :: Eugene, OR
PHOTOS: Booker T Jones, Charlie Hunter & Carlton Jackson @ Soul’d Out Music Fest (Dante’s, Portland – 4/14/13)
The first time ever playing together, Booker T Jones (keys, voice, guitar), Charlie Hunter (guitar magic) and Carlton Jackson (drums) ripped up a 70 minute set at the Soul’d Out Music Festival last night at Dante’s in Portland. Booker T. actually played on many of, if not all of, the studio recordings of the classics played last night… such a legend!!
Here are some photos and the setlist:
Setlist: ~70 minutes
- Hip Hug-Her
- Melting Pot
- Born Under a Bad Sign (Albert King cover)
- Green Onions
- Oh Pretty Woman (Albert King cover)
- Knockin’ on Heaven’s Door (Bob Dylan cover)
- (Sittin’ On) The Dock of the Bay (Otis Redding cover)
- Take Me to the River (Al Green cover)
- Ain’t No Sunshine (Bill Withers cover)
- Time Is Tight
- I’ve Been Loving You Too Long (Otis Redding cover)
- Encore: Unknown (by me)
The Appropriate Linkage:
- Booker T. Jones’ Site
- Charlie Hunter’s Site
- Carlton Jackson’s Site
- My Other Related Reviews/Photos~
- Charlie Hunter Trio @ Sam Bond’s Garage (Eugene – Dec 2010)
- Charlie Hunter @ WOW Hall (Eugene – May 2010)
- Dante’s Site / Facebook / Twitter
- Soul’d Out Music Festival’s Site / Facebook
~Dan
* Favorite Instrumental Albums of 2010 *
Disclaimer: No, I haven’t heard all 8,000+albums released this year. I’ve heard about 120 of them, which makes me at least 98.5% likely to be wrong. I make no claims to objectivity. These albums are my favorites from 2010. You might think that the one you’ve heard that I haven’t heard is the best album of 2010. And you might be right. And, I while I generally agree with John Roderick about Year-End Lists, I still find it quite fun to compile my own.
As I start this post, I will say that this is all very subjective and really put together for my own purposes. I’ll also state that, yes, some of the music below does have some vocals (i.e.- the Beats Antique & Tin Hat CDs). For the most part, it’s sequestered to a track or two on a long CD of mostly instrumental goodness. My list, my rules, and/or my breaking of the rules. With that being said, all of the artists below tend to be in the jazz and instrumental frame of reference anyway.
As said before… I’ve been buying less music… or, at least a lot less mainstream (major label) music. This is also my third year now that I bought more instrumental CDs than vocal CDs. I think as I get older, I am drawn more towards jazz and other instrumental forms of expression. Hopefully my spilling out of music that I like finds interest with someone else. But if not, thanks for stopping by… check out the artists’ webpages, SpaceBook & MyFace pages, yadda yadda yadda. A lot of these also made it on to my 2010 Mix CD.
OK, now on to the best of what’s hit my ears this year…
Honorable Mentions: The Album Leaf‘s A Chorus of Storytellers, For a Minor Reflection‘s Höldum Í Átt Að Óreiðu, Yuka Honda‘s Heart Chamber Phantoms, Medeski Martin & Wood‘s The Stone Issue Four (great NFP/charity live release), and Jamie Saft‘s A Bag of Shells…
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 Boy Eats Drum Machine – 20 Beats (self) :: OK, due to its title, 20 Beats had to come in at #20, right? Regardless of wherever it hit, it’s a great album. I first saw Boy Eats Drum Machine (aka Jon Ragel) open for That1Guy in Eugene. I loved his turntablism, his sax playing, and his trippy sounds. He’s a Portlander, too; so I’ve had a chance to see him twice this year. Hopefully more in the near future…     |
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 John Zorn – Filmworks XXIV: The Nobel Peace Prize / In Search of the Miraculous / Interzone (Tzadik) :: John Zorn put out a ton of stuff in 2010. Some of it didn’t make this list. Some of it was great (these 3), and some of it was stupendous (some others higher up on the list). Filmworks XXIV is a more genteel offering.  It is performed by the Rob Burger trio (and it’s a film score… duh). In Search of the Miraculous is in Zorn’s spiritual / “magick” subcategory (which has been hit or miss to me). This album seems like a souped-up Rob Burger/Alhambra piano combo. Quite delightful. Interzone is a return to Zorn’s “filecard” system and a tribute to William Burroughs.  Some people on the Zornlist have raved about it… I find it good, but not amazing. Too much filler in the long-tracks… moments of brilliance, but also moments of meh-ness. I’d rank it definitely better than “for the completist,” but lower than “legendary.” All in all… solid experimental record. The players are the usual fantastic Tzadik studio players: Medeski, Baptista, Dunn, Mori, Ribot, Wollesen and Zorn. |
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 Mostly Other People Do the Killing – Forty Fort (Hot Cup) :: So, I’m a fan of composer Moppa Elliott and trumpet player Peter Evans. Peter’s solo show in Eugene a couple of years ago was an avant-garde delight. MOPDTK is a little more straight forward than Peter’s solo stuff. It’s a fun jazz group… very similar in feel and youthful, party jazz energy as Reptet (up in Seattle). This is their second album that I’ve heard but their fourth released. My favorite tracks are “Nanticoke Coke” and the title track “Forty Fort.” I’m looking forward to more from this killer band ensemble. |
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 Masada String Trio plays John Zorn’s Masada Book Two, Volume 16: Haborym (Tzadik) :: Greg Cohen, Mark Feldman, and Erik Friedlander are fantastic players, and their contribution to the Masada Book Two series is an essential release. One of the best of the series, and the Trio’s first studio recording in five years (last one was 2005’s Azazel #5). Masada Book Two Sidenote: Cohen was actually in the original Masada quartet, but all of the members of the String Trio have also shown up on other MBT releases – Cohen (Astaroth #1, Lucifer #10, Stolas #12 and Baal #15), Friedlander (Volac #8, #10 and the upcoming Caym #17), and Feldman (Malphas #3 & #10). |
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 John Zorn – The Goddess (Tzadik) :: The Goddess is a continuation of In Search of the Miraculous, but I fancy it far more. It is also a souped-up Rob Burger/Alhambra piano combo, quite lyrical and melodic. As the title suggests, it is dedicated to the feminine. It also features some harp work from Carol Emanuel – who unbeknownst to me until now has been on quite a bit of Zorn’s releases. |
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 Derek Webb – Feedback (INO) :: From my original writeup: Feedback is a self-proclaimed “worship album.” I also love the general aesthetics of it. It’s definitely got some electronic elements, but it has a more sweeping feel as well. Some of it feels like a mix of a happier ambiance of Amiina/Sigur Rós meets an acoustic-electronic bridge in a Sufjan Stevens song meets a gentle Ric Hordinski lyrical guitar solo (I am in a Monk mood). It’s a great quality instrumental album from a man who I loved via his witty voice from the get go. It’s nice to see him expand outside his comfort zone. As an atheist, I take it as a conduit into introspection and the worship of the divine as I see it – music. |
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 Secret Chiefs 3 – Satellite Supersonic Vol 1 (Web of Mimicry) :: A new format release of the 7″ vinyl singles that SC3 put out in the Spring of 2007. Nothing majorly new, but still nice to have in this format. Secret Chiefs 3 fans are still waiting on Book of Souls, the follow-up to 2004’s Book of Horizons. Who knows if we’ll ever get it… but this compilation is a great “tweener” – especially if you weren’t able to get the limited 7″ vinyls or didn’t have a record player. |
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 John Zorn’s Moonchild Trio (with Marc Ribot) – Ipsissimus (Tzadik) :: The Moonchild Trio is one of the more experimental / scary groups. It’s a highly composed, but seemingly improvisational group made up of Mike Patton on voice (not lyrical), Trevor Dunn on bass, and Joey Baron on drums. Ipsissimus is the fifth in the series, and includes Marc Ribot’s guitar and John Zorn’s sax for more than just one tune (like on The Crucible). This release is not for the faint of heart. Purely energetic, glossolaliac noise metal. |
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 AutorYno – Pastrami Bagel Social Club (Tzadik) :: I am fans of some of the other Jewish rock acts on John Zorn’s Tzadik label: like Eyal Maoz’s Edom, Jon Madof’s Rashanim, and Yoshie Fruchter’s Pitom. The description for this AutorYno debut from Tzadik was “a wild klezmer/rock fusion by this crazed band of Paris-born punk rockers… AutorYno hits with a hardedged sound and an exciting musical imagination. Full of youthful energy, massive guitar and centered by a powerful beat, they present eleven instrumentals that combine the power of rock with a taste of Jewish tradition.” Regardless of Tzadik’s usual/expected hyperbole, I couldn’t not get it. I’m glad I did. Utterly fantastic klez-jazz-rock blend. |
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 Tin Hat – Foreign Legion (BAG) :: The Bay Area acoustic group is no longer a trio. They are currently made up of Carla Kihlstedt on violin & voice, Mark Orton on guitar & dobro, Ben Goldberg on clarinets, Rob Reich on accordion & piano, and Zeena Parkins on harp. It also features Willie Nelson on guest vocals on a track. The album is part European explorer, part cinematic, part chamber group, part tango. I generally by anything Carla Kihlstedt is involved in. So far, I haven’t been steered wrong… |
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 Beats Antique – Blind Threshold (self) :: I got to see Zoe Jakes of Beats Antique twice this year… once with Beats Antique during Eugene Celebration, and once with the Indigo Bellydance troupe as part of their Le Serpent Rouge tour. She had a knee in a brace during Eugene Celebration; so she lended her stage presence to additional percussion instead of dance – which was unfortunate. Beats Antique is a bellydance-friendly, electronic and live instrument band from the Bay Area. Elements of Balkan music and tribal-fusion dance music. “Egyptic” is indicative of their infectuous sound. |
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 Anakronic Electro Orkestra – Speak With Ghosts (Balagan Box) :: One of my favorite EPs of 2009 was Anakronic Electro Orkestra’s The Yiddish Part. My only complaint with the EP? It was too short. Well, in mid-November 2010, unbeknown to me at the time, they came out with their debut full-length Speak With Ghosts. AEO hail from Toulouse, France, and crank out a mighty fine mixture of drum & bass mixed with Eastern European-fused klezmer. This album is a 40+ minute shuffle through a modern klezmer forest – including one song featuring David Krakaeur (another favorite musician of mine). I think AEO is also great for fans of Beats Antique and Balkan Beat Box. |
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 Loose Grip – Looking Glass (Fabrikant) :: Loose Grip is a fantastic Edinburgh-based jazz quartet led by drummer Chris Wallace. This guitar and tenor sax infused contemporary jazz band is great for fans of Chris Potter and Joe Lovano on the sax angle, great for fans of the guitar jazz like John Scofield, etc. It’s a well made record, and clearly stands out amongst the many jazz records that came out this year. |
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 John Zorn’s The Dreamers play Masada Book Two, Volume 14: Ipos (Tzadik) :: Let’s just put this out there now… with thirteen albums and a DVD out in 2010, John Zorn might seem to have more misses than hits. Well, I don’t think there’s been a more consistent set of songs than his Masada songs, and there hasn’t been a more consistently great series than the Masada Book Two series (Zorn’s Masada songs covered by others). The Dreamers is a supergroup, too: Marc Ribot, Joey Baron, Cyro Baptista, Kenny Wollesen, Trevor Dunn and Jamie Saft – pillars in the adventurous, downtown NYC scene. |
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 Charlie Hunter – Gentlemen, I Neglect to Inform You You Will Not Be Getting Paid (Spire Artist) :: One of the most amazing things from this past year was watching Charlie play live (twice). His seeming ease at which he plays bass and guitar on one instrument is stunning (and curse-worthy for the guitar aficionado in the crowd). If you weren’t watching the stage, you’d easily be fooled that it was a quartet and not a trio. It’s quite an amazing thing to see and hear. He’s so unassuming about it, too… a showman without the show-off attitude. Gentlemen came out in early 2010, and is a great melodic romp. For prior fans of Charlie, you won’t be disappointed. For people who aren’t yet fans… you will be. |
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 Dave Douglas & Keystone – Spark of Being (boxset) (Greenleaf) :: Dave and his fusion group Keystone were busy with this 3-CD boxset. All three releases were inspired by Douglas’ recent collaboration with experimental filmmaker Bill Morrison on the new multi-media project Spark of Being. The first release is the soundtrack to the film. Two additional releases, Expand and Burst, feature Douglas and Keystone exploring and interpreting the themes of the film. Expand was also available on vinyl (a first for Dave’s Greenleaf label). |
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 Dave Holland – Pathways (Dare2) :: I got into Dave Holland around the same time as a lot of other jazz. I got into jazz through the backdoor (John Zorn) and then slowly moved into the more straight ahead jazz. I think I can officially blame Ken Laster and his In the Groove, Jazz and Beyond podcast for playing a lot of Dave Holland. Anyway, shortly after hearing Holland, I picked up Extended Play: Live at Birdland and Critical Mass. Both are great, but the latter is quite fetching. Pathways is a superb combo and features some amazing playing by some other favorites of mine: saxophonist Chris Potter and drummer Nate Smith. Outside of Joey Baron (Masada, etc), I think Nate Smith is one of the most entertaining drummers to see play. I love how Dave Holland surrounds himiself with amazing players. Great band, great record! |
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 Holy Fuck – Latin (Young Turks) ::  Despite what you think of their choice of band name, these Toronto band continue to put out great, groove-infused live electronic music that is both experimental and a poppy-force in the indie rock movement. Latin, their third full length album, grabbed me immediately when it came out this past May… and it’s #1 with a bullet as far as instrumental albums go in 2010. To top it off, they swung through Oregon twice this year (both excellent shows), and they put out quite possibly the cutest video for the raddest song (“Red Lights” – click the kitty to the right). The video now has over 1,000,000 views on the YouTubes. Only 900,000 views are from me. |
Where do I get most of these jazz and other instrumental releases? My #1 favorite source for jazz is Downtown Music Gallery in New York. Manny and Bruce and their great staff are superb… and being the official distributor for John Zorn’s Tzadik doesn’t hurt my affection for them. I usually do a monthly Tzadik order (if the releases strike my fancy), and they have a ton of other non-Tzadik jazz and avant-garde releases as well.
And, no, I’m not affiliated, I don’t get a commission, and beyond my initial “big tax refund / gotta get caught up on Zorn order of 2005,” I haven’t gotten a discount with DMG. I just love and support what they do.
Enjoy the New Years weekend!! Be safe! See you in 2011.
My Other Favorites of 2010 Recaps:
- Fave Concerts & Photos of ‘10 are recapped *HERE*
- Fave EPs/Vinyl/Live/DVDs/more of ‘10 are recapped *HERE*
- Fave Vocal Albums of ‘10 are recapped *HERE*
- Old Years: Best of the Decade (1-10, 11-20, 21-25), 2009I, 2009V, 2009ep, 2009C, 2008I, 2008V, 2008ep, 2008C, 2007V, 2007I, 2007C, 2006, 2005
~Dan – np: Kevin Moore – Shine 
Favorite Concerts of 2010
Well, this year’s concert seasons were especially good to me… 365 days, 79 shows, 149 artists, many long nights driving home, and a lot of photos…
My favorite concerts of 2010:
- Sufjan Stevens :: Arlene Schnitzer Concert Hall :: Portland, OR {29 Oct} [review with photos] – completely stunning show
- Toad the Wet Sprocket :: Crystal Ballroom :: Portland, OR {28 Jul} [review with photos] – I am a slave to Glen & Co’s alt-pop
- Jon Þor “Jónsi” Birgisson (of Sigur Rós) :: Roseland Theater :: Portland, OR {13 Apr} [review with photos] – stupendous stage show
- Nellie McKay :: Berbati’s Pan :: Portland, OR {31 Mar} [review with photos] – missed her Eugene show while at Sufjan, I heard that show was also “the bomb”
- Dream Theater :: Roseland Theater :: Portland, OR {21 Jun} [review with photos] – made more special after Mike Portnoy left the band this fall
- Tegan and Sara :: Keller Auditorium :: Portland, OR {8 Apr} [review with photos] – first time seeing them, not too be missed
- Holy Fuck (twice) :: Mississippi Studios & Holocene :: Portland, OR {6 Jun & 14 Oct} [reviews with photos #1 & #2] – one of the most consistently great live acts, Holocene show was better, but Mississippi was also rad…
- Dweezil Zappa Plays Zappa :: McDonald Theatre :: Eugene, OR {12 Jun} [review with photos] – keeping the FZ torch alive!
- Dave Douglas’ Brass Ecstasy :: PDX Jazz Fest / Crystal Ballroom :: Portland, OR {28 Feb} [review with photos] – honestly, all of these Top 15 could be #1 in a slow concert year
- Over the Rhine (twice) :: WOW Hall & Aladdin Theater :: Eugene & Portland, OR {15 & 17 Nov} [reviews with photos #1 & #2] – twice after three years of OTR drought for me
- Charlie Hunter Trio (twice) :: WOW Hall & Sam Bond’s Garage :: Eugene, OR {18 May & 16 Dec} [reviews with photos #1 & #2] – Charlie has a pact with the devil… he’s too good…
- Peter Mulvey & Jeffrey Foucault (twice) :: The Woods & Sam Bond’s Garage :: Portland & Eugene, OR {22 & 24 Oct} [reviews with photos #1 & #2] – both brilliant storytellers before VH1 made it a show
- Susan Enan :: House Show :: Eugene, OR {15 Jul} [review with photos] – at our house… super fun & intimate
- Damien Jurado :: Mississippi Studios :: Portland, OR {27 Feb} [review] – I didn’t know more than half of the songs, but it didn’t matter
- Medeski Martin & Wood :: McDonald Theatre :: Eugene, OR {25 Feb} [review with photos] – jazz dance party!
Runners-Up: Bill Frisell Trio at The John G. Shedd Institute for the Arts, Fishtank Ensemble at a Eugene House Show, Pink Martini at The Hult Center / Oregon Bach Festival, Trio Subtonic & the Dead Kenny G’s at Mt. Tabor Theater, The Weepies at Aladdin Theater. Even after honorable mentions, I cut some GREAT ones… 2010 was a great year.
My favorite concert photos of 2010: (in chronological order)
(all images are free to use under a creative commons designation, simply identify Daniel Temmesfeld with a photo credit and link to jazzsick.wordpress.com, or items noted with emobiephotography.com is photo credit Margaret O’Brien)
Past Favorite Concerts Lists:
Favorite music of 2010 will be coming soon… EPs/DVDs/etc, vocal albums, instrumental albums, artists of the decade…
~Dan – np: nine inch nails – broken
REVIEW: Charlie Hunter Trio @ Sam Bond’s Garage (Eugene, OR – 12/16/10)
FYI… PHOTOS of the SHOW at the BOTTOM
Having just seen Charlie Hunter in May at WOW Hall, I was debating going to see him again so soon. I mean, he did just release a new CD since the last outing (the solo work Public Domain), but amongst the busy bustle of December, I was hemming & hawing about going. Boy was that dumb.
Eight words of advice:
Never debate going to see Charlie Hunter. Ever.
We got there for soundcheck, and our thoughts of skepticism about Sam Bond’s Garage‘s acoustics was quickly put asunder. Charlie, Eric Kalb (drums) and Mike Williams (bass trumpet) treated us with a few tasty bits of goodness – which included some Thelonious Monk (thanks, Aaron, for the identification).
The show proper was comprised of two hour-long sets… a lot from both of his recent albums, the aforementioned Public Domain and the most excellent Gentlemen, I Neglected To Inform You You Will Not Be Getting Paid. Charlie’s guitar-work was mesmerizing. My comments from the WOW Hall show stands…
“One of the most amazing things from the night was watching Charlie play. His seeming ease at which he plays bass and guitar on one instrument is stunning (and curse-worthy for the guitar aficionado in the crowd). If you weren’t watching the stage, you’d easily be fooled that it was a quartet and not a trio. It’s quite an amazing thing to see and hear. He’s so unassuming about it, too… a showman without the show-off attitude.”
Or as my guitar-playing friend Aaron likes to say… “f*ck that guy” (said lovingly in awe of Charlie’s chops). He’s so good, yet so unassuming… and he surrounds himself with great musicians. Eric & Mike filled in the groove where Charlie didn’t. They all looked like they were having a great time doing it, too.
No setlist, per se. Just two-plus hours of groove, jazz awesomeness. They play Mississippi Studios in Portland tonight (Friday, December 17th).
more photos below
The Appropriate Linkage:
- Charlie Hunter’s Site
- Main Band’s Social Media Links (see below)
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~Dan – np: S (Jenn Ghetto) – I’m Not As Good At It As You
CHARLIE HUNTER TRIO PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
Charlie Hunter @ Sam Bond’s
The Charlie Hunter Trio was smokin’ last night at Sam Bond’s Garage in Eugene.
More photos and a review to be posted later today!
~Dan
ha’fway 2010
Happy 234th birthday, United States!
~*~*~*~*~*~*~*~*~*~*~
So, here are my faves of the first half of 2010… it’s all bound to switch around by year’s end:
Artist – Album (label)
- Holy Fuck – Latin (Young Turks)
- Jónsi – Go (XL)
- Mike Patton – Mondo Cane (Ipecac)
- Ellery – This Isn’t Over Yet (Set Adrift)
- Charlie Hunter – Gentlemen, I Neglected To Inform You You Will Not Be Getting Paid (Spire Artist Media)
- George Hrab – Trebuchet (Geologic)
- Damien Jurado – Saint Bartlett (Secretly Canadian)
- AutorYno – Pastrami Bagel Social Club (Tzadik)
- Clogs (with Shara Worden & Sufjan Stevens) – The Creatures in the Garden of Lady Walton (Brassland)
- Tin Hat – Foreign Legion (BAG Production)
- The Dreamers play John Zorn‘s Masada Book Two: Ipos, Book of Angels, Vol. 14 (Tzadik)
- Charlotte Gainsbourg & Beck – IRM (Elektra)
- Kaki King – Junior (Rounder)
- Jeanne Cherhal – Charade (Barclay)
- Loose Grip – Looking Glass (Fabrikant)
I didn’t get a few that already came out this year (yet)… the new Chali 2Na, David Cross, Hiromi, Johnny Cash, Beak>, et cetera; but they may make it to the list at the end of the year.
The 2nd half of 2010 promises to bring some potential great ones, too… a few more from John Zorn, Nellie McKay (in the fall), Over the Rhine‘s new one (or maybe that’s early 2011), Zero 7‘s new one, Secret Chiefs 3 Book of Souls (maybe), a new Sufjan Stevens (just speculating, I know he’s working on one), Ani DiFranco always has something coming out, Dave Douglas’ Spark of Being (Trilogy), probably something from one of Mike Patton‘s other bands, and I’m sure another dozen or more that I’ll dig from Tzadik.
Favorite concerts of 2010 (so far):
- Dave Douglas’ Brass Ecstasy – PDX Jazz Fest, Portland, Feb 28th
- Tegan & Sara – Keller Auditorium, Portland, Apr 8th
- Jónsi – Roseland Theater, Portland, Apr 13th
- Kaki King – CD World, Eugene, May 16th
- Holy Fuck – Mississippi Studios, Portland, June 6th
- Zappa Plays Zappa – McDonald Theatre, Eugene, June 12th
- Pink Martini – Oregon Bach Festival, Eugene, June 26th(click pictures below for review links)
~Dan – np: Melvins – The Bride Screamed Murder
REVIEW: Charlie Hunter @ WOW Hall (Eugene, OR – 5/18/10)
Charlie Hunter‘s new CD Gentlemen, I Neglected To Inform You You Will Not Be Getting Paid was the first CD through the gates in 2010. The CD is named after a saying from an undisclosed curmudgeon musician who used to pull that on his players (no, it’s not indicative of Charlie’s payment habits).
The album is a fun jaunt full of the groove-laden jazz that Charlie Hunter fans know and love. It’s a highly recommended purchase for 2010… (pictured to the right)
The current “Evening with Charlie Hunter” tour is slightly stripped down compared to the album… it features Hunter on guitar, Ron Miles (trumpet) & Eric Kalb (drums). They hit the WOW Hall stage just after 8pm and played two sets and a long encore… well over two solid hours. All three men played effortlessly… their first set was smokey and soulful. Their second set was a bit more upbeat with more solos, including a few standards mixed in with the Neglected tunes.
Eric and Ron were very tight players, with stunning solos in their own right. Eric had a great feel, and while I think Ron stayed in the shadows more during the sets, the trumpet flavor he added to the trio was a perfect fit.
One of the most amazing things from the night was watching Charlie play. His seeming ease at which he plays bass and guitar on one instrument is stunning (and curse-worthy for the guitar aficionado in the crowd). If you weren’t watching the stage, you’d easily be fooled that it was a quartet and not a trio. It’s quite an amazing thing to see and hear. He’s so unassuming about it, too… a showman without the show-off attitude.
more photos below
The Appropriate Linkage:
- Charlie Hunter’s Site
- Charlie Hunter on MySpace
- Ron Miles on MySpace
- Eric Kalb on MySpace
- Charlie ‘Neglected‘ interview on NPR Music
- WOW Hall
~Dan – np: Method of Defiance – Inamorata
CHARLIE HUNTER PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
Charlie Hunter @ WOW Hall (5/18)
The Charlie Hunter review with photos will be posted either late Wednesday or Thursday… in short: amazing!
~Dan
-Eyvind Kang
-Frank Zappa
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This blog and concert photos therein are licensed under a Creative Commons License. Available with Attribution for Non-Commercial, Non-Derivative Use.
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