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Jazz is not hindered by boundaries, Wynton!

Wynton Marsalis photo by Steve Mack
An open letter to Wynton Marsalis, self-professed “CEO of Jazz,” in response to this article:
Wynton Marsalis seeks purist fan . . .
The legendary jazz musician wants to give a present to the jazz buff in Spain who complained to the police that the music at a gig wasn’t ‘jazz’ – and has asked the Guardian to find him. Problem is, we can’t . . .
{read more of Giles Tremlett’s article from The Guardian UK}
While I enjoy much (if not all) of your catalogue, while I will likely continue to enjoy your future work, and while I will likely continue to go see you if you swing through my town – sometimes you are a close-minded nitwit.
Regardless of the fact that you may play what some to be considered “true jazz” that fits more with the founding New Orleans sound, you and your music do not define the genre. Jazz is not something that is defined so narrowly.
For the sake of the artform, shut up, Wynton. Quit trying to trumpet from the mountain-top that jazz is limited to that which you want it to be limited.
Free jazz and avant-garde/experimental jazz aren’t supposed to be called jazz? Fine, that’s your opinion. Just quit being such a pompous jerk about it.
Sincerely,
Daniel Temmesfeld
REVIEW: Wynton Marsalis & LCJO @ Hult (Eugene, OR – 9/17/09)
Well, I got into Wynton Marsalis from Ken Burns’ (long ass) JAZZ documentary. I had heard of him, but never really heard him, and he was featured heavily in the movie. I came to find out that he was the artistic director & co-producer of the documentary series. Anyway, I love trumpet (Dave Douglas & Steven Bernstein being top of my other Top 3 living trumpeters). This year, I’ve had a chance to see all three of them… Yay!
I like the Hult. I saw Wynton’s brother Branford at the Hult around this time last year. I like the Hult this week in particular (due to it being a 4 concert week): I like that the show started early (7:30pm), ended on time (9:25pm), and I got home at a reasonable time. Double Yay!
Wynton and his near-double octet hit the stage after a short introduction. Wynton was position at the top center of the bandstand and went directly into announcing the first song…
Setlist:
1st set – 40 mins
- Free for All (Art Blakey) *a fave of night*
- Peace (Horace Silver)
- I Like to Take My Time (Mr Rogers)
- Itsy Bitsy Spider
- Up from Down (Gardner) *a fave of night*
2nd set – 45 mins
- Weary Blues (sextet band, ragtime tune) *a fave of night*
- Joe Turner’s Blues (septet, Wynton sang impromptu)
- Tattooed Bride (Duke Ellington)
- Portrait of Mahalia Jackson (Duke) *a fave of night*
The first set started off with “Free for All” which had some great solos… sax, trombone and trumpet. The entire night was filled with some great solos, and “Free for All” kicked it off right. For the second set we moved to some open seats near the center… right by the very energetic soundman. He was humorous. While I dug the first set a lot, the second set was smokin’ hot. More ragtime and New Orleans street jazz in spots versus the more held back, big band vibe from the first set. The first two songs of the second set were a stripped down cast (sextet and the septet before the rest of the band re-joined them for the Duke tunes. I think my favorite tune of the whole night was “Weary Blues, ” which was really hoppin’. Seem ironic that the entire crowd (of largely white hair) was just idly sitting in their seats. :)
All in all, a great evening of great jazz.
The Appropriate Linkage:
~Dan – np: Fima Ephron – Soul Machine