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Posts Tagged ‘chamber music’

REVIEW: Sarah Kirkland-Snider’s PENELOPE featuring Shara Worden & FearNoMusic @ Alberta Rose (Portland, OR – 2/2/13)

4th Feb 13 (Mon) Leave a comment

Sarah Kirkland-Snider (L) & Shara Worden (R)Ever the Shara Worden / My Brightest Diamond fanboy, I got PENELOPE – the collaboration with composer Sarah Kirkland-Snider – back when it came out in 2010.

I loved the record then… dark, light, moving, haunting, gorgeous emotions not only from Shara’s voice but also from the musical compositions.  PENELOPEPenelope is a song cycle / concept album, inspired by a journey and coming home a la Homer’s Odyssey.  Read more about it here.

Never did I think I’d have a chance to see it performed live.  I mean, I’ve seen My Brightest Diamond plenty of times, but I always thought of Penelope as a one-off – solely an album collaboration.  A very good album collaboration, but an album collaboration nonetheless.

I only found out about the one-night only show with Portland’s FearNoMusic chamber ensemble about two weeks ago, but I bought I ticket without consulting my calendar.  Luckily nothing was on my calendar… but honestly, if something had been, I would have had to change my plans anyway.

The show was as gorgeous as the record,if not more.  Quite moving and amazing to hear in the room: the strings, the horns, the woodwinds, the powerful voice.  There is a lot of pain in the words, but also a hope in starting over… blown over by the wind, turned over by the tide.  At least that’s what I take out of it.  It left me with hope.

Setlist: ~70 mins

  • The Stranger with the Face of a Man I Loved
  • This Is What You’re Like
  • The Honeyed Fruit
  • The Lotus Eaters [music video]
  • Nausicaa
  • Circe and the Hanged Man
  • I Died of Waiting
  • Home
  • Dead Friend
  • Calypso
  • And Then You Shall Be Lost Indeed
  • Open Hands
  • Baby Teeth, Bones, and Bullets
  • As He Looks Out to Sea
  • Encore: Be Brave

Shara Worden’s stunning vocal delivery was joined by FearNoMusic conducted by Katherine FitzGibbon with Inés Voglar, violin; Joël Belgique, viola; Nancy Ives, cello; Alicia Paulsen, flute; Mark Dubac, clarinet; Leander Star, French horn; Jeffrey Work, trumpet; Dan Balmer, guitar; and Sergio Carreño, drum set and percussion.

Shara kicked off her heels (literally) for the encore MBD song.  I’m glad that Shara played at least one tune from her own catalog… but honestly, it wasn’t needed.  Penelope worked on so many great levels in a live setting.

There are a few more Penelope dates scheduled… Minnesota, Indiana, and New York so far.  Check out Sarah Kirkland-Snider’s events page.

The Appropriate Linkage:

And, I promise, I’ll get my gosh-darn “Best Of 2012” list posted soon… I’m horrible this time.  The next show for me is Ben Folds Five @ Roseland (Portland) on 2/5.

~Dan – np: Tomahawk – Oddfellows
Tomahawk - Oddfellows

REVIEW: Erik Friedlander plays John Zorn’s Masada Book Two @ the Shedd (Eugene, OR – 1/8/11)

9th Jan 11 (Sun) 5 comments

FYI… PHOTOS of the SHOW at the BOTTOM

NYC-based cellist Erik Friedlander is a favorite musician of mine.  I have only a handful of his solo works, but he shows up in the subtlest of places… I mean, if I do a quick search for “Friedlander” in my iTunes, I show 32 and a half hours of music (Tzadik Records & DMG are a key component of my monthly music budget).  He has worked with Courtney Love, Dar Williams, the Mountain Goats and many more… but I primarily know his work in the NYC jazz & avant-garde scene: Dave Douglas, Ikue Mori/Death Praxis, Jamie Saft, Yuka Honda, Wadada Leo Smith, Tim Sparks, Ned Rothenberg, and of course… John Zorn.

With John Zorn, Erik has been involved in several Masada incarnations, notably the Masada String Trio (with Greg Cohen & Mark Feldman) and the Bar Kokhba Sextet.  When John Zorn was done writing music for the original acoustic Masada Quartet, he sat down and penned over 300 songs that became the Masada Book Two: Book of Angels.  I’ve talked a lot about Masada Book Two on this blog… it is the most consistently amazing set of music out on Tzadik (John Zorn’s 503(c)3 record label).  MBT is essentially John Zorn’s Masada tunes, covered by those around him.  Some of my favorites are Secret Chiefs 3’s Xaphan, Bar Kokhba Sextet’s Lucifer, and Medeski Martin & Wood’s Zaebos… but quite honestly, all sixteen releases (to date) have been stunning and essential.

Erik was one of the early invites to the Masasa Book Two Club… releasing Volac (volume 8 in 2005).  The John G. Shedd Institute for the Arts in Eugene commissioned Erik Friedlander to come in a perform these Volac songs last night.  I had seen Erik in Portland in 2009 with his photography & music piece – Block Ice & Propane (his music set to his father Lee Friedlander’s photography); so I knew Erik would deliver a wonderful performance.  Set-up in the Shedd Recital Hall, just off the courtyard, Erik went on around 7:40 and entranced us with his playing…

He was playing his carbon-fiber “alien cello.”  I imagine that was his easiest axe to bring for a two-night Seattle & Eugene weekend before heading back home.  Its sound was quite similar to a wooden cello – at least to my untrained ears.  Per Erik, it’s not as ornery or sensitive as a wooden cello.

The Masada songs have a definitive Jewish klezmer feel in points of the melodies.  Erik’s arrangements and playing definitely bring in a chamber music and jazz improviser aspect to the Volac songs.  He played roughly half of the songs bowed, and the rest either plucked or strummed.  Switching between the styles for each song for the most part – as is one of John Zorn’s “rules” which Erik joked about.  Hush, don’t tell John, but Erik acknowledged that he broke a few “rules” during the night.

Setlist: about 70 minutes

  • Harhazial
  • Yeruel
  • Ylrng
  • Haseha
  • Sannul
  • Rachsiel
  • Kadal
  • Anahel (the 1st written by Zorn for MBT)
  • Zumiel
  • Ahaniel
  • Zawar
  • Encore: Sidriel

Essentially the entire Volac album, just in a different order. Erik doesn’t make it out to the Pacific Northwest as much as I’d like, but when he does make it out, I’m going.  If you love cello or other chamber music – you should go, too!  Nary a disappointment. Oh, also check out his free podcast First Light which features a weekly early morning improvisation.

more photos below

The Appropriate Linkage:

Next show for me… Reptet (jazz combo from Seattle) at Luckey’s in Eugene, Friday, January 14th!

~Dan – np: Nine Inch NailsGhosts I-IV

ERIK FRIEDLANDER PHOTOS
all pictures (cc) 2011 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

Erik Friedlander to play John Zorn (1/8/2011 in Eugene, OR)

3rd Dec 10 (Fri) Leave a comment

New York cellist Erik Friedlander is coming back to Oregon.  I saw him last year in Portland performing his Block Ice and Propane songs.  This time, he’s coming to Eugene to play his songs from John Zorn‘s Masada Book Two: Volac.

The solo cello show will be Saturday, January 8, 2011 @ 7:30 at the John G. Shedd Institute for the Arts in Eugene, Oregon.

Tickets are on-sale now.  For more info:

http://theshedd.org/divP/series.aspx?event=1868

Check out the album, Masada Book Two: Book of Angels, Vol. 8 (Volac)…

~Dan – np: My Brightest DiamondA Thousand Sharks Teeth

Sufjan’s The BQE

16th Sep 09 (Wed) Leave a comment

So… I’ve heard the new CD from Sufjan Stevens, called The BQE.  (Thanks Asthmatic Kitty for the pre-release download.Wow. No vocals, but very much a Sufjan album, though.  The instrumentation borders on classic Sufjan instrumentals from Illinoise and Michigan (specifically the flute trills) mixed with more conservative chamber music (piano, strings, horns, tympani, et al).  It also jumps into a very Enjoy Your Rabbit moment with “Movement IV – Traffic Shock.”

AK DOWNLOAD: Sufjan Stevens – Movement VI–Isorhythmic Night Dance with Interchanges (FREE MP3)

The BQE tracklist

  1. Prelude on the Esplanade (2:56)
  2. Introductory Fanfare for the Hooper Heroes (1:07)
  3. Movement I–In the Countenance of Kings (5:19)
  4. Movement II–Sleeping Invader (4:34)
  5. Interlude I–Dream Sequence in Subi Circumnavigation (3:33)
  6. Movement III–Linear Tableau with Intersecting Surprise (4:09)
  7. Movement IV–Traffic Shock (3:24)
  8. Movement V–Self-Organizing Emergent Patterns (3:45)
  9. Interlude II–Subi Power Waltz (0:28)
  10. Interlude III–Invisible Accidents (0:54)
  11. Movement VI–Isorhythmic Night Dance with Interchanges (3:17)
  12. Movement VII (Finale)–The Emperor of Centrifuge (3:51)
  13. Postlude–Critical Mass (2:59)

I think it fits very well within Sufjan’s oeuvre.  A fan of his instrumental tunes interspersed within his State’s records should truly enjoy The BQE.  The limited edition, which is on order for me, has presumably a lush packaging with a full-color booklet accompanying the vinyl.  I can’t wait to crack it open…

It’s available for pre-order from Amazon and Asthmatic Kitty (and other eTailers):

Amazon CD/DVD ~ LINK
Amazon limited edition vinyl ~
LINK
AKitty CD/DVD ~ LINK
AKitty limited edition vinyl ~ LINK

~*~*~*~*~

And a complete side-note, Opeth frontman Mikael Åkerfeldt is planning releasing a Nick Drake-ish acoustic solo album (Blabbermouth link).  Man, I love music.  Seriously.  Frank was right.  It’s the best.

~Dan – np: Sufjan StevensThe BQE

no free downloads or torrents here

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