Bill Maher’s Religulous

(click for larger poster images)
Well, I saw Bill Maher & Larry Charles‘ Religulous yesterday afternoon… and while it was the third weekend in theaters, there were more people in attendance than the opening weekend of Expelled (same theater in Eugene, same time of day). Hmmm…
Anyway, funny funny funny movie. Of course, considering the subject matter, there’s a wealth of comedic opportunity. While it is primarily making fun of religion by talking down at its followers; well, there are some good points made. Obviously, I’m biased, though… I like Bill Maher, and I tend to side with him in many areas. Meh… sue me.
Check it out if it’s playing near you, or when it hits the DVD shelves.
If you like Bill Maher, you can get his HBO show Real Time for free as a podcast… check it out here (iTunes link).
~Dan – np: Goddamn Electric Bill – Topics for Gossip

PS- sidenote / unrelated…
Fox News has nothing better to talk about than magazine touch-ups, as they are effectively on the wrong side on the issues when it comes to the constituents… might as well talk about magazine close-ups of former beauty queens:
Sigur Rós photos (Portland 10/6/08)
Sigur Rós pictures from the Portland show on Monday, October 6th are now posted over at my review of the show:
https://jazzsick.wordpress.com/2008/10/07/sigur-ros-pdx2008/
REVIEW: Trio Subtonic @ Lewis & Clark College (Portland, OR – – 10/9/08)
Quick review… I didn’t make it to Jo Fed’s in Eugene a few weeks ago to see Portland jazz group, Trio Subtonic. Alas, they were playing in Portland last night, and I was in town for work.

(camera phones are kinda pointless)
Trio Subtonic are a piano/bass/drums jazz trio… in the same vein as Medeski Martin & Wood (to give you a frame of reference). What I’ve heard on record is really groove oriented jazz with keys, samples, etc. Last night was more organic, acoustic jazz (i.e.- still a nice groove, but with acoustic piano). They were recording the show at Lewis & Clark College for a future release. I stayed through the first break (about an hour), and of the songs that they announced, I caught: Not There, Subtronics, Why Are the Mountains Crying, and Kaleidoscoping. They played three or four others of which I didn’t catch the names.
Catch them if you’re in Portland or if they swing through your town… they were quite enjoyable. Check out their music below:
The Appropriate Linkage:
~Dan
Glen Phillips “oops. ouch.”
Reposted from Glen Phillips’s blog…
never sit on a glass coffee table, even on the edge of one, the metal part which looks like it can support your weight that you’ve sat on before and seen others sit on. it will break and you will fall into the glass, deeply cutting your arm so that you’ll have to cancel the first few shows (at least) of the upcoming tour.
which means: i need to see a hand specialist in the next few days and find out what can be done to make my left hand work properly again. i also need to get mr kingham to learn to play all my songs, as i dont think i’ll be able to play guitar for a while. i’ll keep you informed as i know more about the tour and my arm. just to repeat: only the first few shows are currently cancelled. i want to get out and sing for you all as soon as i can
also: special thanks to sean watkins for calling the ambulance, putting a tourniquet on me and reviving me when i passed out from blood loss. he even cleaned up the room. three cheers!
Ouch, indeed. *shudder*
I hope you heal quickly, sir!
~Dan
PS- he’s posted an update… as of 10/12, he thinks he’ll be back on tour by 10/31, not playing guitar, but at least singing. Read more here: http://glenphillips.net/blog/?p=76

Nellie McKay is adorable
This comes from Pop Matters. #15 is classic Nellie quirkiness…
>>>>>>
Singer, songwriter, actor and activist Nellie Mckay calls her music ‘schizophrenic voodoo’. Schizophrenic because she jumps genres – from Tin Pan Alley pop and cabaret to reggae, rap and jazz—voodoo because these elements mysteriously gel with her evocative, playful, and bold lyrics. The fictional character most like her? A mix of Lassie, Scarlett O’Hara, Godzilla and Nancy Drew. These and other reveling facets of her character are discussed with PopMatters 20 Questions.
A contributor to The Onion and The New York Times Book Review, McKay won a Theatre World Award for her portrayal of Polly Peachum in the Broadway production of The Threepenny Opera. She’s written the music and lyrics for the film adaptation of Katherine Arnoldi’s The Amazing True Story of a Teenage Single Mom, and is currently creating the Broadway musical version of the book and movie, Election.
1. The latest book or movie that made you cry?
Richard LaGravenese’s P.S. I Love You – for all the wrong reasons
2. The fictional character most like you?
I’m sort of a mix of Lassie, Scarlett O’Hara, Godzilla and Nancy Drew.
3. The greatest album, ever?
Anything by Toby Keith.
4. Star Trek or Star Wars?
A Star is Born (the first one).
5. Your ideal brain food?
When politics intersect with art.
6. You’re proud of this accomplishment, but why?
Dropping out of college: freethinking sustained by action.
7. You want to be remembered for…?
Being a great guy.
8. Of those who’ve come before, the most inspirational are?
The renegade Jews.
9. The creative masterpiece you wish bore your signature?
Rejuvenate! (It’s Never Too Late) by Eartha Kitt.
10. Your hidden talents…?
I can get really angry and no one can tell.
11. The best piece of advice you actually followed?
Please yourself.
12. The best thing you ever bought, stole, or borrowed?
A typewriter, a house, an idea.
13. You feel best in Armani or Levis or…?
A tent.
14. Your dinner guest at the Ritz would be?
Charo.
15. Time travel: where, when and why?
I wouldn’t want to ruin my illusions, but I would love to live sometime between the ‘20s and the ‘40s in New York, to have an icebox and two roommates, one sassy, with a one-syllable name, and one brainy (me and the sassy one would work on getting the brainy one out of the house, and me and the brainy one would work on the sassy one’s failed relationships with no-good sailors).
All three making a go of it in showbiz, running around from auditions to night club jobs and stopping for a nickel coffee and circling the theatrical ads, and communing at delis and drugstores with my fellow creative types, all of whom would go on to great renown, and maybe stand outside the theater
in the rain and get Lotte Lenya’s autograph, and be given a huge creamy bubble coat from a stage door Johnny who wouldn’t expect anything in return but to take me to dinner (according to Oscar Levant, that was often all they asked). And once in a while our gang would go to Woolworth’s for a big splurge, and we’d sit at the counter and order all the French fries and malts we could manage (these being politically unaware times with regard to animal products, but at least there were no factory farms).
During the holidays we would all troop over to a friend who had an office job and we would have the merriest time at their Christmas party on the 25th floor of some mogul’s extravagant tower, and later we would entertain ourselves just wandering around the Village in the falling snow, and sneaking to the top of the Washington Square arch where we would declare martial law throughout the city and set about writing a brief constitution that we would subsequently tear to bits and sprinkle down on the cops amassing below.
We would be dreadfully hung over the next morning, but we’d be all right because we still had a little orange juice, bread and celery in the icebox and that would tide us over until the next big payday, which was certain to be right around the corner.
That or…I would live in the 1960s and work part time for the national anti-vivisection society while attending marches and student meetings in all my spare time. I would wear a burnt orange/camel colored waistcoat and an old paisley dress and dark stockings with my granny shoes, and carry an old carpet bag which I would cram with flyers, books of poetry and calls to revolution. Long hours would be spent over spaghetti and wine designing our future utopia in which all the pitfalls of the human condition could be avoided with a little foresight and much compassion and forward-thinking.
The problem with evil, we decided, was in its naïveté; if Hitler had realized the Holocaust would not solve all his personal problems, he never would have felt compelled to make it happen. Our future must be grounded in the reality of existence, not over-compensating for miracles that had not and could not occur, or the basic injustice of life, never more obvious than at these meetings themselves, where the pretty people were deified as much if not more than in conventional society.
I would attend every be-in, every concert, absorb every opportunity to learn and grow that I could, all the while wearing my vulnerability with pride, an ability to be hurt not intrinsic to my femaleness but my humanity, not just to my humanity but my status as a living being, as comparable to a blade of grass as to a president.
Eventually I would meet a nice SDS member and raise him up like a puppy, teaching him the tenets of my burgeoning feminism and raising a family in the most organic, honest way possible. This leads to my eventual and complete fulfillment.
16. Stress management: hit man, spa vacation or Prozac?
Ovaltine with Prozac.
17. Essential to life: coffee, vodka, cigarettes, chocolate, or…?
Parcheesi.
18. Environ of choice: city or country, and where on the map?
Doesn’t matter, polluted’s good. It’s over.
19. What do you want to say to the leader of your country?
What leader?
20. Last but certainly not least, what are you working on, now?
Bringing it all back home.
REVIEW: Sigur Rós @ Arlene Schnitzer Hall (Portland, OR – – 10/6/08)
FYI… PHOTOS of the SHOW are at the BOTTOM
This was my third time to the Arlene Schnitzer Hall. It’s a great venue, and while I thought I would have gotten a better ticket via ordering from Klink (the Sigur merch site)… well, I was further to the back and left than I would have liked. It was still a good spot for pics and hearing some wonderful music.

The opener, Parachutes, is a band I got into sometime in 2007 due to a linkage to Sigur Rós via the MySpaces. I was excited to see them on the bill. They were obviously influenced by Sigur Rós. I mean… obviously. But in my world, that’s not a bad thing. They had 8 or 9 players, and at one point I know 10 people were playing with them. Again, very Sigur Rós-y, slow build, xylophone, strings, bombastic drums, keys, soft vocals. They played about 40 minutes, and I enjoyed them very much. I picked up their EP for $5 (usð)… i.e.- a steal. Unfortunately, my pics of theirs didn’t come out, as they didn’t have as much light on stage as Sigur Rós.
Now on to Sigur Rós…
Sigur Rós was… Sigur Rós. This was my 5th time seeing them, and while some may consider there to be the law of diminishing returns, with Sigur Rós the diminishments are such minutae that it’s not even diminishing anymore. Their shows are like taking a nap on a cloud during a rainstorm… or something. It’s completely surreal, mesmerizing, powerful, gentle, sublime, and… shiny.

(not my pic… obviously)
It’s funny to me, that with their non-English song names and their non-English singing… I still knew about half of the song titles within the first few chords. I think it’s osmosis or something, as I’ll admit that I don’t listen to them all that often (or often enough to know all of their song names). Anyway, thanks to the SR forum, I was able to fill in the remainder of the setlist (see below)…

10/6/08 Portland Setlist: (as noted on the SR forum)
- Svefn-g-englar *fav of show*
- Glósóli
- Ný batterí *fav of show*
- Fljótavík *
- Við spilum endalaust *
- Hoppípolla *fav of show*
- Með blóðnasir
- Inní mér syngur vitleysingur *
- Svo Hljótt
- Heysátan
- E-bow – on setlist, not played
- Viðrar vel til loftárása – on setlist, not played
- Sæglópur
- Festival *
- Gobbledigook * *fav of show – confetti kaboom*
- encore: All Alright *
- Popplagið *fav of show*
* For pronunciations of the songs and album name from their most recent album, Með suð í eyrum við spilum endalaust, go HERE (blog link with audio).
Overall, this was an amazing time. Every time I see Sigur Rós, I am blown away. This was their 2nd to last date on the North American tour (and their last date in the United States for this tour); so they’ve been getting a lot of practice lately. They were on top of their game, and put together an amazingly mesmerizing show
The Appropriate Linkage:
- http://www.sigur-ros.co.uk/
- http://www.myspace.com/sigurros
- http://www.myspace.com/parachutesmakesongs (the opener)
- Sigur Rós @ NYC MoMA (46 minute pro-shot concert video)
- Official Video for “Gobbledigook” (1st single – video contains nudity)
- Official Video for “Inní mér syngur vitleysingur” (2nd single – from concert footage)
~Dan – recently played: Yoshie Fruchter – Pitom

SIGUR ROS CONCERT PHOTOS
all pictures (cc) 2008 Daniel Temmesfeld,
you may use freely under a creative commons attribution
Aimee Mann / Nellie McKay
Aimee Mann has a Daytrotter Session up now… four songs, in-studio for FREE…
http://daytrotter.com/article/1447/aimee-mann
1) Freeway 2) Thirty One Today 3) Phoenix 4) Little Tornado
Past Daytrotter Sessions I’ve blogged about (and dug):
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Nellie McKay has an Uncensored Interview session up…
http://www.uncensoredinterview.com/artists/343-Nellie-McKay
Former Uncensored Interviews I’ve dug:
The Renewed Mind is the Key
Christ*.
*– was. never. this. white. The last minute of this vid is… well, it’s classic.
Apparently The Soup knows about this, too…
Next blog post… Sigur Ros review (the show is tomorrow in Portland).
Monty’s Rockcast / Palin Debate Flowchart & Duck Hunt / Holy Fuck on CBC Radio Q
Well, three unrelated topics… Monty Colvin’s podcast, the VP debate, and Holy Fuck on CBC Radio Q…
Monty Colvin, bassist/ songwriter/ backing singer from Galactic Cowboys and multi-instrumentalist/ lead vocals/ songwriter from Crunchy, has a podcast. If you’re a fan of Galactic Cowboys (GC), King’s X, or guys who say “um” and “stuff” a lot… check it out. As a big GC fan, episode #2 was really good… great insights to the making of the self-titled debut. He’s only up to episode #3, but I look forward to more Rockcasts. Keep it up, Monty!
“And a great podcast fell upon the ground… hmmm…”
-Wylde Silas Tomkyn
Subscribe here: itpc://web.me.com/montycolvin/Site/PODCASTS/rss.xml
Check out his webpage: http://www.montycolvin.com/
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Speaking of podcasts (ok, I guess they were related topics), I just got through the 10/2/08 Vice Presidential Debate on my iPod (I wasn’t around to watch the debate) between Joe Biden and Sarah Palin.

Well, all I can say it… “you betcha” is starting to sound like a bad cartoon catch phrase, Sarah.

So, Dick Cheney‘s only bad decision was shooting his friend in the face? That’s what she said. Really, Sarah Palin?
Really?
No… really?
Sigh… I just hope this doesn’t turn out poorly… for us all… not just “Joe Sixpack and Hockey Moms.”
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OK, back to something that cheers me up… because as much as I like to hear my politicians mispronounce “nuclear” (it’s not new-cue-lar), I like hearing post-rock, organic-electronic band Holy Fuck MUCH MORE… they play “Lovely Allen” and “Royal Gregory” on Canada’s CBC Radio Q hosted by Jian Ghomeshi.

The CBC Radio Q podcast is located HERE (the 10/3/08 show is one with Holy Fuck playing live — they’ve been interviewed on it before, but as far as I know, not playing live).
Bleh… sorry for my run-on, parenthetical sentence (as I like to do)… the podcast link is HERE (iTunes link) or HERE (CBC web mp3-link).
REVIEW: Branford Marsalis & Philarmonia Brasileira @ Hult Center (Eugene, OR – – 10/2/08)

I first got into (Grammy Award-winning saxophonist) Branford Marsalis when I sat through the 10-disc (20 hour) Ken Burns JAZZ documentary that I got from the University of Oregon Library. Let’s just say that I spent a lot of rainy spring weekends watching these discs and getting more into the roots of jazz when there wasn’t anything to do outside. Prior to this, my jazz experience was more on the avant-garde side of things (with John Zorn), with occasional listenings of Charlie Parker, John Coltrane, Miles Davis, Charles Mingus, Thelonious Monk, Ornette Coleman, et cetera. The JAZZ documentary series opened my eyes to many more beautiful jazz greats, both past on as well as those still alive and kicking.
Branford’s brother, trumpeter/band leader Wynton Marsalis, was prominently featured in that documentary as a historian of sorts as well as a leader in the current jazz movement. Branford also popped up in several spots. That set up my familiarity with the “Marsalis” name… then I started getting more into Wynton’s music, as well as picking up some Branford here and there. When I saw that Branford was coming to Eugene with a Brazilian music meets jazz concert – – well, I jumped at the tickets.
This was my first concert at the Hult Center (and thus the Silva Theater). I
t’s a very gorgeous facility, and I hope I can make it here for a Eugene Symphony Orchestra or other great show in the future. The Silva Theater at the Hult is similar to venues like the Aronoff in Cincinnati or the Palace in Columbus (i.e. – a great big, ornate concert hall). I also got to check out the Mayor’s Art Show at the Jacob Gallery. It had some great stuff in it, but alas, no jewelry art. I’m still wondering why my wife and her co-worker’s great pieces didn’t make it in the show.
The musical program for tonight was Branford and the Philarmonia Brasileira conducted by Gil Jardim, celebrating the music of Heitor Villa-Lobos 49 years after his death. It was Branford & the PB’s first show of the 40-day tour. They had met only the day (or two) prior. With that being said, it was unnoticeable. They were ON…
A Heitor Villa-Lobos celebration! Program
(the following was a change from the printed program – updates from the Hult Program Director)
- Philarmonia Brasileira only playing Abertura Concertante: dedicated to Aaron Copland (by Camargo Guarnieri)
- Philarmonia Brasileira joined by Branford Marsalis playing Fantasia for Saxophone (soprano) and piano or orchestra (1949 by Heitor Villa-Lobos) *a fave of the night*
i. Animé
ii. Lent
iii. Trés Animé
- La Creation du Monde, op 81 (1923 by Darius Mihaud)
i. Overture
ii. The Chaos Before Creation
iii. The slowly lifting darkness, the creation of trees, plants, insects, birds and beasts
iv. Man and woman created
v. The desire of man and woman
vi. The closing section (coda) the man and woman kiss
< < intermission > >
- Bachianas Brasileiras no 9 (1945 by Heitor Villa-Lobos)
i. Prelude: Vagaroso e mistico
ii. Fugue: Poco apressado - Scaramouche for Saxophone (alto) and Piano op. 165c (1937 by Darius Mihaud) *a fave of the night*
iii. Vif
iv. Modere
v. Brazileira - Bachianas Brasileiras no 5 (1938 by Heitor Villa-Lobos)
i. Aria (Cantilena)
ii. Dança (Martelo)
——————— - Encore #1 (title not given)
- Encore #2 (title not given)
The Philarmonia Brasileira was quite amazing. They swapped out members and instruments for each piece, and all 8 pieces of the night had a different feel. It was much more enjoyable than I was expecting (and I was expecting it to be quite enjoyable to start). Several of the pieces were a full orchestra, several were more string-oriented, some with piano & orchestra, one with just piano and Branford, and some with more of an exotica with Brazilian percussion. Branford was also quite great / amazing. This was definitely a more classical sax setting, but he did break loose in a more “jazz way” on the song with just him and piano. I hear he comes through often (from a Veg Club friend); so I hope to see him again in the future.
All in all = A-freakin-plus.
The Appropriate Linkage:
~Dan – np: Medeski Martin & Wood play John Zorn’s Masada Book Two – Zaebos

The Rest of the Branford Marsalis & Philarmonia Brasileira Tour
October 2008
03 – Seattle, WA – Benaroya Hall
05 – Stanford, CA – Stanford Memorial Hall
06 – Modesto, CA – Mary Stuart Rogers Theater
08 – San Bernardino, CA – Riverside Municipal Auditorium
09 – San Luis Obispo, CA – Christopher Cohan Center
10 – Los Angeles, CA – Royce Hall Auditorium/UCLA
11 – Orange County, CA – Segerstrom Concert Hall
13 – Santa Fe, NM – Lensic Theatre
14 – Albuquerque, NM – Popejoy Hall
16 – Lufkin, TX – Angelina Center for the Arts
18 – Fayetteville, AR – Walton Arts Center
19 – Overland Park, KS – Yardley Hall Carlsen Center
20 – Conway, AR – Reynolds Performance Hall
22 – Milwaukee, WI – The Kuttemperoor Auditorium
23 – Detroit, MI – Music Hall Center for the Performing Arts
24 – Wheaton, IL – Edman Memorial Chapel
25 – Minneapolis, MN – Orchestra Hall
26 – Winona, MN – Winona Middle School Auditorium
28 – Storrs, CT – Jorgensen Auditorium
30 – Ithaca, NY – Bailey Hall Auditorium/Cornell
November 2008
01 – Bronx, NY – Lehman Center for the Performing Arts
02 – Stony Brook, NY – Staller Center for the Arts
05 – Newport News, VA – Ferguson Center for the Arts
06 – Durham, NC – Page Auditorium/Duke
07 – Rockville, MD – Robert E. Parilla Performing Arts Center
09 – Birmingham, AL – Stephens Center for the Performing Arts
The Roster for the Philarmonia Brasileira
Conductor
Gil Jardim
Violin
Esdras Silva
Cinthia Zanco
Daniel Stein
Flavio Meyer
Gilberto Paganini
Maria Brandào Neto
Natalia Visona
Paula Vazquez
Pedro Gobeth
Viola
Glesse Colleti
Mariana Jelen
Cello
Marisa Silveira
Ji Shim
Doublebass
Neimar Dias
Flute
Maria Carvalho
Clarissa Andrade
Clarinet
Marcos Junior
Marcelo Silverio
Bassoon
Erick Ariga
Horn
Michael Alpert
Flavio Faria
Oboe
Alexandre Ficarelli
Trumpet
Wellington dos Santos
Ismael Brandào Neto
Trombone
Sidnei Borgani
Piano
Nahim Marun Fo
Percussion
Vinicius Barros
Glaucia Vidal philharmonic filharmonia brasil brazil brazilian brasilian
PDX Jazz is back…
As previously reported, PDZ Jazz (a not-for-profit responsible for bringing in a great Jazz Festival in the winter) was in a serious bleeding budget situation and shut down operations a little bit ago. Thanks to Alaska Airlines, the City of Portland, and others… well, here’s what JazzPDX said about it…
Today, the Portland Jazz Festival announced that it will return this February, despite recent concerns about sponsorship and funding. As of a couple of weeks ago, the festival was around $100,000 short of their required budget, but with help from Alaska Airlines, the City of Portland, and others, the festival will be able to return in full capacity on February 13th, 2009.
Luciana Lopez at the Oregonian offers more detailed coverage of the announcement. Click here for her article.
Yay!
I ♥ Peter DeFazio (my representative)
I ♥ my house representative, Peter DeFazio.
Sure, the failure of the bailout bill caused the Dow to drop 700+ points in one day on Monday. I’d rather have short-term losses than long-term unchecked corporate greed. We need to find a solution, but the solution brought forward by Henry Paulson and the White House was not the solution.
Back to the drawing board, people.
recent spins
9 recent releases in random order…
Medeski Martin & Wood – Zaebos :: MMW had a song on 2003’s Unknown Masada compilation. That compilation is what I see to be the basis for the whole Masada Book Two set-up (other bands playing Zorn’s new Masada tunes). MMW don’t disappoint on the full-album workings of Masada tunes. While I think I like Secret Chiefs 3’s Xaphan and the Bar Kokhba Sextet’s Lucifer better from this year’s Masada Book Two crop, Zaebos does rocketh much. MMW also has something like 3 more CDs coming out this year… the 1st one due out today (Radiolarians 1) – – and I hope to pick it up at their Eugene gig in mid-November. I am curious about the sales numbers for Zaebos, as I think this is one of Tzadik’s more “mainstream artist” releases (very relatively speaking).
Ani DiFranco – Red Letter Year :: Glow in the dark moon on the front… nice. I also dig the chunky guitars in “Alla This,” a fav of mine from her concerts the past two years or so (recent review HERE). More band oriented, as well as a return to some horns on a few songs… a good move for Ani, IMO. I’ve only made it through the CD twice so far, but it doesn’t seem to have any filler. It’s good to hear the formerly only live tunes done up right in the studio. For a more in-depth review, check out my friend ZSS’s 8th Notes blog HERE.
SF Jazz Collective – Live 2008 :: SF Jazz Collective 2008 features Dave Douglas, Joe Lovano, new MacArthur Fellow Miguel Zenón, and many other great modern jazz talents. The 2008 SF Jazz Collective features original compositions and compositions by Wayne Shorter. Originally planned as a 2-CD set to come out in July, it ended up being a 3-CD set getting bumped back to late Sept/early Oct. It was worth the wait… this is 3 hours of solid new jazz music and solid arrangements of Wayne Shorter’s classics. Favorites from each CD: “Aurora Borealis,” “Secrets of the Code,” and “Aung San Suu Kyi.”
Mitch Hedberg – Do You Believe in Gosh? :: A good remembrance of one of the funniest guys who used to like to stay at the hotel with the two trees. It’s only around 40 minutes, but it doesn’t contain many misses or duplicates from his prior offerings. Short, but sweet.
Hotel Lights – Firecracker People :: Darren Jesse (former drummer of Ben Folds Five) wrote one of the best songs on BFF’s final record (“Magic” from The Unauthorized Biography of Reinhold Messner). In Hotel Lights, he takes up the guitar, piano, and songwriting torch and delivers from indie pop brilliance. Much mellower than BFF material, but in line with the aforementioned “Magic.” This is the Hotel Lights 3rd release… they’re on the indie Bar-None Records. Support indie music.
George Carlin – It’s Bad For Ya :: While he is missed, his legacy lives on. Brutally honest, or funny, or both. He pulls no punches, even at 70 years young.
The Tiptons Sax Quartet – Laws of Motion :: Yay, the Tiptons are coming back to Eugene in December. I got into them late last year, right after they played here. Four sax players, drums, and some great jazz meets world songs. They are based in Seattle… and I think Amy Denio has ties to the Monktail Creative Music Concern and/or Eyvind Kang. Anyway, the Tiptons are in good company. Their Tsunami CD from 2007 made a late entry into my instrumental favs of the year. Laws of Motion has a great shot for this year as well. Indie music alert… support indie music. Check ’em out on CD Baby.
Ben Folds – Way To Normal :: While I wish I could have made it to the Ben Folds Five “Reinhold Messner” reunion show (sponsored by MySpace), I wish Ben Folds Five would just reunite for good. Alas, I suppose two albums by BFF alums in a span on one month isn’t so bad either (see Hotel Lights above). :) While this album is slightly not as solid as recent Ben Folds solo outings (or perhaps he’s just predictable for me nowadays), it’s still a good album. Maybe the super special edition b-sides from the overpriced special boxset fill the album in better. I wasn’t up for paying that kind of coin, though… I’m sure they’ll surface somewhere.
Yoshie Fruchter – Pitom :: One of the more “rock band” efforts in Tzadik’s “Radical Jewish Culture” series. Along with Zakarya & Jon Madof’s Rashanim, this is a welcome addition to the fold. Great guitars and great violin & viola as well. Grounded in Jewish music, yet soaring riffs. I’m looking forward to hearing more and more from this great band.
new post-rock gems
AristeiA – How to Kill a King -EP- :: This band from Portland caught me by storm like the warrior’s prowess that their Iliadic name suggests*. This debut CD is truly great post-rock for fans of Mogwai, Explosions in the Sky, and others in that vein. My favorite track is “Feedback King,” and it’s all-in-all a solid outing. Their packaging of the CD is also quite unique… it’s a hand sewn golden pouch** with oversized liner cards and a paper sleeved CD. It doesn’t fit nicely in my standard rack (between Argyle Park & Arrested Development); but it definitely stands out and shows that they put effort into their record as a whole, not just the music. I’m excited about seeing them live in October when I’m up in Portland for work. Check them out at:
….http://www.myspace.com/aristeiaband
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Talkdemonic – Eyes at Half Mast :: Yet another band from Portland, but I got into them back when I lived in SW Ohio. I finally got a chance to see them live (review link) in February. They are a great two piece that is more on the subtler, gentler side of post-rock. Perhaps “electro-acoustic chamber rock” is their subgenre. :) Anyway, Eyes at Half Mast picks up where their past two records left off… nary a disappointment. I’ve been waiting for this record since they mentioned it as “upcoming” at their show in Feb…
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Mogwai – The Hawk is Howling :: Much more enjoyable to me than their recent tour (review link). I can control the volume… yay! I dig this record A LOT. This Scottish band, or band from Scotland (so all three bands are from places that end in “land”), has put out some consistently great records. This one bounces back from their mellower Zidane with more gusto, more power, yet still retaining the melody. You know… the melody that gets drowned out in their live show (::rolleyes::). Anyway, I think this record will stand up as one of the better releases in 2008.
2008 is a banner year for great instrumental music. Every year I get more and more instrumental music, but this year is shaping up to be the first year ever where instrumental music beats out vocal music on CDs making their way on my shelves (and it’s by a landslide at this point). These three records above are a good indication why I’m leaning towards the vocal-less preference lately.
~Dan – np: Ani Difranco – Red Letter Year

*– gotta love Wikipedia
**– though it is fraying a bit, they could have used some pinking shears***
***– gotta love Wikipedia
Daniel Johns + Luke Steele = Hathaway / Palmer?
Hey, Silverchair fans… check out this update (6/1/2009 news)… (click for update blog)

Silverchair & the Dissociatives frontman Daniel Johns has a new collaboration with Luke
Steele… now called Hathaway/Palmer. Yeah, I don’t understand the name either… As of now, there are no concrete plans to release the “acoustic pop” record, but Chairpage will post any news once they get it.
For people uninitiated with Daniel Johns… he and two school mates, Ben Gillies & Chris Joannou, started the band Silverchair at age 15. What were you doing at age 15?
(no, they’re not Hanson)
Silverchair grew out of their grunge & teen angst and by their third album (Neon Ballroom) started making more diverse music. Their last two albums (Diorama and Young Modern) are two of my favorite albums as of late. Daniel was also in a side project, The Dissociatives, with DJ/keyboardist Paul Mac.
Some choice Daniel Johns’ albums:


For those uninitiated with Luke Steele (like myself), apparently he’s the singer from the Australian band The Sleepy Jackson. His music seems like a good mix with Daniel’s… I’m excited for what’s to come…
From Luke Steele…
“Dan is William Hathaway and I’m Walter Palmer so it’s going to be Hathaway and Palmer,” Steele said. “It kind of started out a White Album thing because we don’t have a band, it was acoustics. And from there it kind of went a bit haywire. It’s pretty pop. I guess it’s quite low down, there’s country songs…”
From the Top of the World

A Reminder
My Brightest Diamond‘s From the Top of the World -EP- is out today on iTunes. It’s the single for the title track plus 3 French songs. Here’s my original post about this release with all of the INFO…
$2.97 if you only want the new songs. But if you don’t have A Thousand Shark’s Teeth, you might as well get that one, too. You know you want to…
~Dan – np: My Brightest Diamond – From the Top of the World















































