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* Favorite Instrumental Albums of 2009 *

31st Dec 09 (Thu) 10 comments

Disclaimer (with a nod to Andy Whitman of Paste): No, I haven’t heard all 8,000+albums released this year. I’ve heard about 200 of them, which makes me at least 97.5% likely to be wrong. I make no claims to objectivity. These albums are my favorites from 2009. You might think that the one you’ve heard that I haven’t heard is the best album of 2009. And you might be right. So go ahead and vent. Enjoy!

As I start this post, I will say that this is all very subjective and really put together for my own purposes. I’ll also state that, yes, some of the music below does have some vocals. For the most part, it’s sequestered to a track or two on a long CD of mostly instrumental goodness. My list, my rules, and/or my breaking of the rules. With that being said, all of the artists below tend to be in the jazz and instrumental frame of reference anyway.

Hopefully my spilling out of music that I like finds interest with someone else. But if not, thanks for stopping by… check out their webpages, SpaceBook pages, yadda yadda yadda. OK, now on to the best of what’s hit my ears this year on the mainly instrumental front…

Honorable mentions: Uri Gurvich‘s The Storyteller, John Zorn‘s Filmworks XXIII: El General, AhleuchatistasOf the Body Prone, Secret Chiefs 3‘s Le Mani Destre Recise Degli Ultimi Uomini (The Severed Right Hands of the Last Men), and Skerik & The Dead Kenny G’s Bewildered Herd.

Osso String QuartetRun Rabbit Run: A Tribute to Sufjan Stevens’ Enjoy Your Rabbit (Asthmatic Kitty) :: I feel lucky that I got to witness the world premiere of Osso playing Sufjan Stevens’ Enjoy Your Rabbit at MusicNOW Fest 2007 in Cincinnati. I think almost immediately after that show, I emailed Asthmatic Kitty to see if they were going to release audio or video of that performance. Little did I know that they’d do me one better by putting Osso into a studio to record the full length stringed tribute. Huzzah! While the novelty of the initial project has worn off for me, the musical arrangements stand firm. I really dig Osso and I’m looking forward to their further collaboration with Sufjan, My Brightest Diamond, or their own pieces.
Mike PattonCrank High Voltage Score (Lions Gate) :: Well, Mike Patton pretty much took a year off of Ipecac stuff due to Faith No More reuniting. I supposed this score satiated me, but I would have loved for Mondo Cane to make its way out the door in 2009 (as was initially promised by Patton himself). Anyway, this album has a couple of vocal tracks, but overall, it features Mike’s voicebox gymnastics and razor-edged composition schizophrenia that I’ve loved since I first got into Mr. Bungle… Fantômas… and the rest of his vast body of work…
Feldman / Caine / Cohen / BaronSecrets (Tzadik) :: This album snuck on me as I was re-listening to my 2009 CDs. It has that klezmer jazz feel as is common in the Tzadik Radical Jewish Culture series, but it also has a much more accessible feel as well. With Uri Caine’s piano in the mix, he almost adds a Vince Guaraldi aspect to the klez-jazz that permeates.
Jónsi & AlexRiceboy Sleeps (indie) :: Sigur Rós is one of my favorite groups, and a few years ago frontman Jónsi started an arty project with his partner Alex. At first it was a hand-printed notebook and a few musical things on MySpace, but it transformed into a full album as time went along. It’s much more ambient when compared to Sigur Rós – but definitely appeals to fans of Jónsi’s main band. In other news… they have a raw, vegan cookbook PDF on their website (for free)… holy cow… I’m totally gonna make some raw strawberry pie when the season comes around. That and many other recipes look flippin’ delicious… much like the music. Yeah, this is a music blog, right? Sorry for my drooling over “Icelandic rockstar” recipe books.
Wadada Leo Smith with Jack DeJohnetteAmerica (Tzadik) :: I love trumpet… I have some of Wadada’s other work, and I usually find it to be hit or miss. I wasn’t coming in with a lot of preconceptions or whetted appetite about this album, and after the first spin, I loved it. It’s fairly sparse sonically, with only Wadada on trumpet & flugelhorn and Jack on drums. The sound from his horns is so brilliant and melodic, yet searching. I hope they can get together for a 2nd duo outing sometime soon. This wins my “best surprise” award for instrumental albums in 2009.
The Fantastic Terrific MunkleMusic To Dance To (Jazz Groove Australia) :: I got into the Fantastic Terrific Munkle via band member Julian Curwin, who put out his fantastic Tango Saloon out on Ipecac a few years ago. Munkle and Tango Saloon have similar jazz meets groove meets world music meets danceable rhythms. This one was harder to get, as I had to directly order it from Australia (but at least they accept PayPal in US dollars). I wish I could find similar luck with Tango Saloon’s second album, Transylvania (still no stateside release, and the AUD to USD conversion is killin’ me these days).
900XMusic for Lubbock, 1980 (Asthmatic Kitty) :: I got this download for free from Asthmatic Kitty along with the other Library Catalog Music Series (they’re great in supplying review subjects to music bloggers), and the 900X album simply surpassed the others in the collection, if you ask me. I ended up buying it on vinyl… a great addition to the collection. I don’t know if 900x (or James McAlister dba 900x) have any future plans for further releases of this nature. I hope so.
McTuff (Skerik & Joe Doria)McTuff, Volume 1 (indie) :: Joe Doria’s tribute to Jack McDuff has turned into a great Northwest jazz quartet (and trio when Skerik isn’t available). I’m lucky to have seen them a couple times thus far. Skerik’s sax is fantastic, Doria’s hammond keeps the groove, Lewis’s drums are killer, and Coe’s guitars really know how to burn (which I didn’t really pick up on until the 2nd time seeing them live).
Roberto RodriguezThe First Basket (Tzadik) :: Roberto Rodriguez’s Cuban-meets-Judaic music have been some of my favorites out of Tzadik the last few years… this one was a bit different. It’s a score to a film (of the same name) that follows the history of Jewish basketball… its scope covers klezmer, classical, rock, dixieland, and more. Its variety is what helped this album beat out his other 2009 album from the list this year (Timba Talmud is also really good).

Medeski Martin & WoodRadiolarians II & III (Indirecto) :: Starting in 2008, MMW set out to record three albums back to back to back, heading out on a short tour before each album and going directly into the studio and then out on the road again. They swung through Eugene in late 2008 as part of the Radiolarians III Tour. By that time, only R1 had come out; so the crowd didn’t really know the material being played. They played two sets, one set of experimental meets groove and one set of the eventual R3 material. Near the end of 2009, they released the Evolutionary Boxset (all Radiolarians albums with tons of extras: vinyl/live/remixes/DVDs)… great material from a fantastic groove-oriented jazz band. I’m stoked, as they’re coming through Eugene again in Feb 2010. Yay!
Wynton MarsalisHe and She (EMI Blue Note) :: Wynton is a great trumpet player, puts on a great live show, writes and releases great music, and he’s also a jazz bigot. Sigh.
Eyal Maoz’s EdomHope and Destruction (Tzadik) :: Great Jewish instrumental rock. I dug Eyal’s first album, Edom. It appears he’s made an official band out of it… yay. I don’t have much else to add; so I’ll leave it with Tzadik’s P.R. niblit… “Hope and Destruction presents powerful Jewish rock instrumentals from a cutting edge guitarist who combines the harmonic lyricism of Bill Frisell with the angst and skronk of Marc Ribot.” Ribot and Frisell influences… me likey.
Jon Madof’s RashanimThe Gathering (Tzadik) :: Similar but a bit rockier compared to Eyal Maoz’s Edom, Jon Madof has been on my radar since his first instrumental Jewish rock album, Rashanim (which subsequently turned into the band name similar to Edom’s recent evolution). Anyway, this is Madof’s third album under this band moniker. Guitars, bass, drums… banjo… banjo bass… jaw harp… glockenspiel… melodica… tiple… chonguri… it all sounds great!! Jon also has another band called CircuitBreaker that I’m waiting on with baited breath.
Stabat AkishStabat Akish (Tzadik) :: From Toulouse, France, this is one of those rare Tzadik releases that fits into the “Composer Series” that doesn’t bore me to tears. Don’t get me wrong, there are some gems in the CS catalogue, but most of them are violin noodlers. This is more of the rock band variety of composers. It has elements of French street music (which I witnessed first hand in Toulouse, coincidentally), elements of Zorn’s schizophrenia, and elements of the ever excellent Frank Zappa… thanks to the vibraphone and bass marimba acrobatics.
ZuCarboniferous (Ipecac) :: I got this due to Mike Patton’s involvement… he actually sings on one track (and vocal instrumentation on another). Despite that Patton vocal song, this is definitely an instrumental band and a chiefly instrumental album. Zu is powerful rock from Rome, sometimes lumped in with the math rock scene, sometimes with metal. They have had their hand in the jazz scene in the past, too (their album placed in The Village Voice‘s 2004 jazz poll). This album is my only experience with them, but I hope to get into their diverse and vast back catalogue soon.
SF Jazz CollectiveLive 2009 (SF Jazz) :: SFJC 2010 will not quite be the same… they lost Dave Douglas, Joe Lovano, and Miguel Zenon – all key players in the 2007 through 2009 seasons. This 2009 season was dedicated to the music of McCoy Tyner and also features great compositions by the eight members of the band. It is truly a collective of many great musicians, not just a band fronted by a few.
Tim SparksLittle Princess: Tim Sparks plays Naftule Brandwein (Tzadik) :: A fingerstyle guitar virtuoso, I’d heard Tim on some other Tzadik releases, but I think this one is my favorite of his. This album is a trio of Tim, Cyro Baptista on percussion, and Greg Cohen on bass. I think the added players helped fill out Tim’s sound – which was awesomely virtuosic, but a touch too sparse on prior releases.
Dave DouglasA Single Sky (Greenleaf) :: This was the third of three Dave Douglas releases this year. It features three new Dave Douglas tunes and four rearranged Douglas tunes by Jim McNeely and his Frankfurt Radio Bigband. The entire album has a great big band feel, something I’m a sucker for – obviously. I love Dave Douglas’s prolific nature – 2009 was good to his fans.
John ZornAlhambra Love Songs (Tzadik) :: One of the more accessible albums in Zorn’s catalogue, this is his ode to his favorite San Francisco Bay Area artists and musicians: Vince Guaraldi, Clint Eastwood, David Lynch, Mike Patton, Harry Smith, and more. The music is played by the Rob Burger Trio (Rob + Greg Cohen & Ben Perowsky). The albums leads off with the very Guaraldian tribute to Vince himself – “Mountain View.”
Dave Douglas & Brass EcstasySpirit Moves (Greenleaf) :: Dave Douglas & Brass Ecstasy is coming to Portland / PDX Jazz Fest this coming February! I’m so stoked. This band features Dave on trumpet, Vincent Chancey (French horn), Luis Bonilla (trombone), Marcus Rojas (tuba) and Nasheet Waits (drums). The tuba really adds that bouncy backbone that I love (I’m also a fan of the rockier band Drums & Tuba). Check out DD&BE’s NPR Tiny Desk Concert (video).
Sufjan StevensThe BQE (Asthmatic Kitty) :: It is atrociously difficult to read the lettering on the front cover… maybe as easy as navigating the Brooklyn Queens Expressway in rush hour. This was Sufjan’s first foray into studio album land since the Avalanche (but that was more of a b-side collection of 2005’s Illinoise). Anyway… it’s a moving, 40 minute piece dedicated to NYC’s traffic clusterbomb. It comes with a film to accompany it, and if you get the double-gatefold vinyl, you get a spiffy comic book written by Sufjan and a fantastic full-color booklet. I like it how Sufjan “keeps it weird” when he’s “keeping it real.”
John ZornO’o (Tzadik) :: While the music is stunning, I think longtime Tzadik artwork designer Chippy deserves a ton of credit as well. This album is the band from The Dreamers: Baptista, Baron, Dunn, Ribot, Saft, and Wollesen. It carries on that world music / surf / exotica sound, but adds the element of nature: being a tribute to rare birds (the album is named after an extinct Hawaiian bird).
Tides from NebulaAura (indie from Poland) :: Tides of Nebula is powerful, evocative progressive post-rock goodness from Poland. They have links on their MySpace page on how to get their CD. It’s really, really, really, good. It combines the huge sound from post-rock giants like Explosions in the Sky or Mogwai, but adds a tight edge as well – similar to if Brit progressive rockers Porcupine Tree tweaked some Explosions or Mogwai songs. This is one of those bands and albums that I had no idea about even this summer, and then out of nowhere – BAM! Way up to the top of the pile. I’m looking forward to more from this great group.
Masada Quintet & Joe Lovano play Masada Book Two: Book of Angels, Vol. 12: Stolas (Tzadik) :: The original Masada quartet’s last studio album was in 1999. They continued as a quartet (John Zorn / Dave Douglas / Joey Baron / Greg Cohen) throughout most of the 2000s (I got to see one of their last shows in March 2007). Zorn moved on in the 2000s with writing a 2nd book of Masada tunes, not to be played by Masada, but rather interpreted by other bands. The past 11 albums in this series have been fantastic (Secret Chiefs 3, Medeski Martin & Wood, and the Bar Kokhba Sextet (related-to-but-not-Masada) albums have been my faves). I would never have imagined that Zorn would “allow” Masada to record an album for this Masada Book Two series. Well, he didn’t (sort of). He added pianist Uri Caine and tenor saxophonist Joe Lovano to the mix. A great “supergroup” album!!

Where do I get most of these jazz and other instrumental releases? My #1 favorite source for jazz is Downtown Music Gallery in New York. Manny and Bruce and their great staff are superb… and being the official distributor for John Zorn’s Tzadik doesn’t hurt my affection for them. I usually do a monthly Tzadik order (if the releases strike my fancy), and they have a ton of other non-Tzadik jazz and avant-garde releases as well.

And, no, I’m not affiliated, I don’t get a commission, and beyond my initial “big tax refund / gotta get caught up on Zorn order of 2005,” I haven’t gotten a discount with DMG. I just love and support what they do.

My Other Favorites of 2009 Recaps:

~Dan – np: Brian BorcherdtTorches

Portland Jazz Fest 2010 – huzzah!!!

14th Oct 09 (Wed) Leave a comment

OYG!  The headlining line-up for this coming year’s Portland Jazz Festival is rad.

Thursday, February 25, 7:30pm, Hilton Pavilion Ballroom, Luciana Souza
Friday, February 26, 7:30pm, Newmark Theater, Mingus Big Band
Friday, February 26, 9:30 pm, Norse Hall, In The Country
Saturday, February 27, 3:00pm, Norse Hall, Trygve Seim & Frode Haltli
Saturday, February 27, 7:30pm, Newmark Theater, Dave Holland Quintet
Saturday, February 27, 9:30 pm, Norse Hall, Christian Wallumrød Ensemble
Sunday, February 28, 3:00pm, Newmark Theater, Pharoah Sanders
Sunday, February 28, 7:30pm, Crystal Ballroom, Dave Douglas Brass Ecstasy

I’m definitely going to the Dave Douglas show… and the other bold shows are definitely good possibilities.  More acts to follow in the coming months.  The festival runs February 22-28, 2010.

Tickets go on-sale October 27th at TicketMaster (or October 14th – 10am if you are a PDX Jazz member).

Find out more at:

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A totally unrelated sidenote… Texas band of rock siblings Eisley just released a new EP called Fire Kite (digital only, out Oct 9th).  Album cover looks Jebus-y (or at least it’s geometrically-inclined with potentially religious ambivalence)… DL’ing now… we shall see…

~Dan – np: MegadethEndgame

Dave Douglas – A Single Sky

2nd Oct 09 (Fri) Leave a comment

I got the SF Jazz Collective‘s Live 2009 CD in the mail the other day. It’s a smokin’ hot remembrance for me of the show they put on at The Shedd in February of this year.  The SF Jazz Collective features Dave Douglas, Joe Lovano, Miguel Zenon, and many more great musicians.  The new SFJC CD set put my Dave Douglas 2009 music count up to 7 ¾ hours… that includes the excellent Brass Ecstasy Spirit Moves CD, the BE: On Stage Live series, the Masada Book Two’s New Masada Quintet (with Joe Lovano) playing Stolas, and the SFJC Live 2009.

Well, yesterday I logged in to my Greenleaf Music Subscriber page (as it’s a new month, and I wanted to see if they had any new treats), and they had some samples of the new Dave Douglas A Single Sky CD.  I checked my email, and “bam!” there’s an email notifying me of pre-order status of the new album – due out October 27th (I must have been sleeping).

It features Jim McNeely and the Frankfurt Radio Bigband.  The collaboration offers three new Douglas compositions alongside four works from the Douglas songbook reimagined by McNeely.  Find out more HERE.

~Dan – np: Dave Douglas – “The Presidents” from A Single Sky

Dave Douglas & Brass Ecstasy on NPR’s Tiny Desk Concert

21st Jul 09 (Tue) Leave a comment

Dave Douglas & Brass Ecstasy released Spirit Moves earlier this year, and it is fantastic… one of the best releases of the year so far.  It’s out now on Greenleaf Music (Dave’s label).

Well, yesterday (7/20), their recent Tiny Desk Concert (a great feature on NPR) was posted as streaming video and as part of the NPR: Live Concerts from All Songs Considered Podcast.  From the article… Afterward, I heard a colleague who works elsewhere in the building rave, “I don’t know anything about jazz, but that was amazing!” See, the mere mention of jazz may scare off many, but when you see experts performing as ebulliently as these folks did, it’s hard to remain unmoved.

Click for Streaming on NPR’s site

Click the picture or hotlink above for streaming video on NPR’s site, or search for “NPR: Live Concerts from All Songs Considered” podcast on iTunes or your favorite podcatcher.

Setlist (17:54)

  • “Spirit Moves” (Douglas)
  • “This Love Affair” (Wainwright)
  • “Twilight of the Dogs” (Douglas)

Personnel

  • Dave Douglas, trumpet
  • Luis Bonilla, trombone
  • Vincent Chancey, French horn
  • Marcus Rojas, tuba
  • Nasheet Waits, drums

~Dan – np: Jónsi & AlexRiceboy Sleeps

ha’fway 2009

4th Jul 09 (Sat) 10 comments

Happy 233rd birthday, United States!

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(Sub)consciously prompted by these music blogs, here are my favs of the first half of 2009… it’s all bound to switch around by year’s end:

Artist Album (label)

  1. Dredg – The Pariah, The Parrot, The Delusion (Ohlone)
  2. Masada Quintet + Joe Lovano Masada Book Two: Book of Angels, Vol. 12 ~ Stolas (Tzadik)
  3. OSI Blood (Inside Out Records)
  4. Wussy Wussy (Shake It Records)
  5. Dave Douglas & Brass Ecstasy Spirit Moves (Green Leaf Music)
  6. Wynton Marsalis He and She (EMI / Blue Note)
  7. John Zorn Alhambra: Love Songs (Tzadik)
  8. Regina Spektor Far (Sire / Warner)
  9. Isis Wavering Radiant (Ipecac)
  10. Zu Carboniferous (Ipecac)
  11. Dream Theater Black Clouds & Silver Linings, really only the instrumental disc (Roadrunner)
  12. Jamie Saft Black Shabbis (Tzadik)
  13. Madeleine Peyroux Bare Bones (Rounder)
  14. Secret Chiefs 3 Le Mani Destre Recise Degli Ultimi Uomini (Web of Mimicry)
  15. Ember Swift Lentic :: 子玉 (Few’ll Ignite Sound)

I didn’t get a few that already came out this year… the new Green Day, U2, Placebo, Eminem, Dave Matthews Band, Fever Ray, Crank 2 soundtrack (by Mike Patton).  I’m waiting for them to be cheaper used, but they may make it to the list at the end of the year.

The 2nd half of 2009 promises to bring some potential great ones, too… John Zorn’s O’o, Medeski Martin & Wood Radiolarians 3, Mike Patton’s Mondo Cane (possibly by November), Secret Chiefs 3 Book of Souls (maybe), a new Sufjan Stevens (just speculating, since it’s been a while), Ani DiFranco always has something coming out, Jon Madof’s CircuitBreaker debut (maybe) & another Rashanim, The Tango Saloon’s Transylvania (stateside release?), new Tristeza, Over the Rhine Live from Nowhere IV, George Hrab ‘s 6th album Trebuchet, Derek Webb‘s Stockholm Syndrome, SFJazz 2009 with Dave Douglas & Joe Lovano and others, A Perfect Circle internet only single releases (as mentioned back here), and a new Tool record (they’ve worked on it some, but I doubt it’ll hit until 2010)… and I’m sure another dozen or more that I’ll dig from Tzadik.

~Dan  – np: Cut ChemistThe Audience’s Listening

again… Happy 233rd birthday, United States!


This July 4th, celebrate Sarah Palin resigning as Alaskan governor!

tons of news

12th Jun 09 (Fri) Leave a comment

Nine Stories!

In this episode: The new Masada Quintet with special guest Joe Lovano, the Jenny Owen Youngs‘ video that I somehow missed, Nellie McKay‘s Election musical, Fanfarlo for $1, the deaths of JazzTimes & Jeff Hanson, the resurrection of Futurama, a new Wussy video, and Asthmatic Kitty’s most excellent Library Catalog Music Series

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The new Masada Quintet with special guest Joe Lovano just came out for June on Tzadik Records.  It’s the original Masada Quartet (John Zorn on alto sax, Dave Douglas on trumpet, Greg Cohen on bass & Joey Baron on drums) plus pianist Uri Caine… plus special guest tenor sax Joe Lovano.  Holy cow!!!  It’s the first official studio release from the Masada Quartet since 1999’s י [Yod] (or 2005 if you count the unreleased/rarities compilation Sanhedrin).  This album is bound to be at the top of my “best of” list for 2009.

This video from Jenny Owen Youngs came out in September 2007.  How did I miss it?  It’s a brilliant singer-songwriter cover of rapper Nelly‘s “Hot in Herre” (so take off all your clothes).  I bought the iTunes single… great stuff:

Nellie McKay is writing a musical based on the book/movie Election.  Read more about it over on Brooklyn Vegan blog.

Fanfarlo just put on their debut album, Reservoir, for $1.  Fanfarlo is a London-based band founded by Swedish musician Simon Balthazar.  Nice textured indie pop… think Sigur Rós meets Sufjan Stevens.  The album, in full, is available for only $1.00 until July 4th, 2009 at http://www.fanfarlo.com/.

The economy took another print-media victim.  This time it’s the death (or “temporary suspension”) of JazzTimes magazine.  The 38 year old magazine couldn’t maintain readership in the new era of online content.  It’s a sad day, as it was a great magazine.  I hope it’s able to come back later in some form or another under new ownership, as mentioned in the Howard Mandel article.

Whispy singer-songwriter Jeff Hanson died last Saturday (6/5) after an accidental fall on his cement-floored apartment in St. Paul, MN. Jeff was known for his feminine vocal style and songwriting/sound similar to late indie rocker Elliott Smith (who also died young).  He had three great albums out on Kill Rock Stars.  I hate to sound selfish, but I’m bummed I missed him when he recently came through Portland.  We lost another one, far too young…

In “Oh Sweet, Futurama’s On” News, the resurrection of Futurama is eminent.  Much like Family Guy, the popularity soared even after being originally canceled.  Futurama had some straight-to-DVD movies recently, and it will return with new 26 episodes on Comedy Central in the winter 2010.

A favorite band of mine from Cincinnati, Wussy, has a new “acoustic from an RV” video of “Maglite.”  They recently put out their 3rd full length album, and it lives up to the quality and momentum in their prior two albums (plus 1 EP).  Check out the video and then check out the album at Shake It Records:

Asthmatic Kitty’s most excellent Library Catalog Music Series just came out.  The naming of the series sounds… boring.  However, it’s really great instrumental music.  There are three issues thus far: 900X: Music for Lubbock 1980, Law of the Least Effort: Music for Measurements, and Casey Foubert/James McAlister: Music for Drums.  My favorite is the 900X one.  Really, really good electronic, post-rockiness. If you liked a more “sane” version of Sufjan Steven’s Enjoy Your Rabbit, I bet you’d like the LCMS. Check it out at Asthmatic Kitty Records.

~Dan – np: FanfarloReservoir

dredg, radiohead, dave douglas, and a holy eff bailout

19th May 09 (Tue) Leave a comment

dredg‘s new album, The Pariah, the Parrot, the Delusion, is gonna be good great.  Their Portland show in early April was TOPS!  I like “I Don’t Know” better as a lead off, but regardless of what I think, here’s the video for “Information“…

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Radiohead are hitting the studio again to follow-up the revolutionary pay-what-you-want album from 2007, In Rainbows.  Colin said, “it was really good. It was really noisy and chaotic and really fun…. We’re at the stage where we’ve got the big Lego box out and we’ve tipped it out on the floor and we’re looking at all the bits and thinking, what next?”  Read more on the BBC.  I’d post a version of Radiohead’s “Just” done up in Legos, alas it’s been long removed due to terms of service blah blah blah.

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Trumpter Dave Douglas has a new album coming out with his Spirit Moves quartet.  More info over at Greenleaf Music.

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Toronto instrumental rockers Holy Fuck have benefited from the auto bailout.  I’d like to think of my tax dollars going directly to them being able to make album #3; so all-in-all, I’m happy about seeing their music as part of a Chrysler commercial:

~Dan – np: Dave DouglasSpirit Moves (bonus tracks)

REVIEW: SFJazz Collective @ the Shedd (Eugene, OR – – 3/19/09)

20th Mar 09 (Fri) Leave a comment

FYI… PHOTOS of the SHOW at the BOTTOM

This is my second time seeing the SF Jazz Collective.  Last time (Feb 2008) was a tour dedicated to Wayne Shorter.  This time, it was a McCoy Tyner-focused tour.  The same line-up as last year, except for this show we were missing Stefon Harris’ vibraphone playing.  Perhaps he wasn’t able to make it or isn’t in the touring version of the band this spring.  He’s on all of the promo photos.  Regardless, they likely wouldn’t have had room for him, as it was a packed stage at the Shedd with the seven members of this tour: Dave Douglas (on trumpet), Joe Lovano (on tenor sax), Miguel Zenon (on alto sax), Renee Rosnes (on piano), Robin Eubanks (on trombone), Matt Penman (on bass), and Eric Harland (on drums).

The show started promptly at 7:30pm, and the band hit the stage after a short introduction.  I’m getting spoiled with these Shedd shows: no opener, 90-120 minutes – – boom goes the dynamite, and then you’re done and home at a reasonable time (we even got home in time to watch 30 Rock; i.e.- the best show on network TV right now).

The band started in a way quite opposite to what I just told my wife… “oh, SF Jazz isn’t avant-garde, they’re much more poppy / groove-oriented.”  Well, I’d never heard McCoy Tyner, and the first song started out with a bunch of free jazz “noodling” that almost sounded like a warm-up.  I like this kinda of stuff (hey, I’m a big John Zorn fan)… but I looked over at my wife, and she had this look of, “oh, crap, this is gonna be a long night.”  Well, this noodling quickly turned into the swinging, groovy jazz fest that I came to know from the prior SFJC show and their CDs.  So, I think my wife had a good time despite the uncertain start. :)

(Robin, Dave, Matt, Joe)

Setlist:   [solos noted as best I remember… I likely forgot to note some of them]

  • Fly with the Wind   –  by McCoy Tyner, arranged by RR
  • Three Flowers  –  by McCoy Tyner, arranged by MP; solo: DD
  • Yes We Can (Victory Dance)  –  by Robin Eubanks; solo(s): RE, DD, RR
  • Sycamore  –  by Dave Douglas; solo(s): MP, JL, MZ, JL & MZ trade-off
  • Jazz Free  –  by Joe Lovano; solo(s): basically everyone
  • No Filter  –  by Miguel Zenon; solo(s): RE, MZ (was on fire)  (*fave of the night*)
  • Encore: Concensus  –  by McCoy Tyner, arranged by EH; solo: DD

Oddly enough, they had a congo drum over to the right but never used it… well, other than for Miguel to rest his hands on occasion.  Oh well… they treated us to 90 minutes of some great, smokin’ jazz… so, 7 songs over 90 minutes – – you do the math.  The show was a wonderful treat, and I hope they keep this up in the coming years.

The Appropriate Linkage:

~Dan – np: Paul Brody’s Sadawi – Kabbalah Dream

SF JAZZ COLLECTIVE PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

 

Dave Douglas & Brass Ecstasy – Spirit Moves

13th Feb 09 (Fri) 1 comment

This from the latest Greenleaf Music email from trumpeter Dave Douglas

My new recording with Brass Ecstasy, to be titled Spirit Moves, is to be released in the coming months. It’s a thrill to be playing alongside these great brass players: Luis Bonilla, Vincent Chancey, and Marcus Rojas. And the great drummer Nasheet Waits. This is kind of a new deal for me and I’m psyched to get out there and play some dates with the band.

Yay… Dave Douglas’ last studio album, Keystone’s Moonshine, was one of my favorite CDs of 2007 (by far).  And his instant live series in 2006 & 2008 were awesomely jam-packed with great music (21+ hours in total, 11+ hours of non-repeating music among the two years).  So, new music from this trumpeter / bandleader is a-OK with me.  I get to see him next month play with the SFJazz Collective; so it’ll be nice to get that Dave Douglas live fix satiated in 2009. :)

http://www.davedouglas.com/
http://www.greenleafmusic.com/

~Dan – np: That1Guy – Let’s Hear That1Guy

* Favorite Instrumental Albums of 2008 *

29th Dec 08 (Mon) 9 comments

Disclaimer section is again shamelessly plagiarized from Andy Whitman at Paste

Disclaimer #1: No, I haven’t heard all 8,000 albums released this year. I’ve heard about 200 of them, which makes me at least 97.5% likely to be wrong. But hey, this isn’t math class, and I make no claims to objectivity. These albums are my favorites from 2008. You might think that the one you’ve heard that I haven’t heard is the best album of 2008. And you might be right.


Disclaimer #2: Yeah, yeah, yeah. Just get it out of your system now and be done with it. I am deliberately trying to be obscure. Who the hell has even heard of these people? So go ahead and vent, then read Disclaimer #1 again.

My Other Favorites of 2008 Recaps:

  • Fave Concerts of ‘08 are recapped *HERE*
  • Fave EPs/Vinyl/Live/more of ‘08 are recapped *HERE*
  • Fave Vocal Albums ‘08 are recapped *HERE*
  • Old Years: 2007V, 2007I, 2007C, 2006, 2005

As I start this post, I will say that this is all very subjective and really put together for my own purposes.  I’ll also state that, yes, some of the music below does have some vocals.  For the most part, it’s sequestered to a track or two on a long CD of mostly instrumental goodness.  My list, my rules, and/or my breaking of the rules.  With that being said, all of the artists below tend to be in the jazz and instrumental frame of reference anyway.

Hopefully my spilling out of music that I like finds interest with someone else.  But if not, thanks for stopping by… check out their webpages, MySpaces, my fave song recommendations on iTunes (in 30 second bursts), yadda yadda yadda.  OK, now on to the best of what’s hit my ears this year on the mainly instrumental front…

Honorable mentions (aka my list is too jam packed, and I still really love these records, too): Bill Frisell‘s History, Mystery (with Eyvind Kang, Jenny Scheinman, Kenny Wollesen, etc); Charlie Hunter‘s Baboon Strength; John Zorn‘s Filmworks XX & XXI: Sholem Aleichem & Belle de Nature / The New Rijksmuseum; Medeski Martin & Wood‘s Radiolarians I; and Dub Trio‘s Another Sound is Dying.

ReptetChicken or Beef? (Monktail Creative Music Concern) :: I feel like I’ve written too much (especially on my Top 20 Vocal albums blog); so these descriptions / raves might be shorter… we shall see.  Reptet is a great 6-piece jazz band from Seattle.  I heard about them via Jim Wilke’s Jazz Nothwest podcast back in late 2007, when a collaboration of Seattle jazz & avant bands called the Monktail Creative Music Concern played a gig that got aired in its entirety.  Anyway, Reptet is one of my fave bands in the MCMC.  They’re a quirky jazz band with an odd sense of humor.  I dig it… a great, modern brass-forward jazz sextet.  Favorite tracks are “Reptet Score!” and “Eve of Thrieve.” http://www.reptet.com/ -and- http://myspace.com/reptet
Daniel ZamirI Believe (Tzadik) :: I have some of Daniel’s Satlah project, of which I dig a plenty.  This one was outside of the Satlah camp, enlisting NYC scene heavyweights Uri Caine, Greg Cohen, and Joey Baron.  I waffled on including it until I heard it again recently.  It’s really gorgeous.  More on the mellower, nee spiritual, side of the the music coming out of the Radical Jewish Culture series, Zamir really offers up his soprano sax melodies as prayers.  The title of the album and the music really match up perfectly. Favorite tracks are “Poem 10” and “Poem 51/52.” http://tzadik.com/ -and- http://myspace.com/danielzamir
John ZornFilmworks XIX: Dimitri Geller’s The Rain Horse (Tzadik) :: John Zorn put out a handful of Filmworks this year, and all of them are good.  FW XXI would have made it on the list as well, had it not been for the too often used harpsichord in The New Rijksmuseum scoring (the parts for the Belle de Nature score are really gorgeous, though).  Anyway, the Filmworks series are usually some of John Zorn’s most accessible. The Rain Horse is a subtle trio of Erik Friedlander on cello, Greg Cohen on upright bass, and Rob Burger on piano.  Favorite tracks are “Parable of Job” and “Tears of Morning.” http://tzadik.com/ -and- http://myspace.com/johnzorn
TalkdemonicEyes at Half Mast (Arena Rock) :: No, their album cover doesn’t really do the animation thing (a la Tool’s Ænima).  I just couldn’t help using that animated GIF from their MySpace page.  This Portland post-rock duo swung through Eugene at least twice this year.  I caught their brilliant February show.  Their album didn’t come out until later in the year, and it continues in the sound from their prior two albums.  Great electro-acoustic post-rock… drums, viola and electronics. Favorite tracks are “Duality of Deathening” and “Tides in Their Grave.” http://talkdemonic.com/ -and- http://myspace.com/talkdemonicmusicmaking
NIИ Ghosts I-IV (halo) :: Sparse and haunting, Ghosts I-IV reminds me of a soundtrack meets demos for Trent’s next album.  Perhaps that’s where they came from, ideas kicking around in his head.  For a fan of instrumental music, it’s a highly enjoyable 110 minute journey into many different soundscapes.  For the download version, each track has it’s own artwork attached in the file which is a nice addition even though I hate the shift towards the potential eventual demise of the “album.” Favorite tracks are “14” and “31.” http://www.nin.com/ -and- http://myspace.com/nin
Bobby Previte & New BumpSet the Alarm for Monday (Palmetto) :: A new version of Previte’s Bump the Renaissance, this group includes two of my favorite players – – Ellery Eskelin on sax & Steven Bernstein on trumpet.  Drummer Bobby Previte does many projects, some more in the avant-garde scene… but New Bump definitely fits into an accessible range (similar to Coalition of the Willing with Jamie Saft & Skerik).  This album is really “jazz-cinematic” a la a private investigator drama soundtrack perhaps. Favorite tracks are “I’d Advise You Not to Miss Your Train” and “There Was Something In My Drink.” http://www.bobbyprevite.com/ -and- http://myspace.com/previte
Steven BernsteinDiaspora Suite (Tzadik) :: This is Bernstein’s fourth in his Diaspora series for Tzadik’s Radical Jewish Culture, and it very well be my favorite.  It seems much more adventurous than the past efforts, which is what I like about Steven’s trumpet playing and compositions.  I think Suite fits better in with his larger Sex Mob and Millennial Territory Orchestra catalog (but from a decidedly Jewish musical culture standpoint, obviously).  I hope I get a chance to see him sometime… he played in Ohio just after I moved away, and he played in Seattle in November (as part of Earshot Jazz Fest), but being on a Wednesday… well, I didn’t make it up for the show. Favorite tracks are “Zebulon” and “Judah.” http://stevenbernstein.net/ -and- http://myspace.com/stevenbernsteinmusic
AuragamiEsoteric (indie) :: Auragami is a former Dayton, OH, now San Diego-based bass guitarist named Michael Miller.  This album isn’t commercially available, as far as I know.  I know Michael Miller from going to shows around Dayton (and surrounding).  We’ve got a lot of the same leanings with the rock stuff (Galactic Cowboys, King’s X, et cetera), and I’m happy that I made it on his Christmas card list… because the Christmas card list has been a new CD of his for the past few years. Esoteric is a 40-minute record with the melodies, crunch and remix-friendly bass that I’ve come to love about his music.  He also collaborates with others on this album (a personal fave, Mike Georgin, being one of them).  As far as the sound, it’s very much a bass with drum loop affair… some subtle melodies, some heavier/grittiness (a la NIN), and some organic-electronics that fit well with another San Diego artists, The Album Leaf and Goddamn Electric Bill.  Not being commercially available officially, you can check out his music on MySpace and maybe see if he’ll sell you a copy.  It seems to be a crime to not be out there.  Anyway, thanks for the Christmas gift, Michael! Favorite tracks are “Colab” and “Clover.” http://www.myspace.com/auragami
Goddamn Electric BillTopics for Gossip (99X) :: GdEB is a one-man electronic band from San Diego (Jason Torbert is his name), similar in that sense to The Album Leaf, but I’d say GdEB is less ambient and definitely more in the electronic / remix realm when compared to TAL.  GdEB might compare similarly to Frog Pocket, but maybe less… um… buzzy & bleepy.  I don’t know.  I suppose me comparing a little known San Diego electronic artist to another lesser known Scottish electronic artist doesn’t help much.  Check GdEB out for yourself… Favorite tracks are “The Morning Commute” and “The Shallows.” http://www.goddamnelectricbill.com/ -and- http://myspace.com/goddamnelectricbill
Hiromi’s SonicbloomBeyond Standard (Telarc) :: Hiromi Uehara is a freakin’ whiz on the piano.  I got into her with her 2007 CD Time Control after a few clips on BMG’s website (I was trying to round out an order).  Her style is very much a jazz-rock fusion, which I’d almost say the rock element comes from her piano skills rather than the rest of the band.  You wouldn’t expect this sound just based by the cover alone… the 29 year-old Hiromi amidst bright colors.  You’d think it were some Japanese bubblegum pop or something.  Anyway, this is her 2nd Sonicbloom album in as many years.  She played a several date run at the Triple Door in Seattle this past summer.  If she does it again soon, I’m totally making the drive up. Favorite tracks are “Led Boots” and “XYG.” http://www.hiromimusic.com/ -and- http://myspace.com/hiromimusic
Medeski Martin & Wood play John Zorn‘s Masada Book Two – Book of Angels, Vol. 11: Zaebos (Tzadik) :: Medeski Martin & Wood have been in the Tzadik family for a while.  They contributed a track to the Unknown Masada album, which was sort of the initial idea that eventually brought out the Masada Book Two series (i.e.- new, previously unrecorded Masada book tunes not recorded by the Masada quartet).  John Medeski has also appeared on many other Tzadik releases in a studio musician sense.  With that being said, MMW’s inclusion into the Masada Book Two series came as a total shock, though.  I think it was announced in early June ’08 for a July release.  Whereas Secret Chiefs 3’s Masada Book Two release was announced in winter ’07 for a May ’08 release (almost a year and a half).  Anyway, MMW’s Zaebos is a great record.  I’d say it doesn’t rank as high as Xaphan and Lucifer for this year’s releases in that for some reason I don’t think the MMW Masada tunes work as well with their style as the tunes work with Secret Chiefs 3 or Bar Kokhba Sextet’s style.  All said and done, it’s still a brilliant record for 2008 and for both the Masada and MMW catalogs. Favorite tracks are “Chafriel” and “Tutrusa’i.” http://tzadik.com/ -and- http://mmw.net/ -and- http://www.myspace.com/medeskimartinandwood
Tiptons Sax QuartetLaws of Motion (Zipa! Spoot) :: Similar to Reptet, I got into the Tiptons via Jim Wilke’s Jazz Northwest podcast.  I found out about them literally a day after they had been in Eugene in Dec ’07.  D’oh!  Anyway, I believe that this is their 3rd full length CD, though they had some former releases with different members under the name the Billy Tipton Memorial Saxophone Quartet.  They’re an all-woman sax quartet (plus drums) from Seattle.  They’ve got ties to some great jazz musicians & composers (Eyvind Kang & Wayne Horvitz for example).  This album has some vocals, but all in all, it’s a jazz record with a touch of eastern European music (balkan-klezmer per my untrained ears) thrown in. Favorite tracks are “Fallout” and “Number Six.” http://www.tiptonssaxquartet.com/ -and- http://myspace.com/tiptons
Mostly Other People Do the KillingThis is Our Moosic (Hot Cup) :: I saw trumpeter Peter Evans in Eugene in February, and it was a mind-blowing avant-garde set.  This band on the other hand, led by Moppa Elliott, is more of a Sex Mob-influenced jazz funk romp.  Great music from these NY gents.  You can get their albums on CD Baby (please, support indie moosic). Favorite tracks are “The Bats in Belfry” and “Drainlick.” http://www.moppaelliott.com/ -and- http://myspace.com/mostlyotherpeopledothekilling
StebmoStebmo (indie) :: Multi-instrumentalist Steve Moore has played with Earth, Sunn 0))), and enlisted some friends (Eyvind Kang, Matt Chamberlain, Todd Sickafoose, Tucker Martine and more) to help out on his first solo album.  I saw him open for Skerik’s Maelstrom Trio this past spring as well as play with Earth in June.  As mentioned in the live review, his album is a bit like the organic/melodic elements of the Album Leaf mixed with the building nature of an Explosions in the Sky set mixed with a heaping handful of electronic jots & tittles like those that may have hit the Kid A cutting room floor. Favorite tracks are “Dark Circles” and “Waiting Game.” http://stebmo.com/ -and- http://myspace.com/stebmo
John Zorn’s Moonchild Trio (Mike Patton/Joey Baron/Trevor Dunn) – The Crucible (Tzadik) :: This album is a rare December release on Tzadik (since 2000, they’ve taken the month off).  Continuing in the Moonchild Trio’s glossolaliac noise metal theme, this album also adds John Zorn’s wonderful sax trade-off with Mike Patton’s screaming utterances.  Guitarist Marc Ribot also adds very Led Zeppelin riffage on one track (“9×9”).  When the original Moonchild album was released (2006), I thought it was going to be a one off… well, four albums in, I’m definitely hoping it continues a bit more… Favorite tracks are “Almadel” and “Maleficia.” http://tzadik.com/ -and- http://myspace.com/johnzorn
Swami Late Plate (Bobby Previte & Jamie Saft) – Doom Jazz (Veal) :: The album’s title, Doom Jazz, says it all.  This album fits well for fans of Sunn 0))), Earth, Bohren & Der Club of Gore and others in the slow rock, doom, sludge movement.  I find it completely compelling… Favorite tracks are “Malignant Cloud” and “The Bearded Man Cannot Help You.” http://myspace.com/swamilateplate -and- http://myspace.com/doomjazz
God of ShamisenDragon String Attack! (Reptile) :: God of Shamisen is Kevin Kmetz, an I first heard of him when he was playing with world metal band Estradasphere.  He’s also played (briefly) with Secret Chiefs 3.  He’s had a few solo albums, but this year saw GoS release two band efforts: the 7″ vinyl for “The Science Fiction of Ray Bradbury Attack!” and then their full-length debut this past fall.  I picked up this debut at their show in Eugene (go here for my review with pictures).  While it has some minor vocals on a song or two, it’s still primarily a instrumental attack.  Japanese metal fusion… excellent stuff. Favorite tracks are “The Science Fiction of Ray Bradbury Attack!” and the spread across the album in several waves “Dragon String Attack!” http://godofshamisen.com/ -and- http://myspace.com/gos
MogwaiThe Hawk is Howling (Matador) :: Much more enjoyable to me than their recent tour (review link). I can control the volume… yay! I dig this record A LOT. This Scottish band has put out some consistently great records. This one bounces back from their mellower Zidane with more gusto, more power, yet still retaining the melody. You know… the melody that gets drowned out in their live show. Favorite tracks are “I’m Jim Morrison, I’m Dead” and “The Precipice.” http://mogwai.co.uk/ -and- http://myspace.com/mogwai
Yoshie FruchterPitom (Tzadik) :: Wow… I’m definitely looking to more from Yoshie Fruchter in the future.  Like Jon Madof’s Rashanim and Yves Weyh’s Zakarya, Yoshie Fruchter brings in a great rock vibe to the Radical Jewish Culture series. Favorite tracks are “Go Go Golem” and “Lungs and Spleen.” http://tzadik.com/ -and- http://www.yoshiefruchter.com/
SF Jazz Collective 2008 (Dave Douglas, Joe Lovano, Miguel Zenon, and more) – SF Jazz Collective 2008  (Wayne Shorter feature) (SFJAZZ) :: I became a fan of this band because of one man: trumpeter since their 2007 band, Dave Douglas.  I also got to see them this past February at the PDX Jazz Fest (see my combo SF Jazz & Ornette Coleman review here).  This jam-packed 3-CD set is full of Wayne Shorter arrangements and originals by the band members.  It’s a little step on the price by today’s standards, but it helps support the not-for-profit SFJazz organization. Favorite tracks are “Aurora Borealis,” “Secrets of the Code,” and “Aung San Suu Kyi.”
http://sfjazz.org/
John ZornThe Dreamers (Tzadik) :: Played by the Electric Masada band, The Dreamers continues with the motif and accessibility of 2001’s The Gift… mixing world, jazz, exotica, surf and more into a very pleasing John Zorn package.  Combined with the fantastic cute animal art by Chippy, this one will most definitely rank in the top Zorn releases.  I hear it may find its way onto vinyl, or perhaps that’s just me stoking the embers of the rumor house’s fireplace. Favorite tracks are “A Ride On Cottonfair” and “Nekashim.” http://tzadik.com/ -and- http://myspace.com/johnzorn
Jason Schimmel’s Orange Tulip ConspiracyOrange Tulip Conspiracy (Web of Mimicry) :: Jason Schimmel has played with two bands that I love: Estradasphere & Secret Chiefs 3.  This album continues on with Estradasphere’s Palace of Mirrors’ eclectic world music sound, but also brings in a bit of exotica, cinematic sound.  I saw them in Eugene in November, and John Whooley’s sax blew me away as much as Jason’s guitar work. Favorite tracks are “Fall Creek” and “Rendezvous.” http://orangetulipconspiracy.com/ -and- http://www.myspace.com/orangetulipconspiracy
EarthThe Bees Made Honey in the Lion’s Skull (Southern Lord) :: I went to their show at WOW Hall in Eugene in June after getting into Stebmo (see #12 above).  They pretty much played stuff from their latest album.  After the show, I quickly nabbed their prior work from Amazon used (and whatnot).  Great band in the slowcore genre.  They have deep ties to the Seattle scene, co-mingling with Kurt Cobain, the Melvins, Sunn 0))), and others.  In fact, Kurt Cobain even guested on Earth’s 2nd EP, Extra-Capsular Extraction.  With that being said, they’re definitely not grunge, they’re not rock, they’re not metal… they’re what you might call drone rock.  Slow but powerful. Favorite tracks are “Engine of Ruin” and “Rise to Glory.” http://www.thronesanddominions.com/ -and- http://myspace.com/earthofficial
The Bar Kokhba Sextet plays John Zorn‘s Masada Book Two – Book of Angels, Vol. 10: Lucifer (Tzadik) :: The Bar Kokhba Sextet showed up in 1996 as an almost direct spin-off of the Masada book; so them doing a Book Two album was almost a given.  Holy cow, it’s a brilliant record… but I always loved what the Sextet had done previously.  The Sextet is the tour de force of Cyro Baptista, Joey Baron, Greg Cohen, Mark Feldman, Erik Friedlander, and Marc Ribot.  This is one band in my list that I wish I’d seen… I’m crossing my fingers that Earshot Jazz can bring ’em over to the PacNW sometime. Favorite tracks are “Sother” and “Abdiel.” http://tzadik.com/ -and- http://www.last.fm/music/Bar+Kokhba+Sextet
The Secret Chiefs 3 play John Zorn‘s Masada Book Two – Book of Angels, Vol. 9: Xaphan (Tzadik) :: I shant write too much about Xaphan, as I wrote a fairly in-depth review of it back when it came out.  I will say that it aged well and still held the Top spot all year.  It’s a GREAT record.  My main disappointment is that I wish they’d have played some from it at their tour this past fall.  Favorite tracks are “Shoel,” “Bezriel,” and “Balberith.” http://webofmimicry.com/ -and- http://tzadik.com/ -and- http://myspace.com/secretchiefs3

Well, I bought ten (10) John Zorn CDs this year (unless I’m misscounting), and 2 of them didn’t make it anywhere on the list (the Lou Reed & Laurie Anderson improv benefit CD for The Stone NYC & the score for The Last Supper, aka Film Works XXII)… so, you can’t say that I’m totally biased towards John Zorn. :)  Though, I do buy just about everything in his label Tzadik’s Archival series, Key series, and Radical Jewish Culture series (and a handful of the rest of the other series).

What I’m looking forward to in 2009? More great music…

~Dan – np: Miles DavisMiles in the Sky

* Favorite EPs / Vinyl / Live Albums & more of 2008 *

21st Dec 08 (Sun) 9 comments

Before I start… happy 68th birthday to Frank Zappa.  You are missed.  Ya Hozna!

This is sort of a precursor to my “official” Favorites of 2008 blog.  Up later this coming week or two, I’ll post my favorite vocal and favorite instrumental albums of 2008.  I’m still making my way through the re-listening phase.  Yeah, I know, I’m slow (or dedicated? or certifiable?).  I was waiting on a few to show up in my mailbox.  Anyway, on with the music pimping

My Other Favorites of 2008 Recaps:

  • Fave Concerts of ‘08 are recapped *HERE*

Favorite EPs of 2008 (coincidentally all indie artists)
1 Ellery You Did Everything Righthttp://www.ellerymusic.com/
2 Estradasphere The Pegasus Vaulthttp://www.estradasphere.com/
3 Glen Phillips Secrets of the New Explorershttp://www.glenphillips.com/
4 Kim Taylor The Greatest Storyhttp://www.kim-taylor.net/
5 Wussy Rigor Mortishttp://www.wussymusic.com/

Favorite Vinyl of 2008
1 Holy Fuck Lovely Allen 19″ single (7″+12″) – http://www.holyfuckmusic.com/
2 God of Shamisen The Science Fiction of Ray Bradbury Attack! 7″ single – http://www.godofshamisen.com/
3 Puscifer Dozo 7″ single – http://www.puscifer.com/
4 David Bazan (of Pedro the Lion) Jingle Bells / All I Want for Christmas (Christmas 7″) – http://www.davidbazan.com/
5 Puscifer Queen B 7″ single

Favorite Live Albums of 2008
1 Dave Douglas & Keystone Live at the Jazz Standard, April 2008http://www.greenleafmusic.com/ (this was 4 nights, 2 sets each night, 8 hours of music released as “instant live” within 24 hours of each performance… and fantastic)
2 Porcupine Tree We Lost the Skyline EPhttp://www.porcupinetree.com/
3 David Gilmour (of Pink Floyd) Live in Gdańskhttp://www.davidgilmour.com/
4 Ani DiFranco Hamburg Germany, 10.18.07http://www.righteousbabe.com/
5 Tori Amos Live at Montreux 1991 & 1992http://www.toriamos.com/


Favorite Comedy Albums of 2008
1 Flight of the Conchords Flight of the Conchords
2 George Carlin It’s Bad For Ya
3 Mitch Hedberg Do You Believe in Gosh?


Favorite Reissues in 2008
1 Jurassic 5Jurassic 5 11th Anniversary
2 John Zorn, Bill Frisell & George Lewis News for Lulu
3 John Coltrane The Impulse Albums, Vol 2 (including John Coltrane & Johnny Hartman, Impressions, Live at Birdland, Crescent, and A Love Supreme)
4 Ahleuchatistas The Same and the Other
5 Beck Odelay (deluxe edition)


Favorite Debut of 2008
God of Shamisen‘s Dragon String Attack! -and- Ashes Divide‘s Keep Telling Myself It’s Alright

Favorite Internet Only Releases in 2008
Glen Phillips had his hand in both of them… and they’re both free
PloverPlover -and- RemoteTreeChildrenVeteran of the Loudness Wars

Favorite Internet Leaks in 2008
Ben FoldsWay to Normal (fake version of the album leaked by Ben himself) -and-
Sufjan StevensSongs for Christmas, Vol VIII: Astral Inter Planet Space Captain Christmas Infinity Voyage (he made it for family & friends… luckily one of those also let it loose for the rest of us)

Favorite Artwork in 2008
NINGhosts I-IV each song in the download version had it’s own unique artwork attached to it.  Whether studio or nature or electronic, it worked well with this release.

Favorite Packaging / Design in 2008

  • Sigur RósMeð suð í eyrum við spilum endalaust (deluxe edition)
    Steven Wilson Insurgentes (deluxe edition) – Both Sigur Rós and Steven Wilson came out with lush coffee table-sized books that housed the music. Call it an incentive to somewhat combat the illegal downloaders.  I call it great art.
  • Ani DiFranco Red Letter Year – Always a packaging visionary, this one was more subtle than recent efforts… the glow in the dark moon was a nice touch.
  • Metallica Death Magnetic – Not necessarily breaking new ground musically, their packaging for the return to form metal album evokes digging through 6 feet of fresh dirt to see if Lars Ulrich’s drumming sounds better than beating on a metal folding chair.  Thankfully it does… this time.
  • Secret Chiefs 3 plays John Zorn‘s Masada Book Two: Xaphan – I love what Chippy does for Tzadik Records.  The Masada Book Two series artwork and die-cut Star of David with offset colors that poke through is some of her best work.

Favorite “Local” Album of 2008
OK, they’re from Cincinnati and Portland (respectively)… but local enough for me… I’ve got my ears in two locales (the Cincinnati/Dayton scene will probably always have a shot at winning in this category).
Noctaluca‘s Still the Wicked Rest -and- Talkdemonic‘s Eyes at Half Mast

Favorite Soundtrack or Score
Joss Whedon‘s Dr Horrible’s Sing-along Blog -and- Mike Patton‘s A Perfect Place

Favorite Concept Album
Noctaluca‘s Still the Wicked Rest -and- Zakarya‘s The True Story Concerning Martin Behaim

That’s all for now… more coming in the next week…

~Dan – np: CelldwellerSoundtrack for the Voices in My Head

the NMBT

31st Oct 08 (Fri) Leave a comment

In the liners to John Zorn‘s Filmworks XXI album, there’s a little snippet about the new Masada Book Two (NMBT) volume:

The next CD in the Book of Angels series will be the super band of Joe Lovano, Dave Douglas, Uri Caine, Greg Cohen and Joey Baron – Wow ! Watch for it in the spring of 2009.

So, basically… awesome.

Other Masada Book Two posts of mine:

~Dan

recent spins

30th Sep 08 (Tue) 2 comments

9 recent releases in random order…

Medeski Martin & WoodZaebos :: MMW had a song on 2003’s Unknown Masada compilation.  That compilation is what I see to be the basis for the whole Masada Book Two set-up (other bands playing Zorn’s new Masada tunes).  MMW don’t disappoint on the full-album workings of Masada tunes.  While I think I like Secret Chiefs 3’s Xaphan and the Bar Kokhba Sextet’s Lucifer better from this year’s Masada Book Two crop, Zaebos does rocketh much.  MMW also has something like 3 more CDs coming out this year… the 1st one due out today (Radiolarians 1) – – and I hope to pick it up at their Eugene gig in mid-November.  I am curious about the sales numbers for Zaebos, as I think this is one of Tzadik’s more “mainstream artist” releases (very relatively speaking).

Ani DiFrancoRed Letter Year :: Glow in the dark moon on the front… nice.  I also dig the chunky guitars in “Alla This,” a fav of mine from her concerts the past two years or so (recent review HERE).  More band oriented, as well as a return to some horns on a few songs… a good move for Ani, IMO.  I’ve only made it through the CD twice so far, but it doesn’t seem to have any filler.  It’s good to hear the formerly only live tunes done up right in the studio.  For a more in-depth review, check out my friend ZSS’s 8th Notes blog HERE.

SF Jazz CollectiveLive 2008 :: SF Jazz Collective 2008 features Dave Douglas, Joe Lovano, new MacArthur Fellow Miguel Zenón, and many other great modern jazz talents.  The 2008 SF Jazz Collective features original compositions and compositions by Wayne Shorter.  Originally planned as a 2-CD set to come out in July, it ended up being a 3-CD set getting bumped back to late Sept/early Oct.  It was worth the wait… this is 3 hours of solid new jazz music and solid arrangements of Wayne Shorter’s classics.  Favorites from each CD: “Aurora Borealis,” “Secrets of the Code,” and “Aung San Suu Kyi.”

Mitch HedbergDo You Believe in Gosh? :: A good remembrance of one of the funniest guys who used to like to stay at the hotel with the two trees.  It’s only around 40 minutes, but it doesn’t contain many misses or duplicates from his prior offerings.  Short, but sweet.

Hotel LightsFirecracker People :: Darren Jesse (former drummer of Ben Folds Five) wrote one of the best songs on BFF’s final record (“Magic” from The Unauthorized Biography of Reinhold Messner).  In Hotel Lights, he takes up the guitar, piano, and songwriting torch and delivers from indie pop brilliance.  Much mellower than BFF material, but in line with the aforementioned “Magic.”  This is the Hotel Lights 3rd release… they’re on the indie Bar-None Records.  Support indie music.

George CarlinIt’s Bad For Ya :: While he is missed, his legacy lives on.  Brutally honest, or funny, or both.  He pulls no punches, even at 70 years young.

The Tiptons Sax QuartetLaws of Motion :: Yay, the Tiptons are coming back to Eugene in December.  I got into them late last year, right after they played here.  Four sax players, drums, and some great jazz meets world songs.  They are based in Seattle… and I think Amy Denio has ties to the Monktail Creative Music Concern and/or Eyvind Kang.  Anyway, the Tiptons are in good company.  Their Tsunami CD from 2007 made a late entry into my instrumental favs of the year.  Laws of Motion has a great shot for this year as well.  Indie music alert… support indie music.  Check ’em out on CD Baby.

Ben FoldsWay To Normal :: While I wish I could have made it to the Ben Folds Five “Reinhold Messner” reunion show (sponsored by MySpace), I wish Ben Folds Five would just reunite for good.  Alas, I suppose two albums by BFF alums in a span on one month isn’t so bad either (see Hotel Lights above). :)  While this album is slightly not as solid as recent Ben Folds solo outings (or perhaps he’s just predictable for me nowadays), it’s still a good album.  Maybe the super special edition b-sides from the overpriced special boxset fill the album in better.  I wasn’t up for paying that kind of coin, though… I’m sure they’ll surface somewhere.

Yoshie Fruchter – Pitom :: One of the more “rock band” efforts in Tzadik’s “Radical Jewish Culture” series.  Along with Zakarya & Jon Madof’s Rashanim, this is a welcome addition to the fold.  Great guitars and great violin & viola as well.  Grounded in Jewish music, yet soaring riffs.  I’m looking forward to hearing more and more from this great band.

~Dan – np: Ani DifrancoRed Letter Year

did he just say Masada Book THREE?

8th Aug 08 (Fri) Leave a comment

Happy 8/8/8…

Jazz trumpeter/composer/bandleader Dave Douglas posted this on his Greenleaf Music blog today:

In the months since the “Final Acoustic Masada” appearances[1], there have been a number of developments in John Zorn’s presentation of the Masada material. This past week saw a few shows in Europe reflecting this new phase. John’s preference at this point seems to be exposing multiple facets of the Masada music in one night or over the course of a week: from solos to string trio or guitar trio, from various quartets up to sextets and larger, sometimes with electronics. It’s an approach that gets at the real variety and depth found in the book, showing not only how many different kinds of pieces are in it, but how many ways it can be played.

This week saw the first shows of what feels like a whole new band: the Masada acoustic quartet (John Zorn, Dave Douglas, Greg Cohen, Joey Baron), plus Uri Caine on piano and Cyro Baptista[2] on percussion. There was an incredible amount of electricity for what is essentially a totally acoustic band. The new tunes (Book 2, Book of Angels) drive the music in unexpected new directions and provoke unusual instrumental combinations. And the old tunes exploded into completely new territory, each one we played reinventing itself with new improvisational dimensions. At this point I’ve lost track of how many tunes there are. No matter, apparently there is a third book coming[3].

Hells yeah… I may get a chance to see Zorn/Douglas/Cohen/Baron + Caine/Baptista eventually… :D

~Dan – np: ElsianeHybrid

[1]– referring to the acoustic quartet, of which I got to see twice… once at Duke University, once at Lincoln Center in NYC.
[2]– Cyro’s a wicked good, fun percussionist.
[3]– um… fuck yeah…

Radiohead, Italian Mountain Jazz & Tagaq-Patton

17th Jul 08 (Thu) 1 comment

Three unrelated music things that turned my crank (the good way) this week…

Radiohead‘s new, technologically-bitchin’* video for “House of Cards“:

*that’s the technical term. The video was created without the use of a camera.. at all.

Update 7/19/08: The Radiohead video (above) is now downloadable for free from Radiohead’s Dead Air Space blog HERE.

~*~*~*~*~*~*~*~*~*~

Check out where jazz trio Dave Douglas, Donny McCaslin, and Luis Bonilla got to play (Rifugio Antermoia, Trentino, Italy – July 10, 2008 – photo by Max Bacchin):

~*~*~*~*~*~*~*~*~*~

And now for a fun, experimental collaboration between art-noise rocker Mike Patton and Inuit throat singer Tanya Tagaq.

The song is called “Fire-Ikuma,” and it’s from Tagaq’s upcoming album, Auk~Blood. There was an external link to an mp3 sample of the songs… alas, it’s been removed. :( Anyway, it’s a good song… especially if you like experimental, world music with a throat music (or Mike Patton) slant.

Tagaq’s Official Page
Tagaq’s MySpace Page

~Dan – np: RadioheadIn Rainbows

Dave Douglas & Keystone – Live at the Jazz Standard

12th Apr 08 (Sat) Leave a comment

Dave Douglas & Keystone (who made one of my favorite CDs last year) is playing two sets each night for four nights at the Jazz Standard in NYC (April 10th to 13th). Sidenote: I went to the Jazz Standard in March of last year (to see Brian Bromberg‘s Upright All-stars when I was out that way on bidness).

Keystone is: Dave Douglas – trumpet, Marcus Strickland – tenor saxophone, Adam Benjamin – Fender Rhodes, Brad Jones – bass, Gene Lake – drums, and DJ Olive – turntables.

Anyway, eight sets of great jazz… and the cool thing is that Dave Douglas’ Greenleaf Music releases each show (of these special engagements) within 24 hours of the end of the set. So far, four sets and only one repeat song, too. Woot! 8 hours of new Dave Douglas coming my way…

OK, now back to studying…

~Dan – np: Dave Douglas & KeystoneLive at the Jazz Standard, 4/10/08 (early set)

REVIEW: Ornette Coleman and SFJazz Collective @ PDX Jazz fest (Portland – – 2/15/08)

16th Feb 08 (Sat) 3 comments

Gettin’ there… oy… bad “car on fire” accident just outside of Salem. Parking around the venue was wicked bad. It’s near Portland State University… which automatically means “minimal parking options” and there were tons of roads closed for construction… I ended up parking about a mile away. Grabbed a notdog from a hotdog shop en route. It was a yummy spicy Boca variety. Yay! I love living in Oregon — you can actually get a non-meat protein, horseradish-and-ketchup-into-your-system delivery device in a fauxtube-steak format from a fastfood-type outlet.

Anyway, post-dawg… I showed up at the venue at 7:23pm for the 7:30 show. I ran part of the way; so it was a close one…

Ornette Coleman @ the Arlene Schnitzer Concert Hall
The main dude (artistic director) for the PDX Jazz Fest 503(c)(3) looked sorta like James Randi — alas, he wasn’t (he’s Bill Royston). He announced the sponsors: Oregonian A&E, Qwest Communications, and the Portland Trailblazers. My a priori understanding of the Oregonian A&E is that they have TV shows of Criss Angel-types who make your pilate mat and hummus plate disappear while playing indie rock in the background at silly volumes. I might be wrong, though. Qwest Communications is most famously known for providing reasonably-priced, high-speed internets that aren’t available at my address. The Portland Trailblazers play what I understand to be a game called “basketball.” It’s like a big game of team-based ping-pong. Except the table is huge, you stand on it, and the net isn’t in the middle, it’s on the ends of the huge table. Oh, and you can hit the net, but you don’t use paddles. You use your hands!! Oh, and the ball is huge and not made out of plastic. So, the Trailblazers are basically a ping-pong team. Once Mr. Royston got the sponsors out of the way, he introduced SF Jazz’s Joe Lovano who introduced Ornette Coleman

Ornette started playing around 7:40pm… his band wasn’t the band from his last CD (the Pulitzer Prize winning Sound Grammar); and I didn’t get their names, as they weren’t listed in the program. He had a drummer (possibly his son), a guitarist, and two bassists (one upright, one electric). I’m more horrible with Ornette’s song names than just about anyone, though. I do know for a fact that he played “Lonely Woman” (from The Shape of Jazz to Come). I also think he played “Song X.” He only announced one song from the stage (the opener to the set), but he’s got a slight lisp and the mic wasn’t on all the way. It sounded like he said “Buttered Helen.” So, yeah, I don’t know. He and his band played a blistering hour+twentyfive improv set, only stopping briefly prior to the encore. Ornette primarily played his trend-bucking non-metallic white sax. He also played violin (lefty) and trumpet during some songs. It was a brilliant free jazz set all around. I’m thoroughly glad that I got to see this pioneer of the free jazz movement.

I left as the band left the stage the second time… to get to the Newmark Theatre for Round 2 of the PDX Jazz Fest. Luckily the Newmark Theatre is 50 yards away, if that. Which was good, because as I was planning online, Ask.com’s maps… well, they’re utter crap. It said the venues were 1.2 miles away by foot. Wrong!

SF Jazz Collective @ the Newmark Theatre
Mr. Royston announced a new sponsor for this SFJC show: American Airlines. I hear that they are a busline that provides “air vents” for every passenger’s seat. Seems “OK” for a bus trip. I’d rather fly, though. He then introduced The Bad Plus (who I wish I could have seen last week in Eugene, they rock) who introduced the 8-piece SF Jazz Collective

SF Jazz Collective is a group that is commissioned each year to arrange and play the works of a jazz great. Past years have been Ornette Coleman (2004), John Coltrane (2005), Herbie Hancock (2006), and Thelonious Monk (2007). This year’s group arranged Wayne Shorter tunes. I haven’t gotten into Wayne Shorter (yet), but I know he played with Art Blakey, Miles Davis, and he’s on Herbie Hancock’s V.S.O.P.. Oh, I guess I’ve also heard his band Weather Report. So, I lied, I have gotten into him at least through WR and Herbie… Anyway, the SF Jazz Collective build a new repertoire each year based on a jazz great and then they all each write a new tune for the group.

The band for 2008 (links and instruments below) is Joe Lovano, Dave Douglas (one of my fav jazzmen), Stefon Harris, Miguel Zenón, Robin Eubanks, Renee Rosnes, Matt Penman, and Eric Harland. This was Dave’s 2nd season with the group. This show was their first show of the 2008 season, but they were far from rusty. They played for about an hour and half before I left (I had to bail half way through the encore in order to get home by 1am… oy). They announced their songs from stage, and they had a handy-dandy program available, too. Here’s what they played: “Go” [Wayne Shorter: hereafter WS], “Armageddon” [WS], “The Angel’s Share” [Matt Penman], “The Year 2008” [Eric Harland], “Black Nile” [WS], “Infant Eyes” [WS], “Secrets of the Code” [Dave Douglas], and the encore was announced by the pianist as “another Wayne Shorter tune that I’m sure you know.” Alas, I didn’t know it. It started out with piano… so I’ll leave it at that.

8 songs, 90 minutes. You do the math (I’ll give you a hint: divide, don’t multiply. Show all work to receive partial credit).

Also in their 2008 repertoire (sets change nightly): Wayne Shorter tunes “Aung San Suu Kyi,” “Diana,” “Footprints,” “El Guacho,” and “Yes or No.” Band member tunes “Aurora Borealis” [Renee Rosnes], “Frontline” [Miguel Zenón], “Road to Dharma” [Stefon Harris], “This That and the Other” [Joe Lovano], and “Breakthrough” [Robin Eubanks].

Oh, I forgot to say… somehow my ticket for SFJC was in the “wheelchair section.” That ruckin’ focked!! I could spread out. Totally luck of the draw on the ticket… but I tain’t complainin’…

The Appropriate Linkage:

yay… Glen Phillips and Belà Fleck next week…

~Dan – np: Charlie Hunter TrioCopperopolis

EDIT (4/7/08): Allaboutjazz.com has a nice review of the Ornette show HERE

* Favorite INSTRUMENTAL Albums of 2007 *

23rd Jan 08 (Wed) 2 comments

I do mainly music-related blogging. I like lots of different musics. If you want to subscribe to my blog, lick here. With your mouse, not your tongue.

My Other Favorites of 2007 Recaps:
Fav Concerts of ’07 are recapped *HERE*
Fav Local / Vinyl / Internet-Only / Podcasts of ’07 are *HERE*
Fav EPs / Compilations / Music DVDs of ’07 are *HERE*

Favorite Instrumental Albums of 2007
Most of what I’m really enjoying lately doesn’t include vocals. Maybe I’m getting sick of normal music, I don’t know. I still love a good pop song, but I’m definitely more into jazz and avant-garde the past two years. That’s why this “Instrumental” list keeps expanding and my “normal” Fav Albums list seems to be shrinking. Alas, here are my favorite instrumental (or largely instrumental) albums of 2007:

1) Holy FuckHoly Fuck LP2 – Brilliant groove-oriented “live electronic” post-rock. I saw these guys (almost twice) in 2007. Brilliant live show, excellent moving melodic-yet-avant-garde songs. Great stuff. Less than fortunate name, I know. Great music, though.

http://www.holyfuckmusic.com/
http://www.myspace.com/holyfuck

2) Dave Douglas & KeystoneMoonshine – A new one from trumpeter/composer Dave Douglas. This CD also includes interactive stuff online (remix source tracks, videos, bonus tracks). Trumpet is one of my favorite jazz instruments, and Dave Douglas is at the forefront of melodic, compositional-meets-improvisational trumpet in the current era.

http://www.davedouglas.com/
http://www.myspace.com/greenleafmusic

3) John ZornSix Litanies for Heliogabalus – A completely powerful noise-rock onslaught from John Zorn’s Moonchild trio (Mike Patton, Trevor Dunn, and Joey Baron) plus a choral, electronics by Ikue Mori, keys from Jamie Saft, and John Zorn himself on saxaphone. This album is not for the faint of heart. It’s all over the place, but completely composed (hard to believe). I saw the trio in Seattle in Nov 2007. It was insane.

http://www.tzadik.com
http://www.myspace.com/theatreofmusicaloptics

4) FloratoneFloratone – This album is a wonderful jazz gem from Matt Chamberlain (who I’ve seen drum for Tori Amos and A Perfect Circle), Bill Frisell (jazz guitarist who needs no intro), Tucker Martine, and Lee Townsend. It also has guest spots from Eyvind Kang (Seattle violinist on my “fav” list), Viktor Krauss, and Ron Miles. This fits with the Barnes & Noble clientele, but it’s enjoyable to a fan of the lower eastside NYC/downtown music scene, too.

http://www.floratone.com/
http://www.myspace.com/floratone

5) Explosions in the SkyAll of a Sudden I Miss Everyone – I have a hard time defining “post rock,” but I know I like it. Ambient, wall of sound, momentous… anyway… Explosions in the Sky fits in well with other post-rock favs of mine like Mogwai, Godspeed! You Black Emperor, Euphone, Boards of Canada, and even the borderline post-rock Sigur Rós. Anyway, EITS is a welcome addition to my collection. All of a Sudden I Miss Everyone is quality, moving ambient music.

http://www.explosionsinthesky.com/
http://www.myspace.com/explosionsinthesky

6) AntibalasSecurity – OK, not entirely instrumental, but probably at least 90% instrumental. Antibalas is an afrobeat band in the mold of Femi Kuti, et al. Driving rhythm, multi-percussionists, horns, guitars, political lyrics (when there is singing). Quality live show, too.

http://www.antibalas.com/
http://www.myspace.com/antibalas

7) The TiptonsTsunami – A sax quartet with drums from Seattle. I just barely missed them when they came through Eugene, but I’ll see ’em next time for sure. Thanks to Jim Wilke’s Jazz NW podcast for getting me into these wonderful musicians.

http://www.tiptonssaxquartet.com/
http://www.myspace.com/tiptons

8 ) The Lithuanian EmpireThe Lithuanian Empire – Funky horn-based klezmer jazz. Klezmer music is really interesting. I’m going to blame John Zorn’s Masada quartet and Tzadik label for my fondess. The Lithuanian Empire isn’t connected with Zorn in any business sense, but they connected with my ears. Great stuff…

http://www.thelithuanianempire.com/
http://www.myspace.com/thelithuanianempire

9) Ric HordinskiThe Silence of Everything Yearned For – Ric Hordinski knows how to put layers of guitar down that build slowly, smooth throughout, and hit you with a wall of sound when you’re not paying attention. He’s a true midwest treasure. I’m gonna miss him now that I’ve moved across country.

http://www.richordinski.com/
http://www.myspace.com/richordinskimusic

10) IncubusLook Alive – OK, this was a shock. Incubus isn’t an instrumental band. They’ve got a fabulous vocalist, Brandon Boyd. This CD was merely a bonus CD with the concert DVD. It contains 11 tracks of musical joy (plus 6 bonus live tracks with vocals, which are good too). These 11 tracks really show off the band’s music writing. I knew guitarist Mike Einziger could write some great instrumental jams (based on 2003’s Time Lapse Consortium live album), and I’m glad he and the band are still up to the vocal-less challenge, even though they’ve got one of my favorite vocalists in rock music today.

http://www.enjoyincubus.com/
http://www.myspace.com/incubus

11) Method of DefianceInamorata – A flood of avant-garde mayhem unleashed by Bill Laswell. A mix of music collaborations (whether intentioned or illegal) from usual Laswell friends Buckethead, John Zorn (& Zorn’s Masada Strings), Bootsy… but also unlikely mixes with Herbie Hancock, Pharoah Sanders, and more… masterful and avant-garde, heavy industrial and ambient meets jazz.

http://www.myspace.com/methodofdefiance

12) Hiromi’s SonicbloomTime Control – Cutting edge piano-based jazz on the primarily classical Telarc label. Hiromi runs circles around her tight band. a very enjoyable disc… I’m almost embarrassed that I didn’t pay for it (the BMG club system = awesomes).

http://www.hiromimusic.com/
http://www.myspace.com/hiromimusic

13) For a Minor ReflectionReistu Þig Við, Sólin Er Komin Á Loft… – A band from Iceland that is on the same foreign label and same audio approach as another band from Iceland, Sigur Rós. For a Minor Reflection are one of my “best surprises” of the year. They even sent me the CD for free. I said I liked their sound from the MySpace player, and I think they were trying to break into the U.S. or something. I don’t know. I dig their sound a lot, though. Just don’t ask me to pronounce their album title…

http://www.myspace.com/foraminorreflection

14) John Zorn played by Marc RibotMasada Book Two: Book of Angels, Vol. 7 (Asmodeus) – A spastic take on new Masada tunes, not unlike Marc Ribot’s other guitar adventures on John’s Tzadik label.

http://www.tzadik.com
http://www.myspace.com/marcribotmusic
http://www.myspace.com/marcribotsceramicdog

15) Pocket Change4 – Blues based jazz/funk from Seattle. They play Eugene every once in a while, too… I hope I can check ’em out the next time they’re here.

http://www.pchangemusic.com/
http://www.myspace.com/pocketchangefunk

16) Ned RothenbergSync with Strings: Inner Diaspora – A moving set of Jewish music on Zorn’s Radical Jewish Culture category on Tzadik. This set also features string-masters Mark Feldman and Erik Friedlander (who are part of Zorn’s Masada Strings group, among other Zorn incarnations).

http://www.tzadik.com
http://www.myspace.com/nedrothenberg

17) John Zorn played by Erik FriedlanderMasada Book Two: Book of Angels, Vol. 8 (Volac) – A quite moving set of arrangements on new Masada tunes. I’m really enjoying the Masada Book Two songs and the concept of having different artists tackle each batch makes for some interesting listening. I’m still waiting for the Secret Chiefs 3 one, though… next year…

http://www.tzadik.com
http://www.myspace.com/erikfriedlander

18 ) Boris MalkovskyTime Petah-Tiqva – Klez-classical, but hard-edged in spots (not heavy, though).

http://www.tzadik.com
http://www.myspace.com/borismalkovsky

19) Alex KontorovichDeep Minor – More klez-jazz. Again, it strikes my fancy. Sue me. :-)

http://www.myspace.com/deepminor

20) Kenny WernerLawn Chair Society – Piano based jazz with Dave Douglas on trumpet & Chris Potter on sax. You had me at Dave Douglas, and Chris Potter made me a fan earlier in 2007 when I saw a show at Raymond Walter’s College in a north Cincinnati suburb. Anyway, Kenny’s piano playing is quite a feast as well.

http://kennywerner.com/

honorable mentions:
Brian Bromberg
Downright Upright / Jonny Greenwood (of Radiohead)There Will Be Blood -soundtrack- / Eyvind KangThe Yelm Sessions / Medeski & MartinMago / Rob Price Quartet (with Trevor Dunn, Ellery Eskelin, Jim Black)I Really Do Not See the Signal

myspace/brianbrombergmyspace/radioheadmyspace/eyvindkangeyvindmyspace/martinmedeskigutbrain.com/

I feel bad due to some likely gems didn’t make their way into my basket this year… David Buchbinder‘s Odessa/Havana, Anat Cohen, et cetera… but I guess you gotta stop somewhere and just make a damn list (or at least I do…).

The “regular” list in a week or so… it’s slow goin’ this year…

~Dan – np: Nellie McKayObligatory Villagers

Another Wave of Fave (2007)

19th Jan 08 (Sat) Leave a comment

My Other Favorites of 2007 Recaps:
* Fav Concerts of ’07 are recapped *HERE*
* Fav Local / Vinyl / Internet-Only / Podcasts of ’07 are *HERE*

Well, this “Round 3” is decidedly less flashy (sans pics)… I’ve got too much homework to do to be putzing around on my 2007 pontifications… :-) I have included MySpace links for artists represented on MySpace, whether officially or fictionally represented (just click their names and check out their stuff).

Favorite EPs

1) Porcupine TreeNil Recurring
2) Holy FuckHoly Fuck
3) Kelly EvansEasy
4) The Album LeafGreen Tour
5) Auragami+/-
6) SiaLady Croissant
7t) Sarah MasenMagic That Works
7t) Sarah Masen – A History of Lights and Shadows
7t) Sarah Masen – Woman’s Work is Alchemy
8 ) MúmThe Peel Session

Favorite Compilations/Re-issues
1) Secret Chiefs 3Path of Most Resistance: In History and Presence
2) Ani DiFrancoCanon
3) Sigur RósHvarf-Heim
4) Peter MulveyNotes From Elsewhere : solo acoustic
5) Derek WebbOne Zero (Acoustic & Remixes)
hm) Nick DrakeFamily Tree

Favorite Live Albums
1) Dave Douglas QuintetLive at the Jazz Standard
2) Ken AndrewsNever Say Never – Tour CD
3) ElleryWhat I’ve Said Out Loud
4) Dub TrioCool Out and Coexist
5) The Cracow Klezmer BandRemembrance: Live in Warsaw
hm) Ani DiFranco – Boston, 11.10.06
hm) Over the RhineLive from Nowhere Farm, Volume Two

Favorite Music-related DVDs (huge tie for 5th, obviously a rigged election… or a sign of getting too many DVD for xmas from family)
1) Sigur Rós – Heima
2) SilverchairAcross the Great Divide
3) That1Guy and the Magic PipeLive in the Land of OZ (late-late 2006 release)
4) Ellery – An Evening with Ellery
5t) Ben FoldsLive at MySpace
5t) EstradaspherePalace of Mirrors Live
5t) IncubusLook Alive
5t) Kaada / PattonLive

My final two rounds (Fave Instrumental & Fave Vocal Albums) should be posted next week or so. Yeah, I know. Whatever. :-)

~Dan – np: CrunchyLoserville

Ornette Coleman -and- Dave Douglas (YAY!)

11th Jan 08 (Fri) Leave a comment

I may have a rare opportunity to see both free jazz pioneer Ornette Coleman and current compositional/improvisational personal favorite Dave Douglas (playing with the SF Jazz Collective) on the same day. The Portland Jazz Festival is next month. Woot! Now I gotta see if I can swing it with the wife. *crossing fingers*

Ornette Coleman is a revolutionary saxophonist and a major influence on one of my favorite musicians of all-time (John Zorn). Ornette’s 1959 release, The Shape of Jazz to Come, is remarkable.

Dave Douglas is a brilliant modern composer/horn player. My first exposure to him was with John Zorn’s composed, yet improvisational-driven, klez-jazz quartet Masada. I quick fell in love with his trumpet sounds. His solo work and groups as band leader (Keystone, DD Quintet, etc) are fantastic modern improvisation jazz.

Re: the PDX Jazz Fest… my wife and I are going to the Bela Fleck and the Flecktones show where they’re playing with the Oregon Symphony Orchestra near the end of the fest (Feb 23rd). That should be great (I saw a similar show in Columbus-OH with the BF&tF and the Promusica Chamber Orchestra). Jazz pianist Anat Cohen is playing that same day (but way earlier in the afternoon)… and I know I can’t work that into our schedule… sadly. She’s good…

~Dan – np: Ornette ColemanThe Shape of Jazz to Come