\\\ the future of living-room improvisational music ///
OK, so… this blog is a nod to this blog… similar concept (music on the table).
Musical Furnishings
http://www.musicalfurnishings.com/
A future house of ours will have one of these.
~Dan – np: Zappa Plays Zappa – Live in Japan (Jan 2008)
purty video
Holy Fuck’s “Lovely Allen” from Holy Fuck LP2
(it starts 20 seconds in… I don’t know why the gap…)
http://www.myspace.com/holyfuck
http://www.holyfuckmusic.com/
Post-rock brilliance… with a groove your grandma can dance to, but a name she won’t. ;-)
~Dan
REVIEW: That1Guy & Buckethead @ McDonald Theatre (Eugene, OR – – 3/22/08)
’twas an oddrocker double bill yesterday… That1Guy and Buckethead.
This was my fourth time seeing Mr. 1Guy. My review of his show last fall is here. That1Guy started right after 9pm and played for just about an hour. He started out with the haunting strings of “Forgotten Whales” (a song that actually made it on our wedding CDs for the dinner… teehee). He played a lot of instrumental tracks on the magic pipe (a big metal pipe jacked up on electricity), but he also did “Buttmachine,” “Weasel Pot Pie,” and “The Moon is Disgusting.” I kinda wish he would’a done “One,” alas he didn’t. He pulled out the magic boot (a cowboy boot jacked up on electricity)… it’s got a nice tabla-like sound. He also pulled out the magic saw (a large saw jacked up on electricity) and played “Somewhere Over the Rainbow.” A couple times in his set he went to a very repetitive place, alas, still an overall great show from That1Guy. Check him out sometime if he comes to your town… todays show was a solid 4.5 stars.
Check out some videos of That1Guy (click the pictures)…
Live in Oz:
One:
Buttmachine:
Buckethead went on at 10:30pm. This was my third time seeing him, and my wife’s first time. I was bummed with no live band backing him. He played along to drum & bass & ’lectronic DAT tracks… that were TOO LOUD. It was too hard to hear him play his guitar half the time. Plus the live band atmosphere is much better. Anyway, he started out with “Jump Man/Night of the Slunk”… played a bunch of other stuff… also played “Stick Pit”… we had to leave 45 minutes in. The volume levels were PAINFUL (and we had earplugs in)… but not so much the guitar volume levels, mainly the backing tracks… ::sigh:: Guitars: 4.5 stars… everything else: 2 stars… so much so that it was unenjoyable past 45 minutes. I totally missed the potential for his patented nun-chuk robot dancing.
I hope to see him again soon (July in Dayton with my brother, maybe)… I hope he has his band back with him.
The appropriate linkage:
Easter ?!
Easter ?!
I hardly even know her.
Happy Oestre! Happy Solstice!
~Dan
Drums are too noisy, you’ve got no corners to hide in.
Lagunitas Brewery’s Frank Zappa beer 3… is in my hands (and mouf)…
Behold, the Lumpy Gravy Ale… a tribute to the 40 year anniv of the album of the same name (sans “ale”)…
FZ beer 4 (We’re Only in it for the Money) comes out in June… at Frank’s level of output, this’ll be 2 specially crafted beer tributes a year. Huzzah!!
FZ beer 1 was Freak Out!, and 2 was Kill Ugly Radio (aka Absolutely Free). I snagged 1 back in 2006… I totally missed 2. I need to track that shiznit down.
~Dan – np: Swami Late Plate (Bobby Previte & Jamie Saft) – Doom Jazz
7 minutes 15 seconds
My favorite 7 minutes and 15 seconds of video…
Always cheers me up…
~Dan
KX 15
So King’s X‘s XV comes out on May 20th… they are one of my favorite rock bands… ever. They’ve got great guitars (Ty Tabor), great bass and vocals (Doug Pinnick), and idiosyncratic-yet-powerful drumming (Jerry Gaskill), and great vocal melodies/harmonies from all three men. They are the godfathers of grunge… mentors/trailblazers to Pearl Jam, Alice in Chains, and the like.
I’ve seen King’s X live upwards of 15 times, and rarely in my hometown (*grin*). The only thing that has kept me from going to their shows would be something like… well… my own wedding rehearsal dinner (*blush*my wife is my favorite*blush*). I hope they hit the PacNW on the next tour… it’s been 3 years since I last saw ’em… I’m jonesin’…
This is, as the name suggests, their fifteenth record (though, my my count, that means the Sneak Preview record, Atlantic Best Of, and the Metal Blade Live All Over the Place record all count… which is fuzzy math, if you ask me). Anyway, they’ve been around as a trio since 1983 (so… 25 years), and that’s an accomplishment in these times.
Their last album before this one was the fantastic Ogre Tones (in 2005). I’d say my favorite five records of theirs are (in chrono order): Gretchen Goes To Nebraska (1989), Dogman (1994), Ear Candy (1996), Please Come Home…Mr. Bulbous (2000), and Ogre Tones (2005). And, in my opinion, you can’t go wrong with any of them (well, OK, Black Like Sunday didn’t float my boat).
I’m really looking forward to this new one, XV. It’s produced by the same guy who did Ogre Tones, Mr. Michael Waggoner. Plus regarding recent output, Doug Pinnick’s solo record from last year (Strum Sum Up) was great.
Anyway, I’ve been buying a lot less music lately since starting the PhD program… and this one, well, I’m looking forward to spending my “ration”… :-)
~Dan – np: An Endless Contortionist – Endless Contortionist Quartet
mini-REVIEW: Slavic Soul Party! @ Cozmic Pizza (Eugene, OR – – 2/28/08)
well, in keeping with an unwritten “review the shows I see” pact… here’s a mini review…
Slavic Soul Party! at Cozmic Pizza on Thursday was fantastic. They went on shortly after 9:30, took a short break, and then started a 2nd set. I had to leave at 11pm (I was heading up to Seattle the next day for school). Anyway, I thoroughly enjoyed their music. They are a 9-piece instrumental band with an occassional singer on a little bit less than half of their songs (the singer was also fantastic). The nine-pieces: drum-mer, snare-drum-mer, tuba-er, trombone-r x 2, trumpet-er x 2, clarinet/saxophon-ist, and accordion-squeezer.
At one point, they invited musicians from UOregon to join them for a song (SSP! taught a ‘master’s class’ that day at the university). With UO musicians, they had 21 people playing a tune, complete with student and band member trumpet solos.
“gypsy funk balkan soul“… Fun stuff… check them out on the MySpaces: http://www.myspace.com/slavicsoulparty
~Dan – np: Osso plays Sufjan on WNYC
a thousand shark’s teeth
update (4/26/2008)
My Brightest Diamond has posted the first sample of the album to come on her MySpace page HERE: http://www.myspace.com/mybrightestdiamond
It’s called “Inside a Boy,” and it quite rocks more than I was expecting (seeing as I heard rumors of this record being more operatically bent). Yay!
~Dan
original post (2/28/2008)
a thousand shark’s teeth… a thousand shark’s teef… a tousand shark’s teet… zähne tausend haifischs… d’les dents mille requins… dientes de mil tiburones…
In an increasingly troubling manner (me being just short of reviewing something before it’s out), here’s another hypothesis (in the alternative form): Shara Worden/My Brightest Diamond‘s upcoming album, A Thousand Shark’s Teeth (Asthmatic Kitty Records), will be a fantastic record.
Shara Worden’s vocals are utterly sublime. It’s quite compelling to witness her singing in a live setting… she brings operatic vocal training to the indie rock scene.
We’ll be able to test the null hypothesis, H0: A Thousand Shark’s Teeth = not fantastic, against the alternative hypothesis starting Tuesday, June 17th (seventeeth?). I imagine we’ll be able to reject the null hypothesis with statistically significant results (p-value < .001).
Yeah, too many accounting research papers for me this week…
MBD: http://www.mybrightestdiamond.com/
MBD on MySp: http://www.myspace.com/mybrightestdiamond
~Dan – np: Drumcorps – Grist
mini-REVIEW: Bela Fleck & Oregon Symphony Orchestra (Portland, OR – – 2/23/08)
Mini-review… we had to leave at the intermission due to a rapid onset illness… alas, still a good music intake (roughly an hour)…
Our seats were in a good spot, and cheap, too… student rates rock! we shuffled in right as it was starting… the Oregon Symphony Orchestra (based in Portland) was led by Gregory Vajda. They played two pieces prior to Béla Fleck and the Flecktones coming on stage… “The Cowboys Overture” (by John Williams) and “An American Treasure” (by Hoagy Carmichael).
Béla Fleck and the Flecktones came on and played two (long) songs by themselves, then they played about 2 or 3 songs with the OSO. It was a fantastic hourlong 1st set. Béla’s got a very non-hillbilly banjo style. :) Sorta classical meets jazz meets rock. The Flecktones are fantastic, too. Victor Wooten is one of the most melodic bassists around… great style. I think he was playing a fretless electric. Jeff Coffin is a great reedman. He played saxophone and did the two-at-a-time trick, too. Fun stuff. And Future Man… well, his drum contraption is crazy (live drums hooked up to a guitar-looking instrument used to triggers them — picture below).
Anyway, great 1st set. We weren’t able to stick around, but it was some good music, what we caught of it…
The Appropriate Linkage:
http://www.orsymphony.org/
http://www.myspace.com/belaflecktones
http://www.myspace.com/victorw0010 (likely unofficial)
http://www.myspace.com/jeffcoffinmutet
http://www.myspace.com/futuremanmusic
~Dan
REVIEW: Glen Phillips & J.Kingham @ W.O.W. Hall (Eugene, OR – – 2/21/08)
All-in-all, it was a very enjoyable evening. The opener was great, and Glen played a great, long set as well. I’ll be brief in my review because I’ve got too much homework… so here goes…
Jonathan Kingham’s set:
I’ll Be the One (nice R&B tune)
All That’s Missing Is You
Every Little Step [Bobby Brown] (fantastic, long free-style rap)
Grace (with Glen on backing vocals)
/ 
Glen Phillips’ set:
Courage
Easier
Return to Me *new on EP* (he’s trying to corner the market on privatized space travel EPs)
Back On My Feet
I Could End This Now (?)
Walk On the Ocean
Drive By
I Still See You As You Are *new band -tbd-*
Rise Up *new band -tbd-* (on Concert to End Slavery compilation)
Brother
(The rest of the songs also had JK on guitar & backing vocals)
Duck and Cover
I Want a New Drug [Huey Lewis]
Solar Flare *new on EP* (the world’s 1st childrens’ song about radiation sickness)
True
Train Wreck (I had no idea this was about a friend on meth… yikes)
Waiting
Released
Last Sunset
Dam Would Break
All I Want
Everything But You
Click on the picture to get Glen’s new CD, Secrets of the New Explorers:
It was a GREAT show all around. If only more people showed up… hrmph… well, there’s always next time he swings through Eugene. Otherwise, we’ll make the trek up to PDX to see him… as we need our occassional Glen fix.
~Dan – np: Estradasphere – The Pegasus Vault -EP-
Letter to America
John Cleese
(Okay, so it wasn’t John Cleese (http://www.snopes.com/politics/satire/revocation.asp). That doesn’t mean it’s not hysterical. Now stop complaining and enjoy your anonymous comedy!)
~Dan – np: Jonathan Kingham – Hardwood Floors
Mark my words… best CD of 2008…
I’m not a bettin’ man, but I’ll bet you a hundred ducks that Secret Chiefs 3‘s Masada Book Two, Volume 9: Xaphan will be one of my favorite CDs of 2008 (likely Top 3 to be safe)… and it’s not even out yet.
Per a recent SC3 blog, it hits April 11th (from Tzadik-direct Downtown Music Gallery) or later in the month at other outlets (April 22nd or so from Amazon, etc), and a “Masada preview” is now posted on their MySpace page.
The Masada Book Two series is comprised of 300 or so songs that John Zorn wrote in the Masada vein, but not for the Masada quartet to play. A different artist arranges and records a handful of these tunes to make them theirs… so far, the results have been great (Marc Ribot, Cracow Klezmer, Koby Israelite to name a few). Xaphan (aka Volume 9 from Secret Chiefs 3) features arranger Trey Spruance, plus musicians from his latest SC3 tour, members from Estradasphere, and more…
http://www.myspace.com/secretchiefs3
Up next in the Masada Book Two series is Volume 10: Lucifer from Bar Kokhba which will likely also hit a top spot on my CDs for 2008. It’s Bar Kokhba’s first studio release since The Circle Maker in 1998.
~Dan – np: Bill Moyer’s Journal podcast interview with Susan Jacoby
REVIEW: Ornette Coleman and SFJazz Collective @ PDX Jazz fest (Portland – – 2/15/08)
Gettin’ there… oy… bad “car on fire” accident just outside of Salem. Parking around the venue was wicked bad. It’s near Portland State University… which automatically means “minimal parking options” and there were tons of roads closed for construction… I ended up parking about a mile away. Grabbed a notdog from a hotdog shop en route. It was a yummy spicy Boca variety. Yay! I love living in Oregon — you can actually get a non-meat protein, horseradish-and-ketchup-into-your-system delivery device in a fauxtube-steak format from a fastfood-type outlet.
Anyway, post-dawg… I showed up at the venue at 7:23pm for the 7:30 show. I ran part of the way; so it was a close one…
Ornette Coleman @ the Arlene Schnitzer Concert Hall
The main dude (artistic director) for the PDX Jazz Fest 503(c)(3) looked sorta like James Randi — alas, he wasn’t (he’s Bill Royston). He announced the sponsors: Oregonian A&E, Qwest Communications, and the Portland Trailblazers. My a priori understanding of the Oregonian A&E is that they have TV shows of Criss Angel-types who make your pilate mat and hummus plate disappear while playing indie rock in the background at silly volumes. I might be wrong, though. Qwest Communications is most famously known for providing reasonably-priced, high-speed internets that aren’t available at my address. The Portland Trailblazers play what I understand to be a game called “basketball.” It’s like a big game of team-based ping-pong. Except the table is huge, you stand on it, and the net isn’t in the middle, it’s on the ends of the huge table. Oh, and you can hit the net, but you don’t use paddles. You use your hands!! Oh, and the ball is huge and not made out of plastic. So, the Trailblazers are basically a ping-pong team. Once Mr. Royston got the sponsors out of the way, he introduced SF Jazz’s Joe Lovano who introduced Ornette Coleman…
Ornette started playing around 7:40pm… his band wasn’t the band from his last CD (the Pulitzer Prize winning Sound Grammar); and I didn’t get their names, as they weren’t listed in the program. He had a drummer (possibly his son), a guitarist, and two bassists (one upright, one electric). I’m more horrible with Ornette’s song names than just about anyone, though. I do know for a fact that he played “Lonely Woman” (from The Shape of Jazz to Come). I also think he played “Song X.” He only announced one song from the stage (the opener to the set), but he’s got a slight lisp and the mic wasn’t on all the way. It sounded like he said “Buttered Helen.” So, yeah, I don’t know. He and his band played a blistering hour+twentyfive improv set, only stopping briefly prior to the encore. Ornette primarily played his trend-bucking non-metallic white sax. He also played violin (lefty) and trumpet during some songs. It was a brilliant free jazz set all around. I’m thoroughly glad that I got to see this pioneer of the free jazz movement.
I left as the band left the stage the second time… to get to the Newmark Theatre for Round 2 of the PDX Jazz Fest. Luckily the Newmark Theatre is 50 yards away, if that. Which was good, because as I was planning online, Ask.com’s maps… well, they’re utter crap. It said the venues were 1.2 miles away by foot. Wrong!
SF Jazz Collective @ the Newmark Theatre
Mr. Royston announced a new sponsor for this SFJC show: American Airlines. I hear that they are a busline that provides “air vents” for every passenger’s seat. Seems “OK” for a bus trip. I’d rather fly, though. He then introduced The Bad Plus (who I wish I could have seen last week in Eugene, they rock) who introduced the 8-piece SF Jazz Collective…
SF Jazz Collective is a group that is commissioned each year to arrange and play the works of a jazz great. Past years have been Ornette Coleman (2004), John Coltrane (2005), Herbie Hancock (2006), and Thelonious Monk (2007). This year’s group arranged Wayne Shorter tunes. I haven’t gotten into Wayne Shorter (yet), but I know he played with Art Blakey, Miles Davis, and he’s on Herbie Hancock’s V.S.O.P.. Oh, I guess I’ve also heard his band Weather Report. So, I lied, I have gotten into him at least through WR and Herbie… Anyway, the SF Jazz Collective build a new repertoire each year based on a jazz great and then they all each write a new tune for the group.
The band for 2008 (links and instruments below) is Joe Lovano, Dave Douglas (one of my fav jazzmen), Stefon Harris, Miguel Zenón, Robin Eubanks, Renee Rosnes, Matt Penman, and Eric Harland. This was Dave’s 2nd season with the group. This show was their first show of the 2008 season, but they were far from rusty. They played for about an hour and half before I left (I had to bail half way through the encore in order to get home by 1am… oy). They announced their songs from stage, and they had a handy-dandy program available, too. Here’s what they played: “Go” [Wayne Shorter: hereafter WS], “Armageddon” [WS], “The Angel’s Share” [Matt Penman], “The Year 2008” [Eric Harland], “Black Nile” [WS], “Infant Eyes” [WS], “Secrets of the Code” [Dave Douglas], and the encore was announced by the pianist as “another Wayne Shorter tune that I’m sure you know.” Alas, I didn’t know it. It started out with piano… so I’ll leave it at that.
8 songs, 90 minutes. You do the math (I’ll give you a hint: divide, don’t multiply. Show all work to receive partial credit).
Also in their 2008 repertoire (sets change nightly): Wayne Shorter tunes “Aung San Suu Kyi,” “Diana,” “Footprints,” “El Guacho,” and “Yes or No.” Band member tunes “Aurora Borealis” [Renee Rosnes], “Frontline” [Miguel Zenón], “Road to Dharma” [Stefon Harris], “This That and the Other” [Joe Lovano], and “Breakthrough” [Robin Eubanks].
Oh, I forgot to say… somehow my ticket for SFJC was in the “wheelchair section.” That ruckin’ focked!! I could spread out. Totally luck of the draw on the ticket… but I tain’t complainin’…
The Appropriate Linkage:
- PDX Jazz
- Ornette Coleman
- Ornette Coleman on MySp
- SFJazz Collective
- Dave Douglas (trumpet)
- Dave Douglas on MySp
- Joe Lovano (tenor sax)
- Miguel Zenón (alto sax) – 2008 MacArthur Foundation Grant recipient
- Stefon Harris (vibraphone)
- Robin Eubanks (trombone)
- Renee Rosnes (piano)
- Matt Penman (bass)
- Eric Harland (drums)
yay… Glen Phillips and Belà Fleck next week…
~Dan – np: Charlie Hunter Trio – Copperopolis
EDIT (4/7/08): Allaboutjazz.com has a nice review of the Ornette show HERE
acawpelha soofy
I love Sufjan Stevens‘ music. Usually a cappella versions of songs are cute, but more of a novelty than anything more. Well, the UPenn Penny Loafers have done a fantastic version of…
Sufjan’s “The Predatory Wasp Of The Palisades Is Out To Get Us!”
(originally from Come On Feel the Illinoise!)
Enjoy!
~Dan
REVIEW: Talkdemonic @ Sam Bond’s Garage (Eugene, OR – – 2/9/08)
Sam Bond’s Garage is a small venue with good pizza and beer on tap. Small venue meant having to show up early (ugh). I showed up at around 8:30 for the 9:30 show. Alas, the band, Talkdemonic, was all set-up and ready to go. Score!
Then… around 9pm three guys walk in, talk to the guy up front, and then go tell Talkdemonic that they are the opener and need to set up. So, Talkdemonic need to move their stuff from the stage so this other band (Heavenly Oceans) can set-up. Unscore?
By 9:50 or so the Heavenly Oceans were playing. They are a three-piece instrumental band from Eugene… guitar, drummer, and percussion/ blowy-toy-piano guy. Kind of a surf-rock-meets-exotica band. To explain (as my wife didn’t know what I was talking about, I figure others won’t either), “exotica” can be easily called “spy movie music” (Ennio Morricone, et al).
Anyway, I dug (the) Heavenly Oceans a-plenty. They sell these their vinyl albums with these things called “compact discs” in them… which is a nice treat for an audiophile who also wants to be able to rip the music to an iPod. :) Alas, I didn’t pick up their record on Saturday (I was short on cash), but I shall hunt it down sometime in the near future… so, not unscore… Score!
Talkdemonic, went on next… I got into them while browsing the racks at Gem City Music in Dayton, Ohio, a few years ago. Talkdemonic is a two-person band from Portland, Oregon. It’s Lisa Molinaro on viola and Kevin O’Connor on drums. They also have a laptop with pre-recorded beats, banjo, whatnot. They also busted out a blowy-toy-piano (what the hell’s it called?). Antithetical to their naming, they are instrumental (not talky) and quite delightful (not demonic*). They play what might be called electroacoustic chamber rock, or post-rock.
They were much rockier than expected… I even had to bust out the earplugs due to scoring such a close seat. :-) I’m horrible with their song names (as I am with most other post-rock outfits). I do know that they played “Final Russian” and “Manhattan ’81.” I also think they played “White Gymnasium” and “Cascade Locks.” They played a great mix of songs, regardless of my knowledge of names (*blush*). They also played some new songs from their forthcoming third record (due out later this year). Seeing as Eugene’s only 1.5-2 hours away from their homebase, I hope I’ll see more of Talkdemonic in the future.
*- assuming a standard definition of “demonic,” mind you… some people do indeed find demonic music delightful. I may even be considered one of those people from time to time.
The required linkage:
http://www.myspace.com/talkdemonicmusicmaking
http://www.myspace.com/heavenlyoceans
Next shows:
* Ornette Coleman @ PDX Jazz Fest, 2/15
* SFJazz Collective (with Dave Douglas, etc) @ PDX Jazz Fest, 2/15
* Glen Phillips (of Toad the Wet Sprocket) @ WOW Hall, 2/21
* Belà Fleck, the Flecktones, and the Oregon Symphony Orchestra @ PDX Jazz Fest, 2/23
word,
Dan – np: Ornette Coleman – the Pulitzer Prize winning Sound Grammar
Free Celldweller
I’ve been a fan of the musician currently known as Celldweller for, geez, who knows how many name changes… :-) Anyway, I thought I already posted a blog along these lines, but I s’pose I haven’t… perhaps I just dreamt it.
Celldweller‘s got a free demo track up on his Fixt Music imprint. Go Here for a free download demo version of “Birthright.” It’s from his upcoming album [1]…
Celldweller started as Brainchild in 1992 (or so), then went by Circle of Dust [2], worked with/produced other hard-industrial acts Argyle Park & Klank, then collaborated with (magician) Criss Angel with Angel Dust [3], then officially started going by Celldweller with his debut in 2003 (Celldweller was the moniker he formerly only used as producer).
His music is what I’d call melodic hard industrial. Very catchy, hooky, danceable, but with a definite edge. He’s totally indie (CDBaby artists represent!)… but regardless of no major label presence, if you’ve watched movie trailers in the past 5 years, you have heard his music (most notably on Spidey trailers).
Anyway, go download a free track. Also, check him out on the MySpaces.
Oh, and rarely can an artist write a song that’s so hooky that I don’t get sick of listening to 3.5+ hours of the same song (remixed)… the Take It & Break It, Volume 2 collection of “Frozen” is stunningly fresh [4] after 3 jam-packed CDs of the. same. song. :-)
~Dan – np: Circle of Dust – Disengage
[1]- 2008? 2009? 2010? No one knows… ;-)
[2]- Disengage is a fabulous record and very similar to Celldweller now, but maybe a touch darker…
[3]- Anyone else remember the Ricky Lake [5] appearance?
[4]- Or stuntingly fresh?
[5]- *shudder*
REVIEW: Peter Evans & Dave Swigart @ Cozmic Pizza (Eugene, OR – – 2/4/08)
Randomingly spotting of a picture of a guy with a trumpet in Eugene Weekly led to quite an enjoyable evening of music. I imagine I’ll be seeing a lot of artists at Cozmic Pizza over the coming years while I’m here in Eugene. I love the beer, pizza, and desserts. And they bring in some great musical talent, and quite frequently get good jazz artists in the door as well. Monday’s show was no different… pizza, beer and jazz.
Opener: Dave Swigart Collective / Quintet / Group / Whathaveyou put on a great set. Dave Swigart is a UO music student, and his ensemble, while young, has some great chops. The quintet (I didn’t write names down) was comprised of Dave Swigart on trumpet, and then a saxophonist, guitarist, upright bassist, and drummer. Dave’s got some MySpace profiles up (here – and here), and I hope to check him out again soon.
The group played for about an hour, playing some standards and originals: “In a Silent Way” (Miles Davis/Joe Zawinul), “The Fragile” (NIN), “Salad Song” (with some nice Zorn-y sax work), “Strange Day,” “Johnsburg, Illinois” (Tom Waits), “Grocery Shop, Funky? A Little?” (smooth), and “Dream Comes Play With Me” (Cuong Vu).
Peter Evans (MySpace – and here – and also here) came on around 10:20pm. I stayed until about 11pm… as he blasted his solo trumpet improv. Being a fan of the downtown (NYC) jazz scene, his experimental solo trumpet was right up my alley. It was a little loud at times (I was too close to a speaker), but luckily I had my Hearos—. He played one continuous onslaught that can best be described as this:
Great show all around… I wish I could have stayed longer, alas it was a school night…
~Dan – np: David Buchbinder – Odessa/Havana
* Favorite VOCAL Albums of 2007 *
My Other Favorites of 2007 Recaps:
Fav Concerts of ’07 are recapped *HERE*
Fav Local / Vinyl / Internet-Only / Podcasts of ’07 are *HERE*
Fav EPs / Compilations / Music DVDs of ’07 are *HERE*
Fav Instrumental Albums of ’07 are *HERE*
Favorite Vocal Albums of 2007
1) Silverchair – Young Modern – Daniel Johns, leader of Silverchair, is one of my rock heroes. On Young Modern, he and the boys didn’t disappoint. This album is a continuation of the feel from Diorama, but perhaps more cohesive. Diorama was fantastic (A++), but this one seems less disjointed. Best album of the year, by far.
http://www.chairpage.com/
http://www.myspace.com/silverchair
2) Radiohead – In Rainbows – This is a quintessential Radiohead album. Check out my track-by-track review HERE.
http://www.radiohead.com/
http://www.myspace.com/radiohead
3) Elliott Smith – New Moon – I had many of the songs on this double-CD already from the demo stockpile on the internets, but this collection also had many new tunes from my favorite long lost songwriter. His death affected me more than any other “celebrity.” His words really cut through, and I’m glad that his unreleased music still made its way out.
http://www.sweetadeline.net
http://www.myspace.com/elliottsmithnewmoon
4) Ken Andrews – Secrets of the Lost Satellite – Another rock hero of mine… I got into Ken Andrews via Chroma Key (Ken’s 1st On record was highly talked about by CK’s Kevin Moore, or Kevin was touring with Ken). Anyway, this newest solo album is a bit like On but also a bit like Failure & Year of the Rabbit. You can’t go wrong in my book, Ken. Some great hooky hardrock.
http://www.kenandrews.com/
http://www.myspace.com/kenandrews
5) Puscifer – V is for Vagina – Another Maynard James Keenan side project. His main band (Tool) is still my favorite of his artistic outlets, but Puscifer has a really good vibe. Poor choice in album title (in my opinion), but I realize that it’s a stand against censorship (which I support.. meaning I support the stand against, not the actual censorship). Alas, the packaging for this album wins the Best Packaging Award for 2007. It’s built like an emergency airline pamphlet… and it’s quite hilarious. Kudos, Maynard!
http://www.puscifer.com/
http://www.myspace.com/censorshipisacancer
6) Iron & Wine – The Shepherd’s Dog – Hush-toned singer-songwriter tour de force. Gritty and witty, subtle brutally honest lyrics. Nice story telling…
http://www.ironandwine.com/
http://www.myspace.com/ironandwine
7) Dug Pinnick (of king’s X) – Strum Sum Up – I love Dug/Doug. This is by far his best album. Great songs, and the extended jams are exciting, too (I kinda was disappointed when I first heard of the idea, but loved it once I heard the music). Wally Farkas (of the Galactic Cowboys) and Hal Sparks helped out on this record.
http://www.dugpinnick.com/
http://www.myspace.com/dugpinnickpoundhound
8 ) Michael Kelsey – The Way It Rolls – Michael Kelsey gets added to the list of things I’m sad about moving away from Ohio. Michael Kelsey (not from Ohio, but neighboring Indiana) is a fucking Midwestern U.S. musical TREASURE. His records are always great, but his live show is one of legend. He blows your mind, the mind of the guy next to you, and the mind of the lady in the parking lot paying the meter… all with 6 strings and 37 fingers. I mean, the way he plays, he has to have 37 fingers. Doesn’t he?
http://www.michaelkelsey.com/
http://www.myspace.com/michaelkelseymusic
9) Wussy – Left For Dead – Best local CD (Cincinnati, OH) for me in 2007. Lisa and Chuck are a great songwriting team. I dig both of their vocals, and the band knows how to kick it! Great rock and a well-produced sophomore record!
http://www.wussymusic.com/
http://www.myspace.com/therealwussy
10) Nellie McKay – Obligatory Villagers – Quirky, cute, brilliant songstress and obfuscator of journalists. Short and sweet third record. We got to see her this year in Eugene (concert review) this year. Fantastic show!! She rarely disappoints. I hope to hear more of her music now that she’s out of the clutches of Columbia/Sony/Artist Screwers Int’l.
http://www.nelliemckay.com/
http://www.myspace.com/prettylittlehead
11) Tegan and Sara – The Con – Great indie pop rock record from this twin sister songwriting duo. This is their 5th record (by my count), and they truly get better with age.
http://www.teganandsara.com/
http://www.myspace.com/teganandsara
12) Abigail’s Ghost – Selling Insincerity – For fans of Porcupine Tree… get this album now. It did for me what Steven Wilson didn’t do for me this year… get to 12 on my list. ;) Don’t worry, Steven Wilson continually impresses, too. Regardless, Abigail’s Ghost is right up a PT fan’s alley — lush progressive rock without the spandex, frizzy hair and crotch-too-tight falsetto.
http://www.abigailsghost.com/
http://www.myspace.com/abigailsghost
13) Blackfield – Blackfield II – Ok, Steven Wilson made it to 13. I got to see Blackfield in NYC this year (concert review). Aviv Geffen and Steven Wilson have a great chemistry. Blackfield II continues on the path laid out by BF I.
http://www.blackfield.org/
http://www.myspace.com/blackfield
14) Eisley – Combinations – A harder-edged Sixpence None the Richer, perhaps. This five-piece band of siblings astonishes me. Mainly because if I could never be in a functioning band with my 3 other siblings. Add another… fahgetaboutit. Eisley brings great vocal harmonies and a rocky edge to what might have otherwise been sugary pop. Kudos on the sophomore album! I dig it.
http://www.eisley.com/
http://www.myspace.com/eisley
15) Foo Fighters – Echoes, Silence, Patience & Grace – You may have heard some of their songs on the radio. Dave Grohl and Co know how to rock and grab you with a hook. That’s all I can say.
http://www.foofighters.com/
http://www.myspace.com/foofighters
16) Megadeth – United Abominations – Chunka chunka chunnk. I’m glad Dave Mustaine is back at it. Sometimes cheesy lyrically, usually brutal and fun listen, though. A+.
http://www.megadeth.com/
http://www.myspace.com/megadeth
17) Dream Theater – Systematic Chaos – Complex and more rewarding after each listen.
http://www.dreamtheater.net/
http://www.myspace.com/dreamtheater
18 ) Crunchy – Loserville – Monty Colvin (of the Galactic Cowboys) knows how to write a good pop-punk song about being an outcast. Some may say that’s his downfall. Oh, but what a sweet downfall… or… er… resulting record. His 3rd record under the Crunchy moniker… it’s a welcome addition to my collection of Colvin art (I also own one of his paintings… he’s a superb painter, yo!).
http://www.montycolvin.com/
http://www.myspace.com/montycolvin
19) Finger Eleven – Them vs. You vs. Me – I had no idea that “Paralyzer” was big this year. Just shows you how much I know about radio (I haven’t purposefully listened in going on 20 years). Anyway, I’ve been a big fan of F11 since Tip (late 90s), and I’m glad that their last two records have been solid consistent hard rock… with vocals that I love.
http://www.fingereleven.com/
http://www.myspace.com/fingereleven
20) Over the Rhine – The Trumpet Child – Well, I got “fired” by the band for being a “bad fan.” It was equal parts embarrassing, and equal parts rewarding. Alas, I still liked this record enough to crack the Top 20. “If a Song Could be President” (while quaint in lyric) is one of the worst songs ever for me (way too country for me), but “Don’t Wait For Tom” makes up for it. Totally fun track… and a solid record overall. Oh, and, Karin… sorry for being a bad fan. I still like ya.
http://www.overthewhine.com/
http://www.myspace.com/overthewhine
21) Greydon Square – The Compton Effect – Great rap style with free-thinking atheist lyrics too boot. Infectious rhythms and vocals. I hope his follow-up this coming year tops it. :-) I also hopes he catches on more and can tour more beyond skeptical/atheist conferences to which I can’t afford to travel.
http://www.greydonsquare.com/
http://www.myspace.com/greydonsquare
22) Eddie Vedder (of Pearl Jam) – Into the Wild – Got this for xmas from my brother (and sis-in-law). Fantastic short set by Eddie. I really need to see this movie, too… it’s from a book that I actually read. :P
http://www.pearljam.com
http://www.myspace.com/intothewildmovie
23) Tori Amos – American Doll Posse – Solid album by pop’s bad girl. I think her many personas are getting tiring (see, I’m a “bad fan” of more than just Over the Rhine), but she still brings her A game for 95% of this CD. I wish I’d have seen her on her latest tour, too… I heard it was killer.
http://www.toriamos.com/
http://www.myspace.com/toriamos
24) Porcupine Tree – Fear of a Blank Planet – Their material on the Nil Recurring -EP- should have made its way onto this record. Great stuff nonetheless… it grows on me, slower than prior PT work, but solid songs nonetheless.
http://www.porcupinetree.com/
http://www.myspace.com/porcupinetree
25) Tomahawk – Anonymous – Mike Patton and Duane Denison (Jesus Lizard) on Native American sourced rock songs. Not as all over the place like prior Tomahawk records… which is unfortunately missed. Alas, Mike and Duane still bring it, and over up a wonderful take on traditional tribal melodies.
http://www.ipecac.com/
http://www.myspace.com/tomahawkofficial
honorable mentions:
Coheed and Cambria – Good Apollo, I’m Burning Star IV – Volume Two: No World For Tomorrow / That1Guy and the Magic Pipe – The Moon is Disgusting / La Mar Enfortuna (aka Elysian Fields) – Conviviencia / Ozomatli – Don’t Mess With the Dragon / My Brightest Diamond – Tear It Down (remixes)
myspace/coheedandcambria – myspace/that1guy – myspace/lamarenfortuna – myspace/ozomatli – myspace/mybrightestdiamond
That’s it for my 2007 lists… whew… next year it’ll take less time to do (hopefully)…
~Dan – np: George Hrab – Interrobang
-Eyvind Kang
-Frank Zappa
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