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Nellie McKay (10/20) photos posted
Photos from Tuesday’s show are now posted… go to…
REVIEW: Nellie McKay at
Dimitriou’s Jazz Alley (Seattle, WA – 10/20/09)
~Dan
REVIEW: Nellie McKay @ Dimitriou’s Jazz Alley (Seattle, WA – 10/20/09)
FYI… PHOTOS of the SHOW at the BOTTOM
So, I had tickets to see Ben Folds with the Seattle Symphony Orchestra at Benaroya Hall last night. I hemmed and hawed and finally decided to sell my ticket on craigslist to go see Nellie McKay instead. I dig both of them as artists, and the main reason for the hemming and hawing was the whole symphony aspect (I mean, I’ve seen Ben Folds Five or solo a half dozen times already… so the symphony take on it was my main draw). Ah, but… Nellie totally has my heart when in a piano/vocalist celebrity deathmatch with Mr. Folds. She’s quirky, cute, writes and sings both silly and political songs, has a passionate love for animals (she’s a vegetarian with a stance on animal cruelty that makes me proud), and… you rarely know what to expect from her musically on any given night. I’ve seen her twice prior, and both times were fantastical suprises.
Sorry, Ben. Next time?
As a consolation for the Ben Folds fans, there’s a free mp3 stream (or download if you do some research, i.e.- “view source”) from the Huffington Post of the Ben Folds collaboration with author Nick Hornby (High Fidelity, etc). It’s a jab song at the ex-fiance of ex-Alaska Governor Sarah Palin‘s daughter Bristol… from the HuffPo, I present you “Levi Johnston’s Blues.”
Speaking of the HuffPo… here’s a recent article / interview with Nellie McKay by Michael Giltz.
Oh, so Nellie’s latest album, Normal As Blueberry Pie, is all about Doris Day (a total of 14 Doris Day tracks in the recording session, and one Nellie original). Two of the 15 session tracks are more difficult to get ahold of, unless you want to buy both the “exclusive” Barnes & Noble bonus track version and the iTunes bonus track version. Have I mentioned that Universal Music Group’s tactics suck!? Anyway, the album is great (special track tactics notwithstanding). The album lacks some of the bite and wit of Nellie’s prior 3 (and a half) solo albums. But, I love it all the same. It’s got Nellie trademark nostalgia / campiness, as evidenced by the photos surrounding the release (see to the right).
OK… on to the review of the show…
I really dig Dimitriou’s Jazz Alley. It’s small and intimate (but large enough for the room to breathe). Also I like the idea of making an experience out of the show – a fantastic meal, great atmosphere, and an attentive audience makes for a wonderful evening. Oh, and free parking in downtown Seattle is like the cherry on top. This was only my second time here (Hiromi in June was my first), but it is quickly becoming one of my favorite venues in the PacNW, if not ever. I just wish it wasn’t so far away from me in Eugene all the time.
Nellie went on around 7:40pm with her backing band, The Aristocrats. This was my first time seeing Nellie with a band. They were excellent. They were all younger than I was expecting. I mean, this wasn’t her studio backing band… but as hired guns solely for touring, they really worked well with Nellie in a fun & playful way. The band was Nellie McKay (piano and ukulele), Howard Fishman (guitar), Charles Schiermeyer (sax), Ben Bynum (drums), Scott Litroff (violin and flute), and Daniel Policar (keys).
Setlist: just shy of 90 minutes
- If I Ever Had a Dream
- Close Your Eyes (Doris Day cover)
- Sentimental Journey (Doris Day cover)
- Send Me No Flowers (Doris Day & Burt Bacharach cover, Nellie on Uke)
- Do Do Do (Doris Day cover) *a fave of the night*
- Mean To Me (Doris Day cover)
- Dig It (Doris Day cover, Nellie dance-off) *a fave of the night*
- The Very Thought of You (Doris Day cover)
- A Wonderful Guy (Doris Day cover)
- I Remember You (Doris Day cover)
- “I Killed Larry David and I Liked It” / Grunge Song *a fave of the night*
- Crazy Rhythm (Doris Day cover) *a fave of the night*
- Black Hills of Dakota (Doris Day cover)
- A-Tisket, A-Tasket (Ella Fitzgerald cover)
- The Dog Song *a fave of the night*
- Encore: Zombie (with Gary Danielson on sax)
- I Wanna Get Married (Doo Wop Version, with Gary Danielson on sax) *a fave of the night*
So, yeah, holy crap… Nellie just keeps on getting better each time I see her. I thought I’d be slightly bummed by a mostly Doris Day set (as I really like Nellie’s original songs a lot), but the Doris Day material was really fantastic in a live band setting. The addition of a jazz combo behind her really made the songs gel, and her interaction with the others was really fun. She’s kinda of a nutty person (or maybe as corny as Kansas in August)… but I wouldn’t want her to be any other way. I didn’t get a chance to meet her after the show, but I had a fun night regardless. Nellie and the Aristocrats are playing a second night (Wednesday, October 21st) at the Jazz Alley. If you go, drop me a line with your thoughts on Night 2.
Some of the best lines of the night by Nellie…
“I still can’t go back to Olympia, because I have overdue library books.”
“There’s hashish in that music… that was a score!” (really funny in context)
The Jazz Alley’s description of Nellie as a “martini cool chanteuse” was kinda of spot on. :) If you don’t have her newest one, get it… it’s fun (and out on vinyl, too):
The Appropriate Linkage:
~Dan – np: Erik Friedlander – Topaz

NELLIE McKAY PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution
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REVIEW: Aimee Mann @ Aladdin (Portland, OR – 10/6/09)
FYI… PHOTOS of the SHOW at the BOTTOM

I got into Aimee Mann after several promptings by my friend Bruce, and then eventually via her quite powerful role in the P.T. Anderson movie, Magnolia (1999). Her spot in that movie and her pervasiveness on that soundtrack made me pay attention. I’ve stuck with her through some great albums, including a doozy of holiday album (but I don’t blame her, I blame the general holiday music content). Her albums are always pretty damn consistent… consistently good. I just never got the chance to see her until now. I happened to be up in Portland for work; so I naturally found my way to the venue. :)
I really like the Aladdin Theater… it’s a classy theater, and every show I’ve seen here has been great (Jude and Yael Naim), and I plan on hitting the Aladdin at least 2 or three more times this year (Múm, the Swell Season, and maybe Stryper… but mainly for the humor aspect of that show).
The opener was Nick Lowe, who I didn’t know. Apparently I knew some of his songs, specifically “(What’s So Funny ‘Bout) Peace Love and Understanding” (he wrote for Elvis Costello, and I’ve heard the A Perfect Circle version). Nick played about 50 minutes, and probably 15 songs. He had some very good, short pop songs. I can see why people like him. I mean, he kinda blended into the background to me, but he had a charm and lyricism that I can admire.
Aimee Mann came on around 9:20pm with two keyboardists. Throughout the set, they both swapped around many instruments… mainly keys, but also guitar, shakers, drums, recorder. She played a short 40 minute pre-determined set before breaking out into the audience request portion of the show…
Setlist: 2 hours
- The Moth
- Nightmare Girl
- Momentum *a fave of the night*
- Build That Wall
- Par For The Course
- Amateur *a fave of the night*
- This Is How It Goes
- Wise Up *a fave of the night*
- Save Me [false start – see comments below]
——————— - Real Bad News [start to the audience requests]
- Long Shot
- Looking For Nothing
- Freeway *a fave of the night*
- Jacob Marley’s Chain
- 4th Of July
- Mr. Harris
- Video *a fave of the night*
- Ghost World
- You Could Make A Killing *a fave of the night*
- Red Vines
- Invisible Ink
- Susan
- One (Harry Nilsson cover)
- Encore: Save Me *a fave of the night*
- Voices Carry
So, the first attempt at “Save Me” got an odd response from a few ladies… almost like the cheering as you’re going up a rollercoaster. Aimee pointed that out and countered it with how depressing and co-dependent-y the song was. Then she went into some really depressing (but funny) new lyrics for the song… which led into the giggles; so she couldn’t even finish the real version of the song. She came back to it later for the encore.
Aimee was really fun… much more fun than I thought she’d be. I mean, her songs really meander on the line of depressed, melancholic disappointment; however, she was quite bubbly, and giddy in spots. Her three-piece band really worked well together in a pinch. Great, long show… check her out if she swings by!!! She’s only a short West Coast tour this fall; see the remaining handful of dates below…
The Appropriate Linkage:
~Dan – np: Finger Eleven – Finger Eleven
Aimee Mann West Coast Tour 2009
- 10/2/09 UC Santa Barbara CA
- 10/3/09 Santa Cruz, CA Rio Theatre
- 10/4/09 San Francisco, CA Hardly Strictly Bluegrass FREE
- 10/6/09 Portland, OR Aladdin Theater …with Nick Lowe
- 10/7/09 Seattle, WA Moore Theatre with Nick Lowe
- 10/8/09 Vancouver, BC Commodore Ballroom
- 10/10/09 Coeur D’Alene, ID The Kroc Center
- 10/11/09 Boise, ID EgyptianTheatre with Fountains of Wayne
- 10/12/09 Salt Lake City, UT The State Room with Fountains of Wayne
- 10/14/09 Boulder, CO Boulder Theater with Fountains of Wayne
- 10/16/09 Los Angeles, CA The Wiltern with Fountains of Wayne
AIMEE MANN & NICK LOWE PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
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REVIEW: Tori Amos @ Arlene Schnitzer Hall (Portland, OR – 7/11/09)
Tori Amos has been a big part of my musical fanaticism for a long time. I first heard of her my freshman year of college, got Little Earthquakes & Under the Pink from BMG, got Boys for Pele right when it came out, and I’ve been a fan ever since. There was a period of time where, if I could, I’d drive all over the Midwest to go see her. This show was going on the 6 year mark since I’d seen her, and let’s just say that I was itching for some classic Tori live… but first up, the opener:

One Eskimo hit the stage right about 8pm, and played 4-5 songs (about a half hour’s worth of material). I liked their sound… sort of a singer-songwriter blown up into a pop group (sort of if Maroon 5 had more interesting musicians). Their drummer had a nice style, sitting on a box-type drum and using that as the kick drum. Their guitarist and bassist/trumpet player were also fun to watch. They played “Kandi,” “UFO,” and “Astronauts” for sure, as those songs are on the EP that I picked up for only $5. They’re working on wrapping up their full-length debut now…
I was too far away to take any good concert photos;
so the marquee is all you get this time.
Tori hit the stage with her band (Matt Chamberlain on drums & John Evans on bass) at around 8:50pm and played for a solid two hours without much stopping. I forget how much I love her live shows. Great lights, great mix of tunes from her whole career, fun stage presence, pretty energetic crowd… she played a lot more older songs than I would have thought, and only four songs from her latest record.
Setlist:
- Give (a fave of the night)
- Caught a Lite Sneeze (a fave of the night)
- Welcome to England – John’s bass intro was very Tool-y… as if Justin Chancellor was in a pop band
- Graveyard
- Cornflake Girl (a fave of the night)
- Icicle (a fave of the night)
- Little Amsterdam
- Siren
- Starling
- Black Dove (January)
- 1,000 Oceans
- Joni Mitchell’s River (solo – Lizard Lounge)
- Winter (solo – Lizard Lounge)
- Playboy Mommy
- Little Earthquakes (a fave of the night)
- Fast Horse (a fave of the night)
- Take to the Sky (a mega fave of the night)
- Carbon
- Honey
- Precious Things (a fave of the night)
- Strong Black Vine – crowd floods front part of theatre, much to the “oh crap, what do I do?” of the security guys
- Encore: Big Wheel (a fave of the night)
- Tombigbee
Fantastic show… prior to this show, I was kind of in a “cooling” phase with Tori. I hadn’t seen her since the Scarlet’s Walk tour (2003), and I’d only been slightly fond of The Beekeeper and American Doll Posse albums. Forcing myself recently to dig into her newest one, Abnormally Attracted to Sin, and then seeing it live was great. It was a much warranted end to the break from being a big time Tori fan. Sure, Abnormally isn’t going back to the Little Earthquake through Boys of Pele days, but it’s still good music and she still puts on a great show, full of songs from her vast catalogue.
The Appropriate Linkage:
- Official Tori Amos Webpage
- Tori Amos on MySpace
- Undented – a Tori fansite
- Official One Eskimo Webpage
- One Eskimo on MySpace
- Arlene Schnitzer Hall in Portland, OR
~Dan – np: Riceboys Sleeps – All Animals -EP-
no torrent or free download available
The rest of the Abnormally Attracted to Sin tour dates (as of now)
- Mon 07/13/09 Oakland, CA – Paramount Theatre
- Tue 07/14/09 Oakland, CA – Paramount Theatre
- Thu 07/16/09 San Diego, CA – Humphrey’s Concerts By The Bay
- Fri 07/17/09 Los Angeles, CA – Greek Theatre
- Sat 07/18/09 Phoenix, AZ – Dodge Theatre
- Mon 07/20/09 Salt Lake City, UT – Abravanel Hall
- Tue 07/21/09 Denver, CO – Paramount Theatre
- Thu 07/23/09 Kansas City, MO – Starlight Theatre
- Fri 07/24/09 Grand Prairie, TX – Nokia Theatre At Grand Prairie
- Sat 07/25/09 Austin, TX – The Long Center For The Performing Arts
- Mon 07/27/09 Atlanta, GA – Chastain Park Amphitheatre
- Tue 07/28/09 Orlando, FL – Bob Carr Perf. Arts Centre
- Wed 07/29/09 Miami Beach, FL – Fillmore Miami Beach At Jackie Gleason Theater
- Fri 07/31/09 Durham, NC – Durham Performing Arts Center
- Sat 08/01/09 Washington, DC DAR – Constitution Hall
- Mon 08/03/09 Chicago, IL – Chicago Theatre
- Tue 08/04/09 Milwaukee, WI – Riverside Theatre
- Wed 08/05/09 Minneapolis, MN – The State Theatre
- Fri 08/07/09 Indianapolis, IN – Murat Theatre
- Sat 08/08/09 Detroit, MI – Detroit Opera House
- Mon 08/10/09 Toronto, ON – Massey Hall
- Tue 08/11/09 Montreal, QC – St. Denis Theatre
- Thu 08/13/09 New York, NY – Radio City Music Hall
- Fri 08/14/09 Red Bank, NJ – Count Basie Theatre
- Sat 08/15/09 Upper Darby, PA – Tower Theatre
- Mon 08/17/09 Boston, MA – Bank Of America Pavilion
- Sun 09/06/09 Manchester, United Kingdom – Apollo Manchester
- Mon 09/07/09 Birmingham, United Kingdom – Symphony Hall
- Tue 09/08/09 Glasgow, United Kingdom – Glasgow Royal Concert Hall
- Thu 09/10/09 London, United Kingdom – Apollo Hammersmith
- Fri 09/11/09 London, United Kingdom – Apollo Hammersmith
- Sun 09/13/09 Basel, Switzerland – Festsaal Messe Basel
- Mon 09/14/09 Munich, Germany – Circus Krone Bau
- Tue 09/15/09 Zurich, Switzerland – Kongresshaus Zurich
- Thu 09/17/09 Amsterdam, Netherlands – Heineken Music Hall
- Sun 09/20/09 Copenhagen, Denmark – Royal Theatre
- Mon 09/21/09 Oslo, Norway – Sentrum Scene
- Thu 09/24/09 Prague, Czech Republic – Prague Congress Centre
- Fri 09/25/09 Vienna, Austria – Wiener Stadthalle
- Sun 09/27/09 Hamburg, Germany – Laeiszhalle
Ellery, Peter Mulvey, My Brightest Diamond
A trio of new music news…

Cincinnati lush-pop/folk duo Ellery is hitting the studio soon with Malcolm Burn (http://www.malcolmburn.com). Malcolm is a Grammy-winning producer who has worked with the likes of Emmylou Harris, Bob Dylan, Kaki King, Rachel Yamagata, Sarah McLachlan, Gillian Welch, Ryan Adams, and more. This will be their follow-up to the fantastic debut, Lying Awake from 2007. They’ve got a special “help them make a record” thing going on at ellerystimulus.com. I’ve plunked down my cash… wish I got to see them as often as when I lived in Cincinnati, but regardless I’m glad they’re hitting the studio again.
For more info on Ellery…
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Milwaukee/Boston singer-songwriter Peter Mulvey is putting the finishing touches on his next album, Letters from a Flying Machine. Of the glut of singer-songwriters, Peter has a place in my heart (and ears). He’s entertaining, intriguing, great storyteller, and a great sense of humor. If you’ve never heard of him… do yourself a favor, and hear of him… http://myspace.com/petermulvey
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The third installment of My Brightest Diamond‘s A Thousand Shark Remixes is hitting iTunes on Tuesday, March 31st. It’s remixed by Roberto C. Lange. Remix EP #1 (by Alfred Brown) and #2 (by Son Lux) were pretty tasty. EP #4 (by DM Stith) should be out in a few months, and all four will be made available on a physical CD with likely some tasty packaging. Maybe vinyl, too… but that’s just me throwing a marble in the rumor mill.
REVIEW: Madeleine Peyroux @ the Shedd (Eugene, OR – – 3/25/09)

Great show last night… Madeleine Peyroux and her jazzy quartet played a smooth hour and half set at the Shedd. I’m really coming to love the early start time, no opener, and home at a reasonable time shows at the Shedd. No pictures or (accurate) set list from me for this show… I was in a hurry and drove straight in from work in Portland to make it time for the show.
Madeleine had a backing quartet made up of a piano/keyboard/organ/melodica player, an electric/upright bassist, a mandolin/guitarist, and a drummer/cardboard box player. They were a really well put together band…
Songs I remember them playing:
Dance Me to the End of Love, Bare Bones, You’re Gonna Make Me Lonesome When You Go, La Javanaise, Love and Treachery, Our Lady of Pigalle, I Must Be Saved. They came back for an encore dedicated to Barack Obama (There’s Something Grand).
Great, soothing show. Wonderful, lush, Billie Holiday-esque vocals, great accompaniment. If she comes through your town, check her out! Oh, she also has a new CD out, Bare Bones:
The Appropriate Linkage:
- http://www.madeleinepeyroux.com/
- http://www.myspace.com/officialmadeleinepeyroux
- http://www.theshedd.org/
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Totally side note cool news…
- Tool is touring this summer.. read more at Blabbermouth.
- Medeski Martin & Wood‘s Radiolarians II is coming out April 14th.
Regina Spektor / Placebo / Elliott Smith / Sean Lennon+
A trio of news plus one batch of retro coolness…

Regina Spektor‘s got a new one coming out called Far (out in June on Sire Records). Read more over at Pitchfork (hey, I’m lazy and it’s busy season).
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(European date schemes are so… backwards)
Placebo‘s got a new one coming out in June as well… June 8th, that is. It’s called Battle for the Sun. Read more over at Placeboworld.
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Sean Lennon, Yuka Honda, Charlotte Kemp Muhl, and Yoko Ono have some tracks on the premiere release from Chimera Music (their record label). It’s got tracks from upcoming work by all of them… check it out at fina music downloads.
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Pitchfork has a 28+ minute 1998 documentary of Elliott Smith called Strange Parallels. I have this on DVD-R from a tape trader a while ago, but it’s available to watch for free up on Pitchfork. It’s quirky and fun – – a good look into Elliott right on the cusp of “super-stardom” (around/just after the Oscar nominee time).
~Dan – np: The Blood Brothers – Love Rhymes with Hideous Car Wreck

Nellie McKay – Daytrotter Session
Brooklyn-based piano-pop/jazz singer Nellie McKay came through the Daytrotter studios. Nine songs (much more than the usual 4 songs), in-studio for FREE…
http://www.daytrotter.com/dt/nellie-mckay-concert/20030524-3737802.html
1) Oversure 2) Pink Chandelier 3) Politan 4) Mother of Pearl 5) Tipperary 6) If I Had You 7) Do You Know 8 ) Inner Peace 9) Broadway Melody
If you like what you hear, check more out:
http://www.nelliemckay.org/
http://www.nelliemckay.com/
Past Daytrotter Sessions I’ve blogged about (and dug):
Clare & the Reasons – Daytrotter Session
Brooklyn-based French-pop group Clare & the Reasons came through the Daytrotter studios (likely recorded around the same time as My Brightest Diamond, as they were on tour together). Four songs, in-studio for FREE…
http://daytrotter.com/article/1520/clare-and-the-reasons
1) Pluto 2) Alphabet City 3) Can Your Car Do That? I Don’t Think So 4) Everybody Wants to Rule the World [Tears for Fears cover]
If you like what you hear, check more out on MySpace: http://www.myspace.com/claremuldaur
Past Daytrotter Sessions I’ve blogged about (and dug):
- My Brightest Diamond #2
- Damien Jurado
- Talkdemonic
- Aimee Mann
- Ani DiFranco
- The Bad Veins
- Kaki King
- Holy Fuck …and David Bazan, My Brightest Diamond, Erin McKeown
~Dan – np: John Zorn – The Crucible (with Mike Patton, Joey Baron, Trevor Dunn & Marc Ribot)

Ellery, Ric Hordinski & Free Holiday Music
As mentioned around Thanksgiving, Ric Hordinski (guitarist extraordinaire from Cincinnati) is having his annual holiday show with pop duo Ellery (Dec 12th @ Ric’s Monastery Studio in Cincinnati).

Well, same as last year, Ellery is giving away their holiday EP for free. It’s called December Days. Last year’s was a 3 song EP. This year has an additional fourth track, the brand new collaboration with Ric Hordinski called “We Can Dream Tonight.”
Get it here: http://www.ellerymusic.com/downloads/decemberdaysep2008.zip
It’s free, yo!
My Brightest Diamond – Daytrotter Session
Brooklyn-based pop-stress My Brightest Diamond (aka Shara Worden) came through the Daytrotter studios for a 2nd go round. Four songs, in-studio for FREE…
http://daytrotter.com/article/1515/my-brightest-diamond-encore-session
1) From the Top of the World 2) Inside a Boy 3) Apples 4) The Gentlest Gentleman
If you like what you hear, she’s got some great albums on Asthmatic Kitty Records.
Past Daytrotter Sessions I’ve blogged about (and dug):
REVIEW: Yael Naim @ Aladdin Theater (Portland, OR – – 10/15/08)
Mini-Review
Well, I heard about Yael Naim a week ago thanks to the NPR World Cafe podcast… she’s a Paris-born, Israeli singer-songwriter. She’s been described as “a touch of folk and a touch of jazz, with mysterious and evocative words sung with a delicate and intentionally husky voice.” After just hearing of her, I found out that she was playing the Aladdin Theater in Portland the very next week. I was just going to head up to the Aladdin if I was up for it, and buy a ticket if they had some available. Well, thanks to the power of the internets, I got an email Tuesday morning from the Aladdin, and they were giving away 50 tickets to the first people who responded to their email. And, woot, I got a free ticket. Natch.

The opener, Peter Von Poehl, was… well… absent. So the replacement opener was Grey Anne. And she was… RAD! Very quirky, indie rock girl with an electric guitar, drum, accordion, butterfly wings, echoplex, and a stuffed giraffe. Fun songs, off the wall, nice textures, strong voice, confident, quirky… She’s from Portland; so I hope she makes her way down to Eugene sometime soon.

Yael Naim and her band were really good, too. They played Britney Spears’ “Toxic” as well. That’d make my friend Bruth happy. :) I enjoyed her set a lot, but I think my favorites of hers were the ones in French. There’s something about French music that’s just… FUN. Yann Tiersen, Jeanne Cherhal, Paris Combo, and… well, Yael Naim.

Next Aladdin visit for me… Jonatha Brooke and Glen “I sat on a glass table and might not be playing guitar for a while” Phillips. Yikes. :) I hope Glen’s arm is better to be at this show, because otherwise, I don’t think I’ll go. At the end of the day, I hope he gets better more than me being able to see him.
The Appropriate Linkage:
Nellie McKay is adorable
This comes from Pop Matters. #15 is classic Nellie quirkiness…
>>>>>>
Singer, songwriter, actor and activist Nellie Mckay calls her music ‘schizophrenic voodoo’. Schizophrenic because she jumps genres – from Tin Pan Alley pop and cabaret to reggae, rap and jazz—voodoo because these elements mysteriously gel with her evocative, playful, and bold lyrics. The fictional character most like her? A mix of Lassie, Scarlett O’Hara, Godzilla and Nancy Drew. These and other reveling facets of her character are discussed with PopMatters 20 Questions.
A contributor to The Onion and The New York Times Book Review, McKay won a Theatre World Award for her portrayal of Polly Peachum in the Broadway production of The Threepenny Opera. She’s written the music and lyrics for the film adaptation of Katherine Arnoldi’s The Amazing True Story of a Teenage Single Mom, and is currently creating the Broadway musical version of the book and movie, Election.
1. The latest book or movie that made you cry?
Richard LaGravenese’s P.S. I Love You – for all the wrong reasons
2. The fictional character most like you?
I’m sort of a mix of Lassie, Scarlett O’Hara, Godzilla and Nancy Drew.
3. The greatest album, ever?
Anything by Toby Keith.
4. Star Trek or Star Wars?
A Star is Born (the first one).
5. Your ideal brain food?
When politics intersect with art.
6. You’re proud of this accomplishment, but why?
Dropping out of college: freethinking sustained by action.
7. You want to be remembered for…?
Being a great guy.
8. Of those who’ve come before, the most inspirational are?
The renegade Jews.
9. The creative masterpiece you wish bore your signature?
Rejuvenate! (It’s Never Too Late) by Eartha Kitt.
10. Your hidden talents…?
I can get really angry and no one can tell.
11. The best piece of advice you actually followed?
Please yourself.
12. The best thing you ever bought, stole, or borrowed?
A typewriter, a house, an idea.
13. You feel best in Armani or Levis or…?
A tent.
14. Your dinner guest at the Ritz would be?
Charo.
15. Time travel: where, when and why?
I wouldn’t want to ruin my illusions, but I would love to live sometime between the ‘20s and the ‘40s in New York, to have an icebox and two roommates, one sassy, with a one-syllable name, and one brainy (me and the sassy one would work on getting the brainy one out of the house, and me and the brainy one would work on the sassy one’s failed relationships with no-good sailors).
All three making a go of it in showbiz, running around from auditions to night club jobs and stopping for a nickel coffee and circling the theatrical ads, and communing at delis and drugstores with my fellow creative types, all of whom would go on to great renown, and maybe stand outside the theater
in the rain and get Lotte Lenya’s autograph, and be given a huge creamy bubble coat from a stage door Johnny who wouldn’t expect anything in return but to take me to dinner (according to Oscar Levant, that was often all they asked). And once in a while our gang would go to Woolworth’s for a big splurge, and we’d sit at the counter and order all the French fries and malts we could manage (these being politically unaware times with regard to animal products, but at least there were no factory farms).
During the holidays we would all troop over to a friend who had an office job and we would have the merriest time at their Christmas party on the 25th floor of some mogul’s extravagant tower, and later we would entertain ourselves just wandering around the Village in the falling snow, and sneaking to the top of the Washington Square arch where we would declare martial law throughout the city and set about writing a brief constitution that we would subsequently tear to bits and sprinkle down on the cops amassing below.
We would be dreadfully hung over the next morning, but we’d be all right because we still had a little orange juice, bread and celery in the icebox and that would tide us over until the next big payday, which was certain to be right around the corner.
That or…I would live in the 1960s and work part time for the national anti-vivisection society while attending marches and student meetings in all my spare time. I would wear a burnt orange/camel colored waistcoat and an old paisley dress and dark stockings with my granny shoes, and carry an old carpet bag which I would cram with flyers, books of poetry and calls to revolution. Long hours would be spent over spaghetti and wine designing our future utopia in which all the pitfalls of the human condition could be avoided with a little foresight and much compassion and forward-thinking.
The problem with evil, we decided, was in its naïveté; if Hitler had realized the Holocaust would not solve all his personal problems, he never would have felt compelled to make it happen. Our future must be grounded in the reality of existence, not over-compensating for miracles that had not and could not occur, or the basic injustice of life, never more obvious than at these meetings themselves, where the pretty people were deified as much if not more than in conventional society.
I would attend every be-in, every concert, absorb every opportunity to learn and grow that I could, all the while wearing my vulnerability with pride, an ability to be hurt not intrinsic to my femaleness but my humanity, not just to my humanity but my status as a living being, as comparable to a blade of grass as to a president.
Eventually I would meet a nice SDS member and raise him up like a puppy, teaching him the tenets of my burgeoning feminism and raising a family in the most organic, honest way possible. This leads to my eventual and complete fulfillment.
16. Stress management: hit man, spa vacation or Prozac?
Ovaltine with Prozac.
17. Essential to life: coffee, vodka, cigarettes, chocolate, or…?
Parcheesi.
18. Environ of choice: city or country, and where on the map?
Doesn’t matter, polluted’s good. It’s over.
19. What do you want to say to the leader of your country?
What leader?
20. Last but certainly not least, what are you working on, now?
Bringing it all back home.
Aimee Mann / Nellie McKay
Aimee Mann has a Daytrotter Session up now… four songs, in-studio for FREE…
http://daytrotter.com/article/1447/aimee-mann
1) Freeway 2) Thirty One Today 3) Phoenix 4) Little Tornado
Past Daytrotter Sessions I’ve blogged about (and dug):
~*~*~*~*~*~*~*~*~*~
Nellie McKay has an Uncensored Interview session up…
http://www.uncensoredinterview.com/artists/343-Nellie-McKay
Former Uncensored Interviews I’ve dug:
REVIEW: Nellie McKay @ Doug Fir Lounge (Portland, OR – – 8/15/08)
FYI… PHOTOS of the SHOW are at the BOTTOM
Early shows are problematic, especially if you have to drive 2 hours to get to them. Oh, and also if the artist thought they started later. Blame for this goes squarely to the Doug Fir Lounge, in my opinion. Double-booking a night is horrible. Horrible. Nellie McKay* would have likely played much longer, had she been allowed to… argh.
*– for the newbies, her last name rhymes with “McPie”
Anyway, the opener Amorèe Lovell started right at 7pm, and played a stellar 40 minutes. She is from Portland, and plays a mean piano with quirky lyrics and fun banter. I’d say she fits in with the likes of Regina Spektor & Nellie McKay with a touch of Tori Amos. She also brings her own charm & style. She was very entertaining. She played mainly originals, but also threw in some Tom Waits, Johnny Cash & David Bowie. On to Nellie…
Nellie‘s start time was supposed to be 8pm. She didn’t hit the stage until nearly 8:30, due to a mix-up with her start time. Most of the crowd was getting antsy (myself included), as the late show had a “doors open” time of 9:30. Yikes. With that being said, Nellie came on and put on a great just shy of an hour show. She seemed more comfortable and confident, and she was as funny / spunky as usual.
Nellie’s Setlist:
- Toto Dies
- Old Enough
- Mother of Pearl [on uke]
- story about prince chunky, the 44 pound cat
- The Dog Song (a fav of the set)
- Real Life
- Tipperary
- Don’t Fence Me In [on uke]
- Vote for Mr. Rhythm [with Obama tag at the end]
- Sari (a fav of the set… with Dylan impression at the end)
- Feed the Birds
- Politan
- Don’t Fence Me In [false start… she remembered she already did it] :)
- Me Gusta Mañana [on uke.. a silly spanish song]
- explanation about her NPR song “Cavendish”… she didn’t have time to brush up on it, but sometime soon
- Zombie (a fav of the set)
- Encore 1: Really
- Encore 2: Ding Dong
The Appropriate Linkage:
- http://www.myspace.com/prettylittlehead
- http://www.nelliemckay.com/ (official)
- http://www.nelliemckay.org/ (fan site)
- http://www.myspace.com/amoreelovell
- http://www.amoreelovell.com/
- http://www.dougfirlounge.com/
- My blog reviewing Nellie in Eugene, OR 10/5/07
- My blog about Nellie @ TEDtalks
- My blog about Nellie’s Project Song on NPR (where she wrote “Cavendish” in 48 hours)
Next show for me? Radiohead next Wednesday at White River Amphitheatre in Auburn, WA (up near Seattle). Woot!!
I was a pageant gone bad…
~Dan – np: Thelonious Monk & Sonny Rollins – Thelonious Monk & Sonny Rollins

NELLIE MCKAY CONCERT PHOTOS
all pictures (cc) 2008 Daniel Temmesfeld,
you may use freely under a creative commons attribution
Jude’s Cuba CD
It is now officially available from CD Baby…
http://cdbaby.com/cd/jude4

1 Cuba
2 Beautiful Bleached-Out Blonde
3 The Rider Comes
4 The Rider Comes 2
5 In The Country
6 Everybody Party On the Dance Floor
7 Helmut Dance
8 One of These Days
9 Outside My Window
10 Prima Ballerina
11 G-Blues
12 My Bonnie
Yes, honey*, I got the Gaiananda Band‘s Live CD, too…
~Dan
*- No, Steve K., I’m not referring to you as honey… this time…














































































































On the pre-order page there’s 

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