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REVIEW: dredg @ Wonder Ballroom (Portland, OR – 8/15/09)

16th Aug 09 (Sun) 5 comments

FYI… PHOTOS of the SHOW at the BOTTOM

This was my third time seeing dredg, and the second time this year.  Their latest record (The Pariah, The Parrot, The Delusion) is an amazing album… a definite front runner for album of the year for me.  It is inspired by Salman Rushdie’s essay “Imagine There’s No Heaven: A Letter to the Sixth Billionth Citizen.”  I gladly made the trek up to Portland, and now that I’d been able to soak in their latest album (it wasn’t out when I saw them in April), I knew much more of the material being played.  I was also able to bring my camera… yay!

The first opener As Tall As Lions were really good. The first song, the bassist was acting a bit goofy.  I thought it seemed weird, or that he was “overacting.”  However, throughout their whole 5-6 song set (35 minutes), he kept it up.  Maybe it grew on me, or maybe I changed my mind and felt he really was into it that much (plus he’s got some backing vocal chops).  :) Anyway, As Tall As Lions were a 6-piece in this live setting.  They’re from New York, and had a good indie rock vibe – nice vocals, nice groove, and good use of horns.  The band was way forward on the stage; so my only downside was that I was right next to the drums, which drowned out a lot of their vocals.  But, all in all, a very good opener.

The second opener Rx Bandits may as well have been a co-headliner (maybe they were billed as such).  It seemed as if tons of the crowd were there to see RxB.  They started the set with all four members on drums, which was fun.  One of the highlights of their 70 minute set was their lead guitarist and their drummer.  Their drummer had a dirty Daniel Johns (of Silverchair) look, and was kicking the crap out of his drumkit.  And their lead guitarist didn’t have the most “rock” stage presence, but he seemed like he could fit in a really into a shredder band… he played some really complex underlying scales, all while having a nonchalant look on his face. :)  Their vocalist reminded me physically as Brett McKenzie (from Flight of the Conchords).  And vocally, he seemed like he could fit in a jamband meets reggae/punk band.  Their bassist looked like he also fit in a jamband, and he had a very nice groove and bounced around the stage a lot.  It was an odd mix for a group, but it worked.  I’ll definitely see them if they swing through Eugene.  I took a few pics of RxB, but they didn’t turn out… oh well… next time…

Dredg came on right at 10:50pm and blasted into the trio of songs that kicks off The Pariah, The Parrott, The Delusion.  They seemed a little toured out (only compared to the last show in April).  They still put on a great show.  Gavin (singer/ lap steel), Dino (drums/ keyboard), Drew (bass) and Mark (guitars) were joined by a second guitarist for a few songs (I didn’t catch his name).  He played with them on Pariah, Drunk Slide, and Information.  Great 85 minute set.  Here’s what they played…

Setlist:

  • Pariah
  • Drunk Slide
  • Ireland
  • Ode to the Sun
  • Catch without Arms
  • Same Ol’ Road
  • Saviour
  • RUOK?
  • I Don’t Know
  • Δ
  • Bug Eyes
  • Information
  • Light Switch
  • Zebraskin
  • The Tanbark is Hot Lava
  • The Canyon Behind Her
  • Down to the Cellar
  • Cartoon Showroom

No encore (again), but perhaps that’s their M.O.  I’m not putting my usual “a fave of the night” notations by any song, because, quite frankly, it was all amazing.  At the end of Down the Cellar, the crew took Dino’s drum kit away one piece at a time at the end, with him ending on piano and no drums around him.  That was fun.

The only song I really wish they played but didn’t was “Gathering Pebbles” (from their new one).  I could play that song on repeat all day…

As much as I can get across in words, dredg is quickly becoming one of my favorite bands.  Rarely does an opener hit me, and ever since I saw dredg open for Coheed & Cambria (a few years back), I’ve been an immediate fan.  Their latest is their best yet, and their other albums are great as well.  I’d recommend picking The Pariah, The Parrot, The Delusion up on CD, vinyl (from the dredg store), or if you are silly… on mp3 (why go for the lower quality folks?). :)

dredg “Information

The Appropriate Linkage:

~Dan – np: Dub TrioNew Heavy

DREDG PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

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REVIEW: The Melvins @ John Henry’s (Eugene, OR – 8/9/09)

10th Aug 09 (Mon) 5 comments

FYI… PHOTOS of the SHOW at the BOTTOM

I hear that King Buzzo has three dogs.
I bet he walks them really slow.

So, The Melvins have been around for… ever.  First album in 1986, but I didn’t get turned onto them until Melvins’ guitarist King Buzzo joined Mike Patton’s avant-noise metal supergroup Fantômas on the 1999 debut (along with Mr Bungle’s Trevor Dunn & Slayer’s Dave Lombardo).  I saw The Melvins in 2003 play with Skeleton Key & Mike Patton’s Tomahawk in Columbus, Ohio (Tomahawk’s Mit Gas tour).  I found a new respect for a mainstay on Patton’s Ipecac Recordings… The Melvins are a major force in heavy music.

Some history… they’re from Seattle and were considered an early founder of grunge (Kurt Cobain listed them as a major influence).  The Melvins have since moved into what could be best called “sludge metal“… which spurred Earth, and subsequently Sunn O))), in the drone & doom metal sub-genres.  All that to say, The Melvins have been around for a long time and have been an artistic force in music.

I haven’t had a solid chance of seeing them in 6 years.  They swung through Eugene last year, but I was out of town.  Last time, they played a bigger venue (WOW Hall), but this time, they played two full sets (with no opener)… so I’ll take it. :)  This was only their 2nd date of their 2009 U.S. Summer tour (see dates at the bottom), but they were pretty tight regardless.

They took the stage right at 7:30 and played six songs as a duo, just Buzz Osborne on guitars and Dale Crover on drums.  They were then joined by Jarred Warren on bass and Coady Willis on a 2nd set of drums.  Their first set started with more of the grunge/punk but had plenty of the sludge to go around.  It was a powerful 40-45 minute set.

They came back on 20 minutes later and belted out another 50 minute set without stopping.  “Hooch” was the highlight for me, but it was an amazing show all around.  No banter, barely stopping to tune… just a full force, heavy wave of music.

Setlist:

  • 1st set ~ Dale drum intro -> Ballad of Dwight Fry [Alice Cooper cover]
  • It’s Shoved
  • Let Me Roll It [McCartney cover]
  • Suicide in Progress
  • Oven
  • Black Bock
  • Let God Be Your Gardener
  • Pigs of the Roman Empire [Jared & Coady join]
  • The Talking Horse
  • The Bloated Pope
  • Dog Island
  • Dies Iraea
  • 2nd set ~ Dies Iraea (cont’d)
  • Billy Fish
  • Mr. DNA [Devo cover]
  • Anaconda
  • Zodiac
  • The Kicking Machine
  • Civilized Drums
  • Blood Witch
  • Hooch
  • Smiling Cobra
  • With Teeth
  • Night Goat
  • The Bit
    *- from Buzzo’s setlist, corrections by Ryan (Idlehanz)

Overall… bloody brilliant.  I thoroughly enjoyed every bit of it, and I don’t know half of their songs… :)  I’m definitely seeing them anytime they come through town.  A great band with 2 great sets!!

Their latest CD, 2008’s Nude With Boots, is great.  And the concept behind their upcoming CD, Chicken Switch, is intriguing.  It’s a remix album, but not a normal remix album.  Each song is a remix of an entire Melvins’ album (boiled into one song).  Some of the remixers included are Matmos, Sonic Youth’s Lee Ranaldo, Eye Yamatsuka, and Merzbow (Masami Akita).  It’s out on September 29th on Ipecac.  Read more over at themelvins.net.  I’m looking forward to it…

The Appropriate Linkage:

~Dan – np: dredgEl Cielo no torrent or free download here

THE MELVINS PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

Higher Resolution (6 pics)

The Melvins in Eugene The Melvins in Eugene The Melvins in Eugene The Melvins in Eugene The Melvins in Eugene The Melvins in Eugene

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2009 U.S. Summer Tour

  • August 7, 2009 – San Jose, CA – The Blank Club
  • August 9, 2009 – Eugene, OR – John Henry’s
  • August 11, 2009 – Seattle, WA – The Showbox SoDo w/ Down
  • August 12, 2009 – Portland, OR – Roseland Theatre w/ Down
  • August 14, 2009 – San Francisco, CA – The Regency Ballroom w/ Down
  • August 15, 2009 – Los Angeles, CA – Wiltern Theater w/ Down
  • August 16, 2009 – San Diego, CA – House Of Blues w/ Down
  • August 18, 2009 – Anaheim, CA – House Of Blues w/ Down
  • August 19, 2009 – Las Vegas, NV – House Of Blues w/ Down
  • August 21, 2009 – Salt Lake City, UT – In The Venue w/ Down
  • August 22, 2009 – Englewood, CO – Gothic Theatre w/ Down
  • August 24, 2009 – Tulsa, OK – The Marquee
  • August 25, 2009 – Oklahoma City, OK – Diamond Ballroom
  • August 26, 2009 – Dallas, TX – House Of Blues Pontiac Garage
  • August 27, 2009 – San Antonio, TX – The White Rabbit
  • August 28, 2009 – Houston, TX – Meridian Red Room
  • August 29, 2009 – Baton Rouge, LA – Spanish Moon
  • September 1, 2009 – Atlanta, GA – CW Center Stage w/ Down
  • September 2, 2009 – Orlando, FL – House Of Blues w/ Down
  • September 4, 2009 – North Myrtle Beach, SC – House Of Blues w/ Down
  • September 5, 2009 – Charlotte, NC – The Fillmore Charlotte w/ Down
  • September 6, 2009 – Knoxville, TN – The Valarium w/ Down
  • September 8, 2009 – Baltimore, MD – Sonar w/ Down
  • September 9, 2009 – Clifton Park, NY – Northern Lights w/ Down
  • September 11, 2009 – New York, NY – NOKIA Theatre Times Square w/ Down
  • September 12, 2009 – Monticello, NY – Kutshers Country Club – ATP NEW YORK 2009 CURATED BY THE FLAMING LIPS
  • September 13, 2009 – Boston, MA – House Of Blues w/ Down
  • September 15, 2009 – Hartford, CT – Webster Theatre w/ Down
  • September 16, 2009 – Rochster, NY – Main Street Armory w/ Down
  • September 17, 2009 – Buffalo, NY – Town Ballroom
  • September 18, 2009 – Pittsburgh, PA – Mr. Smalls Theatre
  • September 19, 2009 – Detroit, MI – Emerald Theatre w/ Down
  • September 21, 2009 – Indianapolis, IN – Vogue Theatre w/ Down
  • September 22, 2009 – Cleveland, OH – House Of Blues w/ Down
  • September 24, 2009 – Omaha, NE – Sokol Auditorium w/ Down
  • September 25, 2009 – Sauget, IL – Pop’s Nightclub w/ Down
  • September 26, 2009 – Mokena, IL – The Pearl Room w/ Down
  • September 28, 2009 – Louisville, KY – Expo Five w/ Down

REVIEW: Zoë Jakes & Beats Antique @ Faerieworlds (Mt. Pisgah, OR – 7/31/09)

1st Aug 09 (Sat) 5 comments

FYI… PHOTOS of the SHOW at the BOTTOM

We last saw Zoë Jakes dance with her troupe, Indigo Belly Dance Company with Rachel Brice & Mardi Love, at last year’s Oregon Country Fair.  She has a fun American tribal style fusion mixed with some hip-hop pops & locks.  Anyway, she’s fun, and a lot of her facial expressions remind me of one of our good friends in Ohio (who is now en route to South Carolina).

Anyway… my wife and I got free tickets to last night’s Faerieworlds 2009 festival.  My wife’s working the fest Sat & Sun, but Friday’s Zoë Jakes & Beats Antique show was the main thing I wanted to see.  They started right on time, 7:30pm, and played for 75 minutes.  Beats Antique is comprised of David Satori (Zoë’s squeeze) & Tommy Chappel.  David & Tommy both manned laptops with electronics beats and loops.  Tommy also played some hand drums, and David played violin, guitar, and provided horseback rides.  Zoë danced with 5 or 6 tunes, taking breaks to change and breathe. :)

The crowd was really into the band and Zoë, and were dancing all around us.  Near the end, David brought up a friend who was up front, and she got to dance on stage for a bit (while Zoë was off).  As the band was ending their set, the sun was going down.  It was really a great scene.

The band has a new digital -EP- out called Contraption Vol 1, and can be gotten via their webpage (not on iTunes, yet).  Check it out… it’s got some rad electronic, glitch-rock & dub mixed with world music.

Many pics are below (with a ZIP file with all of the pictures fit to print, but too many to actually post).

The Appropriate Linkage:

~Dan – np: downset.Code Blue Coma -EP- no free download or torrent available, sorry.

ZOË JAKES &
BEATS ANTIQUE PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

Higher Resolution (13 pics)

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and this fuzzy one, because of its funny face…

Large ZIP file with more pictures (47.7Megs)
69 pictures, includes the 23 above

CLICK HERE FOR ZIP FILE (right click, save as)

Zoe

REVIEW: David Bazan [Pedro the Lion] @ House Show (Eugene, OR – 7/25/09)

26th Jul 09 (Sun) 7 comments

FYI… PHOTOS of the SHOW at the BOTTOM

I last saw David Bazan [former Pedro the Lion frontman] in Eugene almost two years ago (with J. Tillman @ the Indigo District).  I have had a few chances for Portland gigs since then, but they never meshed with my schedule.  The chance to see him at an intimate house show couldn’t be passed up.

I’d heard about house shows / house concerts for a while.  I went to one many years back, but it was friends / local Cincinnatians; so I didn’t really count it as a “real” house show.  Well, this was my first experience with a “national artist” doing a house show.  How it works for David’s booking is 1) the host provides a place for 30-100 people, 2) tickets are sold only online via David’s website, 3) doors at 7:30 / show starts at 8 / people out by 10pm, 4) no sound system needed (just a chair or stool to sit on), and 5) no outside advertising is done.

I was one of 30 or 35 people who got in on the Eugene house show deal.  It was fun to hang out with people before the show.  There was a great spread of food, and I got to talk with the hosts a bit and some wonderful gents who drove down from Vancouver, BC.  The show was BYOB, but they also had some Ninkasi Quantum on tap (or should I say Quant-yum).

David came up a little before 8pm and announced a friend, Blake Wescott, who came up and played 4-5 songs (about 15-20 minutes).  Blake Wescott has worked in the studio with David Bazan / Pedro the Lion, Damien Jurado, Aaron Sprinkle, Denison Witmer, and others.  He’s also toured as a backing musician for R.E.M and Crystal Skulls.  His sound was great, a gentle singer-songwriter.  He mentioned that he played the four songs from his MySpace page: Dreams in Twos, Live Here with You, My Way Home, and Carry On… plus I think he threw in another one.  Great set, I’d see him again if he comes through town!

David went on about 8:10 or so and played and chatted until right about 9:30pm.  He played mostly newer stuff, but threw in a few Pedro the Lion tunes as well.  I mean, he was the driving force of the band.  Afterwards, there was more discussion on the back patio.  It was good to hear him further expanding on some of the “Q&A” discussions from the show.  Anyway, here’s what he played…

Setlist:

  • Hard to Be
  • Please, Baby, Please
  • Priests and Paramedics
  • Q&A #1
  • Harmless Sparks / Fewer Moving Parts
  • June 18, 1976
  • Q&A #2
  • Cold Beer and Cigarettes
  • When We Fell
  • Q&A #3
  • Transcontinental
  • Curse Your Branches
  • Options
  • Q&A #4
  • Bearing Witness
  • Of Up and Coming Monarchs
  • Bless This Mess (aka Weeds in the Wheat)
  • Q&A #5
  • In Stitches

Great experience… I need to try to convince my wife to let me host one sometime at our house.  I think we could handle it for someone like David Bazan, Derek Webb, or Bill Mallonee.  Oh, maybe Michael Kelsey (though it would cost more, as he doesn’t get out here… ever).  Hmm… oh, a Secret Chiefs acoustic Xaphan show in our living room would allow me to die a happy man.  Yeah, I think I’m dreaming.

David announced that the 5-piece band would be coming through Oregon (and elsewhere) again in the Fall, but it will all be officially announced on August 5th.  Yay!

As reported last week, David’s got his solo debut coming out on September 1st.  It’s called Curse Your Branches.  It is now available for pre-order on Amazon now, but will be available through David’s site on August 5th (maybe hold out for that, as he may have some special goodies).

The Appropriate Linkage:

~Dan – np: Dave DouglasKeystone

BLAKE WESCOTT &
DAVID BAZAN PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

Blake Wescott Blake Wescott David Bazan David Bazan David Bazan David Bazan David Bazan David Bazan

REVIEW: Tori Amos @ Arlene Schnitzer Hall (Portland, OR – 7/11/09)

12th Jul 09 (Sun) 9 comments

Tori Amos has been a big part of my musical fanaticism for a long time.  I first heard of her my freshman year of college, got Little Earthquakes & Under the Pink from BMG, got Boys for Pele right when it came out, and I’ve been a fan ever since.  There was a period of time where, if I could, I’d drive all over the Midwest to go see her.  This show was going on the 6 year mark since I’d seen her, and let’s just say that I was itching for some classic Tori live… but first up, the opener:

One Eskimo hit the stage right about 8pm, and played 4-5 songs (about a half hour’s worth of material).  I liked their sound… sort of a singer-songwriter blown up into a pop group (sort of if Maroon 5 had more interesting musicians).  Their drummer had a nice style, sitting on a box-type drum and using that as the kick drum.  Their guitarist and bassist/trumpet player were also fun to watch.  They played “Kandi,” “UFO,” and “Astronauts” for sure, as those songs are on the EP that I picked up for only $5.  They’re working on wrapping up their full-length debut now…

I was too far away to take any good concert photos;
so the marquee is all you get this time.

Tori hit the stage with her band (Matt Chamberlain on drums & John Evans on bass) at around 8:50pm and played for a solid two hours without much stopping. I forget how much I love her live shows.  Great lights, great mix of tunes from her whole career, fun stage presence, pretty energetic crowd… she played a lot more older songs than I would have thought, and only four songs from her latest record.

Setlist:

  • Give (a fave of the night)
  • Caught a Lite Sneeze (a fave of the night)
  • Welcome to England John’s bass intro was very Tool-y… as if Justin Chancellor was in a pop band
  • Graveyard
  • Cornflake Girl (a fave of the night)
  • Icicle (a fave of the night)
  • Little Amsterdam
  • Siren
  • Starling
  • Black Dove (January)
  • 1,000 Oceans
  • Joni Mitchell’s River (solo – Lizard Lounge)
  • Winter (solo – Lizard Lounge)
  • Playboy Mommy
  • Little Earthquakes (a fave of the night)
  • Fast Horse (a fave of the night)
  • Take to the Sky (a mega fave of the night)
  • Carbon
  • Honey
  • Precious Things (a fave of the night)
  • Strong Black Vine – crowd floods front part of theatre, much to the “oh crap, what do I do?” of the security guys
  • Encore: Big Wheel (a fave of the night)
  • Tombigbee

Fantastic show… prior to this show, I was kind of in a “cooling” phase with Tori.  I hadn’t seen her since the Scarlet’s Walk tour (2003), and I’d only been slightly fond of The Beekeeper and American Doll Posse albums.  Forcing myself recently to dig into her newest one, Abnormally Attracted to Sin, and then seeing it live was great.  It was a much warranted end to the break from being a big time Tori fan.  Sure, Abnormally isn’t going back to the Little Earthquake through Boys of Pele days, but it’s still good music and she still puts on a great show, full of songs from her vast catalogue.

The Appropriate Linkage:

~Dan – np: Riceboys SleepsAll Animals -EP-
no torrent or free download available

The rest of the Abnormally Attracted to Sin tour dates (as of now)

  • Mon 07/13/09 Oakland, CA – Paramount Theatre
  • Tue 07/14/09 Oakland, CA – Paramount Theatre
  • Thu 07/16/09 San Diego, CA – Humphrey’s Concerts By The Bay
  • Fri 07/17/09 Los Angeles, CA – Greek Theatre
  • Sat 07/18/09 Phoenix, AZ – Dodge Theatre
  • Mon 07/20/09 Salt Lake City, UT – Abravanel Hall
  • Tue 07/21/09 Denver, CO – Paramount Theatre
  • Thu 07/23/09 Kansas City, MO – Starlight Theatre
  • Fri 07/24/09 Grand Prairie, TX – Nokia Theatre At Grand Prairie
  • Sat 07/25/09 Austin, TX – The Long Center For The Performing Arts
  • Mon 07/27/09 Atlanta, GA – Chastain Park Amphitheatre
  • Tue 07/28/09 Orlando, FL – Bob Carr Perf. Arts Centre
  • Wed 07/29/09 Miami Beach, FL – Fillmore Miami Beach At Jackie Gleason Theater
  • Fri 07/31/09 Durham, NC – Durham Performing Arts Center
  • Sat 08/01/09 Washington, DC DAR – Constitution Hall
  • Mon 08/03/09 Chicago, IL – Chicago Theatre
  • Tue 08/04/09 Milwaukee, WI – Riverside Theatre
  • Wed 08/05/09 Minneapolis, MN – The State Theatre
  • Fri 08/07/09 Indianapolis, IN – Murat Theatre
  • Sat 08/08/09 Detroit, MI – Detroit Opera House
  • Mon 08/10/09 Toronto, ON – Massey Hall
  • Tue 08/11/09 Montreal, QC – St. Denis Theatre
  • Thu 08/13/09 New York, NY – Radio City Music Hall
  • Fri 08/14/09 Red Bank, NJ – Count Basie Theatre
  • Sat 08/15/09 Upper Darby, PA – Tower Theatre
  • Mon 08/17/09 Boston, MA – Bank Of America Pavilion
  • Sun 09/06/09 Manchester, United Kingdom – Apollo Manchester
  • Mon 09/07/09 Birmingham, United Kingdom – Symphony Hall
  • Tue 09/08/09 Glasgow, United Kingdom – Glasgow Royal Concert Hall
  • Thu 09/10/09 London, United Kingdom – Apollo Hammersmith
  • Fri 09/11/09 London, United Kingdom – Apollo Hammersmith
  • Sun 09/13/09 Basel, Switzerland – Festsaal Messe Basel
  • Mon 09/14/09 Munich, Germany – Circus Krone Bau
  • Tue 09/15/09 Zurich, Switzerland – Kongresshaus Zurich
  • Thu 09/17/09 Amsterdam, Netherlands – Heineken Music Hall
  • Sun 09/20/09 Copenhagen, Denmark – Royal Theatre
  • Mon 09/21/09 Oslo, Norway – Sentrum Scene
  • Thu 09/24/09 Prague, Czech Republic – Prague Congress Centre
  • Fri 09/25/09 Vienna, Austria – Wiener Stadthalle
  • Sun 09/27/09 Hamburg, Germany – Laeiszhalle

REVIEW: Skerik & McTuff @ Sam Bond’s (Eugene, OR – 7/8/09)

9th Jul 09 (Thu) 3 comments

The Joe Doria led McTuff hit the stage at Sam Bond’s last night around 10pm.  While Joe is the bandleader (and quite awesome), a large part of the draw seems to be for tenor saxophonist Skerik.  The entire band is fantastic, and really put out a great groove last night.  We stayed for a little over an hour, and caught “Seven Bullets,” “Arrow Tip,” Michael Jackson‘s “Human Nature” (identified by my wife) and some other unannounced songs/jams.  The 3rd or 4th song (“Seven Bullets”) had some very klezmer-sounding melodies to me.

Last time I saw them, it seemed to be much more organ & sax (or maybe that’s just my poor recollection).  This time, the guitarist (Andy Coe) also seemed to really break out.  It was nice to hear him take some leads.  Drummer D’vonne Lewis was also killin’ it.  Great groove all around from the band.  I’m glad they come around a couple times a year.

They’ve got their first record out, McTuff Volume 1, which I picked up last night.  Check them out on the MySpaces: http://www.myspace.com/mctuffmusic

~Dan – np: Derek WebbStockholm Syndrome

REVIEW: Hiromi’s Sonicbloom @ Dimitriou’s Jazz Alley (Seattle, WA – 6/16/09)

17th Jun 09 (Wed) Leave a comment

FYI… PHOTOS of the SHOW at the BOTTOM

Well, I’d never been to Dimitriou’s Jazz Alley.  It’s an amazing little room (maybe 200 seats) with dinner served if you show up early.  Plus, in downtown Seattle, it offers free parking.  Yeah, you read that correctly – free parking. :)  Anyway, I showed up shortly after 6pm after fighting with traffic heading through Tacoma and into Seattle.  I got seated right up front, which was also the benefit of showing up early for the dinner & show deal.  Fantastic food, and wonderful staff!  The venue earns an A+!!  I hope they bring in some more choice acts… it was worth the trip.

Hiromi Uehara and Sonicbloom took the stage around 7:40.  The band was Hiromi on piano (a Steinway & Sons, if I recall correctly) & keyboards (3 different keyboards/syths), Tony Grey on 6-string electric bass, Dave Fiuczynski on double-neck guitar (12 string on top, 7 string on bottom), and Mauricio Zottarelli on drums.  Both Tony & Dave played on Hiromi’s two Sonicbloom records.  Actually, Tony played with Hiromi on her last four records (not just the recent Sonicbloom moniker).

As a band, they were pretty tight.  I liked Tony a lot on bass.  He had a nice groove, and his “mouthing” of the solos was fun, too.  Maurice was also great, but he was shielded from me for most of the night from an older “bigger hair” couple; so I didn’t catch many glimpses of him.  Dave was good, too… but sometime he got too “noodley” versus what the band was doing.  His solos weren’t great in my opinion, but when he was playing lead, his playing worked well.  Maybe guitar in a jazz quartet wasn’t my thing this time around.

As far as setlist, no luck.  Hiromi only announced one song from the stage: “Time Travel” from Time Control (the 2007 Sonicbloom record).  I’m pretty sure that they didn’t play “XYZ” (or the variation “XYG”).  That was a bummer, but not too much of a bummer – as the show was amazing all around.

They played a few standards, one that the name is on the tip of my tongue, but I can’t for the life of me remember it.  I can hear it still in my head (doo doo doo, doop doop doodle doop).  Damn, there are too many songs in my head and barely any names.  Hiromi also played a solo classical piece that was very familiar, but again, I’m drawing a blank.  Regardless of song names, Hiromi’s handwork is amazing.  I swear, I don’t know how she can pull off playing two different melodies at the same time with different hands.  Anyway, the whole group was an amazing bunch of musicians.  Most of the show was pretty jammy, but had elements of straight ahead jazz, and again some classical.

They’re playing again at the Jazz Alley as I type this… if anyone went tonight (June 17th), let me know how it went.

For the uninitiated to Hiromi, check out the video electronic press kit for Beyond Standard featuring “XYG“:

Or check out the video for “Time Difference“…

The Appropriate Linkage:

~Dan – np: Anakronic Electro-OrchestraThe Yiddish Part -EP-

HIROMI’s SONICBLOOM PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

REVIEW: Portland Cello Project & Emily Wells @ Cozmic Pizza (Eugene, OR – 6/13/09)

14th Jun 09 (Sun) Leave a comment

I first heard of Portland Cello Project via cellist Anna Fritz.  Her 2005 album Wake featured a couple of songs with singer-songwriter Peter Mulvey guesting, of whom I had been a longtime fan already.  Anyway, shortly thereafter, Anna Fritz was posting on her MySpace page about this new band that she was in, the Portland Cello Project.  They kept playing around on times that I couldn’t see them… so last night was the first official time for me to see them, though I guess I’ve been a fan for a while.

We showed up around 8:30 to a beyond packed house.  Oh crap, I underestimated the draw of the PCP on a Saturday night in Eugene.  Emily Wells was into her set, and some of the PCP was sitting in on her set.  Great stuff… enough to buy her Symphonies album.  I hope she comes around Eugene or Portland again… I loved her sound.

The Portland Cello Project came on around 9:30.  Their sound seemed very much standard “chamber music” until they hit the more energetic Pantera and Dave Brubeck pieces.  PCP pulls off the “modern / alternative chamber music” sound pretty well without getting lumped into the sometimes cheesy Apocalyptica and the almost always cheesy “String Quartet Tribute to…” compilations.  PCP had a mix of classical, jazz, rougher music, tween pop with John Brophy, and indie rock (the songs featuring Justin Power on guitar & voice)… seemed to be enjoyed by the very large, very diverse crowd…

Setlist: (per the PCP blog)

  • Collaborations with Emily Wells
  • The Batman Theme Song (by Danny Elfman)
  • Turkish Wine (by Norfolk and Western)
  • Denmark (by Gideon Freudmann)
  • Mouth for War (by Pantera)
  • Take 5 (by Dave Brubeck Quartet)
  • A piece by Ashia
  • Ashia and Justin Power playing Hungry Liars
  • Two more Justin Power pieces!
  • Toxic (by Britney Spears) featuring John Brophy
  • What Goes Around…/…Comes Back around (by Justin Timberlake) featuring John Brophy
  • Push-it (by Salt N Pepa) featuring John Brophy and Emily Wells
  • 3 pieces collaborating with Run-On Sentence
  • Encore: Transformation from The Dream: A Three Movement Suite for Cellos, Mallet Percussion, and Drum Set by Rachel Blumberg

We stuck around through the Justin Timberlake tune (it had been a long day).  Great stuff all around.  I was very impressed with Emily Wells set (never heard of her before), and the size of the crowd at Cozmic.  I mean, seriously, I’ve never seen that many people packed in there.  It was great to see so many people out there, but I’m wondering how they heard about it.  Here I was thinking I’d show up at 8:30 and get right in…

Next time, I’ll know to show up early for PCP in Eugene.

The Appropriate Linkage:

~Dan – np: FlaregunTen Sundays

REVIEW: King’s X @ Berbati’s Pan (Portland, OR – 6/8/09)

9th Jun 09 (Tue) 24 comments

FYI… PHOTOS of the SHOW at the BOTTOM

So… King’s X?  Where do I start.  They’ve been a band for 26 or 27 years.  I’ve been a fan of theirs since 1994.  I see them every time they come through my town (16th time in 15 years).  I’ve seen them in 6 or 7 states (mostly Ohio), but this is first time to see them in Oregon for me.  It was only last August that I saw them open up for Extreme in Cincinnati, and they haven’t put out anything new since that show.  Honestly, though, it really doesn’t matter.  It’s King’s X… Doug, Ty & Jerry.  They are a must see show, any time, any place!!

I showed up late for the show; so I can’t speak to the rockin’ (or not rockin’) of the openers Orange Sky & Quandry.  If history tells me anything, the openers were good but not phenomenal*.  I had other work-related plans, and I couldn’t make it to the venue in time.

*A good/great opener in days of yore is a band like Podunk.  Also, re: “openers,” I wouldn’t put Galactic Cowboys in that category.  They’re more like “peers”… and were always a great lead in to King’s X.  For the most part, other openers for KX were OK, but usually just delayed KX starting time by more than I normally cared for… I mean that in no disrespect to the openers tonight.  Had it not been a rough day of work, I’d have done my best to make it for your sets.  Seriously.

I showed up right at 11pm, and King’s X were deep into their third song (per the door guy).  So, for those keeping track at home, file that under “whoops… messed that one up.” My guess is that they started with “Groove Machine.”  Regardless of my missing the intro, King’s X put on a great show, and I thoroughly enjoyed it… a little bit of feedback and a low ceiling’ed venue, but I got to move around a bit and snap some shots from several angles.  No videos… I imagine it’d be too much feedback for the camera.

Setlist: thanks for the setlist additions

  • Groove Machine {thanks, bishopjso}
  • Pleiades {thanks, bn}
  • Visions
  • Move (*a fave of night*)
  • What Is This?
  • Black Flag
  • Lost in Germany
  • Pray (no offense, but a non-fave)
  • Dogman (*a fave of night*)
  • Go Tell Somebody (no offense, but a non-fave)
  • Summerland
  • Looking for Love (*a fave of night*)
  • Over My Head
  • Encore: It’s Love
  • We Were Born to Be Loved (*a fave of night*)

Fantastic show… once again.  Doug, Ty & Jerry are a joy to see.  I hope they’re making music for many more years to come.  Doug’s preachin’ during “Over My Head” had a new slant… “It’s a terrible thing to do what you don’t want to do for the rest of your life.”   I’m glad that Doug didn’t get stuck being a choirboy for the rest of his life.  Oh, and Ty’s “Over My Head” solo was smoking!!!! It was one of the few instances where I wish I had been taping…

Wishes for the evening… maybe switch out “GTS” and “P4M” with “Cigarettes” and “A Box.”  But all in all, I’m glad that they’re still making music and still touring.  I figure, beggars can’t be choosers.  I saw a great show by some great musicians… yet again.

The Appropriate Linkage:

How the screaming changes when the meaning hits your ears…
~Dan – np: dredgThe Pariah, The Parrot, The Delusion no torrent or free download here

KING’S X PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

The Rest of the King’s X Tour Dates (as of now)

6/09/2009 Seattle, WA @ El Corazon
6/10/2009 Coeur d’Alene, ID @ The Grail
6/12/2009 Salt Lake City, UT @ Club Vegas
6/13/2009 Denver, CO @ Owsley’s Golden Road
6/15/2009 Omaha, NE @ The Waiting Room
6/16/2009 Kansas City, MO @ The Riot Room
6/17/2009 Lincoln, NE @ Knickerbockers
6/19/2009 Sioux Falls, SD @ Nutty’s
6/20/2009 Fargo, ND @ Venue At The Hub
6/23/2009 St Paul, MN @ Station 4
6/24/2009 Des Moines, IA @ People’s Court
6/26/2009 Milwaukee, WI @ Shank Hall
6/27/2009 Chicago, IL @ Double Door
6/28/2009 Mt Clemmens, MI @ Freedom Festival
6/30/2009 Memphis, TN @ Newby’s
7/01/2009 Little Rock, AR @ Juanita’s
8/07/2009 Raleigh, NC @ Volume 11
8/08/2009 Springfield, VA @ Jaxx
8/09/2009 Pittsburgh, PA @ Pepsi Roadhouse
8/11/2009 Hartford, CT @ The Webster Theater
8/12/2009 Sellersville, PA @ Sellersville Theater
8/13/2009 Asbury Park, NJ @ Stone Pony
8/15/2009 Southbridge, MA @ ADC Performance Ctr.
8/16/2009 Poughkeepsie, NY @ The Chance
8/17/2009 Virginia Beach, VA @ Peppermint Beach Club
8/19/2009 Charlotte, NC @ Amos’s
8/21/2009 Marietta, GA @ The Local
8/22/2009 Fayetteville, NC @ Jester’s

then they hit the road with Porcupine Tree in September 2009

REVIEW: Holy Fuck @ Doug Fir Lounge (Portland, OR – 6/4/09)

5th Jun 09 (Fri) 4 comments

FYI… PHOTOS of the SHOW at the BOTTOM

I love my job.  I get to be in towns that quite often host artists I like to see… so I don’t have to drive up to make a special trip.  Well, this time, it was for my second time seeing the instrumental, avant-groove, live electronic band from Toronto – – Holy Fuck.  While their name may be offensive to some, their music is delicious.  I tried to make the “gotta eat there while in Portland” stop at Blossoming Lotus, but downtown was PACKED – no parking to be found; so I crossed the River and checked out The Farm instead.  Then I scuttled off to the venue to meet some Eugene friends and take in some great music.

Crocodiles went on first, and they played about a half hour.  It was a singer & guitarist playing to a drum machine or tape.  It wasn’t too shabby.  Two man bands are usually more miss than hit, but these guys had some good songs and rocked out fairly well.

Holy Fuck took the stage around 10:15 and played a jam-packed hour or so.  I forget how infectious these guys are, even when not playing something all that melodic (though they had plenty of groove last night as well).  We got right up front, and I was able to snap some pics and a video or two (see below).  I was glad to see the audience show up, too… at first, it was looking grim, like a 10 person crowd.  By HF show time, the MFDF was filling up quite nicely.  Much groove, much film scratchin’, oft screamin’ and looping, with a thumping rhythm section…

Songs are harder to distinguish when there are no vocals (i.e.- no official “setlist” here).  I know they played The Pulse, Super Inuit, and Lovely Allen, and I’m pretty sure they played Milkshake, Safari, Frenchy’s, Jungle, maybe Royal Gregory.  Those last five are just a guess, though.  I do know that it was a bitchin’ show!!  It’s great to see them in progressively bigger venues.  First Newport, KY’s Southgate House “parlor” (i.e.- the very small room upstairs) to the real venue of Doug Fir Lounge as the headliner.  A+… and I hope it’s not another 2+ years until I get to see them again.

Holy Fuck “The Pulse” @ Doug Fir Lounge, 6/4/2009

Holy Fuck “Lovely Allen” @ Doug Fir Lounge, 6/4/2009

The videos are just “OK,” but not too shabby for a digital camera (not a digital video camera), if I do say so myself.  Regardless of the video quality, quite frankly, this show is probably one of my favorite shows this year so far.

The Appropriate Linkage:

~Dan – np: John ZornAlhambra Love Songs

no torrent or free download available here

CROCODILES / HOLY FUCK PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

REVIEW: Steven Bernstein’s Sex Mob @ Goodfoot Lounge (Portland, OR – 5/23/09)

24th May 09 (Sun) 3 comments

FYI… PHOTOS of the SHOW at the BOTTOM

Sex Mob is a downtown NYC jazz band made up of bandleader Steven Bernstein on slide trumpet, Briggan Krauss on saxophone, Tony Scherr on bass, and Kenny Wolleson on drums.  For those keeping score, Steven Bernstein is one of my top 3 favorite (living) trumpet players [Dave Douglas & Wynton Marsalis being the other 2].  I got into Steven via some of his CDs on John Zorn’s label Tzadik and their Radical Jewish Culture series… then I found Sex Mob (and also Millennial Territory Orchestra).  Steven Bernstein came through Ohio just shortly after I moved away; so last night was actually my first time to see him live.  And for it to be a Sex Mob show made it much more special.

The opener, Trio Subtonic, was great.  I saw them last fall at a small college, but this time it was nice to see them in a more intimate, non-auditorium setting.  They played for 75 minutes or so, more than a normal opener.  In fact, had they not been so good, I would have kind of been pissed. :)  In my opinion, the best part of their set was when they ripped into an instrumental jazzy, slightly obscured cover of Radiohead‘s “Just” (the original has one of my favorite videos).  I was singing along…  Shortly thereafter, they were joined on stage by a saxophonist for about half of their set – which was a great addition.  Maybe they should add him permanently and change their name to Quartet Subtonic.

Sex Mob came on around 11:45, and they started in on an avant-garde piece. I’d seen Sex Mob’s saxophonist Briggan Krauss play with NYC downtown avant-garde musicians Ikue Mori and Jim Black in March 2007; so I expected some avant-garde from this group of downtown NYC musicians.  Sex Mob mixed it up a bit and jammed as well, but every corner had a bit of the avant-garde nature hiding in it.  Maybe more of a halfway point between groove jazz and avant-garde jazz would be a good explanation – “raucous.”  I think my favorite from their set was the tune whose opener reminds me of Dizzy Gillespie‘s “Salt Peanuts.”

Sex Mob Intro @ the Goodfoot, 5/23/09

Sex Mob #2 @ the Goodfoot, 5/23/09

I hope they come back again soon… and maybe start earlier (or play closer to me). :)  I bailed around 1am to head back home to Eugene.  All in all, a great night for jazz.

The Appropriate Linkage:

~Dan – np: IsisWavering Radiant

no torrent here

TRIO SUBTONIC / SEX MOB PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a
creative commons attribution

(click for larger)

REVIEW: Jerry Seinfeld @ Hult Center (Eugene, OR – 5/21/09)

21st May 09 (Thu) 1 comment

Mini-review…

It’s been a while since seeing Jerry Seinfeld live.  I was always a big fan of that television show that he was on… you know… um, what was it called?  Oh, yeah… Benson.  I hear he kinda “faded away” after that early-80s stint on Benson . ;)

The opener was Larry Miller.  He was the doorman on Seinfeld, plus he’s been in other television shows and movies (like Best in Show).  Funny stuff, but he only did about 20-25 minutes of material.  It was odd, because not even a minute later… on comes Jerry… at 7:28pm*…

Well, third time seeing him… Jerry did a lot of familiar jokes, and it was great.  Horse racing, cellphones, “going out,” old people in Florida, being a parent…  He did an hour’s worth of material, and then came back on for about 10 minutes of Q&A.  Complete with a classic “Hello, Newman.” :)

*- I only made note of the time as it shocked me that it was starting soooo early.

The Appropriate Linkage:

~Dan – np: Dave DouglasSpirit Moves

REVIEW: Flight of the Conchords @ the Schnitzer (Portland, OR – 5/14/09)

15th May 09 (Fri) 5 comments

Well, let’s just say… this show was mutha’uckin’ AWESOME!!!

Before the show, there was a spot-on Murray look-a-like in the crowd.  A little bit younger looking, but definitely pretty damn close.  At around 7:45pm, the lights dimmed and what sounded like Jemaine (from FOTC) announced the opener.  Arj Barker, who plays Dave on HBO’s Flight of the Conchords show, came out and did a hilarious 30-minute stand-up routine.  Very witty humor.  He’s got a Comedy Central special coming soon, plus he’ll be doing his own solo tour later in the year.  Should be fun… I’d definitely recommend Arj, and if he comes near me again (Eugene, please?), I’ll be there.

Arj introduced Flight of the Conchords Jemaine Clement and Bret McKenzie immediately after his set, and they came out swinging right away in their robot costumes.  To which they immediately broke into a song from their 2nd season, “Too Many Dicks on the Dance Floor.”  They never got back into their robot costumes again, which was… well… unfortunate.  Great show though.  They also had a cellist, Nigel, who was “New Zealand’s symphony orchestra.”  Due to budget cuts, Nigel is the entire NZ symphony orchestra. :)  Here’s what they played…

Setlist: (YT: YouTube video from the HBO show)

  • Too Many Dicks on the Dance Floor (YT)
  • Hurt Feelings (YT) (*a fave of the night*)
  • The Ballad of Stana
  • The Most Beautiful Girl (in the Room) (YT) (*a fave of the night*)
  • Carol Brown (Stick Around)
  • Jenny
  • Hiphopopotamus vs. Rhymenoceros (YT) (*a fave of the night*)
  • I’m Not Crying (YT)
  • Freebird (upon request, but we think it was a planted request… Bret moved over to drums)
  • Mutha’uckas (YT) (Bret continuing on drums*a fave of the night*)
  • Business Time (YT) (*a fave of the night*)
  • Think About It (Think, Think About It) (YT)
  • Lazy Eye
  • Sugalumps (YT)
  • Encore: Albi the Racist Dragon (YT)
  • Bus Driver’s Song
  • Bowie (YT)

The only real disappointment was the obvious lack of “Robot Song (The Humans Are Dead)” (YT).  “Foux Da Fa Fa” (YT), “If You’re Into It” (YT), and “Ladies of the World” (YT) would have been fun, too.  They show was really great, though.  They played and talked and talked and played for an hour and 45 minutes.  Really funny, and I liked most of the new songs… I’m looking forward to the 2nd season when it comes out on DVD (as I don’t have HBO).  I wasn’t able to take any photos due to the venue’s rules.  Here is one from SPIN‘s Miami review (more further down in the links):

The Appropriate Linkage:

~Dan – np: Wynton MarsalisHe and She

REVIEW: Opeth & Enslaved @ Roseland (Portland, OR – – 5/12/09)

12th May 09 (Tue) 13 comments

Similarly to the professional Abba cover band I saw play with the Cincinnati Philharmonic Orchestra / POPS, the band I saw tonight (Opeth) is from Sweden.  Un-similarly to the Abba cover band, Opeth is… HEAVY.  I didn’t want to risk bringing my nice, new camera to a Swedish & Norwegian Death Metal double-bill (Strongbad email link).  So, I’ll post and point you to some from BrooklynVegan’s blog.  I also won’t be able to bring my camera into Flight of the Conchords in two days due to venue restrictions.  Boo… anyway, here is Enslaved (from the recent NJ show):

photo by Justina Villanueva

This Oregon concert was billed as just the two bands.  Enslaved went on first.  I have an odd history with the band name Enslaved.  I have some friends in Dayton, Ohio, who briefly had a metal band called Enslaved (in 1994-ish).  Then I had to break the news to them that there already was a band named the same, and that they’re from Norway.  Well, the Dayton band changed their name to Gnashing of Teeth.

I ran into the Norwegian Enslaved here and there, but never listened to them… until tonight.  They were… hmm… they were OK.  Musically, they had chops, but their sound seemed hollow.  Maybe not enough guitars or bass in the mix, but especially compared to Opeth, Enslaved didn’t fill the room – – and not for lack of trying.  Vocally, they were fairly brutal, but mostly uninteresting.  One of the “singles” from Vertebrae that I heard on the MySpaces before the show was played.  It just doesn’t work, IMO.  Oh well, I suppose I’m continuing my streak of not all that great opening bands, but at least Enslaved were the only opener.  All-in-all, they weren’t what I’d call “dreadful.”  I just don’t really need to dig much more into their music.

Next up, only after a short 25 minute set change, sound check… OPETH

Opeth‘s Mikael Akerfeldt in NJ
photo by Justina Villanueva

This was my 3rd Opeth live experience.  Previously, I would say that there is the law of diminishing returns going on with live Opeth.  The 1st show I saw was awesome, and then the 2nd show was a little dissappointing.  Well, third time seeing them, they ripped into some great material.  Overall, utterly fantastic show.  Their sound was much fuller than Enslaved’s, and they just seemed like a better band.  I guess this didn’t come as a surprise.  Mikael announced early on that the band formed in 1990.  So, next year is their 20th anniversary.  Holy cow, when did that happen!?  Their maturity and breadth of material was on display tonight.  They hit post-Blackwater Park songs, and they even hit songs from Morningrise, Still Life, and My Arms Your Hearse – – which has to go down as one of the best metal album names ever.  Anyway, here’s what Opeth played…

Setlist:

  • Heir Apparent
  • Ghost of Perdition
  • Godhead’s Lament
  • The Leper Affinity
  • Credence
  • Hessian Peel
  • Closure
  • Night & the Silent Water
  • The Lotus Eater
  • Encore: band introductions and “swine flu blues” guitar solo
  • Deliverance

Great set… right around 2 solid hours, 10 songs… so, yeah, your basic pop songs. :)  I’m looking forward to next year’s 20 year anniversary Opeth takes a nap-a-thon.

The Appropriate Linkage:

~Dan – np: Wynton Marsalis – He and She

The rest of the Opeth tourdates (so far)…

May 13 2009 Senator Theater, Chico, California *
May 14 2009 Regency Theater, San Francisco
May 15 2009 Glasshouse, Pomona, California *
May 16 2009 The Avalon, Los Angeles, California *
May 17 2009 Rialto Theater, Tucson, Arizona *
May 19 2009 Scout Bar, San Antonio, Texas *
May 20 2009 Diamond Ballroom, Oklahoma City, Oklahoma *
May 21 2009 New Daisy Theater, Memphis, Tennessee *
May 22 2009 Bijou Theater, Knoxville, Tennessee *
May 23 2009 Newport Music Hall, Columbus, Ohio *
May 24 2009 Clutch Cargo’s, Pontiac, Michigan *
May 26 2009 Grand Ballroom at The Manhattan, New York, New York *
May 27 2009 9:30 Club, Washington, Washington DC *
May 29 2009 Rock Hard Festival, Dortmund
May 30 2009 Wave Gothik, Leipzig
May 31 2009 Schlachthof, Wiesbaden
June 1 2009 Skaters Palace, Munster
June 12 2009 Download Festival, Donnington
June 13 2009 Provinssirock, Seinäjoki
June 21 2009 Metal way, Zaragoza
June 26 2009 Peace & Love, Borlänge
June 27 2009 Metaltown Festival, Gothenburg
July 2 2009 Festival, Arvika
July 3 2009 Oslo Live, Oslo
July 17 2009 Art Mania Festival, Sibiu
July 26 2009 Zwarte Cross Festival, De Schans in Lichtenvoorde
July 30 2009 Storsjöyran, Östersund
August 7 2009 Brutal Assault, Jaromer
August 15 2009 Summerbreeze, Dinkelsbuehl
August 21 2009 Lowlands, Biddinghuisen

* w/ Enslaved

REVIEW: Yann Tiersen @ the Wonder Ballroom (Portland, OR – – 4/29/09)

30th Apr 09 (Thu) 7 comments

(that’s unnatural)

So, I was soooo stoked about seeing French musician Yann Tiersen for the first time.  His albums are quite delightful.  I, like many people in the States, first heard of him via the soundtrack/score to Amelie.  But then based on the Brooklyn Vegan (photo credit above) and photobear 2009 tour reviews, I got a little sad.  No accordion, very little violin, and Yann on guitar for most of the night!? Pardon my French, but… viens m’enculer!? Viens m’enculer!?

Well, I didn’t know how it would turn out; so I figured it’s still a rare occasion to see Yann in the U.S.  I already had the tickets, it was only 2 hours away… so… I gotta go.  No photos allowed at the venue.  Boo.

The opener, Skinni Dip yogurt (on Burnside – downtown), was awesome.  The opener (at the venue), Asobi Seksu, played far too long.  I’m having a bad streak of uninteresting / painful openers.  Sorry.  Just didn’t like them at all.

Yann Tiersen and his band came on around 9:45pm, and the first two solid songs were rock numbers that had very little resemblance of a Yann Tiersen song.  The 3rd song was finally one I recognized, but only vaguely as it was turned into some sort of messy, too fast rock blast.

No try on the set list… it’s too difficult to remember song names originating in a foreign language to mine.  Also, the set that we caught didn’t even seem to be a Yann Tiersen show.  I mean, I have 95% of his catalog (all but the latest Tabarly soundtrack)… and the songs were completely foreign to the crowd.  Had I wanted to go to a decent/mediocre rock band play a poorly mixed show, I would have gone to my local rock venue and paid $3 to see what was going on that night.  I went to see Yann Tiersen’s songs in a live setting.  Unfortunately, we really didn’t get that.  I mean, I’m all for artistic expression, and the artist doing what they feel is their artistic direction versus what the fans “want” – – but to some extent on a live tour, you’d expect to give the fans what they expect… again, at least to some extent.

Maybe this was his French way of pulling a prank on us stupid Americans.  It just makes you wonder.  Oh well… if he comes back, I’m not buying tickets until I read some reviews with more mention of accordion solos. :)

The Appropriate Linkage:

~Dan – np: CelldwellerSymbiont -EP- & then… O.S.I.Blood

To cleanse the palate… here’s what I was hoping for in a Yann Tiersen show…

(or)

(or, from Amelie)

Sigh. Maybe next time.

REVIEW: Spinal Tap / The Folksmen @ Paramount Theatre (Seattle, WA – – 4/20/09)

22nd Apr 09 (Wed) 1 comment

FYI… PHOTOS of the SHOW at the BOTTOM
(only a couple this time)

Spinal Tap - Unwigged and Unplugged
Spinal Tap Unwigged/Unplugged (photo: Shannon Cottrell, LA Weekly)

As mentioned above, I only took a few pictures.  I was in the upper mezzanine, aka nosebleeds.  I tried out my new 60x zoom digital camera; alas, it wasn’t 600x. :)

The show was great.  Christopher Guest (aka Nigel Tufnel / Alan Barrows), Michael McKean (aka David St. Hubbins / Jerry Palter), and Harry Shearer (aka Derek Smalls / Mark Shubb) played for an hour and 45 minutes – – a great mix of Spinal Tap tunes, The Folksmen / A Mighty Wind tunes, a Waiting for Guffman tune, a Harry Sheaerer comedy album tune, and some never released ditties.

Great in between song banter… I guess this was as much of a comedy show as a music show.  Oh, and no drummer… for obvious insurance purposes.

Setlist:

  • opening song with lyrics of “hair as brown as the finest stew”
  • Hell Hole
  • Never Did No Wanderin’ (CG on mandolin)
  • Clam Caravan (CG on didgeridoo at end)
  • Bitch School
  • Loco Man
  • Waiting for Guffman‘s This Bulging River
  • Reading of the “Spinal Tap NBC Memo”
  • All the Way Home
  • Blood on the Coal
  • (Listen to Me) the Flower People
  • Cornwine
  • The Majesty of Rock
  • Harry Shearer’s Elvis parody All Backed Up
  • Stonehenge
  • “Aussie YouTube” snippet
  • Q&A session
  • Start Me Up (Rolling Stones cover as in A Mighty Wind)
  • Cups and Cakes
  • “Lego Video” snippet
  • Old Joe’s Place
  • Big Bottom
  • The Good Book Song
  • Rainy Day Sun
  • Sex Farm
  • Encore: Gimme Some Money
  • A Mighty Wind
  • The Colors of My Life

This past Monday was this audiences’ lucky bun-day… really big, full set.  A+ show all around.  I’m glad I got a chance to catch the show while randomly being in town on vacation.

The Appropriate Linkage:

The rest of the dates:

April 22: Oakland, Calif. (Paramount Theatre)
April 23: Santa Barbara, Calif. (Santa Barbara County Bowl)
April 26: Los Angeles (The Wiltern)
April 27: Phoenix, Ariz. (Dodge Theatre)
April 29: Denver (Paramount Theatre)
May 1: Houston, Texas (Jesse H, Jones Hall)
May 2: Dallas (Nokia Theatre)
May 4: Jacksonville, Fla.     Florida Theatre)
May 5: Miami (The Fillmore)
May 6: Orlando, Fla, (Hard Rock Live)
May 8: St. Petersburg, Fla. (Mahaffey Theatre)
May 9: Atlanta (Fox Theatre)
May 10: Nashville (Ryman Auditorium)
May 12: Baltimore  (Lyric Opera House)
May 13: Washington, D.C. (Warner Theatre)
May 14: Philadelphia (Keswick Theatre)
May 17: Columbus, Ohio (Palace Theatre)
May 19: Cleveland, Ohio (State Theatre)
May 21: Toronto (Massey Hall)
May 22: Mashantucket, Conn.     (MGM Grand Theatre at Foxwoods)
May 23: Boston (The Wilbur Theatre)
May 24: Atlantic City, N.J. (Music Box at The Borgata)
May 26: New York (Beacon Theatre)
May 27: New York (Beacon Theatre)  *review / pictures / videos from this show *
May 29: Detroit (Fox Theatre)
May 30: Chicago (Chicago Theatre)
May 31: Milwaukee, Wis. (Riverside Theatre)
June 30: London, UK (Wembley Arena)

~Dan – np: CelldwellerCelldweller

SPINAL TAP / THE FOLKSMEN PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a
creative commons attribution

(click for larger)


REVIEW: Swing Shift Big Band @ Wildish Theater (Springfield, OR – – 4/10/09)

11th Apr 09 (Sat) Leave a comment

Ok, I’m totally gonna “phone this in”… the snippet from the invite email I got covers what they played:

While Swing Shift has always based much of its style on the inspiration of Count Basie, this is the first time that we have offered a full evening of music in the classic Basie tradition. The band will perform standards such as “Moten Swing,” “Corner Pocket” and “Vine Street Rumble,” along with lesser-known gems, including Quincy Jones’ “Jessica’s Day.” Featured soloists for the evening will be trombonist Glenn Bonney, who will be heard on Benny Carter’s beautiful “Sunset Glow,” and trumpeter Warren Wellford, performing “Pensive Miss,” a gorgeous ballad by Neal Hefti. There will also (of course) be generous helpings of piano in the Count Basie tradition, ably essayed by pianist John Polese, as well as contributions from alto saxophonists Sean Flannery and Travis Wong and trumpeters Steve O’Brien and Dana Heitman.

The second half of the concert will showcase music that was performed by the remarkable pairing of singer Frank Sinatra and the Basie band. The three albums that they recorded in the early 1960’s still serve as the model for a singer working with a big band, and virtually every song from those collaborations are standards today. Aaron Anderson, Swing Shift’s regular vocalist, will be finally be heard as a featured artist, singing (among others) “Come Fly With Me,” “Nice And Easy,” “Fly Me To the Moon” and “I’ve Got You Under My Skin.” Lead trumpeter Dana Heitman is responsible for the recreation of many of these arrangements, most of which have never been available for performance by other groups.

Great show… they played a 45 minute instrumental Count Basie set, and then came out with trombonist Aaron Anderson on vocals for a 45 minute Frank Sinatra / Count Basie set.  I was really impressed all around with the musicianship, the venue, and the vocals (and I usually don’t really prefer jazz with vocals).  It was a really, really good show… and not just because it was free.

Setlist:

  • Step Right Up
  • Corner Pocket
  • In a Mellotone
  • Jessica’s Day
  • Pensive Miss
  • 4-5-6
  • Sunset Glow
  • Every Tub
    Intermission
  • Come Fly With Me
  • I’ve Got You Under My Skin
  • Fly Me to the Moon
  • The Shadow of Your Smile
  • One for My Baby
  • Nice and Easy
  • I Get a Kick Out of You
  • That’s Life
  • My Kind of Town
  • Encore: Smack Dab in the Middle

The Appropriate Linkage:

~Dan – np: Jerry CantrellDegradation Trip, Vols 1 & 2

REVIEW: dredg @ the Hawthorne Theater (Portland, OR – – 4/3/09)

4th Apr 09 (Sat) 3 comments

No photos this time around.  Rock shows aren’t conducive to them unless you have a really good camera, plus last time I was here, the venue wasn’t allowing it.  Anyway, on to the show…

The openers… well, I’m bummed because I only caught the very last song of From Monuments to Masses.  I kinda dug them… they are a three-piece instrumental band and seemed to have a good groove.  The guitars were a little low in the mix, but I could at least hear what was going on.  Torche, on the other hand, was 40 minutes of painful uninterest.  It wasn’t a wall of sound, it was a wall of mud.  And not the good kind of mud that Earth or Sunn 0))) might throw down, but just muddy, sloppy metal.  Bad sound that night, maybe they’re good on record.  They seemed to be having fun, and there were some obvious fans in the crowd.

Dredg came on around 10:45, after what seemed to be a very long sound check.  They seemed to be having some feedback or other issues going on, and it actually caused some minor technical difficulties early in dredg’s set.  Anyway, this Portland show was the very first show of this tour.  They played a handful of tunes from their upcoming record (see album cover below), and they played a great set with song from their other albums as well.

This was officially my first time seeing them live “as a fan. ” The last time I saw them was when they were opening for the Blood Brothers and Coheed & Cambria.  I was blown away enough to get into their music after that show, but for this show I actually knew the words. :)

I had some major respect for Gavin (singer/ lap steel) and Dino (drums/ keyboard), but now I have much more respect for all four members.  Drew (bass) and Mark (guitars) contribute so much to the dredg sound… excellent grooves and guitar that hearkens some of (Radiohead) Jonny Greenwood’s antics.

Setlist:

  • Stamp of Origin: Pessimistic (new song)
  • I Don’t Know (new song)
  • Ireland  (new song)
  • Same Ol’ Road
  • Of the Room
  • Ode to the Sun (a fave of the night)
  • Catch Without Arms (a fave of the night)
  • R U O K? (new song)
  • Saviour (new song)
  • Information (new song)
  • Bug Eyes
  • Sang Real (a fave of the night)
  • Jamais Vu
  • The Canyon Behind Her
  • Down to the Cellar (new song)
  • Stamp of Origin: Horizon (new song)
  • No Encore

Great show, about 75 minutes… lots of stuff from their upcoming album The Pariah, The Parrot, The Delusion (due out June 9th).  I bet they would have played longer had it not been for the earlier technical difficulties, but maybe the venue had a midnight curfew.  I got a peek at someone who snagged the setlist; so I think I got most of the correct new songs and placement.  The stuff after “Jamais Vu” was more of a blur, big jam thing.  Overall, the new songs definitely fit with Catch Without Arms and El Cielo.  I’m looking forward to the new record, big time…

The Appropriate Linkage:

~Dan – np: ZuCarboniferous

REVIEW: Madeleine Peyroux @ the Shedd (Eugene, OR – – 3/25/09)

26th Mar 09 (Thu) 1 comment

Great show last night… Madeleine Peyroux and her jazzy quartet played a smooth hour and half set at the Shedd.  I’m really coming to love the early start time, no opener, and home at a reasonable time shows at the Shedd.  No pictures or (accurate) set list from me for this show… I was in a hurry and drove straight in from work in Portland to make it time for the show.

Madeleine had a backing quartet made up of a piano/keyboard/organ/melodica player, an electric/upright bassist, a mandolin/guitarist, and a drummer/cardboard box player.  They were a really well put together band…

Songs I remember them playing:
Dance Me to the End of Love, Bare Bones, You’re Gonna Make Me Lonesome When You Go, La Javanaise, Love and Treachery, Our Lady of Pigalle, I Must Be Saved
.  They came back for an encore dedicated to Barack Obama (There’s Something Grand).

Great, soothing show.  Wonderful, lush, Billie Holiday-esque vocals, great accompaniment.  If she comes through your town, check her out!  Oh, she also has a new CD out, Bare Bones:

The Appropriate Linkage:

~*~*~*~*~*~*~*~*~*~*~*~*~*~

Totally side note cool news…

~Dan – np: BucketheadColma

REVIEW: SFJazz Collective @ the Shedd (Eugene, OR – – 3/19/09)

20th Mar 09 (Fri) Leave a comment

FYI… PHOTOS of the SHOW at the BOTTOM

This is my second time seeing the SF Jazz Collective.  Last time (Feb 2008) was a tour dedicated to Wayne Shorter.  This time, it was a McCoy Tyner-focused tour.  The same line-up as last year, except for this show we were missing Stefon Harris’ vibraphone playing.  Perhaps he wasn’t able to make it or isn’t in the touring version of the band this spring.  He’s on all of the promo photos.  Regardless, they likely wouldn’t have had room for him, as it was a packed stage at the Shedd with the seven members of this tour: Dave Douglas (on trumpet), Joe Lovano (on tenor sax), Miguel Zenon (on alto sax), Renee Rosnes (on piano), Robin Eubanks (on trombone), Matt Penman (on bass), and Eric Harland (on drums).

The show started promptly at 7:30pm, and the band hit the stage after a short introduction.  I’m getting spoiled with these Shedd shows: no opener, 90-120 minutes – – boom goes the dynamite, and then you’re done and home at a reasonable time (we even got home in time to watch 30 Rock; i.e.- the best show on network TV right now).

The band started in a way quite opposite to what I just told my wife… “oh, SF Jazz isn’t avant-garde, they’re much more poppy / groove-oriented.”  Well, I’d never heard McCoy Tyner, and the first song started out with a bunch of free jazz “noodling” that almost sounded like a warm-up.  I like this kinda of stuff (hey, I’m a big John Zorn fan)… but I looked over at my wife, and she had this look of, “oh, crap, this is gonna be a long night.”  Well, this noodling quickly turned into the swinging, groovy jazz fest that I came to know from the prior SFJC show and their CDs.  So, I think my wife had a good time despite the uncertain start. :)

(Robin, Dave, Matt, Joe)

Setlist:   [solos noted as best I remember… I likely forgot to note some of them]

  • Fly with the Wind   –  by McCoy Tyner, arranged by RR
  • Three Flowers  –  by McCoy Tyner, arranged by MP; solo: DD
  • Yes We Can (Victory Dance)  –  by Robin Eubanks; solo(s): RE, DD, RR
  • Sycamore  –  by Dave Douglas; solo(s): MP, JL, MZ, JL & MZ trade-off
  • Jazz Free  –  by Joe Lovano; solo(s): basically everyone
  • No Filter  –  by Miguel Zenon; solo(s): RE, MZ (was on fire)  (*fave of the night*)
  • Encore: Concensus  –  by McCoy Tyner, arranged by EH; solo: DD

Oddly enough, they had a congo drum over to the right but never used it… well, other than for Miguel to rest his hands on occasion.  Oh well… they treated us to 90 minutes of some great, smokin’ jazz… so, 7 songs over 90 minutes – – you do the math.  The show was a wonderful treat, and I hope they keep this up in the coming years.

The Appropriate Linkage:

~Dan – np: Paul Brody’s Sadawi – Kabbalah Dream

SF JAZZ COLLECTIVE PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)