Archive
REVIEW: Zoë Jakes & Beats Antique @ Faerieworlds (Mt. Pisgah, OR – 7/31/09)
FYI… PHOTOS of the SHOW at the BOTTOM
We last saw Zoë Jakes dance with her troupe, Indigo Belly Dance Company with Rachel Brice & Mardi Love, at last year’s Oregon Country Fair. She has a fun American tribal style fusion mixed with some hip-hop pops & locks. Anyway, she’s fun, and a lot of her facial expressions remind me of one of our good friends in Ohio (who is now en route to South Carolina).
Anyway… my wife and I got free tickets to last night’s Faerieworlds 2009 festival. My wife’s working the fest Sat & Sun, but Friday’s Zoë Jakes & Beats Antique show was the main thing I wanted to see. They started right on time, 7:30pm, and played for 75 minutes. Beats Antique is comprised of David Satori (Zoë’s squeeze) & Tommy Chappel. David & Tommy both manned laptops with electronics beats and loops. Tommy also played some hand drums, and David played violin, guitar, and provided horseback rides. Zoë danced with 5 or 6 tunes, taking breaks to change and breathe. :)
The crowd was really into the band and Zoë, and were dancing all around us. Near the end, David brought up a friend who was up front, and she got to dance on stage for a bit (while Zoë was off). As the band was ending their set, the sun was going down. It was really a great scene.
The band has a new digital -EP- out called Contraption Vol 1, and can be gotten via their webpage (not on iTunes, yet). Check it out… it’s got some rad electronic, glitch-rock & dub mixed with world music.
Many pics are below (with a ZIP file with all of the pictures fit to print, but too many to actually post).
The Appropriate Linkage:
- http://www.beatsantique.com/
- http://www.myspace.com/beatsantique
- http://www.zoebellydance.com/
- http://www.myspace.com/zoebellydance
- http://www.theindigo.net/
- http://www.faerieworlds.com/
~Dan – np: downset. – Code Blue Coma -EP- no free download or torrent available, sorry.

ZOË JAKES &
BEATS ANTIQUE PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
Higher Resolution (13 pics)
Limited to 1200 pixels wide or tall (10 pics)
and this fuzzy one, because of its funny face…
Large ZIP file with more pictures (47.7Megs)
69 pictures, includes the 23 above
CLICK HERE FOR ZIP FILE (right click, save as)
Zoe
REVIEW: David Bazan [Pedro the Lion] @ House Show (Eugene, OR – 7/25/09)
FYI… PHOTOS of the SHOW at the BOTTOM
I last saw David Bazan [former Pedro the Lion frontman] in Eugene almost two years ago (with J. Tillman @ the Indigo District). I have had a few chances for Portland gigs since then, but they never meshed with my schedule. The chance to see him at an intimate house show couldn’t be passed up.

I’d heard about house shows / house concerts for a while. I went to one many years back, but it was friends / local Cincinnatians; so I didn’t really count it as a “real” house show. Well, this was my first experience with a “national artist” doing a house show. How it works for David’s booking is 1) the host provides a place for 30-100 people, 2) tickets are sold only online via David’s website, 3) doors at 7:30 / show starts at 8 / people out by 10pm, 4) no sound system needed (just a chair or stool to sit on), and 5) no outside advertising is done.
I was one of 30 or 35 people who got in on the Eugene house show deal. It was fun to hang out with people before the show. There was a great spread of food, and I got to talk with the hosts a bit and some wonderful gents who drove down from Vancouver, BC. The show was BYOB, but they also had some Ninkasi Quantum on tap (or should I say Quant-yum).

David came up a little before 8pm and announced a friend, Blake Wescott, who came up and played 4-5 songs (about 15-20 minutes). Blake Wescott has worked in the studio with David Bazan / Pedro the Lion, Damien Jurado, Aaron Sprinkle, Denison Witmer, and others. He’s also toured as a backing musician for R.E.M and Crystal Skulls. His sound was great, a gentle singer-songwriter. He mentioned that he played the four songs from his MySpace page: Dreams in Twos, Live Here with You, My Way Home, and Carry On… plus I think he threw in another one. Great set, I’d see him again if he comes through town!

David went on about 8:10 or so and played and chatted until right about 9:30pm. He played mostly newer stuff, but threw in a few Pedro the Lion tunes as well. I mean, he was the driving force of the band. Afterwards, there was more discussion on the back patio. It was good to hear him further expanding on some of the “Q&A” discussions from the show. Anyway, here’s what he played…
Setlist:
- Hard to Be
- Please, Baby, Please
- Priests and Paramedics
- Q&A #1
- Harmless Sparks / Fewer Moving Parts
- June 18, 1976
- Q&A #2
- Cold Beer and Cigarettes
- When We Fell
- Q&A #3
- Transcontinental
- Curse Your Branches
- Options
- Q&A #4
- Bearing Witness
- Of Up and Coming Monarchs
- Bless This Mess (aka Weeds in the Wheat)
- Q&A #5
- In Stitches
Great experience… I need to try to convince my wife to let me host one sometime at our house. I think we could handle it for someone like David Bazan, Derek Webb, or Bill Mallonee. Oh, maybe Michael Kelsey (though it would cost more, as he doesn’t get out here… ever). Hmm… oh, a Secret Chiefs acoustic Xaphan show in our living room would allow me to die a happy man. Yeah, I think I’m dreaming.
David announced that the 5-piece band would be coming through Oregon (and elsewhere) again in the Fall, but it will all be officially announced on August 5th. Yay!
As reported last week, David’s got his solo debut coming out on September 1st. It’s called Curse Your Branches. It is now available for pre-order on Amazon now, but will be available through David’s site on August 5th (maybe hold out for that, as he may have some special goodies).
The Appropriate Linkage:
- David Bazan’s webpage
- David Bazan on MySpace
- Pedro the Lion on MySpace
- Headphones on MySpace (another of DB’s bands)
- Blake Wescott on MySpace (opener)
- Barsuk Records
- Suicide Squeeze Records
~Dan – np: Dave Douglas – Keystone

BLAKE WESCOTT &
DAVID BAZAN PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
REVIEW: Tori Amos @ Arlene Schnitzer Hall (Portland, OR – 7/11/09)
Tori Amos has been a big part of my musical fanaticism for a long time. I first heard of her my freshman year of college, got Little Earthquakes & Under the Pink from BMG, got Boys for Pele right when it came out, and I’ve been a fan ever since. There was a period of time where, if I could, I’d drive all over the Midwest to go see her. This show was going on the 6 year mark since I’d seen her, and let’s just say that I was itching for some classic Tori live… but first up, the opener:

One Eskimo hit the stage right about 8pm, and played 4-5 songs (about a half hour’s worth of material). I liked their sound… sort of a singer-songwriter blown up into a pop group (sort of if Maroon 5 had more interesting musicians). Their drummer had a nice style, sitting on a box-type drum and using that as the kick drum. Their guitarist and bassist/trumpet player were also fun to watch. They played “Kandi,” “UFO,” and “Astronauts” for sure, as those songs are on the EP that I picked up for only $5. They’re working on wrapping up their full-length debut now…
I was too far away to take any good concert photos;
so the marquee is all you get this time.
Tori hit the stage with her band (Matt Chamberlain on drums & John Evans on bass) at around 8:50pm and played for a solid two hours without much stopping. I forget how much I love her live shows. Great lights, great mix of tunes from her whole career, fun stage presence, pretty energetic crowd… she played a lot more older songs than I would have thought, and only four songs from her latest record.
Setlist:
- Give (a fave of the night)
- Caught a Lite Sneeze (a fave of the night)
- Welcome to England – John’s bass intro was very Tool-y… as if Justin Chancellor was in a pop band
- Graveyard
- Cornflake Girl (a fave of the night)
- Icicle (a fave of the night)
- Little Amsterdam
- Siren
- Starling
- Black Dove (January)
- 1,000 Oceans
- Joni Mitchell’s River (solo – Lizard Lounge)
- Winter (solo – Lizard Lounge)
- Playboy Mommy
- Little Earthquakes (a fave of the night)
- Fast Horse (a fave of the night)
- Take to the Sky (a mega fave of the night)
- Carbon
- Honey
- Precious Things (a fave of the night)
- Strong Black Vine – crowd floods front part of theatre, much to the “oh crap, what do I do?” of the security guys
- Encore: Big Wheel (a fave of the night)
- Tombigbee
Fantastic show… prior to this show, I was kind of in a “cooling” phase with Tori. I hadn’t seen her since the Scarlet’s Walk tour (2003), and I’d only been slightly fond of The Beekeeper and American Doll Posse albums. Forcing myself recently to dig into her newest one, Abnormally Attracted to Sin, and then seeing it live was great. It was a much warranted end to the break from being a big time Tori fan. Sure, Abnormally isn’t going back to the Little Earthquake through Boys of Pele days, but it’s still good music and she still puts on a great show, full of songs from her vast catalogue.
The Appropriate Linkage:
- Official Tori Amos Webpage
- Tori Amos on MySpace
- Undented – a Tori fansite
- Official One Eskimo Webpage
- One Eskimo on MySpace
- Arlene Schnitzer Hall in Portland, OR
~Dan – np: Riceboys Sleeps – All Animals -EP-
no torrent or free download available
The rest of the Abnormally Attracted to Sin tour dates (as of now)
- Mon 07/13/09 Oakland, CA – Paramount Theatre
- Tue 07/14/09 Oakland, CA – Paramount Theatre
- Thu 07/16/09 San Diego, CA – Humphrey’s Concerts By The Bay
- Fri 07/17/09 Los Angeles, CA – Greek Theatre
- Sat 07/18/09 Phoenix, AZ – Dodge Theatre
- Mon 07/20/09 Salt Lake City, UT – Abravanel Hall
- Tue 07/21/09 Denver, CO – Paramount Theatre
- Thu 07/23/09 Kansas City, MO – Starlight Theatre
- Fri 07/24/09 Grand Prairie, TX – Nokia Theatre At Grand Prairie
- Sat 07/25/09 Austin, TX – The Long Center For The Performing Arts
- Mon 07/27/09 Atlanta, GA – Chastain Park Amphitheatre
- Tue 07/28/09 Orlando, FL – Bob Carr Perf. Arts Centre
- Wed 07/29/09 Miami Beach, FL – Fillmore Miami Beach At Jackie Gleason Theater
- Fri 07/31/09 Durham, NC – Durham Performing Arts Center
- Sat 08/01/09 Washington, DC DAR – Constitution Hall
- Mon 08/03/09 Chicago, IL – Chicago Theatre
- Tue 08/04/09 Milwaukee, WI – Riverside Theatre
- Wed 08/05/09 Minneapolis, MN – The State Theatre
- Fri 08/07/09 Indianapolis, IN – Murat Theatre
- Sat 08/08/09 Detroit, MI – Detroit Opera House
- Mon 08/10/09 Toronto, ON – Massey Hall
- Tue 08/11/09 Montreal, QC – St. Denis Theatre
- Thu 08/13/09 New York, NY – Radio City Music Hall
- Fri 08/14/09 Red Bank, NJ – Count Basie Theatre
- Sat 08/15/09 Upper Darby, PA – Tower Theatre
- Mon 08/17/09 Boston, MA – Bank Of America Pavilion
- Sun 09/06/09 Manchester, United Kingdom – Apollo Manchester
- Mon 09/07/09 Birmingham, United Kingdom – Symphony Hall
- Tue 09/08/09 Glasgow, United Kingdom – Glasgow Royal Concert Hall
- Thu 09/10/09 London, United Kingdom – Apollo Hammersmith
- Fri 09/11/09 London, United Kingdom – Apollo Hammersmith
- Sun 09/13/09 Basel, Switzerland – Festsaal Messe Basel
- Mon 09/14/09 Munich, Germany – Circus Krone Bau
- Tue 09/15/09 Zurich, Switzerland – Kongresshaus Zurich
- Thu 09/17/09 Amsterdam, Netherlands – Heineken Music Hall
- Sun 09/20/09 Copenhagen, Denmark – Royal Theatre
- Mon 09/21/09 Oslo, Norway – Sentrum Scene
- Thu 09/24/09 Prague, Czech Republic – Prague Congress Centre
- Fri 09/25/09 Vienna, Austria – Wiener Stadthalle
- Sun 09/27/09 Hamburg, Germany – Laeiszhalle
REVIEW: Skerik & McTuff @ Sam Bond’s (Eugene, OR – 7/8/09)
The Joe Doria led McTuff hit the stage at Sam Bond’s last night around 10pm. While Joe is the bandleader (and quite awesome), a large part of the draw seems to be for tenor saxophonist Skerik. The entire band is fantastic, and really put out a great groove last night. We stayed for a little over an hour, and caught “Seven Bullets,” “Arrow Tip,” Michael Jackson‘s “Human Nature” (identified by my wife) and some other unannounced songs/jams. The 3rd or 4th song (“Seven Bullets”) had some very klezmer-sounding melodies to me.
Last time I saw them, it seemed to be much more organ & sax (or maybe that’s just my poor recollection). This time, the guitarist (Andy Coe) also seemed to really break out. It was nice to hear him take some leads. Drummer D’vonne Lewis was also killin’ it. Great groove all around from the band. I’m glad they come around a couple times a year.
They’ve got their first record out, McTuff Volume 1, which I picked up last night. Check them out on the MySpaces: http://www.myspace.com/mctuffmusic
REVIEW: Hiromi’s Sonicbloom @ Dimitriou’s Jazz Alley (Seattle, WA – 6/16/09)
FYI… PHOTOS of the SHOW at the BOTTOM

Well, I’d never been to Dimitriou’s Jazz Alley. It’s an amazing little room (maybe 200 seats) with dinner served if you show up early. Plus, in downtown Seattle, it offers free parking. Yeah, you read that correctly – free parking. :) Anyway, I showed up shortly after 6pm after fighting with traffic heading through Tacoma and into Seattle. I got seated right up front, which was also the benefit of showing up early for the dinner & show deal. Fantastic food, and wonderful staff! The venue earns an A+!! I hope they bring in some more choice acts… it was worth the trip.

Hiromi Uehara and Sonicbloom took the stage around 7:40. The band was Hiromi on piano (a Steinway & Sons, if I recall correctly) & keyboards (3 different keyboards/syths), Tony Grey on 6-string electric bass, Dave Fiuczynski on double-neck guitar (12 string on top, 7 string on bottom), and Mauricio Zottarelli on drums. Both Tony & Dave played on Hiromi’s two Sonicbloom records. Actually, Tony played with Hiromi on her last four records (not just the recent Sonicbloom moniker).
As a band, they were pretty tight. I liked Tony a lot on bass. He had a nice groove, and his “mouthing” of the solos was fun, too. Maurice was also great, but he was shielded from me for most of the night from an older “bigger hair” couple; so I didn’t catch many glimpses of him. Dave was good, too… but sometime he got too “noodley” versus what the band was doing. His solos weren’t great in my opinion, but when he was playing lead, his playing worked well. Maybe guitar in a jazz quartet wasn’t my thing this time around.
As far as setlist, no luck. Hiromi only announced one song from the stage: “Time Travel” from Time Control (the 2007 Sonicbloom record). I’m pretty sure that they didn’t play “XYZ” (or the variation “XYG”). That was a bummer, but not too much of a bummer – as the show was amazing all around.
They played a few standards, one that the name is on the tip of my tongue, but I can’t for the life of me remember it. I can hear it still in my head (doo doo doo, doop doop doodle doop). Damn, there are too many songs in my head and barely any names. Hiromi also played a solo classical piece that was very familiar, but again, I’m drawing a blank. Regardless of song names, Hiromi’s handwork is amazing. I swear, I don’t know how she can pull off playing two different melodies at the same time with different hands. Anyway, the whole group was an amazing bunch of musicians. Most of the show was pretty jammy, but had elements of straight ahead jazz, and again some classical.
They’re playing again at the Jazz Alley as I type this… if anyone went tonight (June 17th), let me know how it went.
For the uninitiated to Hiromi, check out the video electronic press kit for Beyond Standard featuring “XYG“:
Or check out the video for “Time Difference“…
The Appropriate Linkage:
~Dan – np: Anakronic Electro-Orchestra – The Yiddish Part -EP-

HIROMI’s SONICBLOOM PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
REVIEW: Portland Cello Project & Emily Wells @ Cozmic Pizza (Eugene, OR – 6/13/09)
I first heard of Portland Cello Project via cellist Anna Fritz. Her 2005 album Wake featured a couple of songs with singer-songwriter Peter Mulvey guesting, of whom I had been a longtime fan already. Anyway, shortly thereafter, Anna Fritz was posting on her MySpace page about this new band that she was in, the Portland Cello Project. They kept playing around on times that I couldn’t see them… so last night was the first official time for me to see them, though I guess I’ve been a fan for a while.

We showed up around 8:30 to a beyond packed house. Oh crap, I underestimated the draw of the PCP on a Saturday night in Eugene. Emily Wells was into her set, and some of the PCP was sitting in on her set. Great stuff… enough to buy her Symphonies album. I hope she comes around Eugene or Portland again… I loved her sound.

The Portland Cello Project came on around 9:30. Their sound seemed very much standard “chamber music” until they hit the more energetic Pantera and Dave Brubeck pieces. PCP pulls off the “modern / alternative chamber music” sound pretty well without getting lumped into the sometimes cheesy Apocalyptica and the almost always cheesy “String Quartet Tribute to…” compilations. PCP had a mix of classical, jazz, rougher music, tween pop with John Brophy, and indie rock (the songs featuring Justin Power on guitar & voice)… seemed to be enjoyed by the very large, very diverse crowd…
Setlist: (per the PCP blog)
- Collaborations with Emily Wells
- The Batman Theme Song (by Danny Elfman)
- Turkish Wine (by Norfolk and Western)
- Denmark (by Gideon Freudmann)
- Mouth for War (by Pantera)
- Take 5 (by Dave Brubeck Quartet)
- A piece by Ashia
- Ashia and Justin Power playing Hungry Liars
- Two more Justin Power pieces!
- Toxic (by Britney Spears) featuring John Brophy
- What Goes Around…/…Comes Back around (by Justin Timberlake) featuring John Brophy
- Push-it (by Salt N Pepa) featuring John Brophy and Emily Wells
- 3 pieces collaborating with Run-On Sentence
- Encore: Transformation from The Dream: A Three Movement Suite for Cellos, Mallet Percussion, and Drum Set by Rachel Blumberg
We stuck around through the Justin Timberlake tune (it had been a long day). Great stuff all around. I was very impressed with Emily Wells set (never heard of her before), and the size of the crowd at Cozmic. I mean, seriously, I’ve never seen that many people packed in there. It was great to see so many people out there, but I’m wondering how they heard about it. Here I was thinking I’d show up at 8:30 and get right in…
Next time, I’ll know to show up early for PCP in Eugene.
The Appropriate Linkage:
REVIEW: Holy Fuck @ Doug Fir Lounge (Portland, OR – 6/4/09)
FYI… PHOTOS of the SHOW at the BOTTOM
I love my job. I get to be in towns that quite often host artists I like to see… so I don’t have to drive up to make a special trip. Well, this time, it was for my second time seeing the instrumental, avant-groove, live electronic band from Toronto – – Holy Fuck. While their name may be offensive to some, their music is delicious. I tried to make the “gotta eat there while in Portland” stop at Blossoming Lotus, but downtown was PACKED – no parking to be found; so I crossed the River and checked out The Farm instead. Then I scuttled off to the venue to meet some Eugene friends and take in some great music.
Crocodiles went on first, and they played about a half hour. It was a singer & guitarist playing to a drum machine or tape. It wasn’t too shabby. Two man bands are usually more miss than hit, but these guys had some good songs and rocked out fairly well.
Holy Fuck took the stage around 10:15 and played a jam-packed hour or so. I forget how infectious these guys are, even when not playing something all that melodic (though they had plenty of groove last night as well). We got right up front, and I was able to snap some pics and a video or two (see below). I was glad to see the audience show up, too… at first, it was looking grim, like a 10 person crowd. By HF show time, the MFDF was filling up quite nicely. Much groove, much film scratchin’, oft screamin’ and looping, with a thumping rhythm section…
Songs are harder to distinguish when there are no vocals (i.e.- no official “setlist” here). I know they played The Pulse, Super Inuit, and Lovely Allen, and I’m pretty sure they played Milkshake, Safari, Frenchy’s, Jungle, maybe Royal Gregory. Those last five are just a guess, though. I do know that it was a bitchin’ show!! It’s great to see them in progressively bigger venues. First Newport, KY’s Southgate House “parlor” (i.e.- the very small room upstairs) to the real venue of Doug Fir Lounge as the headliner. A+… and I hope it’s not another 2+ years until I get to see them again.
Holy Fuck “The Pulse” @ Doug Fir Lounge, 6/4/2009
The videos are just “OK,” but not too shabby for a digital camera (not a digital video camera), if I do say so myself. Regardless of the video quality, quite frankly, this show is probably one of my favorite shows this year so far.
The Appropriate Linkage:
- Holy Fuck Online
- Holy Fuck on MySpace
- Holy Fuck review & pics from Brooklyn Vegan <— *great shots*
- Holy Fuck interviewed by Joe Walker (YouTube link)
- Crocodiles on MySpace
- Doug Fir Lounge
~Dan – np: John Zorn – Alhambra Love Songs
no torrent or free download available here
CROCODILES / HOLY FUCK PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
REVIEW: Jerry Seinfeld @ Hult Center (Eugene, OR – 5/21/09)
Mini-review…
It’s been a while since seeing Jerry Seinfeld live. I was always a big fan of that television show that he was on… you know… um, what was it called? Oh, yeah… Benson. I hear he kinda “faded away” after that early-80s stint on Benson . ;)
The opener was Larry Miller. He was the doorman on Seinfeld, plus he’s been in other television shows and movies (like Best in Show). Funny stuff, but he only did about 20-25 minutes of material. It was odd, because not even a minute later… on comes Jerry… at 7:28pm*…
Well, third time seeing him… Jerry did a lot of familiar jokes, and it was great. Horse racing, cellphones, “going out,” old people in Florida, being a parent… He did an hour’s worth of material, and then came back on for about 10 minutes of Q&A. Complete with a classic “Hello, Newman.” :)
*- I only made note of the time as it shocked me that it was starting soooo early.
The Appropriate Linkage:
- What’s the deal with Jerry Seinfeld not having an official web presence?
- Larry Miller
- Larry Miller on MySpace
- The Hult Center
REVIEW: Yann Tiersen @ the Wonder Ballroom (Portland, OR – – 4/29/09)
(that’s unnatural)
So, I was soooo stoked about seeing French musician Yann Tiersen for the first time. His albums are quite delightful. I, like many people in the States, first heard of him via the soundtrack/score to Amelie. But then based on the Brooklyn Vegan (photo credit above) and photobear 2009 tour reviews, I got a little sad. No accordion, very little violin, and Yann on guitar for most of the night!? Pardon my French, but… viens m’enculer!? Viens m’enculer!?
Well, I didn’t know how it would turn out; so I figured it’s still a rare occasion to see Yann in the U.S. I already had the tickets, it was only 2 hours away… so… I gotta go. No photos allowed at the venue. Boo.
The opener, Skinni Dip yogurt (on Burnside – downtown), was awesome. The opener (at the venue), Asobi Seksu, played far too long. I’m having a bad streak of uninteresting / painful openers. Sorry. Just didn’t like them at all.
Yann Tiersen and his band came on around 9:45pm, and the first two solid songs were rock numbers that had very little resemblance of a Yann Tiersen song. The 3rd song was finally one I recognized, but only vaguely as it was turned into some sort of messy, too fast rock blast.
No try on the set list… it’s too difficult to remember song names originating in a foreign language to mine. Also, the set that we caught didn’t even seem to be a Yann Tiersen show. I mean, I have 95% of his catalog (all but the latest Tabarly soundtrack)… and the songs were completely foreign to the crowd. Had I wanted to go to a decent/mediocre rock band play a poorly mixed show, I would have gone to my local rock venue and paid $3 to see what was going on that night. I went to see Yann Tiersen’s songs in a live setting. Unfortunately, we really didn’t get that. I mean, I’m all for artistic expression, and the artist doing what they feel is their artistic direction versus what the fans “want” – – but to some extent on a live tour, you’d expect to give the fans what they expect… again, at least to some extent.
Maybe this was his French way of pulling a prank on us stupid Americans. It just makes you wonder. Oh well… if he comes back, I’m not buying tickets until I read some reviews with more mention of accordion solos. :)
The Appropriate Linkage:
- http://www.yanntiersen.com/
- http://www.myspace.com/yanntiersencomposer
- http://www.asobiseksu.com/
- http://www.myspace.com/asobiseksu
- http://www.wonderballroom.com/
~Dan – np: Celldweller – Symbiont -EP- & then… O.S.I. – Blood

To cleanse the palate… here’s what I was hoping for in a Yann Tiersen show…
(or)
(or, from Amelie)
Sigh. Maybe next time.
REVIEW: Swing Shift Big Band @ Wildish Theater (Springfield, OR – – 4/10/09)

Ok, I’m totally gonna “phone this in”… the snippet from the invite email I got covers what they played:
While Swing Shift has always based much of its style on the inspiration of Count Basie, this is the first time that we have offered a full evening of music in the classic Basie tradition. The band will perform standards such as “Moten Swing,” “Corner Pocket” and “Vine Street Rumble,” along with lesser-known gems, including Quincy Jones’ “Jessica’s Day.” Featured soloists for the evening will be trombonist Glenn Bonney, who will be heard on Benny Carter’s beautiful “Sunset Glow,” and trumpeter Warren Wellford, performing “Pensive Miss,” a gorgeous ballad by Neal Hefti. There will also (of course) be generous helpings of piano in the Count Basie tradition, ably essayed by pianist John Polese, as well as contributions from alto saxophonists Sean Flannery and Travis Wong and trumpeters Steve O’Brien and Dana Heitman.
The second half of the concert will showcase music that was performed by the remarkable pairing of singer Frank Sinatra and the Basie band. The three albums that they recorded in the early 1960’s still serve as the model for a singer working with a big band, and virtually every song from those collaborations are standards today. Aaron Anderson, Swing Shift’s regular vocalist, will be finally be heard as a featured artist, singing (among others) “Come Fly With Me,” “Nice And Easy,” “Fly Me To the Moon” and “I’ve Got You Under My Skin.” Lead trumpeter Dana Heitman is responsible for the recreation of many of these arrangements, most of which have never been available for performance by other groups.
Great show… they played a 45 minute instrumental Count Basie set, and then came out with trombonist Aaron Anderson on vocals for a 45 minute Frank Sinatra / Count Basie set. I was really impressed all around with the musicianship, the venue, and the vocals (and I usually don’t really prefer jazz with vocals). It was a really, really good show… and not just because it was free.
Setlist:
- Step Right Up
- Corner Pocket
- In a Mellotone
- Jessica’s Day
- Pensive Miss
- 4-5-6
- Sunset Glow
- Every Tub
Intermission - Come Fly With Me
- I’ve Got You Under My Skin
- Fly Me to the Moon
- The Shadow of Your Smile
- One for My Baby
- Nice and Easy
- I Get a Kick Out of You
- That’s Life
- My Kind of Town
- Encore: Smack Dab in the Middle
The Appropriate Linkage:
REVIEW: Madeleine Peyroux @ the Shedd (Eugene, OR – – 3/25/09)

Great show last night… Madeleine Peyroux and her jazzy quartet played a smooth hour and half set at the Shedd. I’m really coming to love the early start time, no opener, and home at a reasonable time shows at the Shedd. No pictures or (accurate) set list from me for this show… I was in a hurry and drove straight in from work in Portland to make it time for the show.
Madeleine had a backing quartet made up of a piano/keyboard/organ/melodica player, an electric/upright bassist, a mandolin/guitarist, and a drummer/cardboard box player. They were a really well put together band…
Songs I remember them playing:
Dance Me to the End of Love, Bare Bones, You’re Gonna Make Me Lonesome When You Go, La Javanaise, Love and Treachery, Our Lady of Pigalle, I Must Be Saved. They came back for an encore dedicated to Barack Obama (There’s Something Grand).
Great, soothing show. Wonderful, lush, Billie Holiday-esque vocals, great accompaniment. If she comes through your town, check her out! Oh, she also has a new CD out, Bare Bones:
The Appropriate Linkage:
- http://www.madeleinepeyroux.com/
- http://www.myspace.com/officialmadeleinepeyroux
- http://www.theshedd.org/
~*~*~*~*~*~*~*~*~*~*~*~*~*~
Totally side note cool news…
- Tool is touring this summer.. read more at Blabbermouth.
- Medeski Martin & Wood‘s Radiolarians II is coming out April 14th.
REVIEW: SFJazz Collective @ the Shedd (Eugene, OR – – 3/19/09)
FYI… PHOTOS of the SHOW at the BOTTOM

This is my second time seeing the SF Jazz Collective. Last time (Feb 2008) was a tour dedicated to Wayne Shorter. This time, it was a McCoy Tyner-focused tour. The same line-up as last year, except for this show we were missing Stefon Harris’ vibraphone playing. Perhaps he wasn’t able to make it or isn’t in the touring version of the band this spring. He’s on all of the promo photos. Regardless, they likely wouldn’t have had room for him, as it was a packed stage at the Shedd with the seven members of this tour: Dave Douglas (on trumpet), Joe Lovano (on tenor sax), Miguel Zenon (on alto sax), Renee Rosnes (on piano), Robin Eubanks (on trombone), Matt Penman (on bass), and Eric Harland (on drums).
The show started promptly at 7:30pm, and the band hit the stage after a short introduction. I’m getting spoiled with these Shedd shows: no opener, 90-120 minutes – – boom goes the dynamite, and then you’re done and home at a reasonable time (we even got home in time to watch 30 Rock; i.e.- the best show on network TV right now).
The band started in a way quite opposite to what I just told my wife… “oh, SF Jazz isn’t avant-garde, they’re much more poppy / groove-oriented.” Well, I’d never heard McCoy Tyner, and the first song started out with a bunch of free jazz “noodling” that almost sounded like a warm-up. I like this kinda of stuff (hey, I’m a big John Zorn fan)… but I looked over at my wife, and she had this look of, “oh, crap, this is gonna be a long night.” Well, this noodling quickly turned into the swinging, groovy jazz fest that I came to know from the prior SFJC show and their CDs. So, I think my wife had a good time despite the uncertain start. :)
Setlist: [solos noted as best I remember… I likely forgot to note some of them]
- Fly with the Wind – by McCoy Tyner, arranged by RR
- Three Flowers – by McCoy Tyner, arranged by MP; solo: DD
- Yes We Can (Victory Dance) – by Robin Eubanks; solo(s): RE, DD, RR
- Sycamore – by Dave Douglas; solo(s): MP, JL, MZ, JL & MZ trade-off
- Jazz Free – by Joe Lovano; solo(s): basically everyone
- No Filter – by Miguel Zenon; solo(s): RE, MZ (was on fire) (*fave of the night*)
- Encore: Concensus – by McCoy Tyner, arranged by EH; solo: DD
Oddly enough, they had a congo drum over to the right but never used it… well, other than for Miguel to rest his hands on occasion. Oh well… they treated us to 90 minutes of some great, smokin’ jazz… so, 7 songs over 90 minutes – – you do the math. The show was a wonderful treat, and I hope they keep this up in the coming years.
The Appropriate Linkage:
- SFJazz Collective
- Dave Douglas (trumpet)
- Dave Douglas on MySp
- Joe Lovano (tenor sax)
- Miguel Zenón (alto sax) – 2008 MacArthur Foundation Grant recipient
- Robin Eubanks (trombone)
- Renee Rosnes (piano)
- Matt Penman (bass)
- Eric Harland (drums)
- Stefon Harris (vibraphone – not at the show)
- McCoy Tyner (SFJC ’09 tributed artist)
- http://www.theshedd.org/
~Dan – np: Paul Brody’s Sadawi – Kabbalah Dream

SF JAZZ COLLECTIVE PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)

























































































































































































































Sex Mob

















Arj Barker

photo by
Opeth‘s Mikael Akerfeldt in NJ





















