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Mogwai & Music Fest NW
The only band I really care to see at Music Fest NW 2008 (in Portland) is Scottish post-rock band MOGWAI. Hence, I had written it off as, “nah, ain’t gonna bother.” I mean, Mogwai is great – – I’ve seen them before (at my 1,000th live music performance seen), but driving up to Portland on a Wednesday (Sept 3rd) isn’t high on my list. I had written it off…
…until now.
Plans changed at work, and some interim fieldwork for a client of mine that was going to happen in mid-July is now happening in early September… right during Music Fest NW. Alas, I’ll get to see Mogwai, and will likely only have to drive across a river to the Roseland Theater. Yay!
~Dan – np: Miles Davis – The Legendary Prestige Quintet Sessions
Nellie McKay in PDX
Friday, August 15th… Nellie McKay at Portland’s Doug Fir Lounge. Tickets procured… woot!
We saw her last fall at The Shedd in Eugene… fantastic show (here’s the review). We’re totally looking forward to this show… she’s a veritable fireball of energy and wit – – equal parts virtuoso and silly.
http://nelliemckay.com/
http://www.myspace.com/prettylittlehead (official)
http://www.myspace.com/nelliemckay (fan)
~Dan – np: John Coltrane – Newport ’63
((O)) planets have aligned ((O))
I’ll be in Portland* on Monday, October 6th for work.
*-Portland, Oregon. Maine, quit asking!! It’s not gonna happen.
Icelandic ambient/post-rock/rock band (pick one) Sigur Rós will also be in Portland on Monday, October 6th… for work at the Arlene Schnitzer Concert Hall (downtown).
I just got a ticket to their workplace to see what their daily grind is like. This’ll be my 5th time seeing them… and I’m stoked. Each time is surreal / magnanimous / phosphorescent / pah-nah-men-ah.
Sigur Rós can come see me at my work for free that day, because that’s how *I* roll. Jonsi, call me. ::gestures::
Scrt Chfs 3
If vowels didn’t exist, this sentence would be idiotic. If vowels also didn’t exist, it would seem that Scrt Chfs 3 were opening for Scrt Chfs 3… or perhaps… Scrt Chfs 3 wr pnng fr Scrt Chfs 3. Gd thng thy d xst…
The Portland show (Oregon… eff you, Maine) of the Secret Chiefs 3 mini tour has openers of the Diminished Men and Secret Chefs 3 (a tribute band who play the SC3-style of world metal/rock with kitchen utensils).
Sunday, August 3rd. Doug Fir Lounge. 3 grt bnds.
Assuming I’m not far away for work, I’m planning on making it up from Eugene for the show.
http://dougfirlounge.com/
http://www.myspace.com/secretchiefs3
http://www.myspace.com/secretchefs3
http://www.myspace.com/DIMINISHEDMEN
Nooch.
~Dan
REVIEW: JUDE Christodal @ Aladdin Theater (Portland, OR – – 6/6/08)
FYI… PHOTOS of the SHOW at the BOTTOM
Before I begin… any tapers at the PDX show? If so, email me.
OK, well, I try to see Jude Christodal every time he comes by. Trouble is… the last time I saw him was at the Ryman Auditorium in Nashville, TN, around Memorial Day in 1999. That was, in fact, the first time I saw him, too. He was opening up for Ben Folds Five… and he blew me away (just as BFF did), and I went to Best Buy and bought his Maverick debut, No One Is Really Beautiful, the very next day.
Anyway, he’s now pretty much 100% independent in the U.S. (and on Naïve Records in France). Being from L.A. and on a French record label, he seems to either only tour the West Coast or France. He also writes for TV shows and whatnot… you, all, and everybody may have heard his song on LOST (the… um… pretty bad “poppy rock song” by the hobbit’s band) and his song on the City of Angels soundtrack (“I Do”)…
“You All Everybody” ain’t his normal fare, mind you. His normal fare is oft-dramatic, oft-comedic, oft-falsetto, oft-witty, oft-poetic singer-songwriter extraordinaire. He’s on the short list* of acoustic singer-songwriters who’ve broken through this metal heart… in short, Jude rocks. If you haven’t heard him, you’re doing yourself an injustice, IMO.
*-others on the singer-songwriter shortlist: Elliott Smith, Peter Mulvey, Glen Phillips, Sufjan Stevens,… and some Cincinnati locals like Ash, Ryan, Jason, Kim, Kelly…
Living in the Midwest up until last fall, I didn’t get a chance to see him again… until last night. I made the ~2 hour drive up to Portland from Eugene last night to the lovely Aladdin Theater (SE side of PDX). It’s a quaint old movie or play house… old, but still cute… not in total disrepair like many of these types of venues I’ve witnessed. Great concessions, too… goat cheese, mushroom & sundried tomato pizza and Fat Tire Amber, Deschutes Mirror Pond & Pyramid heff on tap (score!).
The opener, Ryan Andrew (from Castella), was good. He didn’t get warmed up himself until about the third song. Good voice and interesting songs. He played about 30 minutes, which consisted of:
- I Ain’t Comin’ Home Tonight
- It Hurts Like Hell
- The Only One (fav of set)
- When She’s Gone (guessing on name)
- Wonderwall (great version of Oasis tune… another fav of the set)
- The First Time
JUDE came on just after 9pm, and played with basically no break until about 11:15 and then came back out for a 4 song encore, wrapping up around 11:30… two and a half hours of quality Jude…
One of the funniest things (and there were many) was a girl named Molly brought up a sequined duck to the stage as a gift for Jude. “The prettiest thing a stripper ever owned,” gasped Jude. Then he quickly back-peddled, as to not seem unappreciative. “I mean at some point the dresses don’t fit anymore… I’m gonna sequin ducks.” He even serenaded it with a song later in the night (see pics below).
The crowd was very lively / rowdy / talkative / chatty / request-y. Jude fulfilled most of the requests. Some, though, he just couldn’t remember (his own “Charlie” and the chords to Gnarls Barkley’s “Crazy“). He played over 30 songs, 2.5 hours, great concert all around. He also had many crowd interactive sing-a-longs. The best was the “drunk singing choir” for “Everything’s Alright.” It was hilarious… because it was true.
“The Minnesota people” were a bit too loud, but eh… it was all fun.
Oh, and Jude mentioned that the long-promised Cuba CD is on its way. Finally!! Apparently, it’s already done, in the can, what have you…
Here’s what he played:
- Out of L.A.
- I’m Sorry Now
- Mayfair Market
- Indian Lover (here’s where the duck was gifted)
- Break Up Song
- Run to My Room
- Rick James
- I Know (one of the best songs of the long night)
- In Between
- I Do
- Distance contest: Eastern Washington was the winner after a few disqualifications… namely Detroit (Oregon) and Minnesota (moved here from, not travel for show)
- Gay Cowboy (he wrote this before Brokeback Mountain… but check out this unofficial video)
- Prophet
- toying with “Crazy“
- Brad and Suzy
- Everything’s Alright (I Think It’s Time)
- Black Superman
- The Asshole Song
- Baby Ruth in Atlanta
- You Mama You
- Madonna (another one of the best songs of the long night)
- Love Letters / Ain’t No Sunshine (or maybe Love, Love, Love / Ain’t No Sunshine… or maybe all 3 songs…)
- Calling All Friends
- End of My Rainbow
- Cuba
- Fallen Angel (aka Fly Again)
- Money
- Your Eyes
- Encore: On the Dance Floor
- I Want a Duck (improv)
- Paper Towel
- Taking More and Giving Less
Note: I’ve got some pics from the show at the bottom of this blog post. Some of them are “artistic” (meaning: fuzzy).
Go check out his music on iTunes, Amazon… or CDBaby (you can sample songs there, too). My fav albums of his (though all are good) are Sarah (4th album, blue cover) and No One Is Really Beautiful (2nd album, greenish cover).
The appropriate linkage:
- http://www.judemusic.com/
- http://www.myspace.com/judechristodal
- http://cdbaby.com/cd/jude2
- http://www.naive.fr/
- http://www.myspace.com/ryanandrewsmusic
- http://www.officialcastellaband.com/
- http://www.aladdin-theater.com/
I’m going to the Bill Frisell & Eyvind Kang show tonight in Eugene (I’m stoked)… that’s all for now…
professional teller machine user,
~Dan
np: Various Artists – You Gan’t Boar Like an Eabla When You Work With Turkrys
JUDE CONCERT PHOTOS
all pictures (cc) 2008 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger on photos below)
OK, judefuzz04 isn’t my photo… ::blush::
new Secret Chiefs 3 tour dates
I imagine these tour dates, as they trickle in, are all about “making their way back home after a festival.” Alas, the fact that they’re swinging by my way is FANTASTIC…
Secret Chiefs 3
Fri, 7/25/08 – Detroit Lakes, MN -Soo Pass Ranch “10,000 Lakes Festival”
Sat, 7/26/08 – Milwaukee, WI -Turner’s Ballroom
Sun, 7/27/08 – Chicago, IL – Double Door
Thu, 7/31/08 – Denver, CO – Bluebird Theater new date
Fri, 8/01/08 – Salt Lake City, UT – Club Paladium new date
Sun, 8/03/08 – Portland, OR – Doug Fir Lounge new date yay!
http://www.webofmimicry.com/
http://www.myspace.com/secretchiefs3
Their latest record, Xaphan: Masada Book Two Vol 9, is FANTASTIC…
~Dan
mini-REVIEW: Bela Fleck & Oregon Symphony Orchestra (Portland, OR – – 2/23/08)
Mini-review… we had to leave at the intermission due to a rapid onset illness… alas, still a good music intake (roughly an hour)…
Our seats were in a good spot, and cheap, too… student rates rock! we shuffled in right as it was starting… the Oregon Symphony Orchestra (based in Portland) was led by Gregory Vajda. They played two pieces prior to Béla Fleck and the Flecktones coming on stage… “The Cowboys Overture” (by John Williams) and “An American Treasure” (by Hoagy Carmichael).
Béla Fleck and the Flecktones came on and played two (long) songs by themselves, then they played about 2 or 3 songs with the OSO. It was a fantastic hourlong 1st set. Béla’s got a very non-hillbilly banjo style. :) Sorta classical meets jazz meets rock. The Flecktones are fantastic, too. Victor Wooten is one of the most melodic bassists around… great style. I think he was playing a fretless electric. Jeff Coffin is a great reedman. He played saxophone and did the two-at-a-time trick, too. Fun stuff. And Future Man… well, his drum contraption is crazy (live drums hooked up to a guitar-looking instrument used to triggers them — picture below).
Anyway, great 1st set. We weren’t able to stick around, but it was some good music, what we caught of it…
The Appropriate Linkage:
http://www.orsymphony.org/
http://www.myspace.com/belaflecktones
http://www.myspace.com/victorw0010 (likely unofficial)
http://www.myspace.com/jeffcoffinmutet
http://www.myspace.com/futuremanmusic
~Dan
REVIEW: Ornette Coleman and SFJazz Collective @ PDX Jazz fest (Portland – – 2/15/08)
Gettin’ there… oy… bad “car on fire” accident just outside of Salem. Parking around the venue was wicked bad. It’s near Portland State University… which automatically means “minimal parking options” and there were tons of roads closed for construction… I ended up parking about a mile away. Grabbed a notdog from a hotdog shop en route. It was a yummy spicy Boca variety. Yay! I love living in Oregon — you can actually get a non-meat protein, horseradish-and-ketchup-into-your-system delivery device in a fauxtube-steak format from a fastfood-type outlet.
Anyway, post-dawg… I showed up at the venue at 7:23pm for the 7:30 show. I ran part of the way; so it was a close one…
Ornette Coleman @ the Arlene Schnitzer Concert Hall
The main dude (artistic director) for the PDX Jazz Fest 503(c)(3) looked sorta like James Randi — alas, he wasn’t (he’s Bill Royston). He announced the sponsors: Oregonian A&E, Qwest Communications, and the Portland Trailblazers. My a priori understanding of the Oregonian A&E is that they have TV shows of Criss Angel-types who make your pilate mat and hummus plate disappear while playing indie rock in the background at silly volumes. I might be wrong, though. Qwest Communications is most famously known for providing reasonably-priced, high-speed internets that aren’t available at my address. The Portland Trailblazers play what I understand to be a game called “basketball.” It’s like a big game of team-based ping-pong. Except the table is huge, you stand on it, and the net isn’t in the middle, it’s on the ends of the huge table. Oh, and you can hit the net, but you don’t use paddles. You use your hands!! Oh, and the ball is huge and not made out of plastic. So, the Trailblazers are basically a ping-pong team. Once Mr. Royston got the sponsors out of the way, he introduced SF Jazz’s Joe Lovano who introduced Ornette Coleman…
Ornette started playing around 7:40pm… his band wasn’t the band from his last CD (the Pulitzer Prize winning Sound Grammar); and I didn’t get their names, as they weren’t listed in the program. He had a drummer (possibly his son), a guitarist, and two bassists (one upright, one electric). I’m more horrible with Ornette’s song names than just about anyone, though. I do know for a fact that he played “Lonely Woman” (from The Shape of Jazz to Come). I also think he played “Song X.” He only announced one song from the stage (the opener to the set), but he’s got a slight lisp and the mic wasn’t on all the way. It sounded like he said “Buttered Helen.” So, yeah, I don’t know. He and his band played a blistering hour+twentyfive improv set, only stopping briefly prior to the encore. Ornette primarily played his trend-bucking non-metallic white sax. He also played violin (lefty) and trumpet during some songs. It was a brilliant free jazz set all around. I’m thoroughly glad that I got to see this pioneer of the free jazz movement.
I left as the band left the stage the second time… to get to the Newmark Theatre for Round 2 of the PDX Jazz Fest. Luckily the Newmark Theatre is 50 yards away, if that. Which was good, because as I was planning online, Ask.com’s maps… well, they’re utter crap. It said the venues were 1.2 miles away by foot. Wrong!
SF Jazz Collective @ the Newmark Theatre
Mr. Royston announced a new sponsor for this SFJC show: American Airlines. I hear that they are a busline that provides “air vents” for every passenger’s seat. Seems “OK” for a bus trip. I’d rather fly, though. He then introduced The Bad Plus (who I wish I could have seen last week in Eugene, they rock) who introduced the 8-piece SF Jazz Collective…
SF Jazz Collective is a group that is commissioned each year to arrange and play the works of a jazz great. Past years have been Ornette Coleman (2004), John Coltrane (2005), Herbie Hancock (2006), and Thelonious Monk (2007). This year’s group arranged Wayne Shorter tunes. I haven’t gotten into Wayne Shorter (yet), but I know he played with Art Blakey, Miles Davis, and he’s on Herbie Hancock’s V.S.O.P.. Oh, I guess I’ve also heard his band Weather Report. So, I lied, I have gotten into him at least through WR and Herbie… Anyway, the SF Jazz Collective build a new repertoire each year based on a jazz great and then they all each write a new tune for the group.
The band for 2008 (links and instruments below) is Joe Lovano, Dave Douglas (one of my fav jazzmen), Stefon Harris, Miguel Zenón, Robin Eubanks, Renee Rosnes, Matt Penman, and Eric Harland. This was Dave’s 2nd season with the group. This show was their first show of the 2008 season, but they were far from rusty. They played for about an hour and half before I left (I had to bail half way through the encore in order to get home by 1am… oy). They announced their songs from stage, and they had a handy-dandy program available, too. Here’s what they played: “Go” [Wayne Shorter: hereafter WS], “Armageddon” [WS], “The Angel’s Share” [Matt Penman], “The Year 2008” [Eric Harland], “Black Nile” [WS], “Infant Eyes” [WS], “Secrets of the Code” [Dave Douglas], and the encore was announced by the pianist as “another Wayne Shorter tune that I’m sure you know.” Alas, I didn’t know it. It started out with piano… so I’ll leave it at that.
8 songs, 90 minutes. You do the math (I’ll give you a hint: divide, don’t multiply. Show all work to receive partial credit).
Also in their 2008 repertoire (sets change nightly): Wayne Shorter tunes “Aung San Suu Kyi,” “Diana,” “Footprints,” “El Guacho,” and “Yes or No.” Band member tunes “Aurora Borealis” [Renee Rosnes], “Frontline” [Miguel Zenón], “Road to Dharma” [Stefon Harris], “This That and the Other” [Joe Lovano], and “Breakthrough” [Robin Eubanks].
Oh, I forgot to say… somehow my ticket for SFJC was in the “wheelchair section.” That ruckin’ focked!! I could spread out. Totally luck of the draw on the ticket… but I tain’t complainin’…
The Appropriate Linkage:
- PDX Jazz
- Ornette Coleman
- Ornette Coleman on MySp
- SFJazz Collective
- Dave Douglas (trumpet)
- Dave Douglas on MySp
- Joe Lovano (tenor sax)
- Miguel Zenón (alto sax) – 2008 MacArthur Foundation Grant recipient
- Stefon Harris (vibraphone)
- Robin Eubanks (trombone)
- Renee Rosnes (piano)
- Matt Penman (bass)
- Eric Harland (drums)
yay… Glen Phillips and Belà Fleck next week…
~Dan – np: Charlie Hunter Trio – Copperopolis
EDIT (4/7/08): Allaboutjazz.com has a nice review of the Ornette show HERE
REVIEW: Iron & Wine @ The Crystal Ballroom (Portland, OR – – 12/2/07)
Well, the evening started with my wife finding a good parking space for us… not too far from dinner and the venue. Dinner was at the lovely Blossoming Lotus. I had the BBQ tempeh with black bean soup, ginger salad, and quinoa. My wife had the Indian bowl, which had loads of mango something-or-other on it. Pumpkin muffin and brownie parfait for dessert. Belt loosening for dessert as well. ;) Blossoming Lotus is right in downtown Portland (NW). They’re a yummy, reasonably priced, organic café, and they have a delightful cookbook as well (we bought one after our trip out here in Dec ’06).
While not having a good knowledge of I&W song names (outside of the obvious ones), this is gonna be a total “cheater review”… here’s a setlist from another show on this tour:
Peace Beneath the City
Innocent Bones
On Your Wings
Pagan Angel And A Borrowed Car
White Tooth Man *FAV*
House by the Sea
The Devil Never Sleeps
Boy With A Coin *FAV*
Sodom, South Georgia
Carousel
Upward Over The Mountain
Jezebel *FAV*
Wolves (Song of the Shepherd’s Dog)
Resurrection Fern
The Sea And The Rhythm
Flightless Bird, American Mouth
—
History of Lovers
The PDX show was not too far off this one. Well, actually, we left at the song right before the encore (long drive ahead of us in the rain); so I can’t vouch at all for the encore selection. Cheater review, indeed.
Definitely a good show. The opener, Califone, was also enjoyable. I heard some of their selections on their MySpace page, and I wasn’t necessarily giddy. I’ll admit — I was busy that day; so I really didn’t give them a fair listen. Anyway, I really liked their more jammy, experimental elements.
Iron and Wine came on about 10:20 and played for a good hour and half… good mix of songs (as noted by the cheater setlist above). I loved Sam Beam’s whispy delivery, but oft-times the band got in the way of his vocals/guitar. I think it’d be good to see a more stripped down version of Iron & Wine, but this show was a treat as well.
Oh, if you want to hear a streaming concert… NPR has the Washington DC 9:30 Club show from earlier this year HERE. It’s also downloadable if you get their “NPR Live Concert” podcast.
Oh, the venue… weird set-up. Show was on the 3rd floor. The ballroom was split up with a big barrier segregating the drinkers from non-drinkers. There were odd paintings on the wall and pretty ugly plastic-looking chandeliers. Ugly… but they (Crystal Ballroom) definitely get some good artists coming through… heck, just this week: Iron & Wine, Cake, Tegan & Sara, Jon Butler Trio, The Shins.
~Dan – np: Doug Pinnick – Strum Sum Up
mini-REVIEW: Over the Rhine @ Doug Fir Lounge (Portland, OR – – 9/15/07)
Great show last night (my 50th). Set not-unlike Seattle. “And Can it Ever Be” was great (don’t know how I missed that when glancing at the Seattle setlist). “Don’t Wait for Tom” also excellent (my fav of the night). “Ohio” was actually quite a good version, and I don’t really prefer that song… so something was up. Linford’s very walking/bouncy bass on “Orphan Girl” was cool… and he seemed to be having fun playing while standing up. 
The venue (Doug Fir) is also neato. I was bummed because I missed The Album Leaf & Under Byen there in July, but it’s nice to know a great venue like that is only 1.5 to 2 hours away.
~Dan
-Eyvind Kang
-Frank Zappa
Amazon.com mp3 downloads
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