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when björk meets yorke (redux)

25th Oct 08 (Sat) Leave a comment

The last time Björk and Thom Yorke (of Radiohead) got together was “I’ve Seen it All” on the 2000 EP/soundtrack Selmasongs (for the movie Dancer in the Dark).  That was a pretty good pop affair (for a pretty dreadful movie, IMO).

This latest Björk and Thom Yorke collaboration produced a fun, cluster of sound that fits better within the experiment that is… Björk and Thom Yorke’s current musical psyche.  One may say that their output doesn’t put any sense of “boration” in “collaboration.”  But that may be considered a stretch; so let’s never say I tried to pull that off as a legit pun. Anyway, their new song is called “Náttúra.”  It’s available on iTunes and other online outlets…

Náttúra is dedicated to the Náttúra Campaign in Iceland.  You can find it at nattura.info and at nattura.grapewire.net.  From Björk’s webpage

The single was composed specifically to encourage active support for the Nattura campaign, which aims at collating and providing sustainable and eco-friendly options suitable for Iceland, and generating alternative ways to utilize it’s natural resources. People will be able to submit their ideas on the website for sustainable green workplaces for Icelanders. According to Björk, “It is now more important than ever before to emphasize a respect for nature…I believe that profits, technological advances and working together with nature can all go hand in hand. None need to be sacrificed at the expense of the others.”

The new single is written and produced by Björk and features Radiohead’s Thom Yorke on backing vocals, Brian Chippendale (Lighting Bolt) on drums, Matthew Herbert on synth/bass, and Mark Bell on additional electronic beats. Opening with a huge elemental swirl, “Nattura” then fires up an incendiary and fierce tribal rhythm. The song sees Björk firmly on the march in celebration of her homeland, in hopes that Icelanders harness its energy in a sustainable way.

Skerik’s McTuff bring his groovy, jazz combo to Eugene tomorrow at Sam Bond’s Garage… yay!

~Dan – np: Noctaluca –

plover

24th Oct 08 (Fri) Leave a comment

The Plover record is out.  It’s pay-what-you-want in many bandwidth options (including 320 mp3, FLAC, etc) via http://plovermusic.com/

It’s also streaming in its entirety via this widget:

Plover is Glen Phillips (from Toad the Wet Sprocket), Neilson Hubbard & Garrison Starr.  I’m part way through it, and I dig it.  It’s in the rock / pop vein…

http://plovermusic.com/
http://www.myspace.com/plovermusic

~Dan – np: PloverPlover

a trio of music news

23rd Oct 08 (Thu) Leave a comment

New Puscifer video… while CGI like the other Puscifer vids, it’s the first one that features a non-CGI Maynard James Keenan (complete with a bottle of his own Caduceus wine)… “Momma Sed,” brought to you by the A and F in ATF:

only the A & F in ATF… in that he doesn’t smoke.

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Ben Folds Five reunion show for The Unauthorized Biography of Reinhold Messner from last month’s MySpace Front to Back is now online in its entirety: GO HERE –> http://www.myspace.com/fronttoback

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The New Years’ Eve concert put on by Ipecac Recordings in San Francisco is set… Fantômas will be playing The Director’s Cut in its entirety.  Openers: Tipsy & Zach Hill. It’s $45 and a long drive away; so it’s out for me… but go here if you’re interested: Great American Music Hall’s New Years 2009

Oh, and Breaking news: Beyonce has changed her name to Ra Tsass… or Hoo Kares… or Due Moss… or Sasha Fierce.  Meh.

~Dan – np: TeslaForever More

This is… AWESOME.

22nd Oct 08 (Wed) 8 comments

I was gonna post a blog about a reminder about Orange Tulip Conspiracy‘s upcoming West Coast tour, Opeth and wrapping their latest video, or Will Ferrell and his George W. Bush stage production, or Wynton Marsalis on the Colbert Report, or a too cute for school puppy, or Kevin Smith doing a space film next… but it ALL got sidetracked due to this amazing new album cover (thanks EW blog):

Animal Collective‘s Merriweather Post Pavilion (due out Jan. 20, 2009)

THIS is NOT an animated GIF. It’s a regular, 1-layer jpeg.  I downloaded it and it doesn’t have any funky layering going on.  It’s all a trick of the eyes…

Wicked cool.

~Dan – np: VidyAVidyA

Dear Elliott,

21st Oct 08 (Tue) Leave a comment

Latest: Noctaluca, Puscifer/Lustmord, David Bazan’s Xmas

20th Oct 08 (Mon) 3 comments

In order of awesomeness…

Noctaluca, one of my favorite Cincinnati-based rock bands (and quite frankly, one of my favorite rock bands regardless of local flavor) just put out their newest CD, Still the Wicked Rest.  I ordered it the same time as their Live DVD, and somehow thought that the new CD was just a live thing, too.  Well, when it showed up, I was all like, “hmmm… this looks like a legitimate studio CD.”  And, well, it is a new studio CD.  And it’s awesome.  Think two-guitar hard rock (with a sound that’s equal parts Led Zeppelin & early Alice in Chains) with a strong singer-songwriter core, powerful vocals, and lyrics for the Rage Against the Machine set…

Noctaluca is fronted by singer-songwriter Jason Ludwig.  His solo debut, PeLL MeLL, was one of my Top 10 from 2003.  Right after he got a lot of local acclaim for this, he ditched gigging by his name and started gigging his new band, Noctaluca.  In 2003, I snagged a copy of of the “Monkey Moon” radio single they had at a table at the Cincinnati Entertainment Awards.  This was the only recorded Noctaluca until 2006’s long-awaited Towering the Sum.  Towering the Sum was in a good group of favorite local CDs that year, as well as being in my Top 10 vocal CDs in 2006, too.  All this to say that I LIKE NOCTALUCA.  Being surprised with a new studio CD is well, awesomes…

And they start the new Still the Wicked Rest CD off with a re-recording of “Monkey Moon“… natch.  It deserved to make its way onto an official CD… finally.

Check ’em out!
http://www.noctaluca.com/
http://www.myspace.com/noctaluca

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Next up in awesomeness… getting endless mileage out of the same songs, there’s a new download-only dub mix of Puscifer songs by the dark & ambient Lustmord.  Puscifer is Maynard James Keenan (from Tool & A Perfect Circle).  Lustmord has had his hand at remixing the Melvins, Puscifer music previously releases, as well as maybe A Perfect Circle song(s).  My mind fails me, and I’m too lazy to check at this point. :)  The new album is 53 minutes, 8 songs… and fits in with the Puscifer album as well as a darker dub sound.  I’d recommend it if you like Maynard’s music, Lustmord’s music, dark dub, or remixes…

It’s available only at Puscifer’s store for now:
https://store.puscifer.com/

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Next up in awesomeness… still awesome, but it is Christmas music (of which I usually don’t like); so it gets last billing.  David Bazan of Pedro the Lion put out another holiday-themed 7″ vinyl – a split of melancholy Jingle Bells & All I Want for Christmas.  This was the first one since I’ve lived on the West Coast.  The East Coast people got a 3 hour jump on the overnight email he sent out, and they snatched them all up… except for a few on Suicide Squeeze‘s website.  I scored one… but barely.

A 1,000 quantity pressing may not be enough, bro.

~Dan – np: TeslaForever More

Flight of the Conchords – Live at Amoeba

19th Oct 08 (Sun) 3 comments

Bret & Jemaine are Flight of the Conchords (formerly New Zealand’s fourth most popular guitar-based digi-bongo acapella-rap-funk-comedy folk duo).  A 52-minute in-store video from Amoeba Records (from April ’08)…

(click keytars for link to video… or just use the link below)

http://www.amoeba.com/live-shows/videos/flight-of-the-conchords.html

With poisonous gases, they’ll poison your asses…

~Dan – np: Frank ZappaJoe’s Menage

astronome: a night at the opera

18th Oct 08 (Sat) Leave a comment

John Zorn’s Moonchild Trio (Mike Patton/Trevor Dunn/Joey Baron) is due out with a fourth recorded installment (The Crucible) later in 2008/early 2009.  Their second installment, 2006’s Astronome, is getting a revised treatment for the stage.  From the Downtown Music Gallery‘s newsletter this week:

ASTRONOME: A NIGHT AT THE OPERA!

Director Richard Foreman and musician John Zorn team up for Astronome: A Night at the Opera opening next year [2009] at Ontological-Hysteric Theater.

WATCH VIDEO FEED of rehearsals and see how Foreman develops this production… EVERY WEDNESDAY from 10 a.m. to 4:30 p.m. Nov. 26, 2008-Jan. 21, 2009 live from the Ontological-Hysteric Theater in Manhattan! [No rehearsals Dec. 24, 2008]

Tune in at http://www.free103point9.org

http://www.ontological.com/

hmm… No word in the above weblinks if the Patton/Dunn/Baron Moonchild Trio (pictured below) will be in the production.  I don’t know how it would work without them, but you never know.  I mean, it could probably only be non-rad if they got Renee Zellweger to play Mike Patton’s parts. :)  .

NYC trip in 2009 for me?  Unlikely.  But I can dream…

~Dan – np: Paul Brody’s SadawiFor the Moment


update on OSI’s #3 album

17th Oct 08 (Fri) 2 comments

As previously mentioned, O.S.I. (a band led by Kevin Moore from Chroma Key / Dream Theater and Jim Matheos from Fates Warning) is being worked on now. This just in from Mikael Åkerfeldt, lead “singer” / guitarist from OPETH, is that he’s contributing vocals to a song…

It’s a very moody song and completely unlike anything I’ve ever done before. I wrote the lyrics and the vocal lines for the piece that I simply decided to call “Stockholm“.

Cool… The album also features Gavin Harrison (from Porcupine Tree) on drums.

~Dan – np: Goddamn Electric BillTopics for Gossip

REVIEW: Yael Naim @ Aladdin Theater (Portland, OR – – 10/15/08)

16th Oct 08 (Thu) Leave a comment

Mini-Review

Well, I heard about Yael Naim a week ago thanks to the NPR World Cafe podcast… she’s a Paris-born, Israeli singer-songwriter.  She’s been described as “a touch of folk and a touch of jazz, with mysterious and evocative words sung with a delicate and intentionally husky voice.”  After just hearing of her, I found out that she was playing the Aladdin Theater in Portland the very next week.  I was just going to head up to the Aladdin if I was up for it, and buy a ticket if they had some available.  Well, thanks to the power of the internets, I got an email Tuesday morning from the Aladdin, and they were giving away 50 tickets to the first people who responded to their email.  And, woot, I got a free ticket.  Natch.

The opener, Peter Von Poehl, was… well… absent.  So the replacement opener was Grey Anne.  And she was… RAD!  Very quirky, indie rock girl with an electric guitar, drum, accordion, butterfly wings, echoplex, and a stuffed giraffe.  Fun songs, off the wall, nice textures, strong voice, confident, quirky… She’s from Portland; so I hope she makes her way down to Eugene sometime soon.

 

Yael Naim and her band were really good, too.  They played Britney Spears’ “Toxic” as well.  That’d make my friend Bruth happy. :)  I enjoyed her set a lot, but I think my favorites of hers were the ones in French.  There’s something about French music that’s just… FUN.  Yann Tiersen, Jeanne Cherhal, Paris Combo, and… well, Yael Naim.

Next Aladdin visit for me… Jonatha Brooke and GlenI sat on a glass table and might not be playing guitar for a whilePhillips.  Yikes. :)  I hope Glen’s arm is better to be at this show, because otherwise, I don’t think I’ll go.  At the end of the day, I hope he gets better more than me being able to see him.

The Appropriate Linkage:

~Dan – np: RadioheadIn Rainbows

Fantômas & Mondo Cane 2009

12th Oct 08 (Sun) 5 comments

As reported by stubbadub/Rockarolla, 2009 may shape up to be a Mike Patton banner year

Mike Patton’s avant-garde, noise-metal quartet FANTÔMAS is set to record their fifth album.  Fantômas is Mike Patton on voice and electronics, Trevor Dunn (from Mr Bungle, Trio Convulsant, etc) on bass, Buzz Osbourne (from the Melvins) on guitars, and Dave Lombardo (from Slayer) on drums.  In live settings, I’ve even heard that Mike’s enlisted Terry Bozzio (from Frank Zappa’s band, etc) on drums when Dave Lombardo isn’t available.

Their albums have all had themes so far: the self-titled debut (aka Amenaza al Mundo) was based on a 30 page/picture graphic novel; their second, “most-accessible” album (The Director’s Cut) was reinterpretations of horror/ suspense/ gangster movie music; their third album (Delìrivm Còrdia) was a 74-minute, one-track meandering about anesthetic-free surgery (yes, you read that correctly); and their fourth album (Suspended Animation) was 30 tracks dedicated to the month of April 2005.


The rumors are that the 5th record will be an “all electronic” record.  I’m hoping that Mike will still utilize Slayer drummer Dave Lombardo despite this slant on the music.  I’ve also heard rumors (years ago) that Mike also wanted to do an all-acoustic Fantômas record – – which, IMO, would pwn.  Anyway, the Fantômas record is expected by June 2009.  We shall see…

For a feel for what Fantômas can be all about, here’s a “cute” 52-second animated video for “Page 25” from their debut:

http://ipecac.com/archives/extras/page25.php

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In other news, Mike Patton’s Italian ’60s pop project (a la Ennio Morricone) called MONDO CANE is due out in March 2009.  I posted about the Mondo Cane concert in Amsterdam (which is available as streaming video) over HERE.

~Dan – np: Goddamn Electric BillTopics for Gossip

Sigur Rós photos (Portland 10/6/08)

11th Oct 08 (Sat) Leave a comment

REVIEW: Trio Subtonic @ Lewis & Clark College (Portland, OR – – 10/9/08)

10th Oct 08 (Fri) 3 comments

Quick review… I didn’t make it to Jo Fed’s in Eugene a few weeks ago to see Portland jazz group, Trio SubtonicAlas, they were playing in Portland last night, and I was in town for work.

(camera phones are kinda pointless)

Trio Subtonic are a piano/bass/drums jazz trio… in the same vein as Medeski Martin & Wood (to give you a frame of reference).  What I’ve heard on record is really groove oriented jazz with keys, samples, etc.  Last night was more organic, acoustic jazz (i.e.- still a nice groove, but with acoustic piano).  They were recording the show at Lewis & Clark College for a future release.  I stayed through the first break (about an hour), and of the songs that they announced, I caught: Not There, Subtronics, Why Are the Mountains Crying, and Kaleidoscoping.  They played three or four others of which I didn’t catch the names.

Catch them if you’re in Portland or if they swing through your town… they were quite enjoyable.  Check out their music below:

The Appropriate Linkage:

~Dan

Glen Phillips “oops. ouch.”

9th Oct 08 (Thu) Leave a comment

Reposted from Glen Phillips’s blog

never sit on a glass coffee table, even on the edge of one, the metal part which looks like it can support your weight that you’ve sat on before and seen others sit on. it will break and you will fall into the glass, deeply cutting your arm so that you’ll have to cancel the first few shows (at least) of the upcoming tour.

which means: i need to see a hand specialist in the next few days and find out what can be done to make my left hand work properly again. i also need to get mr kingham to learn to play all my songs, as i dont think i’ll be able to play guitar for a while. i’ll keep you informed as i know more about the tour and my arm. just to repeat: only the first few shows are currently cancelled. i want to get out and sing for you all as soon as i can

also: special thanks to sean watkins for calling the ambulance, putting a tourniquet on me and reviving me when i passed out from blood loss. he even cleaned up the room. three cheers!

Ouch, indeed.  *shudder*

I hope you heal quickly, sir!

~Dan

PS- he’s posted an update… as of 10/12, he thinks he’ll be back on tour by 10/31, not playing guitar, but at least singing.  Read more here: http://glenphillips.net/blog/?p=76

Nellie McKay is adorable

8th Oct 08 (Wed) Leave a comment

This comes from Pop Matters#15 is classic Nellie quirkiness…

>>>>>>

Singer, songwriter, actor and activist Nellie Mckay calls her music ‘schizophrenic voodoo’. Schizophrenic because she jumps genres – from Tin Pan Alley pop and cabaret to reggae, rap and jazz—voodoo because these elements mysteriously gel with her evocative, playful, and bold lyrics.  The fictional character most like her?  A mix of Lassie, Scarlett O’Hara, Godzilla and Nancy Drew.  These and other reveling facets of her character are discussed with PopMatters 20 Questions.

A contributor to The Onion and The New York Times Book Review, McKay won a Theatre World Award for her portrayal of Polly Peachum in the Broadway production of The Threepenny Opera. She’s written the music and lyrics for the film adaptation of Katherine Arnoldi’s The Amazing True Story of a Teenage Single Mom, and is currently creating the Broadway musical version of the book and movie, Election.

1. The latest book or movie that made you cry?
Richard LaGravenese’s P.S. I Love You – for all the wrong reasons

2. The fictional character most like you?
I’m sort of a mix of Lassie, Scarlett O’Hara, Godzilla and Nancy Drew.

3. The greatest album, ever?
Anything by Toby Keith.

4. Star Trek or Star Wars?
A Star is Born (the first one).

5. Your ideal brain food?
When politics intersect with art.

6. You’re proud of this accomplishment, but why?
Dropping out of college: freethinking sustained by action.

7. You want to be remembered for…?
Being a great guy.

8. Of those who’ve come before, the most inspirational are?
The renegade Jews.

9. The creative masterpiece you wish bore your signature?
Rejuvenate! (It’s Never Too Late) by Eartha Kitt.

10. Your hidden talents…?
I can get really angry and no one can tell.

11. The best piece of advice you actually followed?
Please yourself.

12. The best thing you ever bought, stole, or borrowed?
A typewriter, a house, an idea.

13. You feel best in Armani or Levis or…?
A tent.

14. Your dinner guest at the Ritz would be?
Charo.

15. Time travel: where, when and why?
I wouldn’t want to ruin my illusions, but I would love to live sometime between the ‘20s and the ‘40s in New York, to have an icebox and two roommates, one sassy, with a one-syllable name, and one brainy (me and the sassy one would work on getting the brainy one out of the house, and me and the brainy one would work on the sassy one’s failed relationships with no-good sailors).

All three making a go of it in showbiz, running around from auditions to night club jobs and stopping for a nickel coffee and circling the theatrical ads, and communing at delis and drugstores with my fellow creative types, all of whom would go on to great renown, and maybe stand outside the theater

in the rain and get Lotte Lenya’s autograph, and be given a huge creamy bubble coat from a stage door Johnny who wouldn’t expect anything in return but to take me to dinner (according to Oscar Levant, that was often all they asked).  And once in a while our gang would go to Woolworth’s for a big splurge, and we’d sit at the counter and order all the French fries and malts we could manage (these being politically unaware times with regard to animal products, but at least there were no factory farms).

During the holidays we would all troop over to a friend who had an office job and we would have the merriest time at their Christmas party on the 25th floor of some mogul’s extravagant tower, and later we would entertain ourselves just wandering around the Village in the falling snow, and sneaking to the top of the Washington Square arch where we would declare martial law throughout the city and set about writing a brief constitution that we would subsequently tear to bits and sprinkle down on the cops amassing below.

We would be dreadfully hung over the next morning, but we’d be all right because we still had a little orange juice, bread and celery in the icebox and that would tide us over until the next big payday, which was certain to be right around the corner.

That or…I would live in the 1960s and work part time for the national anti-vivisection society while attending marches and student meetings in all my spare time.  I would wear a burnt orange/camel colored waistcoat and an old paisley dress and dark stockings with my granny shoes, and carry an old carpet bag which I would cram with flyers, books of poetry and calls to revolution.  Long hours would be spent over spaghetti and wine designing our future utopia in which all the pitfalls of the human condition could be avoided with a little foresight and much compassion and forward-thinking.

The problem with evil, we decided, was in its naïveté; if Hitler had realized the Holocaust would not solve all his personal problems, he never would have felt compelled to make it happen.  Our future must be grounded in the reality of existence, not over-compensating for miracles that had not and could not occur, or the basic injustice of life, never more obvious than at these meetings themselves, where the pretty people were deified as much if not more than in conventional society.

I would attend every be-in, every concert, absorb every opportunity to learn and grow that I could, all the while wearing my vulnerability with pride, an ability to be hurt not intrinsic to my femaleness but my humanity, not just to my humanity but my status as a living being, as comparable to a blade of grass as to a president.

Eventually I would meet a nice SDS member and raise him up like a puppy, teaching him the tenets of my burgeoning feminism and raising a family in the most organic, honest way possible.  This leads to my eventual and complete fulfillment.

16. Stress management: hit man, spa vacation or Prozac?
Ovaltine with Prozac.

17. Essential to life: coffee, vodka, cigarettes, chocolate, or…?
Parcheesi.

18. Environ of choice: city or country, and where on the map?
Doesn’t matter, polluted’s good.  It’s over.

19. What do you want to say to the leader of your country?
What leader?

20. Last but certainly not least, what are you working on, now?
Bringing it all back home.

~Dan – np: Sigur Rós Með suð í eyrum við spilum endalaust

REVIEW: Sigur Rós @ Arlene Schnitzer Hall (Portland, OR – – 10/6/08)

7th Oct 08 (Tue) 8 comments

FYI… PHOTOS of the SHOW are at the BOTTOM

This was my third time to the Arlene Schnitzer Hall.  It’s a great venue, and while I thought I would have gotten a better ticket via ordering from Klink (the Sigur merch site)… well, I was further to the back and left than I would have liked.  It was still a good spot for pics and hearing some wonderful music.

The opener, Parachutes, is a band I got into sometime in 2007 due to a linkage to Sigur Rós via the MySpaces.  I was excited to see them on the bill.  They were obviously influenced by Sigur Rós.  I mean… obviously.  But in my world, that’s not a bad thing.  They had 8 or 9 players, and at one point I know 10 people were playing with them.  Again, very Sigur Rós-y, slow build, xylophone, strings, bombastic drums, keys, soft vocals.  They played about 40 minutes, and I enjoyed them very much.  I picked up their EP for $5 (usð)… i.e.- a steal.  Unfortunately, my pics of theirs didn’t come out, as they didn’t have as much light on stage as Sigur Rós.

Now on to Sigur Rós…

Sigur Rós was… Sigur Rós.  This was my 5th time seeing them, and while some may consider there to be the law of diminishing returns, with Sigur Rós the diminishments are such minutae that it’s not even diminishing anymore.  Their shows are like taking a nap on a cloud during a rainstorm… or something.  It’s completely surreal, mesmerizing, powerful, gentle, sublime, and… shiny.


(not my pic… obviously)

It’s funny to me, that with their non-English song names and their non-English singing… I still knew about half of the song titles within the first few chords.  I think it’s osmosis or something, as I’ll admit that I don’t listen to them all that often (or often enough to know all of their song names).  Anyway, thanks to the SR forum, I was able to fill in the remainder of the setlist (see below)…

10/6/08 Portland Setlist: (as noted on the SR forum)

  • Svefn-g-englar *fav of show*
  • Glósóli
  • Ný batterí *fav of show*
  • Fljótavík *
  • Við spilum endalaust *
  • Hoppípolla *fav of show*
  • Með blóðnasir
  • Inní mér syngur vitleysingur *
  • Svo Hljótt
  • Heysátan
  • E-bow – on setlist, not played
  • Viðrar vel til loftárása – on setlist, not played
  • Sæglópur
  • Festival *
  • Gobbledigook * *fav of show – confetti kaboom*
  • encore: All Alright *
  • Popplagið *fav of show*
    * For pronunciations of the songs and album name from their most recent album, Með suð í eyrum við spilum endalaust, go HERE (blog link with audio).

Overall, this was an amazing time.  Every time I see Sigur Rós, I am blown away.  This was their 2nd to last date on the North American tour (and their last date in the United States for this tour); so they’ve been getting a lot of practice lately.  They were on top of their game, and put together an amazingly mesmerizing show

The Appropriate Linkage:

~Dan – recently played: Yoshie FruchterPitom

SIGUR ROS CONCERT PHOTOS
all pictures (cc) 2008 Daniel Temmesfeld,
you may use freely under a creative commons attribution

Aimee Mann / Nellie McKay

6th Oct 08 (Mon) 2 comments

Monty’s Rockcast / Palin Debate Flowchart & Duck Hunt / Holy Fuck on CBC Radio Q

4th Oct 08 (Sat) 1 comment

Well, three unrelated topics… Monty Colvin’s podcast, the VP debate, and Holy Fuck on CBC Radio Q…

Monty Colvin, bassist/ songwriter/ backing singer from Galactic Cowboys and multi-instrumentalist/ lead vocals/ songwriter from Crunchy, has a podcast.  If you’re a fan of Galactic Cowboys (GC), King’s X, or guys who say “um” and “stuff” a lot… check it out.  As a big GC fan, episode #2 was really good… great insights to the making of the self-titled debut.  He’s only up to episode #3, but I look forward to more Rockcasts.  Keep it up, Monty!

“And a great podcast fell upon the ground… hmmm…”
-Wylde Silas Tomkyn

Subscribe here: itpc://web.me.com/montycolvin/Site/PODCASTS/rss.xml
Check out his webpage
: http://www.montycolvin.com/

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Speaking of podcasts (ok, I guess they were related topics), I just got through the 10/2/08 Vice Presidential Debate on my iPod (I wasn’t around to watch the debate) between Joe Biden and Sarah Palin.

Well, all I can say it… “you betcha” is starting to sound like a bad cartoon catch phrase, Sarah.

So, Dick Cheney‘s only bad decision was shooting his friend in the face?  That’s what she said. Really, Sarah Palin?

Really?

No… really?

Sigh… I just hope this doesn’t turn out poorly… for us all… not just “Joe Sixpack and Hockey Moms.”

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OK, back to something that cheers me up… because as much as I like to hear my politicians mispronounce “nuclear” (it’s not new-cue-lar), I like hearing post-rock, organic-electronic band Holy Fuck MUCH MORE… they play “Lovely Allen” and “Royal Gregory” on Canada’s CBC Radio Q hosted by Jian Ghomeshi.

The CBC Radio Q podcast is located HERE (the 10/3/08 show is one with Holy Fuck playing live — they’ve been interviewed on it before, but as far as I know, not playing live).

Bleh… sorry for my run-on, parenthetical sentence (as I like to do)… the podcast link is HERE (iTunes link) or HERE (CBC web mp3-link).

~Dan – np: TalkdemonicEyes at Half Mast

REVIEW: Branford Marsalis & Philarmonia Brasileira @ Hult Center (Eugene, OR – – 10/2/08)

3rd Oct 08 (Fri) 2 comments

I first got into (Grammy Award-winning saxophonist) Branford Marsalis when I sat through the 10-disc (20 hour) Ken Burns JAZZ documentary that I got from the University of Oregon Library.  Let’s just say that I spent a lot of rainy spring weekends watching these discs and getting more into the roots of jazz when there wasn’t anything to do outside.  Prior to this, my jazz experience was more on the avant-garde side of things (with John Zorn), with occasional listenings of Charlie Parker, John Coltrane, Miles Davis, Charles Mingus, Thelonious Monk, Ornette Coleman, et cetera.  The JAZZ documentary series opened my eyes to many more beautiful jazz greats, both past on as well as those still alive and kicking.

Branford’s brother, trumpeter/band leader Wynton Marsalis, was prominently featured in that documentary as a historian of sorts as well as a leader in the current jazz movement.  Branford also popped up in several spots.  That set up my familiarity with the “Marsalis” name… then I started getting more into Wynton’s music, as well as picking up some Branford here and there.  When I saw that Branford was coming to Eugene with a Brazilian music meets jazz concert – – well, I jumped at the tickets.

This was my first concert at the Hult Center (and thus the Silva Theater).  It’s a very gorgeous facility, and I hope I can make it here for a Eugene Symphony Orchestra or other great show in the future.  The Silva Theater at the Hult is similar to venues like the Aronoff in Cincinnati or the Palace in Columbus (i.e. – a great big, ornate concert hall).   I also got to check out the Mayor’s Art Show at the Jacob Gallery.  It had some great stuff in it, but alas, no jewelry art.  I’m still wondering why my wife and her co-worker’s great pieces didn’t make it in the show.

The musical program for tonight was Branford and the Philarmonia Brasileira conducted by Gil Jardim, celebrating the music of Heitor Villa-Lobos 49 years after his death.  It was Branford & the PB’s first show of the 40-day tour.  They had met only the day (or two) prior.  With that being said, it was unnoticeable.  They were ON

A Heitor Villa-Lobos celebration! Program

(the following was a change from the printed program – updates from the Hult Program Director)

  • Philarmonia Brasileira only playing Abertura Concertante: dedicated to Aaron Copland (by Camargo Guarnieri)
  • Philarmonia Brasileira joined by Branford Marsalis playing Fantasia for Saxophone (soprano) and piano or orchestra (1949 by Heitor Villa-Lobos) *a fave of the night*
    i. Animé
    ii. Lent
    iii. Trés Animé
  • La Creation du Monde, op 81 (1923 by Darius Mihaud)
    i. Overture
    ii. The Chaos Before Creation
    iii. The slowly lifting darkness, the creation of trees, plants, insects, birds and beasts
    iv. Man and woman created
    v. The desire of man and woman
    vi. The closing section (coda) the man and woman kiss
    < < intermission > >
  • Bachianas Brasileiras no 9 (1945 by Heitor Villa-Lobos)
    i. Prelude: Vagaroso e mistico
    ii. Fugue: Poco apressado
  • Scaramouche for Saxophone (alto) and Piano op. 165c (1937 by Darius Mihaud) *a fave of the night*
    iii. Vif
    iv. Modere
    v. Brazileira
  • Bachianas Brasileiras no 5 (1938 by Heitor Villa-Lobos)
    i. Aria (Cantilena)
    ii. Dança (Martelo)
    ———————
  • Encore #1 (title not given)
  • Encore #2 (title not given)

The Philarmonia Brasileira was quite amazing.  They swapped out members and instruments for each piece, and all 8 pieces of the night had a different feel.  It was much more enjoyable than I was expecting (and I was expecting it to be quite enjoyable to start).  Several of the pieces were a full orchestra, several were more string-oriented, some with piano & orchestra, one with just piano and Branford, and some with more of an exotica with Brazilian percussion.  Branford was also quite great / amazing.  This was definitely a more classical sax setting, but he did break loose in a more “jazz way” on the song with just him and piano.  I hear he comes through often (from a Veg Club friend); so I hope to see him again in the future.

All in all = A-freakin-plus.

The Appropriate Linkage:

~Dan – np: Medeski Martin & Wood play John Zorn’s Masada Book Two – Zaebos

The Rest of the Branford Marsalis & Philarmonia Brasileira Tour

October 2008
03 – Seattle, WA – Benaroya Hall
05 – Stanford, CA – Stanford Memorial Hall
06 – Modesto, CA – Mary Stuart Rogers Theater
08 – San Bernardino, CA – Riverside Municipal Auditorium
09 – San Luis Obispo, CA – Christopher Cohan Center
10 – Los Angeles, CA – Royce Hall Auditorium/UCLA
11 – Orange County, CA – Segerstrom Concert Hall
13 – Santa Fe, NM – Lensic Theatre
14 – Albuquerque, NM – Popejoy Hall
16 – Lufkin, TX – Angelina Center for the Arts
18 – Fayetteville, AR – Walton Arts Center
19 – Overland Park, KS – Yardley Hall Carlsen Center
20 – Conway, AR – Reynolds Performance Hall
22 – Milwaukee, WI – The Kuttemperoor Auditorium
23 – Detroit, MI – Music Hall Center for the Performing Arts
24 – Wheaton, IL – Edman Memorial Chapel
25 – Minneapolis, MN – Orchestra Hall
26 – Winona, MN – Winona Middle School Auditorium
28 – Storrs, CT – Jorgensen Auditorium
30 – Ithaca, NY – Bailey Hall Auditorium/Cornell

November 2008
01 – Bronx, NY – Lehman Center for the Performing Arts
02 – Stony Brook, NY – Staller Center for the Arts
05 – Newport News, VA – Ferguson Center for the Arts
06 – Durham, NC – Page Auditorium/Duke
07 – Rockville, MD – Robert E. Parilla Performing Arts Center
09 – Birmingham, AL – Stephens Center for the Performing Arts

The Roster for the Philarmonia Brasileira

Conductor
Gil Jardim

Violin
Esdras Silva
Cinthia Zanco
Daniel Stein
Flavio Meyer
Gilberto Paganini
Maria Brandào Neto
Natalia Visona
Paula Vazquez
Pedro Gobeth

Viola
Glesse Colleti
Mariana Jelen

Cello
Marisa Silveira
Ji Shim

Doublebass
Neimar Dias

Flute
Maria Carvalho
Clarissa Andrade

Clarinet
Marcos Junior
Marcelo Silverio

Bassoon
Erick Ariga

Horn
Michael Alpert
Flavio Faria

Oboe
Alexandre Ficarelli

Trumpet
Wellington dos Santos
Ismael Brandào Neto

Trombone
Sidnei Borgani

Piano
Nahim Marun Fo

Percussion
Vinicius Barros
Glaucia Vidal philharmonic filharmonia brasil brazil brazilian brasilian

PDX Jazz is back…

1st Oct 08 (Wed) 1 comment

As previously reported, PDZ Jazz (a not-for-profit responsible for bringing in a great Jazz Festival in the winter) was in a serious bleeding budget situation and shut down operations a little bit ago.  Thanks to Alaska Airlines, the City of Portland, and others… well, here’s what JazzPDX said about it…

Today, the Portland Jazz Festival announced that it will return this February, despite recent concerns about sponsorship and funding.  As of a couple of weeks ago, the festival was around $100,000 short of their required budget, but with help from Alaska Airlines, the City of Portland, and others, the festival will be able to return in full capacity on February 13th, 2009.

Luciana Lopez at the Oregonian offers more detailed coverage of the announcement.  Click here for her article.

Yay!

~Dan – np: Damien JuradoCaught in the Trees