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REVIEW: Thee Silver Mt Zion Memorial Orchestra @ Mississippi Studios (Portland, OR – 2/4/12)
FYI… PHOTOS of the SHOW at the BOTTOM

Montreal’s Thee Silver Mt. Zion Memorial Orchestra appear to have an identity crisis. They’ve been known as A Silver Mt. Zion, The Silver Mt. Zion Memorial Orchestra & Tra-La-La Band, Thee Silver Mt. Zion Memorial Orchestra and Tra-La-La Band with Choir, and Thee Silver Mountain Reveries. For short hand, I’ll simply refer to them as Silver Mt Zion. I’ll admit, I am new to their music… I got into them via ambient post-rock giants Godspeed You! Black Emperor, who share three members with Silver Mt Zion (singer/guitarist Efrim Menuck, violinist Sophie Trudeau, and bassist Thierry Amar).
More on Silver Mt Zion later…

The opener was a one-man band called Total Life. He played a 25-minute, ambient/drone guitar & loop set (his clear guitar to the right). It had a slow burn, then quickly morphed into a wall of sound.
For most opening gigs, this would not do, but for a post-something crowd, Total Life’s 25 minute experiment showed the audience’s patience and respect. All bundled up, he was barely moving making the sounds, but sweat started dripping down his forehead and nose until the final note.

While GY!BE tend to stay in the ethereal, ambient, sweeping post-rock movement, Silver Mt Zion are a little more difficult to pin down. They have many components similar to GY!BE, but they definitely write more in a “song” vein, with vocals. Yet, I wouldn’t call them a singer-songwriter troupe. The first two “songs” alone clocked in at 35 minutes. They sweep, they go places, come back. The vocals sometimes have choruses, and sometimes it more resembles lofty prayers… to whom? I do not know.
Their label describes their influences as “free jazz, community sight-singing, Minimalism and American folkways – still anchored to a punk-rock take on neo-classical and modern music tropes.” If that narrows it down for you, well, you’re more forgiving of “genre-fication” than I. Whatever you want to call them, they made great music on Saturday night at Mississippi Studios in Portland.
- 13 Blues for Thirteen Moons
- There Is A Light
- What We Loved Was Not Enough
- Black Waters Blowed / Engine Broke Blues
- Take Away These Early Grave Blues
- Blind, Blind, Blind
- Horses In The Sky
- Encore: God Bless Our Dead Marines


more photos below
The Appropriate Linkage:
- Thee Silver Mt Zion’s Site / MySpace
- My Other Related Reviews~
- Godspeed You! Black Emperor @ Crystal Ballroom (Portland – Feb 2011)
- Mississippi Studio’s Site / Facebook / Twitter
They only have a select number of dates on this tour. Definitely go see them if you have the chance! Check out more tour dates below.
Next shows for me… back-to-back Secret Chiefs 3 & Dengue Fever co-headlining in both Eugene (2/6 WOW Hall) and Portland (2/7 Dante’s).
~Dan – np: John Zorn – Film Works IX: Trembling Before G-d

THEE SILVER MT ZION MEMORIAL ORCHESTRA PHOTOS
all pictures (cc) 2012 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
Thee Silver Mt Zion — 2012 Jan/Feb Tour Dates
- 31.01.12 Calgary, CAN The Republik
- 02.02.12 Vancouver, CAN The Rickshaw Theatre
- 03.02.12 Seattle, USA The Crocodile
- 04.02.12 Portland, USA Mississippi Studios
- 06.02.12 San Francisco, USA Great American Music Hall
- 07.02.12 Santa Ana, CA, USA Constellation Room
- 08.02.12 Los Angeles, USA Troubadour
- 09.02.12 San Diego, USA Casbah
- 10.02.12 Tucson, USA Club Congress
- 12.02.12 Dallas, USA Sons of Hermann Hall
- 13.02.12 Austin, USA The Mohawk
- 14.02.12 New Orleans, USA One Eyed Jacks
- 15.02.12 Birmingham, USA Bottletree
- 16.02.12 Cincinnati, USA MOTR Pub
- 17.02.12 Buffalo, USA Soundlab
- 18.02.12 Ottawa, CAN First Baptist Church
- 19.02.12 Montreal, CAN La Tulipe
REVIEW: Trevor Dunn & Travis Laplante @ Wandering Goat (Eugene, OR – 1/31/12)
PHOTOS FROM THE SHOW AT THE BOTTOM
I’ve been a fan of Mr Bungle/Fantômas/John Zorn collaborative bass player Trevor Dunn for a while. When I get a chance to see him, especially within biking distance, I go. From Trevor Dunn’s website, the “Double Solo” tour was noted as a “West Coast spit-roasting agenda. I’ll be playing a 30 min solo bass piece & Travis [Laplante] will play a set for solo tenor saxophone.” Ah, a night of avant-garde jazz… yum!
Ryan A. Miller from Portland was up first… he played about 30-40 minutes on solo acoustic guitar. A lot of loops, noises, and a little bit of what might seem like “futzing around,” but I dug it. There were definitely some odd parts, but I definitely thought his set was more interesting than not. You could tell he had skills, just couldn’t tell how they were going to evolve and manifest. Update 2/8/12: Ryan’s band (U SCO) was the opener for the Secret Chiefs 3 show in Portland the very next week. U SCO is a wicked, rad schizophrenic proggy, jazzy rock trio. Excellent stuff!
Travis Laplante (Battle Trance) took his spot on the floor just off stage and gave us an initial onslaught of loud, raucous alto sax. His first piece reminded me of Peter Evans solo trumpet show from 2008. Ballistic, unfocused melodically, intense… what avant-garde jazz is meant to be. His second piece was gentler and more melodic at first. It was contained but not necessarily restrained before he finally let loose at the end. His third and final piece was a dronier delight.
Trevor Dunn played last and gave us the 30-minute piece that he’s tentatively calling “The Pentagram.” He dedicated it to Pisces. It definitely had a “composed” feel to it (later confirmed with Trevor), but it was open and free enough to let him explore where it could go. He plucked, he scraped, he bowed, he played below the bridge, he played with clothespins on the strings. To sum it up in a word: fascinating. You’ve gotta love it when he makes a few of his other bands (Mr Bungle/Fantômas) seem “too mainstream.”
Update 2/7/12: Check out this East Bay Express write-up of the Oakland show by Rachel Swan… waaaaaay better write-up (she’s a journalist and rightfully gets paid for it). Gives you a better feel for the Dunn piece as a whole.
Trevor and Travis are wrapping up this tour this coming weekend… tonight in San Francisco, then Friday in Oakland, Saturday in Los Angeles and Sunday in Santa Cruz. Check his Tour Page for more info.
The Appropriate Linkage:
- Trevor Dunn’s Site (bass)
- Travis Laplante’s Site (sax)
- Ryan A. Miller’s Site (guitar)
- My Other Trevor Dunn-Related Reviews~
- Nels Cline Singers @ Doug Fir (Portland – Jan 2011)
- John Zorn’s Moonchild @ Moore Theatre (Seattle – Nov 2007)
- Wandering Goat’s Site / Facebook / Twitter
Next show for me… Thee Silver Mt. Zion (splinter group from Godspeed You! Black Emperor) at Mississippi Studios on 2/4.
~Dan – np: Frank Zappa – Them Or Us

TREVOR DUNN & TRAVIS LAPLANTE PHOTOS
all pictures (cc) 2012 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
REVIEW: Cirque du Soleil (Zumanity & O), Penn & Teller, and Criss Angel (Las Vegas, NV – 1/17-21/12)
I was in Las Vegas last week for a conference/convention… no, not the AVN/Adult Entertainment Expo – that was just “serendipity“…
outside of seeing the random porn star walking around a hotel lobby (like Dana DeArmond, Belladonna, and some others that “a friend” told me about…), I didn’t take in that frivolity.
Some excellent Las Vegas shows were taken in, though… and here is my mega, 4-part review…
First up was the Cirque du Soleil show BeLIEVE from Criss Angel on Tuesday night (1/17). I’ll say it now, that I’ve been a fan of Criss Angel before most of you had even heard of him (long before the TV show, long before “the Loyal” were dreamed up). I’m not trying to gain “street cred,” but merely setting up a background for my ultimate opinion on the show…
I got into Criss Angel via his first album, Angel Dust’s 1998 debut Musical Conjurings from the World of Illusion – which was a collaboration between Criss Angel (on vocals) and hard-industrial artist Circle of Dust (music). The album was later re-branded as a Criss Angel release called System 1 (nixing the Angel Dust moniker). Klayton (Scott Albert aka Circle of Dust aka Celldweller) was still involved in the System 2 & 3 in the trilogy (and even in Criss’ Mindfreak Broadway show and the A&E Mindfreak TV series), but it definitely became more of a Criss Angel project, and less of a Circle of Dust/Celldweller project. That’s all fine and good. It became what Criss was… a loud, audacious rocker magician. There’s a place for everything in this world of entertainment.
I was curious when I heard a few years ago that he was pairing with Circue du Soleil. I love Cirque shows; so I thought it’d be a given show to see. Well, Cirque still has its name associated with the BeLIEve show, but apparently toned down the acrobatic/dance/surreal aspects of the show, as it was distracting from the magic side. What was left was more resembling the A&E Mindfreak show set on a stage… it wasn’t very Cirque-y anymore, but that was probably a-OK with me.
My thoughts… the “clowns” were only “meh.” The set design was gorgeous. Some of my favorite tricks were the metamorphosis, dove tricks, and swallowing razor blades and a string only to pull them out on the string (HOW!?). The Celldweller score was great, the pyro was flashy/bodacious. It does come off as a bit cheesy/corny/”metal,” but that’s part of what Criss Angel’s always been; so that wasn’t a shock. One thing I will say, though, on this night’s performance, it did seem like there were too many similar tricks (teleportation/metamorphosis). Yeah, sure, it’s cool… but how many times do I need to see Criss or one of his characters show up somewhere unexpected?
Bottom Line for Criss Angel’s Believe: I enjoyed it. Drop the price $20, and I’d like it more. 3.5 of 5 stars.
BeLIEve snippets*
*- much of this show has been somewhat “de-Cirque’d” as it were.
the above was not what was presented when I saw it.
Criss Angel/Cirque website
On Wednesday (1/18), I decided to follow Criss with some more magic. This had to be Penn & Teller.
The hour prior to show was featuring the Mike Jones Duo (Mike on piano, and Penn on upright bass). I’m a fan of Penn Jillette via his skepticism slant, his Crackle show, his Penn Point show, his book (God No!), and their recent Discovery show P&T Tell a Lie.
I’ve yet to see the Bullshit series on Showtime (but I will!), but what I had seen via short internet clips – I knew I’d like.
Prior to the show on Wednesday, they invited everyone in the audience to come check out the big wooden box on stage and sign an envelope. The box was solid, no false bottom / trap door that I could see. The opening of the box was facing the crowd, and when the show started, Penn came out, shut the door, and only moments later Teller showed up inside the box. WTF!?
Some of my favorite tricks were cell fish, metal detector, slight of hand, ball and string, phony psychics (with the audience signed envelope), helium, the ring trick with Grace, sawing woman in half (better than Criss Angel), goldfish/coins, cow barn camera, nail gun (wow! Penn’s memory!), American flag burning, flower shadow, and the magic bullet.
OK, those were basically all of the tricks. There were honestly no slow parts. I found it all profoundly interesting and genuinely entertaining. Some tricks, I had an idea how they were done. Other tricks were simply feats of the mind. And some tricks are still driving me mad…
Bottom Line for Penn & Teller: If you love magic, go see this show. Utterly brilliant. They tip their hand a bit, but still mess with you. 4.5 of 5 stars. I would see this again, without flinching.
the official P&T trailer
ignore the cheesy music (by Rio), this show rocked
Penn & Teller website
Friday night (1/20), it was date night… the sensual Cirque du Soleil show Zumanity. This is the “sensual side” of Cirque du Soleil.
No, it was the HOT side. We had 2nd row seats… luckily we escaped the torment of the Cirque “clowns” (barely).
The show started out with a beautiful wind dance mixed with an African dance. The first bit of acrobatics was with a pool performance (see to the right) by two gorgeous beauties. Up next was quite amazing… a hula hoop woman who did amazing work on stage, then hula hooped in the air, then hula hooped in the air while doing contortions, and then hula hooped about 20-30 hoops at one time in the air. Her school girl outfit didn’t hurt either.
There were many aerial artists – all amazing, all sexy… even a “little person” aerial ropes artist. There was a pole dancer; an extreme balance guy; a sensual balancing couple; a 2-man cage fight over a girl that turned into a lurid, long homo-erotic kiss (saw it coming a mile away, but it was hot); the rose guy’s striptease that worked the crowd into a frenzy; an amazing contortionist; some great audience participation with the clowns in between set changes; an S&M metal hoop guy (blindfolded during parts of his act); and the show culminated in a sexy bath dance number.
Bottom Line for Zumanity: Ya hozna! Hot, sexy, and amazing Cirque acrobatics. 4.75 of 5 stars. I would see this again, without flinching. This is what a Cirque show in Sin City should be! Pay extra and get a good seat – yum!
the official Zumanity trailer
fairly representative of the show
Cirque du Soleil / Zumanity website
The final show of the Vegas week was the water-borne Cirque du Soleil show O on Saturday (1/21).
The $70 million dollar pool/theatre was quite amazing. The show was full of some pretty stunning feats – aerial acrobats, outrageous acrobatic diving, floor work with the raising and lowering underwater set, the usual Cirque clowns, a swinging balance girl… but it was all held together by a very confusing/odd storyline (more confusing and odd than other Cirque shows I’ve seen).
The most amazing feats were definitely the diving numbers and the balancing swing woman. The other acrobatics were made a little bit more interesting than other normal Cirque shows simply due to the water element. We even had one visible mistake (an acrobat fell off the aerial boat), but they swam to safety and rejoined the crew later.
Bottom Line for O: Pricier than the rest – I left confused but magically entertained. 4 of 5 stars.
the official O trailer
fairly representative of the show
Cirque du Soleil / O website
Best show: Zumanity, with P&T close behind. If you compared the budgets of both shows, P&T’s was more economical from both an artist creation and audience wallet perspective (high quality entertainment, with a lot of thought and not a lot of exorbitant, unnecessary cash outlay).
Most Frivolous Vegas-y show: O for sheer audacity of grandeur. BeLIEve for sheer audacity of ego.
Next time I go to Vegas, I’d take in Zumanity and Penn & Teller again in a heartbeat. I’d also plan to save time for Mystère and Kà – the other non-band-oriented Cirque du Soleil shows in Las Vegas. I might go see the Beatles’ Cirque show (LOVE), but I am not as keen on the Elvis one (Viva).
REVIEW: Cellophoria @ House Concert (Creswell, OR – 12/18/11)
House concerts are the best… especially when your $$ goes straight to the artists and you get a smorgasbord of awesome food! Super thanks to hosts Jenny & Mike (same place I co-hosted the Peter Mulvey show last month)!

Last afternoon’s show was by Cellophoria – a cello quartet made up of Eugene Symphony musicians. Dale Bradley, Jeffrey Eaton, Ann Grabe, and Anne Ridlington all play with the Eugene Symphony. They also have vast non-ES experience with the Eugene Opera Orchestra, Oregon Mozart Players, the OSU/Corvallis Symphony, Oregon Bach Festival and many varied teaching and playing opportunities. They obviously keep busy, which made their ability and willingness to set aside a foggy afternoon for us into a true treat!
Their gorgeous set in a gorgeous setting…
Setlist: about an hour
- Slavic Dance [Dale Bradley]
- Prelude in E Minor, Op. 28, No. 4 [Frederic Chopin, arr. Laszlo Varga]
- Four Scottish & Irish Tunes [arr. Dale Bradley]
….Arran Boat Song
….Road to Lisdoonvarna
….Star of the County Down
….Skye Boat Song - Every Breath You Take [Sting, arr. John Reed]
- Ashokan Farewell [Jay Ungar, arr. David Faulkner]
- Gagliarda del Principe di Venosa [Carlo Gesualdo, arr. Árpád Pejtsik]
- Chaconne from Partita No. 2 in D Minor For Unaccompanied Violin, BWV 1004 [J.S. Bach, arr. Laszlo Varga]
- Bagatelle No. 5 from Bagatelles for 2 Violins, Cello and Harmonium, Op. 47 [Antonin Dvorák, arr. Rosalynn Heuer]
- Generations [Dale Bradley]
- Eleanor Rigby [Lennon/McCartney, arr. B. Lanier]
- All Through the Night [arr. Dale Bradley]
The sound in the high, vaulted wood ceiling living room was superb. Full from good food and good music, it was a splendid late Fall/lazy Sunday afternoon.
That was presumably my last show of the year (unless something pops up between now and 12/30). 2011 year-end concert and album “best of” recaps coming up soon. Next show for me… Pojama People play the music of Frank Zappa with FZ vocalist Ike Willis at Sam Bond’s on 1/7.
REVIEW: David Bazan Band @ Sam Bond’s Garage (Eugene, OR – 12/14/11)
If anything is certain in life, the move from the Midwest to the West Coast has been good for my David Bazan tour in-take. Being only a short hike from his homebase in Seattle, we get the treat of the former Pedro the Lion frontman in our neck of the woods several times a year.
Many times, he trots out on his own… which is usually more intimate. But the chance to see Bazan with a backing band shouldn’t be passed up. He’s really able to let the rock come forth in his songs. His doubtful, questioning, reflective lyricism work just as well behind a dirty, loud guitar as it does with just him and a guitar in a living room.
Last night at Sam Bond’s, after delightful indie-rock quartet opener Shay Roselip’s short set, Bazan came on to do what I thought was just sound check. Nope… boom goes the dynamite, his mighty three-piece kicked into a tune from Pedro the Lion’s Control… “Second Best.”
Setlist: ~85 mins
- Second Best [Pedro the Lion]
- Wolves at the Door
- Bless This Mess
- How I Remember
- I Do [PTL]
- Of Up and Coming Monarchs [PTL]
- Q&A #1
- Gas and Matches [Headphones]
- Eating Paper
- Magazine [PTL]
- Climb That Hill [Tom Petty]
- Bearing Witness
- Q&A #2
- Virginia
- People
- Cold Beer and Cigarettes
- Big Trucks [PTL]
- Criticism as Inspiration [PTL]
- Q&A #3 with lifetime pass drawing
- Strange Negotiations
No encore
The setlist was similar to other shows on this tour… a great mix of Pedro the Lion tunes, a Headphones tune, a Tom Petty cover and a lot from his two solo albums & EP.
Strange Negotiations, this years effort, will definitely be somewhere on my Best of 2011 list (still formulating).
Being the last stop of the 40+ date tour across the country, his voice showed some wear – especially on the “right on” part of “Cold Beer and Cigarettes.” He powered through it, dropping the notes to a more suitable weary-throat range. His band, made up of Alex Westcoat on drums and Andy Fitts on bass, blistered away with David. Despite the aforementioned vocal strain, their musical chops were evident last night.
They were driving through the night to make it home to Seattle by sun-up. If you missed them on this tour, David hinted at a new album being done by March 1st, with it coming out sometime in 2012. So the chance of more tours in 2012? High possibility!
The Appropriate Linkage:
- David Bazan’s Site
- David Bazan’s Social Media Links (see below)



- Shay Roselip’s MySpace / Soundcloud
- My Other Related Reviews~
- House Show (Eugene, OR – Sep 2011)
- Sam Bond’s Garage (Eugene, OR – Mar 2010)
- Mississippi Studios (Portland, OR – Nov 2009)
- House Show (Eugene, OR – Jul 2009)
- The Indigo (Eugene, OR – Dec 2007)
- Sam Bond’s Garage’s Website / Facebook
This was the last date of the tour… see other dates below. I’m sure David will be out again in the Spring…
Next show for me… Cellophoria private house concert on 12/18.
~Dan – np: Marketa Irglova – Anar

David Bazan + Band Tour – Fall 2011
11/01 Tue – Spokane WA – A Club
11/02 Wed – Boise ID – Neurolux
11/04 Fri – Colorado Springs – The Black Sheep
11/05 Sat – Lawrence KS – Bottleneck
11/06 Sun – Omaha NE – The Waiting Room
11/07 Mon – Iowa City IA – Blue Moose Taphouse (upstairs)
11/09 Wed – Milwaukee WI – Cactus Club
11/10 Thu – Indianapolis IN – White Rabbit Cabaret
11/11 Fri – Newport KY – Southgate House
11/12 Sat – Grand Rapids MI – Ladies Literary Club
11/13 Sun – Pittsburgh PA – Brillobox
11/14 Mon – Hoboken NJ – Maxwell’s
11/15 Tue – Baltimore MD – Ottobar
11/17 Thu – Charlottesville VA – The Southern
11/18 Fri – Norfolk VA – Jewish Mother
11/19 Sat – Charlotte NC – Evening Muse
11/20 Sun – Columbia SC – New Brookland Tavern
11/21 Mon – Knoxville TN – Pilot Light
11/26 Sat – Athens GA – Caledonia Lounge
11/27 Sun – Nashville TN – Mercy Lounge
11/29 Tue – St Augustine FL – The Original Cafe Eleven
11/30 Wed – Tampa FL – Crowbar
12/01 Thu – Tallahassee FL – Engine Room
12/02 Fri – Oxford MS – Proud Larry’s
12/03 Sat – Memphis TN – Hi Tone
12/04 Sun – Norman OK – Opolis
12/06 Tue – Albuquerque NM – Low Spirits
12/07 Wed – Tucson AZ – Solar Culture
12/08 Thu – Las Vegas NV – Beauty Bar
12/09 Fri – Costa Mesa CA – Constellation Room
12/10 Sat – Santa Cruz – Crepe Place
12/11 Sun – Sacramento CA – Blue Lamp
12/12 Mon – Arcata CA – Jambalaya
12/14 Wed – Eugene OR – Sam Bond’s Garage
RECAP: Glen Phillips @ Stageit Sofa Sundays (Santa Barbara, CA – 11/27/11)

Glen Phillips (from Toad the Wet Sprocket & Works Progress Administration) has been doing what he calls “Sofa Sundays” on Stageit.com for a couple months now. I didn’t know what it was all about until the last one (after it happened). He sits down in his living room and plays (at least) 30 minutes of music directly to his computer-connected audience. His shows thus far have cost only $3, and you can pay more (in tips) – but it’s limited to the first 250 people who buy tickets. You can make requests and also chat with others in “attendance.” Here’s what he played…
11/27/11 Setlist: ~50 minutes
- Train Wreck
- Nanci [Toad the Wet Sprocket]
- The Next Day
- Back On My Feet
- I Still Love You
- Cry For You [WPA]
- I Will Not Take These Things For Granted [Toad]
- Don’t Need Anything [fast version]
- Thankful
- Rainbow Connection/I’m Going To Go Back There Someday [teasers only]
- End This Now
- Good Intentions [Toad]
- Redemption Song [Bob Marley]
- Windmills
Easily the best $3 plus tip I’ve ever spent for live music. From here on out, if I’m around, I’m IN. He mentioned after “Train Wreck” in response to some requests, that he’ll do a show in the near future that’s more request oriented on songs that he doesn’t necessarily know off hand (i.e.- he’ll practice).
Stay tuned… the next Sofa Sunday might even be next week!
The Appropriate Linkage:
- Glen’s Site
- Glen’s Facebook / Twitter
- Toad the Wet Sprocket’s Site / Facebook
- Glen’s Stageit page
- My Prior Related Reviews~
- Toad @ Bend Summer Fest (Bend – July 2011)
- Toad @ Crystal Ballroom (Portland – July 2010)
- W.P.A. @ WOW Hall (Eugene – Sept 2009)
- Glen solo @ WOW Hall (Eugene – Feb 2008)
~Dan – np: Explosions in the Sky – Take Care, Take Care, Take Care

REVIEW: Over the Rhine @ Aladdin Theater (Portland, OR – 11/17/11)
FYI… PHOTOS of the SHOW at the BOTTOM

Prior to the show, we fought against the horrid Portland traffic, dodged rain and ducked into a fine meal at Portobello Trattoria, a creative vegetarian establishment that is fast becoming my new favorite SE Portland dinner spot. Their cocktail list is impressive (apple-infused vodka ginger hot toddy), their bottle list is impressive (Russian River… yum), and their menu is the kind that is frustrating due to having too many things you want and one that a meat-eater wouldn’t even notice or care. Check it out sometime.
After dinner, we got to the venue a little bit before the opener… we had a little bit of time to catch up with Kentucky-based friend / Over the Rhine photographer Bill Ivester. He’s helping them out on this tour with merch and social media, and photography. After briefly catching up, we found some seats for the opener…

The Milk Carton Kids were a fantastic guitar duo. Based on their name, I was going in hoping it wasn’t going to be a repeat of “The Children’s Hour” opener for Over the Rhine a score ago. Well, I was greatly pleased. They played about a half hour set of mellower folk songs. Fitting for fans of Paul Simon. Excellent guitar chops and quite humorous between songs, as well. They also have all of their recorded music available for free mp3 download (go here for free music).

Over the Rhine hit the stage at 9pm. Karin & Linford had Nick Radina with them again on drums/percussion/cuatro, as well as a slide guitar player Jason Goforth.
The set seemed somewhat similar to last year’s tour, a lot of The Long Surrender tunes. But this time, the album was officially out. It was nice to hear those tunes more in a live setting. I get thrown off that it’s technically a 2011 release, I think I’ve had it too long. Anyway, it’s a beautiful record, and it’ll wind up somewhere at the top of the pile for 2011, for sure.

Setlist: 1 hour 45 mins
- The Laugh Of Recognition

- Rave On
- Undamned
- The King Knows How
- Suitcase
- I’m on a Roll
- Infamous Love Song
- Only God Can Save Us Now
- Latter Days
- “On The Sacred Ground” (new song, currently untitled)
- Jesus in New Orleans
- Trouble (with drum solo)
- All My Favorite People
- Encore: Hallelujah [Leonard Cohen]
- Born
- Drunkard’s Prayer
My favorite tunes of the night were “Trouble” and “Latter Days,” and the lead-in of “Laugh…” through “Undamned” is a great start to the show as well. The new currently untitled song is great… it seemed quite poetic and moving. Karin was about to give out a tentative title, then stopped. I’ll go with “On the Sacred Ground” for now, but I doubt that’s it. I wish I had more listens to digest it.
They’re wrapping up a few more dates this year, culminating in the annual Taft Theatre show in Cincinnati. Catch ’em if you can! Oh, Karin also mentioned that they recorded a Portland Session when they were here. Keep an eye out on the Portland Session Vimeo & Facebook pages for that to be posted in the future (HERE NOW).



many more photos below
The Appropriate Linkage:
- Over the Rhine’s Site
- Bill Ivester’s photos from the 11/17 show
- OTR Nov 2011 Portland Sessions
- Over the Rhine’s Social Media Links (see below)






- The Milk Carton Kids’ Site
- The Milk Carton Kids’ Facebook / Twitter
My Other Related Reviews~- Aladdin Theater (Portland – Nov 2010)
- WOW Hall (Eugene – Nov 2010)
- Doug Fir Lounge (Portland – Sept 2007)
- Bogarts (Cincinnati – March 2001)
- Canal Street Tavern (Dayton – June 2000)
- Aladdin Theater’s Site / Facebook / Twitter
Check out more tour dates below.
Next show for me… Dan Deacon at the Branx in Portland on 12/3.
~Dan – np: Sigur Rós – Inní (live)

OVER THE RHINE PHOTOS
all pictures (cc) 2011 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
Fall 2011 Tour Dates
- Fri, 2011-11-18 Seattle, WA The Triple Door
- Sat, 2011-11-19 Seattle, WA The Triple Door
- Sun, 2011-11-20 Seattle, WA The Triple Door
- Fri, 2011-12-02 Boston, MA Berklee Performance Center
- Sat, 2011-12-03 New York, NY (le) poisson rouge
- Sun, 2011-12-04 Alexandria, VA The Birchmere
- Mon, 2011-12-05 Philadelphia, PA World Cafe Live!
- Wed, 2011-12-07 Columbus, OH The Lincoln Theatre
- Thu, 2011-12-08 Kent, OH The Kent Stage
- Fri, 2011-12-09 Grand Rapids, MI Calvin College
- Sat, 2011-12-10 Chicago, IL Old Town School Of Folk Music (7:00 PM)
- Sat, 2011-12-10 Chicago, IL Old Town School Of Folk Music (10:00 PM)
- Sat, 2011-12-17 Cincinnati, OH The Taft Theatre
- Sun, 2011-12-18 Norwood, OH Sunday Soiree @ St. Elizabeth’s
More Radiohead Remixes & Over the Rhine photos soon…
Three more Radiohead The King of Limbs Remixes are out (“Separator” by Anstam, “Magpie” by Nathan Fake and “Bloom” by Jamie xx). Sadly they didn’t make it onto the TKOL 1234567 vinyl or CD issues, but they’re available streaming now and will be available for purchase/download HERE on Monday.
I saw Over the Rhine play a beautifully gorgeous set last night at the Aladdin Theater in SE Portland, including a brand new untitled song (I’ll call it “On the Sacred Ground” for now). I should have a review up tomorrow with photos & setlist…

REVIEW: Chali 2na @ WOW Hall (Eugene, OR – 11/16/11)

Chali 2Na is a rapper that commands an album. His deep baritone and unrivaled flow were a staple on Jurassic 5’s albums. His height and booming voice also command a room. I’ve seen Chali many times with J5, but for various reasons, I’ve always missed him when he’s brought his solo tour through town.
This show was going to fall into that same trap… until the Michael Jackson-tribute Cirque du Soleil show set for Wednesday, November 16th got canceled and moved to only being on Tuesday the 15th (my review of the Eugene MJ Cirque show here). “Yay! I could hit Chali’2 solo show!” In fact, had the Cirque tickets not been so much, I would have bailed and gone to see Chali anyhow…
What makes Chali so good? Well, check out the video for “Step Yo Game Up”…
There was a DJ I didn’t catch the name of as an opener, and then tour opener MTHDS went on late (10pm or so). They were good and got the smallish WOW Hall crowd warmed up. I was worried that the crowd for Chali 2Na would stay low, but I guess a lot of people were downstairs during the earlier sets as the floor got a little more packed during Chali’s show…
more photos below
Chali hit the stage around 11:15pm with his live band the House of Vibe. They were a three-piece rock format with “Brew” on keys and vocals… there was also a drummer and bassist (didn’t get their names). It was a fresh take to see a live band with a rapper… most times I’ve seen rap in a live setting, it’s been to DAT or a DJ.
Setlist: the first hour…
- Unknown
- “Mister DJ”
- Comin’ Thru
- Don’t Stop
- F.O.W. (Fish Outta Water)
- International
- Guns Up
- Welcome to the Fish Market
- Freedom [Jurassic 5]
- Quality Control [J5] w/ MJ “I Want You Back” & “I’ll Be There” (snippets)
- What’s Golden [J5]
- Step Yo’ Game Up
- Righteous Way
- …
I bailed around 12:20am… caught about an hour of Chali’2 set. Great show, wish it would have started earlier – especially for a Wednesday night. I loved that he threw in a few Jurassic 5 tunes. Keyboardist “Brew” sang a few Michael Jackson ditties in the middle of J5’s “Quality Control”… the crowd ate it up!
The Appropriate Linkage:
- Chali 2Na’s Site
- Chali 2Na’s Social Media Links (see below)



- MTHDS’ Site / Facebook / MySpace / Twitter
- House of Vibe’s Site / Facebook / MySpace / Twitter
- WOW Hall’s Site / Facebook / Twitter
Check out more tour dates on Chali’s site HERE.
Next show for me… Over the Rhine @ the Aladdin Theater in Portland tonight (11/17).
~Dan – np: Causing A Tiger – How We Held Our Post

CHALI 2NA PHOTOS
all pictures (cc) 2011 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
REVIEW: Cirque du Soleil’s Michael Jackson: The Immortal @ Matt Arena (Eugene, OR – 11/15/11)
I love shows by Cirque du Soleil. I also dig some Michael Jackson’s music. A perfect combination?
The short of it: No, not a perfect combination in my opinion.
The stage set-up, lights and costumes, dancers, live band mixed with Michael Jackson vocal tracks was TOP NOTCH.
The usual acrobatics from a Cirque du Soleil show were a bit toned down. Well, more than a bit… A LOT. The intro spray can skit was great, the few aerial artists were awesome, the pole dancer was awesome (but seemingly out-of-place), and the dancing overall was awesome. One of the dancers was one-legged… wild stuff.
But… I don’t think people tend to go to Cirque shows for “dancing.”
They played a great mix of MJ’s music. The live band was top notch, though sometimes a bit over the top with the crazy rocking (it just seemed out-of-place).
My bottom line opinion: I had fun, but I think if you’re a Michael Jackson fan and have some money to blow… go for it. If you’re more of a Cirque fan, I’d recommend saving your money for one of their other terrific shows. For me, it was more of a “price tag” thing. With that being said, I understand the price tag based on the number of people & sets involved. I just don’t think the pay-off was up to past Cirque experiences.
REVIEW: A 3-day string of shows with Peter Mulvey (Eugene & Corvallis, OR – 11/10 to 11/12/11)
Peter Mulvey takes the craft of American singer-songwriter out of the humdrum of a “guy and three chords on a guitar” into the realm of oft-comedic-oft-sentimental storytelling mixed in with the grit of the road and the shine of fine silver in your grandmother’s dining room. He plays Tom Waits with humility and charm, and he plays perfectly ear-worm inducing folk-pop originals. He plays show tunes, rock covers, and Michael Hedges-executed instrumentals. His music gets stuck in your head, and for me, any time I hear of new music from him, I get it without question. I also try to see him whenever I can… which brings me to recount the past three days of fantastic music.
from the house concert, 11/11/11
more photos at the bottom
Three Peter Mulvey concerts, three unique experiences. First up, an interview with Peter Mulvey on KLCC Living Large (stream it here). He talks about his tentative new standards album (tentatively called “Pocket Diamonds“) and played a few new songs in the studio.
The first of three shows was at Sam Bond’s Garage in Eugene on Thursday, November 10th. The opener was local musician Michael Conley. He played a shortish 25 minute set, but I was impressed with his songs… he fit in really well with fans of Peter Mulvey and Jeffrey Foucault. Good guitar work. Gritty songs, yet with a pop edge.
Peter came on at 9:45 and started off with a normal closing song for him, “Sad, Sad, Sad, Sad (And Far Away From Home).” As expected, Peter’s set was a great mix of originals and covers. Despite the large amount of covers that he plays, he really puts his own mark on them. He also pulls songs out that are classics or memorable favorites but not in the forefront of one’s memory. A favorite from the night was his take on U2’s “The Fly“…
Eugene 11/10 Setlist: ~80 minutes
- Sad, Sad, Sad, Sad (and Far Away From Home)
- Are You Sure? [Willie Nelson]
- Old Simon Stimson
- “The Rain Comes Down” [new PM song]
- The Knuckleball Suite
- Two Janes [Los Lobos]
- Come All Ye Fair And Tender Ladies [Maybelle Carter]
- Some People
- Lonely at the Top [Randy Newman]
Black Rabbit- What Else Was It? [new PM song]
- Lord I Have Made You a Place in My Heart [Greg Brown]
- The Dreams
- Blackbird [The Beatles]
- Charlie
- The Fly [U2]
- Kids In The Square
- Encore: The Book of Love [The Magnetic Fields]
Peter is usually good with a few one-liners or jokes. Some favorites from the Sam Bond’s gig:
“Freedom should be fried.”
“I had a banjo once, and then someone broke into my car… and they left 12 more banjos.“
SO, how do you make a concert experience better? You invite the musician to your house (or a friend’s house in this instance) and have him play in a living room for 35-40 of your friends.
Well, that’s what we did on Friday, November 11th… we invited Peter to play at a friend’s farm in Creswell (near Eugene). He played two fantastic sets, with only a little bit of overlap from the night before. There was much fantastic music, fantastic food (a HUGE vegetarian smorgasbord thanks to host Jenny!), vegan cupcakes (yay Divine Cupcake!), great craft beer and homebrew beers and sodas, and great discussion!
House Show 11/11 Setlist: two 45-minute sets
- Set1 ~ You Meet the Nicest People in Your Dreams [Fats Waller]
- “shout the battle cry of freedom” [public domain w/ Beatles instrumental tag at end]
- Kids In The Square
- Windshield
- Pearl Handled Pistol [Jeffrey Foucault]
- The Knuckleball Suite
- Shirt
- What Else Was It? [new PM song]
- …Plus The Many Inevitable Fragments / Dynamite Bill
Set2 ~ Black Rabbit- Charlie
- The Trouble With Poets
- Trempealeau [new from 2010, not recorded yet]
- Jockey Full of Bourbon [Tom Waits]
- “The Rain Comes Down” [new PM song]
- The Healthfood Girl [new PM song]
- Sad, Sad, Sad, Sad (and Far Away From Home)
No Encore
I bought tickets to the Corvallis show (Saturday, November 12th) before I even knew about the Sam Bond’s show and before I could organize the house show. Was I going to go? Um… duh!
This was my first time to the Majestic Theatre in downtown Corvallis. It was a gorgeously remodeled theater, and it looks like they’re ramping up to have a lot more exciting things going on (if you’re local, friend them on Facebook or sign up for their newsletter).
We had a wonderful dinner at Del Alma then dodged the rain to catch the opener Joe Von Appen. I had only seen a YouTube clip of him prior, and it didn’t grab my interest. Well, I’m glad I showed up for his set. He was a mix of thinker/agitator/comedian/one-man freak show. He was thought provoking, humorous, and frighteningly exciting and entrancing. He is from Portland, and I hope he makes his way down south sometime again. He was highly entertaining!
Peter hit the stage at 8:45 and played his longest set of the weekend. Some repeats (hey, we like re-Petes) and tons of untouched music in the three-day run. He did one of my favorite spoken word pieces from Letters From A Flying Machine – “Vlad the Astrophysicist.”
A new Mulvey tune “The Cardinal” made its first appearance for me. It was a touching tune that came along with a seemingly non sequitur story about a squirrel getting into a large batch of THC butter. Another favorite song he played was a Joe Henry cover… “Richard Pryor Addresses a Tearful Nation“… I think I’ve heard Peter play this before. Prior to this, though, I was only familiar with Joe’s producer/mixer work (he does a LOT, specifically Over the Rhine’s latest album that I’m currently listening to in advance of their gig this coming week – The Long Surrender).
Peter also busted out not one, not two, but three Tom Waits tunes – the last one as the encore, sung off-mic. He has a side gig in The LPs, and they play Tom Waits’ Rain Dogs front to back! I’d LOVE to see that gig…
Corvallis 11/12 Setlist: ~1 hour 40 min
- Kids In The Square
- “man I’m broke and I’ve got nowhere to go” [Mississippi John Hurt, unidentified title]
- Black Rabbit
- Oh What A Beautiful Morning [Rodgers & Hammerstein Oklahoma! teaser]
- The Dreams
- Charlie
- Shirt
- “The Rain Comes Down” [new PM song, guess on title]
Richard Pryor Addresses a Tearful Nation [Joe Henry]- Girl in the Hi-Tops
- Old Simon Stimson
- Jockey Full of Bourbon [Tom Waits]
- Hang Down Your Head [Tom Waits]
- The Cardinal [new song]
- What Else Was It? [new song]
- Some People
- Vlad The Astrophysicist
- Mailman
- Sad, Sad, Sad, Sad (and Far Away From Home)
- Encore: Goodnight Irene [off-mic] [Tom Waits]
Some gems of info… Peter was once in an all-rollerskate version of Oklahoma! Also, apparently, scientists have a difficult time showing THC toxicity in small animals. A new expression Peter uttered… “the nickel of espresso dropped.” (explaining when the caffeine kicks in). I dig it!
Peter has a new guitar duets CD out now, Nine Days Wonder, with long-time collaborator David “Goody” Goodrich.
It’s a fantastic record (click the image to the right for samples) – though it’s not really indicative of his live show. Based on the amount of new material he played this weekend (five songs not on a PM record yet), it looks like he has a good start on a new studio record. Here’s hoping!
In the meantime, check him out on Facebook, iTunes/Amazon, YouTube, etc… and go see him live if you get a chance. He plays upwards of 120 live gigs a year all over the US (and sometimes in Europe, too).
I can guarantee you’ll like him (I’ve yet to hear someone who doesn’t love him when I drag them along to shows). :)
The Appropriate Linkage:
- Peter Mulvey’s Site
- Peter Mulvey’s Social Media Links (see below)



- My Other Related Reviews~
- Mulvey & Foucault @ Sam Bond’s Garage (Eugene – Oct 2010)
- Mulvey & Foucault @ The Woods (Portland – Oct 2010)
- Peter Mulvey Double-Weekend (Eugene & Portland – Oct 2009)
- Michael Conley’s MySpace (Eugene opener, sorry couldn’t find a non-MySp site)
- Joe Von Appen’s MySpace (Corvallis opener, sorry couldn’t find a non-MySp site)
- KLCC Living Large interview with Peter from 11/10/11
- Sam Bond’s Garage Site / Facebook
- The Majestic Theatre’s Site / Facebook
Next shows for me… Cirque du Soliel presents Michael Jackson: The Immortal (Eugene 11/15), rapper Chali 2Na (Eugene 11/16) and the Americana duo Over the Rhine (Portland 1/17).
~Dan – np: Over the Rhine – The Long Surrender

PETER MULVEY PHOTOS 11/10 to 11/12/2011
MBD (Portland 11/6) photos posted…
photos now posted from My Brightest Diamond’s show at Mississippi Studios (Portland, OR) on Sunday, November 6th…
https://pacificlectic.com/2011/11/07/mbd-pdx2011/
~Dan
REVIEW: My Brightest Diamond @ Mississippi Studios (Portland, OR – 11/6/11)
FYI… PHOTOS of the SHOW at the BOTTOM

I can’t go on enough about how much I love My Brightest Diamond and how much I love her newest album, All Things Will Unwind. She hasn’t planned a full tour under this record (yet), but when I saw she was playing a couple one-offs in Seattle and Portland, I jumped out of my chair.
While hitting both shows in a scenario like this isn’t uncommon for me, I showed some restraint and only hit the Portland show…

The opener, Netherfriends, is currently in Portland this week for a “residency” of sorts. Several shows at the Mississippi Studios and two DJ sets (one at Aalto Lounge and one at Beech Street Parlour). He was a veritable one-man rockfolktronic wrecking crew. After his first song, I wasn’t sure what to expect… he powered through some technical difficulties and ripped through 35-40 minutes of fun energy.

Very danceable, very off-kilter, a little spastic, but grounded in melody. Sort of like Holy Fuck, if they were a one-man band. Beatboxing, electronic drums, loops, Harry Nilsson covers (see below).
What’s more to love? Check him out (free downloads here)!

Since it was billed as a “Shara Worden solo show,” I expected a more stripped down My Brightest Diamond set. Oh, was a wrong… she came out initially in costume (mask, fabric bubbles on her shirt) and danced along to a pre-recorded instrumental number, then immediately took off her mask and started in with the lead-off track, “We Added It Up.” She donned the mask again for “Be Brave“…

She mixed up the set a bit with ukulele, keyboards, pre-recorded drums and strings, acoustic guitar, rockin’ electric guitar, mbira (below), and a hand-held harp-like instrument.

Setlist: just over an hour
- Instrumental #1 with dance
- We Added It Up
- Everything is in Line
- Golden Star
- Escape Routes
- Instrumental #2 with dance
- Be Brave
- She Does Not Brave the War
- There’s a Rat
- High Low Middle
- Apples
- Feeling Good [Leslie Bricusse & Anthony Newley]
- I Have Never Loved Someone [for her son]
- Inside A Boy
- Encore: Be My Husband [Nina Simone]

My favorite songs of the night were “Be Brave” and “Inside A Boy,” but honestly, I enjoyed it all intently. Even the almost-too-cutesy-for-me “There’s a Rat” was brought to new heights for me with Shara’s adorable story about her rehabbing her “fixer-upper” that she and her husband recently bought in Detroit.



more photos below
I hope she does a bigger/longer tour for the record… but if she doesn’t Portlanders & Seattlites can count themselves blessed.
The Appropriate Linkage:
- My Brightest Diamond’s Website
- MBD’s record label: Asthmatic Kitty
- MBD music video compendium (non-exhaustive, but pretty chock full)
- My Brightest Diamond’s Social Media Links (see below)




- Netherfriends’ Bandcamp Site (tons of free downloads)
- Netherfriends’ Blog / Facebook / MySpace / Twitter
- My Other Related Reviews & Links~
- MusicNow Fest 2007 (Cincinnati – April 2007)
- WOW Hall (Eugene – Nov 2008)
- Face Time with John Norris 2011 (20 minute interview video)
- Mississippi Studios’ Site / Facebook / Twitter
Next show for me… Puscifer tonight (11/7) in Seattle, then a three-day run by Peter Mulvey (11/10 @ Sam Bonds in Eugene, 11/11 @ private house concert in Creswell, 11/12 @ Majestic in Corvallis).
~Dan – Peter Mulvey & David Goodrich – Nine Days Wonder

MY BRIGHTEST DIAMOND (SHARA WORDEN)
& THE NETHERFRIENDS PHOTOS
all pictures (cc) 2011 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
PHOTOS: Chris Chandler & Paul Benoit @ Sam Bond’s (Eugene, OR – 11/5/11)
Remember, remember, the 5th of November…
Poet Chris Chandler and guitarist Paul Benoit played a free show at Sam Bond’s Garage in Eugene last night before their late night show at the Axe & Fiddle in Cottage Grove. I first heard Chris & Paul at Oregon Country Fair 2011, and I loved what I heard. Paul’s band creates a great backdrop for Chris’s thoughtful, irreverent, insightful and inciting words.
CHRIS CHANDLER & PAUL BENOIT PHOTOS
all pictures (cc) 2011 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
“freedom is thanking a god that you don’t believe in…“
“freedom is giving credit to the spacebar as one of the letters in the alphabet…“
The Appropriate Linkage:
- Chris Chandler’s Site
- Paul Benoit’s Site
- Sam Bond’s Garage’s Site / Facebook
Next shows for me… My Brightest Diamond at Mississippi Studios (11/6) & Puscifer at Paramount (11/7).
~Dan – np: Ben Folds – The Best Imitation of Myself: A Retrospective

PHOTOS: Jason Webley & Mood Area 52 @ WOW Hall (Eugene, OR – 10/31/11)
Fantastically fun Halloween show by Mood Area 52 and Jason Webley at Eugene’s WOW Hall. Tons of accordion, sing-a-longs, baby carrots, leaves, water bottle shakers, giant balloons (even one Jason got about waist-deep into until it popped), and great music. Jason last show (for a while) is 11/11/11 at the Moore Theatre in Seattle… go if you are able!
MOOD AREA 52 & JASON WEBLEY PHOTOS
all pictures (cc) 2011 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
The Appropriate Linkage:
- Jason Webley’s Site
- Jason Webley’s Social Media Links (see below)



- Mood Area 52’s Site
- Mood Area 52‘s Facebook / MySpace
- My Other Related Posts~
- Webley @ Eugene Celebration (Eugene – Aug 2010)
- Mood Area 52 & Raquy and the Cavemen @ Joe’s (Eugene – Sept 2009)
- WOW Hall’s Site / Facebook / Twitter
Next shows for me… Chris Chandler at Sam Bond’s (11/5), My Brightest Diamond at Mississippi Studios (11/6) & Puscifer at Paramount (11/7).
REVIEW: Pomplamoose @ Doug Fir (Portland, OR – 10/27/11)
FYI… PHOTOS of the SHOW at the BOTTOM

I first heard Pomplamoose with their cover of the Lady Gaga/Beyonce tune “Telephone” and their video song concept: (1) what you see is what you hear (no lip-syncing for instruments or voice), and (2) if you hear it, at some point you see it (no hidden sounds):
Pomplamoose kept coming out with more and more clever video songs… that video alone is at 7.8 million views as of 10/31/11 (69 million total views on their channel!). The creativity from Nataly and Jack made me fall in love with their music – whether covers or originals. They each have their own YouTube channels (Nataly’s / Jack’s) and there’s also a Nataly side project with Lauren O’Connell called My Terrible Friend. Yes, they’re busy people. Go check them all out, you won’t be disappointed.
On to the show…

The opener was Louis and Genevieve…

They played about a half hour of electronic pop. A nice core sound, but it was difficult to hear the depth in the songs during the show. I think L&G’s music is superb based on some videos they’ve posted on their YouTube channel. I hate being negative, because hell if I could go up there and do what they’re doing… but I think their live show needed work… all said and done, they were a good warm-up act.

Pomplamoose came on and kicked right into their cover tune hit “Telephone”… and as expected, they were full of energy. I honestly don’t know how Jack keeps up the energy, but he was pounding away on keys all night. They had a full band; so Jack didn’t cover drum duties except for one song later in the set. Both Nataly & Jack looked like they were truly having fun… they were playful, smiling, and even giddy when microphone cables got tangled in chairs or when they had cellphone reception issues with the monitors.

As expected, they played a great mix of covers and originals. Since Pomplamoose is ubiquitous with YouTube, for songs below with a YouTube Video Song, click the “YT” link below. This is a rare show where it’s truly difficult to pick some favorite songs from the set. If I had to pick favorites, Telephone, Mr Sandman, River Shiver, and Bust Your Knee Caps would rise to the top, but in all seriousness – it’s hard to separate the creme de la creme. The sold out Doug Fir Lounge crowd got a full set of glorious pop…
Setlist: ~1.5 to 2 hours
- Telephone [Lady Gaga feat. Beyonce] {YT}
- Hey, It’s Pomplamoose
- Expiration Date {YT}
- If You Think You Need Some Lovin’ {YT}
- Hail Mary {YT}
- Twice as Nice [with drum solo] {YT}
- Beat the Horse {YT}
- Makin’ Out [Mark Owen] {YT}
- Nature Boy [Eden Ahbez] {YT}
- Be Still {YT}
- Jam
- Mister Sandman [The Chordettes] {YT}
- Things We Like In Hats
- Things We Like In Hats
- Things We Like In Hats [yes, they played it THREE times in a row]
- Bust Your Knee Caps {YT}
- River Shiver {YT}
- Achin’ Heart {YT}
- Single Ladies (Put a Ring on It) [Beyoncé] {YT}
- September [Earth, Wind & Fire] {YT}
- Encore: Goodnight Song
- Sexy Time [goofing around, impromptu song]
- Centrifuge {YT}
The band had a special the album you bought at our show (thanks for that) CD that I picked up. As far as those not lucky enough to catch their brief tour, you can find their video songs on the YouTube links above (I’d recommend subscribing to their channel). You can also get their music via Amazon, iTunes or other e-tailers…
Their tour was very limited (Los Angeles, Santa Barbara, Seattle, Portland & San Francisco), but hopefully they’ll head out again soon.



many more photos below
The Appropriate Linkage:
- Pomplamoose’s Site
- Pomplamoose’s Social Media Links (see below)




- Louis and Genevieve’s Site
- Louis and Genevieve‘s Facebook / Twitter / YouTube
- Doug Fir Lounge’s Site / Facebook / Twitter
Next show for me… Jason Webley & Mood Area 52 at WOW Hall (Eugene) tonight/Halloween…
~Dan – np: U2 – The Joshua Tree

POMPLAMOOSE PHOTOS
all pictures (cc) 2011 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
REVIEW: John Scofield Quartet @ the Shedd (Eugene, OR – 10/26/11)
FYI… PHOTOS of the SHOW at the BOTTOM
I showed up slightly late due; so came in right after they started their second song… and I hunkered down for some great music. John Scofield Quartet features John on guitars, Michael Eckroth on piano, Ben Street on bass, and Gregory Hutchinson on drums.

The band played a mix of slower ballads and more upbeat tunes. John’s latest album, A Moment’s Peace, is slower and gentler, and the lead-off track “Simply Put” was the first tune I caught in the set – fantastic jazz balladry. The quartet then moved into some covers, “Relaxin’ at Camarillo” (Charlie Parker) and “I Will” (the Beatles). I didn’t catch the name of the tune right after “I Will,” but it was SMOKIN’…

Other songs I caught during the Quartet’s long set were “My Foolish Heart,” “Hackensack” (Thelonious Monk), and “Green Tea.” John is a phenomenal guitarist. The show was a bit more reserved than I was going in expecting (compared to his work with Medeski Scofield Martin & Wood), but it was a treat to watch a master at work. They wrap up their mini-West Coast tour this weekend at Dimitriou’s Jazz Alley in Seattle.

more photos below
The Appropriate Linkage:
- John Scofield’s Site
- John Scofield’s Social Media Links (see below)


- The Shedd’s Site / Facebook / Twitter
~Dan – np: Under Byen – Samme Stof Som Stof

JOHN SCOFIELD QUARTET PHOTOS
all pictures (cc) 2011 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
Pomplamoose in Portland (photos by the weekend)
Brilliant show by Pomplamoose last night at the Doug Fir Lounge in Portland, Oregon…

Busy week for me at work; so look for the Pomplamoose (Portland) and the John Scofield Quartet (Eugene) photos and a reviews by the weekend.
Cheers!
~Dan

































































































































































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