Archive
Jude’s Cuba CD
It is now officially available from CD Baby…
http://cdbaby.com/cd/jude4

1 Cuba
2 Beautiful Bleached-Out Blonde
3 The Rider Comes
4 The Rider Comes 2
5 In The Country
6 Everybody Party On the Dance Floor
7 Helmut Dance
8 One of These Days
9 Outside My Window
10 Prima Ballerina
11 G-Blues
12 My Bonnie
Yes, honey*, I got the Gaiananda Band‘s Live CD, too…
~Dan
*- No, Steve K., I’m not referring to you as honey… this time…
Ani DiFranco – Red Letter Year (9/30/08)
This just in from Righteous Babe Records…

Ani’s last album was released in 2006, which kinda feels like a decade ago, given her tendency to spoil us with an album (or two) a year. But never fear, DiFrancolytes, for a brand new Ani record will be released on September 30, 2008.
It’s called Red Letter Year, and it’s more than worth the wait. These 12 songs have benefited from a couple years of tender loving care, under the watchful eye of Ani and her co-producer/partner Mike Napolitano. And if you’ve caught an Ani show recently, chances are you’ve been treated to a couple of ’em. This is focused, layered, joyful music, starring the Little Folksinger, her inventive three-piece band and a cavalcade of guest musicians.
“I feel like I’m back again,” Ani shares. “I’m out in the world and back in my happy self, ready to have a party.
“Come September, she’ll be passing out the ultimate party favor: Red Letter Year.
Be on the look out for updates concerning the new release, such as new tracks, photos, and videos, all to be posted right here and on the rest of the interweb over the next few weeks.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Now she’s at 9.38 months between CD releases (and 6.62 months between releases if you count the “official bootlegs”). Yep… she’s prolific (and I’m an accountant). :)
Well, it’s off on “vacation” for me… have fun. I won’t be posting until probably Sunday the 27th, and that’s only if there’s some cool music news…
Glen Phillips & Jonatha Brooke
Glen Phillips (of Toad the Wet Sprocket) and Jonatha Brooke (of The Story) are going out on the road together this fall.
I’ve seen Glen a multitudinous amount of times, and it’s ALWAYS a treat. My latest outing of his was reviewed here (2/21/08 WOW Hall, Eugene-OR). I saw Jonatha Brooke back in April 2001 (I love Plumb and 10 Cent Wings). It was with a girl who I eventually married, and while Jonatha didn’t start anything with our relationship – – her show was a good excuse for a date with this cute girl I had recently met.


Anyway, as luck would have it, they’re playing the fabulous Aladdin Theater in SE Portland on Thursday, November 6th. I saw Jude there last month. I’m up in PDX for work that week (tentatively); so it’s shaping up to be a good concert week (Ozomatli & Chali 2Na are at Crystal Ballroom the next day, Friday the 7th).
Glen Phillips & Jonatha Brooke Tour Dates (so far per Pollstar)
10/16/08 Boston, MA – Wilbur Theatre
10/17/08 Philadelphia, PA – World Cafe Live
10/18/08 NYC – The Concert Hall
10/19/08 Fairfield, CT – FTC Stage One
11/02/08 Alexandria, VA – Birchmere
11/06/08 Portland, OR – Aladdin Theater
11/09/08 San Francisco, CA – Slim’s
11/12/08 Los Angeles, CA – Largo
11/13/08 Agoura Hills, CA – Canyon Club
11/14/08 San Diego, CA – Anthology
12/02/08 Milwaukee, WI – Turner Hall Ballroom
12/03/08 Madison, WI – Majestic Theatre
REVIEW: Bill Mallonee of the Vigilantes of Love @ Cozmic Pizza (Eugene, OR – – 7/14/08)
I showed up just as the opener, The Old Believers, was going on. Their first few songs were just a girl-n-guy folk thing. Later they added two friends (one on keys, one on bass). They branched out into a very fun, very catchy quirky folk ensemble. Great for fans of Sufjan Stevens or Daniel Smith (ie- Danielson Familie). They played right around 30-40 minutes. I gave all of my remaining cash to Bill Mallonee/Muriah Rose; otherwise I’d have picked up one of their CDs. Anyway, The Old Believers… GREAT STUFF. Formerly from Alaska, currently from Portland, OR. Check ’em out on MySpace… The Old Believers (not just Old Believers).
Bill Mallonee and his wife Muriah Rose came on around 10pm… and they played for about an hour (which was a good amount for a Monday night). This was my 9th time seeing Bill (sometimes with a band, Vigilantes of Love, sometimes solo, and sometimes as a solo artist with a band – not VOL). I’d primarily seen him in the Midwest (OH, KY, IL, IN). Probably my favorite time seeing him was on the 1999 Audible Sigh tour with Kenny Hutson on slide guitar and Jake Bradley on bass (and some fuzzy dude on drums, I’m forgetting his name). Anyway, last night’s show, while way stripped down, had a really good intimate feel. This is probably due to it being my first time seeing him with his wife play with him (she sang backing vocals and played keyboard). They had good chemistry, and they played a great mix of songs.

Oh, for any VOL-heads, there’s now a 4th version of Audible Sigh :) I didn’t pick it up, as I think I had everything from it (Room Despair -EP- plus demos from the AS sessions & maybe some live from the era). He sure knows how to milk that record, but at least it’s one of my fav Bill/VOL albums (along with Blister Soul, Welcome to Struggleville & Slow Dark Train). Heck, I have three different versions of the Audible Sigh album on my CD rack. :).
The setlist: (about an hour of tunes)
- Solar System (*great tune*)
- Goes Without Saying
- High and Lonesome
- Nothing Like a Train
- Bottoming Out
- Skin (**my fav of the night**)
- Bank (“unintentionally acoustic” after amp blew out unexpectedly… Bill came down into the crowd to finish the song off)
- Resplendent (*great tune*)
- Flowers
My only disappointment for the night? They didn’t play “Bearin’ the Load.” ;).
Well, great show. I hope he can make it back to Oregon again (from his home of Georgia). I won’t hold it against him if he doesn’t. That’s a lot of gas money. I’ll be grateful if he does make it back, though.
The Appropriate Linkage:
- http://www.myspace.com/billmallonee
- http://www.billmallonee.net/
- http://www.myspace.com/oldbelievers
- http://www.oldbelieversmusic.com/
- http://www.cozmicpizza.com/
Taking dead aim at preachers…
Katie Reider (1978-2008)
Katie Reider was a great lyrical and vocal talent in Cincinnati. I got into her back in 1998 or so… shortly after Wonder came out. While living in Cincinnati, I got a chance to see Katie many, many times… opening for other bands, playing her own shows at York Street Cafe, JoBeth bookstore, et cetera. I felt as if I knew her as a person (though I really didn’t). I guess that stems from the fact that she was a very open person, on stage and talking with her audience before or after a show. Her band was also great – the playing from Dave Eberhardt, Josh Seurkamp, and her brother Robbie (who played with her earlier on) melded her singer-songwriter songs into a very cohesive group effort.

In 2006, Katie Reider developed a tumor in her upper left jaw that progressed into her sinus, skull base and left eye orbit. Over the course of one year, the rare facial tumor took away her sight in one eye, her voice and most importantly, her ability to perform. We last saw her last summer at the Taste of Cincinnati festival. She appeared in good spirits, normal looking, but was much skinnier from some of the tests early on in her treatment.
She had moved to New York to be closer to specialist who could treat her. I didn’t know the severity of her condition until earlier this year, they posted pictures of her deterioration to the 500Kin365 MySpace page. It saddened me greatly then, but it seemed as if progress was being made (specifically this post on July 1st, 2008). As of a post Monday morning on her family’s health blog, Katie Reider’s fight with the tumor came to an end at 7am on Monday, July 14th.
This is something that saddens me deeply (I’ve had to pause and cry several times while typing this). Some artists I have seen or followed musically who have passed on impacted me deeply (Elliott Smith’s passing hit me like a ton of bricks). Katie Reider is not an exception to this deep impact on me. She was a jewel in the rough in the onslaught of many mediocre singer-songwriters. She was a genuine person trying to bring her joy to others around her. She was a wounded body, stricken by something that medicine doesn’t know how to take care of yet.
I don’t know if there’s an afterlife. I don’t think words do any justice along those lines. If anything, I’m just glad that she’s finally at rest. I just hope that she knew that she was and is a joy in many peoples’ lives. I thank her for her impact on my life. She made good music that made me happy to have open ears and a youthful vigor to see live music in my hometown. I wish for her family and friends the peace that she’s finally done with the pain.

If you feel moved, you can help support her young family with a donation here:
http://www.500kin365.org/
I have nothing else to add but my gratitude.
~Dan
pulling hrabbits out of hrats
No, this isn’t about magicians pulling rabbits out of hats… or scientists (pulling habits out of rats?). This post is all about Mr. George Hrab (aka “Geo”).

I found Geo’s podcast last October. It quickly shot up to being one of my favorite podcasts, then I got his CDs from CDBaby (I♥CDBaby), and I loved his music even more. He’s got a love for Frank Zappa and the Talking Heads, interesting fauna, science, skepticism (of woo-woo and other things), big band arrangements, great drumming, humor in music, seriousness in music, constant learning / teaching (reading through his liners, that’s apparent), and maintaining all around professionalism as a musician. He has his own music plus he drums (& conducts the bidness end of things) for the Philadelphia Funk Authority.
Anyway, via his podcasts, he puts out about an album’s worth of comedy & rockin’ gold every week… for free. Every Thursday morning, it’s on my “must listen now” rotation, no matter how big my backlog of other podcasts may be.
Geo’s Podcast RSS:

Geo’s Podcast on iTunes (FYI… podcasts are free):

Geo’s also a big dork. I say that in the good way. He recently wrapped up his “Occasional Songs for the Periodic Table” songs… 118 elements… 75 minutes (or so). Some great stuff… the songs / the lyrics
His CDs are great… and his packaging on them is superb. He puts a lot of thought into the unique way that he packages each one. From the sprawling art of Minutæ, the tin case and prescription look and feel of Vitriol, the textbook / field study guide arrangement of Coelacanth, and the sleek dualism of Interrobang?!.
A clever, Brady Bunch-ish video for “The Assumption” from Interrobang?! “The Assumption” is sort of indicative of his pop music side, but he also gets funky, rocky, proggy, instrumental and vocal songs, et cetera on his records.
Sample some of his other songs on iTunes or CDBaby (samples in both venues). Some of my favs from each album…
[sic] (1996) “[sic]” (#10)
Minutiæ (1999) “Minutiæ (Sheer Brick AM)” (#12)
Vitriol (2001) “Monkey Hip Dysplasia” (#1)
Coelacanth (2003) “The Coelacanth Sighs” (#8 )
Interrobang?! (2006) “Who Dogs the Outlet” (#12)
His book, called Non-Coloring Book, is compiled from blog posts, podcast bits, and additional new material is also quite funny. I got it on Lulu.com via the PDF version for only $3.95. It’s also available as a physical book (for slightly more).
Anyway, this is my “I love George Hrab” post. Soon, you’ll write your own “I love George Hrab” post, I’m sure.
http://www.geologicrecords.net/ (his record company)
http://www.geologicpodcast.com/ (his podcast)
http://www.georgehrab.com/ (his blog)
http://www.phillyfunk.com/ (his funk band)
Jude’s Cuba
Jude Christodal just updated his blog with this entry:
(snippet from his blog)
The Cuba cd is being pressed.
Somehow I thought it had reached this phase when he mentioned it at his recent show in Portland – – alas, at least it’s now off to “the pressers.”
~Dan – np: John Coltrane – Live at the Village Vanguard (1961)

REVIEW: JUDE Christodal @ Aladdin Theater (Portland, OR – – 6/6/08)
FYI… PHOTOS of the SHOW at the BOTTOM
Before I begin… any tapers at the PDX show? If so, email me.
OK, well, I try to see Jude Christodal every time he comes by. Trouble is… the last time I saw him was at the Ryman Auditorium in Nashville, TN, around Memorial Day in 1999. That was, in fact, the first time I saw him, too. He was opening up for Ben Folds Five… and he blew me away (just as BFF did), and I went to Best Buy and bought his Maverick debut, No One Is Really Beautiful, the very next day.

Anyway, he’s now pretty much 100% independent in the U.S. (and on Naïve Records in France). Being from L.A. and on a French record label, he seems to either only tour the West Coast or France. He also writes for TV shows and whatnot… you, all, and everybody may have heard his song on LOST (the… um… pretty bad “poppy rock song” by the hobbit’s band) and his song on the City of Angels soundtrack (“I Do”)…
“You All Everybody” ain’t his normal fare, mind you. His normal fare is oft-dramatic, oft-comedic, oft-falsetto, oft-witty, oft-poetic singer-songwriter extraordinaire. He’s on the short list* of acoustic singer-songwriters who’ve broken through this metal heart… in short, Jude rocks. If you haven’t heard him, you’re doing yourself an injustice, IMO.
*-others on the singer-songwriter shortlist: Elliott Smith, Peter Mulvey, Glen Phillips, Sufjan Stevens,… and some Cincinnati locals like Ash, Ryan, Jason, Kim, Kelly…
Living in the Midwest up until last fall, I didn’t get a chance to see him again… until last night. I made the ~2 hour drive up to Portland from Eugene last night to the lovely Aladdin Theater (SE side of PDX). It’s a quaint old movie or play house… old, but still cute… not in total disrepair like many of these types of venues I’ve witnessed. Great concessions, too… goat cheese, mushroom & sundried tomato pizza and Fat Tire Amber, Deschutes Mirror Pond & Pyramid heff on tap (score!).
The opener, Ryan Andrew (from Castella), was good. He didn’t get warmed up himself until about the third song. Good voice and interesting songs. He played about 30 minutes, which consisted of:
- I Ain’t Comin’ Home Tonight
- It Hurts Like Hell
- The Only One (fav of set)
- When She’s Gone (guessing on name)
- Wonderwall (great version of Oasis tune… another fav of the set)
- The First Time
JUDE came on just after 9pm, and played with basically no break until about 11:15 and then came back out for a 4 song encore, wrapping up around 11:30… two and a half hours of quality Jude…
One of the funniest things (and there were many) was a girl named Molly brought up a sequined duck to the stage as a gift for Jude. “The prettiest thing a stripper ever owned,” gasped Jude. Then he quickly back-peddled, as to not seem unappreciative. “I mean at some point the dresses don’t fit anymore… I’m gonna sequin ducks.” He even serenaded it with a song later in the night (see pics below).
The crowd was very lively / rowdy / talkative / chatty / request-y. Jude fulfilled most of the requests. Some, though, he just couldn’t remember (his own “Charlie” and the chords to Gnarls Barkley’s “Crazy“). He played over 30 songs, 2.5 hours, great concert all around. He also had many crowd interactive sing-a-longs. The best was the “drunk singing choir” for “Everything’s Alright.” It was hilarious… because it was true.
“The Minnesota people” were a bit too loud, but eh… it was all fun.
Oh, and Jude mentioned that the long-promised Cuba CD is on its way. Finally!! Apparently, it’s already done, in the can, what have you…
Here’s what he played:
- Out of L.A.
- I’m Sorry Now
- Mayfair Market
- Indian Lover (here’s where the duck was gifted)
- Break Up Song
- Run to My Room
- Rick James
- I Know (one of the best songs of the long night)
- In Between
- I Do
- Distance contest: Eastern Washington was the winner after a few disqualifications… namely Detroit (Oregon) and Minnesota (moved here from, not travel for show)
- Gay Cowboy (he wrote this before Brokeback Mountain… but check out this unofficial video)
- Prophet
- toying with “Crazy“
- Brad and Suzy
- Everything’s Alright (I Think It’s Time)
- Black Superman
- The Asshole Song
- Baby Ruth in Atlanta
- You Mama You
- Madonna (another one of the best songs of the long night)
- Love Letters / Ain’t No Sunshine (or maybe Love, Love, Love / Ain’t No Sunshine… or maybe all 3 songs…)
- Calling All Friends
- End of My Rainbow
- Cuba
- Fallen Angel (aka Fly Again)
- Money
- Your Eyes
- Encore: On the Dance Floor
- I Want a Duck (improv)
- Paper Towel
- Taking More and Giving Less
Note: I’ve got some pics from the show at the bottom of this blog post. Some of them are “artistic” (meaning: fuzzy).
Go check out his music on iTunes, Amazon… or CDBaby (you can sample songs there, too). My fav albums of his (though all are good) are Sarah (4th album, blue cover) and No One Is Really Beautiful (2nd album, greenish cover).
The appropriate linkage:
- http://www.judemusic.com/
- http://www.myspace.com/judechristodal
- http://cdbaby.com/cd/jude2
- http://www.naive.fr/
- http://www.myspace.com/ryanandrewsmusic
- http://www.officialcastellaband.com/
- http://www.aladdin-theater.com/
I’m going to the Bill Frisell & Eyvind Kang show tonight in Eugene (I’m stoked)… that’s all for now…
professional teller machine user,
~Dan
np: Various Artists – You Gan’t Boar Like an Eabla When You Work With Turkrys
![]()
JUDE CONCERT PHOTOS
all pictures (cc) 2008 Daniel Temmesfeld,
you may use freely under a creative commons attribution



(click for larger on photos below)
OK, judefuzz04 isn’t my photo… ::blush::
REVIEW: Peter Mulvey & Patty Larkin @ W.O.W. Hall (Eugene, OR – – 5/1/08)
This was my fourteenth (14th) time seeing Peter Mulvey play… and I never get tired of his great guitar style, funny story-telling, and strong-yet-unassuming voice. Last night’s show was no exception to the “never get tired” statement. He’s a treat, and I’m glad he makes it to Eugene occasionally…

* If Love Is Not Enough (complete with Hall and Oates & KC and the Sunshine Band snippets)
* Black Rabbit (aka “The Milkmaid’s Buxom Nephew“ ;-) it’s a gorgeous solo guitar piece originally on his 1992 release Brother Rabbit Speaks… see YouTube video below…)
* The Knuckleball Suite (makes my wife & I want to kick back some Sandeman Port… delish…)
* Dynamite Bill *new* (nice guitarwork and classic Mulvey low-end)
* Shirt (a personal fav)
* Mailman *new* (written for Chris Pureka who sent him a book of poems)
* Sad, Sad, Sad, Sad (and Faraway from Home) (another personal fav)
The story leading up to “Sad, Sad…” was about his experience of playing inside of a cave in West Virginia for 100 high-school science geniuses (genii?). I’d never heard that story… wild stuff. I wonder how he got that gig?
After a short break, Patty Larkin came on. I hadn’t heard her before this show.. Peter was the main reason to get a ticket. Anyway, Patty didn’t disappoint either. She’s got a great guitar style… not the usual singer-songwriter style. She knows how to play “more than just a few chords.” I don’t know any of her songs, but they were interesting, usually storytelling pieces. She played a little over an hour, and she was thoroughly enjoying. She hails from Boston, MA; but actually went to the University of Oregon (here in Eugene) for her undergrad studies. Go Ducks!
Peter Mulvey came on a played backing guitars for one of her songs, too. Oh, and she “pulled a Jónsi” later in her set… playing her guitar with a bow…

Great stuff all around…
The Appropriate Linkage:
http://www.petermulvey.com/
http://www.myspace.com/pattylarkinofficial
http://www.pattylarkin.com/
http://www.wowhall.org/
The Trouble with Puppies… is they lick too much…
~Dan – np: Jacob Fred Jazz Odyssey – Lil’ Tae Rides Again

I also found the video for “Shirt”
REVIEW: Eric John Kaiser @ Cozmic Pizza (Eugene, OR – – 1/17/08)
Well, this was my first show of 2008…
Eric John Kaiser played tonight at Cozmic Pizza. One of the best things about living in a small town is that we can catch an early show (7pm), have a wonderful meal (pesto, artichoke, garlic, vegan-cheese & kalamata pizza with a wonderful pint of local Ninkasi stout), and still be home by 9pm. Fuck yeah.
Anyway, I literally first heard of Eric John Kaiser {heretofore known as “EJK”} about a week ago. He sent me a potentially (but ultimately not) dreaded “friend request.” You know, those friend requests “from bands” you might like. Well, I usually give them a 4 second listen then mark them “DELTEATED.” Well, EJK’s music ended up being quite good… I’ve got a soft spot for French music (Jeanne Cherhal, Yann Tiersen… um… yeah, those two). And, whoa… he (EJK) is from Portland-OR (though born and raised in Paris-FR). And he was playing Cozmic Pizza in literally a week.
Well, I literally went to the show. And it was literally good. Literally.
We left at the first break (8:30pm or so), but got a good hour+ of music. he played some tunes from his CD (L’ODyssée) that I recognized… “L’animal blessé” and “Le Puzzle” (a least). He also played a french version of “Sweet Home Alabama” and a took-us-almost-all-song-to-figure-out-what-it-was version of André3000‘s “Hey Ya!” :-)
Overall a great show, great performer, and great CD (I heart CDBaby).

Next show(s): maybe UO/LCC Jazz Fest tomorrow or Saturday (if any of the artists strike my fancy)… maybe 3 Leg Torso the following Saturday… or maybe next monf’s PDX Jazz Fest (Ornette Coleman, Dave Douglas/SFJAZZ Collective, and Belà Fleck/Flecktones/Oregon Symphony Orchestra… all of which I’m mucho excitedo).
Upcoming CD(s): ah geez… the first of the 2008 Tzadik‘s have been physically conjured by the best non-for-profit (by design) record company ever… new John Zorn (Filmworks XIX: Dimitri Geller’s The Rain Horse) and Sex Mob frontman/trumpet-feasin’ Steven Bernstein‘s Diaspora Suite…

~Dan – np: The Geologic Podcast 49

REVIEW: David Bazan [Pedro the Lion] @ Indigo District (Eugene, OR – – 12/13/07)
Ah… the out-of-place statues, randomly sticky floors, quite decent beer selection and open room with a stage right by the kitchen makes the Indigo District a perplexing place. It’s got great things, weird things, bad things, and ambivalence on top of great music. I’d only been here once before, and that was for the 25th anniversary shindig for Eugene Weekly to which my wife’s boss invited us. First time for a concert… I’m sure it won’t be the last if they get artists like David Bazan coming through more often. But it is an odd place… I just can’t put my finger on why. Eh… it’s gotta be the statues.
I showed up at 8:15 or so. I thought I was going to be late (ie- halfway into the opener’s set). Apparently the artists were late getting out of San Francisco from the night before; so they weren’t on schedule. I had a pint of Deschutes’ Black Butte Porter (sidenote: “butte” is pronounced like the beginning of “beautiful”). It’s fantastic, and it travelled only 2 hours away from Bend, Oregon to get to my mouf. Anyway, as I was sipping my beer, I hear a familiar voice… it was David Bazan ordering a pitcher of Blue Moon for he and his tour mates. The bartender was doing too many things at once and started pouring a pitcher of Blue Moon, then stopped, did something else, then started filling the rest of the pitcher with Pabst Blue Ribbon. Oy! Luckily David and Co. didn’t end up with that concoction. Blech.
Before the music started, I ran into David again in the facilities. After handwashing pleasantries, I asked him if he came through Eugene often, as I just moved here from Cincinnati. To which he said that he liked to stop by here, but it was the first time at this venue. Then we had a small exchange about the Southgate House (a quaint indie rock venue in the Cincinnati area).
By this time, the opener J.Tillman was playing. He played about 45 minutes. He was quite pleasant. His voice was what I’d call smooth, yet right on the edge of raspy… but not raspy. I don’t know. I was trying to characterize it last night, but just couldn’t. I enjoyed his set… check him out on MySpace sometime…
Next up came David Bazan… who has also recorded under the monikers of Pedro the Lion (indie rock) and Headphones (electronic). Perhaps his music can be described as indie rock or electric-fuzzy singer-songwriter fare. I dig him mainly for his poignant lyrics. His lyrics are witty, against the grain, many times religious in a somewhat skeptic slant, and usually full of sarcasm or what people want to say but never do. I also love David’s down-to-earth persona. His banter via the “Q&A” breaks in the set really connect the audience to the performance… and the answers are usually funny.
He only played about an hour, as the venue had a time limit (they had dance time after the show) and David and J got off to a later start than planned. It was just David, an electric guitar and a microphone. Oh, and an amp.
Here’s the setlist:
Cigarettes and Beer
When They Really Get to Know You They Will Run
(No Name) per David [new]
Please Baby Please [new]
Transcontinental
Of Minor Prophets and Their Prostitute Wives
God Rest Ye Merry Gentlemen (with add’l Bazan lyrics)
Harmless Sparks / Fewer Moving Parts
Foregone Conclusions
Curse Your Branches [new]
(something with “look the other way” in the lyrics) I didn’t recka’nize it
Hallelujah [L.Cohen]
Great show. Short, but good nonetheless. I’m glad he still plays “Foregone Conclusions.” The 2nd verse has some of my favorite lyrics of his ever.
If’n y’all want to hear some music from this tour… the show in Asheville-NC is posted here for free download >> hardtofindafriend.blogspot.com <<
Well, that’s all for now…
~Dan – np: Rob Price Quartet – I Really Do Not See the Signal































