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Mike Patton’s Mondo Cane in SF
Wanderlusting took some fantastic photos of Mike Patton’s Mondo Cane show at San Francisco’s Hardly Strictly Bluegrass festival this past weekend… check ’em out (click the picture below for more):
Stubbadubb also posted a photo of Mr Bungle / Secret Chiefs 3 frontman Trey Spruance playing guitar with Mondo Cane. Here’s hoping Mike and Trey keep up the showing up in the same places together… :)
Also, here’s some video of the show…
I’m so jealous… wish I could have gone…
Mondo Cane – pre-order
Quick post… Mike Patton‘s Mondo Cane is now available for pre-order… due out May 4th on Ipecac.
~Dan – np: Tegan & Sara – The Con 

no free download or mp3 / flac torrent available. support music by buying it.
Mondo Cane Album Art
Expected out on Ipecac from Mike Patton… Mondo Cane now has album art:
My review and pictures from the Fishtank Ensemble house show from last night in Eugene to be posted soon…
MONDO CANE!

Reblogged from Stubbadub, a Mondo Cane news snippet from Greg Werckman (Mike Patton’s co-partner/co-founder of Ipecac Recordings):
“Got some cool upcoming releases. Just released BEAK> (a Portishead side project), releasing a DJ Rob Swift solo record in Feb, Mondo Cane, Mike Patton’s long awaited Italian pop project comes out in April, followed by new Melvins and more!
Sah-weet! It was supposed to come out in 2009, but got pushed back due to Mike’s Faith No More reunion touring. This album is gonna be excellent, 50’s Italian pop vocal goodness from Mike Patton.
~Dan – np: Nelly Furtado – Mi Plan 

Artists of the Decade – 2000s (#11 to 20)
Artists of the Decade – Honorable Mentions (1/1/2010 blog link)
- Dweezil Zappa
- Tori Amos
- Celldweller
- Iron & Wine
- King’s X
- Derek Webb
Artists of the Decade (#21 to 25) (1/1/2010 blog link)
25 ~ Ben Folds (solo)
24 ~ Peter Mulvey
23 ~ Opeth
22 ~ dredg
21 ~ Holy Fuck
And now round 2…
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20 ~ Pedro the Lion (and David Bazan solo)

Pedro the Lion released their two most powerful and poignant albums in the early 2000s (Control and Achilles Heel), then frontman David Bazan decided to disband PTL and go solo (though by the 2000s, the writing was primarily Bazan anyway with hired guns for studios and tours). Prior to his first full length solo album, he did a side project called Headphones, put out annual Christmas 7″ vinyls, and released a split electric/acoustic EP. At the end of the decade, he hit the ground running with his fantastic “breaking up with God” record, Curse Your Branches. He’s been touring in a solo fashion fairly regularly since 2007 or so and is going to hit the road again this coming spring…
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19 ~ Jurassic 5

Jurassic 5 combined four well-versed, naturally flowing MCs (Chali 2Na, Soup, Marc7 & Akil) and two melodic, creative, musicianship-driven DJs (Cut Chemist and NuMark) to create some excellently catchy hip-hop and rap. What I loved about them is that they weren’t all about the “drugs and bitches” that the gangsta rap had just previously been all about (don’t get me wrong, I love Dr. Dre’s The Chronic from the 90s, but J5 tended to keep it positive and definitely more musically-inclined). All six members have gone on to do solo albums and/or side projects after the band’s official breakup in the late 2000s… my faves have been Cut Chemist’s The Audience’s Listening and Chali 2Na’s Fish Outta Water. I still long for a reunion record, and I bet it’ll happen… maybe in the 2010s?
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18 ~ My Brightest Diamond

Shara Worden’s utterly gorgeous, operatic voice is almost too much for the indie rock scene. Almost. It seems to fit in perfectly with Sufjan Stevens’ quirky folk and her own lush My Brightest Diamond string-infused indie pop (and the subsequent remix LPs/EPs centered around her studio albums). In a live setting, her voice is powerful and sublime, and her stage presense is charming. If you can get ahold of her pre-MBD band CDs, do so (AwRy was the name of the band).
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17 ~ Nellie McKay

Her debut, Get Away From Me, is a 2-disc / 18-song satirical, poignant, humorous & angsty romp. The tag-line of “Eminem meets Doris Day” rang true. She followed it up with a couple of more subdued albums with the occasional harder edge tune, and then by decade’s end, she released a Doris Day only album. It seems somewhere along the line, she lost the Eminem edge, but she ended up still topping my list with the more gentle album. Her live performance for the Doris Day material was fantastic – which definitely helped its appeal with me. She’s a vegetarian and animal rights activist, too… so, definitely on my friendly artists list.
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16 ~ Secret Chiefs 3

Book M and Book of Horizons (both in the early 2000s) were SC3’s last officially “SC3 studio albums,” but since 2007, they have been busy with a handful of impressive 7″ vinyl singles, a “greatest hits” compilation, an amazing John Zorn Masada Book Two release in 2008 (Xaphan), a great concert DVD, a soundtrack to a made-up movie, and the ever-lasting promises of the Book of Souls (an album in the making… since… 2005?).
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15 ~ Over the Rhine

In 2001, I think Over the Rhine made one of the best albums of their career… Films for Radio. They followed with a stunning double-album (Ohio), several solo albums by pianist Linford Detweiler, four live compilations, a few more pretty darn decent albums (including a new holiday album), and continual touring every spring & fall/winter. All in all, it was a pretty solid decade of a healthy work ethic. I’m curious what the 2010s will bring in the land of Over the Rhine. One can hope that they keep evolving.
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14 ~ Mike Patton

Mr. Bungle broke up at the front end of the decade… but Mike continued on from Fantômas to Tomahawk to Lovage (with Dan the Automator & Elysian Fields’ Jennifer Charles) to Peeping Tom to multiple movie scores to many projects with John Zorn and back to Faith No More in 2009. As we lead into 2010, there are more Faith No More touring plans, more Fantômas plans, new bands Mondo Cane (50s Italian pop) and Crudo (DJ/rock-oriented), another Peeping Tom in 2011, and plenty else up his sleeve. Patton’s vocal versatility and hard work ethic make him one of my faves this past decade.
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13 ~ Ani DiFranco

Similar to Tori Amos, the 1990s found a more consistently on her game Ani. While those days are gone, in the 2000s Ani kept delivering album after album after album and has way too many wins than loses, in my book. Revelling / Reckoning is quite possibly the most important release of her career (though not necessarily my favorite in this long oevre). She’s continually active and important in my musical world.
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12 ~ Johnny Cash

This decade brought us American III, IV & V, and the Unearthed box set… all true genius from Johnny and Rick Rubin. The video for “Hurt” (a cover of the Nine Inch Nails song) is one of the most powerfully emotional videos I’ve ever seen (he really brought something new to that original NIИ song). If Rick Rubin never does anything important in the world of music ever again, he’ll still be the one who made Johnny Cash a legend (again).
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11 ~ Dave Douglas

Founder of Greenleaf Music (a jazz label), and member of John Zorn’s Masada quartet… Dave Douglas is my #1 living trumpet player. My foray into a mega jazz love throughout the decade led me to be a fond admirer of Dave and his varied work. His various incarnations – the Quintet, Keystone, Brass Ecstasy, the Big Band, and more – show that he’s a hard worker. I can safely say, he’ll be back on this list in late 2019. :)
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Tune in tomorrow for the final round…
My Other Favorites of 2009 Recaps:
- Fave Concerts of ‘09 are recapped *HERE*
- Fave EPs/Vinyl/Live/more of ‘09 are recapped *HERE*
- Fave Vocal Albums ‘09 are recapped *HERE*
- Fave Instrumental Albums ’09 are *HERE*
- Old Years: 2008I, 2008V, 2008ep, 2008C, 2007V, 2007I, 2007C, 2006, 2005
~Dan – np: Charlie Hunter – Gentlemen, I Neglected To Inform You You Will Not Be Getting Paid

Oh, and for those who say that the decade ends at the end of 2010… meh. I’m starting with 0 and ending with 9 (like a LOT of people). Rationale: the 80s, the 90s… you don’t say the 80s went from 1/1/1981 to 12/31/1990 or the 90s from 1/1/1991 to 12/31/2000.
Crank 2: High Voltage
The Crank 2: High Voltage Soundtrack comes out April 7th… Mike Patton is all over it like stink on a monkey…
Listen to some snippets over on the MySpaces.
Yeah, I’ll probably buy the CD and never see the movie. :)
~Dan
he shouts… he scores!
From MovieWeb (thanks for the heads-up David!):
Mark Neveldine and Brian Taylor have set out to create one of 2009’s greatest films with their upcoming Crank 2: High Voltage. Not only did they hire Corey Haim for one of the most important supporting roles in the highly anticipated Jason Statham sequel, they have also nabbed legendary musician Mike Patton to score the entire soundtrack. Earlier today while conducting an exclusive interview with Danny DeVito, the It’s Always Sunny in Philadelphia star let it slip that his friend was currently in the studio putting the finishing touches on the music for the film.
DeVito didn’t quite know how to describe the score, but did hint that there may be a song track that contains actual lyrics and singing by Patton. The former front man for both Mr. Bungle and Faith No More, who in recent years has put out an unstoppable flow of amazing music in nearly every genre, most recently headed down the road to scoring films with his work on the short A Perfect Place, and he recently contributed lyrics and vocals to the Marc Streitenfeld score for Ridley Scott’s Body of Lies. Crank 2: High Voltage will be the musician’s first foray into scoring an entire feature length film.
Patton has a busy year coming up. Not only will he be releasing the Crank 2: High Voltage score, he will also be releasing Mondo Cane, a record of Italian pop songs from the 50s and 60s and the first Crudo album, which sees him reteaming up with his Lovage sidekick Dan the Automator for some crazy hip-hop pop music.
Mike Patton’s A Perfect Place score for the short film of the same name is among my faves of 2008. So… yeah… a feature length score by Patton would be coo-el.
Yes, my man-crush on all things Patton usually runs at high levels.
a trio of music news
New Puscifer video… while CGI like the other Puscifer vids, it’s the first one that features a non-CGI Maynard James Keenan (complete with a bottle of his own Caduceus wine)… “Momma Sed,” brought to you by the A and F in ATF:
only the A & F in ATF… in that he doesn’t smoke.
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Ben Folds Five reunion show for The Unauthorized Biography of Reinhold Messner from last month’s MySpace Front to Back is now online in its entirety: GO HERE –> http://www.myspace.com/fronttoback

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The New Years’ Eve concert put on by Ipecac Recordings in San Francisco is set… Fantômas will be playing The Director’s Cut in its entirety. Openers: Tipsy & Zach Hill. It’s $45 and a long drive away; so it’s out for me… but go here if you’re interested: Great American Music Hall’s New Years 2009

Oh, and Breaking news: Beyonce has changed her name to Ra Tsass… or Hoo Kares… or Due Moss… or Sasha Fierce. Meh.
Mike Patton & the Metropole Orchestra 2008
Mike Patton has been known for off-the-wall stuff… Faith No More did crazy stuff, Mr. Bungle even more so… Fantômas is for some entirely crazy stuff. Hemophiliac, PainKiller, Naked City guest vocals, Moonchild, and many other collaborations with John Zorn are also in the crazy, avant-garde camp for Mike Patton.
However, Mike Patton also has a fondness for the more accessible. FNM cover Lionel Richie‘s “Easy,” Mr. Bungle had “Retrovertigo,” Patton’s Ipecac Recordings put out records by classically or instrumentally adventurous but still accessible Ennio Morricone (exotica / spaghetti western / classical / movie scores), The Tango Saloon (jazz / spag. western / tango), Flat Earth Society (big band), Kaada (multi-instrumentalist / movie scores), and Eyvind Kang (some of his classical compositions).
Mondo Cane is a 1962 Italian shock-documentary film (read more here). It’s also the name of Mike Patton’s “60s/70s Italian pop” project. And “60s/70s Italian pop” involves orchestration and some good ol’ crooning…

(photo: Monique Hofland)
A recent concert with Mike Patton and the Metropole Orchestra ( Paradiso Hall, Holland Festival June 2008 ) was filmed and is available in its entirety here:
http://www.fabchannel.com/mike_patton_concert/2008-12-06/
I’m only through the first 5 songs, but it sounds great. If tentative or skeptical, check out “Ore D’More” (#3) for a sample of the crooning.
I love this guy’s music. It’s true.
The Tango Saloon – Transylvania
The Tango Saloon has a new CD coming out entitled Transylvania… trouble is it’s only in Australia now. :(

Maybe Ipecac will get it for U.S. release? Their last one, Julian Curwin’s The Tango Saloon, was wicked good… spaghetti western, tango, jazz, off-kilter goodness. A song from it showed up on a fancy Mix CD I made a few years back…
http://www.myspace.com/manwiththebongos (Tango Saloon’s MySpace)
http://www.myspace.com/thefantasticterrificmunkle (precursor to Tango Saloon)
~Dan – np: Tango Saloon “Kiss of Death” on MySpace
REVIEW: Bill Frisell, Eyvind Kang & Rudy Royston @ the Shedd (Eugene, OR – – 6/7/08)
FYI… PHOTOS of the SHOW at the BOTTOM
Last night was my first time seeing all three gentlemen: Bill Frisell, Eyvind Kang, and Rudy Royston. I hope it is not my last.

I’m a big fan of Eyvind from his work with Secret Chiefs 3, Mr. Bungle, solo works on Tzadik & Ipecac (and other indie avant labels). On the upper right of every page on this blog, I have a quote attributed to Eyvind Kang: “I believe that music should be grown on trees, to be plucked like a fruit without the extravagance of harvest.” There’s just something about jazz (and the show last night) where this is most appropriate. Sure, much of Bill Frisell’s music is structured, melodic, and hinting at a modicum of “harvest,” as it were. However, it definitely lives and breathes and is open for exploration within the structure.
Probably the best proof of this with regards to last night’s show was that Eyvind (viola) and Rudy (drums) had only met 4 or 5 hours prior to the show. This was the world premiere of the Frisell/Kang/Royston trio. Judging by how they played so well together, I would have thought they met at least 7 hours prior. ;) No, seriously, they seemed like long-time jam partners. It was great to see the immediacy of the musical “fruit plucking.”
The trio played just over 90 minutes straight-through (with one short break prior to an encore piece), probably anywhere between 6 or 8 pieces. They started with 5 minutes or so of experimental flexing, bordering on avant-garde. By the next piece, Bill Frisell began laying down the melodies that worked well with this trio setting. Many times Eyvind and Bill mirrored each other’s melodies, but Eyvind still was able to cut loose on his own. Rudy knew how to play subtly, but he did let loose a few times as well, especially near the end of their set.
I just got Bill’s new one (History, Mystery); so I don’t know if the songs were from that or not, or just base melodies with improvisation. The set as a whole was very melodic, yet explorative. At several times, Bill pulled out what I thought was an e-bow, but it ended up being a music box that he was playing near his guitar pickup then through an echoplex-type looping device. Very harmonic tones… which would have been intriguing to have gotten from using guitar harmonic picking and an e-bow… alas, I was wrong.
Odd note: again, this was my first time seeing Bill Frisell. Does he always avoid facing the audience? He seemed to be facing towards Eyvind the whole night (so slightly away from the crowd). I never saw his hands or the front of the guitar all night. Odd, but at least the sound was sublime.
This was Bill’s fourth show at The John G. Shedd Institute for the Arts over the years. That’s a good indication that he’ll be back. To that I say, “yay!” I hope he brings Eyvind and Rudy with him.
The appropriate links:
- http://www.myspace.com/billfrisellofficial
- http://www.myspace.com/floratone (recent collab with Bill, Eyvind, Matt Chamberlain, Tucker Martine, et cetera)
- http://www.billfrisell.com/
- http://www.myspace.com/eyvindkangeyvind
- http://www.myspace.com/rudyroyston
- http://theshedd.org/
In completely unreleated to Frisell/Kang/Royston news, but posted here since I didn’t want to add another post to “the pile”… you can listen to Sigur Rós‘ upcoming album (Með suð í eyrum við spilum endalaust) streaming here before it comes out in a couple of weeks: medsud-dot
Enjoy!
~Dan – np: Ken Laster – Jazz & Beyond podcast (link)
FRISELL / KANG / ROYSTON PHOTOS
all pictures (cc) 2008 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
A Perfect Place
Woot!
On March 11th, the 100th release on Ipecac Recordings comes out. It’ll be a special edition CD/DVD combo (score & film) for A Perfect Place, directed by Derrick Scocchera and score by Mike Patton.
Film Trailer:
OK… back to grading FASB 13/EITF 00-21 cases I go.
Mike Patton and Will Smith
re-posted from the Ipecac blog…
Hooray for Hollywood!
Take note if you are a movie fan. There is a little film coming out in December called I Am Legend that features our very own Mike Patton. It also stars some actor named Will Smith. The tricky part is, you won’t see Mike, but you’ll hear him. He is the voice of the creatures in the movie. That is right, the evil screams and howls coming from the “creatures” will be courtesy of Mike. Seems he is getting a lot of requests to do evil/monster/zombie noises and sounds. Remember he is the Darkness in the game of the same name and even shows up in the game Portal as well!!!
~Dan – np: reptet – do this!
http://www.myspace.com/reptet
































































Mark Neveldine and Brian Taylor have set out to create one of 2009’s greatest films with their upcoming 

















