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Dream Theater @ Roseland Portland (6/21)

21st Jun 10 (Mon) Leave a comment

So, since I’m out of town for work, I won’t be able to upload my photos and review from tonight’s Dream Theater‘s Roseland Theater gig in Portland (Oregon) until most likely Tuesday night (6/22)… in the meantime, check out some of Cinn City / Skulls-n-Bones photo coverage of the recent Denver gig… I sooooooo envy their amazing shots!!

Check back later on Tuesday for my Portland coverage!  It shant be as nice looking as Cinn City’s shots, but hopefully make you wish you were there and/or bring back the joy of being there.

~Dan

REVIEW: Imogen Heap @ the Schnitzer (Portland, OR – 6/16/10)

17th Jun 10 (Thu) 2 comments

FYI… PHOTOS of the SHOW at the BOTTOM

As many others, I got into Imogen Heap via her band Frou Frou‘s inclusion on the Garden State soundtrack.  Their song “Let Go” was featured heavily in the Garden State trailer and movie.  Thanks to Zach Braff, a love of all things Imogen Heap started to develop.  A solid electronic-pop singer-songwriter in her own right before and after the Frou Frou debut Details, she took a longer break before her 2009 re-emergence, Ellipse.  She needed some time away, and many times the much needed time away brings forth some great work.  Ellipse is a solid album in both song catchiness and experimentation.

Her interest in experimentation spanned to her openers for this 6th leg of the North American tour… Geese is a stringed duo, backed by Imogen’s drummer.  They started out slow and moving with high use of looping of their violins.  Their 20 minute set only featured 3 songs, but it was quite captivating.  It went from the aforementioned moving piece to a more spastic, experimental uproarious piece to a final piece that I’d describe as “noodley junkyard chic” with occasional drumming bombast.  Being a fan of more experimental instrumental music, I was quite fond of their set.  They also played with Imogen on a few of her songs that required strings (definitely “Little Bird” and a few others).

Ben Christophers came on shortly after Geese… he also played a fairly short set (and joined her on stage as part of her Ellipse band).  Ben is a British singer-songwriter who focused mainly on the electric guitar with a voice in the higher registers.  I found him similar to Sean Lennon mixed with the late falsetto/whispy singer Jeff Hanson.  Ben played five songs for about 25 minutes… quite delightful, with a nice reference to Pink Floyd’s “Set the Controls for the Heart of the Sun.”

Imogen and her band started shortly after 9pm.  First off, Imogen has an adorable stage presence.  She is very unassuming, and even came out to introduce both openers.  She told many stories in between songs, and carried on a nice dialogue with the audience.  She really made a concert in a large concert hall seem like an intimate show in a smaller venue.  The intimate setting was quite beautiful at times with the simple but sleek stage design.  The center piece was a tree which worked in nicely with the light show, even appearing to be on fire or dancing in the wind at times (sorry, no photos of that, as press cameras were not allowed past the 3rd song).

Second, Imogen knows how to mix it up… she played rockier songs, mellower songs, songs from across her catalogue.  Some favorite moments were “Let Go,” the dancing trees in “A-ha!,” the rocking out of “Goodbye and Go,” the loops and general excellence of “First Train Home,” and the gentleness of “Little Bird.”  Oh, and the ’80s sunglasses and keytar used in “Tidal” was quite the throwback… it nicely showed off her silly, fun side.

Setlist: about 2 hours

  • The Walk
  • Swoon
  • Come Here Boy
  • Wait It Out
  • First Train Home
  • Little Bird
  • Canvas
  • Breathe In
  • Charity Improv
  • A-Ha!
  • Speeding Cars
  • Let Go
  • Just For Now
  • Goodnight and Go
  • Headlock
  • Tidal
  • The Moment I Said It
  • Hide and Seek

Half way through the set, she did the charity improvisation that is an important part of her tour this time around.  Each city’s fans help her pick an important charity.  The audience gets to recommend the key and melody starting point.  Imogen records the song and it becomes available later for purchase.  The charity improv song for Portland was for Eco Trust, whose mission is to “inspire fresh thinking that creates economic opportunity, social equity and environmental well-being.”

To get the Portland improv song to help out the charity, go to imogenheap.com/charity.  To donate to the charity directly, click the banner below…

Imogen wrapped up her final two songs solo, bringing to a close a wonderful night of both danceable and gorgeous music.  The only disappointment: there was no “Earth” with Portland-based chorus this time.  All in all, a great show!  Thank you, Immie!

Check out her latest album, Ellipse, or her forthcoming documentary DVD, Everything In Between:

many more photos below

The Appropriate Linkage:

Check out more tour dates below.

~Dan – np: Dream TheaterBlack Clouds and Silver Linings

IMOGEN HEAP PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

North American Tour Dates (2010 World Tour – 6th Leg)

  • May 22nd Detroit, MI Fillmore Theatre
  • May 23rd Chicago, IL Riviera Theatre
  • May 25th New York, NY Hammerstein Ballroom
  • May 26th Boston, MA Orpheum Theatre
  • May 27th Philadelphia, PA Tower Theatre
  • May 29th Washington DC Warner Theatre
  • May 30th Norfolk, VA Norva
  • June 1st Orlando, FL House Of Blues
  • June 2nd Miami, FL Fillmore Theatre
  • June 4th Atlanta, GA Tabernacle
  • June 5th Nashville, TN Ryman Auditorium
  • June 7th New Orleans, LA House Of Blues
  • June 8th Houston, TX Verizon Wireless
  • June 9th Dallas, TX Nokia Grand Theatre
  • June 11th Denver, CO Ogden Theatre
  • June 12th Salt Lake City, UT Rail Event Center
  • June 14th Seattle, WA Paramount Theatre
  • June 15th Vancouver, BC Commodore Ballroom
  • June 16th Portland, OR Schnitzer Hall
  • June 18th Saratoga, CA Mountain Winery
  • June 19th Los Angeles, CA Greek Theatre
  • June 20th San Diego, CA Humphrey’s
  • June 21st Santa Barbara, CA Granada Theatre

#ihportland

Imogen Heap @ Schnitzer (6/16)

17th Jun 10 (Thu) Leave a comment

REVIEW: Zappa Plays Zappa @ McDonald (Eugene, OR – 6/12/10)

13th Jun 10 (Sun) 3 comments

FYI… PHOTOS of the SHOW at the BOTTOM

Five years running, Dweezil Zappa and his precision-cut Zappa Plays Zappa band have toured the world bringing us a different slice of Frank’s music to our ears. Past tours have featured players from Frank’s own classic ’70s and ’80s band arsenals: Steve Vai, Terry Bozzio, Napoleon Murphy Brock, Ray White and more. There are no “old guard” members present in the 2010 incarnation — but regardless of which musicians surround Dweezil’s guitar mastery, the fact remains that the genius, adventurous spirit birthed in Frank’s songs is still alive.

The ZPZ band this time around is Dweezil Zappa: Guitar; Scheila Gonzalez: Saxophone, Flute, Keyboards & Vocals; Pete Griffin: Bass; Billy Hulting: Marimba, Mallets & Percussion (and lead vocals for a bit); Jamie Kime: Guitar; Joe Travers: Drums & Vocals; Ben Thomas on lead vocals; and introducing Chris Norton on Keyboards & Vocals.

With no opener, the band kicked into their long set a little after 9pm… they played a super tight, super long set.  Having seen the ZBZ band with Napoleon Murphy Brock and Ray White in the past, I was skeptical of this “new guy” Ben Thomas.  He joined the ZPZ band after Ray White left the tour last year.  After the first vocal belt, there was no more skepticism… Ben can sing (and plays a mean trumpet, harmonica and cow bell, too).  He handled the lows and highs, and carried the tunes in a way that would have made Frank proud.

Throughout the set, each band member got their time to shine… “Echidna’s Arf” was probably the tightest song the band played… lightning fast, and spot on.  Dweezil had killer solos on “Florentine Pogen” and “Pick Me, I’m Clean.”  “Big Swifty” & “Mystery Roach” showed off great solos from Billy on marimba, Scheila on sax, and Jaime on guitar.  Joe’s drum solo at the end of “Latex Solar Beef” could have ended the show, but (lucky for us) they stayed out and finished the main set with “Apostrophe” that featured Pete’s fuzzy, dirty bass groove and solo.

Here’s what they played:

Setlist: about 2 & 1/2 hours

  • Purple Lagoon
  • Stinkfoot
  • Daddy Daddy Daddy
  • What Kind of Girl Do You Think We Are?
  • Florentine Pogen
  • Big Swifty
  • Mystery Roach
  • Advance Romance
  • The Blue Light
  • Pick Me, I’m Clean
  • Blessed Relief
  • Echidna’s Arf
  • Keep It Greasey
  • Easy Meat
  • The Little House I Used To Live In
  • Latex Solar Beef (with hints of Willie the Pimp)
  • Apostrophe
  • Encore: Lonely Little Girl
  • City of Tiny Lites
  • Cosmik Debris
  • I’m the Slime

As in the past, amazing musicians this time out. Some of the highlights were the aforementioned tight “Echidna’s Arf,” “Florentine Pogen,” and the more gentle “Blessed Relief.”  The only song I was craving that wasn’t played was “Peaches En Regalia,” but it was nice to hear some older, rarer Frank songs being trotted out in lieu of the “fan fave” Peaches.  As far as sound quality, near the front it was OK, but I heard from people in the middle and back that it was a bit muddy.  Regardless of that downside, the evening showed off a super tight band who gave their all!  ZPZ band, Eugene loves you!  Come back soon!

many more photos below

The Appropriate Linkage:

Check out more tour dates below.

~Dan – np: Jóhann Jóhannsson& In the Endless Pause There Came Sound of Bees

DWEEZIL ZAPPA PLAYS ZAPPA PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

Higher Resolution (18 pics)

Limited to 1200 pixels wide or tall (32 pics)

Tour Dates

  • May 30, ’10 Chilicothe, IL Summer Camp Music Festival
  • Jun 3, ’10 Mexico City, MX Teatro de la Ciudad
  • Jun 5, ’10 Ozark, AR Wakarusa Festival
  • Jun 6, ’10 Kansas City, MO Crossroads
  • Jun 7, ’10 Denver, CO Paramount Theatre
  • Jun 8, ’10 Salt Lake City, UT The Depot
  • Jun 10, ’10 Ventura, CA Ventura Theater
  • Jun 11, ’10 Santa Rosa, CA Harmony Festival
  • Jun 12, ’10 Eugene, OR McDonald Theater
  • Jun 13, ’10 Portland, OR Roseland Theater
  • Jun 14, ’10 Seattle, WA Moore Theater
  • Jun 15, ’10 Vancouver, BC Orpheum Theater
  • Jun 17, ’10 Richmond, VA Lewis Ginter Botanical Gardens
  • Jun 18, ’10 Pittsburgh, PA Palace Theatre
  • Jun 19, ’10 Tarrytown, NY Music Hall
  • Jun 24, ’10 Woodstock, NY Bearsville Theater
  • Jun 25, ’10 Providence, RI Lupo’s
  • Jun 26, ’10 Westbury, NY Westbury Music Theater
  • Jun 27, ’10 Atlantic City, NJ House of Blues
  • Jun 28, ’10 Verona, NY Turning Stone Resort and Casino
  • Jun 29, ’10 Niagara Falls, NY The Rapids Theatre
  • Jul 1, ’10 Bridgeport, CT The Klein
  • Jul 2, ’10 Hampton Beach, NH Hampton Beach Casino Ballroom
  • Jul 3, ’10 Great Barington, MA The Mahaiwe
  • Jul 4, ’10 Oxford, ME Nateva Festival
  • Jul 5, ’10 Moncton, NS Capitol Theater
  • Jul 6, ’10 Halifax, NS Rebecca Cohn Auditorium
  • Jul 9, ’10 Amsterdam, NL Melkweg
  • Jul 10, ’10 TBA, TBA Soon
  • Jul 11, ’10 Weert, NL Bospop Restival
  • Jul 12, ’10 Antwerp, BE Openluchttheater
  • Jul 14, ’10 Tel Aviv, IL Hangar 11
  • Jul 19, ’10 Nice, FR Nice Jazz Festival
  • Jul 21, ’10 Cambridge, UK Cambridge Corn Exchange
  • Jul 22, ’10 Brighton, UK Brighton Centre
  • Jul 23, ’10 Wolverhampton, UK Wolverhampton Civic Hall
  • Jul 24, ’10 London, UK London Classic Rock Festival
  • Jul 25, ’10 Liverpool, UK Liverpool Summer Pops Festival
  • Jul 26, ’10 Glasgow, UK Glasgow Royal Concert Hall
  • Jul 27, ’10 Gateshead, UK Gateshead The Sage

REVIEW: Holy Fuck @ Mississippi Studios (Portland, OR – 6/6/10)

7th Jun 10 (Mon) 2 comments

FYI… PHOTOS of the SHOW at the BOTTOM

“Analog electronica at its finest.”

One of the best bands that you may have never heard of because of a fear of the unknown and/or an aversion to George Carlin’s Seven Dirty Words is Toronto’s experimental electro-rock band Holy Fuck.

Starting off more experimental with their self-titled debut in 2005 and moving into a more groove-fueled diet of instrumental rock in 2007, Holy Fuck has been tearing up clubs around Canada, Europe, and the United States for the past few years.  Their records are superb, and their live shows are even better.  This show in Portland was stacked with some other electro-pop favorites…

Portland-based Fake Drugs went on a little after 9pm.  They are made up of a few guys from Starfucker – Keil Corcoran and Shawn Glassford.  Their sound was a nice pop electronic.  Primarily rhythm guitar & live drums with primarily pre-recorded keyboards & loops.  Danceable and fun… not what I expected from Starfucker gents, but a good warm up.

Another Portland band, Nice Nice had a great electro-pop sound.  This two piece band was the primary tour support for Holy Fuck.  Fewer guys on stage compared to Fake Drugs, but it seemed like they had more going on.  The drummer played both live drums and electronic drum pads… there was a nice juxtaposition of both the organic and artificial sounds – usually intertwined with each song.  The singer played keys, electronic drum pads, as well as guitar.  They have a building, electronic-rock sound, much like Holy Fuck… they meshed really well, and I can see why HF brought them along.

On to Holy Fuck

The seemingly scattered performance with keyboards, toy instruments, live drums & bass, 35mm audio strip replay, guitars, and distorted vocals ultimately leads into the music that is undeniably catchy and composed.  Brian Borchedt and Graham Walsh man the up-front melodic and non-melodic drive of the band, and bassist Matt McQuaid and drummer Matt Schulz are an excellent battery to fuel the groove.  They’re out supporting their latest, excellent record, LATIN.  It’s out now on CD, vinyl, and download formats (click picture to the right).  Personally speaking, it’s one of my favorite albums this year so far.

Holy Fuck went on at 11:25 and kicked it right off with the charged “Latin America.”  The band seemed pretty charged up, especially bassist Matt McQ… who really looked to be having a blast.  They plowed through an over hour set, hitting many of their new tunes, with some choice cuts from LP and the new version “Jungles” (on the +Ghost EP, based on the 2005 debut’s “Tonebank Jungle”).

Even if you aren’t a dancin’ fool… you’ll usually be turned into one at a Holy Fuck show.  The very danceable set was met with a severe lack of dancing from the crowd compared to past shows I’ve witnessed.  Perhaps it was a “Portland on a rainy Sunday” thing, because Holy Fuck was deep in the groove but the crowd seemed more concerned with their PBR’s.  Regardless of the “dancin’ deficit,” the crowd definitely showed their appreciation for the mighty HF via hoots & hollers…

Here’s what they played as best I remembered the song names…

Setlist: ~70 mins

  • Latin America
  • Super Inuit
  • Foxy
  • Jungles
  • 1MD / Red Lights
  • SHT MTN
  • Frenchy’s
  • Stay Lit
  • Lovely Allen
  • The Pulse
  • Stilettos
  • Encore: unknown… a really dirty, fuzzed out riff
  • P.I.G.S.

Brilliant show… my favorite was Red Lights, and its deep groove and killer bass.  Jungles and Stay Lit were close behind.  Stay Lit is probably HF’s most mellow song, and it features Brian on guitar instead of the electronics table.  They ended the night with a new song (or at least new to me) featuring a really fuzzy, dirty bass followed by P.I.G.S..

many more photos below

The Appropriate Linkage:

Check out more tour dates below.

~Dan – np: Frank ZappaWaka/Jawaka

HOLY FUCK, FAKE DRUGS & NICE NICE PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

Holy Fuck 2010 N.A. Tour Dates (so far)

  • May 28 Le Poisson Rouge New York, New York #
  • May 29 The Middle East Cambridge, Massachusetts #
  • May 30 Johnny Brenda’s Philadelphia, Pennsylvania #
  • May 31 Rock N Roll Hotel Washington, Washington DC #
  • Jun 1 Grog Shop Cleveland Heights, Ohio #
  • Jun 3 Turf Club Saint Paul, Minnesota #
  • Jun 6 Mississippi Studios Portland, Oregon #
  • Jun 8 The Independent San Francisco, California #
  • Jun 10 Troubadour Los Angeles, California #
  • Jul 5 Club Soda – Festival International de Jazz de Montreal Montreal, Quebec
  • Jul 9 Molson Amphitheatre Toronto, Ontario ^
  • Jul 30 Sappyfest Sackville, New Brunswick
    # w/ Nice Nice
    ^ w/ Metric and Passion Pit

REVIEW: Charlie Hunter @ WOW Hall (Eugene, OR – 5/18/10)

19th May 10 (Wed) 3 comments

Charlie Hunter‘s new CD Gentlemen, I Neglected To Inform You You Will Not Be Getting Paid was the first CD through the gates in 2010.  The CD is named after a saying from an undisclosed curmudgeon musician who used to pull that on his players (no, it’s not indicative of Charlie’s payment habits). 

The album is a fun jaunt full of the groove-laden jazz that Charlie Hunter fans know and love.  It’s a highly recommended purchase for 2010… (pictured to the right)

The current “Evening with Charlie Hunter” tour is slightly stripped down compared to the album… it features Hunter on guitar, Ron Miles (trumpet) & Eric Kalb (drums).  They hit the WOW Hall stage just after 8pm and played two sets and a long encore… well over two solid hours.  All three men played effortlessly… their first set was smokey and soulful.  Their second set was a bit more upbeat with more solos, including a few standards mixed in with the Neglected tunes.

Eric and Ron were very tight players, with stunning solos in their own right.  Eric had a great feel, and while I think Ron stayed in the shadows more during the sets, the trumpet flavor he added to the trio was a perfect fit.

One of the most amazing things from the night was watching Charlie play.  His seeming ease at which he plays bass and guitar on one instrument is stunning (and curse-worthy for the guitar aficionado in the crowd).  If you weren’t watching the stage, you’d easily be fooled that it was a quartet and not a trio.  It’s quite an amazing thing to see and hear.  He’s so unassuming about it, too… a showman without the show-off attitude.

more photos below

The Appropriate Linkage:

~Dan – np: Method of DefianceInamorata

CHARLIE HUNTER PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

Charlie Hunter @ WOW Hall (5/18)

18th May 10 (Tue) Leave a comment

REVIEW: Kaki King with An Horse @ WOW Hall (Eugene, OR – 5/16/10)

17th May 10 (Mon) 1 comment

FYI… PHOTOS of the SHOW at the BOTTOM

Last night the fine folks of Eugene were treated to two lovely indie rock acts… Kaki King and An Horse. Kaki had played a short, but fantastic set earlier on Sunday at CD World (review with photos/videos) – and she brought up Kate Cooper from An Horse at the end, which had been my only exposure to An Horse outside of the WNYC Soundcheck podcast a month ago.  Kate’s “Camp Out” with Kaki solidified it to me that I shant be late to the opening set…

An Horse went on right around 8pm and played a SOLID melodic indie rock set.  Being only vaguely familiar with their songs didn’t matter.  It was 45 or so minutes of indie rock goodness.  “Camp Out” was played, which is perhaps their “single” but it far from being their only good song.  The Aussie duo put out a nice wall of sound, too.  Mighty big for a two person crew!  Check out their latest record, Rearrange Beds!

After a short break, Kaki came on with her band…

They started off strong with a powerful few numbers.  “Bone Chaos” may have been my favorite of the night… it really shows off Kaki’s guitar prowess combined with some haunting EVI by Dan Brantigan.  It was pretty obvious early on that the drums were taking over (unfortunately).  The mid-section of the show was nice, as we got to see Kaki shine solo with some “Pink Noise”…

Kaki’s Setlist: just shy of 2 hours

  • Falling Day
  • Bone Chaos in the Castle
  • Life Being What It Is
  • Pull Me Out Alive
  • Death Head
  • The Betrayer
  • Hallucinations From My Poisonous German Streets
  • Playing with Pink Noise [solo]
  • Goby [solo]
  • All the Landslides Birds Have Seen
  • Doing The Wrong Thing
  • My Nerves That Committed Suicide
  • unknown song
  • Spit It Back in My Mouth
  • Everything Has An End, Even Sadness (which is not new age)*
  • You Don’t Have to Be Afraid
  • Encore: unknown rock jam
  • fucking around on the lap steel
  • Gay Sons of Lesbian Mothers
  • unknown dance song

*– don’t ever call Kaki new age… especially if you have balls and would like to retain them.
any help on unknown songs is appreciated

Kaki came out for an encore and treated us to another instrumental favorite, “Gay Sons of Lesbian Mothers,” which featured Dan trading the EVI off for a theremin, alongside Kaki’s lapsteel.  She then capped the show off with a “dance number,” which unbeknown to us involved her jumping amongst the crowd and dancing it up while her guitar went on loop above us… a great end to a great day full of music.

more photos below

The Appropriate Linkage:

Check out more tour dates below.

~Dan – np: Kaki KingHow I Got Lost (soundtrack)

KAKI KING with AN HORSE PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

Spring 2010 Tour Dates

Apr 15, 2010 Music Hall of Williamsburg – Brooklyn, New York
Apr 16, 2010 Bowery Ballroom – New York, New York
Apr 17, 2010 Middle East – Boston, Massachusetts
Apr 19, 2010 Iron Horse – Northampton, Massachusetts
Apr 20, 2010 Port City Music Hall – Portland, Maine
Apr 21, 2010 Higher Ground – Burlington, Vermont
Apr 28, 2010 TLA – Philadelphia, Pennsylvania
Apr 29, 2010 9:30 Club – Washington, DC, Washington DC
Apr 30, 2010 Cat’s Cradle – Carrboro, North Carolina
May 1, 2010 The Variety Playhouse – Atlanta, Georgia
May 4, 2010 Beachland Ballroom – Cleveland, Ohio
May 5, 2010 The Ark – Ann Arbor, Michigan
May 6, 2010 Park West – Chicago, Illinois
May 7, 2010 High Noon Saloon – Madison, Wisconsin
May 8, 2010 Varsity Theater – Minneapolis, Minnesota
May 9, 2010 The Waiting Room – Omaha, Nebraska
May 11, 2010 The Fox Theater – Boulder, Colorado
May 12, 2010 Cervantes – Denver, Colorado
May 14, 2010 Neumos – Seattle, Washington
May 15, 2010 Wonder Ballroom – Portland, Oregon
May 16, 2010 WOW Hall – Eugene, Oregon
May 19, 2010 Knitting Factory – Reno, Nevada
May 20, 2010 Mystic Theater – Petaluma, California
May 21, 2010 The Fillmore – San Francisco, California
May 22, 2010 The El Rey Theater – Los Angeles, California
May 24, 2010 The Belly Up – San Diego, California
May 25, 2010 The Glass House – Pomona, California

Kaki King @ WOW Hall (5/16)

16th May 10 (Sun) Leave a comment

REVIEW: Kaki King @ CD World (Eugene, OR – 5/16/10)

16th May 10 (Sun) 4 comments

As a warm up for her show tonight at WOW Hall, Kaki King stopped by and wowed us at CD World (i.e.- the best CD shop in Eugene).  Here’s what she played:

(click on the photos for larger)

In-Store Setlist:

  • Bone Chaos in the Castle
  • The Betrayer
  • Death Head [YouTube]
  • Sunnyside
  • Camp Out (An Horse song w/ Kate Cooper) [YouTube]

http://www.kakiking.com/http://www.anhorse.com/

all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution

See y’all at WOW Hall tonight!

~Dan – np: Ani DiFrancoLive at Bull Moose Music 4/17/09

REVIEW: That 1 Guy & Boy Eats Drum Machine @ WOW Hall (Eugene, OR – 5/15/10)

16th May 10 (Sun) 4 comments

FYI… PHOTOS of the SHOW at the BOTTOM

I’ve been a fan of That 1 Guy and the Magic Pipe since seeing him a dank club in Cincinnati opening for Drums & Tuba in the early 2000s.  He’s toured incessantly throughout the decade, hitting some major festivals and being a supporting act for some big bands.  It’s been nice to see his fanbase grow, and at many times I didn’t think his music was growing all that much.  Well, he proves us wrong with his fourth record, Packs a Wallop.  He seems to have found a nice balance between the experimentation and the groove.  The lyrical silliness is still there, but that’s part of the charm…

The opener was Portland’s Boy Eats Drum Machine.  Boy Eats Drum Machine is a one man band made up of Jon Ragel and his musical toys. I was only familiar with the video for “Hoop + Wire” (see below).  It’s a clever video, but I didn’t think it gave any insight into his live set.  Well, the Eugene crowd was blown away, to say the least.   He put out an incredibly danceable mix of record spinning, drum machine, live drums, saxophone and vocals.  He has a great voice, passion, and energy.

Boy Eats Drum Machine “Hoop + Wire

Well, no, his live set wasn’t stop-motion animation, but it was as full of energy and fun as the video shows.  Eugene ate Boy Eats Drum Machine.  Portland, you can’t have him back!!

After only a short break, Mike Silverman aka That 1 Guy joined the Magic Pipe on stage for almost two and a half hours of lights, smoke, lasers, and all around jam-worthy tom-foolery…

Mr. Guy played almost non-stop, busting through his catalogue… playing many tunes from his latest album…

Setlist: almost 2 1/2 hours

  • Modern Man
  • Packs a Wallop
  • Buttmachine (with extended jam)
  • How’s Bout Them Holes In The Moon (Butter Side Down)
  • Heaven or Heck
  • Jam
  • Stones Throw
  • Oranges
  • Bananas
  • Laser Beans
  • Step Into Striped Light
  • Mustaches
  • Jam
  • Rainbow
  • Dig
  • One
  • “Magic Show”
  • Credit Card Jam
  • Lounge Outtro
  • Encore: Weasel Potpie
  • The Moon is Disgusting
  • Word Up (Cameo cover)
  • Lounge Outtro

Of the frequent stops through Eugene, this one seemed to be the most action packed.  He had full reign to play a longer set, and his light show has definitely stepped up a notch (I did miss the Mustaches & Laser Beams tour; so maybe this is just a continuation).  He pulled out the magic saw and magic boot near the end of the show.  He also treated the crowd to his magic card tricks and laser bows.  Ever the showman, he was soaking wet by the end of the night, yet still full of energy…

many more photos below

The Appropriate Linkage:

~Dan – np: Ben Goldberg Quartet plays Masada Book TwoBook of Angels, Vol 15: Baal

THAT1GUY & BOY EATS DRUM MACHINE PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

REVIEW: MEDGE presents Karim Nagi @ WOW Hall (Eugene, OR – 4/30/10)

1st May 10 (Sat) 4 comments

The Middle Eastern Dance Guild of Eugene (aka MEDGE) hosts monthly shows at Cozmic Pizza.  Great food, great music, and great dancing come to mind when I make my way over there the third Fridays of each month.  For a special International Dance Day celebration, they brought in Karim Nagi for special workshops and moved their event down the street to WOW Hall.

Karim Nagi is an Egyptian musician, composer, music arranger and DJ.  He specializes in traditional Arabic music but works in other musical mediums.  He has two CDs out under the artist moniker of Turbo Tabla.  He has also recorded music for Bellydance Superstars, Bellyqueen, and the Bellytwins, as well as mainstream artists like Alicia Keys, and The Urban Griot Project.

Sadly he didn’t pull out a traditional Indian tabla last night (apparently an Egypt table / darbuka is very similar to a dumbek).  Regardless, we were treated to a lot of wonderful dancing and drumming.  Here’s a pictorial review of last night’s show… Enjoy!

all pictures (cc) 2010 Daniel Temmesfeld & Margaret O’Brien,
you may use freely under a creative commons attribution
(click for larger)

Karim Nagi (stick dance, traditional folkloric dance of Egypt)

Mem Aleph (troupe consisting of Candice Nelson, Barbie Griggs, Jeannie Anderson, Amanda Bounds, Marie Scott and Monica Trent) performing three folk dances: Syrtos from Greece; Hands Talk (a Jewish Yemenite dance); and Ma Nava (an Israeli dance)

Siobhan performing a Ghawazee-inspired dance choreographed by Hassan Khalil

Amani (choreography by Mahmoud Reda — Oriental piece with his signature balletic movements incorporated into Raks Sharqi)

Elena Villa (Arab Flamenco Fusion)

Caravan Dancers (Troupe consists of Deena, Zendra, Crystal and Erin performing a Folkloric Suite: Basket Dance, Turkish 9/8, Cane Dance, Tambourine Dance)

Sabine (Indian Sapera Dance of the Kalbeliya snake-charmers)

Karim Nagi – improvisational finger cymbal dance

>> << intermission >> <<

Jamara (dance performance to live drumming by Karim Nagi)

Devi Safir (dance performance to live drumming by Karim Nagi)

musical performance by Karim Nagi & Ishmael, a qanun player (stringed instrument from Egypt), followed by an audience participation debke, a traditional Arabic folk dance

Be sure to check out MEDGE on the web to find out about the monthly shows and upcoming special events & workshopshttp://medge.org/

The Appropriate Linkage:

~Dan – np: Carla Kihlstedt2 Foot Yard

REVIEW: Derek Webb & Jennifer Knapp @ Aladdin (Portland, OR – 4/27/10)

28th Apr 10 (Wed) 11 comments

FYI… PHOTOS of the SHOW at the BOTTOM

There’s something about songwriters that draw me in.  With Derek Webb, I’ve been a long time fan since 1996… ever since first seeing him with his folksy-poppy band Caedmon’s Call.  While I dug Caedmon’s a lot as a group, I really enjoyed Derek’s songwriting the most.  He seemed to have the more “real life” songs – ones I could relate to the most.  His initial departure from the band went OK with me, as he kept making solo music… starting out in the traditional acoustic and then morphing into more rock and even electronic-infused meets acoustic.  His last album, 2009’s Stockholm Syndrome, was one of my favorites from last year (#3 to be exact).

Stockholm Syndrome fuses some great keys & beats from fellow Caedmon’s Call member Joshua Moore with Derek’s solid songwriting.  Lyrically, Derek tackles many issues that I think are relevant and important to everyone (not just christians) – including, but not limited to, addressing Fred “God Hates F-gs” Phelps from the hate-mongering Westboro Baptist Church (“Freddie Please”) to one-side of a superficial relationship with a club beat (“Jena & Jimmy”) to the conflict of a walk of faith and easier route living in the world at large (at least, that’s my take on “The Spirit Vs. The Kick Drum”) to the seemingly-singling out of homosexuality in the church as a major sin (What Matters More).

“What Matters More” is a song that resonates with me, as it is a big part of why I eventually left the church.  The church’s singling out of one sin over another really hit me as hypocritical, legalistic, and not loving.  If this was the god that the bible talked about, I didn’t want to be part of this disease.  If this wasn’t god’s view, then I didn’t want to be part of this group of “believers.”  Regardless of my personal road that led to a lack of faith and becoming an atheist, I still hold Derek’s music closely, as I think of any christian artist, he seems to “get it.”

Derek going out on tour with Jennifer Knapp ended up being a perfect match (she just “came out” as being in a long-term, committed same-sex relationship).  This isn’t shocking to me, and I wish it didn’t even have to be mentioned.  Why is someone’s sexuality any of our business? I suppose that in this day and age, especially coming from a christian musician, this “coming out” has to occur to set the record straight that there is nothing wrong with this.  I’m happy that she was finally comfortable coming back into making music, touring and coming out to be true to herself.  I didn’t know much of her music prior to this show (though she was on my radar back when I was a music buyer at a christian bookstore in the Midwest), but I was equally excited to see her play alongside Derek.

Amy Courts opened the show right at 8pm.  She only played about 3 songs, but had a lot of banter (she was up there about 20 minutes).  Her banter was quite adorable, and her songs were in a similar acoustic singer-songwriter vein to both Webb & Knapp.  Amy had a gentler song in the middle, but her opener and closer showed off her powerful voice.  Definitely a good warm up…

Derek Webb went on immediately after Amy.  I guess with a bunch of acoustic guitars and no backing bands, it’s easy to stack the artists right after one another.

Prior to the show, I wasn’t sure how the Stockholm Syndrome songs would translate to solo acoustic, and according to Derek – he can only play about half of them on a solo tour.  With that being said, he played a good mix of older tunes, newer tunes, and even a brand new Caedmon’s Call song…

Derek’s Setlist: about 50 mins

  • Heaven
  • A Love That’s Stronger Than Our Fear
  • New Law
  • My Enemies Are Men Like Me
  • Freddie, Please
  • Nobody Loves Me
  • God’s Home Town (new Caedmon’s Call song)
  • Wedding Dress
  • What Matters More
  • American Flag Umbrella

My favorites from his set were the last three, but I enjoyed his set throughout.  Derek was fighting some form of sickness, which contributed a little bit to his normal raspiness (which I love).  Hopefully he’ll come by soon and be able to be more talkative, as that’s usually where things get interesting. :)

After a short 10-minute break, Jennifer Knapp hit the stage.  As mentioned previously, I was not too familiar with her music, but I did recognize one of the tunes early on from my old christian bookstore days – “Whole Again.”  I also recognized “Dive In” from her webpage.  She definitely had a powerful voice and stage presence.  I can totally see her draw… she’s a great performer and has some vocal and guitar chops.

Some of her songs were a bit too “christianeze” for my tastes.  Though, she is decidedly less CCM-y than most, and I can definitely appreciate that. :)  One funny moment (to me) was her describing how “such and such” song was written a while ago but never put on a record because it didn’t have the right mentioning of “Jesus” and wasn’t as religious, etc – but to me, it definitely seemed religious… I mean, why do christians many times think that songs aren’t religious if they don’t use “god” or Jesus’ name directly?  This song’s mentioning being “in need of mercy” (among other things) definitely had a religious bent, if you ask me.  Anyway, christians’ perceptions of christian songs gets a chuckle out of me.  That’s all.  She is enough of a cross-over lyricist where I think she’ll do fine on the Lilith Fair circuit… she’s a powerful woman musician warrior.

I enjoyed just under an hour of Jennifer’s set before heading out back home to Eugene.  I did catch a few songs with Amy Court joining her, and I’m sure Derek joined her later in the set (as he has done in the past).  All in all, I thought it was an A+ triple singer-songwriter bill.  If you have any thoughts on Jennifer’s set or if you have her setlist, please post in the comments.

This was one of the last shows featuring both Derek & Jennifer.  Derek Webb will likely be more involved in the Caedmon’s Call album wrap-up in the coming months (I’m hoping they tour with Derek).  Jennifer Knapp will be on the Lilith Fair tour in 2010 alongside many other great artists.  I’d highly (HIGHLY) recommend Derek’s latest album, Stockholm Syndrome.  Also, check out Jennifer’s album, Letting Go, when it drops on May 11th…

many more photos below

The Appropriate Linkage:

~Dan – np: Erin McKeownHundreds of Lions

AMY COURTS, DEREK WEBB
& JENNIFER KNAPP PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

REVIEW: Erin McKeown & Emily Wells @ Mississippi Studios (Portland, OR – 4/21/10)

22nd Apr 10 (Thu) 3 comments

FYI… PHOTOS of the SHOW at the BOTTOM


(despite these pictures, this show was not a head-scratcher)

Last night, the Mississippi Studios in Portland had a triple-bill tour de force.  Almost two and a half hours from three wonderful musicians – violinist indie-rapper Emily Wells, folk-pop songwriter Erin McKeown, and Portland-based singer Timmy Straw.  All three were showered us with great music (both old and new)…

Timmy Straw hit the stage late and quickly went into the first number.  Timmy’s vocals were gorgeous, in that gristly-yearning kind of way.  Songs were mostly haunting piano numbers, but there was some electronic-infusion on a song or two.  I picked up Timmy’s equally gorgeous debut CD, 2009’s State Parks.  Timmy only had a little banter during the set, playing fairly straight from one to the next (playing about 6 or 7 songs in a half hour).  Songs I did catch names for are “Rock of Ages,” “Scoops,” and “Herakles.”  I highly recommend State Parks. I think you can only get it at shows at this point (if someone has other info, please pass it along).

Erin McKeown went on around 10 and his us with a lot of gems from her latest album, Hundreds of Lions, out on Ani DiFranco’s Righteous Babe Records.  I’d seen her a couple times prior (in Cincinnati), and she was just as adorable and delightfully charming with her stories and music as she can be.  My wife noted (and I agree) that Erin has such great stage presence and spark.  She’s a ball of joy and it comes through in her songs…

Erin’s Setlist: ~45 mins

  • “Manifestra” (new song)
  • Cinematic
  • Santa Cruz
  • You, Sailor
  • (Put the Fun Back in) the Funeral
  • Queen of Quiet
  • Didn’t They
  • “Train of Steel” (new song)
  • Lullaby in 3/4

Emily went on around 11 and started swinging with her crowd-pleasin’ hip-hop numbers.  She employed Doug from the Portland Cello Project during half of her set.  I saw her play with the PCP last summer, and it’s what had me sold on her music.  She switched between violin and various other toys in her arsenal (toy pianos, drum loops, toy microphones, guitar, ukulele, etc).  She relied a lot on looping – which is always fun, as far as I’m concerned.  The hour-long Emily Wells “solo/live remix” included some of her Symphonies, her über-fun Notorious B.I.G. cover, as well as some newer songs… oh, and she was sportin’ some bling

Emily’s Setlist: ~1 hour

  • If You Love Me, Really Love Me
  • Symphony 1 In the Barrel of a Gun
  • Symphony 6: Fair Thee Well & the Requiem Mix
  • Juicy (Notorious B.I.G.)
  • Mama’s Gonna Give You Love (new song)
  • Give Ya Everything (new song)
  • Let Your Guard Down (new song)
  • The Fire Song (new song)
  • Passenger
  • Encore: Symphony 9 & the Sunshine

Emily has a new album coming out later this year, and also a project with Dan the Automator called Pillowfight.  Check her out on the MySpaces to keep in the loop.  We headed back home to Eugene around midnight… tired, but content.

many more photos below

The Appropriate Linkage:

~Dan – np: OzomatliFire Away
no download or free torrent mp3 flac available
support music by buying it

EMILY WELLS, ERIN McKEOWN
& TIMMY STRAW PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld and Margaret O’Brien,
you may use freely under a creative commons attribution

(click for larger)

REVIEW: Jónsi of Sigur Rós @ Roseland (Portland, OR – 4/13/10)

14th Apr 10 (Wed) 6 comments

FYI… PHOTOS of the SHOW at the BOTTOM

Jon Thor Birgisson aka “Jónsi” has a majestic voice and a penchant for clever, extravagant, and utterly gorgeous stage show that converts the already beautiful music into something worthy of an art exhibit.  His voice is well known in the indie rock scene via his long history bringing the enigmatic Sigur Rós to our shores/ears.

Sigur Rós is on a hiatus while many of the members’ families welcome new children into their lives; so Jónsi decided to follow-up his last album (Riceboy Sleeps with his partner Alex) with a “solo acoustic album.”  That “solo acoustic” album morphed into what became GO, a not-so-acoustic album.  Go fits in with the most recent Sigur Rós album (Með suð í eyrum við spilum endalaust).   It’s a “more accessible rock” affair full of the ideals, quirks, and high quality craftsmanship we’ve come to expect.

That high quality craftsmanship shows in Jónsi’s decision to bring in 59 Productions to work up his tour stage.  If I wasn’t sold on going to see Jónsi before, the lead-up to the show was almost unbearable after seeing the 59 Productions behind the scenes video.  More on that later… first, the opener…

Death Vessel (aka Joel Thibodeau) hit the stage around 8 and played a 35 minute set (6-7 songs).  His songs were gentle acoustic numbers, and his voice reminded me a lot of the late Jeff Hanson (nice falsetto).  The crowd seemed a little restless near the end, but I thought Death Vessel put out an enjoyable set.

Jónsi went on right at 9pm and started the show with just an acoustic guitar solo tune, Stars in Still Water.  Shortly thereafter the band joined him and the stage show began.  The walls and projectors played for about half of the songs in the set, and ranged from butterflies, to other animals, to a rainstorm that turned into a flood.  Some of the coolest effects were the burning stage-pieces early on, as well as the water flood.  It was quite astonishing how well done everything was… and it didn’t take away from the music at all.

Setlist: ~85 minutes

  • Stars in Still Water (solo)
  • Hengilás
  • Icicle Sleeves (K14 or Red Bicycle)
  • Kolniður
  • Tornado
  • Saint Naive (K7)
  • Sinking Friendships
  • Go Do
  • Boy Lilikoi
  • K12
  • New Piano Song (K365)
  • Around Us (with acoustic piano intro)
  • Encore: Jonsi New Guitar Song
  • Animal Arithmetic (Jonsi donned a colorful headdress)
  • Grow Till Tall

The fave songs of the night were Tornado, Go Do, Boy Lilikoi & Grow Till Tall – as those were the ones that resonate with me the most from the record.  All in all, it was an utterly superb show, and it ranks easily in my favorite shows ever (which includes many Sigur Rós shows, too).  The stage, the songs, the voice, the beauty… I hope Jónsi comes back through soon – either solo or with his “main band.”

Speaking of bands… the band members for Jónsi’s solo tour are Alex Somers on guitar, Úlfur Hansson on bass, þorvaldur þorvaldsson on drums and Ólafur Björn Ólafsson on piano

many more photos below

The Appropriate Linkage:

OK, I’m off for a while… if you comment, sorry if I won’t/can’t  respond (or potentially be able to approve comments) for a bit.  Anyway, for those of you who are going to one of the upcoming dates, have fun.  It is an AMAZING show.  Check out more tour dates below.

~Dan – np: Derek WebbStockholm Syndrome

JÓNSI (from Sigur Rós) & DEATH VESSEL PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

Higher Resolution (8 pics)

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2010 North American Tour Dates

  • april 6 vancouver, canada vogue theatre
  • april 7 vancouver, canada vogue theatre
  • april 9 seattle, wa the showbox sodo
  • april 10 seattle, wa the showbox sodo
  • april 13 portland, or roseland theatre
  • april 15 berkeley, ca zellerbach auditorium
  • april 16 san francisco, ca palace of fine arts
  • april 18 indio, ca coachella
  • april 21 denver, co paramount theatre
  • april 22 lawrence, ks liberty hall
  • april 24 minneapolis, mn pantages theatre
  • april 25 minneapolis, mn pantages theatre
  • april 26 milwaukee, wi the pabst theatre
  • april 27 chicago, il vic theatre
  • april 28 chicago, il vic theatre
  • april 30 toronto, canada sound academy
  • may 1 toronto, canada sound academy
  • may 2 montreal, canada metropolis
  • may 3 philadelphia, pa electric factory
  • may 5 boston, ma house of blues
  • may 6 boston, ma house of blues
  • may 8 new york, ny terminal 5
  • may 9 new york, ny terminal 5

REVIEW: Tegan & Sara @ Keller Auditorium (Portland, OR – 4/8/10)

9th Apr 10 (Fri) 11 comments

FYI… PHOTOS of the SHOW at the BOTTOM

Last night’s Portland show was near the end of a long, 3 month tour for Tegan and Sara‘s sixth album, Sainthood.  The record (out last fall) is rockier than their prior, but fits in with their near history.  A great mix of pop songwriting with an alternative, modern rock edge.  The twin sisters trade off on vocal duty, and this is their first record where they actually wrote the songs together in the same room.  The closeness shows in the cohesiveness of this record compared to 2007’s The Con or 2004’s So Jealous (both great records as well).

Upon arrival to the Keller Auditorium, I got a good chuckle out of “tailgators” in a nearby park running through the oddly entrancing “Alligator” dance (see the music video).  If you hadn’t heard, there’s also a remix LP out now of the Alligator Remixes.

Holly Miranda was the first opener and went on right after 7:30.  I wasn’t expecting a full band for her, but more of a singer-songwriter.  Her band put together a great 30 minute set – more like a singer-songwriter vibe with a rockin’ boost.  I didn’t know any of her music, but I’ll definitely check her out soon.

Steel Train hit the stage after a short set break.  They’re all seemingly young guys from New Jersey, but they played a very throw-back, ‘cross-the-big-pond 30 minute set.  Really reminiscent of 80s Brit-poprock, they had a great stage presence.  The lead singer was very humbled alongside his rock energy… again, they seemed like really nice gents.  Great tunes, great energy.  Their set was capped by some crew coming out and drumming alongside them – one in a gorilla costume.

Tegan and Sara hit the stage right at 9pm.  They came out blazin’ with quartet of songs from their latest record… The Ocean, On Directing, The Cure, and Alligator.  I’m actually a little surprised they didn’t try to incorporate some of the aforementioned “Alligator dancers” in their stage show.

Tegan and Sara both switched between guitars and keys.  Most of the vocal duties for the night were Tegan’s, but Sara had a few of her songs in the mix as well.  The set was primarily made up of selections from Sainthood and The Con, but they threw in a handful of older tunes for good measure.  Both Tegan and Sara had some funny stories (and a little bit of sisterhood bickering).  It was cute… :)

Setlist: about 95 minutes

  • The Ocean
  • On Directing
  • The Cure
  • Alligator
  • You Wouldn’t Like Me
  • I Bet It Stung
  • The Con
  • Nineteen
  • Northshore
  • Night Watch
  • Red Belt
  • Monday Monday Monday
  • Where Does The Good Go
  • Speak Slow
  • Walking With A Ghost
  • So Jealous
  • Hop A Plane
  • Sentimental Tune
  • Hell
  • Encore: Back In Your Head (acoustic)
  • Dark Come Soon
  • Divided
  • Call It Off
  • Living Room

Due to it being the last night of the tour, emotions ran high (for all bands).  The bands also seemed really well practiced.  The show ended early (comparably to most rock shows), but due to its earlier start time, we all got a great amount of bang for our buck.  I imagine Tegan and Sara will take a bit of time off before the summer festival circuit, but I hope they swing through Oregon again soon!!

many more photos below

The Appropriate Linkage:

Check out their past 2010 tour dates below.

~Dan – np: JónsiGo

no free download or torrent available

TEGAN & SARA PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

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The North American Sainthood 2010 Tour Dates

  • January 5 – 6 Vancouver, BC Orpheum
  • January 7 Kelowna, BC Community Theatre
  • January 8 – 9 Calgary, AB Southern Alberta Jubilee Auditorium
  • January 11 – 12 Edmonton, AB Northern Alberta Jubilee Auditorium
  • January 13 Saskatoon, SK Saskatchewan Place Concert Bowl
  • January 14 – 15 Winnipeg, MB Burton Cummings Theatre
  • January 18 Montreal, QC Place des Arts
  • January 19 – 20 Toronto, ON Kool Haus
  • January 22 – 23 Ottawa, ON Bronson Centre
  • January 25 Quebec City, QC Imperial Du Quebec
  • January 26 Fredericton, NB Fredericton Playhouse
  • January 27 Halifax, NS Rebecca Cohn Auditorium
  • February 12 Northampton, MA Calvin Theater
  • February 13 Boston, MA Orpheum Theatre
  • February 16 Upper Darby, PA Tower Theatre
  • February 17 Washington, DC Warner Theatre
  • February 18 Richmond, VA The National
  • February 20 Tampa, FL Tampa Theatre
  • February 21 Boca Raton, FL Sunset Cove Amphitheatre
  • February 23 Atlanta, GA Variety Playhouse
  • February 24 New Orleans, LA Tipitina’s Uptown
  • February 25 Dallas, TX Palladium Ballroom
  • February 26 Austin, TX Bass Concert Hall
  • February 27 Houston, TX Warehouse Live
  • March 2 Las Vegas, NV House Of Blues
  • March 3 San Diego, CA Copley Symphony Hall
  • March 5 – 6 Oakland, CA Fox Theater
  • March 24 Minneapolis, MN The Orpheum Theatre
  • March 25 Milwaukee, WI Riverside Theatre
  • March 26 Chicago, IL Aragon Ballroom
  • March 27 Royal Oak, MI Royal Oak Music Theatre
  • March 28 Lakewood, OH Lakewood Civic Auditorium
  • March 30 Columbus, OH PromoWest Pavilion
  • April 2 St. Louis, MO The Pageant
  • April 3 Kansas City, MO Uptown Theater
  • April 4 Denver, CO Ogden Theatre
  • April 6 Salt Lake City, UT In The Venue
  • April 8 Portland, OR Keller Auditorium

REVIEW: Nellie McKay @ Berbati’s Pan (Portland, OR – 3/31/10)

1st Apr 10 (Thu) 4 comments

FYI… PHOTOS of the SHOW at the BOTTOM

Nellie McKay‘s most recent album, As Normal As Blueberry Pie, came out last year, and while different from her prior records, it definitely fit in her catalog nicely.  It featured her at her campiest but also her jazziest, versus her edgier side. For evidence of the campiness, check out the lovely publicity shots over on nelliemckay.com.  The serious and silliness perfectly fit her personality.  I wouldn’t want Nellie any other way.

On to the show…

The venue, Berbati’s Pan, was known to me more for its rock acts.  The “jazzy, bluesy, singer-songwriter evening” in store for us was bound to be a big question mark regarding how it would come across… well, it was delightful.  The lighting and small couches on the outskirts of the club made for a nice atmosphere.  We got to the show just before Howard went on.  Most of the people were hanging out on the chairs & couches; so we got some spots right up front.

Howard Fishman opened up the show and hit the stage around 8:45pm.  He played guitar in Nellie’s backing band, the Aristocrats, last fall.  He played a good set of bluesy standards and originals.  He had a lap steel guitarist, Henry Bogdan, playing with him.  He played about 25-30 minutes, primarily “upbeat blues” tunes… with a few darker tunes thrown in near the end.  Some of my favorites were “The One Rose (That’s Left in My Heart),” a silly song about the Red Sox, and the capper called “Best Days.”

After a short break, Nellie hit the stage alongside both Howard and Henry around 9:20pm.  Her set was a more stripped down version of what she brought to Seattle last fall.  A great selection of Doris Day and other older standards, with a few of her own songs thrown in for good measure.  Her originals were some of my favorites for the night – specifically “Toto Dies” and “The Dog Song.”  The newer cover tunes added to her setlist – “Small Day Tomorrow” and “Two Sleepy People” – were really great as well.

She was a giddy and lovable as usual… very jokey and generally in a delightful mood.

Setlist: about 75 minutes

  • Do Do Do (Doris Day cover)
  • Sentimental Journey (Doris Day Cover)
  • A Wonderful Guy (Doris Day cover)
  • Georgie Girl (The Seekers cover)
  • Mean to Me (Doris Day cover)
  • Prisoner of Love (Kitty Wells cover)
  • Close Your Eyes (Doris Day cover)
  • “Happy Birthday” (to Becky)
  • If I Ever Had a Dream
  • Toto Dies
  • P.S. I Love You
  • Mother of Pearl
  • Alone When It Rains (duet with Howard Fishman)
  • The Dog Song
  • A-Tisket, A-Tasket (Ella Fitzgerald cover)
  • Small Day Tomorrow (Bob Dorough / Fran Landesman cover)
  • Crazy Rhythm (Doris Day cover)
  • Encore: “Old-fashioned Bodega” (title unknown)
  • Two Sleepy People (Hoagy Carmichael cover, duet with Howard Fishman)


many more photos below

Howard joined her on vocals on two songs.  “Alone When It Rains” is actually a song of his, which was sung last night as a tribute to her former dog, Charro.  The Hoagy Carmichael duet (“Two Sleepy People”) had a giggle-fit lyrical screw up, but they kept rolling with it.  Henry’s lap steel changed the Doris Day sound to a more bluesy feel from the jazz sound of the Aristocrats backing band.  The more stripped down Nellie backing band was a treat.  I hope she keeps on swinging through the Pacific Northwest.

They’re off to Seattle next (check out more tour dates below).  Catch them if you can!

The Appropriate Linkage:

~Dan – np: Coheed & CambriaYear of the Black Rainbow

no free download or torrent here
2010 Tour Dates (so far)

  • 3/28/2010 Los Angeles, CA Alex Theatre
  • 3/29/2010 San Francisco, CA Great American Music Hall
  • 3/31/2010 Portland, OR Berbati’s Pan
  • 4/3/2010 Seattle, WA Paramount Theater A Prairie Home Companion
  • 4/10/2010 Delaware Water Gap, PA Deerhead Inn
  • 5/15/2010 Sellersville, Pennsylvania Sellersville Theater 1894
  • 6/1/2010 through 6/12/2010 New York, NY Feinstein’s at The Regency
  • 9/17/2010 Monterey, California, United States Monterey Jazz Festival

NELLIE McKAY with HOWARD FISHMAN PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

Higher Resolution (8 pics)

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REVIEW: Jake Shimabukuro @ the Shedd (Eugene, OR – 3/16/10)

17th Mar 10 (Wed) 1 comment

FYI… PHOTOS of the SHOW at the BOTTOM

Jake Shimabukuro is an amazing guitar player.  The media that he uses to express that phenomenal talent is on the diminutive instrument known as the ukulele.  The ukulele’s use is more popular in traditional Hawaiian music, but it has made its way into mainland pop music recently via the likes of Ingrid Michaelson, Amanda Palmer, and one of my favorites – Nellie McKay (review / ukulele pic).

Well, Jake brings his music from Hawaii, but he is nothing resembling a “traditional” Hawaiian ukulele player.He is a master fret-worker on the ukulele and brings sounds out of it that you wouldn’t necessarily find on the islands.

Jake Shimabukuro hit the stage around 7:30pm.  His set bridged gaps between traditional Hawaiian music, to jazz, to blues, to classical, to folk, to classic rock, to bluegrass, to flamenco, to traditional Japanese music.  He played a few new tunes from his forthcoming album including “143” and “Piano-Forte.”  The latter was written with two piano parts (left and right hand), and due to Jake only containing the standard issue “two hands” only played the left-handed rendition.  We’ll have to wait for the album for the full version.

Here’s what he blessed us with last night…

Setlist: about 90 mins

  • 143
  • Blue Roses Falling
  • Me & Shirley T.
  • Let’s Dance
  • Dragon
  • “Bowing for the Queen” story
  • In My Life (Beatles)
  • While My Guitar Gently Weeps (Beatles)
  • Sakura Sakura
  • Piano-Forte (left hand rendition)
  • Trapped
  • Five Dollars Unleaded
  • Orange World
  • Bohemian Rhapsody (Queen)
  • Encore: Crazy G

Jake was a very talkative person, full of stories about song origins and his childhood: the too many sugary drinks induced “Me & Shirley T.,” the Carlos Montoya-influenced flamenco number “Let’s Dance,” the Bruce Lee meets Eddie Van Halen song “Dragon” (beautifully full of finger taps), playing with Bette Midler and bowing a lot for the Queen of England, the Ralph McDonald (of Jimmy Buffett’s band) 9/8-time rhythm that inspired “Trapped,” and riding around Hawaii in his dad’s old pickup truck.  Full of stories, full of excellent melodies and wicked fast hands – Jake Shimabukuro was a treat.

more photos below

The Appropriate Linkage:

~Dan – np: Haftor Medbøe GroupA Box of Monkeys -EP-

JAKE SHIMABUKURO PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

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REVIEW: Fishtank Ensemble @ House Show (Eugene, OR – 3/5/10)

6th Mar 10 (Sat) 3 comments

FYI… PHOTOS of the SHOW at the BOTTOM

Fishtank Ensemble hit the scene in 2005 with Super Raoul.  The first record hit my radar with members from bandmembers from bands I was already into: Kevin Kmetz (from God of Shamisen/Estradasphere/Secret Chiefs 3 on occasion), Doug & Tim Smolens (El Douje’s record & Estradasphere), and Adam Stacey (Estradasphere).  Only Doug “El Douje” Smolens remains from that first group of guys who got me into the band, but the other members definitely kept me around…

The band is Fabrice Martinez (pictured above –  violin), Ursula Knudson (pictured above – vocals, saw, violin, etc), El Douje (guitar) and Djordje Stijepovic (Bass).  They play a mix of Eastern European “gypsy” music mixed with a heavy dose of Django Reinhardt influenced French jazz (dominated by guitars & violins).  Think… Hot Club de Baltic States.  On their records thus far, they also add in some Japanese music (from former member Kevin Kmetz’s shamisen work).

This was my first time to one of their shows.  Last time they came through Eugene, I was up in Portland for another band, but my wife gave a rousing thumbs up (she ended up going to see Fishtank at Cozmic Pizza).

The band played about two hours, split up with a nice intermission / snack time in the middle.  The band was red hot, and the intimate living room setting made this concert very special.  I’ll admit, I’m not usually a fan of vocals as of late, especially in world music.  However, Ursula nails it.  Seeing her perform in concert 4 feet in front of me was quite stunning.  Besides the stunning dress (!!!), her vocals were utterly fantastic!  She did a lot of vocal acrobatics, which worked amazingly well with violin, bass and guitar acrobatics that the rest of the band was giving us as well.

They played a lot of material I recognized from their second album, Samurai over Serbia, as well as some new and/or traditional tunes.  Here’s what I scribbled down (fixed by bassist Djordje – – Thanks!)…

Setlist:

  • Espagnolette
  • Saraiman
  • Arabo Andaluz
  • After You’ve Gone
  • Fraima
  • Woman in Sin
  • Swing 2003
  • Hopa di Bida
  • Am Furat de la Haidouks (Romanian Sirba dance medley)
    <<intermission>>
  • O’Dewel
  • Kolo Suite (Serbian/Transylvanian Medley)
  • Tchiki Tchiki
  • Djordje’s Rachenitza
  • Coucou
  • Opa Opa
  • Samurai Over Serbia
  • Encore: Ursula’s high school song
  • Ciocarlia

They’ve got a new record coming out soon, called Woman in Sin.  Keep an eye out for it on their webpage, MySpace, et cetera.  Thank you to Michael & Carolyn for putting on a great house show!  I look forward to the next Rolling & Tumble house show — Tuvan throat singers!!

many more photos below

The Appropriate Linkage:

~Dan – np: Bill FrisellRambler

FISHTANK ENSEMBLE PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution

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