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REVIEW: The Swell Season @ McDonald Theatre (Eugene, OR – 11/23/09)
FYI… PHOTOS of the SHOW at the BOTTOM
Like mostly everyone who is into The Swell Season (Glen Hansard of The Frames with Markéta Irglová), I got into them via the movie ONCE. They came through Eugene after I had moved to town, but before I had gotten into them. My brother made me watch it when we were home for my other brother’s wedding (July 2008), and I suppose I should thank him for that. With The Swell Season’s original 2009 Strict Joy tour date press release, they didn’t have a Eugene date, but I’m glad they added one…
The opener was Doveman‘s frontman Thomas Bartlett. He played about a half of an hour of whispy piano tunes. He seemed slightly shy, rarely looking towards the crowd… but maybe that’s just his style or how the piano was set up for him. Due to his whispy vocals, he struck me as similar to Jeff Hanson or slimmer, beardless Sam Beam of Iron & Wine – but on piano. He’s worked with The Frames, Swell Season, Antony & the Johnsons, Laurie Anderson, Arto Lindsay, The National, and Yoko Ono in the past – so that put him in my “he’s cool” book. Songs he played included “Angel’s Share ” (about whisky), “The Burgundy Stain” (about wine), and a medley to the Footloose soundtrack. The Footloose songs were fantastically mournful and sad. Classic!
The show opened with Glen and Markéta coming out and crouching down in front of the center mic. I wasn’t close enough to see if someone was playing the electronics / keyboards, but they started out with “Fallen From the Sky” – staying crouched down for the whole song. Luckily that didn’t continue for the rest of the show (or my continued photos would have been lame). :)
After the initial song, the band came out. The band was made up of the rest of The Frames, Glen’s band that was the precursor to Once and The Swell Season. I’m very rapidly becoming a serious fan of Glen’s vocals… which I suppose means that I need to get The Frames’ back catalog. Vocally Glen reminds me a lot of my buddy, Ashley Peacock. Most of the set was Glen on vocals, but Markéta covered lead vocals for “If You Want Me,” “Fantasy Man,” and “I Have Loved You Wrong.” As far as most powerful vocal performance… I’ll have to go with “Say It To Me Now,” where Glen played solo and off microphone. A few songs later, Glen was killin’ his guitar on Van Morrison’s “Astral Weeks,” and he shredded at least a couple of strings – luckily his roadie was on top of things and brought out a replacement guitar right away.
Setlist: just over 2 hours
- Fallen From The Sky
- Lies
- Low Rising
- In These Arms *a fave of the night*
- The Rain *a fave of the night*
- The Moon
- If You Want Me
- Fantasy Man
- Say It To Me Now (Glen solo, off mic) *a fave of the night*
- Leave
- Lay Me Down
- Astral Weeks [Van Morrison]
- The Blue Shoes (Colin solo violin song)
- I Have Loved You Wrong
- Once *a fave of the night*
- When Your Mind’s Made Up *a fave of the night*
- Encore: Falling Slowly *a fave of the night*
- High Hope (new song)
- High Horses
- Broken Hearted Hoover Fixer Sucker Guy
- It All Falls Down (with Doveman)
- Red Chord [The Frames]
- The Parting Glass [The Clancy Brothers]
After leaving the venue, I bet everyone thought they got their money’s worth… a great show, great vocals by Glen & Markéta. While I know this was a break-up record of sort, I’m glad that they’re still able to work together. And while it may be a long shot, I hope they do continue to work together in the future.
many more pictures below
The “Low Rising” video directed by Sam Beam (from Iron & Wine):
The Swell Season’s new record, Strict Joy, is better than the Once soundtrack, if you ask me. You can get it at Amazon below:
The Appropriate Linkage:
- The Swell Season’s Site
- The Swell Season on MySpace
- Jason Segel guesting with Swell Season (in L.A.) (youtube link)
- The Frames’ Site
- The Frames on MySpace
- Doveman’s Site
- Doveman on MySpace
- McDonald Theatre
Check out more tour dates below.
~Dan – np: Pearl Jam – Backspacer 
THE SWELL SEASON & DOVEMAN PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
Higher Resolution (8 pics)
Limited to 1200 pixels wide or tall (30 pics)
Tour Dates
1 – Milwaukee, Wisc. @ The Pabst
2 – Indianapolis, Ind. @ Clowes Memorial Hall
3 – Toronto, Ontario @ Massey Hall
4 – Montreal, Quebec @ L’Olympia de Montreal
6 – Boston, Mass. @ Berklee College of Music Performance Center
7 – Providence, R.I. @ Lupo’s Heartbreak Hotel
8 – Philadelphia, Pa. @ Merriam Theater
9 – Washington, D.C. @ 9:30 Club
12 – New Orleans, La. @ House of Blues
13 – Houston, Texas @ Warehouse Live
14 – Dallas, Texas @ Palladium
15 – Austin, Texas @ Paramount Theatre
17 – Mesa, Ariz. @ Mesa Arts Center
18 – Los Angeles, Calif. @ The Wiltern
20 – San Francisco, Calif. @ The Paramount
22 – Seattle, Wash. @ The Paramount
23 – Eugene, OR @ McDonald Theatre
24 – Portland, Ore. @ Crystal Ballroom
25 – Vancouver, B.C. @ Centre in Vancouver for Performing Arts
27 – Boise, Idaho @ Egyptian Theatre
28 – Salt Lake City, Utah @ Jeanne Wagner Theatre
29 – Denver, Colo. @ Ogden Theatre
30 – Kansas City, Mo. @ Uptown Theater
December 2009
3 – Chicago, Ill. @ Auditorium Theatre of Roosevelt University
4 – St. Louis, Mo. @ The Pageant
5 – Minneapolis, Minn. @ State Theatre
Doug Pinnick, 24-7 Spyz & Fishbone members form A.N.M.
As reported on Blabbermouth…
Jimi Hazel — guitarist, vocalist and producer of acclaimed heavy metal soul band 24-7 SPYZ — has announced the formation of what is now being billed as the “first black supergroup” called A.N.M. (a.k.a. ANTI N***ER MACHINE).
The band’s lineup is as follows:
- Doug Pinnick (KING’S X): Vocals
- Jimi Hazel (24-7 SPYZ): Guitar, Vocals
- Rick Skatore (24-7 SPYZ): Bass, Vocals
- Spacey T (SOUND BARRIER, FISBONE): Guitar, Vocals
- Greg Fulton (CYCLONE TEMPLE, RWA): Guitar, Vocals
- Phil D. Fish (FISHBONE, WICKED WISDOM): Drums, Percussion
Commented Jimi: “This is gonna be a beautiful thing and we will drop some of the heaviest, funkiest and crunchiest music heard in a long time! I’m honored to be a part of music making history with my brothers and I know that people will be more than happy when they hear what comes from us!”
A.N.M. is currently talking to labels in search of a home for what will become one of the highly anticipated releases of 2010. The band plans to spend the winter writing and recording and hopes to release a CD in late spring or early summer.
~*~*~*~*~*~
I dug the Doug collaboration with 24-7 Spyz (back in 1996) on Heavy Metal Soul By the Pound. With Doug on lead vocal duties and Fishbone members in the mix, this promises to be pretty damn good. I’m not too fond of their band name. I mean, I understand the meaning and where they’re coming from. I just don’t necessarily “prefer” their choice. Regardless, I bet the music will be great.
~Dan – np: Tegan and Sara – Sainthood thainthood
Goddamn Electric Bill “Ten Thousand Years”
I’ve been a fan of Jason Torbert‘s pseudonym Goddamn Electric Bill and his organic, electronic one-man bandness for a while. I bought his EP, The Only Power to Please, from the musical social ghetto that is MySpace back in 2005. I’ve been a fan of his work ever since – it fits with a lot of the organic electronic that I dig: Chroma Key, Ken Andrew’s On, The Album Leaf, Tristeza, Frog Pocket, et cetera…
Well, his new video for “Ten Thousand Years” off of 2008’s Topics for Gossip is really creative and heart warming…
(click picture for video)
Written/Directed by Drake Doremus
Director of Photography: John Guleserian
Production Designer: Theresa Avram
Edited by Jason Stewart
Starring: Jason Torbert (aka GdEB) and Zibby Allen
Crew: Eli Berg, David Meador, Tyler Graim, Scott Uhlfelder,
Armando Ballesteros, Amelia Tabullo, James Obed,
Tommy Obed, Israel Unger, and Mark Schoening
Find out more about GdEB:
~Dan – np: Melt Banana – initial t.
Ty Tabor (of King’s X) news…
posted on Ty Tabor‘s website…
Ty Tabor (King’s X), John Myung (Dream Theater), and Rod Morgenstein (tons of bands) are discussing the possibility of recording a new Jelly Jam album in 2010. This would be their third release as The Jelly Jam and their fifth overall release together. More news coming soon! [Editor’s note: yay! The Jelly Jam / Platypus / Jughead releases are some of my favorites from Ty]
Ty has some things on eBay at the moment and plans to sell some of Alien Beans Studio’s gear over the next month. Keep an eye out at eBay.
King’s X is still working on the live DVD shot in London earlier this year. Look for a 2010 release.
Ty’s new solo album is coming along nicely. The yet untitled album will also be released in 2010. [Editor’s note: double yay!]
~Dan – np: David Gilmour (of Pink Floyd) – Live in Gdańsk
Megadeth, Slayer & Testament 2010!
I’m heading out on a short vacation; so no major blogs for the next few days… next concert is The Swell Season next Monday. For the time being, there’s a new tour hitting the road next winter… Megadeth, Slayer and special guests Testament! Holy cow!!! I’ve seen all three of these bands before, but it’s been a while – and I’ve never seen them at the same time. I’ll be at the Portland show, if ticket sales serve me well…
JANUARY 2010
18 WaMu Theatre, Seattle, WA
19 Memorial Coliseum, Portland, OR
21 Cow Palace, San Francisco, CA
22 Long Beach Arena, Long Beach, CA
23 Dodge Theatre, Phoenix, AZ
25 Magness Arena, Denver, CO
26 Tingley Coliseum, Albuquerque, NM
27 El Paso Coliseum, El Paso, TX
29 Verizon Wireless, Houston, TX
31 Municipal Auditorium, Nashville, TN
FEBRUARY
1 Gwinnett Arena, Duluth, GA
2 Broadbent Arena, Louisville, KY
4 Roy Wilkins Auditorium, Minneapolis, MN
5 UIC Pavilion, Chicago, IL
6 Cobo Arena, Detroit, MI
9 Chevrolet Theatre, Wallingford, CT
11 Izod Center, East Rutherford, NJ
12 Glens Falls Civic Center, Glens Falls, NY
13 Susquehanna Center, Camden, NJ
14 Tsongas Arena, Lowell, MA
16 Pavillon de La Jeunesse, Quebec City, QC
18 John Labatt Centre, London, ON
19 Air Canada Centre, Toronto, ON
20 Bell Centre, Montreal, QC
22 Moncton Coliseum, Moncton, NB
23 Metro Centre, Halifax, NS
~Dan – np: Dizzy Gillespie – Professor Bebop
REVIEW: Maynard James Keenan’s PUSCIFER 2nd night @ Roseland (Portland, OR – 11/16/09)
FYI… PHOTOS of the SHOW are at the BOTTOM
Maynard’s voice shines on Night 2…
Saturday’s Puscifer show (review link) was fantastic, and I happened to be up in Portland for a work training session; so, what the hell… let’s do this again! I heart Maynard!
No wine tasting (for me) this time… in fact, for a more detailed review, definitely check out Saturday’s show review. Monday, I showed up around 8pm and got situated near the front of the general admission section.
Sweethead opened the show again. I switched up where I took in their music this time… I could definitely hear the guitars better, but the vocals were a little muddy until midway through their set. I liked them. Troy’s a good guitarist, and Serrina has some nice energy (ok, and nice legs, too). :)
This was their last night as support for Puscifer, and Troy took a dive into the drum set at the end… crash! buzz!
After Troy and Serrina got up, they left the stage – guitar still buzzing. As the crew pulled Sweethead’s gear and monitors off the stage, they lifted up a large black sheet to hide the stage (something new compared to Saturday night)…
I had seen on setlist.fm that the two nights in the same city had differing set lists, and Portland was no exception. Where Saturday was more of the blasphemy day to kick things off, Monday was… well… at 9pm, then the sheet came down, it looked like it was a camping theme (complete with fake fire). Maynard was inside the tent, and they had him projected on the screen behind him. After some bullshitting, he finally came out to start the show properly…
The stage seemed darker, but at least Maynard was out there for the two songs of which I was allowed to take photos. Both he and Carina were obfuscated again behind the video boxes, which is an oddity fitting of Maynard’s persona. Overall, I think Monday night’s show featured Maynard’s voice better – though the song selection wasn’t much different (other than order). The video breaks were completely different… comedic pitchmen trying to sell reality television concepts to Maynard – who wasn’t paying too well of attention and always got the concept wrong. Hilarity ensued, of course.
Here’s what they played among the campfire and sleeping bags…
Setlist: 90 minutes or so [compare sets with Night #1]
- Rev 22:20
- Drunk With Power
- (Video Break 1)
- Indigo Children
- Trekka
- Potions
- (Video Break 2)
- Momma Sed (with Tim Alexander as a Portland stripper)
- Vagina Mine
- Dozo
- The Undertaker
- (Video Break 3)
- Polar Bear
- Sour Grapes
- Queen B
- The Mission (featuring Carina Round)
- The Humbling River
- No Encore
Maynard’s voice sounded especially great on Indigo Children, Potions, Momma Sed (seemed slower/mellower than Saturday), Polar Bear, and The Humbling River. I’m really digging the new EP’s material… and I’m looking forward to more digital EPs, physical CDs, whatever Maynard wants to throw at us!
more pictures at the bottom
You can get Puscifer’s music via the pictures below:
You can grab some of Maynard’s wines (if you are lucky to be in the shipping area) via this:
The Appropriate Linkage:
- Puscifer’s Site
- Maynard / Puscifer on MySpace
- Caduceus Wine
- Carina Round’s Site
- Carina Round on MySpace
- Tool on MySpace
- Sweethead’s Site
- Sweethead on MySpace
- Spin‘s San Diego Review (Oct 31st)
- My review of Portland Night #1
- Roseland Theater
Check out the Puscifer tour dates below.
~Dan – np: The Swell Season – Strict Joy
PUSCIFER & SWEETHEAD PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
Higher Resolution (9 pics)
Limited to 1200 pixels wide or tall (43 pics)
Tour Dates
- 10/29/09, Las Vegas, NV (The Pearl, Palms Casino)
- 10/31, San Diego, CA (Spreckels Theatre)
- 11/1, San Diego, CA (Spreckels Theatre)
- 11/4, Oakland, CA (Fox Oakland Theater)
- 11/5, Oakland, CA (Fox Oakland Theater)
- 11/7, Stockton, CA (Bob Hope Theatre)
- 11/10, Seattle, WA (Moore Theatre)
- 11/11, Seattle, WA (Moore Theatre)
- 11/13, Vancouver, BC (Centre For the Performing Arts)
- 11/14, Portland, OR (Roseland Ballroom)
- 11/16, Portland, OR (Roseland Ballroom)
- 11/17, Salt Lake City, UT (Capitol Theatre)
- 11/18, Salt Lake City, UT (Capitol Theatre)
- 11/20, Denver, CO (Paramount Theatre)
- 11/21, Denver, CO (Paramount Theatre)
- 11/24, Dallas, TX (McFarlin Memorial Auditorium)
- 11/25, Dallas, TX (McFarlin Memorial Auditorium)
- 11/27, Houston, TX (Jones Hall for the Performing Arts)
- 11/28, San Antonio, TX (Majestic Theatre)
- 12/1, El Paso, TX (Abraham Chavez Theatre)
- 12/3, Phoenix, AZ (Orpheum Theatre)
- 12/4, Phoenix, AZ (Orpheum Theatre)
Digital Noise Academy is Melting Inside
So, the Digital Noise Academy dropped the “Los Angeles” from the front of their name… it’s been a while since there’s been any activity to report, but yesterday they posted their new official video for “Melting Inside“…
The DNA is Ken Andrews (coincidentally brought up in my Puscifer live show review from yesterday), Charlotte Martin (Ken’s wife), Justin Meldal-Johnsen, Sharky Laguana, Tommy Walter, Fernando Sanchez, and Jordon Zadorozny. I hope this means there’s a DNA album on the way. I think the last LADNA news was prior to Ken’s Secrets of the Lost Satellite CD (in early 2007).
~Dan – np: Greydon Square – The CPT Theorem
REVIEW: Maynard James Keenan’s PUSCIFER 1st night @ Roseland (Portland, OR – 11/14/09)
FYI… PHOTOS of the SHOW at the BOTTOM
Wine followed by Maynard’s blasphemous vaudeville show… Wow.
So, I’ve been a fan of Maynard James Keenan‘s vocal since the first utterances I heard from his “main band” TOOL. I loved his work with his first side-project, A Perfect Circle, especially the first album Mer de Noms. I was aware of Puscifer a while ago, as it started out as a “joke band” that debuted on a skit on Bob Odenkirk and David Cross’s Mr. Show on HBO (Maynard and Tool’s Adam Jones show up in a short clip). Never did I think that joke band name would turn into a real alter ego for Maynard himself, he’d release an album and a batch of remix EPs, and then hit the road!
So, for this 1st Portland show, I bought the VIP ticket which included a meet & greet and wine tasting (I didn’t do that for Portland show #2 as I didn’t know I was going to be able to go until a few days ago). For those not in the know, Maynard has gotten into wine making the past few years. Back in Ohio, I could order the wine to be shipped to me, and I still have a couple bottles of the 2005 Merkin Vineyards Chupacabra sitting in my utility closet… um… I mean in my “wine cellar.” I haven’t been able to taste any of Maynard’s recent Caduceus wines, as unfortunately, they don’t have the ability to ship to Oregon (argh, free the grapes!).
The meet & greet and wine tasting started a little after 5pm. We got shuffled into the back room of Roseland’s downstairs bar. Todd (I didn’t catch his last name) is Maynard’s wine guy, or at least he’s a touring member of Maynard’s crew who knows a lot about the wine. He mentioned several times about being involved in the last A Perfect Circle tour – right around the time Maynard was getting started with vineyard purchases / development. Todd talked for about an hour and fifteen about the various wines, including the one we were tasting – the 2006 Merkin Vineyards Chupacabra (limited to 5,000 cases). The Chupacabra vintages are designed to be different, similar to the folk legend of the chupacabra. The 2006 is a blend of 36% cabernet sauvignon, 13% petite verdot, 22% syrah, 14% petite sirah (all sourced from Paso Robles), and 15% of an unknown grape (yeah, I’m an accountant and noticed the missing % on their info sheet).
(click for larger picture with autograph)
The Chupacabra is Maynard’s most “mass produced” wine, and current batches are in the 10,000 case range. We obviously didn’t get to try any of Maynard’s 20 case batch of very special Judith wines (grown at 5,000+ feet altitude with land spread with his mother’s ashes). Todd also spoke a little bit about current discussions with Whole Foods to get the wines distributed into Portland. He also mentioned a documentary, Blood Into Wine, about Arizona wines with a little bit of Maynard, Fairuza Balk, Milla Jovavich, Patton Oswalt, Bob Odenkirk, and others in the footage. It is expected to hit the Sundance Festival and some select theatres in Feb 2010.
After Todd’s info and Q&A session, he went to go get Maynard, who had just finished sound check. Maynard came down and walked around the room and individually handed each one of us a signed copy of the Puscifer debut album (V is for Vagina). He only very briefly chatted with folks. He asked me if I learned anything from the wine talk, to which I replied “yes, thank you.” That’s about the extent of my interaction with Maynard, but I thought it was wicked cool to receive a signed copy of the album directly from his hands. :) Since he’s a busy guy, he took off shortly after making his tour around the room.
I had to leave after the meet & greet to get some grub; so I walked over to my favorite, close-by vegan restaurant (represent!) until show time.
When I got back to the venue, I went over to get my photo pass. I had free reign for the opener’s set, but only allowed to snap photos for the first two songs of Puscifer’s set (more on that later)…
Sweethead was the opener. Sweethead is guitarist Troy Van Leeuwen (Queens of the Stone Age, Failure, A Perfect Circle) and lead vocalist Serrina Sims with Norm Block and Eddie Nappi from the Mark Lanegan Band. 
They were a good rock group and played about a half of an hour. I was in a place in the venue (front / center) where the sound usually isn’t the best. My spot will be likely different for Monday’s show.
I think every time I’ve seen a Maynard band (three times for Tool and A Perfect Circle each), the opener has either been a Mike Patton-related band (Tomahawk, or on his label Ipecac – Isis & The Melvins) or a Ken Andrews-related band (Year of the Rabbit and now Sweethead is connected to Ken via one step with Troy and Failure). I’m not complaining, as I love Patton and Failure-related projects. I dug Sweethead… hopefully I’ll get a better feel for their sound on Monday.
Puscifer‘s set started with a video Maynard’s Major Douché character barking orders at us. Shortly thereafter, with band in place, Maynard wheeled out on a Segway in his horrible comb-overed, bedazzled sweat pants wearing preacher and kicked into “Sour Grapes.” This kick-off was a not-so-subtle hint that it was going to be a crude, blasphemous vaudeville experience – not your typical rock show.
As I only had photo privileges for the first two songs, I snapped away. Unfortunately, Maynard was off changing during the second song, “Rev 22:20” – so I resorted to snapping away at the band. I’m hoping Monday’s set, I get some more non-be-sweatpants‘ed Maynard. The security guards were quite adamant and nabbing people’s cellphones; so I’m definitely grateful to Maynard’s publicist for getting me the hook-up for these Portland shows.
I didn’t catch all of the band members’ names… but I do know that Carina Round covered the female vocals, and did a smash up job on “The Mission,” which model/actress Milla Jovavich sang on the studio version. Primus drummer Tim Alexander handled drums. Also in the band were two guitarists, an electronic & keyboards guy, and a percussionist. During the songs, if any individual band members wasn’t performing, they’d sit on the sofas or wander around and drink wine (which was laid out all over the stage) and munch on fruit, cheese and crackers. Also roaming around the stage was a cameraman dressed up as a ninja – which was later announced to be the one and only Meats Meier, Puscifer’s official CGI music video madman.
Here’s what they played…
Setlist: 90 minutes or so [compare sets with Night #2]
- Sour Grapes
- Rev 22:20
- (Video Break 1)
- Dozo
- The Undertaker
- Drunk With Power
- (Video Break 2)
- Momma Sed
- Indigo Children
- Vagina Mine
- (Video Break 3)
- Potions
- Polar Bear
- Trekka
- Queen B
- The Mission (featuring Carina Round)
- The Humbling River
- No Encore
I had heard some rumblings of people being disappointed in the past Puscifer shows. I think if you go in thinking it’s going to be a rock show (or a Tool show), you’re in it for the wrong reasons. I got to hear an hour and half of fun music and crazy ramblings, and I was thoroughly entertained. Monday promises to be different… I expect some country hee-haw may be on order…
more live photos at the bottom
You can get Puscifer’s music via the pictures below:
You can grab some of Maynard’s wines (if you are lucky to be in the shipping area) via this:
The Appropriate Linkage:
- Puscifer’s Site
- Maynard / Puscifer on MySpace
- Caduceus Wine
- Carina Round’s Site
- Carina Round on MySpace
- Tool on MySpace
- Sweethead’s Site
- Sweethead on MySpace
- Spin‘s San Diego Review (Oct 31st)
- My review of Portland Night #2 (Nov 16th)
- Roseland Theater
Check out the Puscifer tour dates below.
~Dan – np: The Swell Season – Once
PUSCIFER & SWEETHEAD PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
Higher Resolution (10 pics)
Limited to 1200 pixels wide or tall (49 pics)
Tour Dates
- 10/29/09, Las Vegas, NV (The Pearl, Palms Casino)
- 10/31, San Diego, CA (Spreckels Theatre)
- 11/1, San Diego, CA (Spreckels Theatre)
- 11/4, Oakland, CA (Fox Oakland Theater)
- 11/5, Oakland, CA (Fox Oakland Theater)
- 11/7, Stockton, CA (Bob Hope Theatre)
- 11/10, Seattle, WA (Moore Theatre)
- 11/11, Seattle, WA (Moore Theatre)
- 11/13, Vancouver, BC (Centre For the Performing Arts)
- 11/14, Portland, OR (Roseland Ballroom)
- 11/16, Portland, OR (Roseland Ballroom)
- 11/17, Salt Lake City, UT (Capitol Theatre)
- 11/18, Salt Lake City, UT (Capitol Theatre)
- 11/20, Denver, CO (Paramount Theatre)
- 11/21, Denver, CO (Paramount Theatre)
- 11/24, Dallas, TX (McFarlin Memorial Auditorium)
- 11/25, Dallas, TX (McFarlin Memorial Auditorium)
- 11/27, Houston, TX (Jones Hall for the Performing Arts)
- 11/28, San Antonio, TX (Majestic Theatre)
- 12/1, El Paso, TX (Abraham Chavez Theatre)
- 12/3, Phoenix, AZ (Orpheum Theatre)
- 12/4, Phoenix, AZ (Orpheum Theatre)
2009 mix
Well, thanks to a certain bigwig, I got off of my duff to make a mix CD for his round robin dealio. No major theme this time like prior mixes… the only rule I placed before myself was that everything is current (i.e.- released in 2009).
{If you aren’t part of the round robin and want a CD, contact me. If you’re local, even better. I’ll get ’em out around Thanksgiving.}
The following songs were put on the mix CD from lossless sources for promotional purposes only (read: free direct market advertising to people who decidedly love music). Most of the artists on this compilation are independent (put out the music themselves) or signed to smaller, independent labels. If you like what you hear, check out their music / support them with your wallet if you are able. The artists’ Webpage, MyFace & Spacebook (whether official or not), and Amazon links are available for each song below. I’ve also included concert review links if I’ve seen the artist recently.
PDF front liner is available HERE (designed to print double-sided).
UPDATE (12/18): free download / bonus track #18 below
«°¤°» ¤ ¤ «°¤°»
01 Nellie McKay “Do Do Do” from Normal As Blueberry Pie: A Tribute to Doris Day
Well, the person who got this round robin going (Brad) was a direct influence in me getting into Nellie McKay back when Get Away From Me came out. I’ve been a fan ever since. I think GAFM is my favorite of hers, but she’s still quite consistently entertaining to me. Her latest album is a tribute to the late great Doris Day. It’s missing some of Nellie’s sly wit, but is definitely fitting in her “I wish I was born in another era” wishes. The album art is 135% fitting for Nellie, too. Perfect choice!
«°¤°» ¤ ¤ «°¤°»
02 John Zorn “Miller’s Crake” from O’o
I could have put on some more skwoky Zorn, but I opted for a more accessible number. John Zorn is prolific, but this was actually a slow year – I only count six Zorn-related releases. O’o is twelve lyrical and adventurous instrumentals combining world music, surf, exotica, soundtracks, easy listening, and minimalism dedicated to twelve different birds (Chippy’s artwork is amazing). “Miller’s Crake” is a delightful Guaraldi-esque jaunt from the band that came out of the Electric Masada / The Gift / The Dreamers sessions: Marc Ribot, Jamie Saft, Kenny Wollesen, Trevor Dunn, Joey Baron, and Cyro Baptista.
«°¤°» ¤ ¤ «°¤°»
03 Extra Golden “Gimakiny Akia” from Thank You Very Quickly Vol 3
I was planning on going to Eugene Celebration anyway, but I got a call from a friend who suggested that we meet and definitely go to see Extra Golden. Um, OK, sure. Then I saw them, and wow… fuuuuun. I love African music, but sometimes it’s gets all too similar unless you do something fun (a la Fela Kuti, Antibalas, etc). Well, Extra Golden are half Kenyan and half American (which I guess is the “something fun” part? I don’t know). They fuse some great jam-rock with Kenyan beats* and singing… great stuff. Fantastic live show, too. *-Though, coincidentally, not so much Kenyan beats on this track. Yeah, sorry.
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04 Ember Swift “Hollowed Bones 空骨” from Lentic :: 子玉
Ember Swift (yes, her real name) is finally starting to head in a new direction. I mean, I dig her a lot, but her past albums have been slightly derivative of Ani DiFranco (with maybe a little more adventurism). She’s from Canada, but has spent time living in China recently. In fact, I think she’s still living there (don’t quote me on that)… that culture has definitely had an impact on her music.
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05 Works Progress Administration / Glen Phillips “Rise Up” from Works Progress Administration
This song first showed up on the Concert to End Slavery compilation as a Glen Phillips solo song. It’s my favorite from WPA, but it’s not very representative of the album. The album is more folky / americana via the heavy influence of Sean & Sara Watkins from Nickelcreek and Luke Bulla (from Lyle Lovett’s band).
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06 Madeleine Peyroux “Damn the Circumstances” from Bare Bones
I am usually not a fan of vocal jazz… it’s usually too full of schlock, if you ask me. Well, Madeleine’s smoky voice overrides that generalism for me. She’s a fantastic vocalist, a throwback to the golden era of jazz vocalists. This album is her first of non-covers. All original, either written solo or co-written, Bare Bones moves her from a “fantastic standards” singer to bringing vocal jazz back into fresh territory.
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07 dredg “Gathering Pebbles” from The Pariah, The Parrot, The Delusion
dredg is one of my favorite bands now. 2005’s Catch Without Arms floored me, and I was eagerly awaiting the follow-up. It took too long (4 years), but it was well worth it. The Pariah, The Parrot, The Delusion is by far my favorite album this year. It was inspired by Salmon Rushdie’s essay “Imagine There’s No Heaven: A Letter to the Sixth Billionth Citizen.” In fact, this past fall, dredg and Salmon did a joint show that was captured by Spin magazine.
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08 Porcupine Tree “Flicker” from The Incident
The best progressive rock band around, Porcupine Tree’s The Incident is a 55-minute epic concept album/song. “Flicker” is actually a session b-side from the 2nd disc from the collection. I got a chance to see Porcupine Tree this September, and Steven Wilson & Co delivered the impeccable studio sound to the stage. It’s almost magic.
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09 O.S.I. “Terminal” from Blood
I really like this 3rd record by O.S.I. (formerly know as the Office of Strategic Influence). O.S.I. is a joint collaboration of Chroma Key’s Kevin Moore and Fates Warning’s Jim Matheos. Most of Blood is heavier progressive rock, but I tend to like the more Chroma Key-esque tracks like “Terminal.” The album has guests Gavin Harrison (of Porcupine Tree) on drums, Mikael Åkerfeldt (of Opeth) on vocals for one track, and Tim Bowness (or No-Man) on vocals for one track as well. The 2nd disc also features a Kevin Moore-sung, rockin’ tribute to Elliott Smith (“Christian Brothers”).
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10 900X “The Black Beach” from Library Catalog Music Series: Music For Lubbock, 1980
Sufjan Steven’s label Asthmatic Kitty is really becoming a favorite. They host music by Sufjan, My Brightest Diamond, Fol Chen, Osso, and now the excellent experimentation from the various Library Catalog Music Series artists. The 900X release is my favorite of the six releases so far. I received the high quality mp3s from the record label for free, and I loved it so much that I bought it on vinyl.
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11 Chali 2Na featuring Talib Kweli “Lock Sh*t Down” from Fish Outta Water
I’m still sad that Jurassic 5 broke up, but now we get albums from Portable Payback (Marc7 & Soup), Cut Chemist, DJ Nu Mark, Akil the MC, and, of course, Chali 2Na (my favorite from the group). Chali’s got that deep booming voice that makes you pay attention. This song’s lyrics (and video) are kinda cheesy, IMO, but it still features some nice flow from the “lyrical manphibian.”
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12 Peter Mulvey “Vlad the Astrophysicist” from Letters From a Flying Machine
Storytelling has always been a fantastic part of Peter’s live shows. Nine years ago, when his first niece was born, Peter got into the habit of writing physical letters to his nieces and nephews (now 17 kids in total). This album is interspersed with spoken word letters and new music. I think it’s his strongest album since 2000’s The Trouble With Poets. I like a lot of different music, but with that being said, I think Peter is by far my favorite singer-songwriter. Support indie music!
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13 David Bazan “Curse Your Branches” from Curse Your Branches
I wanted to put on “Hard to Be,” but due to space limitations, I went for a shorter song. This is David’s first full-length solo album since disbanding the indie rock band Pedro the Lion. PTL was really David’s thing anyway; so him disbanding the band isn’t that big of a deal, if you ask me. This album also marks his first decided move away from the “religious guy” things into the “heavily agnostic thing” (kudos to him, from me at least). This album is peppered with his thoughts and doubts of his religious upbringing – even moreso than in his prior Pedro days. It very well called a “breakup letter to God” by some.
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14 John Zorn “Novato” from Alhambra Love Songs
Alhambra Love Songs is a set of 11 songs that are an eclectic homage to San Francisco Bay area musicians. This particular song is dedicated to Mike Patton (and, no, that’s not why I picked it). The album is played by pianist Rob Burger, bassist Greg Cohen, and drummer Ben Perowsky – and also falls into the “more accessible” John Zorn camp.
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15 Wussy “Little Paper Birds” from Wussy
This little band that could from Cincinnati is getting some good buzz in major publications (I know Spin has featured them several times). I went to college with their female lead singer, Lisa Walker, and remember when she did a more folky thing. I think Wussy’s sound suits her well (and vice versa). Anyway, this is their third record, and features some great songs from both Lisa and Ass Ponys’ Chuck Cleaver.
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16 The Dead Kenny G’s “Birther Blues” from Bewildered Herd
Prior to moving to the PacNW, I had heard of saxophonist Skerik via John Zorn and other avant-garde connections. I never got to hear him until I moved here and saw him at Sam Bond’s. He seems to be down here in Eugene every other month or so, in different band incarnations. The Dead Kenny G’s features Skerik on tenor sax & pianos, Mike Dillon on drums (who I recently saw drum with Ani DiFranco), and Brad Houser on bass & baritone sax.
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17 Ikue Mori “Redeye Skimmer” from Class Insecta
Ikue Mori is an interesting instrumentalist. She mostly utilizes a laptop, and I saw her play live with Ellery Eskelin & Jim Black in NYC in 2007 and was wowed by the improvisational nature of her craft. Most of her albums are more avant-garde. She has one album that I’d consider to be much more accessible (1995’s Painted Desert on Japan’s DIY/Avant label). Class Insecta is also more accessible than most of her work. I suppose if you like well composed, electronic music dedicated to insect species, it’s for you!
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18 Derek Webb “What Matters More” from Stockholm Syndrome
(bonus mp3) DOWNLOAD it >> http://www.derekwebb.com/387/WMM.zip
Stockholm Syndrome is an album that I’m bummed I didn’t get fit on the CD version of this compilation. It’s going to place fairly well in my year-end “Best of 2009” list. I think it’s the best thing Derek’s ever done, including Caedmon’s Call and prior solo work. It has a great overall vibe, and a message that I can agree with, even though I don’t agree with his religious philosophy. This song, while not the best on the album (IMO), has a great lyric and pro-gay marriage position and was actually banned by his independent Christian label (INO Records). He subsequently released an “uncensored” version of the album, and now has the song available for free on his site.
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Let me know what you think…
unfortunately missing (due to space or flow limitations, or that I simply didn’t get them in the mail yet): pop from Regina Spektor, Zero 7 & the Swell Season; jazz from Dave Douglas’ Brass Ecstasy and A Single Sky, Masada Quintet + Lovano, and The Fantastic Terrific Munkle; comedy from Flight of the Conchords; and some metal Ahleuchatistas, Megadeth, Isis, Dream Theater, Puscifer, Tides From Nebula & Alice in Chains. Oh well, those may make it on my “favorite albums” of 2009 list.
~Dan – np: Puscifer – C is For…
there are no torrents, free mp3 or other downloads available
The Album Leaf’s new album…
The Album Leaf is done recording and mixing their record in Iceland. Now back in San Diego, they are getting ready for a winter tour in support of the album, A Chorus of Storytellers, that comes out on February 2nd (2010) on Sub Pop.
They’ll be at the Doug Fir Lounge in Portland on Feb 5th (per the club’s mailer)!! I missed their show this past winter (Jan ’09) due to busy season at work. Same situation this year, but I’m planning on going regardless of it. :) More tour dates will follow when they’re announced…
~Dan – np: Galactic Cowboys – At the End of the Day
RAZR13 + Pinnick / Fear Factory
So, for Veteran’s Day, here’s some rock news from some… um… rock veterans?
First, in order of awesomest news… King’s X frontman Doug “dUg” Pinnick and the band that he lent vocal duties to, RAZR 13, is finally releasing their debut album. I wrote about this back in July, but now they’ve got the whole album done and streaming over at Rock Army Records.
You can also download the song “4th of July” for free via the Rock Army Records store. The album comes out physically and digitally November 20th. Befriend them on MySpace… http://www.myspace.com/razr13
~*~*~*~*~*~
The band currently calling themselves Fear Factory (i.e.- they’re in a lawsuit now and might not make it out the other end with that name intact) released their album cover for Mechanize. It looks predictably like their former covers… but I bet I’ll still like its electronic-infused, stomp-rock, metal goodness about androids taking over the earth (or other topics that Burton C. Bell always writes about).
compare to some of their old album covers:
Burton’s track-by-track explanations are over at Blabbermouth. Let’s just say I didn’t read past the first one… “The title track describes our world as the soulless program that it is.” :rolleyes: Oh, Burton, I still love you… but, g-to-the-d, the theme is getting old. Read a new, non-sci-fi book! Get a different graphic artist! :)
~Dan – np: Puscifer – Rev 22:20 single
no free downloads, mp3, or torrents available here
C is for…
The new digital only Puscifer EP is out now… get it on Amazon or iTunes.
The tour is underway and hits Portland’s Roseland Theater this coming weekend… woot! I’ll be at the Saturday & Monday shows.
~Dan – np: Puscifer – C is For…
no free downloads, mp3, or torrents available here
REVIEW: My Oregon Weekend with Peter Mulvey (11/7 & 11/8/2009)
FYI… PHOTOS of both SHOWS at the BOTTOM
I’ve been into Peter Mulvey for the past 10 years, right around when The Trouble With Poets came out. I used to be able to see him at least twice a year in Southwest Ohio (Canal Street Tavern, Southgate House, etc). Since moving to Eugene, Oregon, I’ve only had one opportunity. It was a great show, but I needed more… hence the need to drive up to Portland to see him before he hit my hometown the next day. :)
Alberta Street Pub (Saturday in Portland) was packed when I got there. I didn’t know it was an early show and I showed up right when Krista was going on. The venue was long and narrow… most of the seating was church pews (a la Dayton’s Canal Street Tavern). Given that fact, I gladly stood in back (church pews are horrid on my back). The acoustics in the room were good. The light wasn’t all that great… but I still got a few shots that ended up being decent (see below).
Sam Bond’s Garage (Sunday in Eugene) is a place I’ve been to many times. It is also dark; so I usually don’t bring my camera for shows. I was able to get a few shots, though. The plus of SBG for the Peter Mulvey weekend is that it seems more spread out compared to Alberta Street Pub… plus their beer selection is tops (Alberta seemed to have half of theirs socked up/out of stock). So, as far as venue winner… Sam Bond’s. But I’ll definitely hit Alberta again if a show suits me.
Krista Detor played about a 20-30minute set on both nights. She mainly played piano, but also pulled out the accordion for a song of her own (and one of Peter’s). Her songs that I caught in Portland… “Steal Me A Car”, “100 Years More,” “Mudshow,” “Early Grave,” and “Waterline.”
In Eugene, Krista played the same songs except she threw in “All to Do with the Moon” in between “Mudshow” and “Early Grave.”
Peter Mulvey was in a great mood in Portland. He had a shorter set due to a different show going on after him, but he was a graceful and funny as usual. Some of the best parts of the set were his banter in between songs… his bit on Sean Connery had me cracking up. How can someone with a speech impediment be so well known for his speaking roles? It was schplendid. Peter also went off on a riff about Sting that was also pretty funny, surrounding a “wet t-shirt” promo for a recent Saturday Night Live appearance. I think if Peter’s guitar and voice weren’t so grand, he could be a stand-up comedian. :)
He played a lot from his new album, but also a few older tunes and covers. He had some limited edition The Bicycle EPs for sale, and I snagged one for me and a couple friends. He also mentioned that next September (2010) he might bring his bike tour out to Oregon. Yippie! Anyway, here’s what he played on Saturday night…
Setlist (Portland 11/7): about 80 minutes
- If Love Is Not Enough
- Some People
- Kids In The Square
- Here In The Going Going Gone [Greg Brown cover]
- Letter From A Flying Machine
- “Sean Connery”
- Windshield
- The Knuckleball Suite (with Krista Detor)
- Shirt (with KD)
- “Sting SNL”
- Shoulderbirds (You Know Me) (with KD)
- Bears
- Sad, Sad, Sad, Sad (And Far Away From Home)
- (I Don’t Know Why) But I Do [Bobby Charles cover]
- Mailman
- Vlad The Astrophysicist
- On A Wing And A Prayer
- Encore: Our Love Is Here To Stay [Nat King Cole cover]
One food-related add-on… close to the Alberta Street Pub was a place called Grilled Cheese Grill. Holy cow… excellent stuff. It does for grilled cheese what Eugene’s Off the Waffle does for waffles. Yummy!
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Eugene’s set was similar – Peter seemed to be in a pretty great mood. The crowd was much smaller than Portland, but I figured smaller market to pull from and Sunday night were a factor in that. I will say that I’m disappointed in Eugene a lot for not coming out to some great shows (I made my best attempt for last night). We did conjure up a trio of friends to join us, and there were some other definitely Peter Mulvey fans in the crowd – including a couple of teddy bear loving peeps (that was interesting, to say the least). My friendJenny asked me if teddy bears were a theme with Peter’s fans, to which I blurted out, “noooooo.” And then Peter announced the spoken word piece “Bears.” :)
Setlist (Eugene 11/8): about 90 minutes
- I’m Beginning To See The Light [Duke Ellington cover]
- Kids In The Square
- “Time Machine”
- Some People
- Letter From A Flying Machine
- Abilene (The Eisenhower Waltz)
- The Knuckleball Suite (with Krista Detor)
- Shirt (with KD)
- Shoulderbirds (You Know Me) (with KD)
- …Plus The Many Inevitable Fragments / Dynamite Bill
- Bears
- Moonshiner [Uncle Tupelo cover]
- Vlad The Astrophysicist
- On A Wing And A Prayer
- Encore: Sad, Sad, Sad, Sad (And Far Away From Home)
(We also caught a snippet of “Brand New ’64 Dodge” and “A Better Way to Go” in soundcheck.)
All in all, I think the Alberta show was my fave of the two, but both were fantastic. I hope Peter ventures out this way more often. He promised again to head out this way next year – and possibly via bike. It’ll be earlier in the year (September vs November). If you want to check out some of his stuff… his latest record, Letters From a Flying Machine, is excellent. I think it’s his strongest since 2000’s The Trouble with Poets. You can listen to some samples at Petermulvey.com (one free download) or Amazon (samples of all songs):
The Appropriate Linkage:
- Peter Mulvey’s Site
- Peter Mulvey on MySpace
- Krista Detor’s Site
- Krista Detor on MySpace
- Alberta Street Pub
- Shining City Music (promoter for the PDX show, she’s rad!)
- Sam Bond’s Garage
Check out more tour dates below.
~Dan – np: Galactic Cowboys – Space In Your Face
PETER MULVEY & KRISTA DETOR PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
Fall 2009 U.S. Tour Dates
- 11/7 PORTLAND, OR The Alberta Pub
- 11/8 EUGENE, OR Sam Bond’s Garage
- 11/10 ARCATA, CA Arcata Playhouse
- 11/11 BERKELEY, CA Freight & Salvage
- 11/12 FELTON, CA Don Quixote’s
- 11/13 SANTA MONICA, CA McCabe’s
- 11/14 SAN DIEGO, CA AcousticMusicSanDiego
- 11/20 BURLINGTON, VT UVM Recital Hall
- 11/21 FRAMINGHAM, MA Amazing Things Arts Center
- 12/1-2 FAIRBANKS, AK College Coffeehouse
- 12/3 TOK, AK Fast Eddy’s
- 12/4 TALKEEKTNA, AK Whole Wheat Radio
- 12/5 ANCHORAGE, AK Snow Goose Theatre
- 12/6 PALMER, AK Vagabond Blues
- 12/8 KODIAK, AK The Golden Anchor
- 12/10 CARBONDALE, CO Steve’s Guitars
- 12/11 DENVER, CO Swallow Hill
- 12/12 COLORADO SPRINGS, CO Friends House Concert
- 12/13 FORT COLLINS, CO Avogadro’s Number
- 12/15-19 FORT ATKINSON, WI Cafe Carpe
REVIEW: David Bazan Band @ Mississippi Studios (Portland, OR – 11/6/09)
FYI… PHOTOS of the SHOW at the BOTTOM
So, last night’s show could have been presented by “Keep Portland Beard.” Every member of both bands sported beards (which, to be fair, had some dual members). I think beards and indie rock are like eye shadow and goth. Except at least the women of indie rock don’t have beards (not that I know of at least).
I drove by the venue around “doors” time… and the line was part way down the block. Yikes. As I parked my car and walked to the venue, I spotted David Bazan and some of his posse hanging out by the nearby burrito cart. He was on his mobile; so I opted not to bug him.
After a delicious hummus plate washed down by a McTarnahan’s Amber, SAY HI started… I found my seat at the awesomely cozy Mississippi Studios.
Say Hi is a trio, and they played what I’d call “power pop indie rock.” I mean, that’s my best explanation… very catchy, hooky – yet retaining that gristle and DIY charm of a touring group of guys. While Say Hi didn’t have the one-two writing & vocal punch of Neil Gust & Elliott Smith’s Heatmiser, I think Heatmiser is my closest comparison to Say Hi. Great pop songs in a rock setting, definitely enjoyable. They played about 40 minutes and, unfortunately, it flew by. But… they’re from Seattle; so they’re totally on my “auto notify” Pollstar radar now.
After a very short set break (5 minutes, maybe)… David Bazan (plus band) hit the stage…
The first time I saw David Bazan (December 2003 with Over the Rhine) was the only time I’ve seen him with a “band.” Even that time, it was a stripped down Pedro the Lion set with just David and T.W. Walsh (drummer). The singer of Say Hi joined David on guitar, the Say Hi bassist traded bass duties for guitar / keyboards / percussion. Blake Wescott joined on guitar, there was a new drummer, and David took care of bass (and guitar during the encore).
The set was a heavy David Bazan “solo albums” set, as expected. I’ve really been digging his latest album, Curse Your Branches; so I picked it up on vinyl last night. Most of the set was CYB stuff and Fewer Moving Parts material. He did throw in a few expected Pedro the Lions and Headphones songs as well…
Setlist: about 90 minutes
- Hard To Be
- Please, Baby, Please
- I Do (Pedro the Lion tune)
- Bless This Mess
- Q&A #1
- I Never Wanted You (Headphones tune)
- Magazine (Pedro the Lion tune)
- Heavy Breath
- Q&A #2
- Cold Beer And Cigarettes
- When We Fell
- Lost My Shape
- Curse Your Branches
- Q&A #3
- Fewer Broken Pieces (aka Fewer Moving Parts)
- Bearing Witness
- Q&A #4
- Keep Swinging (Pedro the Lion tune)
- How I Remember
- In Stitches
- Encore (David solo): Priests and Paramedics (Pedro the Lion tune)
- Will You Still Love Me In December (Julie Doiran cover)
- Q&A #5
- Harmless Sparks
Best David Bazan line of the night… “Infants are necessary, but they’re kinda bullshit.”
I loved David with a band. I think the highlight of the night for me, though, was Say Hi. I usually don’t expect to like an opener, and I like being pleasantly surprised. I didn’t have enough coin to get some Say Hi music last night, but I plan to in the near future.
Another highlight… David’s Q&A sessions are also usually a fun aspect of his shows – it really makes a Bazan show more personal and intimate. Most of the questions surrounded his recent “coming out” as an atheist-leaning agnostic after many years in the Christian indie rock scene. I always loved his candor and questioning of things in religion, even when he considered himself to be a Christian and I had moved out of that camp. I, honestly, don’t think his lyrical themes changed all that much. His Q&A answers last night were more along the lines around around tolerance, regardless of religious beliefs or non-beliefs. Personally, I’m glad to have him in the more doubtful camp. However, above that, I’m glad that he’s not trying to be divisive with things like faith and his “falling from faith.” We should move towards being different than the prior generations who don’t know tolerance.
The Appropriate Linkage:
- David Bazan’s Site
- David Bazan on MySpace
- Pedro the Lion on MySpace
- Say Hi’s Site
- Say Hi on MySpace
- BrooklynVegan’s NYC 10/18 Review
- Fan videos from the Chicago show: video #1 – video #2
- Mississippi Studios
Check out more tour dates below.
~Dan – np: Lowell Brams, Sufjan Stevens & Bryce Dessner – Library Catalog Music Series: Music for Insomnia
DAVID BAZAN & SAY HI PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
Recent/Upcoming Tour Dates
- 10/01 – San Francisco CA – Independent
- 10/02 – Costa Mesa CA – Detroit Bar
- 10/03 – San Diego CA – Casbah
- 10/04 – Los Angeles CA – Troubadour
- 10/05 – Tucson AZ – Solar Culture
- 10/07 – Austin TX – Mohawk
- 10/08 – Denton TX – Dan’s Silverleaf
- 10/09 – Memphis TN – Hi-Tone Café
- 10/10 – Murray KY – Lovett Auditorium / Murray State
- 10/11 – Birmingham AL – Bottletree
- 10/13 – Orlando FL – The Social
- 10/14 – Atlanta GA – Drunken Unicorn
- 10/15 – Chapel Hill NC – Cat’s Cradle
- 10/16 – Washington DC – Black Cat
- 10/17 – Philadelphia PA – Kung Fu Necktie
- 10/18 – New York NY – Bowery Ballroom
- 10/20 – Cambridge MA – TT the Bear’s +
- 10/21 – Montreal QC – Il Motore
- 10/22 – Toronto ON – Lee’s Palace
- 10/23 – Pontiac MI – Pike Room
- 10/24 – Chicago IL – TBA
- 10/25 – Champaign IL – Highdive
- 10/27 – Madison WI High – Noon Saloon
- 10/28 – Minneapolis MN – Turf Club
- 10/29 – Iowa City IA – The Picador
- 10/30 – Lawrence KS – Jackpot Saloon
- 10/31 – Omaha NE – Slowdown
- 11/01 – Denver CO – Hi Dive
- 11/02 – Salt Lake City UT – Kilby Court
- 11/05 – Vancouver BC – Media Club
- 11/06 – Portland OR – Mississippi Studios
- 11/07 – Seattle WA – Neumos
House Shows - 12/9 – Detroit, MI – 8pm – tickets available on db.com
- 12/10 – Cleveland, OH – 8pm – tickets available
- 12/11 – Columbus, OH – 8pm – SOLD OUT
- 12/12 – Indianapolis, IN – 5pm – tickets available
- 12/12 – Indianapolis, IN – 8pm – SOLD OUT
- 12/13 – New Haven, IN – 5pm – tickets available
- 12/13 – Ft. Wayne, IN – 8pm – SOLD OUT
- 12/14 – Goshen, IN – 8pm – SOLD OUT
- 12/15 – Lansing, MI – 8pm – tickets available
REVIEW: Múm @ Aladdin Theater (Portland, OR – 11/4/09)
FYI… PHOTOS of the SHOW at the BOTTOM
There must be something about the Icelandic landscape
that yields such magnificent music.
I got into Múm (pronounced “moom”) via Sigur Rós. In fact, it may have even been a direct email from Sigur Rós about Múm right around the time Finally We Are No One (aka Loksins Erum Við Engin) was coming out in 2003. Both bands are from Iceland, both bands have quirky, sometimes ambient songs. Where Múm differs from Sigur Rós is that they tend to be less ethereal and have more electronic, glitchiness going on with their music. They came through Portland a couple of years ago on their last album, Go Go Smear the Poison Ivy, but I was not able to make it to the show. Ever since hearing their albums, I have been curious how they’d pull it off in a live setting.
After a delicious vegan dinner at the new Irvington Blossoming Lotus restaurant (represent!), I got to the Aladdin right as doors were opening (a little after 8pm) and got a seat right up front. Yay!
The first opener Hildur Guðnadóttir is one of Múm’s vocalists and did a 20-minute instrumental set. She came out and played an initial song with just her on cello and laptop accompaniment. The next song, she was joined by Sin Fang Bous’s drummer, and Múm’s bassist and trumpet player. Her trumpeter played mostly what I’d call “empty notes” – a lot of wind and sputtering through the horn. On Hildur’s second song, I thought, “there must be something about the Icelandic landscape that yields such magnificent music.” The song was utterly gorgeous, flowing, almost glacial. Her next two songs to wrap up her set were also gorgeous, but, wow, that second song really made me want to visit Iceland. Her debut solo album is called Without Sinking and is available here.
Up next, Sin Fang Bous is a side project from Sindri Sigfússon of Seabear. They played a 30 minute set that started off OK, but not all that that great. BUT… by the end, I was really digging it. The music was much louder than Múm & Hildur, and Sindri was also quite mumbly. He was speaking in English, but when he announced song songs early on it was all a mash. Near the middle of the set, his humor came out, which definitely helped me warm up to them. “How come no one is sitting up there? (looking at the box seats) Is that for the King of Portland?”
Later on he also announced that he had CDs, t-shirts… and little vials of blood for sale at the merch table if we wanted something to drink on the way home. Silly. I think my favorite song was “Clangour and Flutes” (from the Clangour album available here). Anyway, it had a nice hook and some nice instrumentation.
Múm went on just before 10:30. I had never seen them before; so I had no idea what to expect. Several of the people up on stage had already been up there before (Hildur as the opener, the keyboardist/trumpter as Hildur’s back-up, their guitarist was also Sin Fang Bous’s guitarist). It was like a little Icelandic traveling family. When Múm came on, the front area without seats quickly filled up… so I got out of my seat and got a spot right at the stage.
Múm’s set was a lot of newer songs (of which I hadn’t heard) – happy, electronic with ambient / chamber music elements. I had no idea they had multiple singers (Hildur, another woman, and a guy who also played keyboards, guitar, etc). Don’t ask for names… it’s too difficult to remember or even research. :) With two keyboardists, Múm’s electronic sounds came through in the live setting… definitely not as lush as the studio versions, but definitely commendable for a live setting. I think, not as expected, the vocals were the primary flavor in the live show. Hildur and the other woman singer were definitely passionate and singing their lungs out. Here’s what the played (any help on missing / incorrect info is appreciated)…
Setlist: about 85-90 minutes
- Illuminated
- Marmalade Fires
- Húllabbalabbalúú
- Blessed Brambles
- If I Were A Fish
- Nightly Cares
- A Little Bit Sometimes
- maybe The Last Shapes Of Never
- Show Me
- unknown… sweeping, operatic, lots of “la-las”
- Dancing Behind My Eyelids
- unknown… kazoos near the end
- Prophecies And Reversed Memories
- Sing Along
- Encore: Green Grass Of Tunnel
I picked up their new one, Sing Along to Songs You Don’t Know. I look forward to spinning it later today.
I left about midway through the last song, as I had a 2 hour drive, a hard week already, and an early meeting in the morning. All in all, it was a GREAT show. It wasn’t as monumental / mind-blowing as the first time I saw Sigur Rós, or anything like that, but it was a really great band playing really great music. I’m glad that they’ve been through twice these past two years… I look forward to another trip from them in the near future.
The Appropriate Linkage:
- Múm’s Official Site
- A Múm Fan Site
- Múm on MySpace
- Hildur Guðnadóttir’s Official Site
- Hildur Guðnadóttir on MySpace
- Sin Fang Bous on MySpace
- BrooklynVegan‘s NYC 10/24 review
- Aladdin Theater
Check out their U.S. tour dates below.
~Dan – np: Frog Pocket – Come On Primates Show Your Teeth!
MÚM, Hildur Guðnadóttir & Sin Fang Bous PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
Their 2009 U.S. Tour Dates
- Oct 21 the Somerville Theatre Somerville, Massachusetts
- Oct 22 First Unitarian Church Philadelphia, Pennsylvania
- Oct 23 Black Cat Washington DC, Washington DC
- Oct 24 Le Poisson Rouge NY, New York
- Oct 26 Le National Montreal, Quebec
- Oct 27 Phoenix Concert Theatre Toronto, Ontario
- Oct 28 Logan Square Auditorium Chicago, Illinois
- Oct 29 McGuire Theater Minneapolis, Minnesota
- Nov 01 Marquee Room Calgary, Alberta
- Nov 02 The Venue Nightclub Vancouver, British Columbia
- Nov 03 Showbox at the Market Seattle, Washington
- Nov 04 Aladdin Theater Portland, Oregon
- Nov 05 The Independent San Francisco, California
- Nov 06 El Rey Theatre Los Angeles, California
- Nov 07 Yost Theatre Santa Ana, California
Sufjan Steven’s “States a gimmick”
I think deep down, we all knew this was the case… here’s Sufjan Stevens from a recent Guardian article…
“I have no qualms about admitting [the Fifty States project]
was a promotional gimmick.”
Oh well… I’ve heard some of his new stuff, and it’s delightful. So, regardless of statehood, I’m looking forward to more Sufjan.
~Dan – np: Peter Mulvey – Letters from a Flying Machine
REVIEW: Regina Spektor @ Roseland Theater (Portland, OR – 11/1/09)
I got into Regina Spektor right around the time that Begin to Hope came out (thanks to my apple peeps Luc & Nic!). I really haven’t had a chance to see her until now, as she played near me in Ohio right around the time I was moving to Oregon. Her newest album, Far, is really good. I’ve been “studying” it a lot this past week, and really dig just about every song.
The Roseland Theater show was sold out at least a week in advance. Things didn’t work out to bring my wife, friends, back-ups of friends, couchsurfing hosts, or CS friends to the show… sigh. Oh well, I sold my extra ticket out front. Bah, no cameras again for this show. I attempted to contact RS’s management, but got no response after a 3 week attempt. Oh well… this is my major dissappointment with the Roseland: metal detectors, a fervid security staff, and the near impossibility to get my camera in without pre-approval… argh.
Anyway… on to the show…
The opener Jupiter One was really good. I had only heard of them a few hours prior. They are from New York and seemed to have that “NYC rock vibe.” I’ve seen several bands (usually openers) who have “that vibe.” Jupiter One were more impressive than most. They are a four piece and were smushed to the left of Regina’s piano (which was oddly moved over after their set – which would have given J1 more room). They had a nice groove, and played multiple instruments (violin, flute, etc) in addition to the traditional rock gear. They only played for about a half of an hour, and didn’t really announce many of their song names. I was looking out for one of them (“Platform Moon”), but I don’t know if they played it…
Regina went on a little after 9pm to immediate screams and applause. She had a violinist and cellist (whose names I didn’t get) with her, and Matt Chamberlain was on the drum kit. I’ve seen Matt many times with Tori Amos, and his self-titled solo album from 2005 on (Secret Chiefs 3 & Mr. Bungle) Trey Spruance’s label Web of Mimicry is the bomb – it’s quite a non-traditional “drummer solo album” (check it out).
The first half of Regina’s set was pretty bouncy and fun. I think once it got to her solo acapella and definitely the guitar stuff, well, it wasn’t her strong suit if you ask me. She played a lot from Far, but also mixed in some material from her older albums – especially at the encore…
Setlist: about an hour and 40 minutes
- The Calculation *a fave of the night*
- Eet
- Folding Chair *a fave of the night* (nice use of strings)
- Ode to Divorce
- Riot Gear *a fave of the night*
- Machine
- Laughing With *a fave of the night*
- One More Time With Feeling
- Two Birds
- Blue Lips
- On the Radio
- Dance Anthem of the 80s
- Silly Eye-Color Generalizations (acappella)
- Bobbin’ for Apples (Regina on guitar)
- That Time (Regina on guitar)
- Apres Moi *a fave of the night*
- Poor Little Rich Boy (Regina playing piano and a drum)
- Human of the Year
- Man of a Thousand Faces
- Encore: Samson *a fave of the night*
- Us *a fave of the night*
- Fidelity *a fave of the night*
- Hotel Song
- Love, You’re a Whore
I had a lot of fun, but I’m bummed some people who wanted to see it couldn’t for various reasons. It was a sold out show; so if that’s any indictation, if she keeps touring, I’m sure she’ll be back through Portland. She seemed to have a good stage presence and was more full of mirth than, say, Fiona Apple, yet more grounded than, say, Tori Amos.
The Appropriate Linkage:
- Regina Spektor’s Webpage
- Regina on MySpace
- Jupiter One’s Webpage
- Jupiter One on MySpace
- Roseland Theater
Check out more tour dates below.
~Dan – np: John Zorn – Femina
Remaining U.S. Tour Dates
- Mon 11/02/09 – Vancouver, BC – Orpheum
- Tue 11/03/09 – Seattle, WA – Paramount Theatre
- Fri 11/06/09 – Salt Lake City, UT – In The Venue
- Sat 11/07/09 – Denver, CO – Fillmore Auditorium
- Tue 11/10/09 – Houston, TX – Verizon Wireless Theater
- Wed 11/11/09 – Austin, TX – Stubb’s Bar-B-Q / Waller Creek Amph.
- Thu 11/12/09 – Grand Prairie, TX – Nokia Theatre At Grand Prairie
- Sat 11/14/09 – Kirksville, MO – Truman State University
- Mon 11/16/09 – Nashville, TN – Ryman Auditorium
- Tue 11/17/09 – Asheville, NC – Thomas Wolfe Auditorium
- Thu 11/19/09 – Louisville, KY – Louisville Palace Theatre
|:. Musical Stairs .:|
“We believe that the easiest way to
change people’s behaviour
for the better is by making it fun to do.
We call it the fun theory.”
– TheFunTheory.com
Stairs temporarily a piano.
Sorry for the convenience.
~Dan – np: Tegan and Sara – Sainthood thainthood
PS- The Bottle Bank Arcade and World’s Deepest Trash Bin videos are also on the TFT site above…
Free the Glen Phillips 8
So, Glen Phillips (a frequent subject on this blog) just posted a FREE 8 song sampler with a mix of material from his post-Toad the Wet Sprocket days. Click it and enjoy!
http://glenphillips.bandcamp.com/album/free-glen-phillips-sampler
Seriously. Free music. Free good music for free download. It’s free. Download it. DO it.
~Dan – np: Ahleuchatistas – Of the Body Prone
Fanfarlo Tour / more Einziger compositions
Sigh… I’ll miss the Fanfarlo Fall 2009 North American Tour due to vacation. Boo… :( Their record, Reservoir, is great! I’m bummed I’ll miss their Portland show, but all things considered this year, I can’t really complain much about a “lack of shows.” :)
Fanfarlo’s Fall 2009 Tour Dates
- Schubas Tavern, Chicago IL – November 09, 2009
- Triple Rock Social Club, Minneapolis MN – November 11, 2009
- Moes, Englewood CO – November 13, 2009
- The State Room, Salt Lake City UT – November 14, 2009
- Knitting Factory, Boise ID – November 16, 2009
- Crocodile Cafe, Seattle WA – November 17, 2009
- The Media Club, British Columbia – November 18, 2009
- Doug Fir Lounge, Portland OR – November 19, 2009
- Great Basin Brewing Company, Sparks NV – November 20, 2009
- Rickshaw Stop, San Francisco CA – November 22, 2009
- The Echo, Los Angeles CA – November 23, 2009
- The Casbah, San Diego CA – November 24, 2009
- Muddy Waters, Santa Barbara CA – November 27, 2009
- Club Congress, Tucson AZ – November 29, 2009
- Sante Fe Brewing Co, Santa Fe NM – November 30, 2009
- The Independent , Austin TX – December 02, 2009
- The Loft, Dallas TX – December 03, 2009
- Walter’s On Washington, Houston TX – December 04, 2009
- The Bottletree, Birmingham AL – December 06, 2009
- Metro Gallery, Baltimore MD – December 09, 2009
- Johnny Brenda’s, Philadelphia PA – December 10, 2009
- IOTA Club & Cafe, Arlington VA – December 11, 2009
- Brillobox, Pittsburgh PA – December 12, 2009
- Majestic Cafe, Detroit MI – December 14, 2009
- El Mocambo, Toronto ON – December 15, 2009
- Il Motore, Montreal QC – December 16, 2009
- T.T. The Bear’s, Cambridge MA – December 17, 2009
- Webster Hall, New York NY – December 18, 2009
~*~*~*~*~*~*~*~*~*~*~
Incubus guitarist Michael Einziger likes experimental music. And I like that he likes it.
He just posted on MySpace that he’s performing a new piece of music at an event in Los Angeles on November 21 at the Disney Hall. Here’s some info about the concert. The piece is entitled “Forced Curvature of Reflective Surfaces.” Apparently, he’s not even finished with it yet (as of 10/28/09)!
Forced Curvature was inspired by a combination of the physical appearance of the Frank Gehry-designed Walt Disney Concert Hall, and Einziger’s studies in the philosophy of quantum mechanics.
The music was written for 12 electric guitars (played with a slide), 12 strings (violin, cello), and is based on the glissando. The instruments have been orchestrated in terms of corresponding high and low registers, that reflect each other as though being viewed through a mirror. The exterior shape of Disney Hall informed the shape of the sounds created and by necessity, was first drawn visually in the form of architectural-like renderings, before being committed to paper in the form of a hand-written score.
“This building is obviously a solid, immobile structure”, Einziger says of the Disney Hall. “But it looks like a series of reflective waves that have been frozen in a specific state at a specific place in time, and I wanted to try and imagine what it might sound like if that idea were to be expressed as waves of sound. Adding a 4th dimension of time to the picture would force the structure into a Minkowskian space-time manifold, and it would therefore become directional. It would be as though time itself were forcing the curvature of the reflective material in a forward-motion, because time appears to be directional.”
The piece has no apparent formal structure and has been through-composed. All of the instruments will be fused together, forming 2 distinct ‘mirror images’. The strings and guitars combined will not sound like separate groups of instruments, but rather as dense units of a single instrument uncharacteristic of entirely one or the other.
Einziger conceived of the piece at Harvard University where he is currently a student, and has studied the history and philosophy of physics with physicist/historian, Dr. Peter Galison.
~Dan – np: Fred Frith – Freedom in Fragments
-Eyvind Kang
-Frank Zappa
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