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REVIEW: The Album Leaf @ Doug Fir Lounge (Portland, OR – 2/5/10)

6th Feb 10 (Sat) 7 comments

FYI… PHOTOS of the SHOW at the BOTTOM

I got into The Album Leaf back in 2004 with In a Safe Place after hearing about the Sigur Rós collaborative songs (and Icelandic former-swimming pool studio).  I’ve been a fan of frontman Jimmy LaValle ever since In a Safe Place, which also spanned into a love of his prior band, Tristeza.  His mold of organically-infused electronic post-rock fits me well.  I missed him on his last time through (Jan 2009); so I vowed not to let it happen again… so this time, I’m hitting both Portland and Eugene, Oregon.

We got to the venue, got our tickets and ran off to grab some unfortunately salty grub (East End Bar must own stock in Morton’s).  After a speedy walk back, we arrived back at the Doug Fir shortly after Sea Wolf started .  They are an indie rock band from Los Angeles, and played a solid 45 minute set…

Sea Wolf’s Setlist:
(as per stage copy)

  • White Water
  • Winter Windows
  • Dew in the Grass
  • Black Leaf Falls
  • Middle Distance Runner
  • The Traitor
  • O’ Maria
  • Turn the Dirt Over
  • Wicked Blood
  • You’re a Wolf

Sea Wolf reminded me a lot of Wilco… maybe it was singer/guitarist Alex Church’s vocals.  They have a roots rock meets singer-songwriter vibe that hearkened to Wilco in my mind.  They busted out a harder rock tune (in comparison to The Album Leaf), but also had nice cello throughout their set.  Great opener… I’m looking forward to Eugene’s show to hear more.

After a short break (and a move to the front), The Album Leaf (aka TAL) came on.  The Portland show featured the Anomie Belle String Quartet (shown at the left), which presumably added nice textures to the already large, six piece band.  Where we were lopcated, we could barely hear them.

With this new album (see below), Jimmy opened up the recording to more than just himself as well.  Previous records were more in the “one man band” realm, with a band assembled for tours.  It was nice to the see the band that hit the studio with him on A Chorus of Storytellers play those same songs live.  The band was Jimmy LaValle, Matt Resovich, Drew Andrews, Gram LeBron, Tim Reece, and Andrew Pates – all on various instruments.

Being the first time seeing TAL, I honestly had no idea what to expect.  We lucked out in the placement department… as Jimmy’s gear was right in front of us.

I was skeptical if the studio lushness would translate to the stage.  Quite frankly, I think the electronic post-rock goodness, complete with drum machine and a regular drummer, worked out fantastically.  They played a lot of material from the new record, which fit in well with earlier songs…

The Album Leaf’s Setlist: about stellar 80 minutes

  • Perro
  • Blank Pages
  • There is a Wind
  • Within Dreams * fave of the night *
  • Falling from the Sun
  • Stand Still * fave of the night *
  • 2214 * fave of the night *
  • Outer Banks * fave of the night *
  • Shine
  • Until the Last
  • We Are
  • Almost There
  • Wherever I Go
  • Encore: Always For You
  • Red Eye * fave of the night *
  • Tied Knots

The band members switched around on instruments.  Jimmy played several different keyboards, including a Moog and a modulator of some sort.  Other members pitched in on keyboards when a violin, trumpet, small vibraphone, bass, or guitar weren’t in their hands.  While I still associate TAL as a primarily instrumental band in my mind, their last few albums have had increasingly more vocals.  I’d estimate a 1/3 to a 1/2 of the songs had vocals last night – covered by Jimmy, but with frequent backing vocals from various band members.  My friend who went along with me commented that the songs seemed fairly similar throughout the show.  Alas, I suppose that’s the rub with TAL, but I dug it fairly well.

many more live photos below

I’ll also be at the Eugene show on Tuesday; so check back for that review next week.  Oh, and definitely check out The Album Leaf’s new album, A Chorus of Storytellers.  I got it at the show, and it is fantastic!

The Appropriate Linkage:

Check out more tour dates below.

~Dan – np: The Album LeafA Chorus of Storytellers

THE ALBUM LEAF and SEA WOLF PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

The Album Leaf Spring 2010 World Tour Dates

  • Feb 3: Sacramento, CA @ Harlows
  • Feb 5: Portland, OR @ Doug Fir Lounge (w/Anomie Belle String Quartet)
  • Feb 6: Seattle, WA @ Neumos (w/Anomie Belle String Quartet)
  • Feb 7: Vancouver, BC @ Rickshaw Theater(w/Anomie Belle String Quartet)
  • Feb 8: Bellingham, WA @ Nightlight Lounge
  • Feb 9: Eugene , OR @ WOW Hall
  • Feb 11: Santa Cruz @ The Crepe Place
  • Feb 12: San Francisco, CA @ Great American Music Hall (w/Magik*Magik String Quartet)
  • Feb 13: Los Angeles, CA @ El Rey Theater (w/Magik*Magik String Quartet)
  • Feb 25: Lisbon, Portugal @ Lisbon Santiago Alquimista
  • Feb 26: Madrid, Spain @ Moby Dick
  • Feb 27: Bilboa, Spain @ 12 & Medio
  • Feb 28: Barcelona, Spain @ Apollo 2
  • Mar 2: Toulouse, France @ Le Phare
  • Mar 3: Milan, Italy @ Circolo Milano
  • Mar 4: Lucerne, Switzerland @ Sudpol Club
  • Mar 5: Dunidgen (Bern), Switzerland @ @ Bad Bonn
  • Mar 6: Sankt Gallen, Switzerland @ Theater Palace
  • Mar 7: Munich, Germany @ Feierwerk
  • Mar 9: Vienna, Austria @ Szene
  • Mar 10: Dresden, Germany @ BeatPol
  • Mar 11: Berlin, Germany @ Lido
  • Mar 12: Hamburg, Germany @ Knust
  • Mar 13: Rotterdam, Holland @ Rotown
  • Mar 14: Koln, Germany @ Gebauude 9
  • Mar 16: Antwerp, Belgium @ Club Trix
  • Mar 17: Colmar, France @ Kraken
  • Mar 18: Heidelberg, Germany @ Karlstorbahnhof
  • Mar 19: Paris, France @ Maroquinerie
  • Mar 20: Lille, France @ L’ Aeronef
  • Mar 21: Bristol, UK @ The Thekla
  • Mar 22 Manchester, UK @ The Deaf Institute
  • Mar 23: London, UK @ Bush Hall
  • Apr 2: Tokyo, Japan @ Shibuya Ax
  • Apr 3: Nagoya, Japan @ Club Quatrro
  • Apr 4: Osaka, Japan @ Club Quattro
  • Apr 7: Hong Kong @ Grappa’s Cellar
  • Apr 9: Taipei, Taiwan @ The Wall Live House

And just announced on Feb 3rd (and from Pollstar; so a different format)…

  • Tue 04/20/10 – Tucson, AZ – Plush
  • Wed 04/21/10 – Albuquerque, NM – Launchpad
  • Thu 04/22/10 – Denver, CO – Bluebird Theater
  • Fri 04/23/10 – Omaha, NE – The Waiting Room
  • Sat 04/24/10 – St. Louis, MO – Luminary Center For The Arts
  • Sun 04/25/10 – Chicago, IL – Lincoln Hall
  • Tue 04/27/10 – Grand Rapids, MI – Ladies Literary Club
  • Wed 04/28/10 – Toronto, ON – Lee’s Palace
  • Thu 04/29/10 – Montreal, QC – Music Hall
  • Fri 04/30/10 – Boston, MA – Paradise Rock Club
  • Sat 05/01/10 – New York, NY – Bowery Ballroom
  • Sun 05/02/10 – Philadelphia, PA – First Unitarian Church
  • Tue 05/04/10 – Washington, DC – Rock And Roll Hotel
  • Wed 05/05/10 – Carrboro, NC – Cat’s Cradle
  • Thu 05/06/10 – Atlanta, GA – The Loft At Center Stage
  • Fri 05/07/10 – Jacksonville, FL – Jack Rabbits
  • Sat 05/08/10 – Orlando, FL – The Social
  • Mon 05/10/10 – Baton Rouge, LA – Spanish Moon
  • Tue 05/11/10 – Austin, TX – The Parish Room
  • Fri 05/14/10 – San Diego, CA – Birch North Park Theatre

Zappa Plays Zappa @ McDonald Theatre (canceled)

28th Nov 09 (Sat) Leave a comment

So, I just got a call from TicketsWest… the Zappa Plays Zappa show for tonight has been “canceled due to inclement weather in California“… boo… no word on a reschedule.  Tickets will be refunded at the place of purchase.

Check out more tour dates below.

~Dan – np: The Swell SeasonStrict Joy

Current Tour Dates

  • Nov 19, ’09 – Austin, TX – Stubbs Amphitheater
  • Nov 20, ’09 – Dallas, TX – House of Blues
  • Nov 21, ’09 – Houston, TX – House Of Blues
  • Nov 23, ’09 – Albuquerque, NM – Sunshine Theater
  • Nov 24, ’09 – Aspen, CO – Belly Up
  • Nov 25, ’09 – Boulder, CO – Fox Theatre
  • Nov 27, ’09 – Lake Tahoe, NV – Montbleu Resort
  • Nov 28, ’09 – Eugene, OR – McDonald Theatre canceled
  • Nov 29, ’09 – Spokane, WA – Bing Crosby Theater
  • Nov 30, ’09 – Bend, OR – Tower Theater
  • Dec 01, ’09 – Arcata, CA – Van Duzer Theater
  • Dec 02, ’09 – Santa Cruz, CA – Rio Theater
  • Jan 3-7, ’10 – Carribbean Ocean – Jam Cruise 2010
  • Jan 8, ’10 – Ft. Lauderdale, FL – Revolution Live
  • Jan 9, ’10 – Tampa, FL – The Ritz Ybor
  • Jan 11, ’10 – Atlanta, GA – Variety Playhouse
  • Jan 12, ’10 – Charlotte, NC – Neighborhood Theatre
  • Jan 13, ’10 – Raleigh, NC – Lincoln Theatre
  • Jan 14, ’10 – Richmond, VA – The Hat Factory
  • Jan 15, ’10 – Baltimore, MD – Rams Head Live
  • Jan 16, ’10 – Montclair, NJ – Wellmont Theatre

REVIEW: Maynard James Keenan’s PUSCIFER 2nd night @ Roseland (Portland, OR – 11/16/09)

17th Nov 09 (Tue) 5 comments

FYI… PHOTOS of the SHOW are at the BOTTOM

Maynard’s voice shines on Night 2…

Saturday’s Puscifer show (review link) was fantastic, and I happened to be up in Portland for a work training session; so, what the hell… let’s do this again!  I heart Maynard!

No wine tasting (for me) this time… in fact, for a more detailed review, definitely check out Saturday’s show review.  Monday, I showed up around 8pm and got situated near the front of the general admission section.

Sweethead opened the show again.  I switched up where I took in their music this time… I could definitely hear the guitars better, but the vocals were a little muddy until midway through their set.  I liked them.  Troy’s a good guitarist, and Serrina has some nice energy (ok, and nice legs, too). :)

This was their last night as support for Puscifer, and Troy took a dive into the drum set at the end… crash! buzz!

After Troy and Serrina got up, they left the stage – guitar still buzzing.  As the crew pulled Sweethead’s gear and monitors off the stage, they lifted up a large black sheet to hide the stage (something new compared to Saturday night)…

I had seen on setlist.fm that the two nights in the same city had differing set lists, and Portland was no exception.  Where Saturday was more of the blasphemy day to kick things off, Monday was… well… at 9pm, then the sheet came down, it looked like it was a camping theme (complete with fake fire).  Maynard was inside the tent, and they had him projected on the screen behind him.  After some bullshitting, he finally came out to start the show properly…

The stage seemed darker, but at least Maynard was out there for the two songs of which I was allowed to take photos.  Both he and Carina were obfuscated again behind the video boxes, which is an oddity fitting of Maynard’s persona.  Overall, I think Monday night’s show featured Maynard’s voice better – though the song selection wasn’t much different (other than order).  The video breaks were completely different… comedic pitchmen trying to sell reality television concepts to Maynard – who wasn’t paying too well of attention and always got the concept wrong.  Hilarity ensued, of course.

Here’s what they played among the campfire and sleeping bags…

Setlist: 90 minutes or so [compare sets with Night #1]

  • Rev 22:20
  • Drunk With Power
  • (Video Break 1)
  • Indigo Children
  • Trekka
  • Potions
  • (Video Break 2)
  • Momma Sed (with Tim Alexander as a Portland stripper)
  • Vagina Mine
  • Dozo
  • The Undertaker
  • (Video Break 3)
  • Polar Bear
  • Sour Grapes
  • Queen B
  • The Mission (featuring Carina Round)
  • The Humbling River
  • No Encore

Maynard’s voice sounded especially great on Indigo Children, Potions, Momma Sed (seemed slower/mellower than Saturday), Polar Bear, and The Humbling River.  I’m really digging the new EP’s material… and I’m looking forward to more digital EPs, physical CDs, whatever Maynard wants to throw at us!

more pictures at the bottom

You can get Puscifer’s music via the pictures below:


You can grab some of Maynard’s wines (if you are lucky to be in the shipping area) via this:

The Appropriate Linkage:

Check out the Puscifer tour dates below.

~Dan – np: The Swell SeasonStrict Joy

PUSCIFER & SWEETHEAD PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

Higher Resolution (9 pics)

Limited to 1200 pixels wide or tall (43 pics)

Tour Dates

  • 10/29/09, Las Vegas, NV (The Pearl, Palms Casino)
  • 10/31, San Diego, CA (Spreckels Theatre)
  • 11/1, San Diego, CA (Spreckels Theatre)
  • 11/4, Oakland, CA (Fox Oakland Theater)
  • 11/5, Oakland, CA (Fox Oakland Theater)
  • 11/7, Stockton, CA (Bob Hope Theatre)
  • 11/10, Seattle, WA (Moore Theatre)
  • 11/11, Seattle, WA (Moore Theatre)
  • 11/13, Vancouver, BC (Centre For the Performing Arts)
  • 11/14, Portland, OR (Roseland Ballroom)
  • 11/16, Portland, OR (Roseland Ballroom)
  • 11/17, Salt Lake City, UT (Capitol Theatre)
  • 11/18, Salt Lake City, UT (Capitol Theatre)
  • 11/20, Denver, CO (Paramount Theatre)
  • 11/21, Denver, CO (Paramount Theatre)
  • 11/24, Dallas, TX (McFarlin Memorial Auditorium)
  • 11/25, Dallas, TX (McFarlin Memorial Auditorium)
  • 11/27, Houston, TX (Jones Hall for the Performing Arts)
  • 11/28, San Antonio, TX (Majestic Theatre)
  • 12/1, El Paso, TX (Abraham Chavez Theatre)
  • 12/3, Phoenix, AZ (Orpheum Theatre)
  • 12/4, Phoenix, AZ (Orpheum Theatre)

REVIEW: Maynard James Keenan’s PUSCIFER 1st night @ Roseland (Portland, OR – 11/14/09)

15th Nov 09 (Sun) 7 comments

FYI… PHOTOS of the SHOW at the BOTTOM

Wine followed by Maynard’s blasphemous vaudeville show… Wow.

So, I’ve been a fan of Maynard James Keenan‘s vocal since the first utterances I heard from his “main bandTOOL.  I loved his work with his first side-project, A Perfect Circle, especially the first album Mer de Noms.  I was aware of Puscifer a while ago, as it started out as a “joke band” that debuted on a skit on Bob Odenkirk and David Cross’s Mr. Show on HBO (Maynard and Tool’s Adam Jones show up in a short clip).  Never did I think that joke band name would turn into a real alter ego for Maynard himself, he’d release an album and a batch of remix EPs, and then hit the road!

So, for this 1st Portland show, I bought the VIP ticket which included a meet & greet and wine tasting (I didn’t do that for Portland show #2 as I didn’t know I was going to be able to go until a few days ago).  For those not in the know, Maynard has gotten into wine making the past few years.  Back in Ohio, I could order the wine to be shipped to me, and I still have a couple bottles of the 2005 Merkin Vineyards Chupacabra sitting in my utility closet… um… I mean in my “wine cellar.”  I haven’t been able to taste any of Maynard’s recent Caduceus wines, as unfortunately, they don’t have the ability to ship to Oregon (argh, free the grapes!).

The meet & greet and wine tasting started a little after 5pm.  We got shuffled into the back room of Roseland’s downstairs bar.  Todd (I didn’t catch his last name) is Maynard’s wine guy, or at least he’s a touring member of Maynard’s crew who knows a lot about the wine.  He mentioned several times about being involved in the last A Perfect Circle tour – right around the time Maynard was getting started with vineyard purchases / development.  Todd talked for about an hour and fifteen about the various wines, including the one we were tasting – the 2006 Merkin Vineyards Chupacabra (limited to 5,000 cases).  The Chupacabra vintages are designed to be different, similar to the folk legend of the chupacabra.  The 2006 is a blend of 36% cabernet sauvignon, 13% petite verdot, 22% syrah, 14% petite sirah (all sourced from Paso Robles), and 15% of an unknown grape (yeah, I’m an accountant and noticed the missing % on their info sheet).

(click for larger picture with autograph)

The Chupacabra is Maynard’s most “mass produced” wine, and current batches are in the 10,000 case range.  We obviously didn’t get to try any of Maynard’s 20 case batch of very special Judith wines (grown at 5,000+ feet altitude with land spread with his mother’s ashes).  Todd also spoke a little bit about current discussions with Whole Foods to get the wines distributed into Portland.  He also mentioned a documentary, Blood Into Wine, about Arizona wines with a little bit of Maynard, Fairuza Balk, Milla Jovavich, Patton Oswalt, Bob Odenkirk, and others in the footage.  It is expected to hit the Sundance Festival and some select theatres in Feb 2010.

After Todd’s info and Q&A session, he went to go get Maynard, who had just finished sound check.  Maynard came down and walked around the room and individually handed each one of us a signed copy of the Puscifer debut album (V is for Vagina).  He only very briefly chatted with folks.  He asked me if I learned anything from the wine talk, to which I replied “yes, thank you.”  That’s about the extent of my interaction with Maynard, but I thought it was wicked cool to receive a signed copy of the album directly from his hands. :)  Since he’s a busy guy, he took off shortly after making his tour around the room.

I had to leave after the meet & greet to get some grub; so I walked over to my favorite, close-by vegan restaurant (represent!) until show time.

When I got back to the venue, I went over to get my photo pass.  I had free reign for the opener’s set, but only allowed to snap photos for the first two songs of Puscifer’s set (more on that later)…

Sweethead was the opener.  Sweethead is guitarist Troy Van Leeuwen (Queens of the Stone Age, Failure, A Perfect Circle) and lead vocalist Serrina Sims with Norm Block and Eddie Nappi from the Mark Lanegan Band.  They were a good rock group and played about a half of an hour.  I was in a place in the venue (front / center) where the sound usually isn’t the best.  My spot will be likely different for Monday’s show.

I think every time I’ve seen a Maynard band (three times for Tool and A Perfect Circle each), the opener has either been a Mike Patton-related band (Tomahawk, or on his label Ipecac – Isis & The Melvins) or a Ken Andrews-related band (Year of the Rabbit and now Sweethead is connected to Ken via one step with Troy and Failure).  I’m not complaining, as I love Patton and Failure-related projects.  I dug Sweethead… hopefully I’ll get a better feel for their sound on Monday.

Puscifer‘s set started with a video Maynard’s Major Douché character barking orders at us.  Shortly thereafter, with band in place, Maynard wheeled out on a Segway in his horrible comb-overed, bedazzled sweat pants wearing preacher and kicked into “Sour Grapes.”  This kick-off was a not-so-subtle hint that it was going to be a crude, blasphemous vaudeville experience – not your typical rock show.

As I only had photo privileges for the first two songs, I snapped away.  Unfortunately, Maynard was off changing during the second song, “Rev 22:20” – so I resorted to snapping away at the band.  I’m hoping Monday’s set, I get some more non-be-sweatpants‘ed Maynard.  The security guards were quite adamant and nabbing people’s cellphones; so I’m definitely grateful to Maynard’s publicist for getting me the hook-up for these Portland shows.

I didn’t catch all of the band members’ names… but I do know that Carina Round covered the female vocals, and did a smash up job on “The Mission,” which model/actress Milla Jovavich sang on the studio version.  Primus drummer Tim Alexander handled drums.  Also in the band were two guitarists, an electronic & keyboards guy, and a percussionist.  During the songs, if any individual band members wasn’t performing, they’d sit on the sofas or wander around and drink wine (which was laid out all over the stage) and munch on fruit, cheese and crackers.  Also roaming around the stage was a cameraman dressed up as a ninja – which was later announced to be the one and only Meats Meier, Puscifer’s official CGI music video madman.

Here’s what they played…

Setlist: 90 minutes or so [compare sets with Night #2]

  • Sour Grapes
  • Rev 22:20
  • (Video Break 1)
  • Dozo
  • The Undertaker
  • Drunk With Power
  • (Video Break 2)
  • Momma Sed
  • Indigo Children
  • Vagina Mine
  • (Video Break 3)
  • Potions
  • Polar Bear
  • Trekka
  • Queen B
  • The Mission (featuring Carina Round)
  • The Humbling River
  • No Encore

I had heard some rumblings of people being disappointed in the past Puscifer shows.  I think if you go in thinking it’s going to be a rock show (or a Tool show), you’re in it for the wrong reasons.  I got to hear an hour and half of fun music and crazy ramblings, and I was thoroughly entertained.  Monday promises to be different… I expect some country hee-haw may be on order…

more live photos at the bottom

You can get Puscifer’s music via the pictures below:


You can grab some of Maynard’s wines (if you are lucky to be in the shipping area) via this:

The Appropriate Linkage:

Check out the Puscifer tour dates below.

~Dan – np: The Swell SeasonOnce

PUSCIFER & SWEETHEAD PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

Higher Resolution (10 pics)

Limited to 1200 pixels wide or tall (49 pics)

Tour Dates

  • 10/29/09, Las Vegas, NV (The Pearl, Palms Casino)
  • 10/31, San Diego, CA (Spreckels Theatre)
  • 11/1, San Diego, CA (Spreckels Theatre)
  • 11/4, Oakland, CA (Fox Oakland Theater)
  • 11/5, Oakland, CA (Fox Oakland Theater)
  • 11/7, Stockton, CA (Bob Hope Theatre)
  • 11/10, Seattle, WA (Moore Theatre)
  • 11/11, Seattle, WA (Moore Theatre)
  • 11/13, Vancouver, BC (Centre For the Performing Arts)
  • 11/14, Portland, OR (Roseland Ballroom)
  • 11/16, Portland, OR (Roseland Ballroom)
  • 11/17, Salt Lake City, UT (Capitol Theatre)
  • 11/18, Salt Lake City, UT (Capitol Theatre)
  • 11/20, Denver, CO (Paramount Theatre)
  • 11/21, Denver, CO (Paramount Theatre)
  • 11/24, Dallas, TX (McFarlin Memorial Auditorium)
  • 11/25, Dallas, TX (McFarlin Memorial Auditorium)
  • 11/27, Houston, TX (Jones Hall for the Performing Arts)
  • 11/28, San Antonio, TX (Majestic Theatre)
  • 12/1, El Paso, TX (Abraham Chavez Theatre)
  • 12/3, Phoenix, AZ (Orpheum Theatre)
  • 12/4, Phoenix, AZ (Orpheum Theatre)

REVIEW: My Oregon Weekend with Peter Mulvey (11/7 & 11/8/2009)

9th Nov 09 (Mon) 4 comments

 FYI… PHOTOS of both SHOWS at the BOTTOM

I’ve been into Peter Mulvey for the past 10 years, right around when The Trouble With Poets came out.  I used to be able to see him at least twice a year in Southwest Ohio (Canal Street Tavern, Southgate House, etc).  Since moving to Eugene, Oregon, I’ve only had one opportunity.  It was a great show, but I needed more… hence the need to drive up to Portland to see him before he hit my hometown the next day. :)

Alberta Street Pub (Saturday in Portland) was packed when I got there.  I didn’t know it was an early show and I showed up right when Krista was going on.  The venue was long and narrow… most of the seating was church pews (a la Dayton’s Canal Street Tavern).  Given that fact, I gladly stood in back (church pews are horrid on my back).  The acoustics in the room were good.  The light wasn’t all that great… but I still got a few shots that ended up being decent (see below).

Sam Bond’s Garage (Sunday in Eugene) is a place I’ve been to many times.  It is also dark; so I usually don’t bring my camera for shows.  I was able to get a few shots, though.  The plus of SBG for the Peter Mulvey weekend is that it seems more spread out compared to Alberta Street Pub… plus their beer selection is tops (Alberta seemed to have half of theirs socked up/out of stock).  So, as far as venue winner… Sam Bond’s.  But I’ll definitely hit Alberta again if a show suits me.

Krista Detor played about a 20-30minute set on both nights.  She mainly played piano, but also pulled out the accordion for a song of her own (and one of Peter’s).  Her songs that I caught in Portland… “Steal Me A Car”, “100 Years More,” “Mudshow,” “Early Grave,” and “Waterline.”

In Eugene, Krista played the same songs except she threw in “All to Do with the Moon” in between “Mudshow” and “Early Grave.” 

Peter Mulvey was in a great mood in Portland.  He had a shorter set due to a different show going on after him, but he was a graceful and funny as usual.  Some of the best parts of the set were his banter in between songs… his bit on Sean Connery had me cracking up.  How can someone with a speech impediment be so well known for his speaking roles?  It was schplendid.   Peter also went off on a riff about Sting that was also pretty funny, surrounding a “wet t-shirt” promo for a recent Saturday Night Live appearance.  I think if Peter’s guitar and voice weren’t so grand, he could be a stand-up comedian. :)

He played a lot from his new album, but also a few older tunes and covers.  He had some limited edition The Bicycle EPs for sale, and I snagged one for me and a couple friends.  He also mentioned that next September (2010) he might bring his bike tour out to Oregon.  Yippie!  Anyway, here’s what he played on Saturday night…

Setlist (Portland 11/7): about 80 minutes

  • If Love Is Not Enough
  • Some People
  • Kids In The Square
  • Here In The Going Going Gone [Greg Brown cover]
  • Letter From A Flying Machine
  • “Sean Connery”
  • Windshield
  • The Knuckleball Suite (with Krista Detor)
  • Shirt (with KD)
  • “Sting SNL”
  • Shoulderbirds (You Know Me) (with KD)
  • Bears
  • Sad, Sad, Sad, Sad (And Far Away From Home)
  • (I Don’t Know Why) But I Do [Bobby Charles cover]
  • Mailman
  • Vlad The Astrophysicist
  • On A Wing And A Prayer
  • Encore: Our Love Is Here To Stay [Nat King Cole cover]

One food-related add-on… close to the Alberta Street Pub was a place called Grilled Cheese Grill.  Holy cow… excellent stuff.  It does for grilled cheese what Eugene’s Off the Waffle does for waffles.  Yummy!

~*~*~*~

Eugene’s set was similar – Peter seemed to be in a pretty great mood.  The crowd was much smaller than Portland, but I figured smaller market to pull from and Sunday night were a factor in that.  I will say that I’m disappointed in Eugene a lot for not coming out to some great shows (I made my best attempt for last night).  We did conjure up a trio of friends to join us, and there were some other definitely Peter Mulvey fans in the crowd – including a couple of teddy bear loving peeps (that was interesting, to say the least).  My friendJenny asked me if teddy bears were a theme with Peter’s fans, to which I blurted out, “noooooo.”  And then Peter announced the spoken word piece “Bears.”  :)

Setlist (Eugene 11/8): about 90 minutes

  • I’m Beginning To See The Light [Duke Ellington cover]
  • Kids In The Square
  • “Time Machine”
  • Some People
  • Letter From A Flying Machine
  • Abilene (The Eisenhower Waltz)
  • The Knuckleball Suite (with Krista Detor)
  • Shirt (with KD)
  • Shoulderbirds (You Know Me) (with KD)
  • …Plus The Many Inevitable Fragments / Dynamite Bill
  • Bears
  • Moonshiner [Uncle Tupelo cover]
  • Vlad The Astrophysicist
  • On A Wing And A Prayer
  • Encore: Sad, Sad, Sad, Sad (And Far Away From Home)

(We also caught a snippet of “Brand New ’64 Dodge” and “A Better Way to Go” in soundcheck.)

All in all, I think the Alberta show was my fave of the two, but both were fantastic.  I hope Peter ventures out this way more often.  He promised again to head out this way next year – and possibly via bike.  It’ll be earlier in the year (September vs November).  If you want to check out some of his stuff… his latest record, Letters From a Flying Machine, is excellent.  I think it’s his strongest since 2000’s The Trouble with Poets.  You can listen to some samples at Petermulvey.com (one free download) or Amazon (samples of all songs):

The Appropriate Linkage:

Check out more tour dates below.

~Dan – np: Galactic CowboysSpace In Your Face

 

PETER MULVEY & KRISTA DETOR PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

Fall 2009 U.S. Tour Dates

  • 11/7     PORTLAND, OR     The Alberta Pub
  • 11/8     EUGENE, OR     Sam Bond’s Garage
  • 11/10     ARCATA, CA     Arcata Playhouse
  • 11/11     BERKELEY, CA     Freight & Salvage
  • 11/12     FELTON, CA     Don Quixote’s
  • 11/13     SANTA MONICA, CA     McCabe’s
  • 11/14     SAN DIEGO, CA     AcousticMusicSanDiego
  • 11/20     BURLINGTON, VT     UVM Recital Hall
  • 11/21     FRAMINGHAM, MA     Amazing Things Arts Center
  • 12/1-2     FAIRBANKS, AK     College Coffeehouse
  • 12/3     TOK, AK     Fast Eddy’s
  • 12/4     TALKEEKTNA, AK     Whole Wheat Radio
  • 12/5     ANCHORAGE, AK     Snow Goose Theatre
  • 12/6     PALMER, AK     Vagabond Blues
  • 12/8     KODIAK, AK     The Golden Anchor
  • 12/10     CARBONDALE, CO     Steve’s Guitars
  • 12/11     DENVER, CO     Swallow Hill
  • 12/12     COLORADO SPRINGS, CO     Friends House Concert
  • 12/13     FORT COLLINS, CO     Avogadro’s Number
  • 12/15-19 FORT ATKINSON, WI     Cafe Carpe

REVIEW: David Bazan Band @ Mississippi Studios (Portland, OR – 11/6/09)

7th Nov 09 (Sat) 5 comments

FYI… PHOTOS of the SHOW at the BOTTOM

So, last night’s show could have been presented by “Keep Portland Beard.”  Every member of both bands sported beards (which, to be fair, had some dual members).  I think beards and indie rock are like eye shadow and goth.  Except at least the women of indie rock don’t have beards (not that I know of at least).

I drove by the venue around “doors” time… and the line was part way down the block.  Yikes.  As I parked my car and walked to the venue, I spotted David Bazan and some of his posse hanging out by the nearby burrito cart.  He was on his mobile; so I opted not to bug him.

After a delicious hummus plate washed down by a McTarnahan’s Amber, SAY HI started… I found my seat at the awesomely cozy Mississippi Studios.

Say Hi is a trio, and they played what I’d call “power pop indie rock.”  I mean, that’s my best explanation… very catchy, hooky – yet retaining that gristle and DIY charm of a touring group of guys.  While Say Hi didn’t have the one-two writing & vocal punch of Neil Gust & Elliott Smith’s Heatmiser, I think Heatmiser is my closest comparison to Say Hi.  Great pop songs in a rock setting, definitely enjoyable.  They played about 40 minutes and, unfortunately, it flew by.  But… they’re from Seattle; so they’re totally on my “auto notify” Pollstar radar now.

After a very short set break (5 minutes, maybe)… David Bazan (plus band) hit the stage…

The first time I saw David Bazan (December 2003 with Over the Rhine) was the only time I’ve seen him with a “band.”  Even that time, it was a stripped down Pedro the Lion set with just David and T.W. Walsh (drummer).  The singer of Say Hi joined David on guitar, the Say Hi bassist traded bass duties for guitar / keyboards / percussion.  Blake Wescott joined on guitar, there was a new drummer, and David took care of bass (and guitar during the encore).

The set was a heavy David Bazan “solo albums” set, as expected.  I’ve really been digging his latest album, Curse Your Branches; so I picked it up on vinyl last night.  Most of the set was CYB stuff and Fewer Moving Parts material.  He did throw in a few expected Pedro the Lions and Headphones songs as well…

Setlist: about 90 minutes

  • Hard To Be
  • Please, Baby, Please
  • I Do (Pedro the Lion tune)
  • Bless This Mess
  • Q&A #1
  • I Never Wanted You (Headphones tune)
  • Magazine (Pedro the Lion tune)
  • Heavy Breath
  • Q&A #2
  • Cold Beer And Cigarettes
  • When We Fell
  • Lost My Shape
  • Curse Your Branches
  • Q&A #3
  • Fewer Broken Pieces (aka Fewer Moving Parts)
  • Bearing Witness
  • Q&A #4
  • Keep Swinging (Pedro the Lion tune)
  • How I Remember
  • In Stitches
  • Encore (David solo): Priests and Paramedics (Pedro the Lion tune)
  • Will You Still Love Me In December (Julie Doiran cover)
  • Q&A #5
  • Harmless Sparks

Best David Bazan line of the night… “Infants are necessary, but they’re kinda bullshit.”

I loved David with a band.  I think the highlight of the night for me, though, was Say Hi.  I usually don’t expect to like an opener, and I like being pleasantly surprised.  I didn’t have enough coin to get some Say Hi music last night, but I plan to in the near future.

Another highlight… David’s Q&A sessions are also usually a fun aspect of his shows – it really makes a Bazan show more personal and intimate.  Most of the questions surrounded his recent “coming out” as an atheist-leaning agnostic after many years in the Christian indie rock scene.  I always loved his candor and questioning of things in religion, even when he considered himself to be a Christian and I had moved out of that camp.  I, honestly, don’t think his lyrical themes changed all that much.  His Q&A answers last night were more along the lines around around tolerance, regardless of religious beliefs or non-beliefs.  Personally, I’m glad to have him in the more doubtful camp.  However, above that, I’m glad that he’s not trying to be divisive with things like faith and his “falling from faith.”  We should move towards being different than the prior generations who don’t know tolerance.

The Appropriate Linkage:

Check out more tour dates below.

~Dan – np: Lowell Brams, Sufjan Stevens & Bryce DessnerLibrary Catalog Music Series: Music for Insomnia
Lowell Brams, Sufjan Stevens & Bryce Dessner - Library Catalog Music Series: Music for Insomnia

DAVID BAZAN & SAY HI PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

Recent/Upcoming Tour Dates

  • 10/01 – San Francisco CA – Independent
  • 10/02 – Costa Mesa CA – Detroit Bar
  • 10/03 – San Diego CA – Casbah
  • 10/04 – Los Angeles CA – Troubadour
  • 10/05 – Tucson AZ – Solar Culture
  • 10/07 – Austin TX – Mohawk
  • 10/08 – Denton TX – Dan’s Silverleaf
  • 10/09 – Memphis TN – Hi-Tone Café
  • 10/10 – Murray KY – Lovett Auditorium / Murray State
  • 10/11 – Birmingham AL – Bottletree
  • 10/13 – Orlando FL – The Social
  • 10/14 – Atlanta GA – Drunken Unicorn
  • 10/15 – Chapel Hill NC – Cat’s Cradle
  • 10/16 – Washington DC – Black Cat
  • 10/17 – Philadelphia PA – Kung Fu Necktie
  • 10/18 – New York NY – Bowery Ballroom
  • 10/20 – Cambridge MA – TT the Bear’s +
  • 10/21 – Montreal QC – Il Motore
  • 10/22 – Toronto ON – Lee’s Palace
  • 10/23 – Pontiac MI – Pike Room
  • 10/24 – Chicago IL – TBA
  • 10/25 – Champaign IL – Highdive
  • 10/27 – Madison WI High – Noon Saloon
  • 10/28 – Minneapolis MN – Turf Club
  • 10/29 – Iowa City IA – The Picador
  • 10/30 – Lawrence KS – Jackpot Saloon
  • 10/31 – Omaha NE – Slowdown
  • 11/01 – Denver CO – Hi Dive
  • 11/02 – Salt Lake City UT – Kilby Court
  • 11/05 – Vancouver BC – Media Club
  • 11/06 – Portland OR – Mississippi Studios
  • 11/07 – Seattle WA – Neumos
    House Shows
  • 12/9 – Detroit, MI – 8pm – tickets available on db.com
  • 12/10 – Cleveland, OH – 8pm – tickets available
  • 12/11 – Columbus, OH – 8pm – SOLD OUT
  • 12/12 – Indianapolis, IN – 5pm – tickets available
  • 12/12 – Indianapolis, IN – 8pm – SOLD OUT
  • 12/13 – New Haven, IN – 5pm – tickets available
  • 12/13 – Ft. Wayne, IN – 8pm – SOLD OUT
  • 12/14 – Goshen, IN – 8pm – SOLD OUT
  • 12/15 – Lansing, MI – 8pm – tickets available

REVIEW: Regina Spektor @ Roseland Theater (Portland, OR – 11/1/09)

2nd Nov 09 (Mon) 5 comments

I got into Regina Spektor right around the time that Begin to Hope came out (thanks to my apple peeps Luc & Nic!).  I really haven’t had a chance to see her until now, as she played near me in Ohio right around the time I was moving to Oregon.  Her newest album, Far, is really good.  I’ve been “studying” it a lot this past week, and really dig just about every song.

The Roseland Theater show was sold out at least a week in advance.  Things didn’t work out to bring my wife, friends, back-ups of friends, couchsurfing hosts, or CS friends to the show… sigh.  Oh well, I sold my extra ticket out front.  Bah, no cameras again for this show.  I attempted to contact RS’s management, but got no response after a 3 week attempt.  Oh well… this is my major dissappointment with the Roseland: metal detectors, a fervid security staff, and the near impossibility to get my camera in without pre-approval… argh.

Anyway… on to the show…

The opener Jupiter One was really good.  I had only heard of them a few hours prior.  They are from New York and seemed to have that “NYC rock vibe.”  I’ve seen several bands (usually openers) who have “that vibe.”  Jupiter One were more impressive than most.  They are a four piece and were smushed to the left of Regina’s piano (which was oddly moved over after their set – which would have given J1 more room).  They had a nice groove, and played multiple instruments (violin, flute, etc) in addition to the traditional rock gear.  They only played for about a half of an hour, and didn’t really announce many of their song names.  I was looking out for one of them (“Platform Moon”), but I don’t know if they played it…

Regina went on a little after 9pm to immediate screams and applause.  She had a violinist and cellist (whose names I didn’t get) with her, and Matt Chamberlain was on the drum kit.  I’ve seen Matt many times with Tori Amos, and his self-titled solo album from 2005 on (Secret Chiefs 3 & Mr. Bungle) Trey Spruance’s label Web of Mimicry is the bomb – it’s quite a non-traditional “drummer solo album” (check it out).

The first half of Regina’s set was pretty bouncy and fun.  I think once it got to her solo acapella and definitely the guitar stuff, well, it wasn’t her strong suit if you ask me.  She played a lot from Far, but also mixed in some material from her older albums – especially at the encore…

Setlist: about an hour and 40 minutes

  • The Calculation *a fave of the night*
  • Eet
  • Folding Chair *a fave of the night* (nice use of strings)
  • Ode to Divorce
  • Riot Gear *a fave of the night*
  • Machine
  • Laughing With *a fave of the night*
  • One More Time With Feeling
  • Two Birds
  • Blue Lips
  • On the Radio
  • Dance Anthem of the 80s
  • Silly Eye-Color Generalizations (acappella)
  • Bobbin’ for Apples (Regina on guitar)
  • That Time (Regina on guitar)
  • Apres Moi *a fave of the night*
  • Poor Little Rich Boy (Regina playing piano and a drum)
  • Human of the Year
  • Man of a Thousand Faces
  • Encore: Samson *a fave of the night*
  • Us *a fave of the night*
  • Fidelity *a fave of the night*
  • Hotel Song
  • Love, You’re a Whore

I had a lot of fun, but I’m bummed some people who wanted to see it couldn’t for various reasons.  It was a sold out show; so if that’s any indictation, if she keeps touring, I’m sure she’ll be back through Portland.  She seemed to have a good stage presence and was more full of mirth than, say, Fiona Apple, yet more grounded than, say, Tori Amos.

The Appropriate Linkage:

Check out more tour dates below.

~Dan – np: John ZornFemina

Remaining U.S. Tour Dates

  • Mon 11/02/09 – Vancouver, BC – Orpheum
  • Tue 11/03/09 – Seattle, WA – Paramount Theatre
  • Fri 11/06/09 – Salt Lake City, UT – In The Venue
  • Sat 11/07/09 – Denver, CO – Fillmore Auditorium
  • Tue 11/10/09 – Houston, TX – Verizon Wireless Theater
  • Wed 11/11/09 – Austin, TX – Stubb’s Bar-B-Q / Waller Creek Amph.
  • Thu 11/12/09 – Grand Prairie, TX – Nokia Theatre At Grand Prairie
  • Sat 11/14/09 – Kirksville, MO – Truman State University
  • Mon 11/16/09 – Nashville, TN – Ryman Auditorium
  • Tue 11/17/09 – Asheville, NC – Thomas Wolfe Auditorium
  • Thu 11/19/09 – Louisville, KY – Louisville Palace Theatre

Nellie McKay (10/20) photos posted

24th Oct 09 (Sat) Leave a comment

REVIEW: Nellie McKay @ Dimitriou’s Jazz Alley (Seattle, WA – 10/20/09)

21st Oct 09 (Wed) 5 comments

FYI… PHOTOS of the SHOW at the BOTTOM

So, I had tickets to see Ben Folds with the Seattle Symphony Orchestra at Benaroya Hall last night.  I hemmed and hawed and finally decided to sell my ticket on craigslist to go see Nellie McKay instead.  I dig both of them as artists, and the main reason for the hemming and hawing was the whole symphony aspect (I mean, I’ve seen Ben Folds Five or solo a half dozen times already… so the symphony take on it was my main draw).  Ah, but… Nellie totally has my heart when in a piano/vocalist celebrity deathmatch with Mr. Folds.  She’s quirky, cute, writes and sings both silly and political songs, has a passionate love for animals (she’s a vegetarian with a stance on animal cruelty that makes me proud), and… you rarely know what to expect from her musically on any given night.  I’ve seen her twice prior, and both times were fantastical suprises.

Sorry, Ben.  Next time?

As a consolation for the Ben Folds fans, there’s a free mp3 stream (or download if you do some research, i.e.- “view source”) from the Huffington Post of the Ben Folds collaboration with author Nick Hornby (High Fidelity, etc).  It’s a jab song at the ex-fiance of ex-Alaska Governor Sarah Palin‘s daughter Bristol… from the HuffPo, I present you “Levi Johnston’s Blues.”

Speaking of the HuffPo… here’s a recent article / interview with Nellie McKay by Michael Giltz.

Oh, so Nellie’s latest album, Normal As Blueberry Pie, is all about Doris Day (a total of 14 Doris Day tracks in the recording session, and one Nellie original).  Two of the 15 session tracks are more difficult to get ahold of, unless you want to buy both the “exclusive” Barnes & Noble bonus track version and the iTunes bonus track version.  Have I mentioned that Universal Music Group’s tactics suck!? Anyway, the album is great (special track tactics notwithstanding).  The album lacks some of the bite and wit of Nellie’s prior 3 (and a half) solo albums.  But, I love it all the same.  It’s got Nellie trademark nostalgia / campiness, as evidenced by the photos surrounding the release (see to the right).

OK… on to the review of the show…

I really dig Dimitriou’s Jazz Alley.  It’s small and intimate (but large enough for the room to breathe).  Also I like the idea of making an experience out of the show – a fantastic meal, great atmosphere, and an attentive audience makes for a wonderful evening.  Oh, and free parking in downtown Seattle is like the cherry on top.  This was only my second time here (Hiromi in June was my first), but it is quickly becoming one of my favorite venues in the PacNW, if not ever.  I just wish it wasn’t so far away from me in Eugene all the time.

Nellie went on around 7:40pm with her backing band, The Aristocrats.  This was my first time seeing Nellie with a band.  They were excellent.  They were all younger than I was expecting.  I mean, this wasn’t her studio backing band… but as hired guns solely for touring, they really worked well with Nellie in a fun & playful way.  The band was Nellie McKay (piano and ukulele), Howard Fishman (guitar), Charles Schiermeyer (sax), Ben Bynum (drums), Scott Litroff (violin and flute), and Daniel Policar (keys).


Setlist: just shy of 90 minutes

  • If I Ever Had a Dream
  • Close Your Eyes (Doris Day cover)
  • Sentimental Journey (Doris Day cover)
  • Send Me No Flowers (Doris Day & Burt Bacharach cover, Nellie on Uke)
  • Do Do Do (Doris Day cover) *a fave of the night*
  • Mean To Me (Doris Day cover)
  • Dig It (Doris Day cover, Nellie dance-off) *a fave of the night*
  • The Very Thought of You (Doris Day cover)
  • A Wonderful Guy (Doris Day cover)
  • I Remember You (Doris Day cover)
  • “I Killed Larry David and I Liked It” / Grunge Song *a fave of the night*
  • Crazy Rhythm (Doris Day cover) *a fave of the night*
  • Black Hills of Dakota (Doris Day cover)
  • A-Tisket, A-Tasket (Ella Fitzgerald cover)
  • The Dog Song *a fave of the night*
  • Encore: Zombie (with Gary Danielson on sax)
  • I Wanna Get Married (Doo Wop Version, with Gary Danielson on sax) *a fave of the night*

So, yeah, holy crap… Nellie just keeps on getting better each time I see her.  I thought I’d be slightly bummed by a mostly Doris Day set (as I really like Nellie’s original songs a lot), but the Doris Day material was really fantastic in a live band setting.  The addition of a jazz combo behind her really made the songs gel, and her interaction with the others was really fun.  She’s kinda of a nutty person (or maybe as corny as Kansas in August)… but I wouldn’t want her to be any other way.  I didn’t get a chance to meet her after the show, but I had a fun night regardless.  Nellie and the Aristocrats are playing a second night (Wednesday, October 21st) at the Jazz Alley.  If you go, drop me a line with your thoughts on Night 2.

Some of the best lines of the night by Nellie…

I still can’t go back to Olympia, because I have overdue library books.”

There’s hashish in that music… that was a score!” (really funny in context)

The Jazz Alley’s description of Nellie as a “martini cool chanteuse” was kinda of spot on. :)  If you don’t have her newest one, get it… it’s fun (and out on vinyl, too):

The Appropriate Linkage:

~Dan – np: Erik FriedlanderTopaz

NELLIE McKAY PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

Higher Resolution (12 pics)

Limited to 1200 pixels wide or tall (49 pics)

Large ZIP file (12.9 Megs)
includes all of the pictures above

CLICK HERE FOR ZIP FILE (right click, save as)

REVIEW: Bad Veins @ Sam Bond’s (Eugene, OR – 10/16/09)

17th Oct 09 (Sat) Leave a comment

Rarely do elements of the Cincinnati music scene tromp through Oregon.  I got the opportunity to see Bad Veins about 5 weeks ago up in Portland, and now they’re back through Oregon, but this time in my lovely city of Eugene.  They received a nice write-up in the 10/15/09 Eugene Weekly, too…

We showed up late but before anyone started yet; so we moseyed over to One Cup for some delicious coffee.  On the way back to Sam Bond’s, we could hear the opener (Blue Horns from Portland) blaring through the door & windows… and we were about 2 blocks away.  “Oh, crap, I forgot my earplugs!”  Blue Horns were a good rock band.  Really loud, though (and I don’t think it was their fault).  They had a nice vibe, but it was hard to tell what the guy was singing most of the time.  Listening to them on MySpace now, they’re kinda jangly & bouncy indie rock.  Maybe I should write a letter to SB’s soundguy to turn it down from 17 to 11.  I mean, come on…  11 is enough.

Bad Veins got all set up and ready to go by 11pm… based on the poster (above), they seem to be the main band for this Daytrotter sponsored tour (I Daytrotter), yet they went on before The Subjects.  This was fine with me.  Nothing against The Subjects, but I was done after BV’s set.  Tired after a long week’s work and ears practically in tears.

Sebastien and Benjamin rocked us out for about a half hour.  As they like to say in the industry, Sebastien was “killing the fuck out of his drums.”  OK, maybe they don’t say that in the “industry.”  He was doing it regardless.  Maybe his drums slept with his girlfriend or ate the last breakfast burrito… or… or… both.  Regardless, he was going nuts. :)

After about the first song, we moved outside to help shelter our ears (again, Mr. Soundman… 11 is loud enough).  I was able to find a good spot on SB’s patio and watch through the window.  No pictures this show, as I rarely get any good shots at Sam Bond’s (even with a good camera).  For recent Bad Veins concert photos, check my last month’s review (click picture below)…

Setlist:

  • Found
  • Gold and Warm
  • Crosseyed
  • Afraid
  • Dry Out
  • Falling Tide
  • The Lie

Their set was identical to the time prior, and my wife made a good comment… “well, they use that reel-to-reel so they have to keep things in the same order.”  Duh on my part.  Anyway, it was still a really good set, despite the extreme loudness of it all.  I think Sam Bond’s is not the place to see rock music (prior to this, I’ve only seen Skerik/ jazz, Talkdemonic/ acoustic post-rock, and various singer-songwriters).  Hopefully The Subjects got better sound treatment.

The Appropriate Linkage:

~Dan – np: Foo FightersIn Your Honor

REVIEW: Lyle Lovett & John Hiatt @ Hult (Eugene, OR – 10/15/09)

16th Oct 09 (Fri) 2 comments

Well, had you asked me at the beginning of the week, “are you going to see Lyle Lovett and John Hiatt?,” my answer would have been “um… no.”  I wouldn’t say I was seeking out going to this show.  However, some friends of ours who had tickets ended up with a conflict and gave the tickets to us (thanks J&M!).

For me, Lyle’s music is a touch too close to country to seek him out, and I had never even really heard of John Hiatt.  Regardless of that prejudice and ignorance about their music, I had a lot of fun.  Lyle and John came out around 7:45pm and immediately started talking.  This would kick off the format – a lot of talking and each person trading off songs.

They were both great storytellers through their songs, and I was glad that they weren’t too twangy (really my only big gripe with country music is the twang).  It’s actually hard to say which part was more entertaining, their songs or their banter.  After about an hour, they’d only made it through 8 songs, and their songs aren’t generally long. They really seemed to be good friends who let us into their living room to watch them shoot the shit and play some songs for each other.

Setlist: two and a half hours

  • Drive South [JH]
  • Fiona [LL]
  • Walk On [JH]
  • LA County [LL]
  • Thunderbird [JH]
  • Home Is Where My Horse Is [LL]
  • Tennessee Plates [JH]
  • I Will Rise Up [LL]
  • Always Movin’ On (new) [JH]
  • South Texas Girl [LL]
  • Have a Little Faith in Me [JH]
  • Choke My Chicken [LL]
  • Crossing Muddy Waters [JH]
  • North Dakota [LL]
  • Memphis in the Meantime [JH]
  • Her First Mistake [LL]
  • Through Your Hands [JH]
  • My Baby Don’t Tolerate [LL with JH guitar solo]
  • Ain’t No More Cane [LL & JH]
  • Encore: Thing Called Love [JH & LL]
  • If I Had a Boat [LL]

Overall, it was a great show.  They were both great storytellers and quite humorous.  They seemed to be very well paired and play off (and with) each other well.  Thanks again J&M for the tickets!

The Appropriate Linkage:

~Dan – np: Nellie McKayNormal As Blueberry Pie: A Tribute to Doris Day

Aimee Mann (10/6) photos posted

10th Oct 09 (Sat) Leave a comment

REVIEW: Aimee Mann @ Aladdin (Portland, OR – 10/6/09)

7th Oct 09 (Wed) 4 comments

FYI… PHOTOS of the SHOW at the BOTTOM

I got into Aimee Mann after several promptings by my friend Bruce, and then eventually via her quite powerful role in the P.T. Anderson movie, Magnolia (1999).  Her spot in that movie and her pervasiveness on that soundtrack made me pay attention.  I’ve stuck with her through some great albums, including a doozy of  holiday album (but I don’t blame her, I blame the general holiday music content).  Her albums are always pretty damn consistent… consistently good.  I just never got the chance to see her until now.  I happened to be up in Portland for work; so I naturally found my way to the venue. :)

I really like the Aladdin Theater… it’s a classy theater, and every show I’ve seen here has been great (Jude and Yael Naim), and I plan on hitting the Aladdin at least 2 or three more times this year (Múm, the Swell Season, and maybe Stryper… but mainly for the humor aspect of that show).


The opener was Nick Lowe, who I didn’t know.  Apparently I knew some of his songs, specifically “(What’s So Funny ‘Bout) Peace Love and Understanding” (he wrote for Elvis Costello, and I’ve heard the A Perfect Circle version).  Nick played about 50 minutes, and probably 15 songs.  He had some very good, short pop songs.  I can see why people like him.  I mean, he kinda blended into the background to me, but he had a charm and lyricism that I can admire.

Aimee Mann came on around 9:20pm with two keyboardists.  Throughout the set, they both swapped around many instruments… mainly keys, but also guitar, shakers, drums, recorder.  She played a short 40 minute pre-determined set before breaking out into the audience request portion of the show…

Setlist: 2 hours

  • The Moth
  • Nightmare Girl
  • Momentum *a fave of the night*
  • Build That Wall
  • Par For The Course
  • Amateur *a fave of the night*
  • This Is How It Goes
  • Wise Up *a fave of the night*
  • Save Me [false start – see comments below]
    ———————
  • Real Bad News [start to the audience requests]
  • Long Shot
  • Looking For Nothing
  • Freeway *a fave of the night*
  • Jacob Marley’s Chain
  • 4th Of July
  • Mr. Harris
  • Video *a fave of the night*
  • Ghost World
  • You Could Make A Killing *a fave of the night*
  • Red Vines
  • Invisible Ink
  • Susan
  • One (Harry Nilsson cover)
  • Encore: Save Me *a fave of the night*
  • Voices Carry

So, the first attempt at “Save Me” got an odd response from a few ladies… almost like the cheering as you’re going up a rollercoaster.  Aimee pointed that out and countered it with how depressing and co-dependent-y the song was.  Then she went into some really depressing (but funny) new lyrics for the song… which led into the giggles; so she couldn’t even finish the real version of the song.  She came back to it later for the encore.

Aimee was really fun… much more fun than I thought she’d be.  I mean, her songs really meander on the line of depressed, melancholic disappointment; however, she was quite bubbly, and giddy in spots.  Her three-piece band really worked well together in a pinch.  Great, long show… check her out if she swings by!!!  She’s only a short West Coast tour this fall; see the remaining handful of dates below…

The Appropriate Linkage:

~Dan – np: Finger ElevenFinger Eleven

Aimee Mann West Coast Tour 2009

  • 10/2/09 UC Santa Barbara CA
  • 10/3/09 Santa Cruz, CA Rio Theatre
  • 10/4/09 San Francisco, CA Hardly Strictly Bluegrass FREE
  • 10/6/09 Portland, OR Aladdin Theater …with Nick Lowe
  • 10/7/09 Seattle, WA Moore Theatre with Nick Lowe
  • 10/8/09 Vancouver, BC Commodore Ballroom
  • 10/10/09 Coeur D’Alene, ID The Kroc Center
  • 10/11/09 Boise, ID EgyptianTheatre with Fountains of Wayne
  • 10/12/09 Salt Lake City, UT The State Room with Fountains of Wayne
  • 10/14/09 Boulder, CO Boulder Theater with Fountains of Wayne
  • 10/16/09 Los Angeles, CA The Wiltern with Fountains of Wayne


AIMEE MANN & NICK LOWE PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

Higher Resolution (7 pics)

Limited to 1200 pixels wide or tall (24 Aimee pics, 6 Nick pics)

REVIEW: W.P.A. at the W.O.W. (Eugene, OR – 9/27/09)

28th Sep 09 (Mon) 2 comments

FYI… PHOTOS of the SHOW at the BOTTOM

Works Progress Administration

I’ve been a fan of Glen Phillips via Toad the Wet Sprocket since back in my “high school days”… Toad is one of the few artists to make it out alive from that period, remaining a cherished part of my collection.  Glen’s voice is so evocative and honest and personable… it’s hard not to love just about everything he does.  In fact, last year, he pulled a doozy, releasing two albums under different band monikers (without much warning) under Radiohead’s In Rainbows “pay what you want philosophy.”  Both the Plover and RemoteTreeChildren cracked my Top 5 albums of 2008.

Well, this time, Glen decided to let us know about his new band and let some buzz build up… the Works Progress Administration (aka W.P.A. / WPA) is more or an Americana effort that is at its core made up of the trio of trio of Glen Phillips, Luke Bulla (from Lyle Lovett’s band), and Sean Watkins (from Nickel Creek). The Eugene show was with the extended band, not just the core trio of Phillips/Bulla/Watkins.  It also included Benmont Tench (Tom Petty and the Heartbreakers), Greg Leisz (Joni Mitchell, Bill Frisell), Sara Watkins (Nickel Creek), Sebastian Steinberg (Soul Coughing), and Don Heffington (Lone Justiceand I remember seeing him play with Over the Rhine at one point).

The first opener, Ehren Ebbage, put on a quick 20 minute set, four songs.  He hails from Seattle.  He was pretty good – he has the pop singer-songwriter vibe going on.  He seemed like a good soul, funny personality.  He got a opening slot due to “begging for it.” We didn’t walk out with his CD, unfortunately; but if he swings back through Eugene, I’ll give him another listen.

The second opener, Molly Jenson, stomped on the stage shortly after Ehren.  I say “stomped,” as she had these killer heels with jingles fixed to them (see pictures below).  Her first song in her 20 minutes, 4 song set was a song that showed that playing guitar, singing and stomping your foot in heels is probably more than I’d be able to handle physically.  It’s gotta be much harder than patting your head and rubbing your stomach.  Molly was pretty funny, she joked about the disco ball (and had the light guy turn it on).  She also talked about how she and Sara Watkins rolled around the hall’s floor that afternoon in their rollerskates.  Her sound was more in the country/folk singer-songwriter mold.  She ended her set with “You Are My Sunshine.”

Molly Jenson released her Webisode #13 that included footage from the WOW Hall show.  Check it out on YouTube.

WPA hit the stage around 9pm and jumped right into material from their new album.  “Always Have My Love” is such a good lead-off track to their live show (and CD).  It really features all aspects of this huge band.  WPA overall is really hard to pigeonhole.  They definitely fit in the folky genre, but they have many aspects of bluegrass, pop, rock.  Lots of violin, steel guitar, great vocals.  Vocal duties were shared by Glen, Luke, Sean and Sara.  They played mainly songs from the debut CD, but they also played songs from each of the singer’s “main gigs / solo albums.”

Part way through the set, they invited Alex & Tatiana Hargreaves on stage. I had never heard of them, but they were well received by the crowd.  They are both young and are quite the fiddle phenoms.  They jammed on two songs with Sara, Luke & Sean – one instrumental and one with Tatiana singing lead on a song from her recent album.

Here’s what they played…

Setlist: 90+ minutes

  • Always Have My Love (Glen on vocals) *a fave of the night*
  • End This Now (Glen on vocals)
  • Paralyzed (Sean on vocals)
  • Cry For You (Luke on vocals)
  • Solar Flare (Glen on vocals) *a fave of the night*
  • Rise Up (Glen on vocals) *a fave of the night*
  • I Feel the Blues Movin’ In (Luke on vocals) *a fave of the night*
  • I Go to Sleep (Sara on vocals) *a fave of the night*
  • Already Gone (Sean on vocals)
  • Not Sure (Sean on vocals)
  • Drive By (Glen on vocals) *a fave of the night*
  • Pink Triangle (Weezer cover, Sean on vocals) *a fave of the night*
  • Garfields (with Alex & Tatiana, instrumental)
  • Sugar Babe (with Alex & Tatiana, Tati on vocals)
  • Somebody More Like You (Sean on vocals)
  • Remember Well (Luke on vocals)
  • Long Hot Summer Days (Sara on vocals) *a fave of the night*
  • Good As Ever (Glen on vocals)
  • A Wedding or a Wake (Glen on vocals)
  • Encore: The Price (Glen on vocals)
  • You’re Gonna Make Me Lonesome (Bob Dylan cover, Sean on vocals) *a fave of the night*

Fantastic show.  It’s amazing to see so many great musicians on the stage at the same time.  They honestly looked like they were having a ball, too.  It was also good to see Glen playing guitar again (after his pretty nasty glass table accident last fall).  Luke Bulla and Nickel Creek, while already on my radar, made my list of “I should see them if they come through again.”  Fantastic players all around…

I picked up the debut WPA CD at the show.  It came out a week ago, but I wanted to wait until I saw them in person – you know, to make sure they got all the money, not shipping or some distribution middle-man like Amazon.  You can order it directly from the WPA site (click the photo):


FYI… PHOTOS of the SHOW at the BOTTOM

Always Have My Love (live on WNCW)

Introducing W.P.A.

The Appropriate Linkage:

~Dan – np: Faith No MoreAlbum of the Year

WORKS PROGRESS ADMINISTRATION PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

WPA’s tourdates:

  • Sun 08/16/09 – Schwenksville, PA – Old Pool Farm
  • Tue 08/18/09 – Exton, PA – Eagleview Concert Series
  • Wed 08/19/09 – New York, NY – Joe’s Pub
  • Thu 08/20/09 – Londonderry, NH – Tupelo Music Hall
  • Sun 09/06/09 – Yosemite, CA – Camp Mather
  • Wed 09/16/09 – Columbia, SC – White Mule
  • Thu 09/17/09 – Raleigh, NC – Lincoln Theatre
  • Fri 09/18/09 – Asheville, NC – Grey Eagle
  • Sun 09/20/09 – Decatur, GA – Eddie’s Attic
  • Fri 09/25/09 – Portland, OR – Doug Fir Lounge
  • Sat 09/26/09 – Seattle, WA – Crocodile Cafe
  • Sun 09/27/09 – Eugene, OR – WOW Hall
  • Tue 09/29/09 – Chico, CA – Manzanita Place
  • Wed 09/30/09 – San Francisco, CA – The Independent
  • Sat 10/03/09 – Ventura, CA – The Lodge
  • Mon 10/05/09 – Los Angeles, CA – Largo
  • Thu 11/05/09 – New York, NY – High Line Ballroom
  • Sat 11/07/09 – Pittsburgh, PA – Diesel Club Lounge
  • Sun 11/08/09 – Charleston, WV – Cultural Center
  • Tue 11/10/09 – Annapolis, MD – Rams Head On Stage
  • Wed 11/11/09 – Vienna, VA – Barns At Wolf Trap
  • Thu 11/12/09 – Fairfield, CT – StageOne
  • Fri 11/13/09 – Cambridge, MA – Passim Folk Music & Cultural Center
  • Sat 11/14/09 – Northampton, MA – Iron Horse Music Hall
  • Sun 11/15/09 – Fall River, MA – Narrows Center For The Arts
  • Tue 12/01/09 – Cedar Rapids, IA – CSPS / Legion Arts
  • Wed 12/02/09 – Minneapolis, MN – Cedar Cultural Center
  • Thu 12/03/09 – Madison, WI – High Noon Saloon
  • Sat 12/05/09 – Ann Arbor, MI – The Ark
  • Sun 12/06/09 – Chicago, IL – Old Town School Of Folk Music

REVIEW: Alice in Chains @ Roseland (Portland, OR – 9/26/09)

27th Sep 09 (Sun) 6 comments

FYI… PHOTOS of the SHOW at the BOTTOM

(the new Alice in Chains)

So, I could have seen Pearl Jam, but since I’d seen them (and they put on a freakin’ great live show) and I had never seen Alice in Chains.  So, AiC won out in the battle of who to see tonight.  Regardless of the lack of Layne Staley, I really dig guitarist/vocalist Jerry Cantrell and the new lead singer (William DuVall) sounds pretty good.  So, I’ll have to hold off on seeing Pearl Jam for a 2010 tour (?).  This Alice in Chains show was billed as “An Evening With,” which makes me happy.  Openers at rock/metal shows are usually for sucks.

Due to crappy Duck Football traffic, it took forever to get to Portland.  I got to the Roseland Theater around 8pm, and the band hit the stage just after 8:30.  It was a packed crowd, but I was able to move around a bit.  No cameras again.  Blerg.  I’ll have to contact some people before Regina Spektor & Puscifer in this same venue to see if I can get photo access.  We shall see.  I took some iPhone photos, as that wasn’t expressly disallowed (like it was announced as prohibited for the Porcupine Tree show last week).

Jerry Cantrell was always a big part of their sound, on both guitar and vocals.  He did quite a bit of vocals, and William really pulled off “the Layne sound.”  It’s difficult coming into a band with a solid career and trying to replace a very distinct vocalist.  While I wouldn’t say that William “has his own voice” with regards to the band, he’s definitely helping them carry on and make great music in the wake of losing Layne.  Hopefully William’s own voice shines through on the upcoming record (out 9/29).

Here’s what they played…

Setlist:

  • Rain When I Die
  • Again
  • Check My Brain *a new one – it was OK*
  • Them Bones
  • Dam That River
  • A Looking In View *a new one – pretty good*
  • We Die Young
  • Nutshell *a fave of the night*
  • Love, Hate, Love
  • God Am
  • Acid Bubble *new one – I’m kinda “meh” on this one for now*
  • Angry Chair
  • Man in the Box *a fave of the night*
  • Would? *a fave of the night*
  • Encore: Sludge Factory
  • No Excuses *a fave of the night*
  • Rooster

A great show… again, William does a great job filling Layne’s shoes.  Jerry and the rest of the band were as tight as ever.  Their setlist covered their career nicely.  I’m looking forward to their new album, Black Gives Way to Blue, showing up on my doorstep (I ordered it with the new Megadeth & Nellie McKay).  You can pre-order it below (it comes out on Tuesday):

Since my photos are only (subpar) iPhone photos… here are some professional photos from the Seattle show by Savoia Digital Concert Photography:

TONS MORE at Savoia’s Facebook photo album

The Appropriate Linkage:

~Dan – np: FantômasFantômas (aka Amenaza al Mundo)

ALICE IN CHAINS iPhone PHOTOS
(sorry in advance for the lower quality)
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

REVIEW: Sunny Day Real Estate @ Crystal Ballroom MFNW (Portland, OR – 9/18/09)

19th Sep 09 (Sat) 8 comments

(photo: Rebecca Blissett, from Vancouver show)

I saw Sunny Day Real Estate in Oct 2000 on the Rising Tide Tour (Bogart’s in Cincinnati), which would ultimately be their last.  I had a few chances to see Jeremy Enigk solo or The Fire Theft, but the shows never meshed with my schedule.  Seeing as I count the 2000 SDRE show as one of my favorite shows of all -time (Top 25 at least), I was soooooo stoked when it was announced that they were getting back together for a tour.

This was only my second time at McMennamin’s Crystal Ballroom.  The room was packed with tons of Music Fest Northwest (MFNW) people; so I’m hoping the hardcore SDRE fans got in.  The venue was set-up like most Portland venues with the odd barrier between the drinkers and the youngins’.  This was one of the rare shows of late where I don’t think I saw anyone younger than 25.

The opener, The Jealous Sound, were pretty good.  I listened to them on MySpace before the show and they seemed like a pretty good power pop/rock band.  At the show, the sound was a little muddled, but I could still get a good feel for their groove.  Maybe like a slightly less hooky Heatmiser?  I don’t know… they’re definitely worth checking out.

No cameras were supposed to be allowed in the venue last night (I asked).  Yet, when I get in (without my camera), I see a few people with cameras.  Damn me for asking. :(  Anyway, Rebecca Blissett’s photos from Vancouver will suffice as my pictorial show of the reunited SDRE…

SDRE’s set went by blisteringly fast.  They played a solid hour plus before leaving for a short break before their 3 song encore.  Jeremy’s voice was on top of its game, yet as indecipherable as usual.  I think he ranks up their with Karin Bergquist of Over the Rhine as misheard lyric contributor. :)  The rest of the band seemed really tight.  The “muddliness” of the opener’s set seemed to be cleared up.  And while Sunny Day haven’t been a cohesive unit for 8-9 years, they sure seemed like one tonight.  It seems like they didn’t miss a beat at all.

Setlist: 80+ mins

  • Friday
  • Seven *a fave of the night*
  • Red Elephant
  • Song About An Angel
  • Grendel
  • Shadows
  • Inscarabaid
  • 47
  • Theo B
  • 10 [new song]
  • 48
  • Sometimes
  • Encore: In Circles *a fave of the night*
  • Spade & Parade
  • J’Nuh *a fave of the night*

They only played material from their first two discs at this show (they have played at least “Guitar & Video Games” off of How It Feels to Be Something On on this tour), which was kind of odd.  And I know, this may be heresy, but I really love their last album the best (2000’s The Rising Tide).  It’s probably just a factor of when I got into them as a band.  So, as far as the only downside, that was it.  But the fact that they wrote a new song as recent as a week or so ago… well, that bodes well for future album(s) & tour(s).

Sunny Day Real Estate’s Diary & LP2 (aka Pink) have been remastered and re-released by Sub Pop in 2009 (click pictures for info).  No word on a remaster of How It Feels to Be Something On, though… hmm…

The Appropriate Linkage:

SDRE on Jimmy Fallon (9/29/09)

~Dan – np: Pearl JamBackspacer

no free download or torrent available here

 

SDRE Reunion Tourdates

09-17 Vancouver, British Columbia – Commodore Ballroom
09-18 Portland, OR – Crystal Ballroom (MusicFest NW)
09-20 Murray, UT – Murray Theater
09-21 Denver, CO – Ogden Theater
09-23 Minneapolis, MN – First Avenue
09-24 Chicago, IL – Metro
09-25 Detroit, MI – St. Andrew’s Hall
09-27 New York, NY – Terminal Five
09-28 Boston, MA – House of Blues
09-30 Washington, D.C. – 930 Club
10-01 Philadelphia, PA – Trocadero
10-03 Atlanta, GA – CW Center Stage
10-05 Dallas, TX – Granada Theater
10-06 Houston, TX – Warehouse Live – Ballroom
10-07 Austin, TX – La Zona Rosa
10-09 Tempe, AZ – Marquee
10-10 Anaheim, CA – House of Blues
10-11 Los Angeles, CA – Henry Fonda Theater
10-13 San Francisco, CA – The Fillmore
10-15 Spokane, WA – Knitting Factory
10-16 Seattle, WA – Paramount Theater

REVIEW: Porcupine Tree w/ That1Guy @ Roseland (Portland, OR – 9/16/09)

17th Sep 09 (Thu) 12 comments

Rarely do two bands you like happen to tour together.  Porcupine Tree is touring with King’s X on this U.S. Leg… well… ok, starting in a week in Ohio.  This West Coast leg, though gets That1Guy (another musician I like a lot).  I’m bummed I’m missing a KXC/PT show, but That1Guy is a fun live act as well.

I guess I’ll have to get used to the Roseland, as I imagine I’ll be seeing more and more shows here over the years.  It’s an “OK” venue… a basic stand-y rock club.  They do have a nice food menu, though… and I got as Zappa veggie dog (I heart the PacNW).  The band had a ban on cameras, outside of the officially selected photographer for the Incident tour blog; so no photos from me this time.

That1Guy played a short set.  Pretty much the same set as the last time I saw him in Feb, but just cut short. I was kind of bummed that he didn’t play “Buttmachine” or “Mustaches.”  Maybe he was trying to be “more serious” for the prog fans.  I don’t know.  I think “Buttmachine” is one of his catchiest songs, regardless of its ridiculous lyrics.  Watch the video here.  Overall his set & jams were a bit redundant / repetitive, but he’s still fun to watch.

Setlist: about 40 mins

  • Intro Jam
  • Jigsaw
  • Weasel Potpie leading into Instrumental Jam
  • Heaven or Heck
  • Dig (with the magic boot)
  • Outro Jam (T1G’s credit card jam with snippets of “Smoke on the Water”)

That1Guy’s 2007 album, The Moon is Disgusting, aged well.  I’m still digging it a bunch, and wish he would have played more off of it outside of “Jigsaw” and “Dig.”  You can listen to samples of the album HERE.

Next up, Porcupine Tree, whose new album, The Incident, arrived to my earbuds last weekend (thanks to Demonoid) but also hit my hands in a the lush limited edition on Tuesday.  Wow… it’s freakin’ excellent.  Great packaging in the deluxe edition.  I think the limited edition is sold out, but the standard CD is available worldwide now.

Porcupine Tree hit the stage around 9:15 and played a first set entirely made up of The Incident‘s 1st disc.  They didn’t stray from the album in scope or sound.  It was very great being in the same room as Steven again.  He’s truly a great musician and songwriter, which is a hard moniker to assign to a progressive rock musician (most of them can’t write a song to save their lives).  Their set…

Setlist:

  • The Incident (in its entirety)
    I – Occam’s Razor
    II – The Blind House
    III – Great Expectations
    IV – Kneel and Disconnect
    V – Drawing the Line
    VI – The Incident
    VII – Your Unpleasant Family
    VIII – The Yellow Windows of the Evening Train
    IX – Time Flies
    X – Degree Zero of Liberty
    XI – Octane Twisted
    XII – The Séance
    XIII – Circle of Manias
    XIV – I Drive the Hearse
    2nd Set
  • The Start of Something Beautiful
  • Buying New Soul
  • Anesthetize Part 2
  • Lazarus
  • Strip the Soul
  • .3
  • Bonnie the Cat
  • Encore: Way Out of Here
  • Trains

Great show for their fantastic new album.  They played right around 2 hours total.  The Incident is easily the best album they’ve done since In Absentia, IMO.  This was only the 2nd show of their tour, and it didn’t really show.  I mean, they were on top of their game.  Steven mentioned that they were a little nervous at the Seattle show the day prior.  Somehow I’m skeptical of that.  They probably roll out of bed and could play these songs blindfolded. :)

The Appropriate Linkage:

~Dan – np: Patton OswaltMy Weakness is Strong

Further U.S> Porcupine Tree Tour Dates (as of now)

Tue 15 Sep SEATTLE, WA MOORE THEATER [opener: That1Guy]
Wed 16 Sep PORTLAND, OR ROSELAND [opener: That 1 Guy]
Fri 18 Sep SAN FRANCISCO WARFIELD [opener: That 1 Guy]
Sat 19 Sep LOS ANGELES CLUB NOKIA [opener: Big Elf]
Mon 21 Sep CLEVELAND, OH HOUSE OF BLUES [opener: King’s X]
Tue 22 Sep CHICAGO, IL VIC THEATER [opener: King’s X]
Thu 24 Sep NY, NY TERMINAL 5 [opener: King’s X]

Fri 25 Sep BALTIMORE RAM’S HEAD [opener: King’s X]
Sat 26 Sep PHILLY ELECTRIC FACTORY [opener: King’s X]
Sun 27 Sep BOSTON, MA HOUSE OF BLUES [opener: King’s X]
Tue 29 Sep MONTREAL METROPOLIS [opener: King’s X]
Wed 30 Sep TORONTO QUEEN ELIZABETH THEATRE [opener: King’s X]

REVIEW: Bad Veins @ Doug Fir Lounge (Portland, OR – 9/8/09)

9th Sep 09 (Wed) Leave a comment

FYI… PHOTOS of the SHOW at the BOTTOM

Bad Veins were only one of the openers last night, but my main draw for the evening. The main band was Division Day, with additional support from Love Like Fire. I knew Bad Veins from kicking around the Cincinnati rock scene a few years ago. I’d seen them once prior in Cincinnati, then shortly thereafter that I moved to Oregon… but I’ve kept up with them on Woxy, Daytrotter, et cetera. This is their first trip out West.  They’re also coming back, and playing in my town (Eugene) on October 16th (Sam Bond’s Garage). Yay!

Bad Veins is a two man wrecking crew: Benjamin Davis on vocals & guitar and Sebastien Schultz on drums. They also employ a reel-to-reel for backup music. And by “employ,” I mean, they plug it in… I’m pretty sure a W-2 is not involved.  It’s part of the lo-fi charm of Bad Veins.  They were pretty true to form, and busted through a solid set from their debut album (out on Dangerbird Records).  It was a pretty good wall of sound coming from these two gents.  Here’s what they played…

Setlist:

  • Found
  • Gold and Warm
  • Crosseyed
  • Afraid
  • Dry Out
  • Falling Tide
  • The Lie

Sebastien cut his finger on the drumkit the last song of their set, and bled on the drums.  Oh, the joys of D.I.Y. rock!  Seeing as it was a “school night,” and I had two hours of driving to do, I bailed shortly after Bad Veins’ set.  (Sorry to both Love Like Fire who played before and Division Day who played after.)  I look forward to seeing Bad Veins play again when they’re in Eugene next month.

The Appropriate Linkage:

~Dan – np: Marty Ehrlich’s Dark Woods EnsembleSojourn

BAD VEINS PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

Mini-REVIEW: Extra Golden @ Celebration (Eugene, OR – 9/5/09)

7th Sep 09 (Mon) Leave a comment

So, Eugene Celebration is one of the many good things going in Eugene every fall.  We went down on Saturday and caught the tail end of Thomas Mapfumo, Extra Golden, and much later in the evening Gift of Gab.  Both Gift of Gab and Thomas Mapfumo were good, but the highlight of the evening for me was Extra Golden…

I was introduced by my friend Aaron to Extra Golden only a few hours prior, and the sound samples I heard online were “OK,” but I really only listened to a few songs for a little bit.  I’m up for anything and was already planning on going to Eugene Celebration; so I was game.

Well, let’s just say that their live show was fantastic.  Really fun groove, tight musicianship, and a very energetic frontman (who likes our yogurt here in Eugene).  Extra Golden were formed in Kenya by two Americans and one Kenyan.  I think their live set was made up of three Americans with a Kenyan singer and Kenyan drummer.  They played for a solid hour plus.  For the last song, their singer, Otieno Jagwasi, joined us in the crowd and danced up a storm.

I snapped a few crappy iPhone pictures.  Kinda fuzzy… anyway… here are some pics from their show:

Note how one of their guitarists looks like John Locke from Lost… :)

Check out Extra Golden on the MySpaces.

~Dan – np: Extra GoldenThank You Very Quickly Vol 3

REVIEW: dredg @ Wonder Ballroom (Portland, OR – 8/15/09)

16th Aug 09 (Sun) 5 comments

FYI… PHOTOS of the SHOW at the BOTTOM

This was my third time seeing dredg, and the second time this year.  Their latest record (The Pariah, The Parrot, The Delusion) is an amazing album… a definite front runner for album of the year for me.  It is inspired by Salman Rushdie’s essay “Imagine There’s No Heaven: A Letter to the Sixth Billionth Citizen.”  I gladly made the trek up to Portland, and now that I’d been able to soak in their latest album (it wasn’t out when I saw them in April), I knew much more of the material being played.  I was also able to bring my camera… yay!

The first opener As Tall As Lions were really good. The first song, the bassist was acting a bit goofy.  I thought it seemed weird, or that he was “overacting.”  However, throughout their whole 5-6 song set (35 minutes), he kept it up.  Maybe it grew on me, or maybe I changed my mind and felt he really was into it that much (plus he’s got some backing vocal chops).  :) Anyway, As Tall As Lions were a 6-piece in this live setting.  They’re from New York, and had a good indie rock vibe – nice vocals, nice groove, and good use of horns.  The band was way forward on the stage; so my only downside was that I was right next to the drums, which drowned out a lot of their vocals.  But, all in all, a very good opener.

The second opener Rx Bandits may as well have been a co-headliner (maybe they were billed as such).  It seemed as if tons of the crowd were there to see RxB.  They started the set with all four members on drums, which was fun.  One of the highlights of their 70 minute set was their lead guitarist and their drummer.  Their drummer had a dirty Daniel Johns (of Silverchair) look, and was kicking the crap out of his drumkit.  And their lead guitarist didn’t have the most “rock” stage presence, but he seemed like he could fit in a really into a shredder band… he played some really complex underlying scales, all while having a nonchalant look on his face. :)  Their vocalist reminded me physically as Brett McKenzie (from Flight of the Conchords).  And vocally, he seemed like he could fit in a jamband meets reggae/punk band.  Their bassist looked like he also fit in a jamband, and he had a very nice groove and bounced around the stage a lot.  It was an odd mix for a group, but it worked.  I’ll definitely see them if they swing through Eugene.  I took a few pics of RxB, but they didn’t turn out… oh well… next time…

Dredg came on right at 10:50pm and blasted into the trio of songs that kicks off The Pariah, The Parrott, The Delusion.  They seemed a little toured out (only compared to the last show in April).  They still put on a great show.  Gavin (singer/ lap steel), Dino (drums/ keyboard), Drew (bass) and Mark (guitars) were joined by a second guitarist for a few songs (I didn’t catch his name).  He played with them on Pariah, Drunk Slide, and Information.  Great 85 minute set.  Here’s what they played…

Setlist:

  • Pariah
  • Drunk Slide
  • Ireland
  • Ode to the Sun
  • Catch without Arms
  • Same Ol’ Road
  • Saviour
  • RUOK?
  • I Don’t Know
  • Δ
  • Bug Eyes
  • Information
  • Light Switch
  • Zebraskin
  • The Tanbark is Hot Lava
  • The Canyon Behind Her
  • Down to the Cellar
  • Cartoon Showroom

No encore (again), but perhaps that’s their M.O.  I’m not putting my usual “a fave of the night” notations by any song, because, quite frankly, it was all amazing.  At the end of Down the Cellar, the crew took Dino’s drum kit away one piece at a time at the end, with him ending on piano and no drums around him.  That was fun.

The only song I really wish they played but didn’t was “Gathering Pebbles” (from their new one).  I could play that song on repeat all day…

As much as I can get across in words, dredg is quickly becoming one of my favorite bands.  Rarely does an opener hit me, and ever since I saw dredg open for Coheed & Cambria (a few years back), I’ve been an immediate fan.  Their latest is their best yet, and their other albums are great as well.  I’d recommend picking The Pariah, The Parrot, The Delusion up on CD, vinyl (from the dredg store), or if you are silly… on mp3 (why go for the lower quality folks?). :)

dredg “Information

The Appropriate Linkage:

~Dan – np: Dub TrioNew Heavy

DREDG PHOTOS
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