Archive
John Zorn in San Fran 2009
First off… Happy Pi Day…
Also, tomorrow (Sunday the 15th) marks the end of the run of special John Zorn’s Masada at Yoshi’s in San Francisco. Here’s a YouTube clip of the Secret Chiefs 3 performance of “Omael” from Xaphan on Tuesday night (pardon the video quality, the taper had to keep it “on the down low” due to the venue’s strict policies against such things):
And “Kemuel“…
Anyone able to sneak an audio recording of any of the Zorn Fest shows (below)? Hit me up…
~Dan – np: Kukl (early Björk punk band) – The Eye
Zorn Fest 2009
March 10 – The Secret Chiefs 3 Play Masada
March 11 – Masada String Trio – 2 sets
March 12 – Masada Quintet – 2 sets
March 13 – Bar Kokhba Sextet – 2 sets
March 14 – The Dreamers – 2 sets
March 15 – Electric Masada – 2 sets
REVIEW: Oregon Percussion Ensemble’s FRANK ZAPPA Tribute @ UO’s Beall Hall (Eugene, OR – – 3/7/09)
I went to the University of Oregon’s Beall Concert Hall yesterday afternoon for a wonderful tribute to Frank Zappa put on by the UO College of Music’s Oregon Percussion Ensemble, conducted by W. Sean Wagoner. It was a show that I found out about in the Eugene Weekly… yay for the local entertainment rag for giving us last minute cool info!
The show was great… about 90 minutes including breaks. All percussion, except for a bass player and a violinist for “The Black Page Part 1 & 2.” OK, there was a pianist and a tap dancer, too… but those are technically percussion instruments. :P
Setlist:
- Concerto No. 1, Op. 12.3(1986) – composed by Ney Rosauro, soloist: Paul Owen (marimba)
- I. Saudacao (Greetings)
- II. Lamento (Lament)
- III. Danca (Dance)
- IV. Despedida (Farewell)
- Ionisation for thirteen percussionists (1929-1931) – composed by Edgard Varese
- Waltz (1958) – composed by Frank Zappa, soloist: Merlin Showalter (vibraphone)
- Magnesium Zapp II (2009) – composed by Charles Dowd
- The Black Page Drum Solo (1976) – composed by Frank Zappa, soloist: Paul Owen (drumset)
- The Black Page, Part I (1976) – composed by Frank Zappa
- The Black Page, Part II (1976) – composed by Frank Zappa
The first part of the first piece (Saudacao) was very Zappaesque… heavy on the marimba and xylophonic percussion… fast melodies, and the crazy percussive triplets or whatever you drummers call them. :) The rest of Concerto No. 1 wasn’t as Zappaesque, but it definitely was a great warm-up to the rest of the show. Paul Owen’s marimba work was great and the rest of the band really broke loose on this 20-something-minute piece.
Next up was Ionisation by Edgard Varese, from whom Zappa had only one degree of separation… the conductor for the first performance of Ionisation in the 30s was Nicolas Slonimsky, who later became a friend of Frank’s and also went out on tour with Zappa’s early 80s band. The piece was an avant-garde percussive piece, if set-up as designed (which I assume they did) was 3 bass drums, 2 Side drums, 2 Snare drums, tarole, 2 bongos, tambourine, tambour militaire, crash cymbal, suspended cymbals, 3 tam-tams, gong, 2 anvils, 2 triangles, sleigh bells, chimes, celesta, piano, Chinese blocks, claves, maracas, castanets, whip (instrument), guiro, high & low sirens, and a lion’s roar. I don’t remember a whip or lion’s roar… but regardless, it was fun and adventurous.
Waltz was the first official Zappa piece of the afternoon. It was about a 2 minute, 12-tone vibraphone solo by Merlin Showalter. It seemed like it was over before it started, but it was a nice piece.
Magnesium Zapp II continued in the Zappa theme… though not written by him. It was written by UO Director of Music Charles Dowd, who drew inspiration from Frank Zappa’s “Girl in the Magnesium Dress” from The Yellow Shark. It was somewhat avant-garde, improvisational with some structure. It also had small melodies written in to represent F-R-A-N-K and Z-A-P-P-A, which they went over beforehand… and it was fun to pick it out when they were playing it. Basically a 26-note run equating to the English alphabet… blah blah blah, you do the math.
Next up was The Black Page… I’d seen Terry Bozzio play this at the 2006 Zappa Plays Zappa tour in Louisville, and for the uninitiated, Zappa wrote it as a technical challenge. The musicians dreaded seeing all of the black notes on the page… hence its name.
(click for larger)
Percussion/Battery drum transcript (PDF):
The Ensemble started this as simply a drum solo by Paul Owen. He did a great job on this 3-4 minute very technical solo. Then the solo was played again by Paul… and 9 more drummers (and a tap dancer) at the same time, nearly perfectly in sync. It was quite mind blowing seeing all 10 drum sets around the front of the stage when we got back from the short intermission, but I had no idea they all be playing the solo together. Crazy good stuff. The only downside, we could barely see the tap dancer (Alli Bach) as she was behind the drum sets, but she was going nuts and hitting all of the notes as well… per W. Sean Wagoner (the conductor), this was the world premiere of a tap dance transcription for The Black Page. :)
After the solo(s), they played the Black Page in both Zappa’s variations… the “Hard Version” and the “Easy Teenage NY Version.” Much more melodic (not all on drums, as some of the drummers moved to play other instruments). They were also joined by piano, electric violin and bass. Great stuff… about 5 minutes for each version.
Good stuff… well worth the $5… like criminally worth it.
~Dan – np: Ben Folds Five – Whatever and Ever Amen 
REVIEW: That1Guy @ WOW Hall (Eugene, OR – – 2/11/09)
FYI… PHOTOS of the SHOW at the BOTTOM
Well, this was my 5th time seeing That1Guy and the Magic Pipe. He is a truly mesmerizing performer… the inclusion of the Magic Saw and Magic Boot are also great, but the true show is seeing Mr. 1Guy put a crazy go nuts university seminar on the Magic Pipe.
The opener was Seattle’s Flowmotion. I only caught their last 3-4 songs, but I liked them. Kinda of a more rock style jam band. The best part for me was their drummer and drummer/ percussionist combo. Two of the 3-4 songs I saw had some cool extended dual drum solos.
T1G came on right around 9:30. He seemed to play a very similar setlist to the time I saw him a year and a half ago at John Henry’s, but much more energetic… having a pretty packed house at a bigger venue on a Wednesday definitely didn’t hurt the energy. :)
Setlist:
- Forgotten Whales leading into Instrumental Intro Jam
- Jigsaw
- Weasel Potpie leading into Instrumental Jam
- the one with “heaven or heck” in the lyrics
- Dig (with the magic boot)
- Buttmachine (extended)
- Instrumental Jam
- Bananas
- Somewhere Over the Rainbow(with the magic saw)
- One(with card tricks)
- Jam Session with Flowmotion drummers (T1G’s credit card jam)
- …
Great show… I left at about the 90 minute point (it’s been a long week for me so far). If I had to wager a guess, I bet he played “Mash” and/or “The Moon is Disgusting” and/or “Birds” as encores… but that’s only a guess.
the magic pipe
And now for some news from That1Guy…
He’s re-issued his first album… the one before Songs in the Key of Beotch called Let’s Hear That1Guy (click pic to find out more):
New animated video for “Mash” made by some ausome aussies at Silo:6…
Oh, and T1G’s “Buttmachine” is the new Rick Roll… try it on your friends. *cough*
The Appropriate Linkage:
- http://www.that1guy.com/
- http://myspace.com/that1guy
- http://www.flowmotion.net/
- http://myspace.com/flowmotionmusic
- http://www.wowhall.org/
~Dan – np: The Beatles – The Beatles
THAT1GUY PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
REVIEW: Jeremy Pelt Quintet @ the Shedd (Eugene, OR – – 1/16/09)
FYI… PHOTOS of the SHOW at the BOTTOM
Brilliant show last night at the John G. Shedd Institute… I literally walked in at 7:30pm, just as the Shedd was announcing the Jeremy Pelt Quintet to come out and play. Whew… barely made it. Jeremy Pelt and crew came out and played 7 pieces over 90 straight minutes with very few breaks to talk between the songs.
(click for larger)
I’d never seen Jeremy Pelt before, but I had gotten into him via Ken Laster’s great In the Groove and Beyond podcast a couple of years ago. The band was Jeremy Pelt (bandleader, trumpet), JD Allen (tenor saxophone), Danny Grissett (piano), Dwayne Burno (bass), and Gerald Cleaver (drums). They were hot… most of the songs were definitely extended jams over what’s put down on their latest record, November, which I picked up at the show.
Set list: (as called from the stage)
- Avatar
- Clairvoyant
- Phoenix
- Nephthys (based on the Egyptian goddess, not the Egpytian online movie rental store Netflix…)
- Shirley Horn’s You Won’t Forget Me (dedicated to the recently passed trumpet great Freddie Hubbard)
- (JPQ pianist) Danny Grissett’s Untitled
- 466-64 (based on JP’s visit to Nelson Mandela’s jail cell)
Great show. The hour and a half passed by too quickly. Apparently Jeremy Pelt comes through Eugene often (every year or so); so I’m looking forward to seeing him again in the future. He’ll be at the Shedd again in early March 2009 for the multi-day Jazz Fest / Party, but I don’t think I can make it.
The appropriate links:
- http://www.peltjazz.com/
- http://www.myspace.com/maxjazz (his record label)
- http://theshedd.org/
Next show… Skerik’s McTuff at Sam Bond’s on Thursday. I’m there if I’m not beaten down by busy season work…
~Dan – np: Jeremy Pelt – November
JEREMY PELT QUINTET PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
REVIEW: Zappa Plays Zappa @ the Hawthorne Theater (Portland, OR – – 1/2/09)
Boo… no concert photos this time around… they wouldn’t allow cameras into the venue at all. :(
(Dweezil = rock)
This was my 3rd time seeing the Zappa Plays Zappa tour (aka Tour de Frank)… each one being different (set lists, lineup, promotions). This time was at Portland’s Hawthorne Theater as the “You Can’t Fit On Stage Anymore” variation of the tour. The venue had a small capacity (~300), you get a download code at the venue to get the entire recorded show after they mix it down (about a month?), you have a chance to win a free Hagstrom guitar (at each show), and you get to help choose the set list for the night. Of the 68 available tunes in the ZPZ band’s repertoire, here were my selections: Broken Hearts Are For Assholes, Inca Roads, Montana, Peaches En Regalia, and Sofa. They played two of my choices. I was really hoping for “Montana,” though. Eh, choosers shouldn’t be beggars.
Dweezil came out first and talked about the download code and how it wouldn’t quite be ready within 8 days, but that it’d be worth the wait. I’m sure it will, as it’s gonna be 3 CDs of professionally recorded audio for “free.” Free in that it’s part of the pricey ticket. But, it’s not like I have to pay for it again, eh? :)
The band was very similar (if not the same) as when I saw the 2007 tour at Moonlite Gardens in Cincinnati, OH. Different set list, of course. They had a few technical difficulties during the show, but veryveryvery minor, and they rolled with the punches very well. Outside of Ray White, they were all pretty much playing for the entire show, and even Ray only had a few breaks when he wasn’t needed to sing.
The ZPZ Band this time around is:
- Dweezil Zappa: Guitar
- Aaron Arntz: Keyboards
- Scheila Gonzalez: Saxophone, Flute, Keyboards & Vocals
- Pete Griffin: Bass
- Billy Hulting: Marimba, Mallets & Percussion
- Jamie Kime: Guitar
- Joe Travers: Drums & Vocals
- SPECIAL GUEST… Ray White: Guitar & Vocals
(Ray White is the pimp)
Setlist: (any help in filling in the blanks is appreciated)
- Peaches En Regalia (a fave of the set)
- City of Tiny Lights
- Inca Roads (a fave of the set)
- I’m Not Satisfied
- Pygmy Twylyte
- Idiot Bastard Son
- Cheepnis (partial) then back to Inca Roads (??)
- Hagstrom Guitar Giveaway Jam (I didn’t win… boo…)
- Chunga’s Revenge with solos
- Billy the Mountain (28 minutes) (a fave of the set)
- Andy
- Dirty Love (a fave of the set)
- Uncle Remus
- Willie the Pimp (a fave of the set)
- Wind Up Workin’ in a Gas Station
- San Ber’dino
- Yo Mama
- Black Napkins
- Encore: ____________ (missing name, more guitar solos)
- Muffin Man (a fave of the set)
All in all… fantastic show… 2 hours and 40+ minutes of amazing musicianship… the only things to make it better? My own pictures perhaps… oh, and winning the guitar would have been nice. :)
I hope they come around again in the fall… I’ve seen all three of the ZPZ tours. And this was technically the “2008” tour, even though it was in 2009 (obviously). Seeing as I wasn’t into Frank’s music before he died, this is the next best damn thing. Thanks, Dweezil and Co.!
The Appropriate Linkage:
- http://www.zappa.com/zpz/index.html
- http://www.myspace.com/dweezilzappa
- http://www.myspace.com/zappaplayszappa
- http://www.hawthornetheater.com/
~Dan – np: Ryan Adcock – Finished -LP-
Favorite Concerts of 2008
Well, shockingly, I don’t have any concerts on the calendar for December 2008 (next up is Zappa Plays Zappa on Jan 2nd). Of course, Sam Bond’s may book a jazz show that I don’t find out about until a week prior. Eh, anyway, I’ve seen 42 concerts and 91* artists perform so far in 2008 (which is oddly considered a “slow year” for me).
Assuming no other shows pop up out of nowhere and blow me away, here are my favorite concerts for 2008:
- Extreme & King’s X – Union Center Blvd Bash – Cincinnati, OH {10 Aug} [review with pictures]
- Jude Christodal, opener: Ryan Andrew – Aladdin Theater – Portland, OR {6 June} [review with pictures]
- Secret Chiefs 3 with Secret Chefs 3, Diminished Men – Doug Fir Lounge – Portland, OR {3 Aug} [review with pictures]
- Sigur Rós with Parachutes – Arlene Schnitzer Hall – Portland, OR {6 Oct} [review with pictures]
- Ornette Coleman – Arlene Schnitzer Hall/PDX Jazz Fest – Portland, OR {15 Feb} [review]
- SFJazz Collective with Dave Douglas, Joe Lovano, Miguel Zenon and more focusing on the music of Wayne Shorter – Newmark Theatre/PDX Jazz Fest – Portland, OR {15 Feb} [review]
- Ani DiFranco, openers: Animal Prufrock, Judy Grahn – McDonald Theatre – Eugene, OR {16 Apr} [review]
- My Brightest Diamond with Clare & the Reasons – W.O.W. Hall – Eugene, OR {21 Nov} [review with pictures]
- Nellie McKay, opener: Amorèe Lovell – Doug Fir Lounge – Portland, OR {15 Aug} [review with pictures]
- Orange Tulip Conspiracy – Samurai Duck – Eugene, OR {17 Nov} [review with pictures]
- Bill Frisell / Eyvind Kang / Rudy Royston – The John G. Shedd Institute for the Arts – Eugene, OR {7 June} [review with pictures]
- Glen Phillips of Toad the Wet Sprocket with J.Kingham – W.O.W. Hall – Eugene, OR {21 Feb} [review]
- Branford Marsalis and the Philharmonia Brasileira – The Hult Center – Eugene, OR {2 Oct} [review]
- Medeski Martin & Wood – McDonald Theatre – Eugene, OR {15 Nov} [review with pictures]
- Talkdemonic with Heavenly Oceans – Sam Bond’s Garage – Eugene, OR {9 Feb} [review]
Runners Up: God of Shamisen at Samurai Duck, EARTH at WOW Hall, Radiohead at White River Amphitheatre, Skerik’s McTuff & Skerik’s Maelstrom Trio at Sam Bond’s Garage, and Raquy and the Cavemen at Cozmic Pizza.
Shows I’m bummed I missed… Beck in Bend, Tegan & Sara in Salem and/or Portland, Sunn 0))) in Portland, Jacob Fred Jazz Odyssey (twice) in Eugene, Glen Phillips in Portland, Chali 2Na & Ozomatli in Portland, Steven Bernstein’s Millenium Territory Orchestra at Seattle’s Earshot Jazz Fest, and next week’s Charlie Hunter in Portland (I wish it weren’t on a Monday). :( Oh well, maybe next year…
Of my concert photos this year, I think these are my faves (in no particular order):
- Jude Christodal
- Silhouetted Secret Chiefs 3
- Jason Schimmel & Timb Harris from Secret Chiefs 3
- Sunspot Doug Pinnick & Ty Tabor from King’s X
- Nuno Bettencourt from Extreme
- Nellie McKay
- Ninja, laser-eyes Lee Smith from God of Shamisen
- Jónsi Birgisson from Sigur Rós
I’m definitely looking forward to 2009… Dweezil Zappa & Co playing Frank’s music, trumpeter Jeremy Pelt, the SF Jazz Collective (with Dave Douglas & Joe Lovano), and Madeleine Peyroux are already on the calendar…
~Dan – np: John Zorn – Film Works XXII: The Last Supper
~~~~~~~~~~~~~~
*– This was also the first year in 11 years that I haven’t seen Over the Rhine. I wish I was able to make it to their reunion show with Ric Hordinski, but alas, I shan’t be able to go.
Past Concert Fave Recap: 2007
REVIEW: My Brightest Diamond @ W.O.W. Hall (Eugene, OR – – 11/21/08)
FYI… my PHOTOS of the SHOW are at the BOTTOM
Yay… I’ve been waiting for this show for a few months. I last saw Shara Worden (aka My Brightest Diamond) in April 2007 at the MusicNOW Fest in Cincinnati. It was at that show where she debuted many songs that ended up on A Thousand Shark’s Teeth. I was going to drive up to Portland on Thursday for the show, then they announced a Eugene show (yay!). It was sparsely attended, though not as sparse as a Glen Phillips’ WOW Hall show earlier this year. I don’t know… WOW Hall shows seem so hit or miss. Maybe the Blues Traveler show at McDonald Theatre on Friday hurt MBD’s crowd? Anyway, the artists were in good spirits and put on a great show nonetheless.
Openers, Clare and the Reasons, went on around 9pm and played 40 minutes of very cinematic-tinged, indie-pop fare. The band was made up of singer/guitarist Clare Muldaur Manchon, multi-instrumentalist Olivier Manchon, and string-players Hiroko Taguchi & Maria Jeffers – – all four dressed in all red costumes. (The MBD & Clare touring collaboration was also an efficient one, as Olivier, Hiroko & Maria were MBD’s backing band as well.) After their set, buying their studio CD The Movie for $10 seemed like a steal. I look forward to hearing it, as it’s littered with guest artists / studio collaborators such as Van Dyke Parks (!!!!!) and Sufjan Stevens.
(click for larger)
Clare & the Reasons’ Setlist:
- Pluto – a fave of the set, nice pizzicatto strings
- Better Without You
- Pluton / Rodi – a fave of the set, nice saw work, 1st song done in the dark with flashing lights
- Nowhere
- Can Your Car Do That? (I Don’t Think So)
- Everybody Wants to Rule the World (Tears for Fears cover)
- Cook for You
Next up was My Brightest Diamond, who has gotten a lot of dedication here on this blog – – for which I do not apologize. In fact, she’s been the most prolific (or at least most little web goodies) of the Asthmatic Kitty artists lately. I mean, come on, Sufjan! You’re overdue. :) Anyway, back to MBD…
(click for larger)
MBD’s performance was excellent, as usual. As mentioned above, Olivier Manchon, Hiroko Taguchi, and Maria Jeffers were her backing band as well – – this time dressed in black & white costumes. They played around an hour, which included a magic show, a shadow & puppet show, twirling & whistling hoses, and much storytelling.
MBD’s Setlist:
- Golden Star – a fave of mine
- If I Were Queen
- Apples – a fave of mine
- To Pluto’s Moon
- Olivier’s Magic Show
- Disappear – a fave of mine
- Dragonfly – a fave of mine
- From the Top of the World – started Shara’s At the Back of the North Wind storytime
- Black & Costaud – a fave, started with Olivier’s storytime
- The Ice & The Storm
- Inside a Boy – a fave of mine
- Je n’en connais pas la fin / Hymne à l’amour – with an excellent shadow and puppet show
- Encore: The Gentlest Gentleman – with Shara on mandolin
Check MBD‘s music out on iTunes, Amazon, or your local record shop…
My Brightest Diamond’s CDs:
(plus she’s got a ton of remixes and b-side whatnot on iTunes)
The Appropriate Linkage:
- http://www.myspace.com/mybrightestdiamond
- http://www.mybrightestdiamond.com/
- http://www.asthmatickitty.com/
- http://www.myspace.com/claremuldaur
- http://www.wowhall.org/
- Seattle’s Triple Door show (11/19/08) is Archived at Synclive.com
- MBD on Uncensored Interviews
The Next Tour Stops:
Nov 22 2008 – Swedish American Hall, San Francisco, CA
Nov 24 2008 – Rio Theatre, Santa Cruz, CA
Nov 25 2008 – Casbah, San Diego, CA
Nov 26 2008 – Hotel Café, Los Angeles, CA
Nov 29 2008 – Solar Culture, Tucson, AZ
Nov 30 2008 – The Cooperage, Albuquerque, NM
Dec 3 2008 – Granada Theater, Dallas, TX
Dec 4 2008 – Sticky Fingerz Chicken Shack, Little Rock, AR
Dec 5 2008 – The Bottletree, Birmingham, AL
Dec 6 2008 – Square Room, Knoxville, TN
Dec 7 2008 – The Earl, Altanta, GA
Dec 9 2008 – Orange Peel, Asheville, NC
Dec 10 2008 – Gravity Lounge, Charlottesville, VA
Dec 11 2008 – Rock n Roll Hotel, Washington, DC
Dec 12 2008 – First Unitarian Church, Philadelphia, PA
Dec 13 2008 – (Le) Poisson Rouge, New York, NY
OK, that’s all for now from me…
~Dan – np: Mostly Other People Do the Killing – This is Our Moosic
CLARE & the REASONS -and- MY BRIGHTEST DIAMOND CONCERT PHOTOS
all pictures (cc) 2008 Daniel Temmesfeld,
you may use freely under a creative commons attribution
REVIEW: Jason Schimmel’s Orange Tulip Conspiracy @ Samurai Duck (Eugene, OR – – 11/17/08)
FYI… my PHOTOS of the SHOW are at the BOTTOM
Samurai Duck on a Monday night… ugh… but it was for a good cause. It was to see Jason Schimmel’s Orange Tulip Conspiracy (hereafter “OTC”). I’d seen Jason thrice prior (with Estradasphere once and with Secret Chiefs 3 twice). I fought the late night start to the week, the sleepiness, the sticky bar, and deep fried pizza (shudder). Egads, why did I let myself be sucked in by $3 fried pizza? I mean, sweet muscular Jesus… why!? It was wrong on too many levels…
Anyway, OTC went on around 10pm, or at least I thought. They were just foolin’, as I think Jason was setting up his Mac to tape the show and needed some levels. They went on for real around 10:20 and played until just about 11:30. I’m bad with the song names on instrumental bands, but they played most of the music from their eponymous debut CD. They also played a Django Reinhardt tune like no Django I’d previously heard (it was pretty fun, fast & furious). Hot Club de France was usually fun & furious, but not so fast… it was fun to OTC stretch it out at the end, too…
(click for larger)
The band was made up of bandleader Jason Schimmel (on guitars & swanky hat), John Whooley (on saxes & keys, an original Estradasphere member), Dan Robbins (on basses), Zach Cline (on guitar) and Lee Smith (on drums). John Whooley really ripped it up, and the live show was very much more sax-oriented than I remembered the CD being. It makes me wish I’d seen the earlier incarnation of Estradasphere (even though the current incarnation is excellent). Lee Smith also seemed more comfortable because he didn’t have to start his set in a ninja costume…
The 70 minute set was full of rockin’ jazz-infused tunes. Very swingy in spots, but Jason also pulled out a 7-string for a chunky low-end on a song. If John Petrucci (from Dream Theater) has taught me anything, it’s that I love me some 7-string. The night was full of what my wife might call a band in an “identity crisis,” but that’s exactly what I love about bands in which I’ve seen Jason play – – they’re full of energy & musical chops. OTC aren’t afraid to just push the envelope. They enjoy ripping it open like a birthday card from a rich Aunt. :)
The live show was pretty awesome, and the album is fantastic. It’s quite frankly in the running for faves of the year. It can (and should) be bought via Web of Mimicry/Lobefood (click the picture below):
The Appropriate Linkage:
Where they’re heading next on this 2008 West Coast Tour?
Nov 18 2008 – On the Y, Sacramento, California
Nov 19 2008 – Moe’s Alley, Santa Cruz, California
Nov 20 2008 – The Ruby Room, San Diego, California
Nov 21 2008 – The Knitting Factory, Hollywood, California
Nov 22 2008 – Hotel Utah, San Francisco, California
~Dan – np: Zakarya – The True Story Concerning Martin Behaim
-and- Ellery – You Did Everything Right -EP-
ORANGE TULIP CONSPIRACY CONCERT PHOTOS
all pictures (cc) 2008 Daniel Temmesfeld,
you may use freely under a creative commons attribution
REVIEW: Medeski Martin & Wood @ McDonald Theatre (Eugene, OR – – 11/15/08)
FYI… my PHOTOS of the SHOW are at the BOTTOM
Keys player John Medeski, drummer Billy Martin, and bassist Chris Wood make up one of my favorite groove and experimental jazz trios on the scene today. I’ve seen them twice prior (once only casually, once as a hardcore fan), and this third time was again in the clearly hardcore fan category.
This tour from Seattle to Reno is the last of three short jaunts in 2008 that are all part of their Radiolarian experiment. This special series – named after a type of single-celled organisms with remarkable exoskeletons – sees the trio getting together for five days to hammer out new material. Then they go on a brief tour to practice the pieces live, after which they cut a record of the new material. Instead of the standard industry practice of write -> record -> tour, MMW will write -> tour -> record.
The opener was no one. This was an “Evening With MMW” type of thing. Which, IMO, just rocked. It’s not to say that an opener might not have been enjoyable, but sometimes you just want to dig into to the real deal.
Medeski Martin & Wood were on top of their game. The hit the stage around 8:20pm and played a 1st set that was about 60/40 on the experimental vs. groove jazz. Their experimentation seemed a little bit more cohesive than, say, their Live at Tonic from a few years back. I dug it a lot, but some of the crowd was definitely itching for their more danceable, groove-oriented jazz. They ended this first set around 9:30pm and took a break…
(click for larger)
I toyed with the idea of leaving… I mean, I just saw 70 minutes of fantastic MMW. I’m glad I stayed, though. They hit the stage again around 10:00pm and played another solid hour plus of 120% groove. Great vibe, great fun… at one point all three were playing percussion of some sort. They also had a more rock tune in the bunch. Near the end of their 2nd set, I went to the “lounge” area to see what it was all about. I grabbed a beer and partially watched the encore via the TVs in the lounge (a weird but convenient trend in concert going these days). Near the end of the encore, I had to see it from the floor. Fantastic show all around!!
MMW’s setlist for tonight? Ha! I could only tell you that it was a smokin’ 2++ hour show… but song names and jazz music are usually hard to recollect. If I get wind of a set list via the MMWSetlist site, I’ll post it here. It may very well have been all Radiolarians Part 3 outside of the encore (which had been “Crosstown Traffic” at recent shows).
Their newest album, Radiolarians 1, is out now and is fantastic. As is their John Zorn / Masada Book Two album, Zaebos… Radiolarians 2 & 3 are expected out early 2009, I imagine. I’m glad to be part of the Radiolarians 3 performance this swing through Eugene. They’re going in to record Radiolarians 3 over Thanksgiving (or so said the merch lady).
The Appropriate Linkage:
Next show… tomorrow (Monday the 17th) is Jason Schimmel’s Orange Tulip Conspiracy at Samurai Duck in Eugene. OTC is a great eclectic instrumental band (similar to Jason’s other band Estradasphere but without the “metal” aspect). I wish it weren’t late on a Monday at a dive bar, but it promises to be a VERY good show nonetheless.
~Dan – np: John Zorn – Film Works XXI: Belle de Nature / The New Rijksmuseum
MEDESKI MARTIN & WOOD CONCERT PHOTOS
all pictures (cc) 2008 Daniel Temmesfeld,
you may use freely under a creative commons attribution
REVIEW: Skerik’s McTuff @ Sam Bond’s (Eugene, OR – – 10/26/08)
I saw Skerik and his Maelstrom Trio for the first time back in May (review here – Skerik’s Maelstrom Trio & Stebmo). Since Skerik’s from Seattle, it seems like he comes through Eugene more than occasionally, which is more than a-OK with me. This time was with a groovier, organ-and-sax infused jazz project, McTuff, led by organist Joe Doria. Think if Medeski Martin & Wood had a saxophonist, added more bop, swapped the bass for a guitar, and kept going with it… OK, maybe it’s not like MMW, but it’s in the same vein at least.
There was no opener… I walked in right as they were starting (nice!). McTuff features Joe Doria on Hammond B-3 organ, Skerik on tenor sax, Alan Coe on guitar, and D’vonne Lewis on drums. All four guys cut loose on the songs, but Skerik stole the show for me. I’m not too familiar with the McTuff band, but I like Skerik quite a bit. He sat by while the band jammed a lot, and then busted in usually after a few minutes on a jam. It’s was nice to hear the sax in this groove-oriented jazz band. It kind of makes me pine for the Bobby Previte’s Coalition of the Willing show that I missed in Columbus (OH) in 2006 (or 07?)…
Also, rarely do you leave Sam Bond’s Garage at 10:30pm and still be able to say that you just saw an hour and half of great music… usually it starts later and ends later. So, this tired guy is glad he got a get earful before heading home and to bed. They were going to go on for a 2nd set, but I had to head back home in order to get up early to go to Portland for work.
Here’s hoping Skerik makes it through Eugene a few more times before I’m too old to stay up past 10pm. ;)
The Appropriate Linkage:
- http://www.myspace.com/mctuffmusic
- http://www.myspace.com/43304272 (Skerik’s solo page with links to other Skeriky goodness)
- http://www.sambonds.com/
- A Great Jambase review
Now off on a work-scursion to lovely Portland…
~Dan – np: Medeski Martin & Wood – Radiolarians I
REVIEW: Yael Naim @ Aladdin Theater (Portland, OR – – 10/15/08)
Mini-Review
Well, I heard about Yael Naim a week ago thanks to the NPR World Cafe podcast… she’s a Paris-born, Israeli singer-songwriter. She’s been described as “a touch of folk and a touch of jazz, with mysterious and evocative words sung with a delicate and intentionally husky voice.” After just hearing of her, I found out that she was playing the Aladdin Theater in Portland the very next week. I was just going to head up to the Aladdin if I was up for it, and buy a ticket if they had some available. Well, thanks to the power of the internets, I got an email Tuesday morning from the Aladdin, and they were giving away 50 tickets to the first people who responded to their email. And, woot, I got a free ticket. Natch.
The opener, Peter Von Poehl, was… well… absent. So the replacement opener was Grey Anne. And she was… RAD! Very quirky, indie rock girl with an electric guitar, drum, accordion, butterfly wings, echoplex, and a stuffed giraffe. Fun songs, off the wall, nice textures, strong voice, confident, quirky… She’s from Portland; so I hope she makes her way down to Eugene sometime soon.
Yael Naim and her band were really good, too. They played Britney Spears’ “Toxic” as well. That’d make my friend Bruth happy. :) I enjoyed her set a lot, but I think my favorites of hers were the ones in French. There’s something about French music that’s just… FUN. Yann Tiersen, Jeanne Cherhal, Paris Combo, and… well, Yael Naim.
Next Aladdin visit for me… Jonatha Brooke and Glen “I sat on a glass table and might not be playing guitar for a while” Phillips. Yikes. :) I hope Glen’s arm is better to be at this show, because otherwise, I don’t think I’ll go. At the end of the day, I hope he gets better more than me being able to see him.
The Appropriate Linkage:
- http://myspace.com/yaelnaim
- http://www.yaelweb.com/
- http://www.myspace.com/perse (Grey Anne’s page)
- http://www.aladdin-theater.com/
~Dan – np: Radiohead – In Rainbows
Sigur Rós photos (Portland 10/6/08)
Sigur Rós pictures from the Portland show on Monday, October 6th are now posted over at my review of the show:
https://jazzsick.wordpress.com/2008/10/07/sigur-ros-pdx2008/
REVIEW: Trio Subtonic @ Lewis & Clark College (Portland, OR – – 10/9/08)
Quick review… I didn’t make it to Jo Fed’s in Eugene a few weeks ago to see Portland jazz group, Trio Subtonic. Alas, they were playing in Portland last night, and I was in town for work.
(camera phones are kinda pointless)
Trio Subtonic are a piano/bass/drums jazz trio… in the same vein as Medeski Martin & Wood (to give you a frame of reference). What I’ve heard on record is really groove oriented jazz with keys, samples, etc. Last night was more organic, acoustic jazz (i.e.- still a nice groove, but with acoustic piano). They were recording the show at Lewis & Clark College for a future release. I stayed through the first break (about an hour), and of the songs that they announced, I caught: Not There, Subtronics, Why Are the Mountains Crying, and Kaleidoscoping. They played three or four others of which I didn’t catch the names.
Catch them if you’re in Portland or if they swing through your town… they were quite enjoyable. Check out their music below:
The Appropriate Linkage:
~Dan
REVIEW: Sigur Rós @ Arlene Schnitzer Hall (Portland, OR – – 10/6/08)
FYI… PHOTOS of the SHOW are at the BOTTOM
This was my third time to the Arlene Schnitzer Hall. It’s a great venue, and while I thought I would have gotten a better ticket via ordering from Klink (the Sigur merch site)… well, I was further to the back and left than I would have liked. It was still a good spot for pics and hearing some wonderful music.
The opener, Parachutes, is a band I got into sometime in 2007 due to a linkage to Sigur Rós via the MySpaces. I was excited to see them on the bill. They were obviously influenced by Sigur Rós. I mean… obviously. But in my world, that’s not a bad thing. They had 8 or 9 players, and at one point I know 10 people were playing with them. Again, very Sigur Rós-y, slow build, xylophone, strings, bombastic drums, keys, soft vocals. They played about 40 minutes, and I enjoyed them very much. I picked up their EP for $5 (usð)… i.e.- a steal. Unfortunately, my pics of theirs didn’t come out, as they didn’t have as much light on stage as Sigur Rós.
Now on to Sigur Rós…
Sigur Rós was… Sigur Rós. This was my 5th time seeing them, and while some may consider there to be the law of diminishing returns, with Sigur Rós the diminishments are such minutae that it’s not even diminishing anymore. Their shows are like taking a nap on a cloud during a rainstorm… or something. It’s completely surreal, mesmerizing, powerful, gentle, sublime, and… shiny.
(not my pic… obviously)
It’s funny to me, that with their non-English song names and their non-English singing… I still knew about half of the song titles within the first few chords. I think it’s osmosis or something, as I’ll admit that I don’t listen to them all that often (or often enough to know all of their song names). Anyway, thanks to the SR forum, I was able to fill in the remainder of the setlist (see below)…
10/6/08 Portland Setlist: (as noted on the SR forum)
- Svefn-g-englar *fav of show*
- Glósóli
- Ný batterí *fav of show*
- Fljótavík *
- Við spilum endalaust *
- Hoppípolla *fav of show*
- Með blóðnasir
- Inní mér syngur vitleysingur *
- Svo Hljótt
- Heysátan
- E-bow – on setlist, not played
- Viðrar vel til loftárása – on setlist, not played
- Sæglópur
- Festival *
- Gobbledigook * *fav of show – confetti kaboom*
- encore: All Alright *
- Popplagið *fav of show*
* For pronunciations of the songs and album name from their most recent album, Með suð í eyrum við spilum endalaust, go HERE (blog link with audio).
Overall, this was an amazing time. Every time I see Sigur Rós, I am blown away. This was their 2nd to last date on the North American tour (and their last date in the United States for this tour); so they’ve been getting a lot of practice lately. They were on top of their game, and put together an amazingly mesmerizing show
The Appropriate Linkage:
- http://www.sigur-ros.co.uk/
- http://www.myspace.com/sigurros
- http://www.myspace.com/parachutesmakesongs (the opener)
- Sigur Rós @ NYC MoMA (46 minute pro-shot concert video)
- Official Video for “Gobbledigook” (1st single – video contains nudity)
- Official Video for “Inní mér syngur vitleysingur” (2nd single – from concert footage)
~Dan – recently played: Yoshie Fruchter – Pitom
SIGUR ROS CONCERT PHOTOS
all pictures (cc) 2008 Daniel Temmesfeld,
you may use freely under a creative commons attribution
REVIEW: Branford Marsalis & Philarmonia Brasileira @ Hult Center (Eugene, OR – – 10/2/08)
I first got into (Grammy Award-winning saxophonist) Branford Marsalis when I sat through the 10-disc (20 hour) Ken Burns JAZZ documentary that I got from the University of Oregon Library. Let’s just say that I spent a lot of rainy spring weekends watching these discs and getting more into the roots of jazz when there wasn’t anything to do outside. Prior to this, my jazz experience was more on the avant-garde side of things (with John Zorn), with occasional listenings of Charlie Parker, John Coltrane, Miles Davis, Charles Mingus, Thelonious Monk, Ornette Coleman, et cetera. The JAZZ documentary series opened my eyes to many more beautiful jazz greats, both past on as well as those still alive and kicking.
Branford’s brother, trumpeter/band leader Wynton Marsalis, was prominently featured in that documentary as a historian of sorts as well as a leader in the current jazz movement. Branford also popped up in several spots. That set up my familiarity with the “Marsalis” name… then I started getting more into Wynton’s music, as well as picking up some Branford here and there. When I saw that Branford was coming to Eugene with a Brazilian music meets jazz concert – – well, I jumped at the tickets.
This was my first concert at the Hult Center (and thus the Silva Theater). I
t’s a very gorgeous facility, and I hope I can make it here for a Eugene Symphony Orchestra or other great show in the future. The Silva Theater at the Hult is similar to venues like the Aronoff in Cincinnati or the Palace in Columbus (i.e. – a great big, ornate concert hall). I also got to check out the Mayor’s Art Show at the Jacob Gallery. It had some great stuff in it, but alas, no jewelry art. I’m still wondering why my wife and her co-worker’s great pieces didn’t make it in the show.
The musical program for tonight was Branford and the Philarmonia Brasileira conducted by Gil Jardim, celebrating the music of Heitor Villa-Lobos 49 years after his death. It was Branford & the PB’s first show of the 40-day tour. They had met only the day (or two) prior. With that being said, it was unnoticeable. They were ON…
A Heitor Villa-Lobos celebration! Program
(the following was a change from the printed program – updates from the Hult Program Director)
- Philarmonia Brasileira only playing Abertura Concertante: dedicated to Aaron Copland (by Camargo Guarnieri)
- Philarmonia Brasileira joined by Branford Marsalis playing Fantasia for Saxophone (soprano) and piano or orchestra (1949 by Heitor Villa-Lobos) *a fave of the night*
i. Animé
ii. Lent
iii. Trés Animé
- La Creation du Monde, op 81 (1923 by Darius Mihaud)
i. Overture
ii. The Chaos Before Creation
iii. The slowly lifting darkness, the creation of trees, plants, insects, birds and beasts
iv. Man and woman created
v. The desire of man and woman
vi. The closing section (coda) the man and woman kiss
< < intermission > >
- Bachianas Brasileiras no 9 (1945 by Heitor Villa-Lobos)
i. Prelude: Vagaroso e mistico
ii. Fugue: Poco apressado - Scaramouche for Saxophone (alto) and Piano op. 165c (1937 by Darius Mihaud) *a fave of the night*
iii. Vif
iv. Modere
v. Brazileira - Bachianas Brasileiras no 5 (1938 by Heitor Villa-Lobos)
i. Aria (Cantilena)
ii. Dança (Martelo)
——————— - Encore #1 (title not given)
- Encore #2 (title not given)
The Philarmonia Brasileira was quite amazing. They swapped out members and instruments for each piece, and all 8 pieces of the night had a different feel. It was much more enjoyable than I was expecting (and I was expecting it to be quite enjoyable to start). Several of the pieces were a full orchestra, several were more string-oriented, some with piano & orchestra, one with just piano and Branford, and some with more of an exotica with Brazilian percussion. Branford was also quite great / amazing. This was definitely a more classical sax setting, but he did break loose in a more “jazz way” on the song with just him and piano. I hear he comes through often (from a Veg Club friend); so I hope to see him again in the future.
All in all = A-freakin-plus.
The Appropriate Linkage:
~Dan – np: Medeski Martin & Wood play John Zorn’s Masada Book Two – Zaebos
The Rest of the Branford Marsalis & Philarmonia Brasileira Tour
October 2008
03 – Seattle, WA – Benaroya Hall
05 – Stanford, CA – Stanford Memorial Hall
06 – Modesto, CA – Mary Stuart Rogers Theater
08 – San Bernardino, CA – Riverside Municipal Auditorium
09 – San Luis Obispo, CA – Christopher Cohan Center
10 – Los Angeles, CA – Royce Hall Auditorium/UCLA
11 – Orange County, CA – Segerstrom Concert Hall
13 – Santa Fe, NM – Lensic Theatre
14 – Albuquerque, NM – Popejoy Hall
16 – Lufkin, TX – Angelina Center for the Arts
18 – Fayetteville, AR – Walton Arts Center
19 – Overland Park, KS – Yardley Hall Carlsen Center
20 – Conway, AR – Reynolds Performance Hall
22 – Milwaukee, WI – The Kuttemperoor Auditorium
23 – Detroit, MI – Music Hall Center for the Performing Arts
24 – Wheaton, IL – Edman Memorial Chapel
25 – Minneapolis, MN – Orchestra Hall
26 – Winona, MN – Winona Middle School Auditorium
28 – Storrs, CT – Jorgensen Auditorium
30 – Ithaca, NY – Bailey Hall Auditorium/Cornell
November 2008
01 – Bronx, NY – Lehman Center for the Performing Arts
02 – Stony Brook, NY – Staller Center for the Arts
05 – Newport News, VA – Ferguson Center for the Arts
06 – Durham, NC – Page Auditorium/Duke
07 – Rockville, MD – Robert E. Parilla Performing Arts Center
09 – Birmingham, AL – Stephens Center for the Performing Arts
The Roster for the Philarmonia Brasileira
Conductor
Gil Jardim
Violin
Esdras Silva
Cinthia Zanco
Daniel Stein
Flavio Meyer
Gilberto Paganini
Maria Brandào Neto
Natalia Visona
Paula Vazquez
Pedro Gobeth
Viola
Glesse Colleti
Mariana Jelen
Cello
Marisa Silveira
Ji Shim
Doublebass
Neimar Dias
Flute
Maria Carvalho
Clarissa Andrade
Clarinet
Marcos Junior
Marcelo Silverio
Bassoon
Erick Ariga
Horn
Michael Alpert
Flavio Faria
Oboe
Alexandre Ficarelli
Trumpet
Wellington dos Santos
Ismael Brandào Neto
Trombone
Sidnei Borgani
Piano
Nahim Marun Fo
Percussion
Vinicius Barros
Glaucia Vidal philharmonic filharmonia brasil brazil brazilian brasilian
REVIEW: Richard Crandell @ Cozmic Pizza (Eugene, OR – – 9/13/08)
I had Richard Crandell‘s Mbira Magic (Tzadik 2004) back when I lived in Ohio. I had no idea that he was from Eugene, OR. I happened upon a listing of a performance he did earlier this spring at Saturday Market, but a day late. When I saw that he was playing yesterday at Cozmic Pizza for free… well, I jumped (and bike rode 2+ miles) at the opportunity.
Richard Crandell gave us a solid hour of full on metal. Well, fingers on metal. :)
mbira: the instrument of choice
He plays the mbira (a “thumb piano” pictured above), and he’s quite good. His compositions are very melodic, and his technique is quite fluid. It’s almost as if the instrument is part of him. He was carrying on a conversation with the sound guy when he ran into some technical difficulties, playing all the while.
Anyway, he played from around 1 to 2pm and played 9 songs… the ones he mentioned the names to are:
- Bells
- Missing in London
- Spring Steel (based on the Japanese pentatonic scale)
- Ghost Writers in the Sky
all pictures (cc) 2008 Daniel Temmesfeld,
you may use freely under a creative commons attribution
One of the songs that he didn’t mention the name had a mbira loop played behind his live mbira, and he used a guitar finger pick to create a nice additional percussion to the loop. His records are good as well (but mbira is more interesting to see live, IMO)… his most recent, Spring Steel, features Brazilian percussionist Cyro Baptista. Cyro’s fantastic… either with Beat the Donkey, Supergenerous, Electric Masada, Marc Ribot, or many of John Zorn’s pieces…
Richard Crandell’s records
His websites:
~Dan – np: Metallica – Death Magnetic
PS– whoa, completely unrelated, the new Metallica album, Death Magnetic, actually sounds… really… good. It’s been 20 years since that’s happened… too bad the album cover looks like they didn’t pay their invoices timely to the graphic artist. It’s crap, as has been expected with Metallica for the past 17 years. But when it comes down to the music, it’s finally not rubbish.
REVIEW: God of Shamisen @ Samurai Duck (Eugene, OR – – 9/11/08)
FYI… PHOTOS of the SHOW are at the BOTTOM
Well, before the show, I was kind of bummed, as Todd Sickafoose (Ani DiFranco’s upright bassinator) was playing a show at Sam Bond’s in Eugene last night as well. GOS totally won, but Todd would have put on a great show as well. Anyway, I swung by Sam Bond’s before heading over to the Samurai Duck… to pick up Todd’s new CD, Tiny Resistors. I figured I might as well support indie jazz artists. Alas, the doorman told me that Todd had to cancel. Bummer… well, maybe he’ll reschedule, though I think he’s from New York; so maybe it’s just not meant to be this time around.
a great cartoon GOS by Rulo Barrera
On to the venue… hmmm… what to say about the Samurai Duck. Well, you can get fried pizza. Um… ick… I opted for a Blue Moon & a bag of pretzels. The rest of the menu was faintly “asian,” but nothing I’d really consider to be all that interesting. This place is definitely a dive metal bar, but they’ve got a decent stage, and the bands got set-up / switched over between sets really quick – which is a major plus, especially for a late night show.
The 1st opener, Deosyl, was really good. I had never heard of them, but they’re from Eugene. They were an instrumental rock/metal trio. They were all very good musicians. The guitarist seemed to have some great chops, in the vein of Dream Theater’s John Petrucci or Dimebag Darryl or a breed of the two. Great stuff…
I saw GOS’s Kevin Kmetz warming up with his shamisen in between the openers’ sets…
Shat came on next, around 11pm. I was a fan of their prior to this show. I mean, we go way back… we’re the bestest of MySpace friends. Or something. Well, I first heard of Shat via the (now defunct) Coma Lilies. They are connected to Righteous Gabe Records…
Which is absotively-posilutely supposed to confuse you with Righteous Babe Records. They make music very much unlike Ani DiFranco, though. :) Very much… crazy, spastic, turrets syndrome-induced rock. Oh, I think they’re also linked to the international smash hit “Tonight Tonight Tonight Tonight.” Or maybe just linked via Righteous Gabe… Anyway, they put on a lively show. They’re from Portland; so I’ll likely get to see them again.
God of Shamisen went on right around midnight. I was tired, but doing OK. I work right across the street; so I had popped over there to get a Coke. :) God of Shamisen is Kevin Kmetz on tsugaru-shamisen, Karl Schnaitter on guitars, Mark Thornton on bass, and Lee “ninja” Smith on drums. They played a great set, and it was well worth staying through a late night and two openers to see them play. I also got to pick up their new CD, Dragon String Attack. I’ve been listening to it today at work, and it’s great. My favorite track so far is “The Science Fiction of Ray Bradbury Attack!”
The CD (click the picture for more info):
The Set List: (with adjustments by Mark from GOS*)
- Traditional (Kevin solo)
- Bad Dog Attack
- The Prisoner (called “The Village Attack” on the CD*)
- Tar Bomb Attack (not recorded yet*)
- Ripe Fruit Attack
- Stacie’s Song (for Kevin’s s/o)
- Dragon String Attack
- Mary Jane (with Danyl Johnson)
- The Science Fiction of Ray Bradbury Attack
- Metallica’s For Whom the Bell Tolls* (with Christian from Shat)
The Appropriate Linkage:
- http://www.myspace.com/gos
- http://www.godofshamisen.com/
- http://www.myspace.com/shaturdaynight
- http://www.myspace.com/righteousgabereocords
- http://www.myspace.com/deosyl
The Jacob Fred Jazz Odyssey is on for tonight. I’m excited. I’ve been a fan of theirs for a few years, but missed them when they came to Eugene in the spring, because I was at the Ani DiFranco/Judy Grahn/Animal Prufrock show down the street at the same night. Well, JFJO coming back to town 5 months later is a-OK with me.
~Dan – np: Jeff Ament – Tone
GOD OF SHAMISEN CONCERT PHOTOS
all pictures (cc) 2008 Daniel Temmesfeld,
you may use freely under a creative commons attribution
REVIEW: Mogwai @ Music Fest NW (Portland, OR – – 9/3/08)
Opener the Fuck Buttons were pretty good. I’m bummed that I didn’t make it to the venue until 9:30pm and didn’t make it inside until about 9:40… as I only caught one of the FB’s set. They were loud, but sort of an electronic post-rock duo. Groove-oriented and somewhat repetitive, but the song I heard was enjoyable.
Mogwai hit the stage right around 10:30pm. And they are quite possibly the loudest band on the planet (outside of perhaps Testament on the Demonic Tour). Oy… I just don’t know why their live shows need to be so bloody loud. It’s quite unbearable. Their music suits a “normal” setting (unlike perhaps Testament). I mean, what are Mogwai trying to prove by being so loud? It wasn’t a one-time thing either… they were quite unbearably loud when I saw them in 2006 at the Wexner in Columbus, OH.
(from the Portland show)
I stayed for right about an hour. I’m not going to bother with posting a set list, as… well… they’re a post-rock band, and it’s hard to remember their song titles. Sorry, it was good, but I’ve got no song titles for y’all (UPDATE: setlist from fan photo).
Setlist:
- Yes! I Am A Long Way From Home
- The Precipice
- Ithaca 27ø9
- Thank You Space Expert
- Friend of the Night
- Scotland’s Shame
- Hunted By A Freak
- Ex-Cowboy
- Kids Will Be Skeletons
- I’m Jim Morrison, I’m Dead
- I Love You, But I’m Going To Blow Up your School
- 2 Rights Make 1 Wrong
- Like Herod
- Batcat
I’m looking forward to their upcoming album, The Hawk Is Howling, out in 3 weeks. That way I can adjust the volume myself.
Luckily my hotel is literally 3 minutes away. And my ringing ears shall be in bed soon.
The Appropriate Linkage:
- http://www.myspace.com/mogwai
- http://www.mogwai.co.uk/
- Mogwai’s Tour Diary about Portland: USA_Tour_Diary_pt1
- http://www.myspace.com/fuckbuttons
- http://www.fuckbuttons.co.uk/
- http://www.musicfestnw.com/
No posts for a while (meaning a few days)… perhaps (I’ve been known to be a liar). Moving stuff this weekend to our new house. But look out… next week is God of Shamisen (9/11) and Jacob Fred Jazz Odyssey (9/12) in Eugene. Plus Ani DiFranco’s upright bassist, Todd Sickafoose, is in Eugene (unfortunately the same night as GOS – Thursday 9/11), but I may swing by Sam Bond’s to at least pick up his new CD, Tiny Resistors, before the GOS show.
~Dan – recently played: Sufjan Stevens – Come On Feel the Illinoise!
REVIEW: Radiohead @ White River Amphitheatre (Auburn, WA – – 8/20/08)
Well, first off, I wasn’t going to attempt to take my own pictures of the show… I’m an amateur, I was far away, outdoor venue, yadda yadda. For a great review (of the Boston show 8/13) with pictures & video, check out this review.
The venue was White River Amphitheatre (outside of Auburn, WA)… bleh. Not far enough away from Seattle to avoid traffic. Two lane road going in and out of the venue. Crappy gravel parking. No food within 6 miles. Crappy sound. I don’t think I’ll ever go back there… unless there is a Pink Floyd reunion, a Faith No More / Mr Bungle reunion tour… or Chroma Key plays there. All of those events are highly unlikely.
The opener (Liars?) got completely missed. I heard them playing their last song as I was walking from my car. Oh well…
Radiohead came on just after 9pm… and played for a long time. They played a good mix of songs, but the sound at this venue (as alluded to above) was pretty much crap for any of the louder songs. The quieter songs sounded really good, but the big rock songs were mush (not the good kind of mush). Now, the lighting… holy crap. Fun / cool / awesome lighting.
(from the Boston show – Courtesy of Cole Kinsler)
Jonny Greenwood has ever so gently been eeking up in my favorites list, and I think he’s officially taken over as my favorite Radiohead (and body). He’s the anti-guitar hero. He plays with artistic conviction and an “I don’t care if you like it or if it looks cool, this is what I’m doing now” demeaner. I can dig it.
I was also lazy in the “write down the setlist” department, as I know Radiohead has their many minions. Here’s what I got over at the atease blog (thanks to Flaaneuse who submitted it & the descriptions in italics):
Radiohead’s Setlist:
- 15 Step
- Reckoner
- Optimistic
- There There
- All I Need (a fav from the night)
- Pyramid Song
- Talk Show Host (holy crap!! 90s era b-side… one of my favs from the night)
- The National Anthem
- The Gloaming
- Videotape
- Lucky (another fav from the night)
- Faust Arp [Thom messes up lyrics several times, starts singing Neil Young’s “Tell Me Why”; Jonny tries to follow along but can’t quite get the chords. Phil comes out and drops an American dollar bill out in front of Thom and Jonny and runs away laughing. Thom and Jonny crack up completely to loud cheers. Thom tries again, says “Fuck it!”, but then continues and finishes the song.]
- Jigsaw Falling Into Place
- Climbing Up The Walls (another fav from the night… I love this melody)
- Dollars and Cents
- Nude
- Bodysnatchers
- Encore 1: How to Disappear Completely
- Arpeggi/Weird Fishes
- Idioteque
- In Limbo [Tambourine accompaniment by Nigel Godrich. Thom, ‘This is Nigel’, Ed, ‘He makes our records.’]
- Street Spirit (another fav from the night… I love this melody)
- Encore 2: You And Whose Army? [Thom dedicates to the people who demonstrated against the WTO in Seattle in 1999]
- No Surprises (would have likely been a fav from the night; alas, I was on the road – starting my 4 hour trip home)
- Everything In Its Right Place
The Appropriate Linkage:
Good show… it’s a pleasure to see Radiohead just about any time. This time was in the “OK/Good” category, but not their fault. I just think I’m getting too picky to go to the big outdoor venues…
~Dan – np: John Zorn‘s The Dreamers
REVIEW: Nellie McKay @ Doug Fir Lounge (Portland, OR – – 8/15/08)
FYI… PHOTOS of the SHOW are at the BOTTOM
Early shows are problematic, especially if you have to drive 2 hours to get to them. Oh, and also if the artist thought they started later. Blame for this goes squarely to the Doug Fir Lounge, in my opinion. Double-booking a night is horrible. Horrible. Nellie McKay* would have likely played much longer, had she been allowed to… argh.
*– for the newbies, her last name rhymes with “McPie”
Anyway, the opener Amorèe Lovell started right at 7pm, and played a stellar 40 minutes. She is from Portland, and plays a mean piano with quirky lyrics and fun banter. I’d say she fits in with the likes of Regina Spektor & Nellie McKay with a touch of Tori Amos. She also brings her own charm & style. She was very entertaining. She played mainly originals, but also threw in some Tom Waits, Johnny Cash & David Bowie. On to Nellie…
Nellie‘s start time was supposed to be 8pm. She didn’t hit the stage until nearly 8:30, due to a mix-up with her start time. Most of the crowd was getting antsy (myself included), as the late show had a “doors open” time of 9:30. Yikes. With that being said, Nellie came on and put on a great just shy of an hour show. She seemed more comfortable and confident, and she was as funny / spunky as usual.
Nellie’s Setlist:
- Toto Dies
- Old Enough
- Mother of Pearl [on uke]
- story about prince chunky, the 44 pound cat
- The Dog Song (a fav of the set)
- Real Life
- Tipperary
- Don’t Fence Me In [on uke]
- Vote for Mr. Rhythm [with Obama tag at the end]
- Sari (a fav of the set… with Dylan impression at the end)
- Feed the Birds
- Politan
- Don’t Fence Me In [false start… she remembered she already did it] :)
- Me Gusta Mañana [on uke.. a silly spanish song]
- explanation about her NPR song “Cavendish”… she didn’t have time to brush up on it, but sometime soon
- Zombie (a fav of the set)
- Encore 1: Really
- Encore 2: Ding Dong
The Appropriate Linkage:
- http://www.myspace.com/prettylittlehead
- http://www.nelliemckay.com/ (official)
- http://www.nelliemckay.org/ (fan site)
- http://www.myspace.com/amoreelovell
- http://www.amoreelovell.com/
- http://www.dougfirlounge.com/
- My blog reviewing Nellie in Eugene, OR 10/5/07
- My blog about Nellie @ TEDtalks
- My blog about Nellie’s Project Song on NPR (where she wrote “Cavendish” in 48 hours)
Next show for me? Radiohead next Wednesday at White River Amphitheatre in Auburn, WA (up near Seattle). Woot!!
I was a pageant gone bad…
~Dan – np: Thelonious Monk & Sonny Rollins – Thelonious Monk & Sonny Rollins
NELLIE MCKAY CONCERT PHOTOS
all pictures (cc) 2008 Daniel Temmesfeld,
you may use freely under a creative commons attribution
-Eyvind Kang
-Frank Zappa
Amazon.com mp3 downloads
Creative Commons
This blog and concert photos therein are licensed under a Creative Commons License. Available with Attribution for Non-Commercial, Non-Derivative Use.
pacificlectic : concert reviews & eclectic music news 