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Derek Webb – Democracy Vol 1 #8
Sorry for the late post, this came out about a week or so ago, but I’ve been on vacation…
One a month in 2010…
Derek Webb‘s Democracy Vol 1 is rolling along… This month, it’s a lush “Eleanor Rigby” by The Beatles. Excellently recorded and lush… a nice rebound from the Huey Lewis cover from July.
For those not in the know, Democracy Vol 1 was part of the Stockholm Syndrome pre-order package, but you can still join in over at the DW store and get the following (plus future releases):
- January: The Beatles – While My Guitar Gently Weeps
- February: Coldplay – Fix You
- March: Bob Dylan – The Times They Are A-Changin’
- April: Gnarls Barkley – Who’s Gonna Save My Soul
- May: Sufjan Stevens – Chicago
- June: U2 – Where the Streets Have No Name
- July: Huey Lewis & the News – Power of Love
- August: The Beatles – Eleanor Rigby
~Dan – np: KCRW Monring Becomes Eclectic – Quadron 
Democracy Vol. 1 is the first in a series of subscription based albums of cover songs that Derek will be recording annually, starting January 2010. Those who participate will not only receive the exclusive album, but will democratically decide what songs Derek will record.
Ever wished you could hear Derek cover your favorite Beatles song? Or Backstreet Boys song? Or even re-record your favorite old Caedmon’s Call song? Here’s your chance. Songs will be nominated and voted down to 12. Derek will record them (demo quality) and deliver them digitally (320kbps MP3s), one song per month for 12 months. Don’t miss your chance to be part of this unique collaborative project with Derek Webb!
Derek Webb – Democracy Vol 1 #7
One a month in 2010…
Derek Webb‘s Democracy Vol 1 is rolling along… This month, it’s “Power of Love” by Huey Lewis & the News. It’s a bit loudly mixed and an odd choice of instrumentation, but much less camp and dated than the original; so Derek gets “kudos” from me on that front. :)
For those not in the know, Democracy Vol 1 was part of the Stockholm Syndrome pre-order package, but you can still join in over at the DW store and get the following (plus future releases):
- January: The Beatles – While My Guitar Gently Weeps
- February: Coldplay – Fix You
- March: Bob Dylan – The Times They Are A-Changin’
- April: Gnarls Barkley – Who’s Gonna Save My Soul
- May: Sufjan Stevens – Chicago
- June: U2 – Where the Streets Have No Name
- July: Huey Lewis & the News – Power of Love
~Dan – np: Isis – Panopticon 
Democracy Vol. 1 is the first in a series of subscription based albums of cover songs that Derek will be recording annually, starting January 2010. Those who participate will not only receive the exclusive album, but will democratically decide what songs Derek will record.
Ever wished you could hear Derek cover your favorite Beatles song? Or Backstreet Boys song? Or even re-record your favorite old Caedmon’s Call song? Here’s your chance. Songs will be nominated and voted down to 12. Derek will record them (demo quality) and deliver them digitally (320kbps MP3s), one song per month for 12 months. Don’t miss your chance to be part of this unique collaborative project with Derek Webb!
Derek Webb – Democracy Vol 1 #6
One a month in 2010…
Derek Webb‘s Democracy Vol 1 is rolling along… This month, it’s “Where the Streets Have No Name” by some Irish band. Derek has a long history of covering U2 in concert… love this acoustic take on a classic. Thanks, Derek!!
For those not in the know, Democracy Vol 1 was part of the Stockholm Syndrome pre-order package, but you can still join in over at the DW store and get the following (plus future releases):
- January: The Beatles – While My Guitar Gently Weeps
- February: Coldplay – Fix You
- March: Bob Dylan – The Times They Are A-Changin’
- April: Gnarls Barkley – Who’s Gonna Save My Soul
- May: Sufjan Stevens – Chicago
- June: U2 – Where the Streets Have No Name
If you missed the Derek & Jennifer Knapp tour, check out my review and photos from the Portland Oregon show at the Aladdin Theater on April 27th.
~Dan – np: Damien Jurado – Saint Bartlett
Democracy Vol. 1 is the first in a series of subscription based albums of cover songs that Derek will be recording annually, starting January 2010. Those who participate will not only receive the exclusive album, but will democratically decide what songs Derek will record.
Ever wished you could hear Derek cover your favorite Beatles song? Or Backstreet Boys song? Or even re-record your favorite old Caedmon’s Call song? Here’s your chance. Songs will be nominated and voted down to 12. Derek will record them (demo quality) and deliver them digitally (320kbps MP3s), one song per month for 12 months. Don’t miss your chance to be part of this unique collaborative project with Derek Webb!
Derek Webb – Democracy Vol 1 #5
One a month in 2010…
Derek Webb‘s Democracy Vol 1 is rolling along… This month, it’s “Chicago” by Sufjan Stevens. Not as lush as the original instrumentation, but fantastic nonetheless. Thanks, Derek!!
For those not in the know, Democracy Vol 1 was part of the Stockholm Syndrome pre-order package, but you can still join in over at the DW store. My plea for Derek to cover Tori Amos’ “Crucify” is likely not gonna happen. Oh well… I like the first five months’ output regardless.
- January: The Beatles – While My Guitar Gently Weeps
- February: Coldplay – Fix You
- March: Bob Dylan – The Times They Are A-Changin’
- April: Gnarls Barkley – Who’s Gonna Save My Soul
- May: Sufjan Stevens – Chicago
If you missed the Derek & Jennifer Knapp tour, check out my review and photos from the Portland Oregon show at the Aladdin Theater on April 27th.
~Dan – np: Isis – Wavering Radiant
Democracy Vol. 1 is the first in a series of subscription based albums of cover songs that Derek will be recording annually, starting January 2010. Those who participate will not only receive the exclusive album, but will democratically decide what songs Derek will record.
Ever wished you could hear Derek cover your favorite Beatles song? Or Backstreet Boys song? Or even re-record your favorite old Caedmon’s Call song? Here’s your chance. Songs will be nominated and voted down to 12. Derek will record them (demo quality) and deliver them digitally (320kbps MP3s), one song per month for 12 months. Don’t miss your chance to be part of this unique collaborative project with Derek Webb!
Derek Webb – Democracy Vol 1 #4
One a month in 2010… a little late for April, but not too late…
Derek Webb‘s Democracy Vol 1 is rolling along… This month, it’s Gnarls Barkley‘s “Who’s Gonna Save My Soul.” I dig the less stripped down, more produced version of this compared to past Democracy Vol 1 issues… worth the slight delay.
Speaking of the delay, Derek’s hometown of Nashville has been through a lot recently with the flooding. Please help out if you can by donating your time or money. Check out Hands On Nashville for more information:
For those not in the know, Democracy Vol 1 was part of the Stockholm Syndrome pre-order package, but you can still join in over at the DW store. My plea for Derek to cover Tori Amos’ “Crucify” is likely not gonna happen. Oh well… I like the first four months’ output regardless.
- January: The Beatles – While My Guitar Gently Weeps
- February: Coldplay – Fix You
- March: Bob Dylan – The Times They Are A-Changin’
- April: Gnarls Barkley – Who’s Gonna Save My Soul
If you missed the Derek & Jennifer Knapp tour, check out my review and photos from the Portland Oregon show at the Aladdin Theater on April 27th.
~Dan – np: Klank – Still Suffering
Democracy Vol. 1 is the first in a series of subscription based albums of cover songs that Derek will be recording annually, starting January 2010. Those who participate will not only receive the exclusive album, but will democratically decide what songs Derek will record.
Ever wished you could hear Derek cover your favorite Beatles song? Or Backstreet Boys song? Or even re-record your favorite old Caedmon’s Call song? Here’s your chance. Songs will be nominated and voted down to 12. Derek will record them (demo quality) and deliver them digitally (320kbps MP3s), one song per month for 12 months. Don’t miss your chance to be part of this unique collaborative project with Derek Webb!
REVIEW: Derek Webb & Jennifer Knapp @ Aladdin (Portland, OR – 4/27/10)
FYI… PHOTOS of the SHOW at the BOTTOM
There’s something about songwriters that draw me in. With Derek Webb, I’ve been a long time fan since 1996… ever since first seeing him with his folksy-poppy band Caedmon’s Call. While I dug Caedmon’s a lot as a group, I really enjoyed Derek’s songwriting the most. He seemed to have the more “real life” songs – ones I could relate to the most. His initial departure from the band went OK with me, as he kept making solo music… starting out in the traditional acoustic and then morphing into more rock and even electronic-infused meets acoustic. His last album, 2009’s Stockholm Syndrome, was one of my favorites from last year (#3 to be exact).
Stockholm Syndrome fuses some great keys & beats from fellow Caedmon’s Call member Joshua Moore with Derek’s solid songwriting. Lyrically, Derek tackles many issues that I think are relevant and important to everyone (not just christians) – including, but not limited to, addressing Fred “God Hates F-gs” Phelps from the hate-mongering Westboro Baptist Church (“Freddie Please”) to one-side of a superficial relationship with a club beat (“Jena & Jimmy”) to the conflict of a walk of faith and easier route living in the world at large (at least, that’s my take on “The Spirit Vs. The Kick Drum”) to the seemingly-singling out of homosexuality in the church as a major sin (“What Matters More“).
“What Matters More” is a song that resonates with me, as it is a big part of why I eventually left the church. The church’s singling out of one sin over another really hit me as hypocritical, legalistic, and not loving. If this was the god that the bible talked about, I didn’t want to be part of this disease. If this wasn’t god’s view, then I didn’t want to be part of this group of “believers.” Regardless of my personal road that led to a lack of faith and becoming an atheist, I still hold Derek’s music closely, as I think of any christian artist, he seems to “get it.”
Derek going out on tour with Jennifer Knapp ended up being a perfect match (she just “came out” as being in a long-term, committed same-sex relationship). This isn’t shocking to me, and I wish it didn’t even have to be mentioned. Why is someone’s sexuality any of our business? I suppose that in this day and age, especially coming from a christian musician, this “coming out” has to occur to set the record straight that there is nothing wrong with this. I’m happy that she was finally comfortable coming back into making music, touring and coming out to be true to herself. I didn’t know much of her music prior to this show (though she was on my radar back when I was a music buyer at a christian bookstore in the Midwest), but I was equally excited to see her play alongside Derek.
Amy Courts opened the show right at 8pm. She only played about 3 songs, but had a lot of banter (she was up there about 20 minutes). Her banter was quite adorable, and her songs were in a similar acoustic singer-songwriter vein to both Webb & Knapp. Amy had a gentler song in the middle, but her opener and closer showed off her powerful voice. Definitely a good warm up…
Derek Webb went on immediately after Amy. I guess with a bunch of acoustic guitars and no backing bands, it’s easy to stack the artists right after one another.
Prior to the show, I wasn’t sure how the Stockholm Syndrome songs would translate to solo acoustic, and according to Derek – he can only play about half of them on a solo tour. With that being said, he played a good mix of older tunes, newer tunes, and even a brand new Caedmon’s Call song…
Derek’s Setlist: about 50 mins
- Heaven
- A Love That’s Stronger Than Our Fear
- New Law
- My Enemies Are Men Like Me
- Freddie, Please
- Nobody Loves Me
- God’s Home Town (new Caedmon’s Call song)
- Wedding Dress
- What Matters More
- American Flag Umbrella
My favorites from his set were the last three, but I enjoyed his set throughout. Derek was fighting some form of sickness, which contributed a little bit to his normal raspiness (which I love). Hopefully he’ll come by soon and be able to be more talkative, as that’s usually where things get interesting. :)
After a short 10-minute break, Jennifer Knapp hit the stage. As mentioned previously, I was not too familiar with her music, but I did recognize one of the tunes early on from my old christian bookstore days – “Whole Again.” I also recognized “Dive In” from her webpage. She definitely had a powerful voice and stage presence. I can totally see her draw… she’s a great performer and has some vocal and guitar chops.
Some of her songs were a bit too “christianeze” for my tastes. Though, she is decidedly less CCM-y than most, and I can definitely appreciate that. :) One funny moment (to me) was her describing how “such and such” song was written a while ago but never put on a record because it didn’t have the right mentioning of “Jesus” and wasn’t as religious, etc – but to me, it definitely seemed religious… I mean, why do christians many times think that songs aren’t religious if they don’t use “god” or Jesus’ name directly? This song’s mentioning being “in need of mercy” (among other things) definitely had a religious bent, if you ask me. Anyway, christians’ perceptions of christian songs gets a chuckle out of me. That’s all. She is enough of a cross-over lyricist where I think she’ll do fine on the Lilith Fair circuit… she’s a powerful woman musician warrior.
I enjoyed just under an hour of Jennifer’s set before heading out back home to Eugene. I did catch a few songs with Amy Court joining her, and I’m sure Derek joined her later in the set (as he has done in the past). All in all, I thought it was an A+ triple singer-songwriter bill. If you have any thoughts on Jennifer’s set or if you have her setlist, please post in the comments.
This was one of the last shows featuring both Derek & Jennifer. Derek Webb will likely be more involved in the Caedmon’s Call album wrap-up in the coming months (I’m hoping they tour with Derek). Jennifer Knapp will be on the Lilith Fair tour in 2010 alongside many other great artists. I’d highly (HIGHLY) recommend Derek’s latest album, Stockholm Syndrome. Also, check out Jennifer’s album, Letting Go, when it drops on May 11th…
many more photos below
The Appropriate Linkage:
- Derek Webb’s Site
- Derek Webb on MySpace
- Caedmon’s Call’s Site
- Caedmon’s Call on MySpace
- Jennifer Knapp’s Site
- Jennifer Knapp on MySpace
- Amy Courts’ Site
- Amy Courts on MySpace
- Aladdin Theater
~Dan – np: Erin McKeown – Hundreds of Lions
AMY COURTS, DEREK WEBB
& JENNIFER KNAPP PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
Derek Webb – Democracy Vol 1 #3
One a month in 2010…
Derek Webb‘s Democracy Vol 1 is rolling along… This month, it’s Bob Dylan‘s “The Times They Are A-Changin’.” I’ll admit, I’m not a Bob Dylan fan (I know, it’s heresy) – but I like Derek’s version regardless of my lack of history with the original.
For those not in the know, Democracy Vol 1 was part of the Stockholm Syndrome pre-order package, but you can still join in over at the DW store. My plea for Derek to cover Tori Amos’ “Crucify” is likely not gonna happen. Oh well… I like the first three months’ output regardless.
- January: The Beatles – While My Guitar Gently Weeps
- February: Coldplay – Fix You
- March: Bob Dylan – The Times They Are A-Changin’
Derek’s playing at the Aladdin Theater in Portland, OR, at the end of the month with Jennifer Knapp. I’ll be there with my camera in-tow. Look forward to a Jazzsick review later in the month.
~Dan – np: Sarah Kirkland Snider w/ My Brightest Diamond – Penelope
Democracy Vol. 1 is the first in a series of subscription based albums of cover songs that Derek will be recording annually, starting January 2010. Those who participate will not only receive the exclusive album, but will democratically decide what songs Derek will record.
Ever wished you could hear Derek cover your favorite Beatles song? Or Backstreet Boys song? Or even re-record your favorite old Caedmon’s Call song? Here’s your chance. Songs will be nominated and voted down to 12. Derek will record them (demo quality) and deliver them digitally (320kbps MP3s), one song per month for 12 months. Don’t miss your chance to be part of this unique collaborative project with Derek Webb!
Derek Webb in Portland (4/27)
4/28 update… my review with photos is here:
https://jazzsick.wordpress.com/2010/04/28/webb-knapp-portland/
Yay! Derek Webb is bringing his tour with Jennifer Knapp through my neck of the woods. They’re playing the Aladdin Theater on April 27, 2010. It’s not posted on the Aladdin site, but it is listed over on Derek’s tour page. Tickets on sale later in March.
They’re also hitting San Diego and Seattle… maybe they can swing a Eugene date on the way up? I’m crossing my fingers, but if no Eugene show, I’ll be at Portland for sure.
It’s been a while since I’ve seen him… I’m totally looking forward to it.
~Dan – np: Satoko Fujii – Desert Ship
Derek Webb – Democracy Vol 1 #2
One a month in 2010…
Derek Webb‘s Democracy Vol 1 is rolling along… This month, it’s Coldplay‘s “Fix You.” It’s OK. Not as good as last month’s cover of The Beatles’ “While My Guitar Gently Weeps.” But that’s more a function of my view of Coldplay than my view of Derek. Democracy Vol 1 was part of the Stockholm Syndrome pre-order package, but you can still join in over at the DW store. My plea for Derek to cover Tori Amos’ “Crucify” is likely not gonna happen. Oh well… I like the first two months’ output regardless.
He’s also heading out on a short east coast tour with Jennifer Knapp next month… check it…
Derek Webb & Jennifer Knapp – Spring 2010
March 5 New York, NY City Winery
March 6 Manheim, PA Warehouse 54
March 8 Alexandria, VA The Birchmere
March 12 Asheville, NC Pisgah Brewing Company
March 13 Knoxville, TN The Square Room
March 26 Pittsburgh, PA Club Cafe Live
March 27 Sellersville, PA Sellersville Theater
And now for me, it’s off to Portland for PDX Jazz Fest… Dave Holland Quintet and Damien Jurado (non-jazz fest) tonight and Pharaoh Sanders and Dave Douglas’ Brass Ecstasy on Sunday.
~Dan – np: Derek Webb “Fix You”
Democracy Vol. 1 is the first in a series of subscription based albums of cover songs that Derek will be recording annually, starting January 2010. Those who participate will not only receive the exclusive album, but will democratically decide what songs Derek will record.
Ever wished you could hear Derek cover your favorite Beatles song? Or Backstreet Boys song? Or even re-record your favorite old Caedmon’s Call song? Here’s your chance. Songs will be nominated and voted down to 12. Derek will record them (demo quality) and deliver them digitally (320kbps MP3s), one song per month for 12 months. Don’t miss your chance to be part of this unique collaborative project with Derek Webb!
Ty Tabor – Something’s Coming
King’s X guitarist Ty Tabor‘s next solo album, Something’s Coming, now has a release date and a song streaming over at tytabor.com and molkenmusic.com. It’s out on March 20, 2010 and is up for pre-order over at Molken.
Ty Tabor – Something’s Coming
Besides Ty’s usual fantastic guitarwork and vocals, it features Jimi Hazel and Rick Skatore from 24-7 Spyz, Ron “Bumblefoot” Thal from Guns N’ Roses, and Wally Farkas of Galactic Cowboys and Xenuphobe.
Unrelated, the new boxset for Steven Wilson‘s Cover Versions showed up today. It’s fantastic!
Also, unrelated, Derek Webb (who I dig a bunch) just released his entire last album (Stockholm Syndrome) for free. It’s on Noise Trade for free until midnight on Thursday (2/25).
~Dan – np: Steven Wilson – Cover Versions VI
Derek Webb – Democracy Vol 1 #1
One a month in 2010…
Derek Webb‘s Democracy Vol 1 is underway… first up is The Beatles’ “While My Guitar Gently Weeps.” It’s great. Democracy Vol 1 was part of the Stockholm Syndrome pre-order package, but you can still join in over at the DW store. My plea for Derek to cover Tori Amos’ “Crucify” is likely not gonna happen. Oh well… I like month #1’s output regardless.
He’s also heading out on a short east coast tour with Jennifer Knapp this March… check it…
Derek Webb & Jennifer Knapp – Spring 2010
March 5 New York, NY City Winery
March 6 Manheim, PA Warehouse 54
March 8 Alexandria, VA The Birchmere
March 12 Asheville, NC Pisgah Brewing Company
March 13 Knoxville, TN The Square Room
March 26 Pittsburgh, PA Club Cafe Live
March 27 Sellersville, PA Sellersville Theater
~Dan – np: Derek Webb “While My Guitar Gently Weeps”
Democracy Vol. 1 is the first in a series of subscription based albums of cover songs that Derek will be recording annually, starting January 2010. Those who participate will not only receive the exclusive album, but will democratically decide what songs Derek will record.
Ever wished you could hear Derek cover your favorite Beatles song? Or Backstreet Boys song? Or even re-record your favorite old Caedmon’s Call song? Here’s your chance. Songs will be nominated and voted down to 12. Derek will record them (demo quality) and deliver them digitally (320kbps MP3s), one song per month for 12 months. Don’t miss your chance to be part of this unique collaborative project with Derek Webb!
Artists of the Decade – 2000s (#1 to 10)
Artists of the Decade – Honorable Mentions (1/1/2010 blog link)
- Dweezil Zappa
- Tori Amos
- Celldweller
- Iron & Wine
- King’s X
- Derek Webb
Artists of the Decade (#21 to 25) (1/1/2010 blog link)
25 ~ Ben Folds (solo)
24 ~ Peter Mulvey
23 ~ Opeth
22 ~ dredg
21 ~ Holy Fuck
Artists of the Decade (#11 to 20) (1/4/2010 blog link)
20 ~ Pedro the Lion (and David Bazan solo)
19 ~ Jurassic 5
18 ~ My Brightest Diamond
17 ~ Nellie McKay
16 ~ Secret Chiefs 3
15 ~ Over the Rhine
14 ~ Mike Patton
13 ~ Ani DiFranco
12 ~ Johnny Cash
11 ~ Dave Douglas
And now on to the final ten…
~*~*~
10 ~ Glen Phillips
At the turn of the decade / century / millenium, Glen’s band Toad the Wet Sprocket were breaking up. He went on to make several solo albums (Winter Pays For Summer being my fave thus far), several mostly brilliant side ventures (Plover, RemoteTreeChildren, WPA, Mutual Admiration Society), and even reunite with Toad for some tours. He’s as active as ever and also quite the tweeter (oft humorous / oft political).
~*~*~
9 ~ Porcupine Tree (and Steven Wilson projects)
Near the beginning of the decade, I was giving up on “prog rock.” Then a buddy told me about Porcupine Tree (thanks, SteveC). 2002’s In Absentia is amazing, and I quickly bought PT’s catalogue. The entire decade was full of Steven Wilson projects – whether Porcupine Tree or his many (and I mean many) side projects. Speaking of… Steven’s 6th and final Cover Versions CD and 7″ vinyl will be out sometime soon in the coming months.
~*~*~
8 ~ Sufjan Stevens
Illinoise was Paste’s #1 album of the decade. I think it’s in my Top 10 (as mentioned earlier, I honestly can’t bring myself to widdle down my album list to 20 or even 50 for the decade). Illinoise was my first foray into Sufjan’s world. The infatuation was near immediate. He ranges from poppy, to eclectic folk, to avant-electronic, to chamber music… and I think his song titles, while sometimes considered pretentious, put him in my hero list. :) The later part of the decade showed a more secluded Sufjan and a recant on the 50 States “promise.” However, I’m still very excited about what’s up his sleeves for the next decade.
~*~*~
7 ~ John Zorn (Masada and otherwise)
I knew of Zorn in the 1990s (via the connection to Mike Patton and specifically Mr. Bungle), but didn’t get into him until 2003 or so. Even still, I didn’t know about Masada (his klezmer-jazz quartet) until mid-decade. Their recorded studio work was all in the 1990s, but they stayed active touring throughout the 2000s… and John Zorn kept actively writing Masada Book Two – which is a book of music covered by other bands and has seen a dozen fantastic releases on his label, Tzadik. I just counted, and I have 82 John Zorn related disks from the decade (CDs, DVDs, vinyl). So, um, yeah, he’s prolific. The Masada / Bar Kokhba / Electric Masada is my favorite category of Zorn releases; but his Filmworks series, Moonchild Trio (Mike Patton, Joey Baron & Trevor Dunn), and The Gift / Dreamers band are also key releases. 2010 has 12 new Zorn releases on the docket. *drool*
~*~*~
6 ~ Maynard James Keenan (Tool / A Perfect Circle / Puscifer)
One of the best singers in the world of rock, Maynard has kept busy… this decade: three bands and eight or so albums, several DVD releases, remix albums & singles, vinyl singles, and a new winery. While he doesn’t always nail it every time, his and his bands’ hit rates far exceed most. His solid work ethic points to more releases next decade. A recent interview leads me to believe that the touring side of things may slow down some, but I’m hoping that just means “less touring” and not “no touring.” There have been hints of Tool and A Perfect Circle studio stuff in the near future… and Puscifer seems alive and kicking (and keen on the internet EP thing). Puscifer is hitting the Midwest and East Coast in early 2010.
~*~*~
5 ~ Daniel Johns (Silverchair & The Dissociatives)
2002’s Diorama (by Silverchair) is a contender for best album of the decade for me. Daniel Johns followed that up with a side project with Paul Mac called The Dissociatives. Their self-titled debut (2004) is also a contender for best album of the decade… then Silverchair came roaring back in 2007 with Young Modern – another strong contender. Daniel Johns and his couple of bands has large gaps between studio releases, but they all score high every time for me. They’ve moved well beyond their debut (which they released in the 90s at age 15). 2010 promises the follow-up to Young Modern… so, look out, Best of 2010 lists…
~*~*~
4 ~ Elliott Smith
I found out about Elliott in early 2000, a little bit after Figure 8 came out. I had the opportunity to see him live at Southgate House (Newport, KY) on the Figure 8 Tour. He quickly became an important part of my musical diet. His albums hit me emotionally, but he left us too early (he died of apparent self-induced stab wounds to the heart on October 21, 2003). I still get goosebumps with his music and quite frankly have never been affected by a celebrity’s death like I am by Elliott’s. An album and more of his unreleased material has made its way out since his death. I don’t believe in an afterlife, but if there were one, I’d hope to get to meet Elliott and have a beer with him.
~*~*~
3 ~ Sigur Rós
Ágætis byrjun and ( ) may be the most beautiful things that I don’t understand due to language barriers – two perfect albums, if you ask me. This past decade Sigur Rós went on to make four full length albums, a handful of EPs and soundtracks, several world tours, an utterly gorgeous tour documentary called Heima (that rivals Pink Floyd’s Live at Pompeii in stunning beauty), and still find time to take time off (well, time off except for Jónsi – who released a duo album with his partner Alex Sommers and is set to release a solo album in early 2010).
~*~*~
2 ~ Radiohead (and Thom & Jonny solo)
One of the most unarguably overrated bands of all-time… yet, one of my favorites. The decade started with Kid A and ended with some Thom Yorke solo activity… it was a full decade of albums, tours, solo work (the aforementioned Thom solo stuff plus two soundtracks from Jonny). They branch out and sometimes get more praise and credit than is merited (I know skads of indie artists doing the “pay what you want” method years before In Rainbows), but I suppose Radiohead were the first formerly major-label / international band to do so. Anyway, Radiohead, despite public pressure, continue to evolve as a band. That scores major points with me. They’re hitting the studio in January 2010… yippie.
~*~*~
1 ~ Kevin Moore (Chroma Key & OSI)
Yeah, the #1 of the decade who few know about… Kevin Moore left the progressive rock band Dream Theater in 1994, shedding the seemingly antithetic “progressive” constraints of the progressive scene to make his own music. Chroma Key’s debut Dead Air For Radios (1999) is my #1 album of all-time… but it came out in the late 90s. The 2000 album You Go Now is probably in my Top 10 of all-time as well. The branching out into scoring with Kevin’s solo soundtrack Ghost Book (for the Turkish horror movie OKUL), political/religious-imagery radio/mix-taping with Memory Hole 1, and the new band project with Jim Matheos called the Office of Strategic Influence (aka O.S.I.) solidified Kevin in my favorite artists list. I’m looking forward to more Chroma Key, O.S.I., Memory Hole, or solo work that Kevin puts out… hopefully soon.
~*~*~*~*~
As pointed out the other day, the 2010s are shaping up to be a great decade… see you on the other side!
My Other Favorites of 2009 Recaps:
- Fave Concerts of ‘09 are recapped *HERE*
- Fave EPs/Vinyl/Live/more of ‘09 are recapped *HERE*
- Fave Vocal Albums ‘09 are recapped *HERE*
- Fave Instrumental Albums ’09 are *HERE*
- Old Years: 2008I, 2008V, 2008ep, 2008C, 2007V, 2007I, 2007C, 2006, 2005
~Dan – np: Charlie Hunter – Gentlemen, I Neglected To Inform You You Will Not Be Getting Paid
Oh, and for those who say that the decade ends at the end of 2010… meh. I’m starting with 0 and ending with 9 (like a LOT of people). Rationale: the 80s, the 90s… you don’t say the 80s went from 1/1/1981 to 12/31/1990 or the 90s from 1/1/1991 to 12/31/2000.
Artists of the Decade – 2000s (#11 to 20)
Artists of the Decade – Honorable Mentions (1/1/2010 blog link)
- Dweezil Zappa
- Tori Amos
- Celldweller
- Iron & Wine
- King’s X
- Derek Webb
Artists of the Decade (#21 to 25) (1/1/2010 blog link)
25 ~ Ben Folds (solo)
24 ~ Peter Mulvey
23 ~ Opeth
22 ~ dredg
21 ~ Holy Fuck
And now round 2…
~*~*~
20 ~ Pedro the Lion (and David Bazan solo)
Pedro the Lion released their two most powerful and poignant albums in the early 2000s (Control and Achilles Heel), then frontman David Bazan decided to disband PTL and go solo (though by the 2000s, the writing was primarily Bazan anyway with hired guns for studios and tours). Prior to his first full length solo album, he did a side project called Headphones, put out annual Christmas 7″ vinyls, and released a split electric/acoustic EP. At the end of the decade, he hit the ground running with his fantastic “breaking up with God” record, Curse Your Branches. He’s been touring in a solo fashion fairly regularly since 2007 or so and is going to hit the road again this coming spring…
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19 ~ Jurassic 5
Jurassic 5 combined four well-versed, naturally flowing MCs (Chali 2Na, Soup, Marc7 & Akil) and two melodic, creative, musicianship-driven DJs (Cut Chemist and NuMark) to create some excellently catchy hip-hop and rap. What I loved about them is that they weren’t all about the “drugs and bitches” that the gangsta rap had just previously been all about (don’t get me wrong, I love Dr. Dre’s The Chronic from the 90s, but J5 tended to keep it positive and definitely more musically-inclined). All six members have gone on to do solo albums and/or side projects after the band’s official breakup in the late 2000s… my faves have been Cut Chemist’s The Audience’s Listening and Chali 2Na’s Fish Outta Water. I still long for a reunion record, and I bet it’ll happen… maybe in the 2010s?
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18 ~ My Brightest Diamond
Shara Worden’s utterly gorgeous, operatic voice is almost too much for the indie rock scene. Almost. It seems to fit in perfectly with Sufjan Stevens’ quirky folk and her own lush My Brightest Diamond string-infused indie pop (and the subsequent remix LPs/EPs centered around her studio albums). In a live setting, her voice is powerful and sublime, and her stage presense is charming. If you can get ahold of her pre-MBD band CDs, do so (AwRy was the name of the band).
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17 ~ Nellie McKay
Her debut, Get Away From Me, is a 2-disc / 18-song satirical, poignant, humorous & angsty romp. The tag-line of “Eminem meets Doris Day” rang true. She followed it up with a couple of more subdued albums with the occasional harder edge tune, and then by decade’s end, she released a Doris Day only album. It seems somewhere along the line, she lost the Eminem edge, but she ended up still topping my list with the more gentle album. Her live performance for the Doris Day material was fantastic – which definitely helped its appeal with me. She’s a vegetarian and animal rights activist, too… so, definitely on my friendly artists list.
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16 ~ Secret Chiefs 3
Book M and Book of Horizons (both in the early 2000s) were SC3’s last officially “SC3 studio albums,” but since 2007, they have been busy with a handful of impressive 7″ vinyl singles, a “greatest hits” compilation, an amazing John Zorn Masada Book Two release in 2008 (Xaphan), a great concert DVD, a soundtrack to a made-up movie, and the ever-lasting promises of the Book of Souls (an album in the making… since… 2005?).
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15 ~ Over the Rhine
In 2001, I think Over the Rhine made one of the best albums of their career… Films for Radio. They followed with a stunning double-album (Ohio), several solo albums by pianist Linford Detweiler, four live compilations, a few more pretty darn decent albums (including a new holiday album), and continual touring every spring & fall/winter. All in all, it was a pretty solid decade of a healthy work ethic. I’m curious what the 2010s will bring in the land of Over the Rhine. One can hope that they keep evolving.
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14 ~ Mike Patton
Mr. Bungle broke up at the front end of the decade… but Mike continued on from Fantômas to Tomahawk to Lovage (with Dan the Automator & Elysian Fields’ Jennifer Charles) to Peeping Tom to multiple movie scores to many projects with John Zorn and back to Faith No More in 2009. As we lead into 2010, there are more Faith No More touring plans, more Fantômas plans, new bands Mondo Cane (50s Italian pop) and Crudo (DJ/rock-oriented), another Peeping Tom in 2011, and plenty else up his sleeve. Patton’s vocal versatility and hard work ethic make him one of my faves this past decade.
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13 ~ Ani DiFranco
Similar to Tori Amos, the 1990s found a more consistently on her game Ani. While those days are gone, in the 2000s Ani kept delivering album after album after album and has way too many wins than loses, in my book. Revelling / Reckoning is quite possibly the most important release of her career (though not necessarily my favorite in this long oevre). She’s continually active and important in my musical world.
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12 ~ Johnny Cash
This decade brought us American III, IV & V, and the Unearthed box set… all true genius from Johnny and Rick Rubin. The video for “Hurt” (a cover of the Nine Inch Nails song) is one of the most powerfully emotional videos I’ve ever seen (he really brought something new to that original NIИ song). If Rick Rubin never does anything important in the world of music ever again, he’ll still be the one who made Johnny Cash a legend (again).
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11 ~ Dave Douglas
Founder of Greenleaf Music (a jazz label), and member of John Zorn’s Masada quartet… Dave Douglas is my #1 living trumpet player. My foray into a mega jazz love throughout the decade led me to be a fond admirer of Dave and his varied work. His various incarnations – the Quintet, Keystone, Brass Ecstasy, the Big Band, and more – show that he’s a hard worker. I can safely say, he’ll be back on this list in late 2019. :)
~*~*~
Tune in tomorrow for the final round…
My Other Favorites of 2009 Recaps:
- Fave Concerts of ‘09 are recapped *HERE*
- Fave EPs/Vinyl/Live/more of ‘09 are recapped *HERE*
- Fave Vocal Albums ‘09 are recapped *HERE*
- Fave Instrumental Albums ’09 are *HERE*
- Old Years: 2008I, 2008V, 2008ep, 2008C, 2007V, 2007I, 2007C, 2006, 2005
~Dan – np: Charlie Hunter – Gentlemen, I Neglected To Inform You You Will Not Be Getting Paid
Oh, and for those who say that the decade ends at the end of 2010… meh. I’m starting with 0 and ending with 9 (like a LOT of people). Rationale: the 80s, the 90s… you don’t say the 80s went from 1/1/1981 to 12/31/1990 or the 90s from 1/1/1991 to 12/31/2000.
Artists of the Decade – 2000s (#21 to 25)
So, I can’t / won’t do a Top XX Albums of the Decade… it’s probably more “can’t” than “won’t.” There are so many great albums from the past 10 years… but, what I can do is recount the artists that have been my chief form of musical pleasure for the past 10 years.
But first…
Artist of the Decade – Special Mention
Dweezil Zappa only had a couple albums in the 2000s, but he gets a special call out for carrying on Frank Zappa‘s music since 2006. Dweezil & Co have toured for the past three and a half plus years, playing Frank’s music in a new setting each year. I hope this continues. It’s a fantastic tour, every time I’ve seen it.
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Artists of the Decade – Honorable Mentions
Tori Amos ~ In the 1990s, she ruled. I still love what she does, and she’s very important in the foundation of my musical interests. The fact that she’s still active with albums and touring all throughout the decade gets her an honorable mention.
Her best albums of the decade…
Celldweller ~ He’s only released one regular album in the entire decade… had he done more, he’d probably make the proper 25 list. Despite the one album, he has released a mostly instrumental soundtrack, a handful of internet-only singles and Eps and a skad of remix CDs and EPs. He’s been far from lazy. I look forward to the 2nd full length Celldweller release sometime in the 2010s.
His most excellent debut and instrumental “score” release…
Iron & Wine ~ I got into Iron & Wine mid-decade, but immediately fell in love with Sam’s flourishing vocals and interesting guitar work. He has a beautiful whispy voice, a penchant for storytelling, and a great eye for videos (prior to music, he taught film down in Florida, and the videos he’s produced for his band and other bands have been fantastic).
My favorite release of his this decade…
King’s X (and related solo & side projects) ~ Between the regular band albums, all three solo members’ albums, the side projects, the live albums, and the indie demo issues – there are probably close 30 releases in the 2000s. Prolificity abounds. This is one band that keeps on ticking, and for that, I am grateful.
A few gems from this decade…
Derek Webb ~ Creative and exploratory since leaving his first band, Caedmon’s Call, Derek continues to push the boundaries of what a singer-songwriter is supposed to do. His latest, Stockholm Syndrome, is a fantastic exit from the 2000s and entrance into the 2010s. Rumor is that he’s working on one (or multiple) Caedmon’s Call-related releases with his old band, too… should be interesting.
My faves from this decade…
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Artists of the Decade
25 ~ Ben Folds (solo)
The Five were no longer at the turn of the decade / century / millennium, which left the name sake on his own. Ben Folds was one of the first to ditch the full length and rapidly release several EPs all in one year. He saw the writing on the wall for the eventual, slow death of the CD format… and his solo albums (all in the 2000s) were generally fantastic – yeah, they are always a few tunes on each one that are doozies. He ended the decade with a cute (and enjoyable) acappella tribute album to himself from various college singing clubs. I was skeptical, but once I got it, I was very pleased with the covers.
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24 ~ Peter Mulvey
Peter Mulvey is one of my favorite singer-songwriters around. He’s a hard worker, touring all around from Alaska, the entire U.S. (including Alaska) and Europe. He’s put out more albums to count on two hands in the past 15 years. He started off the decade with the stunning The Trouble with Poets and ended the decade with the fantastic Letters from a Flying Machine. He’s a truly wonderful storyteller, and if he comes near your town… GO!
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23 ~ Opeth
From singer-songwriter to Swedish death metal… roar! Opeth came along with the “getting into prog band Porcupine Tree” period of the decade for me (check in later for Porcupine Tree’s position). The string of three Opeth albums produced by PT’s Steven Wilson rank among the BEST metal out there… ranging from melodic rock to sweeping progressive movements to the in your face “cookie monster” vocals. The first in the series, Blackwater Park, may be my favorite metal album of all-time (sorry, Dave Mustaine, you’ve been trumped).
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22 ~ dredg
I showed up early to a Coheed & Cambria show and was blown away by the opener… once I dug into dredg’s music, I really fell in love. They run a tight ship of well-crafted, melodic neo-progressive rock music. Gavin’s vocals and lyrics are a major selling point, too. Their latest album (The Pariah, The Parrot, The Delusion) is my favorite album of 2009 – hands down.
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21 ~ Holy Fuck
Starting out as a more experimental “live electronic” noise-jazz band and evolving into a more groove-oriented electronic jam band, Holy Fuck shot up on my hot list quickly. Their 2nd full length is superb, and their live show is not to be missed. Raw energy, dual keyboards, groovy rhythm section, crazy film-reel instrumentation, and uncanny dance-ability. They’ve also embraced the vinyl comeback… score!
~*~*~
The rest of the decade recap to follow in the next few days… more musical variety awaits…
My Other Favorites of 2009 Recaps:
- Fave Concerts of ‘09 are recapped *HERE*
- Fave EPs/Vinyl/Live/more of ‘09 are recapped *HERE*
- Fave Vocal Albums ‘09 are recapped *HERE*
- Fave Instrumental Albums ’09 are *HERE*
- Old Years: 2008I, 2008V, 2008ep, 2008C, 2007V, 2007I, 2007C, 2006, 2005
~Dan – np: Charlie Hunter – Gentlemen, I Neglected To Inform You You Will Not Be Getting Paid
Oh, and for those who say that the decade ends at the end of 2010… meh. I’m starting with 0 and ending with 9 (like a LOT of people). Rationale: the 80s, the 90s… you don’t say the 80s went from 1/1/1981 to 12/31/1990 or the 90s from 1/1/1991 to 12/31/2000.
2010 anticipated albums
So, the year end and decade end recaps are in process (the monkeys I ordered are in the back room typing away) … I needed something to fill the gap… here are some artists who are expecting to release new material in 2010, all of which I’m looking forward to…
The Album Leaf‘s A Chorus of Storytellers, My Brightest Diamond‘s Shark Remixes box set, Go from Jónsi Birgisson of Sigur Rós, French singer Jeanne Cherhal‘s Charade, George Hrab‘s Trebuchet, 12 new albums from John Zorn, Mike Patton’s Mondo Cane and hopefully Crudo (if they’re both not put off due to Faith No More reunion touring), Derek Webb‘s Democracy Vol 1 (and he’s even recording with Caedmon’s Call for a 2010 release or two), guitar phenom Kaki King, maybe the Secret Chiefs 3 will finally release Book of Souls (it’s their “Chinese Democracy”), Eisley & Perma (a side project with Sherri from Eisley), Ellery from Cincinnati, Ty Tabor of King’s X, A.N.M. featuring Doug Pinnick of King’s X and Jimi Hazel of 24-7 Spyz, Ken Andrew and Co’s Digital Noise Academy, Trent Reznor’s just announced new Nine Inch Nails album, Silverchair are working on one, Radiohead are hitting the studio (maybe something out by year’s end), and… Ani DiFranco – I mean, it’s inevitable… right?
Plus many more great albums due out in 2010, I’m sure.
~Dan – np: Skerik / Dead Kenny G’s – Bewildered Herd
* Favorite Vocal Albums of 2009 *
Disclaimer (with a nod to Andy Whitman of Paste): No, I haven’t heard all 8,000+albums released this year. I’ve heard about 200 of them, which makes me at least 97.5% likely to be wrong. I make no claims to objectivity. These albums are my favorites from 2009. You might think that the one you’ve heard that I haven’t heard is the best album of 2009. And you might be right. So go ahead and vent. Enjoy!
As I start this post, I will say that this is the second year now that I bought more instrumental CDs than vocal CDs. I think as I get older, I am drawn more towards jazz and other instrumental forms of expression. For that reason, the favorite vocal albums list goes first this go ’round. Hopefully my spilling out of music that I like finds interest with someone else. But if not, thanks for stopping by… check out the artists’ webpages, SpaceBook pages, yadda yadda yadda. OK, now on to the best of what’s hit my ears this year…
Honorable Mentions: Jars of Clay‘s The Long Fall Back to Earth, U2‘s No Line on the Horizon, Madeleine Peyroux‘s Bare Bones, Piano Magic‘s Ovations, and Ember Swift‘s Lentic :: 子玉.
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 Chevelle – Sci-Fi Crimes (Epic) :: I don’t find Chevelle to be all that original. I mean, I found them early on (the Squint days) and I liked them due to their sound similar to Tool. I don’t know… I continue to like what Chevelle puts out, regardless of its similarities to other bands. They have good hooks, vocals, and melodies. I’ve yet to see them live… they tend to always show up where I’m not. Maybe I’ll get lucky on their next batch of tour dates.    |
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 Kim Taylor – Little Miracle (indie) :: Kim is a Cincinnati favorite of mine. She tours a lot with another Cincinnati band, Over the Rhine – which is how I first heard of her (so many years ago). Anyway, if you’re in Cincinnati, swing by her coffee shop – Pleasant Perk (and buy a CD along with the Mocha you’re craving). This record came out only about a week ago. It still needs to sink in, but it’s got that Kim Taylor vibe – sultry/smoky vocals with heartfelt lyrics. This album is more stripped down than her prior releases, full of warmth. |
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 Tori Amos – Abnormally Attracted to Sin (Universal) :: Tori’s heyday for me was the 1990s. Sin hearkens back to those days, but still remains in this weird phase of “I don’t know if I like, but I do kinda like it” for me. It’s not classic Tori, but it is a good record. Her live show this year in Portland helped me get into this album a bit more. After 20 or so years of touring, she still delivers the goods consistently.  |
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 Chali 2Na – Fish Outta Water (Decon) :: Chali 2Na was always my favorite rapper in Jurassic 5. I dig all of those gents, but Chali has that powerful booming baritone with quick delivery. His first official solo album [he had a mixtape type thing a few years back], this one doesn’t disappoint the J5 fan in me. |
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 Alice in Chains – Black Gives Way to Blue (EMI Virgin) :: New singer, same great grunge sound. Jerry Cantrell and Company are back with a great new hard rocking record. While Layne can’t be replaced, the band goes on and it doesn’t disappoint. Their live show this year was excellent as well. |
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 Isis – Wavering Radiant (Ipecac) :: Post-rock, post-metal, ambient metal… I don’t know what you want to call it. I first saw these guys open up for Tool a few years back, and I subsequently quit putting off getting their music. They’re on Mike Patton’s Ipecac label (so I had heard of them prior to the Tool gig), and they are both meandering and powerful. This is not a metal band full of riffs… they would fit more in the camp with post-rockers Explosions in the Sky and Godspeed! You Black Emperor than with Metallica and Megadeth. |
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 Talking Snakes (Gary Lenaire) – Nonogram Zen (indie) :: Former guitarist/vocalist for metal band Tourniquet, Gary Lenaire, released his book An Infidel Manifesto a few years back. This album is his first solo album as being an out atheist. I love the music and lyrics in Nonogram Zen. I think this album stacks up to anything he did in Tourniquet (OK, Pathogenic Ocular Dissonance still “owns” Gary’s catalogue, in my opinion). Musically, Nonogram Zen ranges from really heavy, to electronic-tinged, to more melodic pop songs (with auto-tune… *shudder*) – but all in all, I’d consider it to be a metal/hard rock album. It’s only currently available as a digital release, but perhaps it will see a physical form in the near future. |
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 Dream Theater – Black Clouds and Silver Linings (Roadrunner) :: I bought the special edition of this record, mainly for the CD of completely instrumental versions of Black Clouds songs. While I love the instrumental versions better, the entire album is really well crafted. As much as I think James LaBrie’s vocals and Mike Portnoy’s oft-clunky rhyme-writing get in the way, I think this album holds up in their ever-expanding catalogue. |
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 Bad Veins – Bad Veins (Dangerbird) :: Three years in existence and the band finally gets their debut album out the door. While I think it’s a solid album, and I think the song-writing is superb, I think my fondness of their early live shows and acoustic / in-studio sets have more musical magic to me. I did get a chance to see Bad Veins twice this year, which was quite the coup – as they live 2,300+ miles from me. I’m glad that this album finally made its way out and I hope there’s another one to follow in less than three years time. |
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 Regina Spektor – Far (Sire Warner) :: Regina’s latest album grew on me slowly. By the time I saw her in Portland (in early November), I was digging this latest album the best out of her material thus far. It is quirky, poppy, and makes you think (especially on “Laughing With”). Her live show is energetic and quite a full night of music. |
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 Extra Golden – Thank You Very Quickly Vol. 3 (Thrill Jockey) :: I didn’t know about Extra Golden until about 3 or 4 months ago, when my friend Aaron told me about their set at Eugene Celebration. I went to that show and was a fan. They are a half American, half Kenyan group… and they play sort of jammy, sort of African songs. It’s a great melting pot of sound. Their record and live show are highly recommended! |
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 Various Artists (produced by Ric Hordinski) – Notes From the Monastery (indie) :: Rarely do I buy a “various artists” album… in the age of iTunes, it’s easier (and usually beneficial) to just buy the few tracks from artists that I know. Well, this compilation is all music produced by a person who I enjoy and respect… Mr. Ric Hordinski. He was a founding member of Cincinnati band Over the Rhine, the creative force behind the more meandering band MONK, and the knob-noodler for his Monastery Studios. This album features all new, previously unreleased songs by Ellery, Over the Rhine, Sarah Masen, Ric Hordinski, Phil Keaggy, David Wilcox, and more. There is not a bad song on the whole disc. Kudos, Ric! |
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 Works Progress Administration (featuring Glen Phillips) – WPA (Elite Artist Services) :: While I often lump this in the “Glen Phillips side project” category, it that doesn’t really do it justice. My favorite songs are the Glen ones, but Luke Bulla and Sean & Sara Watkins (of Nickel Creek) round this album out into an important Americana album in 2009. Let’s just say, I came to find WPA due to Glen, but I stuck around due to it being a great band with a great new record. |
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 Fanfarlo – Reservoir (indie) :: The best way to build a fanbase overnight… have a moderately successful internationally touring artist pimp your music directly via their website and offer your album for a $1 download months before it’s available in shops. Sigur Rós’s web viewers and mailing list got a first taste and nudge to check out Fanfarlo, and that’s all it took – a gentle nudge. While Fanfarlo isn’t really all too much like Sigur Rós, I can see why their fans intersect… gentle songs with complex and often unusual instrumentation. I missed Fanfarlo as they swung through the Pacific Northwest, as I was on vacation, but I hope they come through again soon. |
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 Tegan and Sara – Sainthood (Sire Vapor) :: This T&S album is rockier than their last few albums, but after the second listen, I think I like it more than both The Con and So Jealous (and, yeah, their pre-Jealous ones, too). I think with The Con, they had started to really figure out to write really hooky yet still mature songs. While Sainthood heats it up on the rockier edge, I think the songs are better overall. This was their first album where they wrote a large chunk of the songs together in the same room – maybe that was their secret formula. I’m looking forward to their upcoming tour… April 2010 in Portland! |
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 The Swell Season – Strict Joy (Anti-) :: The ONCE soundtrack sunk in immediately after I heard it. While Strict Joy took a while to sink in, I think it’s a more solid record than Once. While this album represents their personal “break up,” I hope they keep working together as a band. I’ve heard some of Glen’s work with The Frames, and it’s good – but Marketa and Glen together really seems magical. |
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David Bazan – Curse Your Branches (Barsuk) :: The oft-used tagline for this record is “David’s break-up album with God.” Sure, OK. I never really thought his prior albums were all that ostentatiously “God-y” anyway. I admired David’s doubting and questioning in his prior Pedro the Lion music. His move to a more agnostic / atheistic-leaning artistic expression is a-OK with me. I realize that it’s a personal journey, and as long as he keeps putting out challenging and witty lyrical numbers, and he keeps touring & bringing some fun Q&A time to stages near me – I’m fine with whatever his philosophy moves towards. |
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 O.S.I. – Blood (Inside Out) :: What, a Kevin Moore album at #7 in its release year? I know, I know… Chroma Key and the first two O.S.I. albums were at least Top 3 spots in their respective years. While I have been moving towards a lot more instrumental music, this year’s vocal albums that I did get had some great music… the Top 10 vocal albums for me this year are especially strong albums, regardless of my bent towards the sans vocal route. Anyway, I really dig this new O.S.I. record. I wish more news and touring from Kevin Moore would leak out… I mean, news bites are few and far between. It gets a bit frustrating in this era of readily available information. Chroma Key or O.S.I. album #4… I hope not too far out there. |
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Nellie McKay – Normal As Blueberry Pie: A Tribute to Doris Day (Verve) :: While I dig Nellie’s own music better than this batch of mostly Doris Day cover songs (there is one Nellie original), this may be the most perfect tribute album. From the cover art, to the campy photos inside, to the delivery that truly honors Doris Day, to Nellie’s excellent jaunt with The Aristocrats – this album I think is more than the sum of its parts. Back on a major label (this time Verve instead of Sony), I hope they give Nellie some creative control to go back in the studio to make her next originals album. |
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Porcupine Tree – The Incident (Roadrunner) :: I think I like the non-concept songs on disc 2 more than the individual parts in The Incident concept disc. Regardless, I think Steven Wilson has turned the corner away from Fear of a Blank Planet, and maybe he’s heading back into a more interesting progressive arena. The tour was also great this year, but maybe they play their instruments too perfectly. I almost felt as if I could have gotten as much out of the DVD of the show as the actual show (hey, my only negative about this latest effort is that they play “too perfectly”). Go figure! |
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Peter Mulvey – Letters From a Flying Machine (Signature Sounds) :: Half spoken word, half poppy singer-songwriter tunes… that doesn’t scream “Top 5” album release. But it is. I think this is Peter’s most solid piece of work in a while, and it ranks amongst The Trouble with Poets and Kitchen Radio for me. Peter is still fairly unknown… but he is quite prolific (12+ full lengths in 17+ years), hard-working (constantly touring all places from Alaska to Ireland), quite witty (he could be a comedian if the whole music thing doesn’t work out), and energetic (he did a 1,100 bicycle tour this year – playing gigs from Michigan to Massachusetts). He plans to do a bicycle tour from Wisconsin to the West Coast in 2010… yay! |
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 Derek Webb – Stockholm Syndrome (INO) :: I grew up with Derek Webb as he made his musical start in the contemporary christian music scene – with Caedmon’s Call. I always loved his songs and vocals the best; so when he left the band, I followed. His latest album gets it right in both music and lyrics… calling out those who hate others due to their sexuality (the “controversial” What Matters More) and calling out hate in the name of God (“Freddie, Please” dedicated to Westboro Baptist’s jackass preacher). I feel that even though I have differing (non-)religious beliefs, I still can call Derek Webb a compatriot. The more electronic-tinged music is also welcome from his more “guy & a guitar” days (though, he carried that sound well, too). I look forward to his upcoming subscriber series in 2010 – Democracy, Volume 1. |
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 Wussy – Wussy (Shake It) :: Wussy just keeps getting better. Lisa and Chuck & Company have really stepped it up on their third full-length. I wish I still lived in Cincinnati sometimes after seeing their “hey, we’re playing at Northside Tavern” posts on SpaceBook and MyFace. Anyway, I’m utterly delighted with this record, and they’ve unofficially promised to hit the West Coast in Spring 2010. Fingers crossed… |
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dredg – The Pariah, The Parrot, The Delusion (Ohlone) :: dredg has evolved from “good opener” the first time I saw them to “really good rock band” after I delved into Catch Without Arms (specifically “Ode to the Sun” and the b-side “Stone By Stone”) to one of my favorite bands with this new release. Quite honestly, from the first full listen back in June, I knew this would be my #1 album for 2009. It’s a concept album based loosely on Salmon Rushdie’s “Letter to the Six Billionth Citizen,” and, well, it shows off dredg’s great vocals, subtle progressive guitars, and unique and inspiring drumming. I hope album #5 is not another 4 years away… or, if it is, I hope they keep touring. I got to see them twice this year – both fantastic shows. |
Top 25 instrumental albums coming up later this week… still making my way through them at this point… oy…
My Other Favorites of 2009 Recaps:
- Fave Concerts of ‘09 are recapped *HERE*
- Fave EPs/Vinyl/Live/more of ‘09 are recapped *HERE*
- Fave Instrumental Albums ‘09 are coming soon
- Fave Artists of the Decade are coming soon
- Old Years: 2008I, 2008V, 2008ep, 2008C, 2007V, 2007I, 2007C, 2006, 2005
~Dan – np: Roberto Rodriguez – The First Basket
Derek Webb – Democracy Vol 1
Before I get started… happy birthday, Frank Zappa! Ya hozna!
OK, now on to the music news…
Derek Webb, whose Stockholm Syndrome is seriously gonna rank well in my soon-coming “Best of / Favorite CDs of 2009” list, is doing something new for 2010. He’s going to have a subscription music deal where he digitally releases cover songs each month… and subscribers get to pick the songs. People who bought/buy a limited edition of Stockholm Syndrome over at the DW store got first crack at selections.
I already put in my votes a couple days ago… Chroma Key‘s “Colorblind” (longshot due to obscurity), Tori Amos‘ “Crucify” (that would pwn), and I think jokingly I put Opeth‘s “Blackwater Park” (even more of a longshot) – but I forget if I recanted and switched at the last minute to something else. I’m pulling for a “Crucify” cover by Derek – I think he’d do it justice.
The cover songs will likely be a more stripped down, singer-songwriter style when compared to his 2009 record… but those are his roots and how I first got into him; so I’m stoked. Plus… ya know, if he does Tori Amos’ “Crucify,” I’ll have his babies.
Derek Webb’s “What Matters More” video
{from Stockholm Syndrome}
http://www.derekwebb.com/
~Dan – np: Borah Bergman Trio – Luminescence
2009 mix
Well, thanks to a certain bigwig, I got off of my duff to make a mix CD for his round robin dealio. No major theme this time like prior mixes… the only rule I placed before myself was that everything is current (i.e.- released in 2009).
{If you aren’t part of the round robin and want a CD, contact me. If you’re local, even better. I’ll get ’em out around Thanksgiving.}
The following songs were put on the mix CD from lossless sources for promotional purposes only (read: free direct market advertising to people who decidedly love music). Most of the artists on this compilation are independent (put out the music themselves) or signed to smaller, independent labels. If you like what you hear, check out their music / support them with your wallet if you are able. The artists’ Webpage, MyFace & Spacebook (whether official or not), and Amazon links are available for each song below. I’ve also included concert review links if I’ve seen the artist recently.
PDF front liner is available HERE (designed to print double-sided).
UPDATE (12/18): free download / bonus track #18 below
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01 Nellie McKay “Do Do Do” from Normal As Blueberry Pie: A Tribute to Doris Day
Well, the person who got this round robin going (Brad) was a direct influence in me getting into Nellie McKay back when Get Away From Me came out. I’ve been a fan ever since. I think GAFM is my favorite of hers, but she’s still quite consistently entertaining to me. Her latest album is a tribute to the late great Doris Day. It’s missing some of Nellie’s sly wit, but is definitely fitting in her “I wish I was born in another era” wishes. The album art is 135% fitting for Nellie, too. Perfect choice!
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02 John Zorn “Miller’s Crake” from O’o
I could have put on some more skwoky Zorn, but I opted for a more accessible number. John Zorn is prolific, but this was actually a slow year – I only count six Zorn-related releases. O’o is twelve lyrical and adventurous instrumentals combining world music, surf, exotica, soundtracks, easy listening, and minimalism dedicated to twelve different birds (Chippy’s artwork is amazing). “Miller’s Crake” is a delightful Guaraldi-esque jaunt from the band that came out of the Electric Masada / The Gift / The Dreamers sessions: Marc Ribot, Jamie Saft, Kenny Wollesen, Trevor Dunn, Joey Baron, and Cyro Baptista.
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03 Extra Golden “Gimakiny Akia” from Thank You Very Quickly Vol 3
I was planning on going to Eugene Celebration anyway, but I got a call from a friend who suggested that we meet and definitely go to see Extra Golden. Um, OK, sure. Then I saw them, and wow… fuuuuun. I love African music, but sometimes it’s gets all too similar unless you do something fun (a la Fela Kuti, Antibalas, etc). Well, Extra Golden are half Kenyan and half American (which I guess is the “something fun” part? I don’t know). They fuse some great jam-rock with Kenyan beats* and singing… great stuff. Fantastic live show, too. *-Though, coincidentally, not so much Kenyan beats on this track. Yeah, sorry.
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04 Ember Swift “Hollowed Bones 空骨” from Lentic :: 子玉
Ember Swift (yes, her real name) is finally starting to head in a new direction. I mean, I dig her a lot, but her past albums have been slightly derivative of Ani DiFranco (with maybe a little more adventurism). She’s from Canada, but has spent time living in China recently. In fact, I think she’s still living there (don’t quote me on that)… that culture has definitely had an impact on her music.
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05 Works Progress Administration / Glen Phillips “Rise Up” from Works Progress Administration
This song first showed up on the Concert to End Slavery compilation as a Glen Phillips solo song. It’s my favorite from WPA, but it’s not very representative of the album. The album is more folky / americana via the heavy influence of Sean & Sara Watkins from Nickelcreek and Luke Bulla (from Lyle Lovett’s band).
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06 Madeleine Peyroux “Damn the Circumstances” from Bare Bones
I am usually not a fan of vocal jazz… it’s usually too full of schlock, if you ask me. Well, Madeleine’s smoky voice overrides that generalism for me. She’s a fantastic vocalist, a throwback to the golden era of jazz vocalists. This album is her first of non-covers. All original, either written solo or co-written, Bare Bones moves her from a “fantastic standards” singer to bringing vocal jazz back into fresh territory.
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07 dredg “Gathering Pebbles” from The Pariah, The Parrot, The Delusion
dredg is one of my favorite bands now. 2005’s Catch Without Arms floored me, and I was eagerly awaiting the follow-up. It took too long (4 years), but it was well worth it. The Pariah, The Parrot, The Delusion is by far my favorite album this year. It was inspired by Salmon Rushdie’s essay “Imagine There’s No Heaven: A Letter to the Sixth Billionth Citizen.” In fact, this past fall, dredg and Salmon did a joint show that was captured by Spin magazine.
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08 Porcupine Tree “Flicker” from The Incident
The best progressive rock band around, Porcupine Tree’s The Incident is a 55-minute epic concept album/song. “Flicker” is actually a session b-side from the 2nd disc from the collection. I got a chance to see Porcupine Tree this September, and Steven Wilson & Co delivered the impeccable studio sound to the stage. It’s almost magic.
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09 O.S.I. “Terminal” from Blood
I really like this 3rd record by O.S.I. (formerly know as the Office of Strategic Influence). O.S.I. is a joint collaboration of Chroma Key’s Kevin Moore and Fates Warning’s Jim Matheos. Most of Blood is heavier progressive rock, but I tend to like the more Chroma Key-esque tracks like “Terminal.” The album has guests Gavin Harrison (of Porcupine Tree) on drums, Mikael Åkerfeldt (of Opeth) on vocals for one track, and Tim Bowness (or No-Man) on vocals for one track as well. The 2nd disc also features a Kevin Moore-sung, rockin’ tribute to Elliott Smith (“Christian Brothers”).
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10 900X “The Black Beach” from Library Catalog Music Series: Music For Lubbock, 1980
Sufjan Steven’s label Asthmatic Kitty is really becoming a favorite. They host music by Sufjan, My Brightest Diamond, Fol Chen, Osso, and now the excellent experimentation from the various Library Catalog Music Series artists. The 900X release is my favorite of the six releases so far. I received the high quality mp3s from the record label for free, and I loved it so much that I bought it on vinyl.
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11 Chali 2Na featuring Talib Kweli “Lock Sh*t Down” from Fish Outta Water
I’m still sad that Jurassic 5 broke up, but now we get albums from Portable Payback (Marc7 & Soup), Cut Chemist, DJ Nu Mark, Akil the MC, and, of course, Chali 2Na (my favorite from the group). Chali’s got that deep booming voice that makes you pay attention. This song’s lyrics (and video) are kinda cheesy, IMO, but it still features some nice flow from the “lyrical manphibian.”
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12 Peter Mulvey “Vlad the Astrophysicist” from Letters From a Flying Machine
Storytelling has always been a fantastic part of Peter’s live shows. Nine years ago, when his first niece was born, Peter got into the habit of writing physical letters to his nieces and nephews (now 17 kids in total). This album is interspersed with spoken word letters and new music. I think it’s his strongest album since 2000’s The Trouble With Poets. I like a lot of different music, but with that being said, I think Peter is by far my favorite singer-songwriter. Support indie music!
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13 David Bazan “Curse Your Branches” from Curse Your Branches
I wanted to put on “Hard to Be,” but due to space limitations, I went for a shorter song. This is David’s first full-length solo album since disbanding the indie rock band Pedro the Lion. PTL was really David’s thing anyway; so him disbanding the band isn’t that big of a deal, if you ask me. This album also marks his first decided move away from the “religious guy” things into the “heavily agnostic thing” (kudos to him, from me at least). This album is peppered with his thoughts and doubts of his religious upbringing – even moreso than in his prior Pedro days. It very well called a “breakup letter to God” by some.
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14 John Zorn “Novato” from Alhambra Love Songs
Alhambra Love Songs is a set of 11 songs that are an eclectic homage to San Francisco Bay area musicians. This particular song is dedicated to Mike Patton (and, no, that’s not why I picked it). The album is played by pianist Rob Burger, bassist Greg Cohen, and drummer Ben Perowsky – and also falls into the “more accessible” John Zorn camp.
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15 Wussy “Little Paper Birds” from Wussy
This little band that could from Cincinnati is getting some good buzz in major publications (I know Spin has featured them several times). I went to college with their female lead singer, Lisa Walker, and remember when she did a more folky thing. I think Wussy’s sound suits her well (and vice versa). Anyway, this is their third record, and features some great songs from both Lisa and Ass Ponys’ Chuck Cleaver.
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16 The Dead Kenny G’s “Birther Blues” from Bewildered Herd
Prior to moving to the PacNW, I had heard of saxophonist Skerik via John Zorn and other avant-garde connections. I never got to hear him until I moved here and saw him at Sam Bond’s. He seems to be down here in Eugene every other month or so, in different band incarnations. The Dead Kenny G’s features Skerik on tenor sax & pianos, Mike Dillon on drums (who I recently saw drum with Ani DiFranco), and Brad Houser on bass & baritone sax.
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17 Ikue Mori “Redeye Skimmer” from Class Insecta
Ikue Mori is an interesting instrumentalist. She mostly utilizes a laptop, and I saw her play live with Ellery Eskelin & Jim Black in NYC in 2007 and was wowed by the improvisational nature of her craft. Most of her albums are more avant-garde. She has one album that I’d consider to be much more accessible (1995’s Painted Desert on Japan’s DIY/Avant label). Class Insecta is also more accessible than most of her work. I suppose if you like well composed, electronic music dedicated to insect species, it’s for you!
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18 Derek Webb “What Matters More” from Stockholm Syndrome
(bonus mp3) DOWNLOAD it >> http://www.derekwebb.com/387/WMM.zip
Stockholm Syndrome is an album that I’m bummed I didn’t get fit on the CD version of this compilation. It’s going to place fairly well in my year-end “Best of 2009” list. I think it’s the best thing Derek’s ever done, including Caedmon’s Call and prior solo work. It has a great overall vibe, and a message that I can agree with, even though I don’t agree with his religious philosophy. This song, while not the best on the album (IMO), has a great lyric and pro-gay marriage position and was actually banned by his independent Christian label (INO Records). He subsequently released an “uncensored” version of the album, and now has the song available for free on his site.
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Let me know what you think…
unfortunately missing (due to space or flow limitations, or that I simply didn’t get them in the mail yet): pop from Regina Spektor, Zero 7 & the Swell Season; jazz from Dave Douglas’ Brass Ecstasy and A Single Sky, Masada Quintet + Lovano, and The Fantastic Terrific Munkle; comedy from Flight of the Conchords; and some metal Ahleuchatistas, Megadeth, Isis, Dream Theater, Puscifer, Tides From Nebula & Alice in Chains. Oh well, those may make it on my “favorite albums” of 2009 list.
~Dan – np: Puscifer – C is For…
there are no torrents, free mp3 or other downloads available
Holy F**k in-studio & Derek Webb news
It’s not that I intend to bring together two disparate artists for my music news post. I mean, I surely do love it… but it’s usually just a function of me liking way too much music, and news comes in to me in spurts that are as controllable as a trying to plug the holes in a colander. This post is brought to you by a foul-named (but primarily instrumental) Canadian electronic band that totally pwns (Holy Fuck) and a contemporary Christian artist for whom I still have a lot of respect despite philosophical differences (Derek Webb).
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Holy Fuck first… needless to say, Holy Fuck is in the list of artists that whenever I hear news about them… up it goes. They’ve been an obsession since late ‘05 / early ‘06, and they just keep gettin’ better. They make what’s best referred to as “live electronic” music. They’ve got a 23 minute in-studio performance on UK’s Channel M. Due to WordPress video posting capabilities, I am unable to do the streaming thing (it only seems to work for me for YouTube). So, click the picture to be taken to Channel M’s website:
>> Holy Fuck – In Session on Channel M <<
They play The Pulse, Royal Gregory, Frenchy’s, interview segment, Super Inuit, and Lovely Allen.
Holy Fuck’s albums are rad, instrumental grooves of deliciousness – – two self-titled LPs, along with a self-titled EP. The 2nd self-titled album is the best, IMO. You can pick it up from the Beggars Group (USA) or Young Turks (UK). They’ve also got some split 12″ vinyl. One last year with the band Celebration (no longer available), and one this year with Foals where they each cover the others track (it’s on vinyl – but you can DL the mp3s here). You can also check Holy Fuck out on the MySpaces.
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Derek Webb, formerly of the folky / hip-with-the-college crowd CCM septet Caedmon’s Call, has continued to make compelling music (which is the opposite that Caedmon’s Call has done without him, IMO). Anyway, per a recent emailing, he’s working on his follow-up to The Ringing Bell.
He’s collaborating with long time friend and former Caedmon’s Call bandmate Josh Moore on what is rumored to be a more experimental, electronic album. Teasing with programmed and decidedly more ‘inorganic’ elements, the album called Stockholm Syndrome is shaping up to be Derek’s “most ambitious album to date.”
We shall see. It’s expected out by May 2009. More info on Derek at derekwebb.com.
Dan – np: NIИ – The Slip
nine inch nails / NIN
free 6pntr
I heard about this through a Waterdeep mailing, but stumbled on a free (or as cheap as free) Sixpence None the Richer -EP- as well on noisetrade.com…
Good choices (that cost me a total of $3… for all of them): Waterdeep‘s Heart Attack Time Machine, The Khrusty Brothers‘ self-titled debut, and Sixpence‘s My Dear Machine -EP-. Another good choice (that I had via other methods, like derekwebb.com): Derek Webb‘s The Ringing Bell.
Ah, a philosophical agnostic / practical atheist, listening to Jewish music, blogging about Christian rock… WTF!?
~Dan – np: Oren Ambarchi & Z’ev – Spirit Transform Me*
*– Well, I guess it’s barely what’s normally considered “Jewish” music (i.e.- look Oren & Z’ev up on iTunes)
-Eyvind Kang
-Frank Zappa
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