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John Zorn Presents the Aleph-Bet Sound Project
reposted from here
John Zorn Presents the Aleph-Bet Sound Project
June 8, 2008 – January 4, 2009
Aleph Bet Project
About the Exhibition
Highly-acclaimed musician and MacArthur Fellow John Zorn was commissioned by the Contemporary Jewish Museum to curate a series of sound pieces for the Museum’s Special Events/ ‘yud’ gallery, a unique space featuring a 65-foot ceiling, 36 diamond-shaped skylights, and walls that converge at different angles. Featuring new work by leading musicians and composers such as Lou Reed, Laurie Anderson, Erik Friedlander, David Greenberger, Chris Brown, Z’EV, Terry Riley, Alvin Curran, Christina Kubisch, Marina Rosenfeld, Raz Mesinai, and Jewlia, the Aleph-bet Sound Project acoustically explores the Kabbalistic principle that the ancient Hebrew alphabet is a spiritual tool full of hidden meaning and harmony. The works musically link the alphabetic symbols in architect Daniel Libeskind’s design for the new facility with the Museum’s mission of exploring traditions within a contemporary context.
John Zorn Presents the Aleph-Bet Sound Project is supported by a generous grant from The Guzik Foundation.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
More about the Museum: http://www.thecjm.org/
If you’re in San Francisco in the coming 6 months or so, it may be worth checking into…
I will, if I get down that way…
Here’s someone’s recount of their visit to the exhibit…
http://becomingpresent.wordpress.com/2008/11/30/november-30-2008-making-this-moment-the-most-important/
~Dan – np: Art Blakey and the Jazz Messengers – Paris 1958
np: Bar Kokhba Sextet – Masada Book Two: Lucifer
ALBUM REVIEW: Xaphan, Book of Angels Vol. 9 ~ The Secret Chiefs 3 play Masada Book Two
Got this album in the mail the other day… I’ve four times through it, and since I imagine it will hold up fairly well as far as albums go this year, it deserves the ol’ track-by-track analysis…
Xaphan, Book of Angels Volume 9
The Secret Chiefs 3 play Masada Book Two
Masada Book Two – Background: John Zorn had a fantastic jazz-klez quartet called Masada. It was John Zorn on alto sax, Dave Douglas on trumpet, Greg Cohen on bass, and Joey Baron on drums (sometimes Kenny Wollesen of the Sex Mob filled in on drums). They recorded 10+ studio albums in the mid-1990s, and they played live consistently up until March 2007. They may play a one-off in the future, but their Lincoln Center shows last spring were their final bow, as it were. I saw it, yay! The initial 10 studio albums by Masada are hardish to find (Japanese import label DIW), but they have many live and previously unreleased stuff on John’s own Tzadik Records, like Sanhedrin (below):
Anyway, sometime in the early 2000s, John Zorn started several splinter Masada or Masada-esque groups (Electric Masada, Masada String Trio, Bar Kokhba Sextet). He also wrote upwards of 300 additional Masada tunes that were not to go into acoustic Masada repertoire, but rather go into the “Masada Book Two. ” Different artists get these tunes (in the form of melody sheets of about 16 bars of music), and they arrange and record their version of John Zorn’s Masada Book Two tunes. Favorites in the past have been Marc Ribot, Koby Israelite, Cracow Klezmer Band, Bar Kokhba Sextet, et cetera…
Xaphan Personnel: Trey Spruance: guitars, organs, percussion, synths, autoharp, piano, bass; Timb Harris: violin, trumpet; Jason Schimmel: guitar; Anonymous 13: voice, viola; Rich Doucette: sarangi; Jai Young Kim: B3 organ; Shahzad Ismaily: bass; Ches Smith: drums, congas; with special guests Adam Stacey: clavinet; Monica Schley: harp; and Tim Smolens: cello, upright bass. ie- people from the latest incarnations of Secret Chiefs 3, Estradasphere, Mr. Bungle, Marc Ribot’s Ceramic Dog, Carla Kihlstedt’s 2 Foot Yard, yadda yadda…
photo credits: Peter Gannushkin / Theremin Noise Club / Jae
The Xaphan Songs: (all written by John Zorn & arranged by Trey Spruance)
- Sheburiel ~ Nice surf/exotica about 30 seconds in, which transitions into a delightful string melody with surf guitar reminiscent of something from the Electric Masada catalog. Overall, this is quite a schizophrenic song, but nice textures… it’s a prelude for what’s to come in the rest of the record.
- Akramachamarei ~ Very much a spaghetti-western-meets-middle-east vibe on this track. I dig it. The title sounds like an interesting mixed drink (something along the lines of okra-infused vodka bloody mary with a sprig of mâche instead of celery). Oh, and if you don’t know what mâche is, well, it’s a delightfully nutty leaf in the lettuce family. So, yeah, spaghetti-western-meets-middle-eastern bloody mary concoctions all around!! And any band naming themselves Okra-infused Vodka, you owe me royalties. OK, back to the music…
- Shoel ~ Conga intro… keys, dub beats, and fuzz-guitar. Nice. Like at least 2-days of stubble on the guitars. Back into clean spag-west guitar… yeah, know, pretty soon, I’m running out of descriptions and adjectives beyond “cool,” “neato,” and “nice tom work, Ches.” I’m not a musician; so that’s the best you get, fools. This is one of my favorite tracks so far.
- Barakiel ~ Slowish, clean guitar entry with some slide, harp, and genteel vocals… moving into a bouncier spag-west guitar, but still with ethereal strings and piano.
- Bezriel ~ Oooo… Trey’s bringing the rock into it. Good interplay between the calm-before-the-storm viola and/or violin with the guitar chunk and vocal haunts. The last half of the track features some more strings and less of the chunk (oh, wait, I lied… it ends with the chunk). :) Another one of my favorite tracks.
- Kemuel ~ Bungle-y circus organ into swirling drum-guitar-vocal passage into a dirty string solo.
- Labbiel ~ Interesting time signature interplay between the guitars and drums.
- Asron ~ Aw geez, I just lost the game. I zoned out to the great music and forgot to write about it. Bad reviewer, bad reviewer. Anyway, back to the music. Nice violin and guitars to end it.
- Balberith ~ Starts with a great melodic bass line with some fuzz/scratch guitar. Ah, the trumpet finally kicks in. Nice stuff, Timb. This could fit on Zorn’s The Dreamers or Electric Masada nicely. That’s a compliment. :) Another one of my favs on this record.
- Omael ~ Add some xylophone, and I’d say the intro to this fits into a Zappa catalog. :) This is a faster-paced song… for the SC3 bellydancer contingent, don’t pick this. Your legs might fall off. This one has some great percussion and more trumpet. I’m getting lost in the sounds, but I’m digging it.
- Hamaya ~ Clean exotica guitar intro, organ, vocal chants (something about tostadas?). Oh, a seemingly (to me) “The Exile” or “Book T: Exodus” strings-n-guitars moment about 1 minute in… nice. Nice melty fade that sucks me back into… g-to-the-d, why is it 84 degrees in my house!? Sometimes I hate renting a house in Oregon that does have A/C. Anyway, a great end to a great album.
I recommend you take some listens on MySpace, Amazon, and iTunes (when they get it)… and support good music if you like what you hear. It’s currently available at Web of Mimicry, Downtown Music Gallery, and Amazon (to name a few). I don’t do the track-by-track treatment on just any record… this is a special record.
Any musical review faux pas above? Eh, I’m not a musician. My ears my have defied me brain, matey. For Secret Chiefs 3 fans, I suppose this more relates to a Ur / Ishraqiyun / Forms / Traditionalists musical offering? I dunno which one moreso than the others. Any thoughts from you WoM boardies?
Fav tracks: Shoel (#3), Bezriel (#5), Balberith (#9), and Hamaya (#11).
Recommended if you like: world music, middle eastern music, progressive music with a bellydance beat, ADHD prescriptions, Secret Chiefs 3, Estradasphere, Mr. Bungle, John Zorn, et al… it’s very much a Secret Chiefs 3 record, but probably one of their more “accessible” ones (as well as being an accessible John Zorn-penned album). User friendly, middle-eastern rock-romp through a mad alchemist’s mind (Trey is a brilliant musician, IMO). This is my favorite in John Zorn’s Masada Book Two series, and that’s saying a lot (I love all 10 of the series thus far).
The Appropriate Linkage:
- Secret Chiefs 3’s Website (pleasing design, not realistic from a PR side of things)
- Secret Chiefs 3 on MySpace
- Web of Mimicry (Trey’s label)
- Tzadik Records (John Zorn’s label, released Xaphan)
- Tzadik on MySpace (unofficial but approved)
- John Zorn on MySpace (unofficial but approved)
- Other key Xaphan players on MySpace… Estradasphere, Ches Smith…
~Dan – np: Susie Ibarra – Drum Sketches 
The Masada Book Two Series (to date):
new Secret Chiefs 3 tour dates
I imagine these tour dates, as they trickle in, are all about “making their way back home after a festival.” Alas, the fact that they’re swinging by my way is FANTASTIC…
Secret Chiefs 3
Fri, 7/25/08 – Detroit Lakes, MN -Soo Pass Ranch “10,000 Lakes Festival”
Sat, 7/26/08 – Milwaukee, WI -Turner’s Ballroom
Sun, 7/27/08 – Chicago, IL – Double Door
Thu, 7/31/08 – Denver, CO – Bluebird Theater new date
Fri, 8/01/08 – Salt Lake City, UT – Club Paladium new date
Sun, 8/03/08 – Portland, OR – Doug Fir Lounge new date yay!
http://www.webofmimicry.com/
http://www.myspace.com/secretchiefs3
Their latest record, Xaphan: Masada Book Two Vol 9, is FANTASTIC…
~Dan
* Favorite INSTRUMENTAL Albums of 2007 *
I do mainly music-related blogging. I like lots of different musics. If you want to subscribe to my blog, lick here. With your mouse, not your tongue.
My Other Favorites of 2007 Recaps:
Fav Concerts of ’07 are recapped *HERE*
Fav Local / Vinyl / Internet-Only / Podcasts of ’07 are *HERE*
Fav EPs / Compilations / Music DVDs of ’07 are *HERE*
Favorite Instrumental Albums of 2007
Most of what I’m really enjoying lately doesn’t include vocals. Maybe I’m getting sick of normal music, I don’t know. I still love a good pop song, but I’m definitely more into jazz and avant-garde the past two years. That’s why this “Instrumental” list keeps expanding and my “normal” Fav Albums list seems to be shrinking. Alas, here are my favorite instrumental (or largely instrumental) albums of 2007:
1) Holy Fuck – Holy Fuck LP2 – Brilliant groove-oriented “live electronic” post-rock. I saw these guys (almost twice) in 2007. Brilliant live show, excellent moving melodic-yet-avant-garde songs. Great stuff. Less than fortunate name, I know. Great music, though.
http://www.holyfuckmusic.com/
http://www.myspace.com/holyfuck
2) Dave Douglas & Keystone – Moonshine – A new one from trumpeter/composer Dave Douglas. This CD also includes interactive stuff online (remix source tracks, videos, bonus tracks). Trumpet is one of my favorite jazz instruments, and Dave Douglas is at the forefront of melodic, compositional-meets-improvisational trumpet in the current era.
http://www.davedouglas.com/
http://www.myspace.com/greenleafmusic
3) John Zorn – Six Litanies for Heliogabalus – A completely powerful noise-rock onslaught from John Zorn’s Moonchild trio (Mike Patton, Trevor Dunn, and Joey Baron) plus a choral, electronics by Ikue Mori, keys from Jamie Saft, and John Zorn himself on saxaphone. This album is not for the faint of heart. It’s all over the place, but completely composed (hard to believe). I saw the trio in Seattle in Nov 2007. It was insane.
http://www.tzadik.com
http://www.myspace.com/theatreofmusicaloptics
4) Floratone – Floratone – This album is a wonderful jazz gem from Matt Chamberlain (who I’ve seen drum for Tori Amos and A Perfect Circle), Bill Frisell (jazz guitarist who needs no intro), Tucker Martine, and Lee Townsend. It also has guest spots from Eyvind Kang (Seattle violinist on my “fav” list), Viktor Krauss, and Ron Miles. This fits with the Barnes & Noble clientele, but it’s enjoyable to a fan of the lower eastside NYC/downtown music scene, too.
http://www.floratone.com/
http://www.myspace.com/floratone
5) Explosions in the Sky – All of a Sudden I Miss Everyone – I have a hard time defining “post rock,” but I know I like it. Ambient, wall of sound, momentous… anyway… Explosions in the Sky fits in well with other post-rock favs of mine like Mogwai, Godspeed! You Black Emperor, Euphone, Boards of Canada, and even the borderline post-rock Sigur Rós. Anyway, EITS is a welcome addition to my collection. All of a Sudden I Miss Everyone is quality, moving ambient music.
http://www.explosionsinthesky.com/
http://www.myspace.com/explosionsinthesky
6) Antibalas – Security – OK, not entirely instrumental, but probably at least 90% instrumental. Antibalas is an afrobeat band in the mold of Femi Kuti, et al. Driving rhythm, multi-percussionists, horns, guitars, political lyrics (when there is singing). Quality live show, too.
http://www.antibalas.com/
http://www.myspace.com/antibalas
7) The Tiptons – Tsunami – A sax quartet with drums from Seattle. I just barely missed them when they came through Eugene, but I’ll see ’em next time for sure. Thanks to Jim Wilke’s Jazz NW podcast for getting me into these wonderful musicians.
http://www.tiptonssaxquartet.com/
http://www.myspace.com/tiptons
8 ) The Lithuanian Empire – The Lithuanian Empire – Funky horn-based klezmer jazz. Klezmer music is really interesting. I’m going to blame John Zorn’s Masada quartet and Tzadik label for my fondess. The Lithuanian Empire isn’t connected with Zorn in any business sense, but they connected with my ears. Great stuff…
http://www.thelithuanianempire.com/
http://www.myspace.com/thelithuanianempire
9) Ric Hordinski – The Silence of Everything Yearned For – Ric Hordinski knows how to put layers of guitar down that build slowly, smooth throughout, and hit you with a wall of sound when you’re not paying attention. He’s a true midwest treasure. I’m gonna miss him now that I’ve moved across country.
http://www.richordinski.com/
http://www.myspace.com/richordinskimusic
10) Incubus – Look Alive – OK, this was a shock. Incubus isn’t an instrumental band. They’ve got a fabulous vocalist, Brandon Boyd. This CD was merely a bonus CD with the concert DVD. It contains 11 tracks of musical joy (plus 6 bonus live tracks with vocals, which are good too). These 11 tracks really show off the band’s music writing. I knew guitarist Mike Einziger could write some great instrumental jams (based on 2003’s Time Lapse Consortium live album), and I’m glad he and the band are still up to the vocal-less challenge, even though they’ve got one of my favorite vocalists in rock music today.
http://www.enjoyincubus.com/
http://www.myspace.com/incubus
11) Method of Defiance – Inamorata – A flood of avant-garde mayhem unleashed by Bill Laswell. A mix of music collaborations (whether intentioned or illegal) from usual Laswell friends Buckethead, John Zorn (& Zorn’s Masada Strings), Bootsy… but also unlikely mixes with Herbie Hancock, Pharoah Sanders, and more… masterful and avant-garde, heavy industrial and ambient meets jazz.
http://www.myspace.com/methodofdefiance
12) Hiromi’s Sonicbloom – Time Control – Cutting edge piano-based jazz on the primarily classical Telarc label. Hiromi runs circles around her tight band. a very enjoyable disc… I’m almost embarrassed that I didn’t pay for it (the BMG club system = awesomes).
http://www.hiromimusic.com/
http://www.myspace.com/hiromimusic
13) For a Minor Reflection – Reistu Þig Við, Sólin Er Komin Á Loft… – A band from Iceland that is on the same foreign label and same audio approach as another band from Iceland, Sigur Rós. For a Minor Reflection are one of my “best surprises” of the year. They even sent me the CD for free. I said I liked their sound from the MySpace player, and I think they were trying to break into the U.S. or something. I don’t know. I dig their sound a lot, though. Just don’t ask me to pronounce their album title…
http://www.myspace.com/foraminorreflection
14) John Zorn played by Marc Ribot – Masada Book Two: Book of Angels, Vol. 7 (Asmodeus) – A spastic take on new Masada tunes, not unlike Marc Ribot’s other guitar adventures on John’s Tzadik label.
http://www.tzadik.com
http://www.myspace.com/marcribotmusic
http://www.myspace.com/marcribotsceramicdog
15) Pocket Change – 4 – Blues based jazz/funk from Seattle. They play Eugene every once in a while, too… I hope I can check ’em out the next time they’re here.
http://www.pchangemusic.com/
http://www.myspace.com/pocketchangefunk
16) Ned Rothenberg – Sync with Strings: Inner Diaspora – A moving set of Jewish music on Zorn’s Radical Jewish Culture category on Tzadik. This set also features string-masters Mark Feldman and Erik Friedlander (who are part of Zorn’s Masada Strings group, among other Zorn incarnations).
http://www.tzadik.com
http://www.myspace.com/nedrothenberg
17) John Zorn played by Erik Friedlander – Masada Book Two: Book of Angels, Vol. 8 (Volac) – A quite moving set of arrangements on new Masada tunes. I’m really enjoying the Masada Book Two songs and the concept of having different artists tackle each batch makes for some interesting listening. I’m still waiting for the Secret Chiefs 3 one, though… next year…
http://www.tzadik.com
http://www.myspace.com/erikfriedlander
18 ) Boris Malkovsky – Time Petah-Tiqva – Klez-classical, but hard-edged in spots (not heavy, though).
http://www.tzadik.com
http://www.myspace.com/borismalkovsky
19) Alex Kontorovich – Deep Minor – More klez-jazz. Again, it strikes my fancy. Sue me. :-)
http://www.myspace.com/deepminor
20) Kenny Werner – Lawn Chair Society – Piano based jazz with Dave Douglas on trumpet & Chris Potter on sax. You had me at Dave Douglas, and Chris Potter made me a fan earlier in 2007 when I saw a show at Raymond Walter’s College in a north Cincinnati suburb. Anyway, Kenny’s piano playing is quite a feast as well.
http://kennywerner.com/
honorable mentions:
Brian Bromberg – Downright Upright / Jonny Greenwood (of Radiohead) – There Will Be Blood -soundtrack- / Eyvind Kang – The Yelm Sessions / Medeski & Martin – Mago / Rob Price Quartet (with Trevor Dunn, Ellery Eskelin, Jim Black) – I Really Do Not See the Signal
myspace/brianbromberg – myspace/radiohead – myspace/eyvindkangeyvind – myspace/martinmedeski – gutbrain.com/
I feel bad due to some likely gems didn’t make their way into my basket this year… David Buchbinder‘s Odessa/Havana, Anat Cohen, et cetera… but I guess you gotta stop somewhere and just make a damn list (or at least I do…).
The “regular” list in a week or so… it’s slow goin’ this year…
~Dan – np: Nellie McKay – Obligatory Villagers
<prelim.oh.seven.fav.list>
Well, my 17-day vacation/ holiday break/ hustle-and-rent-the-house-2,600-miles-away trip went well… alas, my oft “too time consuming” year-end list of all that is fantastic to my ears is not done/barely started.
Now that I’ll be back to school, I’ll have some time to re-listen to my 2007 music. Expect something in mid-to-late January (perhaps). In the meantime, for those that care (all 2 of you)… here are some preliminary choice tunes from last year (in no particular order, except for likely the 1st two):
2. Radiohead – In Rainbows
Wussy – Left for Dead
Ken Andrews (from Failure/On/Year of the Rabbit) – Secrets of the Lost Satellite
Puscifer (Maynard from Tool) – V is For Vagina
Elliott Smith – New Moon
Antibalas – Security
Explosions in the Sky – All of a Sudden I Miss Everyone
Hiromi – Time Control
Holy Fuck – Holy Fuck LP2
Marc Ribot – Masada Book Two: Book of Angels, Vol. 7 (Asmodeus)
John Zorn – Six Litanies for Heliogabalus
Dave Douglas & Keystone – Moonshine
The Lithuanian Empire – The Lithuanian Empire
The full “Top ??” list will be jam-packed with more info, pictures, and links than you cared to know about said artists… as I would have it no. other. way.
~Dan – np: Gaston Zirko‘s experimental music on myspace
Favorite Concerts of 2007
Well, there are still some 2007 CDs that may or may not arrive in my hands before the year’s over (specifically Eyvind Kang, Dave Douglas, Greydon Square, Radiohead, Doug Pinnick & La Mar Enfortuna — all of which have Top 20 potential); so I’m not ready to post my “Best CDs of 2007” list, yet. Look for that one sometime in early 2008…
This blog is for my favorite concerts of 2007. I went to too many to recount in detail, but these are the tip-top ones…
- Music Now Festival 2007 (Pedro Soler, Bryce Dessner, David Cossin, the Clogs, the Havels, Osso, Amiina, My Brightest Diamond, Sufjan Stevens) at the Memorial Hall, Cincinnati-OH (4/5/07 to 4/7/07) my review
- Masada (John Zorn, Dave Douglas, Greg Cohen, Joey Baron) at the Rose Theatre at the Lincoln Center, New York-NY (3/10/07) my review
- Nellie McKay at the Shedd Institute, Eugene-OR (10/5/07) my review
- Silverchair at the Fillmore @ the TLA, Philadelphia-PA (7/28/07) review snippet
- Secret Chiefs 3 at the Bowery Ballroom, New York-NY (3/15/07) my review
- John Zorn’s Moonchild (Mike Patton, Trevor Dunn, Joey Baron) at the Moore Theatre, Seattle-WA (11/4/07) my review
- Holy Fuck at the Southgate House, Newport-KY (4/1/07) my review
- Antibalas at the Southgate House, Newport-KY (4/29/07) review snippet
- Noctaluca at the Taste of Cincinnati, Cincinnati-OH (5/28/07)
- Blackfield (Steven Wilson & Aviv Geffen) at the Bowery Ballroom, New York-NY (3/16/07) my review
OK, I guess I’ve still got coming up in 2007 Iron & Wine in Portland (12/2) and maybe David Bazan (Pedro the Lion) in Eugene (12/14); but the above concerts were my favorites of 2007…
Happy thanksgiving, yo! One thing I’m thankful for is definitely music… :-)
~Dan – np: npr jazz profiles (podcast) – duke ellington: the bandleader, pt. 1
12/24 Update: wow… I totally forgot the kick ass Zappa Plays Zappa show at Moonlite Gardens in Cincinnati, OH on 7/24/07. I think I forgot because I didn’t blog about it when it happened (gettin’ ready to quit my job and pack up and head west at the time)… but now reading this week’s CityBeat, tons of people listed it as a favorite, and man, I was at that show, too… Dweezil = awesomes! Ray White = awesomes! Frank on a big screen behind the band, singing and soloing with the live band = awesomes! 2nd time seeing the ZPZ tour in 2 years (completely different setlist, too). I think it needs to be a once-a-year thing… in perpetuity.
REVIEW: John Zorn’s Moonchild @ The Moore Theatre / Earshot Jazz (Seattle, WA – – 11/4/07)
Two statements needed to be made prior to really starting this review… 1) caveat for the non-Moonchild enthusiast: “They’re like an audible Jackson Pollock,” and 2) I feel sorry for the ushers who obviously didn’t know what they were getting into when they signed up for this.
A little background / sidenote… I came into being a John Zorn fan through first being a Mike Patton fan. One of Mike Patton’s (and Trevor Dunn’s) early bands, Mr. Bungle, had a Zorn link early on (JZ produced their Warner debut in 1991). However, I didn’t really start getting into Zorn until about 2-3 years ago when I stumbled on his jazz-klez band Masada. I didn’t know that John Zorn did such melodic work; so Masada totally caught me off guard. Anyway, by that time in my musical meanderings, my interests had started getting into more experimental bands anyway. When I dug deeper into John Zorn’s back catalog I really dug most of his work – whether it be the melodic Masada incarnations, Bar Kohkba, FilmWorks, et cetera or the experimental, harder-edged Naked City, Painkiller, et cetera.
By the time the first mention of the upcoming album Moonchild: Songs Without Words (on his label Tzadik or an email from Downtown Music Gallery), I about flipped… as an experimental/avant-garde trio with Mike Patton (the aforementioned Mr Bungle, Fantômas, Tomahawk, Peeping Tom, Faith No More, many many more), Trevor Dunn (the aforementioned Mr Bungle, Fantômas, Trio Convulsant, many more), and Joey Baron (Masada, Barondown, many more) was right up my alley. After that initial album in early 2006, Moonchild: Songs Without Words, the trio has put out two more albums of John Zorn’s compositions… Astronome (late 2006) and Six Litanies for Heliogabalus (early 2007) which also includes a chorus and other players (Ikue Mori, Jamie Saft, and Zorn himself).
All beautifully packaged and musically brutal, I don’t know where composition from Zorn stops and improvising by the Trio begins, but it can be as breath-taking as it is ear-hurting (remember my line above about it being an “audible Jackson Pollock“…?).
OK, now on to the concert review… note: 6 video snippets and 14 pictures are linked at the bottom of this review.
I took this concert trip alone… While I ease my lovely wife into listening to some of Zorn’s music (like Masada), I know when to not even bother (like Moonchild). I’m sure she’ll check out the video below and think I’m even more crazy than she already thinks I am for all of the cross-country concerting. But I think she’ll at least be thankful that I didn’t try to drag her to it, too… :)
I really had no idea or expectations for this show. I mean, I knew what to expect musically, but I didn’t know what to expect of the venue or the crowd. The venue, the Moore Theatre in downtown Seattle, was um… OK. I’ve been in better places, but I’ve been in worse. I was surprised at how big it was (capacity of 1419) compared to what I was thinking (a small venue, maybe not as small as The Stone, but not much bigger than 100 people). By the time the start time rolled around, the theatre was fairly full (the main floor was sold out, and I know the balcony was also open, too). Great turnout maybe due to the Earshot Jazz Festival or maybe due to the potentially “handful of shows only” nature of this band.
The band came on around 8:15pm… and blistered through around a solid hour of compositions. All three of them had sheet music on stands; so I’m fully aware that it’s somewhat composed music. Again, where the composition stops and the improvisation begins… your guess is as good as mine. Due to the lack of other players (like Saft, Mori, Zorn), and my lack of identifying the Moonchild trio’s “song” names… let’s just say that they stuck to a good mix of Moonchild and Astronome tracks.
Mike Patton was fairly wild for most of the set: jumping, squat-walking, tying himself up in the mic cord, swallowing the mic while screaming into it, spitting and belting out noises that made my throat sore just listening. He left the stage maybe 30-40 minutes in to let Joey Baron and Trevor Dunn have their way with our ears. I’d only previously seen Dunn in Mr. Bungle and Baron in Masada. In this entirely different setting with Moonchild, they really put out a veritable wall of sound. Even without Mike Patton’s screeching and guttural belts, Dunn and Baron were menacing in their own right.
The sound in the room was brutal. Loud, loud, loud. I thank my local music store for Hearos(tm). And, again, bless those poor ushers who didn’t know what they were getting into. I bet they were equally stunned with this “music” and the overwhelming positive crowd response. I wonder what they told their loved ones after going home from this ushering gig. hmmm…
The capper for the show proper was when Joey and Trevor left the stage. Mike Patton ripped into a 12-minute vocal solo which to me had many elements of “Litany IV”… probably the only Six Litanies piece in the set.
After a short break, they all came back for an encore… with the man himself, John Zorn. I had hoped that he was there, but after the main set was half over, I had written that off. He came out and directed them through a rippin’ tune… it could’a been 10 minutes, it could be 20 minutes, it could’a been 2 minutes. All I know was that it was intense, and Mike/Joey/Trevor definitely fed off of his energy on stage with them. My only desire on this one would have been for John Zorn to come out with his alto sax and do some of the call-and-repeat sax vs. voice that he did with Patton on Six Litanies… alas, I’ll have to wait another lifetime, perhaps.
All in all… great show – probably an hour twenty or just shy of an hour thirty of Zorn/Patton/Dunn/Baron. Worth the 8 hour roundtrip from Eugene, Oregon. Worth losing a little bit of sleep and homework time reading accounting valuation doctoral papers (blah blah blah). The Earshot Jazz Festival, or at least the only piece I could attend, was fantastic!! Being one of a potential handful of Moonchild appearances ever, I was happy to be in attendance and happy to document some of it in words above and in {cheap/low quality} video/pictures below.
Enjoy! :)
VIDEO SNIPPETS (6 total – toggle amongst them in lower section of YouTube screen)
http://www.youtube.com/view_play_list?p=B84E0210411747E9
These are digital camera “movie file” snippets. Low quality? Sure. Posted mainly for “(blurry) fly on the (noisy) wall” add-on to this review. MOONCHILD is Mike Patton (voice), Trevor Dunn (bass), Joey Baron (drums), and John Zorn (director/composer). All music copyright John Zorn, 2006-2007.
PICTURES (14 total – click thumbnail for larger)
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~Dan – np: Hiromi’s Sonicbloom – Time Control
PS– to the guy who was handing out free CDs after the show… I got one… maybe you were trying to give them to Earshot Jazz “bigwigs,” but somehow I got one. I love it!!! Anyone interested in some great instrumental music, The Coma Lilies‘ Memento Mori -EP- is GREAT!! The Coma Lilies‘ MySpace page is HERE. Listen to their stuff, it’s goooood.
PPS– other related MySpace & other Links (some fan sites, some official):
- John Zorn: http://www.myspace.com/johnzorn
- Stephen Colbert Report (Comedy Central) video on John Zorn: HERE
- Earshot Jazz Festival: http://www.earshot.org/
- Tzadik Records (Zorn’s label): http://www.myspace.com/tzadikrecords / http://www.tzadik.com/
- Moonchild: http://www.myspace.com/pattonmoonchild
- Ipecac Recordings (Patton’s label): http://www.myspace.com/ipecacrecordings / http://www.ipecac.com/
- Trevor Dunn: http://www.myspace.com/convulsivebeauty / http://www.trevordunn.net/
- Joey Baron: http://www.joeybaron.com/
The 4 Elements (Mix CD)
Posty‘s Not-All-That-Quarterly Compilation
The 4 Elements
It’s thematic, obviously. Some of it is new music, yet most of it is just music I’ve always liked that seemed to fit the compilation’s schema. The liners are not completed, yet. Hell, a test pressing hasn’t even been completed; so the track order might change some. I’m just drumming up interest before I decide how much energy to expend… email me if interested. It’ll likely go out sometime in mid-to-late July ’06…
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Music Shared without permission, but without ill-intent either, from these artists…
EARTH
1 – On “Avalanche” (from the album Shifting Skin )
2 – El Douje “Colision De Mundos” (from the album Worlds Collide )
3 – Celldweller “Own Little World” (from the album Celldweller )
4 – John Zorn “La Flor del Barrio” (from the album Music Romance, Vol. III: The Gift )
5 – Porcupine Tree “Collapse the Light into Earth” (from the album In Absentia )
SKY
6 – Tristeza “Stumble On Air” (from the album A Colores )
7 – Dredg “Ode to the Sun” (from the album Catch Without Arms )
8 – Pearl Jam “Thin Air” (from the album Binaural )
9 – The Tango Saloon “The Little Plane That Could” (from the album The Tango Saloon )
10 – Nick Drake “Pink Moon” (from the album Pink Moon )
WATER
11 – O.S.I. “Bigger Wave” (from the album Free )
12 – Au4 “An Ocean’s Measure of Sorrow” (from the album On: Audio )
13 – Chroma Key “Even the Waves” (from the album Dead Air For Radios )
14 – The Squirts “Lobster” (from the album Resquirted )
FIRE
15 – Tori Amos “Spark” (from the album From the Choirgirl Hotel )
16 – The Times “Laser Beams” (from the album Begin )
17 – Heatmiser (early Elliott Smith) “Flame!” (from the album Cop and Speeder )
18 – Fantômas “Twin Peaks: Fire Walk With Me” (from the album The Director’s Cut )
19 – Angeldust “Firestorm” (from the album System 3 )
Think of it as a stroll through a museum installation. The headsets are free this weekend.
And since we’re germophobes… um… go on and keep those there headphones…
~Dan – np: electric masada – john zorn’s 50th birthday month, vol. 4
Liner info, for those that care-o (fuzzy due to not having a proper Adobe P-Shop install on my new work laptop, had to do this via screencaps & MSPaint… oy…).
-Eyvind Kang
-Frank Zappa
Amazon.com mp3 downloads
Creative Commons
This blog and concert photos therein are licensed under a Creative Commons License. Available with Attribution for Non-Commercial, Non-Derivative Use.
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