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REVIEW: David Bazan @ Sam Bond’s (Eugene, OR – 3/4/10)
FYI… PHOTOS of the SHOW at the BOTTOM
So, what is there to say about David Bazan that I haven’t already said? Well, not much; so I’ll just recap. In short, he’s a genuine song-writer, an honest thinker, a gentle soul, and a wonderful song-weaver. Since moving to Eugene, I’ve had the opportunity to see him three times… now a fourth. All in a shorter window of time compared to the rare opportunities when I saw him in Ohio.
The show last night was one of the first shows from his Winter/Spring Tour (and the first with opener Headlights). For more tour dates, check out the list at the bottom. At Sam Bond’s Garage, David Bazan isn’t on the same A-frame as a delicious quiche (click for picture from a recent gig), but he does share the venue with some mighty fine pizza and beer.
Headlights were really good. They played about 45 minutes and had some good indie rock / pop songs with nice melodies. They are a traditional four piece (guitar, keys, bass, drums) and swapped lead vocal duties around a bit. Their sound at Sam Bond’s Garage last night was a little too loud, but that’s definitely not the band’s fault. I think Sam Bond’s doesn’t seem to have the acoustics for rock bands (this issue spilled over into David’s set, too). Anyway, Headlights = good. Check ’em out! Here’s the video for their song “Secrets“:
David went on with his band a little after 10pm. His band this time around is Blake Wescott on guitar, Andy Fitts on bas, and Alex Wescoat on drums. The set was filled with songs from his most recent solo album, Curse Your Branches, as well as older material – including a nice collection of Pedro the Lion and Headphones songs. Outsider of the aforementioned curse that Sam Bond’s Garage has on rock bands’ sound, it was a highly enjoyable show. The mix of tunes and passion with which David sings is fun to take in.
Setlist: about 75 minutes
- I Do (Pedro the Lion)
- Transcontinental (Pedro the Lion)
- Man in Me
- Please, Baby, Please
- June 18, 1976 (Pedro the Lion)
- Q&A #1
- When We Fell
- Magazine (Pedro the Lion)
- How I Remember
- When They Really Get To Know You, They Will Run (Pedro the Lion)
- Q&A #2
- Shit Talker (Headphones)
- Harmless Sparks
- Fewer Broken Pieces
- Q&A #3
- Bands With Managers (Pedro the Lion)
- Bad Diary Days (Pedro the Lion)
- Cold Beer and Cigarettes
- I Never Wanted You (Headphones)
- Penetration (Pedro the Lion)
- In Stitches
- No Encore
Personally, ending the show with “In Stitches” is perfect. That song sunk in with me last fall, especially the last verse…
When Job asked you a question,
You responded, “Who are you
to challenge your creator?”
Well if that one part is true
It makes you sound defensive
Like you had not thought it through
Like you didn’t have an answer
Like you bit off more than you could chew
So, yeah, the well documented pivot from religious to questioner to agnostic suits Bazan’s songwriting especially well in my book.
more photos below
SO, if you haven’t gotten it already, go check out his new live in the studio recording from his Fall 2009 band tour. Bazan: Live at Electric Audio is a great recording, and it’s out on CD, vinyl, or digital only (for insane people):
The Appropriate Linkage:
Check out more tour dates below.
~Dan – np: Bill Frisell – Rambler 
DAVID BAZAN & HEADLIGHTS PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
Winter/Spring 2010 Tour Dates
- 03/03/10 Wed – Salem OR – Ike Box
- 03/04/10 Thu – Eugene OR – Sam Bond’s Garage
- 03/05/10 Fri – Sacramento CA – Blue Lamp
- 03/06/10 Sat – Visalia CA – Cellar Door
- 03/07/10 Sun – Santa Barbara CA – Soho
- 03/08/10 Mon – Long Beach CA – Alex’s Bar
- 03/09/10 Tue – Las Vegas NV – Beauty Bar
- 03/10/10 Wed – Phoenix AZ – Sail Inn
- 03/12/10 Fri – Norman OK – The Opolis
- 03/13/10 Sat – Springfield MO – Gallery Sounds
- 03/14/10 Sun – St Louis MO – Old Rock House
- 03/15/10 Mon – Newport KY – Southgate House
- 03/17/10 Wed – Nashville TN – Exit/In
- 03/18/10 Thu – Asheville NC – Grey Eagle
- 03/19/10 Fri – Columbia SC – New Brookland Tavern
- 03/20/10 Sat – Richmond VA – Alley Katz
- 03/21/10 Sun – Baltimore MD – The Ottobar
- 03/22/10 Mon – Philadelphia PA – First Unitarian Church
- 03/23/10 Tue – Brooklyn NY – Music Hall of Williamsburg
- 03/27/10 Sat – Grantham PA – Messiah College
- 03/28/10 Sun – Columbus OH – The Summit
- 03/29/10 Mon – Bloomington IN – The Bishop
- 03/30/10 Tue – Grand Rapids MI – Calvin College
- 04/01/10 Thu – Iowa City IA – The Mill
- 04/02/10 Fri – Urbana IL – Canopy Club
- 04/03/10 Sat – DeKalb IL – House Cafe
- 04/04/10 Sun – Milwaukee WI – Pabst
- 04/05/10 Mon – St. Paul MN – Turf Club
- 04/06/10 Tue – Fargo ND – The Aquarium
- 04/08/10 Thu – Missoula MT – The Palace
- 04/09/10 Fri – Spokane WA – Empyrean
- 04/10/10 Sat – Bellingham WA – Western Washington University
REVIEW: Dave Douglas @ PDX Jazz Fest (Portland, OR – 2/28/10)
Right on the heels of Portland Jazz Fest‘s Dave Holland Quintet and Pharoah Sanders, was Dave Douglas and his Brass Ecstasy band – the capper to the festival. I’d seen Dave Douglas four times before, twice with John Zorn‘s Masada quartet and twice with SF Jazz Collective (with Joe Lovano, Miguel Zenon and others). I was looking forward to seeing my first show with Dave Douglas as primary bandleader.
This new band of his features Dave Douglas on trumpet, Vincent Chancey on french horn, Luis Bonilla on trombone, Marcus Rojas on tuba, and Nasheet Waits on drums. Their debut album, Spirit Moves, came out last year, and it was in my Top 5 Instrumental Albums from 2009. Go get it!
They hit the stage shortly after 7:30pm and went right into the title track from their record, “Spirit Moves.” It’s a fun number and a great start to the set. Right after that, they did a lengthy version of “Bowie,” which is dedicated to Lester Bowie. It was fun to see that song breathe and take over the room. I’m also impressed by Luis Bonilla’s soloing on it. It has to be difficult to solo on a trombone…
The trombone, horn, and definitely tuba drive the sound of this band to a familiar New Orleans street band – which I’d imagine was what Dave Douglas was aiming his sights towards. Marcus Rojas also did some “tuba beat boxing” to mix things up.
I knew all of the songs they played, but luckily Dave announced them from the stage (yay, I didn’t have to keep them all up in my head)…
Setlist: about 90 minutes
- Spirit Moves
- Bowie
- I’m So Lonesome I Could Cry (Hank Williams)
- Fats
- Rava
- Awake Nu (Don Cherry)
- The Brass Ring (with drum solo)
- Mr Pitiful (Otis Redding)
- Encore: Twilight of the Dogs
All members got their fair share of solos. The drum solo on “The Brass Ring” was fantastic, and Dave Douglas’s trumpet solos were colorful and vibrant, as usual. Favorites of the night were the bebop of “Fats,” and the acrobatic trumpet on “Rava.” Dave played a lot of that song off mic, yet his sound carried throughout the room. Thank you Portland Jazz Fest! It was a wonderful weekend of great music. See you next year!
I took a few iPhone photos. I wish I was able to bring in my regular camera, as I was right up front and the iPhone only takes marginal photos at best (::sigh::). Anyway, check out my photos below, or check the link at the bottom for PDX Jazz’s Flickr photo stream.
DAVE DOUGLAS’ BRASS ECSTASY PHOTOS
these pictures are (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
For photos from this and other PDX Jazz shows, check out PDX Jazz’s flickr stream:
(photos by Fran Kaufman)
The Appropriate Linkage:
- Dave Douglas’s Site
- Dave Douglas on MySpace
- Greenleaf Music (Dave’s Record Label)
- PDX Jazz Fest
- Crystal Ballroom
- Oregon Music News‘s Review of the Show
~Dan – np: Susie Ibarra & Roberto Rodriguez – Electric Kulintang
REVIEW: Pharoah Sanders @ PDX Jazz Fest (Portland, OR – 2/28/10)
So, Pharoah Sanders is a legend. He’s played with jazz great John Coltrane, and his tenor sax work has eclipsed those around him. Free-jazzmaster Ornette Coleman referred to Pharoah as “probably the best tenor player in the world.” He has a large swath of albums over the past 5 decades. Passing up an afternoon concert at this year’s Portland Jazz Fest wasn’t an option. :)
I was just at the Newmark Theatre the night prior for the smokin’ Dave Holland Quintet show. My seat for Pharoah was is almost the exact same spot (L12 versus L11). I got a good spot right in the middle to check out Pharoah’s band: William Henderson on piano, Hans Glawischnig on bass, and Justin Faulkner on drums. After a short introduction, the band hit the stage – Pharoah in a bright purple shirt…
The feel of the show was all over the place. When Pharoah first started, it was quite remarkable. He doesn’t play in straight lines, but your mind tends to connect those lines right as his sax is connecting them for you. He seemed very much like a songbird who was free to sing what he wanted – but still very melodic. He was very much like a bridge between John Coltrane and the more free-jazz Ornette Coleman.
They started off the show with a 25+ minute “My Favorite Things.” Most of the rest of the 2+ hour show was the power trio of piano/bass/drums playing with Pharoah walking on and off stage and jumping in where he saw fit. His long disappearances were interesting, but a 70 year old jazz legend can do whatever he wants. :) On three of the songs, Portland (now New Orleans) saxophonist Devon Phillips came up and joined the band.
They played 6 or 7 tunes, and ended the show with an encore of “Save Our Children,” sung by Pharoah. 2 hours in total… utterly brilliant work from this master and his great band.
For photos from this and other PDX Jazz shows, check out PDX Jazz’s flickr stream:
(photos by Fran Kaufman)
The Appropriate Linkage:
- Pharoah Sanders’ Site
- Pharoah Sanders on MySpace
- PDX Jazz Fest
- PCPA – Newmark Theatre
- Oregon Music News‘s Review of the Show
~Dan – np: David Bazan – Curse Your Branches
REVIEW: Damien Jurado @ Mississippi Studios (Portland, OR – 2/27/10)
I’ve been into Damien Jurado since the late-90s when his first Sub Pop record came out. I’d only had a few chances to see him play live, but it never seemed to work out. This weekend, since I was already up in Portland for the PDX Jazz Fest, I figured I could swing on over to Damien’s show at the Mississippi Studios after the Dave Holland Quintet show.
While I was “studying” for this show, I listened to Damien’s most recent album, 2008’s Caught in the Trees. Wow. I was reminded why I like this guy so much. Great songwriting in an unassuming package. Clever and gritty/lo-fi, but well crafted, melodically framed songs… quintessential indie rock. Damien has the honesty and drive in his lyrics a la Elliott Smith and Pedro the Lion’s David Bazan. There must be something about the Pacific Northwest that brings these things out in songwriters.
On to the show…
I got there late due to Dave Holland’s killer show across town. John Vecchiarelli was nearing the end of his set, but I caught his last four songs. I really liked him. He had a genuine voice (kind of reminded me of Jeffrey Foucault). John is from Portland; so hopefully I’ll get a chance to see him again soon.
Next up were another Portland group, The Robinsons (formerly of Viva Voce). They were a nice indie rock / americana duo, also from Portland. I had heard a little bit of their Viva Voce music before, but not much. They were good, and had nice melodies. They were a little bit folky and a little bit rocky. I imagine a fuller band setting would suit them very well. They played a short set (only about 30 minutes). They have a new album coming out soon under the bank moniker Blue Giant.
Up next was Damien Jurado. While his latest album, Caught in the Trees, was a more collaborative trio effort, this show was just Damien with a guitar and two vocal mics. The first 5 songs were completely new, and it struck me to the genius that is Damien Jurado (song names complete guesses below). He is a pure songwriter. I didn’t know these songs from Adam, but they captivated me completely. They are for an upcoming album called Saint Bartlett (out in May), and it is a collaboration between Damien and Richard Swift.
He played some older songs, as well as a few Caught in the Trees songs as well… serious help on setlist needed. Any help?
Setlist: 80 minutes
- Beacon Hill (aka “Return to Me”) (new)
- Kansas City (new)
- “I Could Float” (new)
- Arkansas (aka “Fade Out”) (new)
- Wherever I May Lay (aka “Finally Tasted the Dawn”) (new)
- Abilene
- Denton, TX
- Ohio (false start) into “Sound of Settling” spoof of Ben Gibbard
- Ohio (false start again, Damien couldn’t stop laughing)
- Harborview (aka “speak for me, would you”)
- Ohio
- Sheets
- Pear (new)
- I Am Still Here
- “Diamond Sea” (new)
- “not the best time to fall to pieces” (song title unknown)
- The Killer
- Lose My Head
- Encore: Wyoming Birds (aka “sorrow replaced our joy”) (song title unknown)
- Caskets
- Paperwings
I hope he continues to tour, at least in Seattle and Portland (the “quiet crowd” towns).
The Appropriate Linkage:
REVIEW: Dave Holland @ PDX Jazz (Portland, OR – 2/27/10)
I got into Dave Holland around the same time as a lot of other jazz. I got into jazz through the backdoor (John Zorn) and then slowly moved into the more straight ahead jazz. I think I can officially blame Ken Laster and his In the Groove, Jazz and Beyond podcast for playing a lot of Dave Holland. Anyway, shortly after hearing Holland, I picked up Extended Play: Live at Birdland and Critical Mass. Both are great, but the latter is quite fetching. When I found out he was one of the headliners at this year’s Portland Jazz Fest, I was stoked.
I was equally stoked that he’d be bringing saxophonist Chris Potter and drummer Nate Smith with him. I saw Chris & Nate play in Cincinnati a few years back, and I loved both of them but was quite entranced with Nate’s drumming. His flow and style are a sight to behold.
Well, on to the show…
I missed PDX Jazz Fest last year. I was deeply entrenched in busy season at work (I’m a CPA), and perhaps there wasn’t as big of a draw in 2009 as in 2008 (SF Jazz Collective and Ornette Coleman). 2010, well, that’s another story… as I ended up staying the night to catch two shows on Sunday, too (check back for the Pharoah Sanders and Dave Douglas’ Brass Ecstasy reviews on Monday). Anyway, no cameras allowed. I took a couple with my iPhone, but they didn’t come out all that well; so, yeah, I’m not posting them.
The band went on around 7:40pm after a short introduction. The band was Dave Holland on upright bass, the aforementioned Chris Potter (sax) and Nate Smith (drums), along with Alex Sipiagin on trumpet and Steve Nelson on vibes. The first thing I noted was how Dave’s bass really breathed. There’s a reason why he’s a heavyweight in the jazz world. His tone, his swing, his lyricism – all very prevalent.
They started off with “Step To It,” which started with Nate Smith drumming barehanded and featured a massive Chris Potter solo, and was capped off with a great gentle back and forth between Dave and Nate. Here’s how it all went down last night…
Setlist: 95 minutes
- Step To It
- Last Minute Men
- Looking Up
- Cosmosis
- Make Believe
- Free For All
- Encore: Easy Did It
“Cosmosis” and the encore “Easy Did It” both featured great Dave Holland solos. On “Free For All,” Nate Smith drum solo was quite playful. He was going all out, and actually lost one of his drumsticks amidst his free for all. I haven’t mentioned Alex or Steve yet… both were great, but didn’t seem to take as many solos as Chris or Nate. Alex’s few solos were superb. I love some good trumpet music (hence my Sunday plans for Dave Douglas). Steve’s vibe work was great, moreso as a back-up for the band (his solos didn’t do much for me). I think as far as a quintet goes, I’d opt for piano over vibes (especially with an already powerful drummer on the stage).
All in all, Dave Holland reaffirmed his place with me as a force to reckon with. They played over an hour and half, and it seemed like it was about 20 minutes. It totally flew by and was highly energetic. I hope he brings this band around sometime soon!
For photos from this and other PDX Jazz shows, check out PDX Jazz’s flickr stream:
(photos by Fran Kaufman)
Well, off to the next show, Damien Jurado across town at the Mississippi Studios…
The Appropriate Linkage:
REVIEW: Medeski Martin & Wood @ McDonald (Eugene, OR – 2/25/10)
FYI… PHOTOS of the SHOW at the BOTTOM
This was my fourth time seeing the great trio of Medeski Martin & Wood… and the second time as an “evening with,” which tends to work out nicely for a weekday concert. No painful opener to sit through, and less likely a late show time.
We got to the venue only a few minutes before they went on. They came out around 8:20 and started off with one or two from Zaebos, their album from John Zorn‘s Masada Book Two: Book of Angels series. From there, they hopped right into a Medeski-keys-oriented tune and a more exotica piece. Overall, their show last night was definitely more of the MMW groove show, versus a improvisational MMW “messin’ around” kind of show. 
Sure, at one point illyB pulled out the ducks calls while Chris and John noodled around, but then they ripped right back into the more lyrical pieces.
McDonald had the floor set up with chairs for the evening, which was a shock for me. The crowd started out in chairs, but by the third song, they were moving up the aisles and dancing. 
When MMW came back out for the second set, it was pretty much a dance party… well, a dance party with a bunch of pesky chairs in the way.
I’ll post the setlist when/if I find it… again, I recognized a couple Zaebos tunes, 
plus I’m pretty sure they played “Amber Gris,” “Padrecito,” “Amish Pinxtos,” “Reliquary,” “Free Go Lily,” and a few more Radiolarians tracks. Don’t quote me on all of those songs, but it was definitely a Radiolarians-heavy show.
Setlist: (thanks, nastyshadows!)
- Set 1: Agmatia
- Pappy Check
- Broken Mirror >
- Disrobe >
- Open Improv >
- Padrecito
- Amber Gris
- Set 2: Free Go Lily
- Jean’s Scene
- Reliquary
- New Planet
- Cloud Wars
- Encore: Bass Solo >
- Chubb Sub
Two hour-long sets plus encore (which started out with a nice Chris Wood bass solo). Excellent show. Medeski Martin & Wood do not disappoint.
more photos below
The Appropriate Linkage:
- MMW’s Site
- MMW on MySpace
- Nov 2008 McDonald Theatre – Concert Review w/ Photos
- McDonald Theatre
Check out more tour dates below.
~Dan – np: Dave Holland Quintet – Critical Mass
MEDESKI MARTIN & WOOD PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
Higher Resolution (9 pics)
Limited to 1200 pixels wide or tall (21 pics)
February 2010 Tour Dates
- 17 – San Diego, CA – House of Blues
- 18 – Los Angeles, CA – El Rey Theatre
- 19 – Anaheim, CA – House of Blues
- 20 – Santa Cruz, CA – Rio Theatre
- 21 – San Francisco, CA – The Fillmore
- 23 – Petaluma, CA – The Mystic Theatre
- 24 – Crystal Bay, NV – Crystal Bay Club Crown Room
- 25 – Eugene, OR – McDonald Theatre
- 26 – Portland, OR – Roseland Theater
- 27 – Seattle, WA – Showbox at The Market
REVIEW: Van Dyke Parks with Clare & the Reasons @ Mississippi Studios (Portland, OR – 2/10/10)
FYI… PHOTOS of the SHOW at the BOTTOM
Van Dyke Parks is recognized around the world as a musical genius… he’s a brilliant session musician, composer, arranger, lyricist, and singer. He has contributed to many masterpieces (check out his rap sheet). He is most well known for his collaboration with Brian Wilson of the Beach Boys. While Brian is a prodigiously gifted composer, he was no lyricist, and needed one who could match the daring new music he was devising in his head. The result is their collaboration on the much vaunted SMiLE album.
I’ll admit, I’m not a fan of the Beach Boys. I just don’t care for their music. Well, I connected with Van Dyke Parks via a newer band… Silverchair (VDP did string arrangements for Diorama and Young Modern). Yeah, yeah… if you only knew them from 1995’s “Tomorrow” (from when they were 15 years old)… well, they’ve grown.
Anyway…
Van Dyke Parks rarely ever records or tours, putting at most one or two records per decade. When I heard about the shows via the Clare & the Reasons‘ email, I jumped at the chance of seeing both of these artists on the stage together. I had seen Clare & the Reasons open up for My Brightest Diamond back in Nov 2008, and I loved their French bohemian meets modern indie rock vibe.
There were only four shows slated for this rare double bill tour…
02.09.10 – Seattle, WA Triple Door
02.10.10 – Portland, OR Mississippi Studios
02.12.10 – San Francisco, CA Swedish American Hall
02.14.10 – Santa Monica, CA McCabe’s
This was only my second time up to the Mississippi Studios. I really like the intimate setting, even the crazy hovering piano. The last time I was there was for David Bazan in November. For the VDP & Clare show, I’m glad they had chairs down… whew. :)
Opener Josh Mease went on around 9pm and played 6 songs. He had a very gentle singer-songwriter style. His guitarwork was good, but his voice was simply superb (nice lyrics, too). Josh is on Frogstand Records, the same record label as Clare & The Reasons. I dug his own tunes more than the Randy Newman cover. For his last song, Clare & The Reasons came up to play with him…
Josh Mease’s Setlist: about 20 mins
- missing song name
- missing song name
- Marie (Randy Newman cover)
- Days Like This
- Eleanor
- Start Over (with Clare & The Reasons)
Clare & The Reasons stayed up after Josh’s last song and moved some instruments around (and subsequently lost a percussion brush). Off to a great start! :) They joked lightly about it and then… viola, they found it! Their set was a sandwich of Arrow songs, The Movie songs, and more Arrow songs.
Arrow came out late last year, but I didn’t get a chance to pick it up until yesterday. I also picked up Olivier Manchon’s brand new instrumental CD, Orchestre de Chambre Miniature Volume 1, with saxophonist John Ellis, Gregoire Maret (from a Herbie Hancock band), and more string and woodwind players. Check their albums out (click pictures below)…
What I love about the band is not just limited to Clare Manchon’s vocals, but also the wonderful multi-instrumentation from Olivier and the well rounded guitarist and upright bassist. The set was full of great percussion, strings, garbage ukelele, french horn, pizzicato strings, a borrowed saw, acoustic & electric guitars, and sublime vocals. Van Dyke Parks & Josh Mease joined them on stage for their next to last song… (apparently Bill Frisell also joined them on stage up at the Seattle show).
Clare & the Reason’s Setlist: about an hour
- You Got Time
- All the Wine
- Perdue A Paris
- Ooh You Hurt Me So
- Wake Up (You Sleepy Head)
- You Getting Me
- This Is The Story
- Alphabet City
- Pluton
- Pluto
- Our Team Is Grand
- Love Can Be A Crime (with VDP & Josh)
- That’s All (Genesis cover)
Van Dyke Parks came on after a short break. He was seated at the piano and brought The Reasons (sans Clare) as his backing band. They started out with a great instrumental piece. The rest of the songs we heard were poppier tunes with some great instrumentation (as expected). VDP is an amazing pianist and composer. His voice wasn’t superb or sublime, but it fit the songs. I wasn’t familiar with his songs, but of the ones he announced while we were there… Opportunity for Two, Orange Crate Art, and Sail Away.
VDP was also a great banterer in between songs. Usually short, but funny… one of my faves was “my wife thinks that ‘cook’ is a noun.”
We only stayed for half of his scheduled hour-long set (as we had a 2 hour drive back home), but it was a great set of tunes. If anyone has the complete VDP setlist, let me know.
many more photos below
The Appropriate Linkage:
- Van Dyke Park’s Site
- VDP on MySpace
- A VDP fan’s review of the show on Oregon Live
- Clare & The Reason’s Site
- Clare & The Reason on MySpace
- Josh Mease’s Site
- Josh Mease on MySpace
- Mississippi Studios
~Dan – np: Sade – Soldier of Love
VAN DYKE PARKS, CLARE & the REASONS and JOSH MEASE PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
REVIEW: The Album Leaf @ WOW Hall (Eugene, OR – 2/9/10)
FYI… PHOTOS of the SHOW at the BOTTOM
So, I just saw The Album Leaf & Sea Wolf show up in Portland on Friday. Last night’s show wasn’t much different… which means… highly enjoyable. Since I’m in the midst of “work a ton because I chose the path of becoming a CPA and now is the rough work schedule” month, I’ll keep my comments brief – but include setlists and photos, of course.
The main difference for the Eugene show was the lack of string quartet – but where I was in the crowd for the Portland show, I didn’t get much of the string quartet in my ears anyway. It was about a half-packed WOW Hall, which was good for a Tuesday. Sea Wolf was great. I was more familiar with their songs, and I really started digging them. Same 45 minute set as Portland.
Sea Wolf’s Setlist:
- White Water
- Winter Windows
- Dew in the Grass
- Black Leaf Falls
- Middle Distance Runner
- The Traitor
- O’ Maria
- Turn the Dirt Over
- Wicked Blood
- You’re a Wolf
The Album Leaf came on around 10pm. I could definitely hear more strings this time around, even though there was only the primary violinist and not a whole quartet. Again, that was more due to my location at Portland’s show. They played the same setlist as Portland. I was digging the new songs, as I had gotten a few days now to let the album sink in. I could tell Jimmy was having some problems with his in-ear monitor during a few songs. Overall, the sound quality wasn’t as good in Eugene as in Portland. I moved around the venue and it seemed way more bass heavy than is normal for TAL. All in all, though, a great set…
The Album Leaf’s Setlist:
- Perro
- Blank Pages
- There is a Wind
- Within Dreams
- Falling from the Sun
- Stand Still
- 2214
- Outer Banks
- Shine
- Until the Last
- We Are
- Almost There
- Wherever I Go
- Encore: Always For You
- Red Eye
- Tied Knots
many more photos below
Definitely check out The Album Leaf’s new album, A Chorus of Storytellers…
The Appropriate Linkage:
Check out more tour dates below.
~Dan – np: Sachi Hayasaka – Minga
THE ALBUM LEAF and SEA WOLF PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
The Album Leaf Spring 2010 World Tour Dates
- Feb 3: Sacramento, CA @ Harlows
- Feb 5: Portland, OR @ Doug Fir Lounge (w/Anomie Belle String Quartet)
- Feb 6: Seattle, WA @ Neumos (w/Anomie Belle String Quartet)
- Feb 7: Vancouver, BC @ Rickshaw Theater(w/Anomie Belle String Quartet)
- Feb 8: Bellingham, WA @ Nightlight Lounge
- Feb 9: Eugene , OR @ WOW Hall
- Feb 11: Santa Cruz @ The Crepe Place
- Feb 12: San Francisco, CA @ Great American Music Hall (w/Magik*Magik String Quartet)
- Feb 13: Los Angeles, CA @ El Rey Theater (w/Magik*Magik String Quartet)
- Feb 25: Lisbon, Portugal @ Lisbon Santiago Alquimista
- Feb 26: Madrid, Spain @ Moby Dick
- Feb 27: Bilboa, Spain @ 12 & Medio
- Feb 28: Barcelona, Spain @ Apollo 2
- Mar 2: Toulouse, France @ Le Phare
- Mar 3: Milan, Italy @ Circolo Milano
- Mar 4: Lucerne, Switzerland @ Sudpol Club
- Mar 5: Dunidgen (Bern), Switzerland @ @ Bad Bonn
- Mar 6: Sankt Gallen, Switzerland @ Theater Palace
- Mar 7: Munich, Germany @ Feierwerk
- Mar 9: Vienna, Austria @ Szene
- Mar 10: Dresden, Germany @ BeatPol
- Mar 11: Berlin, Germany @ Lido
- Mar 12: Hamburg, Germany @ Knust
- Mar 13: Rotterdam, Holland @ Rotown
- Mar 14: Koln, Germany @ Gebauude 9
- Mar 16: Antwerp, Belgium @ Club Trix
- Mar 17: Colmar, France @ Kraken
- Mar 18: Heidelberg, Germany @ Karlstorbahnhof
- Mar 19: Paris, France @ Maroquinerie
- Mar 20: Lille, France @ L’ Aeronef
- Mar 21: Bristol, UK @ The Thekla
- Mar 22 Manchester, UK @ The Deaf Institute
- Mar 23: London, UK @ Bush Hall
- Apr 2: Tokyo, Japan @ Shibuya Ax
- Apr 3: Nagoya, Japan @ Club Quatrro
- Apr 4: Osaka, Japan @ Club Quattro
- Apr 7: Hong Kong @ Grappa’s Cellar
- Apr 9: Taipei, Taiwan @ The Wall Live House
And just announced on Feb 3rd (and from Pollstar; so a different format)…
- Tue 04/20/10 – Tucson, AZ – Plush
- Wed 04/21/10 – Albuquerque, NM – Launchpad
- Thu 04/22/10 – Denver, CO – Bluebird Theater
- Fri 04/23/10 – Omaha, NE – The Waiting Room
- Sat 04/24/10 – St. Louis, MO – Luminary Center For The Arts
- Sun 04/25/10 – Chicago, IL – Lincoln Hall
- Tue 04/27/10 – Grand Rapids, MI – Ladies Literary Club
- Wed 04/28/10 – Toronto, ON – Lee’s Palace
- Thu 04/29/10 – Montreal, QC – Music Hall
- Fri 04/30/10 – Boston, MA – Paradise Rock Club
- Sat 05/01/10 – New York, NY – Bowery Ballroom
- Sun 05/02/10 – Philadelphia, PA – First Unitarian Church
- Tue 05/04/10 – Washington, DC – Rock And Roll Hotel
- Wed 05/05/10 – Carrboro, NC – Cat’s Cradle
- Thu 05/06/10 – Atlanta, GA – The Loft At Center Stage
- Fri 05/07/10 – Jacksonville, FL – Jack Rabbits
- Sat 05/08/10 – Orlando, FL – The Social
- Mon 05/10/10 – Baton Rouge, LA – Spanish Moon
- Tue 05/11/10 – Austin, TX – The Parish Room
- Fri 05/14/10 – San Diego, CA – Birch North Park Theatre
REVIEW: The Album Leaf @ Doug Fir Lounge (Portland, OR – 2/5/10)
FYI… PHOTOS of the SHOW at the BOTTOM
I got into The Album Leaf back in 2004 with In a Safe Place after hearing about the Sigur Rós collaborative songs (and Icelandic former-swimming pool studio). I’ve been a fan of frontman Jimmy LaValle ever since In a Safe Place, which also spanned into a love of his prior band, Tristeza. His mold of organically-infused electronic post-rock fits me well. I missed him on his last time through (Jan 2009); so I vowed not to let it happen again… so this time, I’m hitting both Portland and Eugene, Oregon.
We got to the venue, got our tickets and ran off to grab some unfortunately salty grub (East End Bar must own stock in Morton’s). After a speedy walk back, we arrived back at the Doug Fir shortly after Sea Wolf started . They are an indie rock band from Los Angeles, and played a solid 45 minute set…
Sea Wolf’s Setlist:
(as per stage copy)
- White Water
- Winter Windows
- Dew in the Grass
- Black Leaf Falls
- Middle Distance Runner
- The Traitor
- O’ Maria
- Turn the Dirt Over
- Wicked Blood
- You’re a Wolf
Sea Wolf reminded me a lot of Wilco… maybe it was singer/guitarist Alex Church’s vocals. They have a roots rock meets singer-songwriter vibe that hearkened to Wilco in my mind. They busted out a harder rock tune (in comparison to The Album Leaf), but also had nice cello throughout their set. Great opener… I’m looking forward to Eugene’s show to hear more.
After a short break (and a move to the front), The Album Leaf (aka TAL) came on. The Portland show featured the Anomie Belle String Quartet (shown at the left), which presumably added nice textures to the already large, six piece band. Where we were lopcated, we could barely hear them.
With this new album (see below), Jimmy opened up the recording to more than just himself as well. Previous records were more in the “one man band” realm, with a band assembled for tours. It was nice to the see the band that hit the studio with him on A Chorus of Storytellers play those same songs live. The band was Jimmy LaValle, Matt Resovich, Drew Andrews, Gram LeBron, Tim Reece, and Andrew Pates – all on various instruments.
Being the first time seeing TAL, I honestly had no idea what to expect. We lucked out in the placement department… as Jimmy’s gear was right in front of us.
I was skeptical if the studio lushness would translate to the stage. Quite frankly, I think the electronic post-rock goodness, complete with drum machine and a regular drummer, worked out fantastically. They played a lot of material from the new record, which fit in well with earlier songs…
The Album Leaf’s Setlist: about stellar 80 minutes
- Perro
- Blank Pages
- There is a Wind
- Within Dreams * fave of the night *
- Falling from the Sun
- Stand Still * fave of the night *
- 2214 * fave of the night *
- Outer Banks * fave of the night *
- Shine
- Until the Last
- We Are
- Almost There
- Wherever I Go
- Encore: Always For You
- Red Eye * fave of the night *
- Tied Knots
The band members switched around on instruments. Jimmy played several different keyboards, including a Moog and a modulator of some sort. Other members pitched in on keyboards when a violin, trumpet, small vibraphone, bass, or guitar weren’t in their hands. While I still associate TAL as a primarily instrumental band in my mind, their last few albums have had increasingly more vocals. I’d estimate a 1/3 to a 1/2 of the songs had vocals last night – covered by Jimmy, but with frequent backing vocals from various band members. My friend who went along with me commented that the songs seemed fairly similar throughout the show. Alas, I suppose that’s the rub with TAL, but I dug it fairly well.
many more live photos below
I’ll also be at the Eugene show on Tuesday; so check back for that review next week. Oh, and definitely check out The Album Leaf’s new album, A Chorus of Storytellers. I got it at the show, and it is fantastic!
The Appropriate Linkage:
- The Album Leaf’s Site
- TAL’s MySpace
- Sea Wolf’s Site
- Sea Wolf on MySpace
- Anomie Belle String Quartet on MySpace
- Doug Fir Lounge
Check out more tour dates below.
~Dan – np: The Album Leaf – A Chorus of Storytellers
THE ALBUM LEAF and SEA WOLF PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
The Album Leaf Spring 2010 World Tour Dates
- Feb 3: Sacramento, CA @ Harlows
- Feb 5: Portland, OR @ Doug Fir Lounge (w/Anomie Belle String Quartet)
- Feb 6: Seattle, WA @ Neumos (w/Anomie Belle String Quartet)
- Feb 7: Vancouver, BC @ Rickshaw Theater(w/Anomie Belle String Quartet)
- Feb 8: Bellingham, WA @ Nightlight Lounge
- Feb 9: Eugene , OR @ WOW Hall
- Feb 11: Santa Cruz @ The Crepe Place
- Feb 12: San Francisco, CA @ Great American Music Hall (w/Magik*Magik String Quartet)
- Feb 13: Los Angeles, CA @ El Rey Theater (w/Magik*Magik String Quartet)
- Feb 25: Lisbon, Portugal @ Lisbon Santiago Alquimista
- Feb 26: Madrid, Spain @ Moby Dick
- Feb 27: Bilboa, Spain @ 12 & Medio
- Feb 28: Barcelona, Spain @ Apollo 2
- Mar 2: Toulouse, France @ Le Phare
- Mar 3: Milan, Italy @ Circolo Milano
- Mar 4: Lucerne, Switzerland @ Sudpol Club
- Mar 5: Dunidgen (Bern), Switzerland @ @ Bad Bonn
- Mar 6: Sankt Gallen, Switzerland @ Theater Palace
- Mar 7: Munich, Germany @ Feierwerk
- Mar 9: Vienna, Austria @ Szene
- Mar 10: Dresden, Germany @ BeatPol
- Mar 11: Berlin, Germany @ Lido
- Mar 12: Hamburg, Germany @ Knust
- Mar 13: Rotterdam, Holland @ Rotown
- Mar 14: Koln, Germany @ Gebauude 9
- Mar 16: Antwerp, Belgium @ Club Trix
- Mar 17: Colmar, France @ Kraken
- Mar 18: Heidelberg, Germany @ Karlstorbahnhof
- Mar 19: Paris, France @ Maroquinerie
- Mar 20: Lille, France @ L’ Aeronef
- Mar 21: Bristol, UK @ The Thekla
- Mar 22 Manchester, UK @ The Deaf Institute
- Mar 23: London, UK @ Bush Hall
- Apr 2: Tokyo, Japan @ Shibuya Ax
- Apr 3: Nagoya, Japan @ Club Quatrro
- Apr 4: Osaka, Japan @ Club Quattro
- Apr 7: Hong Kong @ Grappa’s Cellar
- Apr 9: Taipei, Taiwan @ The Wall Live House
And just announced on Feb 3rd (and from Pollstar; so a different format)…
- Tue 04/20/10 – Tucson, AZ – Plush
- Wed 04/21/10 – Albuquerque, NM – Launchpad
- Thu 04/22/10 – Denver, CO – Bluebird Theater
- Fri 04/23/10 – Omaha, NE – The Waiting Room
- Sat 04/24/10 – St. Louis, MO – Luminary Center For The Arts
- Sun 04/25/10 – Chicago, IL – Lincoln Hall
- Tue 04/27/10 – Grand Rapids, MI – Ladies Literary Club
- Wed 04/28/10 – Toronto, ON – Lee’s Palace
- Thu 04/29/10 – Montreal, QC – Music Hall
- Fri 04/30/10 – Boston, MA – Paradise Rock Club
- Sat 05/01/10 – New York, NY – Bowery Ballroom
- Sun 05/02/10 – Philadelphia, PA – First Unitarian Church
- Tue 05/04/10 – Washington, DC – Rock And Roll Hotel
- Wed 05/05/10 – Carrboro, NC – Cat’s Cradle
- Thu 05/06/10 – Atlanta, GA – The Loft At Center Stage
- Fri 05/07/10 – Jacksonville, FL – Jack Rabbits
- Sat 05/08/10 – Orlando, FL – The Social
- Mon 05/10/10 – Baton Rouge, LA – Spanish Moon
- Tue 05/11/10 – Austin, TX – The Parish Room
- Fri 05/14/10 – San Diego, CA – Birch North Park Theatre
REVIEW: Popovich Comedy Pet Theater @ the Hult (Eugene, OR – 1/31/10)
FYI… A FEW PICTURES from the HULT SHOW at the BOTTOM
So, we got the flyer for the Popovich Comedy Pet Theater in the mail and had to go. It’s sponsored by Greenhill Humane Society – a great pet-friendly organization in Eugene. The show started at 2:30pm and was the same day as the Oregon Truffle Festival. Ack! Quandary! We opted hit the OTF 2010 beforehand. Amazing time at OTF, as usual. Check out my review of last year’s Oregon Truffle Fest, including the Lagotto Romagnolo (truffle dog) demo.
Anyway, back to Popovich… or as I like to call it… Pupovich…
Gregory Popovich has been featured on tons of television shows (Leno, Letterman, America’s Got Talent, et cetera), featuring his amazingly trained pets (all rescue animals – even the geese). Most notably, he has actually managed to train house cats to do tricks.
Let me let that sink in for you.
House cats. Here’s a USA Today article/interview with Gregory with a cat-training Q&A.
The show started shortly after 2:30pm… with a little doggie announcer (see video below). The first set was about 45 minutes until the intermission. It was jam packed with juggling, acrobatics, tight-rope walking animals, and more. Some of my favorite bits were the train intro (cute stuff going on), the snowy park scene, and the class scene (full of about 8 dogs). The end of the train scene with the dog dressed up as an elephant was hilarious. I’m more of a dog fan; so the way they were all working together with Gregory in the class scene was really cute. The dog & cat interaction during the snowy park scene was also really endearing.
(more pictures below)
The second set (about 30 minutes) started off with a cute doggie balloon soccer game. Up next was an adorable doggie medical clinic set, followed by impressive human rope jumpers. The finale was the cat show… about a dozen cats climbing posts, jumping through hoops, tight rope walking, parallel bar work, and all around being cats! At the end one of the cats didn’t want to leave; so Gregory brought out a dog and it got on its hind legs, and then the cat jumped on its shoulders and rode away on the walking dog.
Overall, the afternoon was highly entertaining and adorable! If you are in Vegas or if the Popovich Comedy Pet Theater comes to your town… go!
The Promo Reel:
Now, we need to get our cute, but lazy, dog to do some tricks…
The Appropriate Linkage:
- Popovich Comedy Pet Theater
- Greenhill Human Society (Eugene, OR)
- The Hult Center
- The Oregon Truffle Festival
~Dan – np: Mycale play John Zorn’s Masada Book Two: Book of Angels, Vol. 13 – Mycale
POPOVICH COMEDY PET THEATER PHOTOS
all pictures (cc) 2010 Margaret O’Brien,
you may use freely under a creative commons attribution
(click for larger)
Limited to 1200 pixels wide or tall (8 pics)
REVIEW: Bill Frisell Trio @ the Shedd (Eugene, OR – 1/23/10)
FYI… PHOTOS of the SHOW at the BOTTOM
I saw Bill Frisell about a year and a half ago with Eyvind Kang & Rudy Royston… fantastic show, but more on the experimental, avant-garde edge (my review of that June 2008 show). Last night’s show was a trio of guitarist Bill Frisell with bassist Tony Scherr and drummer Kenny Wollesen (Sex Mob, Electric Masada, etc):
They hit the Shedd stage around 7:30pm. Differing from the retro live photo above, Tony Scherr was on electric bass. Kenny Wollesen played a standard kit, and Bill Frisell had a few guitars, pedals, gear to loop his sounds… and a big screen above them to show the congruous films as they played.
At the beginning of the show, Bill explained the accompanying film pieces: four by Seattle animator Jim Woodring, one by Bill Morrison, and two Buster Keaton classics. The band started out with a Jim Woodring computer animation – all black and white, but with many interesting, morphing shapes. The music started off slow, had some interesting wandering scales with a nice build and finish. The animation was quite enveloping, and the 10 minute piece seemed to fly by…
I was only allowed to take photos for the initial fifteen minutes, but the rest of the Woodring cartoons were somewhat related to the initial computer animations – 
many of the same morphing shapes show up, whether in a character, a beer tap, or a lamp. The primary character in the animations was “Frank.” We follow him around in his travels that either end in a big mess, a violent picnic, or death.
The second Woodring piece introduced us to the aforementioned “Frank.” He tooled around his house and then went up into the hills to some odd looking palace, and when he returned, his house had been ransacked by some fat, troll-like human character. The animation appeared to be paper-based stop-motion animation. The music had a Floratone or possibly Disfarmer feel… I actually recognized the melody that Bill played midway through, but can’t place it now.
The third piece was another Woodring “Frank” animation, but this time with either colored paper or possibly fabric animation. 
The setting was a picnic and got fairly violent near the end. The piece was shorter (maybe 5 minutes), which led into the fourth and final Woodring piece… a claymation “Frank” with a devil-type character. The music had a nice groove, and the animation ended with the beer tap looking piece of furniture tipping over to expose the phrase “And You Call Yourself a Gentleman.”
Up next were three silent films… and quite frankly, I lost the music in the viewing. I think the music worked really well and enhanced the pieces, but it definitely fell to the background of what I was paying attention to …
The first was a short film called The Mesmerist by Bill Morrison featuring a re-worked 1926’s film The Bells which featured Boris Karloff. It had been altered from the original, and I’m not sure what was part of the original and what was part of the re-imagining. It started with a very old, sepia & scratchy feel and grew into more animated splotches. The storyline is of an innkeeper who murders a rich visitor and is haunted by the murder he committed.
Up next were two Buster Keaton films… The High Sign (1921) and One Week (1920)…
Each film was in the 15-20 minute range. I was quite amazed at Buster’s utterly ingenious physical comedy. I was familiar with his work a little bit (trumpeter Dave Douglas and his Keystone band has used Buster Keaton in the past). The first one was a gangster caper with a really basic (but stupendous) cross-section of a house with tons of trap doors and moving walls. The second one was of a cheap home that was hurriedly built after a wedding with hilarity ensuing. For the video (with non-Frisell music) check out YouTube of The High Sign and of One Week.
Seven songs, 90 minutes… the Trio took a bow and left the stage. They hit the stage one last time for a short animation of Woodring’s Frank called Whim Grinder:
I enjoyed the film and animation accompanying Frisell’s music; though, I’ll say again that the music really dropped to the background on some of the wild imagery of the Frank cartoons and storylines & physical comedy going on in the films. Upcoming tour dates of Frisell’s include Eyvind Kang/Rudy Royston dates, some Ron Carter/Paul Motion dates, some 858 Quartet dates, and these Scherr/Wollesen dates (which would presumably feature the films/animations as well)…
- 1/24/2010 – Seattle, WA – Triple Door
- 4/2/2010 – Savannah, GA – Savannah Music Festival at Charles Morris Center
- 4/3/2010 – Savannah, GA – Savannah Music Festival at Charles Morris Center
The Appropriate Linkage:
- Bill Frisell’s Site
- Bill Frisell on MySpace
- Tony Scherr’s Site
- Tony Scherr on MySpace
- Jim Woodring – Animator
- The Shedd Institute
BILL FRISELL TRIO PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
Limited to 1200 pixels wide or tall (10 pics)
REVIEW: Fulero + Day’s Elliott Smith Tribute @ Sam Bond’s (Eugene, OR – 1/23/10)
I had two shows last night… first was the Bill Frisell Trio. I’ll post that review later today (or first thing Monday morning). After the show I rode over to Sam Bond’s Garage and got there right around 9:30. There was Elliott Smith music already going on. I was confused, as I knew the band was supposed to be a duo, but this was just one guy doing Elliott Smith tunes. I found at after the fact that I had walked in on the first song (yay!). I guess the Elliott Smith tribute duo of Fulero + Day had an Elliott Smith solo tributer go before them. I caught him name as Scotty Paray, but the spelling may be suspect. No doubling up on songs, from what I stuck around for…
Scotty Paray’s Setlist
- Son of Sam
- Can’t Make a Sound
- Happiness
- Alameda
- A Living Will
- Miss Misery
Scotty was good, switched between keyboard and guitar. Perhaps not all that strong in the vocal category, but Elliott’s songs shone through, and Scotty’s effort was evident (the crowd was a bit noisy/talky, though). Fulero + Day came on shortly after Scotty was done. It was Asher Fulero on keyboard and Nathan Day on guitar. They switched off in the vocal category. Great tribute, and again, despite the noisy crowd, Elliott’s songs shone through.
Fulero + Day’s Setlist
- Pretty (Ugly Before)
- Bottle Up and Explode
- No Name #4
- Clementine
- Rose Parade
- Sweet Adeline
- Coast to Coast
- Baby Britain
- Somebody’s Baby
- (…the show continued whereas I didn’t…)
I left around 10:30pm… partly because it had been a long day, but a lot to do with the annoying, loud & talky crowd. I caught an hour of great songs that made me remember seeing Elliott play many of them himself back in 2000 at Southgate House in Newport, KY. He is missed.
The Appropriate Linkage:
~Dan – np: Wayne Shorter – Juju
Favorite Concerts of 2009
Well, this year’s concert seasons were especially good to me… 365 days, 70 shows, 119 artists, 1 wine-tasting rock show, many long nights driving home, and a lot of photos…
My favorite concerts of 2009:
- Maynard James Keenan’s Puscifer (2 nights) :: Roseland Theater :: Portland, OR {14&16 Nov} [reviews with pictures – night #1 & night #2]
- Nellie McKay & the Aristocrats :: Dimitriou’s Jazz Alley :: Seattle, WA {20 Oct} [review with pictures]
- dredg :: Hawthorne Theatre :: Portland, OR {3 Apr} [review]
- Holy Fuck :: Doug Fir Lounge :: Portland, OR {4 Jun} [review with pictures & video]
- The Swell Season :: McDonald Theatre :: Eugene, OR {23 Nov} [review with pictures]
- Zappa Plays Zappa :: Hawthorne Theatre :: Portland, OR {2 Jan} [review]
- Flight of the Conchords & Arj Barker :: Arlene Schnitzer Hall :: Portland, OR {14 May} [review]
- SFJazz Collective 2009 with Dave Douglas, Joe Lovano, Miguel Zenon, and more focusing on the music of McCoy Tyner :: The John G. Shedd Institute for the Arts :: Eugene, OR {19 Mar} [review with pictures]
- Opeth & Enslaved :: Roseland Theater :: Portland, OR {12 May} [review]
- The Melvins (2 sets) :: John Henry’s :: Eugene, OR {9 Aug} [review with pictures]
- My Weekend with Peter Mulvey & Krista Detor :: Alberta Street Pub/Sam Bond’s Garage :: Portland/Eugene, OR {7&8 Nov} [review with pictures]
- Hiromi’s Sonicbloom :: Dimitriou’s Jazz Alley :: Seattle, WA {16 Jun} [review with pictures]
- David Bazan (of Pedro the Lion) :: House Show :: Eugene, OR {25 Jul} [review with pictures]
- Madeleine Peyroux :: The John G. Shedd Institute for the Arts :: Eugene, OR {25 Mar} [review]
- Patton Oswalt :: Newmark Theatre :: Portland, OR {13 Sep} [review]
Runners-Up: Emily Wells & PCP at Cozmic, UofO’s Percussion Ensemble Tribute to Frank Zappa, David Cross at Newmark, Porcupine Tree & That1Guy at Roseland (Portland), Wynton Marsalis and the Lincoln Center Jazz Orchestra at Hult Center, and Spinal Tap at Paramount (Seattle).
Biggest Disappointments: missing Zappa Plays Zappa in Eugene in late November due to them getting stuck in California due to snow, missing Tristeza in Portland in early December due to a bad sinus infection, missing Melt Banana in Portland due to freezing rain & fog, seeing Yann Tiersen play an utterly dreadful show in Portland, and not seeing Over the Rhine for the 2nd year in a row (we’ll have to make up for it in 2010).
And to end on a positive note…
My favorite concert photos of 2009: (in no particular order)
- The Swell Season in Eugene
- Sweethead, opener for Puscifer in Portland
- Carina Round and Maynard James Keenan behind their boxes for Puscifer in Portland
- Sin Fang Bous, opener for Múm in Portland
- Hildur Guðnadóttir of Múm screaming her heart out in Portland
- Nellie McKay in Seattle
- Aimee Mann smiles in Portland
- Sara Watkins of Works Progress Administration in Eugene
- Alice in Chains iPhone shot in Portland
- Gavin from dredg moves too fast for me in Portland
- King Buzzo of The Melvins in Eugene
- Zoë Jakes dancing with Beats Antique in Eugene
- Jerry Gaskill’s stick action with King’s X in Portland
- Brian Borcherdt of Holy Fuck in Portland
(all images are free to use under a creative commons designation, simply identify Daniel Temmesfeld with a photo credit and link to jazzsick.wordpress.com)
Past Favorite Concerts Lists:
Favorite music of 2009 will be coming the week of Dec 28th… EPs/DVDs/etc, vocal albums, instrumental albums, artists of the decade…
~Dan – np: Anthony Coleman – Freakish: A Tribute to Jelly Roll Morton
REVIEW: The Swell Season @ McDonald Theatre (Eugene, OR – 11/23/09)
FYI… PHOTOS of the SHOW at the BOTTOM
Like mostly everyone who is into The Swell Season (Glen Hansard of The Frames with Markéta Irglová), I got into them via the movie ONCE. They came through Eugene after I had moved to town, but before I had gotten into them. My brother made me watch it when we were home for my other brother’s wedding (July 2008), and I suppose I should thank him for that. With The Swell Season’s original 2009 Strict Joy tour date press release, they didn’t have a Eugene date, but I’m glad they added one…
The opener was Doveman‘s frontman Thomas Bartlett. He played about a half of an hour of whispy piano tunes. He seemed slightly shy, rarely looking towards the crowd… but maybe that’s just his style or how the piano was set up for him. Due to his whispy vocals, he struck me as similar to Jeff Hanson or slimmer, beardless Sam Beam of Iron & Wine – but on piano. He’s worked with The Frames, Swell Season, Antony & the Johnsons, Laurie Anderson, Arto Lindsay, The National, and Yoko Ono in the past – so that put him in my “he’s cool” book. Songs he played included “Angel’s Share ” (about whisky), “The Burgundy Stain” (about wine), and a medley to the Footloose soundtrack. The Footloose songs were fantastically mournful and sad. Classic!
The show opened with Glen and Markéta coming out and crouching down in front of the center mic. I wasn’t close enough to see if someone was playing the electronics / keyboards, but they started out with “Fallen From the Sky” – staying crouched down for the whole song. Luckily that didn’t continue for the rest of the show (or my continued photos would have been lame). :)
After the initial song, the band came out. The band was made up of the rest of The Frames, Glen’s band that was the precursor to Once and The Swell Season. I’m very rapidly becoming a serious fan of Glen’s vocals… which I suppose means that I need to get The Frames’ back catalog. Vocally Glen reminds me a lot of my buddy, Ashley Peacock. Most of the set was Glen on vocals, but Markéta covered lead vocals for “If You Want Me,” “Fantasy Man,” and “I Have Loved You Wrong.” As far as most powerful vocal performance… I’ll have to go with “Say It To Me Now,” where Glen played solo and off microphone. A few songs later, Glen was killin’ his guitar on Van Morrison’s “Astral Weeks,” and he shredded at least a couple of strings – luckily his roadie was on top of things and brought out a replacement guitar right away.
Setlist: just over 2 hours
- Fallen From The Sky
- Lies
- Low Rising
- In These Arms *a fave of the night*
- The Rain *a fave of the night*
- The Moon
- If You Want Me
- Fantasy Man
- Say It To Me Now (Glen solo, off mic) *a fave of the night*
- Leave
- Lay Me Down
- Astral Weeks [Van Morrison]
- The Blue Shoes (Colin solo violin song)
- I Have Loved You Wrong
- Once *a fave of the night*
- When Your Mind’s Made Up *a fave of the night*
- Encore: Falling Slowly *a fave of the night*
- High Hope (new song)
- High Horses
- Broken Hearted Hoover Fixer Sucker Guy
- It All Falls Down (with Doveman)
- Red Chord [The Frames]
- The Parting Glass [The Clancy Brothers]
After leaving the venue, I bet everyone thought they got their money’s worth… a great show, great vocals by Glen & Markéta. While I know this was a break-up record of sort, I’m glad that they’re still able to work together. And while it may be a long shot, I hope they do continue to work together in the future.
many more pictures below
The “Low Rising” video directed by Sam Beam (from Iron & Wine):
The Swell Season’s new record, Strict Joy, is better than the Once soundtrack, if you ask me. You can get it at Amazon below:
The Appropriate Linkage:
- The Swell Season’s Site
- The Swell Season on MySpace
- Jason Segel guesting with Swell Season (in L.A.) (youtube link)
- The Frames’ Site
- The Frames on MySpace
- Doveman’s Site
- Doveman on MySpace
- McDonald Theatre
Check out more tour dates below.
~Dan – np: Pearl Jam – Backspacer
THE SWELL SEASON & DOVEMAN PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
Higher Resolution (8 pics)
Limited to 1200 pixels wide or tall (30 pics)
Tour Dates
1 – Milwaukee, Wisc. @ The Pabst
2 – Indianapolis, Ind. @ Clowes Memorial Hall
3 – Toronto, Ontario @ Massey Hall
4 – Montreal, Quebec @ L’Olympia de Montreal
6 – Boston, Mass. @ Berklee College of Music Performance Center
7 – Providence, R.I. @ Lupo’s Heartbreak Hotel
8 – Philadelphia, Pa. @ Merriam Theater
9 – Washington, D.C. @ 9:30 Club
12 – New Orleans, La. @ House of Blues
13 – Houston, Texas @ Warehouse Live
14 – Dallas, Texas @ Palladium
15 – Austin, Texas @ Paramount Theatre
17 – Mesa, Ariz. @ Mesa Arts Center
18 – Los Angeles, Calif. @ The Wiltern
20 – San Francisco, Calif. @ The Paramount
22 – Seattle, Wash. @ The Paramount
23 – Eugene, OR @ McDonald Theatre
24 – Portland, Ore. @ Crystal Ballroom
25 – Vancouver, B.C. @ Centre in Vancouver for Performing Arts
27 – Boise, Idaho @ Egyptian Theatre
28 – Salt Lake City, Utah @ Jeanne Wagner Theatre
29 – Denver, Colo. @ Ogden Theatre
30 – Kansas City, Mo. @ Uptown Theater
December 2009
3 – Chicago, Ill. @ Auditorium Theatre of Roosevelt University
4 – St. Louis, Mo. @ The Pageant
5 – Minneapolis, Minn. @ State Theatre
REVIEW: Maynard James Keenan’s PUSCIFER 2nd night @ Roseland (Portland, OR – 11/16/09)
FYI… PHOTOS of the SHOW are at the BOTTOM
Maynard’s voice shines on Night 2…
Saturday’s Puscifer show (review link) was fantastic, and I happened to be up in Portland for a work training session; so, what the hell… let’s do this again! I heart Maynard!
No wine tasting (for me) this time… in fact, for a more detailed review, definitely check out Saturday’s show review. Monday, I showed up around 8pm and got situated near the front of the general admission section.
Sweethead opened the show again. I switched up where I took in their music this time… I could definitely hear the guitars better, but the vocals were a little muddy until midway through their set. I liked them. Troy’s a good guitarist, and Serrina has some nice energy (ok, and nice legs, too). :)
This was their last night as support for Puscifer, and Troy took a dive into the drum set at the end… crash! buzz!
After Troy and Serrina got up, they left the stage – guitar still buzzing. As the crew pulled Sweethead’s gear and monitors off the stage, they lifted up a large black sheet to hide the stage (something new compared to Saturday night)…
I had seen on setlist.fm that the two nights in the same city had differing set lists, and Portland was no exception. Where Saturday was more of the blasphemy day to kick things off, Monday was… well… at 9pm, then the sheet came down, it looked like it was a camping theme (complete with fake fire). Maynard was inside the tent, and they had him projected on the screen behind him. After some bullshitting, he finally came out to start the show properly…
The stage seemed darker, but at least Maynard was out there for the two songs of which I was allowed to take photos. Both he and Carina were obfuscated again behind the video boxes, which is an oddity fitting of Maynard’s persona. Overall, I think Monday night’s show featured Maynard’s voice better – though the song selection wasn’t much different (other than order). The video breaks were completely different… comedic pitchmen trying to sell reality television concepts to Maynard – who wasn’t paying too well of attention and always got the concept wrong. Hilarity ensued, of course.
Here’s what they played among the campfire and sleeping bags…
Setlist: 90 minutes or so [compare sets with Night #1]
- Rev 22:20
- Drunk With Power
- (Video Break 1)
- Indigo Children
- Trekka
- Potions
- (Video Break 2)
- Momma Sed (with Tim Alexander as a Portland stripper)
- Vagina Mine
- Dozo
- The Undertaker
- (Video Break 3)
- Polar Bear
- Sour Grapes
- Queen B
- The Mission (featuring Carina Round)
- The Humbling River
- No Encore
Maynard’s voice sounded especially great on Indigo Children, Potions, Momma Sed (seemed slower/mellower than Saturday), Polar Bear, and The Humbling River. I’m really digging the new EP’s material… and I’m looking forward to more digital EPs, physical CDs, whatever Maynard wants to throw at us!
more pictures at the bottom
You can get Puscifer’s music via the pictures below:
You can grab some of Maynard’s wines (if you are lucky to be in the shipping area) via this:
The Appropriate Linkage:
- Puscifer’s Site
- Maynard / Puscifer on MySpace
- Caduceus Wine
- Carina Round’s Site
- Carina Round on MySpace
- Tool on MySpace
- Sweethead’s Site
- Sweethead on MySpace
- Spin‘s San Diego Review (Oct 31st)
- My review of Portland Night #1
- Roseland Theater
Check out the Puscifer tour dates below.
~Dan – np: The Swell Season – Strict Joy
PUSCIFER & SWEETHEAD PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
Higher Resolution (9 pics)
Limited to 1200 pixels wide or tall (43 pics)
Tour Dates
- 10/29/09, Las Vegas, NV (The Pearl, Palms Casino)
- 10/31, San Diego, CA (Spreckels Theatre)
- 11/1, San Diego, CA (Spreckels Theatre)
- 11/4, Oakland, CA (Fox Oakland Theater)
- 11/5, Oakland, CA (Fox Oakland Theater)
- 11/7, Stockton, CA (Bob Hope Theatre)
- 11/10, Seattle, WA (Moore Theatre)
- 11/11, Seattle, WA (Moore Theatre)
- 11/13, Vancouver, BC (Centre For the Performing Arts)
- 11/14, Portland, OR (Roseland Ballroom)
- 11/16, Portland, OR (Roseland Ballroom)
- 11/17, Salt Lake City, UT (Capitol Theatre)
- 11/18, Salt Lake City, UT (Capitol Theatre)
- 11/20, Denver, CO (Paramount Theatre)
- 11/21, Denver, CO (Paramount Theatre)
- 11/24, Dallas, TX (McFarlin Memorial Auditorium)
- 11/25, Dallas, TX (McFarlin Memorial Auditorium)
- 11/27, Houston, TX (Jones Hall for the Performing Arts)
- 11/28, San Antonio, TX (Majestic Theatre)
- 12/1, El Paso, TX (Abraham Chavez Theatre)
- 12/3, Phoenix, AZ (Orpheum Theatre)
- 12/4, Phoenix, AZ (Orpheum Theatre)
REVIEW: Maynard James Keenan’s PUSCIFER 1st night @ Roseland (Portland, OR – 11/14/09)
FYI… PHOTOS of the SHOW at the BOTTOM
Wine followed by Maynard’s blasphemous vaudeville show… Wow.
So, I’ve been a fan of Maynard James Keenan‘s vocal since the first utterances I heard from his “main band” TOOL. I loved his work with his first side-project, A Perfect Circle, especially the first album Mer de Noms. I was aware of Puscifer a while ago, as it started out as a “joke band” that debuted on a skit on Bob Odenkirk and David Cross’s Mr. Show on HBO (Maynard and Tool’s Adam Jones show up in a short clip). Never did I think that joke band name would turn into a real alter ego for Maynard himself, he’d release an album and a batch of remix EPs, and then hit the road!
So, for this 1st Portland show, I bought the VIP ticket which included a meet & greet and wine tasting (I didn’t do that for Portland show #2 as I didn’t know I was going to be able to go until a few days ago). For those not in the know, Maynard has gotten into wine making the past few years. Back in Ohio, I could order the wine to be shipped to me, and I still have a couple bottles of the 2005 Merkin Vineyards Chupacabra sitting in my utility closet… um… I mean in my “wine cellar.” I haven’t been able to taste any of Maynard’s recent Caduceus wines, as unfortunately, they don’t have the ability to ship to Oregon (argh, free the grapes!).
The meet & greet and wine tasting started a little after 5pm. We got shuffled into the back room of Roseland’s downstairs bar. Todd (I didn’t catch his last name) is Maynard’s wine guy, or at least he’s a touring member of Maynard’s crew who knows a lot about the wine. He mentioned several times about being involved in the last A Perfect Circle tour – right around the time Maynard was getting started with vineyard purchases / development. Todd talked for about an hour and fifteen about the various wines, including the one we were tasting – the 2006 Merkin Vineyards Chupacabra (limited to 5,000 cases). The Chupacabra vintages are designed to be different, similar to the folk legend of the chupacabra. The 2006 is a blend of 36% cabernet sauvignon, 13% petite verdot, 22% syrah, 14% petite sirah (all sourced from Paso Robles), and 15% of an unknown grape (yeah, I’m an accountant and noticed the missing % on their info sheet).
(click for larger picture with autograph)
The Chupacabra is Maynard’s most “mass produced” wine, and current batches are in the 10,000 case range. We obviously didn’t get to try any of Maynard’s 20 case batch of very special Judith wines (grown at 5,000+ feet altitude with land spread with his mother’s ashes). Todd also spoke a little bit about current discussions with Whole Foods to get the wines distributed into Portland. He also mentioned a documentary, Blood Into Wine, about Arizona wines with a little bit of Maynard, Fairuza Balk, Milla Jovavich, Patton Oswalt, Bob Odenkirk, and others in the footage. It is expected to hit the Sundance Festival and some select theatres in Feb 2010.
After Todd’s info and Q&A session, he went to go get Maynard, who had just finished sound check. Maynard came down and walked around the room and individually handed each one of us a signed copy of the Puscifer debut album (V is for Vagina). He only very briefly chatted with folks. He asked me if I learned anything from the wine talk, to which I replied “yes, thank you.” That’s about the extent of my interaction with Maynard, but I thought it was wicked cool to receive a signed copy of the album directly from his hands. :) Since he’s a busy guy, he took off shortly after making his tour around the room.
I had to leave after the meet & greet to get some grub; so I walked over to my favorite, close-by vegan restaurant (represent!) until show time.
When I got back to the venue, I went over to get my photo pass. I had free reign for the opener’s set, but only allowed to snap photos for the first two songs of Puscifer’s set (more on that later)…
Sweethead was the opener. Sweethead is guitarist Troy Van Leeuwen (Queens of the Stone Age, Failure, A Perfect Circle) and lead vocalist Serrina Sims with Norm Block and Eddie Nappi from the Mark Lanegan Band. 
They were a good rock group and played about a half of an hour. I was in a place in the venue (front / center) where the sound usually isn’t the best. My spot will be likely different for Monday’s show.
I think every time I’ve seen a Maynard band (three times for Tool and A Perfect Circle each), the opener has either been a Mike Patton-related band (Tomahawk, or on his label Ipecac – Isis & The Melvins) or a Ken Andrews-related band (Year of the Rabbit and now Sweethead is connected to Ken via one step with Troy and Failure). I’m not complaining, as I love Patton and Failure-related projects. I dug Sweethead… hopefully I’ll get a better feel for their sound on Monday.
Puscifer‘s set started with a video Maynard’s Major Douché character barking orders at us. Shortly thereafter, with band in place, Maynard wheeled out on a Segway in his horrible comb-overed, bedazzled sweat pants wearing preacher and kicked into “Sour Grapes.” This kick-off was a not-so-subtle hint that it was going to be a crude, blasphemous vaudeville experience – not your typical rock show.
As I only had photo privileges for the first two songs, I snapped away. Unfortunately, Maynard was off changing during the second song, “Rev 22:20” – so I resorted to snapping away at the band. I’m hoping Monday’s set, I get some more non-be-sweatpants‘ed Maynard. The security guards were quite adamant and nabbing people’s cellphones; so I’m definitely grateful to Maynard’s publicist for getting me the hook-up for these Portland shows.
I didn’t catch all of the band members’ names… but I do know that Carina Round covered the female vocals, and did a smash up job on “The Mission,” which model/actress Milla Jovavich sang on the studio version. Primus drummer Tim Alexander handled drums. Also in the band were two guitarists, an electronic & keyboards guy, and a percussionist. During the songs, if any individual band members wasn’t performing, they’d sit on the sofas or wander around and drink wine (which was laid out all over the stage) and munch on fruit, cheese and crackers. Also roaming around the stage was a cameraman dressed up as a ninja – which was later announced to be the one and only Meats Meier, Puscifer’s official CGI music video madman.
Here’s what they played…
Setlist: 90 minutes or so [compare sets with Night #2]
- Sour Grapes
- Rev 22:20
- (Video Break 1)
- Dozo
- The Undertaker
- Drunk With Power
- (Video Break 2)
- Momma Sed
- Indigo Children
- Vagina Mine
- (Video Break 3)
- Potions
- Polar Bear
- Trekka
- Queen B
- The Mission (featuring Carina Round)
- The Humbling River
- No Encore
I had heard some rumblings of people being disappointed in the past Puscifer shows. I think if you go in thinking it’s going to be a rock show (or a Tool show), you’re in it for the wrong reasons. I got to hear an hour and half of fun music and crazy ramblings, and I was thoroughly entertained. Monday promises to be different… I expect some country hee-haw may be on order…
more live photos at the bottom
You can get Puscifer’s music via the pictures below:
You can grab some of Maynard’s wines (if you are lucky to be in the shipping area) via this:
The Appropriate Linkage:
- Puscifer’s Site
- Maynard / Puscifer on MySpace
- Caduceus Wine
- Carina Round’s Site
- Carina Round on MySpace
- Tool on MySpace
- Sweethead’s Site
- Sweethead on MySpace
- Spin‘s San Diego Review (Oct 31st)
- My review of Portland Night #2 (Nov 16th)
- Roseland Theater
Check out the Puscifer tour dates below.
~Dan – np: The Swell Season – Once
PUSCIFER & SWEETHEAD PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
Higher Resolution (10 pics)
Limited to 1200 pixels wide or tall (49 pics)
Tour Dates
- 10/29/09, Las Vegas, NV (The Pearl, Palms Casino)
- 10/31, San Diego, CA (Spreckels Theatre)
- 11/1, San Diego, CA (Spreckels Theatre)
- 11/4, Oakland, CA (Fox Oakland Theater)
- 11/5, Oakland, CA (Fox Oakland Theater)
- 11/7, Stockton, CA (Bob Hope Theatre)
- 11/10, Seattle, WA (Moore Theatre)
- 11/11, Seattle, WA (Moore Theatre)
- 11/13, Vancouver, BC (Centre For the Performing Arts)
- 11/14, Portland, OR (Roseland Ballroom)
- 11/16, Portland, OR (Roseland Ballroom)
- 11/17, Salt Lake City, UT (Capitol Theatre)
- 11/18, Salt Lake City, UT (Capitol Theatre)
- 11/20, Denver, CO (Paramount Theatre)
- 11/21, Denver, CO (Paramount Theatre)
- 11/24, Dallas, TX (McFarlin Memorial Auditorium)
- 11/25, Dallas, TX (McFarlin Memorial Auditorium)
- 11/27, Houston, TX (Jones Hall for the Performing Arts)
- 11/28, San Antonio, TX (Majestic Theatre)
- 12/1, El Paso, TX (Abraham Chavez Theatre)
- 12/3, Phoenix, AZ (Orpheum Theatre)
- 12/4, Phoenix, AZ (Orpheum Theatre)
REVIEW: My Oregon Weekend with Peter Mulvey (11/7 & 11/8/2009)
FYI… PHOTOS of both SHOWS at the BOTTOM
I’ve been into Peter Mulvey for the past 10 years, right around when The Trouble With Poets came out. I used to be able to see him at least twice a year in Southwest Ohio (Canal Street Tavern, Southgate House, etc). Since moving to Eugene, Oregon, I’ve only had one opportunity. It was a great show, but I needed more… hence the need to drive up to Portland to see him before he hit my hometown the next day. :)
Alberta Street Pub (Saturday in Portland) was packed when I got there. I didn’t know it was an early show and I showed up right when Krista was going on. The venue was long and narrow… most of the seating was church pews (a la Dayton’s Canal Street Tavern). Given that fact, I gladly stood in back (church pews are horrid on my back). The acoustics in the room were good. The light wasn’t all that great… but I still got a few shots that ended up being decent (see below).
Sam Bond’s Garage (Sunday in Eugene) is a place I’ve been to many times. It is also dark; so I usually don’t bring my camera for shows. I was able to get a few shots, though. The plus of SBG for the Peter Mulvey weekend is that it seems more spread out compared to Alberta Street Pub… plus their beer selection is tops (Alberta seemed to have half of theirs socked up/out of stock). So, as far as venue winner… Sam Bond’s. But I’ll definitely hit Alberta again if a show suits me.
Krista Detor played about a 20-30minute set on both nights. She mainly played piano, but also pulled out the accordion for a song of her own (and one of Peter’s). Her songs that I caught in Portland… “Steal Me A Car”, “100 Years More,” “Mudshow,” “Early Grave,” and “Waterline.”
In Eugene, Krista played the same songs except she threw in “All to Do with the Moon” in between “Mudshow” and “Early Grave.”
Peter Mulvey was in a great mood in Portland. He had a shorter set due to a different show going on after him, but he was a graceful and funny as usual. Some of the best parts of the set were his banter in between songs… his bit on Sean Connery had me cracking up. How can someone with a speech impediment be so well known for his speaking roles? It was schplendid. Peter also went off on a riff about Sting that was also pretty funny, surrounding a “wet t-shirt” promo for a recent Saturday Night Live appearance. I think if Peter’s guitar and voice weren’t so grand, he could be a stand-up comedian. :)
He played a lot from his new album, but also a few older tunes and covers. He had some limited edition The Bicycle EPs for sale, and I snagged one for me and a couple friends. He also mentioned that next September (2010) he might bring his bike tour out to Oregon. Yippie! Anyway, here’s what he played on Saturday night…
Setlist (Portland 11/7): about 80 minutes
- If Love Is Not Enough
- Some People
- Kids In The Square
- Here In The Going Going Gone [Greg Brown cover]
- Letter From A Flying Machine
- “Sean Connery”
- Windshield
- The Knuckleball Suite (with Krista Detor)
- Shirt (with KD)
- “Sting SNL”
- Shoulderbirds (You Know Me) (with KD)
- Bears
- Sad, Sad, Sad, Sad (And Far Away From Home)
- (I Don’t Know Why) But I Do [Bobby Charles cover]
- Mailman
- Vlad The Astrophysicist
- On A Wing And A Prayer
- Encore: Our Love Is Here To Stay [Nat King Cole cover]
One food-related add-on… close to the Alberta Street Pub was a place called Grilled Cheese Grill. Holy cow… excellent stuff. It does for grilled cheese what Eugene’s Off the Waffle does for waffles. Yummy!
~*~*~*~
Eugene’s set was similar – Peter seemed to be in a pretty great mood. The crowd was much smaller than Portland, but I figured smaller market to pull from and Sunday night were a factor in that. I will say that I’m disappointed in Eugene a lot for not coming out to some great shows (I made my best attempt for last night). We did conjure up a trio of friends to join us, and there were some other definitely Peter Mulvey fans in the crowd – including a couple of teddy bear loving peeps (that was interesting, to say the least). My friendJenny asked me if teddy bears were a theme with Peter’s fans, to which I blurted out, “noooooo.” And then Peter announced the spoken word piece “Bears.” :)
Setlist (Eugene 11/8): about 90 minutes
- I’m Beginning To See The Light [Duke Ellington cover]
- Kids In The Square
- “Time Machine”
- Some People
- Letter From A Flying Machine
- Abilene (The Eisenhower Waltz)
- The Knuckleball Suite (with Krista Detor)
- Shirt (with KD)
- Shoulderbirds (You Know Me) (with KD)
- …Plus The Many Inevitable Fragments / Dynamite Bill
- Bears
- Moonshiner [Uncle Tupelo cover]
- Vlad The Astrophysicist
- On A Wing And A Prayer
- Encore: Sad, Sad, Sad, Sad (And Far Away From Home)
(We also caught a snippet of “Brand New ’64 Dodge” and “A Better Way to Go” in soundcheck.)
All in all, I think the Alberta show was my fave of the two, but both were fantastic. I hope Peter ventures out this way more often. He promised again to head out this way next year – and possibly via bike. It’ll be earlier in the year (September vs November). If you want to check out some of his stuff… his latest record, Letters From a Flying Machine, is excellent. I think it’s his strongest since 2000’s The Trouble with Poets. You can listen to some samples at Petermulvey.com (one free download) or Amazon (samples of all songs):
The Appropriate Linkage:
- Peter Mulvey’s Site
- Peter Mulvey on MySpace
- Krista Detor’s Site
- Krista Detor on MySpace
- Alberta Street Pub
- Shining City Music (promoter for the PDX show, she’s rad!)
- Sam Bond’s Garage
Check out more tour dates below.
~Dan – np: Galactic Cowboys – Space In Your Face
PETER MULVEY & KRISTA DETOR PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
Fall 2009 U.S. Tour Dates
- 11/7 PORTLAND, OR The Alberta Pub
- 11/8 EUGENE, OR Sam Bond’s Garage
- 11/10 ARCATA, CA Arcata Playhouse
- 11/11 BERKELEY, CA Freight & Salvage
- 11/12 FELTON, CA Don Quixote’s
- 11/13 SANTA MONICA, CA McCabe’s
- 11/14 SAN DIEGO, CA AcousticMusicSanDiego
- 11/20 BURLINGTON, VT UVM Recital Hall
- 11/21 FRAMINGHAM, MA Amazing Things Arts Center
- 12/1-2 FAIRBANKS, AK College Coffeehouse
- 12/3 TOK, AK Fast Eddy’s
- 12/4 TALKEEKTNA, AK Whole Wheat Radio
- 12/5 ANCHORAGE, AK Snow Goose Theatre
- 12/6 PALMER, AK Vagabond Blues
- 12/8 KODIAK, AK The Golden Anchor
- 12/10 CARBONDALE, CO Steve’s Guitars
- 12/11 DENVER, CO Swallow Hill
- 12/12 COLORADO SPRINGS, CO Friends House Concert
- 12/13 FORT COLLINS, CO Avogadro’s Number
- 12/15-19 FORT ATKINSON, WI Cafe Carpe
REVIEW: David Bazan Band @ Mississippi Studios (Portland, OR – 11/6/09)
FYI… PHOTOS of the SHOW at the BOTTOM
So, last night’s show could have been presented by “Keep Portland Beard.” Every member of both bands sported beards (which, to be fair, had some dual members). I think beards and indie rock are like eye shadow and goth. Except at least the women of indie rock don’t have beards (not that I know of at least).
I drove by the venue around “doors” time… and the line was part way down the block. Yikes. As I parked my car and walked to the venue, I spotted David Bazan and some of his posse hanging out by the nearby burrito cart. He was on his mobile; so I opted not to bug him.
After a delicious hummus plate washed down by a McTarnahan’s Amber, SAY HI started… I found my seat at the awesomely cozy Mississippi Studios.
Say Hi is a trio, and they played what I’d call “power pop indie rock.” I mean, that’s my best explanation… very catchy, hooky – yet retaining that gristle and DIY charm of a touring group of guys. While Say Hi didn’t have the one-two writing & vocal punch of Neil Gust & Elliott Smith’s Heatmiser, I think Heatmiser is my closest comparison to Say Hi. Great pop songs in a rock setting, definitely enjoyable. They played about 40 minutes and, unfortunately, it flew by. But… they’re from Seattle; so they’re totally on my “auto notify” Pollstar radar now.
After a very short set break (5 minutes, maybe)… David Bazan (plus band) hit the stage…
The first time I saw David Bazan (December 2003 with Over the Rhine) was the only time I’ve seen him with a “band.” Even that time, it was a stripped down Pedro the Lion set with just David and T.W. Walsh (drummer). The singer of Say Hi joined David on guitar, the Say Hi bassist traded bass duties for guitar / keyboards / percussion. Blake Wescott joined on guitar, there was a new drummer, and David took care of bass (and guitar during the encore).
The set was a heavy David Bazan “solo albums” set, as expected. I’ve really been digging his latest album, Curse Your Branches; so I picked it up on vinyl last night. Most of the set was CYB stuff and Fewer Moving Parts material. He did throw in a few expected Pedro the Lions and Headphones songs as well…
Setlist: about 90 minutes
- Hard To Be
- Please, Baby, Please
- I Do (Pedro the Lion tune)
- Bless This Mess
- Q&A #1
- I Never Wanted You (Headphones tune)
- Magazine (Pedro the Lion tune)
- Heavy Breath
- Q&A #2
- Cold Beer And Cigarettes
- When We Fell
- Lost My Shape
- Curse Your Branches
- Q&A #3
- Fewer Broken Pieces (aka Fewer Moving Parts)
- Bearing Witness
- Q&A #4
- Keep Swinging (Pedro the Lion tune)
- How I Remember
- In Stitches
- Encore (David solo): Priests and Paramedics (Pedro the Lion tune)
- Will You Still Love Me In December (Julie Doiran cover)
- Q&A #5
- Harmless Sparks
Best David Bazan line of the night… “Infants are necessary, but they’re kinda bullshit.”
I loved David with a band. I think the highlight of the night for me, though, was Say Hi. I usually don’t expect to like an opener, and I like being pleasantly surprised. I didn’t have enough coin to get some Say Hi music last night, but I plan to in the near future.
Another highlight… David’s Q&A sessions are also usually a fun aspect of his shows – it really makes a Bazan show more personal and intimate. Most of the questions surrounded his recent “coming out” as an atheist-leaning agnostic after many years in the Christian indie rock scene. I always loved his candor and questioning of things in religion, even when he considered himself to be a Christian and I had moved out of that camp. I, honestly, don’t think his lyrical themes changed all that much. His Q&A answers last night were more along the lines around around tolerance, regardless of religious beliefs or non-beliefs. Personally, I’m glad to have him in the more doubtful camp. However, above that, I’m glad that he’s not trying to be divisive with things like faith and his “falling from faith.” We should move towards being different than the prior generations who don’t know tolerance.
The Appropriate Linkage:
- David Bazan’s Site
- David Bazan on MySpace
- Pedro the Lion on MySpace
- Say Hi’s Site
- Say Hi on MySpace
- BrooklynVegan’s NYC 10/18 Review
- Fan videos from the Chicago show: video #1 – video #2
- Mississippi Studios
Check out more tour dates below.
~Dan – np: Lowell Brams, Sufjan Stevens & Bryce Dessner – Library Catalog Music Series: Music for Insomnia
DAVID BAZAN & SAY HI PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
Recent/Upcoming Tour Dates
- 10/01 – San Francisco CA – Independent
- 10/02 – Costa Mesa CA – Detroit Bar
- 10/03 – San Diego CA – Casbah
- 10/04 – Los Angeles CA – Troubadour
- 10/05 – Tucson AZ – Solar Culture
- 10/07 – Austin TX – Mohawk
- 10/08 – Denton TX – Dan’s Silverleaf
- 10/09 – Memphis TN – Hi-Tone Café
- 10/10 – Murray KY – Lovett Auditorium / Murray State
- 10/11 – Birmingham AL – Bottletree
- 10/13 – Orlando FL – The Social
- 10/14 – Atlanta GA – Drunken Unicorn
- 10/15 – Chapel Hill NC – Cat’s Cradle
- 10/16 – Washington DC – Black Cat
- 10/17 – Philadelphia PA – Kung Fu Necktie
- 10/18 – New York NY – Bowery Ballroom
- 10/20 – Cambridge MA – TT the Bear’s +
- 10/21 – Montreal QC – Il Motore
- 10/22 – Toronto ON – Lee’s Palace
- 10/23 – Pontiac MI – Pike Room
- 10/24 – Chicago IL – TBA
- 10/25 – Champaign IL – Highdive
- 10/27 – Madison WI High – Noon Saloon
- 10/28 – Minneapolis MN – Turf Club
- 10/29 – Iowa City IA – The Picador
- 10/30 – Lawrence KS – Jackpot Saloon
- 10/31 – Omaha NE – Slowdown
- 11/01 – Denver CO – Hi Dive
- 11/02 – Salt Lake City UT – Kilby Court
- 11/05 – Vancouver BC – Media Club
- 11/06 – Portland OR – Mississippi Studios
- 11/07 – Seattle WA – Neumos
House Shows - 12/9 – Detroit, MI – 8pm – tickets available on db.com
- 12/10 – Cleveland, OH – 8pm – tickets available
- 12/11 – Columbus, OH – 8pm – SOLD OUT
- 12/12 – Indianapolis, IN – 5pm – tickets available
- 12/12 – Indianapolis, IN – 8pm – SOLD OUT
- 12/13 – New Haven, IN – 5pm – tickets available
- 12/13 – Ft. Wayne, IN – 8pm – SOLD OUT
- 12/14 – Goshen, IN – 8pm – SOLD OUT
- 12/15 – Lansing, MI – 8pm – tickets available
REVIEW: Múm @ Aladdin Theater (Portland, OR – 11/4/09)
FYI… PHOTOS of the SHOW at the BOTTOM
There must be something about the Icelandic landscape
that yields such magnificent music.
I got into Múm (pronounced “moom”) via Sigur Rós. In fact, it may have even been a direct email from Sigur Rós about Múm right around the time Finally We Are No One (aka Loksins Erum Við Engin) was coming out in 2003. Both bands are from Iceland, both bands have quirky, sometimes ambient songs. Where Múm differs from Sigur Rós is that they tend to be less ethereal and have more electronic, glitchiness going on with their music. They came through Portland a couple of years ago on their last album, Go Go Smear the Poison Ivy, but I was not able to make it to the show. Ever since hearing their albums, I have been curious how they’d pull it off in a live setting.
After a delicious vegan dinner at the new Irvington Blossoming Lotus restaurant (represent!), I got to the Aladdin right as doors were opening (a little after 8pm) and got a seat right up front. Yay!
The first opener Hildur Guðnadóttir is one of Múm’s vocalists and did a 20-minute instrumental set. She came out and played an initial song with just her on cello and laptop accompaniment. The next song, she was joined by Sin Fang Bous’s drummer, and Múm’s bassist and trumpet player. Her trumpeter played mostly what I’d call “empty notes” – a lot of wind and sputtering through the horn. On Hildur’s second song, I thought, “there must be something about the Icelandic landscape that yields such magnificent music.” The song was utterly gorgeous, flowing, almost glacial. Her next two songs to wrap up her set were also gorgeous, but, wow, that second song really made me want to visit Iceland. Her debut solo album is called Without Sinking and is available here.
Up next, Sin Fang Bous is a side project from Sindri Sigfússon of Seabear. They played a 30 minute set that started off OK, but not all that that great. BUT… by the end, I was really digging it. The music was much louder than Múm & Hildur, and Sindri was also quite mumbly. He was speaking in English, but when he announced song songs early on it was all a mash. Near the middle of the set, his humor came out, which definitely helped me warm up to them. “How come no one is sitting up there? (looking at the box seats) Is that for the King of Portland?”
Later on he also announced that he had CDs, t-shirts… and little vials of blood for sale at the merch table if we wanted something to drink on the way home. Silly. I think my favorite song was “Clangour and Flutes” (from the Clangour album available here). Anyway, it had a nice hook and some nice instrumentation.
Múm went on just before 10:30. I had never seen them before; so I had no idea what to expect. Several of the people up on stage had already been up there before (Hildur as the opener, the keyboardist/trumpter as Hildur’s back-up, their guitarist was also Sin Fang Bous’s guitarist). It was like a little Icelandic traveling family. When Múm came on, the front area without seats quickly filled up… so I got out of my seat and got a spot right at the stage.
Múm’s set was a lot of newer songs (of which I hadn’t heard) – happy, electronic with ambient / chamber music elements. I had no idea they had multiple singers (Hildur, another woman, and a guy who also played keyboards, guitar, etc). Don’t ask for names… it’s too difficult to remember or even research. :) With two keyboardists, Múm’s electronic sounds came through in the live setting… definitely not as lush as the studio versions, but definitely commendable for a live setting. I think, not as expected, the vocals were the primary flavor in the live show. Hildur and the other woman singer were definitely passionate and singing their lungs out. Here’s what the played (any help on missing / incorrect info is appreciated)…
Setlist: about 85-90 minutes
- Illuminated
- Marmalade Fires
- Húllabbalabbalúú
- Blessed Brambles
- If I Were A Fish
- Nightly Cares
- A Little Bit Sometimes
- maybe The Last Shapes Of Never
- Show Me
- unknown… sweeping, operatic, lots of “la-las”
- Dancing Behind My Eyelids
- unknown… kazoos near the end
- Prophecies And Reversed Memories
- Sing Along
- Encore: Green Grass Of Tunnel
I picked up their new one, Sing Along to Songs You Don’t Know. I look forward to spinning it later today.
I left about midway through the last song, as I had a 2 hour drive, a hard week already, and an early meeting in the morning. All in all, it was a GREAT show. It wasn’t as monumental / mind-blowing as the first time I saw Sigur Rós, or anything like that, but it was a really great band playing really great music. I’m glad that they’ve been through twice these past two years… I look forward to another trip from them in the near future.
The Appropriate Linkage:
- Múm’s Official Site
- A Múm Fan Site
- Múm on MySpace
- Hildur Guðnadóttir’s Official Site
- Hildur Guðnadóttir on MySpace
- Sin Fang Bous on MySpace
- BrooklynVegan‘s NYC 10/24 review
- Aladdin Theater
Check out their U.S. tour dates below.
~Dan – np: Frog Pocket – Come On Primates Show Your Teeth!
MÚM, Hildur Guðnadóttir & Sin Fang Bous PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
Their 2009 U.S. Tour Dates
- Oct 21 the Somerville Theatre Somerville, Massachusetts
- Oct 22 First Unitarian Church Philadelphia, Pennsylvania
- Oct 23 Black Cat Washington DC, Washington DC
- Oct 24 Le Poisson Rouge NY, New York
- Oct 26 Le National Montreal, Quebec
- Oct 27 Phoenix Concert Theatre Toronto, Ontario
- Oct 28 Logan Square Auditorium Chicago, Illinois
- Oct 29 McGuire Theater Minneapolis, Minnesota
- Nov 01 Marquee Room Calgary, Alberta
- Nov 02 The Venue Nightclub Vancouver, British Columbia
- Nov 03 Showbox at the Market Seattle, Washington
- Nov 04 Aladdin Theater Portland, Oregon
- Nov 05 The Independent San Francisco, California
- Nov 06 El Rey Theatre Los Angeles, California
- Nov 07 Yost Theatre Santa Ana, California
Nellie McKay (10/20) photos posted
Photos from Tuesday’s show are now posted… go to…
REVIEW: Nellie McKay at
Dimitriou’s Jazz Alley (Seattle, WA – 10/20/09)
~Dan
-Eyvind Kang
-Frank Zappa
Amazon.com mp3 downloads
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This blog and concert photos therein are licensed under a Creative Commons License. Available with Attribution for Non-Commercial, Non-Derivative Use.
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