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REVIEW: Van Dyke Parks with Clare & the Reasons @ Mississippi Studios (Portland, OR – 2/10/10)
FYI… PHOTOS of the SHOW at the BOTTOM
Van Dyke Parks is recognized around the world as a musical genius… he’s a brilliant session musician, composer, arranger, lyricist, and singer. He has contributed to many masterpieces (check out his rap sheet). He is most well known for his collaboration with Brian Wilson of the Beach Boys. While Brian is a prodigiously gifted composer, he was no lyricist, and needed one who could match the daring new music he was devising in his head. The result is their collaboration on the much vaunted SMiLE album.
I’ll admit, I’m not a fan of the Beach Boys. I just don’t care for their music. Well, I connected with Van Dyke Parks via a newer band… Silverchair (VDP did string arrangements for Diorama and Young Modern). Yeah, yeah… if you only knew them from 1995’s “Tomorrow” (from when they were 15 years old)… well, they’ve grown.
Anyway…
Van Dyke Parks rarely ever records or tours, putting at most one or two records per decade. When I heard about the shows via the Clare & the Reasons‘ email, I jumped at the chance of seeing both of these artists on the stage together. I had seen Clare & the Reasons open up for My Brightest Diamond back in Nov 2008, and I loved their French bohemian meets modern indie rock vibe.
There were only four shows slated for this rare double bill tour…
02.09.10 – Seattle, WA Triple Door
02.10.10 – Portland, OR Mississippi Studios
02.12.10 – San Francisco, CA Swedish American Hall
02.14.10 – Santa Monica, CA McCabe’s
This was only my second time up to the Mississippi Studios. I really like the intimate setting, even the crazy hovering piano. The last time I was there was for David Bazan in November. For the VDP & Clare show, I’m glad they had chairs down… whew. :)

Opener Josh Mease went on around 9pm and played 6 songs. He had a very gentle singer-songwriter style. His guitarwork was good, but his voice was simply superb (nice lyrics, too). Josh is on Frogstand Records, the same record label as Clare & The Reasons. I dug his own tunes more than the Randy Newman cover. For his last song, Clare & The Reasons came up to play with him…

Josh Mease’s Setlist: about 20 mins
- missing song name
- missing song name
- Marie (Randy Newman cover)
- Days Like This
- Eleanor
- Start Over (with Clare & The Reasons)

Clare & The Reasons stayed up after Josh’s last song and moved some instruments around (and subsequently lost a percussion brush). Off to a great start! :) They joked lightly about it and then… viola, they found it! Their set was a sandwich of Arrow songs, The Movie songs, and more Arrow songs.
Arrow came out late last year, but I didn’t get a chance to pick it up until yesterday. I also picked up Olivier Manchon’s brand new instrumental CD, Orchestre de Chambre Miniature Volume 1, with saxophonist John Ellis, Gregoire Maret (from a Herbie Hancock band), and more string and woodwind players. Check their albums out (click pictures below)…
What I love about the band is not just limited to Clare Manchon’s vocals, but also the wonderful multi-instrumentation from Olivier and the well rounded guitarist and upright bassist. The set was full of great percussion, strings, garbage ukelele, french horn, pizzicato strings, a borrowed saw, acoustic & electric guitars, and sublime vocals. Van Dyke Parks & Josh Mease joined them on stage for their next to last song… (apparently Bill Frisell also joined them on stage up at the Seattle show).

Clare & the Reason’s Setlist: about an hour
- You Got Time
- All the Wine
- Perdue A Paris
- Ooh You Hurt Me So
- Wake Up (You Sleepy Head)
- You Getting Me
- This Is The Story
- Alphabet City
- Pluton
- Pluto
- Our Team Is Grand
- Love Can Be A Crime (with VDP & Josh)
- That’s All (Genesis cover)


Van Dyke Parks came on after a short break. He was seated at the piano and brought The Reasons (sans Clare) as his backing band. They started out with a great instrumental piece. The rest of the songs we heard were poppier tunes with some great instrumentation (as expected). VDP is an amazing pianist and composer. His voice wasn’t superb or sublime, but it fit the songs. I wasn’t familiar with his songs, but of the ones he announced while we were there… Opportunity for Two, Orange Crate Art, and Sail Away.
VDP was also a great banterer in between songs. Usually short, but funny… one of my faves was “my wife thinks that ‘cook’ is a noun.”
We only stayed for half of his scheduled hour-long set (as we had a 2 hour drive back home), but it was a great set of tunes. If anyone has the complete VDP setlist, let me know.

many more photos below
The Appropriate Linkage:
- Van Dyke Park’s Site
- VDP on MySpace
- A VDP fan’s review of the show on Oregon Live
- Clare & The Reason’s Site
- Clare & The Reason on MySpace
- Josh Mease’s Site
- Josh Mease on MySpace
- Mississippi Studios
~Dan – np: Sade – Soldier of Love

VAN DYKE PARKS, CLARE & the REASONS and JOSH MEASE PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
Van Dyke Parks and Clare & The Reasons (review this evening)

Got back late last night, full day of work ahead of me… review of last night’s Van Dyke Parks, Clare & The Reasons, and Josh Mease show at Mississippi Studios in Portland will be posted tonight (Thursday 2/11)…
REVIEW: The Album Leaf @ WOW Hall (Eugene, OR – 2/9/10)
FYI… PHOTOS of the SHOW at the BOTTOM
So, I just saw The Album Leaf & Sea Wolf show up in Portland on Friday. Last night’s show wasn’t much different… which means… highly enjoyable. Since I’m in the midst of “work a ton because I chose the path of becoming a CPA and now is the rough work schedule” month, I’ll keep my comments brief – but include setlists and photos, of course.
The main difference for the Eugene show was the lack of string quartet – but where I was in the crowd for the Portland show, I didn’t get much of the string quartet in my ears anyway. It was about a half-packed WOW Hall, which was good for a Tuesday. Sea Wolf was great. I was more familiar with their songs, and I really started digging them. Same 45 minute set as Portland.

Sea Wolf’s Setlist:
- White Water
- Winter Windows
- Dew in the Grass
- Black Leaf Falls
- Middle Distance Runner
- The Traitor
- O’ Maria
- Turn the Dirt Over
- Wicked Blood
- You’re a Wolf

The Album Leaf came on around 10pm. I could definitely hear more strings this time around, even though there was only the primary violinist and not a whole quartet. Again, that was more due to my location at Portland’s show. They played the same setlist as Portland. I was digging the new songs, as I had gotten a few days now to let the album sink in. I could tell Jimmy was having some problems with his in-ear monitor during a few songs. Overall, the sound quality wasn’t as good in Eugene as in Portland. I moved around the venue and it seemed way more bass heavy than is normal for TAL. All in all, though, a great set…

The Album Leaf’s Setlist:
- Perro
- Blank Pages
- There is a Wind
- Within Dreams
- Falling from the Sun
- Stand Still
- 2214
- Outer Banks
- Shine
- Until the Last
- We Are
- Almost There
- Wherever I Go
- Encore: Always For You
- Red Eye
- Tied Knots

many more photos below
Definitely check out The Album Leaf’s new album, A Chorus of Storytellers…
The Appropriate Linkage:
Check out more tour dates below.
~Dan – np: Sachi Hayasaka – Minga 

THE ALBUM LEAF and SEA WOLF PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
The Album Leaf Spring 2010 World Tour Dates
- Feb 3: Sacramento, CA @ Harlows
- Feb 5: Portland, OR @ Doug Fir Lounge (w/Anomie Belle String Quartet)
- Feb 6: Seattle, WA @ Neumos (w/Anomie Belle String Quartet)
- Feb 7: Vancouver, BC @ Rickshaw Theater(w/Anomie Belle String Quartet)
- Feb 8: Bellingham, WA @ Nightlight Lounge
- Feb 9: Eugene , OR @ WOW Hall
- Feb 11: Santa Cruz @ The Crepe Place
- Feb 12: San Francisco, CA @ Great American Music Hall (w/Magik*Magik String Quartet)
- Feb 13: Los Angeles, CA @ El Rey Theater (w/Magik*Magik String Quartet)
- Feb 25: Lisbon, Portugal @ Lisbon Santiago Alquimista
- Feb 26: Madrid, Spain @ Moby Dick
- Feb 27: Bilboa, Spain @ 12 & Medio
- Feb 28: Barcelona, Spain @ Apollo 2
- Mar 2: Toulouse, France @ Le Phare
- Mar 3: Milan, Italy @ Circolo Milano
- Mar 4: Lucerne, Switzerland @ Sudpol Club
- Mar 5: Dunidgen (Bern), Switzerland @ @ Bad Bonn
- Mar 6: Sankt Gallen, Switzerland @ Theater Palace
- Mar 7: Munich, Germany @ Feierwerk
- Mar 9: Vienna, Austria @ Szene
- Mar 10: Dresden, Germany @ BeatPol
- Mar 11: Berlin, Germany @ Lido
- Mar 12: Hamburg, Germany @ Knust
- Mar 13: Rotterdam, Holland @ Rotown
- Mar 14: Koln, Germany @ Gebauude 9
- Mar 16: Antwerp, Belgium @ Club Trix
- Mar 17: Colmar, France @ Kraken
- Mar 18: Heidelberg, Germany @ Karlstorbahnhof
- Mar 19: Paris, France @ Maroquinerie
- Mar 20: Lille, France @ L’ Aeronef
- Mar 21: Bristol, UK @ The Thekla
- Mar 22 Manchester, UK @ The Deaf Institute
- Mar 23: London, UK @ Bush Hall
- Apr 2: Tokyo, Japan @ Shibuya Ax
- Apr 3: Nagoya, Japan @ Club Quatrro
- Apr 4: Osaka, Japan @ Club Quattro
- Apr 7: Hong Kong @ Grappa’s Cellar
- Apr 9: Taipei, Taiwan @ The Wall Live House
And just announced on Feb 3rd (and from Pollstar; so a different format)…
- Tue 04/20/10 – Tucson, AZ – Plush
- Wed 04/21/10 – Albuquerque, NM – Launchpad
- Thu 04/22/10 – Denver, CO – Bluebird Theater
- Fri 04/23/10 – Omaha, NE – The Waiting Room
- Sat 04/24/10 – St. Louis, MO – Luminary Center For The Arts
- Sun 04/25/10 – Chicago, IL – Lincoln Hall
- Tue 04/27/10 – Grand Rapids, MI – Ladies Literary Club
- Wed 04/28/10 – Toronto, ON – Lee’s Palace
- Thu 04/29/10 – Montreal, QC – Music Hall
- Fri 04/30/10 – Boston, MA – Paradise Rock Club
- Sat 05/01/10 – New York, NY – Bowery Ballroom
- Sun 05/02/10 – Philadelphia, PA – First Unitarian Church
- Tue 05/04/10 – Washington, DC – Rock And Roll Hotel
- Wed 05/05/10 – Carrboro, NC – Cat’s Cradle
- Thu 05/06/10 – Atlanta, GA – The Loft At Center Stage
- Fri 05/07/10 – Jacksonville, FL – Jack Rabbits
- Sat 05/08/10 – Orlando, FL – The Social
- Mon 05/10/10 – Baton Rouge, LA – Spanish Moon
- Tue 05/11/10 – Austin, TX – The Parish Room
- Fri 05/14/10 – San Diego, CA – Birch North Park Theatre
PDX Jazz Fest :: Pharoah Sanders
Well, the PDX Jazzfest in Portland, Oregon, is about 2 weeks away. You won’t want to miss it. There are many fantastic local and national acts, including these great headliners:
Thursday, February 25 – Luciana Souza
Friday, February 26 – Mingus Big Band
Saturday, February 27 (3pm) – Trygve Seim & Frode Haltli
Saturday, February 27 (7:30) – Dave Holland Quintet
Sunday, February 28 (3pm) – Pharoah Sanders
Sunday, February 28 (7:30) – Dave Douglas Brass Ecstasy
As we lead up to the event, I’ll focus on one of the headliners a week… next up Pharoah Sanders.
Pharoah Sanders is a most distinctive tenor saxophone player and a legend, he’s one of the last living members of John Coltrane’s late ensembles of the mid-’60s. Pharoah Sanders possesses one of the most distinctive tenor saxophone sounds in jazz. Harmonically rich and heavy with overtones, Sanders’ sound can be as raw and abrasive as it is possible for a saxophonist to produce, and although he made his name with expressionistic, nearly anarchic free jazz in John Coltrane’s late ensembles of the mid-’60s, Sanders’ later music is guided by more graceful concerns.
Pharoah Sanders (his given name, Ferrell Sanders) formed his first group in 1963, with pianist John Hicks (with whom he would continue to play off-and-on into the ’90s), bassist Wilbur Ware, and drummer Billy Higgins. His first record as a leader was in 1964 for the ESP label. The group played an engagement at New York’s Village Gate, where John Coltrane heard him and by 1965, Sanders was playing regularly with the Coltrane group. Strength was a necessity in that band, and as Coltrane realized, Sanders had it in abundance.
After John Coltrane’s death in 1967, Sanders worked briefly with his widow, Alice Coltrane, and then primarily as a leader of his own ensembles. From 1966-1971, Sanders released several albums on Impulse, including Tauhid (1966), Karma (1969), Black Unity (1971), and Thembi (1971). In the mid-’70s, Sanders recorded his most commercial effort, Love Will Find a Way (Arista, 1977); it turned out to be a brief detour. From the late ’70s until 1987, he recorded for the small independent label Theresa. From 1987, Sanders recorded for the Evidence and Timeless labels. The former bought Theresa records in 1991 and subsequently re-released Sanders’ output for that company. In 1995, Sanders made his first major-label album in many years, Message From Home (produced by Bill Laswell for Verve). The two followed that one up in 1999 with Save Our Children. In 2000, Sanders released Spirits — a multi-ethnic live suite with Hamid Drake and Adam Rudolph. In the decades after his first recordings with Coltrane, Sanders developed the capability of playing convincingly in a variety of contexts, from free to mainstream, and as a mature artist he has discovered a hard-edged lyricism that has served him well.
Webpage: http://www.pharoahsanders.net/
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FOR INFO & TICKETS: http://pdxjazz.com/tickets/
REVIEW: The Album Leaf @ Doug Fir Lounge (Portland, OR – 2/5/10)
FYI… PHOTOS of the SHOW at the BOTTOM

I got into The Album Leaf back in 2004 with In a Safe Place after hearing about the Sigur Rós collaborative songs (and Icelandic former-swimming pool studio). I’ve been a fan of frontman Jimmy LaValle ever since In a Safe Place, which also spanned into a love of his prior band, Tristeza. His mold of organically-infused electronic post-rock fits me well. I missed him on his last time through (Jan 2009); so I vowed not to let it happen again… so this time, I’m hitting both Portland and Eugene, Oregon.

We got to the venue, got our tickets and ran off to grab some unfortunately salty grub (East End Bar must own stock in Morton’s). After a speedy walk back, we arrived back at the Doug Fir shortly after Sea Wolf started . They are an indie rock band from Los Angeles, and played a solid 45 minute set…

Sea Wolf’s Setlist:
(as per stage copy)
- White Water
- Winter Windows
- Dew in the Grass
- Black Leaf Falls
- Middle Distance Runner
- The Traitor
- O’ Maria
- Turn the Dirt Over
- Wicked Blood
- You’re a Wolf
Sea Wolf reminded me a lot of Wilco… maybe it was singer/guitarist Alex Church’s vocals. They have a roots rock meets singer-songwriter vibe that hearkened to Wilco in my mind. They busted out a harder rock tune (in comparison to The Album Leaf), but also had nice cello throughout their set. Great opener… I’m looking forward to Eugene’s show to hear more.
After a short break (and a move to the front), The Album Leaf (aka TAL) came on. The Portland show featured the Anomie Belle String Quartet (shown at the left), which presumably added nice textures to the already large, six piece band. Where we were lopcated, we could barely hear them.
With this new album (see below), Jimmy opened up the recording to more than just himself as well. Previous records were more in the “one man band” realm, with a band assembled for tours. It was nice to the see the band that hit the studio with him on A Chorus of Storytellers play those same songs live. The band was Jimmy LaValle, Matt Resovich, Drew Andrews, Gram LeBron, Tim Reece, and Andrew Pates – all on various instruments.
Being the first time seeing TAL, I honestly had no idea what to expect. We lucked out in the placement department… as Jimmy’s gear was right in front of us.
I was skeptical if the studio lushness would translate to the stage. Quite frankly, I think the electronic post-rock goodness, complete with drum machine and a regular drummer, worked out fantastically. They played a lot of material from the new record, which fit in well with earlier songs…
The Album Leaf’s Setlist: about stellar 80 minutes
- Perro
- Blank Pages
- There is a Wind
- Within Dreams * fave of the night *
- Falling from the Sun
- Stand Still * fave of the night *
- 2214 * fave of the night *
- Outer Banks * fave of the night *
- Shine
- Until the Last
- We Are
- Almost There
- Wherever I Go
- Encore: Always For You
- Red Eye * fave of the night *
- Tied Knots
The band members switched around on instruments. Jimmy played several different keyboards, including a Moog and a modulator of some sort. Other members pitched in on keyboards when a violin, trumpet, small vibraphone, bass, or guitar weren’t in their hands. While I still associate TAL as a primarily instrumental band in my mind, their last few albums have had increasingly more vocals. I’d estimate a 1/3 to a 1/2 of the songs had vocals last night – covered by Jimmy, but with frequent backing vocals from various band members. My friend who went along with me commented that the songs seemed fairly similar throughout the show. Alas, I suppose that’s the rub with TAL, but I dug it fairly well.
I’ll also be at the Eugene show on Tuesday; so check back for that review next week. Oh, and definitely check out The Album Leaf’s new album, A Chorus of Storytellers. I got it at the show, and it is fantastic!
The Appropriate Linkage:
- The Album Leaf’s Site
- TAL’s MySpace
- Sea Wolf’s Site
- Sea Wolf on MySpace
- Anomie Belle String Quartet on MySpace
- Doug Fir Lounge
Check out more tour dates below.
~Dan – np: The Album Leaf – A Chorus of Storytellers 

THE ALBUM LEAF and SEA WOLF PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
The Album Leaf Spring 2010 World Tour Dates
- Feb 3: Sacramento, CA @ Harlows
- Feb 5: Portland, OR @ Doug Fir Lounge (w/Anomie Belle String Quartet)
- Feb 6: Seattle, WA @ Neumos (w/Anomie Belle String Quartet)
- Feb 7: Vancouver, BC @ Rickshaw Theater(w/Anomie Belle String Quartet)
- Feb 8: Bellingham, WA @ Nightlight Lounge
- Feb 9: Eugene , OR @ WOW Hall
- Feb 11: Santa Cruz @ The Crepe Place
- Feb 12: San Francisco, CA @ Great American Music Hall (w/Magik*Magik String Quartet)
- Feb 13: Los Angeles, CA @ El Rey Theater (w/Magik*Magik String Quartet)
- Feb 25: Lisbon, Portugal @ Lisbon Santiago Alquimista
- Feb 26: Madrid, Spain @ Moby Dick
- Feb 27: Bilboa, Spain @ 12 & Medio
- Feb 28: Barcelona, Spain @ Apollo 2
- Mar 2: Toulouse, France @ Le Phare
- Mar 3: Milan, Italy @ Circolo Milano
- Mar 4: Lucerne, Switzerland @ Sudpol Club
- Mar 5: Dunidgen (Bern), Switzerland @ @ Bad Bonn
- Mar 6: Sankt Gallen, Switzerland @ Theater Palace
- Mar 7: Munich, Germany @ Feierwerk
- Mar 9: Vienna, Austria @ Szene
- Mar 10: Dresden, Germany @ BeatPol
- Mar 11: Berlin, Germany @ Lido
- Mar 12: Hamburg, Germany @ Knust
- Mar 13: Rotterdam, Holland @ Rotown
- Mar 14: Koln, Germany @ Gebauude 9
- Mar 16: Antwerp, Belgium @ Club Trix
- Mar 17: Colmar, France @ Kraken
- Mar 18: Heidelberg, Germany @ Karlstorbahnhof
- Mar 19: Paris, France @ Maroquinerie
- Mar 20: Lille, France @ L’ Aeronef
- Mar 21: Bristol, UK @ The Thekla
- Mar 22 Manchester, UK @ The Deaf Institute
- Mar 23: London, UK @ Bush Hall
- Apr 2: Tokyo, Japan @ Shibuya Ax
- Apr 3: Nagoya, Japan @ Club Quatrro
- Apr 4: Osaka, Japan @ Club Quattro
- Apr 7: Hong Kong @ Grappa’s Cellar
- Apr 9: Taipei, Taiwan @ The Wall Live House
And just announced on Feb 3rd (and from Pollstar; so a different format)…
- Tue 04/20/10 – Tucson, AZ – Plush
- Wed 04/21/10 – Albuquerque, NM – Launchpad
- Thu 04/22/10 – Denver, CO – Bluebird Theater
- Fri 04/23/10 – Omaha, NE – The Waiting Room
- Sat 04/24/10 – St. Louis, MO – Luminary Center For The Arts
- Sun 04/25/10 – Chicago, IL – Lincoln Hall
- Tue 04/27/10 – Grand Rapids, MI – Ladies Literary Club
- Wed 04/28/10 – Toronto, ON – Lee’s Palace
- Thu 04/29/10 – Montreal, QC – Music Hall
- Fri 04/30/10 – Boston, MA – Paradise Rock Club
- Sat 05/01/10 – New York, NY – Bowery Ballroom
- Sun 05/02/10 – Philadelphia, PA – First Unitarian Church
- Tue 05/04/10 – Washington, DC – Rock And Roll Hotel
- Wed 05/05/10 – Carrboro, NC – Cat’s Cradle
- Thu 05/06/10 – Atlanta, GA – The Loft At Center Stage
- Fri 05/07/10 – Jacksonville, FL – Jack Rabbits
- Sat 05/08/10 – Orlando, FL – The Social
- Mon 05/10/10 – Baton Rouge, LA – Spanish Moon
- Tue 05/11/10 – Austin, TX – The Parish Room
- Fri 05/14/10 – San Diego, CA – Birch North Park Theatre
PDX Jazz Fest :: Dave Holland Quintet
Well, the PDX Jazzfest in Portland, Oregon, is about 3 weeks away. You won’t want to miss it. There are many fantastic local and national acts, including these great headliners:
Thursday, February 25 – Luciana Souza
Friday, February 26 – Mingus Big Band
Saturday, February 27 (3pm) – Trygve Seim & Frode Haltli
Saturday, February 27 (7:30) – Dave Holland Quintet
Sunday, February 28 (3pm) – Pharoah Sanders
Sunday, February 28 (7:30) – Dave Douglas Brass Ecstasy
As we lead up to the event, I’ll focus on one of the headliners a week… next up the Dave Holland Quintet.

At the pinnacle of his career, Dave Holland has settled into the unassuming role of jazz master. The multi-award and poll-winning bassist, composer, arranger and bandleader leads two of the most vibrant groups in jazz: the Dave Holland Quintet and the Dave Holland Big Band. He has collaborated in two of the top jazz collectives of the decade: the ScoLoHoFo quartet comprised of Holland, John Scofield, Joe Lovano and Al Foster and the Herbie Hancock-piloted all-star quartet including Wayne Shorter and Brian Blade.
Though he’s too busy to be fully engaged in outside projects, Holland has played on recent Roy Haynes albums and recorded trio dates with such leaders as Geri Allen and Kenny Wheeler-all outings that he says he could not pass up. He even has taken his recording career into his own hands, launching his own label imprint, Dare2 Records in 2005.
A onetime sideman with two titans of jazz, Thelonious Monk (a short tenure) and Miles Davis (a seminal experience during the trumpeter’s Bitches Brew era), Holland made his debut as a leader in the early 1970s. He broke in as a leader with Music for Two Basses (1971) with Barre Phillips and Conference of the Birds (1972) with a band featuring Sam Rivers and Anthony Braxton. Holland also expanded his work as a side musician to include recording with a diversity of artists such as Bonnie Raitt (Give It Up, 1972), John Hartford (Morning Bugle, 1972) and Lee Konitz (Satori, 1974).
In recent years, his recording career has continued to flourish, recording such milestone albums as his quintet CD, Extended Play: Live at Birdland (2003) and two Grammy-winning big band discs, What Goes Around (2002) and the potent follow-up Overtime (2005). Continuing this impressive creative streak into 2006, Holland released a new quintet album, entitled Critical Mass. The album is the first new studio recording by the Dave Holland Quintet to be released in over five years and marks drummer Nate Smith’s debut recording with the band.
In regards to his quintet, Holland sees his band as representing the evolution of different types of rhythmic structures and forms that has been transforming the face of jazz in the last two decades. In his search to keep the music vital, Holland says the band has delved into the rhythmic traditions of Africa, India, South America and the Caribbean, as well as the innovations in contemporary music in the hip-hop and R&B worlds.
Webpage: http://www.daveholland.com/
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FOR INFO & TICKETS: http://pdxjazz.com/tickets/
REVIEW: Popovich Comedy Pet Theater @ the Hult (Eugene, OR – 1/31/10)
FYI… A FEW PICTURES from the HULT SHOW at the BOTTOM
So, we got the flyer for the Popovich Comedy Pet Theater in the mail and had to go. It’s sponsored by Greenhill Humane Society – a great pet-friendly organization in Eugene. The show started at 2:30pm and was the same day as the Oregon Truffle Festival. Ack! Quandary! We opted hit the OTF 2010 beforehand. Amazing time at OTF, as usual. Check out my review of last year’s Oregon Truffle Fest, including the Lagotto Romagnolo (truffle dog) demo.
Anyway, back to Popovich… or as I like to call it… Pupovich…
Gregory Popovich has been featured on tons of television shows (Leno, Letterman, America’s Got Talent, et cetera), featuring his amazingly trained pets (all rescue animals – even the geese). Most notably, he has actually managed to train house cats to do tricks.
Let me let that sink in for you.
House cats. Here’s a USA Today article/interview with Gregory with a cat-training Q&A.
The show started shortly after 2:30pm… with a little doggie announcer (see video below). The first set was about 45 minutes until the intermission. It was jam packed with juggling, acrobatics, tight-rope walking animals, and more. Some of my favorite bits were the train intro (cute stuff going on), the snowy park scene, and the class scene (full of about 8 dogs). The end of the train scene with the dog dressed up as an elephant was hilarious. I’m more of a dog fan; so the way they were all working together with Gregory in the class scene was really cute. The dog & cat interaction during the snowy park scene was also really endearing.
(more pictures below)
The second set (about 30 minutes) started off with a cute doggie balloon soccer game. Up next was an adorable doggie medical clinic set, followed by impressive human rope jumpers. The finale was the cat show… about a dozen cats climbing posts, jumping through hoops, tight rope walking, parallel bar work, and all around being cats! At the end one of the cats didn’t want to leave; so Gregory brought out a dog and it got on its hind legs, and then the cat jumped on its shoulders and rode away on the walking dog.
Overall, the afternoon was highly entertaining and adorable! If you are in Vegas or if the Popovich Comedy Pet Theater comes to your town… go!
The Promo Reel:
Now, we need to get our cute, but lazy, dog to do some tricks…

The Appropriate Linkage:
- Popovich Comedy Pet Theater
- Greenhill Human Society (Eugene, OR)
- The Hult Center
- The Oregon Truffle Festival
~Dan – np: Mycale play John Zorn’s Masada Book Two: Book of Angels, Vol. 13 – Mycale

POPOVICH COMEDY PET THEATER PHOTOS
all pictures (cc) 2010 Margaret O’Brien,
you may use freely under a creative commons attribution
(click for larger)
Limited to 1200 pixels wide or tall (8 pics)
PDX Jazz Fest :: Trygve Seim & Frode Haltli
Well, the PDX Jazzfest in Portland, Oregon, is about 4 weeks away. You won’t want to miss it. There are many fantastic local and national acts, including these great headliners:
Thursday, February 25 – Luciana Souza
Friday, February 26 – Mingus Big Band
Saturday, February 27 (3pm) – Trygve Seim & Frode Haltli
Saturday, February 27 (7:30) – Dave Holland Quintet
Sunday, February 28 (3pm) – Pharoah Sanders
Sunday, February 28 (7:30) – Dave Douglas Brass Ecstasy
As we lead up to the event, I’ll focus on one of the headliners a week… this week is all about Norwegian jazz masters Trygve Seim & Frode Haltli.
A unique saxophone/accordion duo and key figures in the new Norwegian music, Trygve Seim and Frode Haltli have played together in many contexts. The accordionist joined Seim’s large ensemble for live performances after the release of Different Rivers in 2000, and participated in the recording of The Source and Different Cikadas later that year, as well as Sangam (recorded 2002-2004). He continues to tour regularly with Seim’s large ensemble. Trygve and Frode have been playing in duo since 2001: Yeraz is the first documentation of their work in this format.
The two musicians share an interest in the expressive potential of acoustic music across all stylistic boundaries, from world folk traditions to contemporary composition. Accordionist Frode Haltli came to contemporary music early, but simultaneously began playing folk music in his local village community, and at 13 was the youngest member of a traditional dance band. Folk has remained a thread in a musical life that embraces improvisation as well as performance of composed music with a special focus on modern composers. His prize winning debut album Looking on Darkness (ECM New Series, 2002) including the title piece written by Bent Sørensen, was a powerful summing up of new directions in Nordic composition. Passing Images (recorded 2004) made connections between folk and improvisation and pooled a team of maverick talents including classical violist Garth Knox, jazz trumpeter Arve Henriksen and singer/composer Maja Ratkje.
Inspired early in his creative life by Jan Garbarek and by Edward Vesala, Seim has worked in many modern jazz contexts, and continues to tour with Manu Katché’s group. In his own music, however, distance from conventional definitions of jazz becomes ever more marked. Investigation of Asian, Middle Eastern and East European music – and especially the sounds of the Armenian duduk, the Japanese shakuhachi, and the Indian bansuri flute – have had their impact on Seim’s music and brought about a redefining of the nature of dynamics. Subtle shadings and textures are part of his palette, and microtonal phrasing characteristic of his melodic approach.
Webpage: http://www.trygveseim.no/
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Webpage: http://www.haltli.com/
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FOR INFO & TICKETS: http://pdxjazz.com/tickets/
~Dan – np: Mycale play John Zorn’s Masada Book Two: Book of Angels, Vol. 13 – Mycale

REVIEW: Bill Frisell Trio @ the Shedd (Eugene, OR – 1/23/10)
FYI… PHOTOS of the SHOW at the BOTTOM

I saw Bill Frisell about a year and a half ago with Eyvind Kang & Rudy Royston… fantastic show, but more on the experimental, avant-garde edge (my review of that June 2008 show). Last night’s show was a trio of guitarist Bill Frisell with bassist Tony Scherr and drummer Kenny Wollesen (Sex Mob, Electric Masada, etc):

They hit the Shedd stage around 7:30pm. Differing from the retro live photo above, Tony Scherr was on electric bass. Kenny Wollesen played a standard kit, and Bill Frisell had a few guitars, pedals, gear to loop his sounds… and a big screen above them to show the congruous films as they played.

At the beginning of the show, Bill explained the accompanying film pieces: four by Seattle animator Jim Woodring, one by Bill Morrison, and two Buster Keaton classics. The band started out with a Jim Woodring computer animation – all black and white, but with many interesting, morphing shapes. The music started off slow, had some interesting wandering scales with a nice build and finish. The animation was quite enveloping, and the 10 minute piece seemed to fly by…
I was only allowed to take photos for the initial fifteen minutes, but the rest of the Woodring cartoons were somewhat related to the initial computer animations –
many of the same morphing shapes show up, whether in a character, a beer tap, or a lamp. The primary character in the animations was “Frank.” We follow him around in his travels that either end in a big mess, a violent picnic, or death.
The second Woodring piece introduced us to the aforementioned “Frank.” He tooled around his house and then went up into the hills to some odd looking palace, and when he returned, his house had been ransacked by some fat, troll-like human character. The animation appeared to be paper-based stop-motion animation. The music had a Floratone or possibly Disfarmer feel… I actually recognized the melody that Bill played midway through, but can’t place it now.
The third piece was another Woodring “Frank” animation, but this time with either colored paper or possibly fabric animation.
The setting was a picnic and got fairly violent near the end. The piece was shorter (maybe 5 minutes), which led into the fourth and final Woodring piece… a claymation “Frank” with a devil-type character. The music had a nice groove, and the animation ended with the beer tap looking piece of furniture tipping over to expose the phrase “And You Call Yourself a Gentleman.”
Up next were three silent films… and quite frankly, I lost the music in the viewing. I think the music worked really well and enhanced the pieces, but it definitely fell to the background of what I was paying attention to …

The first was a short film called The Mesmerist by Bill Morrison featuring a re-worked 1926’s film The Bells which featured Boris Karloff. It had been altered from the original, and I’m not sure what was part of the original and what was part of the re-imagining. It started with a very old, sepia & scratchy feel and grew into more animated splotches. The storyline is of an innkeeper who murders a rich visitor and is haunted by the murder he committed.
Up next were two Buster Keaton films… The High Sign (1921) and One Week (1920)…

Each film was in the 15-20 minute range. I was quite amazed at Buster’s utterly ingenious physical comedy. I was familiar with his work a little bit (trumpeter Dave Douglas and his Keystone band has used Buster Keaton in the past). The first one was a gangster caper with a really basic (but stupendous) cross-section of a house with tons of trap doors and moving walls. The second one was of a cheap home that was hurriedly built after a wedding with hilarity ensuing. For the video (with non-Frisell music) check out YouTube of The High Sign and of One Week.
Seven songs, 90 minutes… the Trio took a bow and left the stage. They hit the stage one last time for a short animation of Woodring’s Frank called Whim Grinder:
I enjoyed the film and animation accompanying Frisell’s music; though, I’ll say again that the music really dropped to the background on some of the wild imagery of the Frank cartoons and storylines & physical comedy going on in the films. Upcoming tour dates of Frisell’s include Eyvind Kang/Rudy Royston dates, some Ron Carter/Paul Motion dates, some 858 Quartet dates, and these Scherr/Wollesen dates (which would presumably feature the films/animations as well)…
- 1/24/2010 – Seattle, WA – Triple Door
- 4/2/2010 – Savannah, GA – Savannah Music Festival at Charles Morris Center
- 4/3/2010 – Savannah, GA – Savannah Music Festival at Charles Morris Center
The Appropriate Linkage:
- Bill Frisell’s Site
- Bill Frisell on MySpace
- Tony Scherr’s Site
- Tony Scherr on MySpace
- Jim Woodring – Animator
- The Shedd Institute
BILL FRISELL TRIO PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
Limited to 1200 pixels wide or tall (10 pics)
REVIEW: Fulero + Day’s Elliott Smith Tribute @ Sam Bond’s (Eugene, OR – 1/23/10)

I had two shows last night… first was the Bill Frisell Trio. I’ll post that review later today (or first thing Monday morning). After the show I rode over to Sam Bond’s Garage and got there right around 9:30. There was Elliott Smith music already going on. I was confused, as I knew the band was supposed to be a duo, but this was just one guy doing Elliott Smith tunes. I found at after the fact that I had walked in on the first song (yay!). I guess the Elliott Smith tribute duo of Fulero + Day had an Elliott Smith solo tributer go before them. I caught him name as Scotty Paray, but the spelling may be suspect. No doubling up on songs, from what I stuck around for…
Scotty Paray’s Setlist
- Son of Sam
- Can’t Make a Sound
- Happiness
- Alameda
- A Living Will
- Miss Misery
Scotty was good, switched between keyboard and guitar. Perhaps not all that strong in the vocal category, but Elliott’s songs shone through, and Scotty’s effort was evident (the crowd was a bit noisy/talky, though). Fulero + Day came on shortly after Scotty was done. It was Asher Fulero on keyboard and Nathan Day on guitar. They switched off in the vocal category. Great tribute, and again, despite the noisy crowd, Elliott’s songs shone through.

Fulero + Day’s Setlist
- Pretty (Ugly Before)
- Bottle Up and Explode
- No Name #4
- Clementine
- Rose Parade
- Sweet Adeline
- Coast to Coast
- Baby Britain
- Somebody’s Baby
- (…the show continued whereas I didn’t…)
I left around 10:30pm… partly because it had been a long day, but a lot to do with the annoying, loud & talky crowd. I caught an hour of great songs that made me remember seeing Elliott play many of them himself back in 2000 at Southgate House in Newport, KY. He is missed.
The Appropriate Linkage:
PDX Jazz Fest :: Mingus Big Band
Well, the PDX Jazzfest in Portland, Oregon, is about 5 weeks away. You won’t want to miss it. There are many fantastic local and national acts, including these great headliners:
Thursday, February 25 – Luciana Souza
Friday, February 26 – Mingus Big Band
Saturday, February 27 (3pm) – Trygve Seim & Frode Haltli
Saturday, February 27 (7:30) – Dave Holland Quintet
Sunday, February 28 (3pm) – Pharoah Sanders
Sunday, February 28 (7:30) – Dave Douglas Brass Ecstasy
As we lead up to the event, I’ll focus on one of the headliners a week… next up the Mingus Big Band.
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For those jazz fans who don’t know the music of Charles Mingus, go back to school. He was a monumental force on bass and a great composer in his own right. He had a firey-oft-angry personality, a strong conviction against racism, and a great sense for melody. He was one of my first forays into jazz… I had Mingus Mingus Mingus Mingus Mingus and Mingus Ah Um long before I had any other jazz in my collection.
The Mingus Big Band celebrates the music of the composer and bassist, Charles Mingus, who died in 1979. Under the artistic direction of (Charles’ wife) Sue Mingus, this 14-piece band performed Thursday nights from 1991 to 2004 at the Fez under Time Cafe in New York City, occasionally alternating with the Charles Mingus Orchestra. From November 2004 to September 2008, the big band had a residency at Iridium Jazz Club and in October 2008 moved to Monday residency at Jazz Standard. The Mingus Big Band tours extensively in the United States and abroad, and has eight recordings to its credit, six of which have been nominated for Grammys.
Regulars currently appearing in the 14-piece band:
- 3 Trumpets: Randy Brecker, Earl Gardner, Alex Sipiagin, Lew Soloff, Tatum Greenblatt, Ryan Kisor, Kenny Rampton, Jack Walrath, Sean Jones
- 3 Trombones: Conrad Herwig, Andy Hunter, Ku-umba Frank Lacy, Earl McIntyre, Dave Taylor, Robin Eubanks, Joe Fiedler, Clark Gayton
- 5 Saxophones: Vincent Herring, Seamus Blake, Abraham Burton, Wayne Escoffery, Donny McCaslin, Mark Gross, Craig Handy, Jason Marshall, Lauren Sevian, Jaleel Shaw, Steve Slagle, Ronnie Cuber, David Lee Jones
- Piano: Orrin Evans, David Kikoski, Helen Sung, George Colligan, Kenny Drew Jr.
- Bass: Boris Kozlov, Hans Glawischnig, Andy McKee, Joe Martin, Ugonna Okegwo, Dwayne Burno
- Drums: Donald Edwards, Gene Jackson, Victor Lewis, Jeff “Tain” Watts, Adam Cruz
Webpage: http://www.mingusmingusmingus.com/
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FOR INFO & TICKETS: http://pdxjazz.com/tickets/
PDX Jazz Fest :: Luciana Souza
Well, the PDX Jazzfest in Portland, Oregon, is about 6 weeks away. You won’t want to miss it. There are many fantastic local and national acts, including these great headliners:
Thursday, February 25 – Luciana Souza
Friday, February 26 – Mingus Big Band
Saturday, February 27 (3pm) – Trygve Seim & Frode Haltli
Saturday, February 27 (7:30) – Dave Holland Quintet
Sunday, February 28 (3pm) – Pharoah Sanders
Sunday, February 28 (7:30) – Dave Douglas Brass Ecstasy
As we lead up to the event, I’ll focus on one of the headliners a week… first up Luciana Souza.
Luciana Souza is a Grammy winning jazz vocalist from São Paulo, Brazil. Her first solo album was An Answer to Your Silence (1999). The Poems of Elizabeth Bishop and Other Songs (2000) was fifth place in the New York Times‘ 2000 The Year in Pop and Jazz: The Critics’ Choice list. In 1991, she was elected Discovery of the Year by APCA for her work with Hermeto Pascoal. In the next year, she toured with the Zimbo Trio. In 1995, she was nominated for Outstanding Latin Act and, in the next year, Outstanding Jazz Vocalist at the Boston Music Awards. Among the artists she has been performing and recording with are her godfather, Hermeto Pascoal; Danilo Perez; Zimbo Trio; David Kikoski; Joey Calderazzo; Romero Lubambo; Guillermo Klein; Oscar Castro-Neves; Cyro Baptista; the Paul Winter Consort; Ben Sher Group; Steve Lacy; Kenny Wheeler; Donald Brown; John Patitucci; Kenny Werner; Osvaldo Golijov; Bob Moses; and George Garzone. From a musical family (her parents are Walter Santos and Tereza Souza), Souza has been involved with music since her childhood, when she worked with jingles. After four years at Unicamp University in Brazil, she went to the Berklee College of Music, where she received a bachelor’s degree in jazz composition. She received a master’s degree from the New England Conservatory of Music. In 2009, Souza released Tide her first album for Verve and her second collaboration with husband and producer Larry Klein.
Webpage: http://www.lucianasouza.com/
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FOR INFO & TICKETS: http://pdxjazz.com/tickets/
Favorite Concerts of 2009
Well, this year’s concert seasons were especially good to me… 365 days, 70 shows, 119 artists, 1 wine-tasting rock show, many long nights driving home, and a lot of photos…
My favorite concerts of 2009:
- Maynard James Keenan’s Puscifer (2 nights) :: Roseland Theater :: Portland, OR {14&16 Nov} [reviews with pictures – night #1 & night #2]
- Nellie McKay & the Aristocrats :: Dimitriou’s Jazz Alley :: Seattle, WA {20 Oct} [review with pictures]
- dredg :: Hawthorne Theatre :: Portland, OR {3 Apr} [review]
- Holy Fuck :: Doug Fir Lounge :: Portland, OR {4 Jun} [review with pictures & video]
- The Swell Season :: McDonald Theatre :: Eugene, OR {23 Nov} [review with pictures]
- Zappa Plays Zappa :: Hawthorne Theatre :: Portland, OR {2 Jan} [review]
- Flight of the Conchords & Arj Barker :: Arlene Schnitzer Hall :: Portland, OR {14 May} [review]
- SFJazz Collective 2009 with Dave Douglas, Joe Lovano, Miguel Zenon, and more focusing on the music of McCoy Tyner :: The John G. Shedd Institute for the Arts :: Eugene, OR {19 Mar} [review with pictures]
- Opeth & Enslaved :: Roseland Theater :: Portland, OR {12 May} [review]
- The Melvins (2 sets) :: John Henry’s :: Eugene, OR {9 Aug} [review with pictures]
- My Weekend with Peter Mulvey & Krista Detor :: Alberta Street Pub/Sam Bond’s Garage :: Portland/Eugene, OR {7&8 Nov} [review with pictures]
- Hiromi’s Sonicbloom :: Dimitriou’s Jazz Alley :: Seattle, WA {16 Jun} [review with pictures]
- David Bazan (of Pedro the Lion) :: House Show :: Eugene, OR {25 Jul} [review with pictures]
- Madeleine Peyroux :: The John G. Shedd Institute for the Arts :: Eugene, OR {25 Mar} [review]
- Patton Oswalt :: Newmark Theatre :: Portland, OR {13 Sep} [review]
Runners-Up: Emily Wells & PCP at Cozmic, UofO’s Percussion Ensemble Tribute to Frank Zappa, David Cross at Newmark, Porcupine Tree & That1Guy at Roseland (Portland), Wynton Marsalis and the Lincoln Center Jazz Orchestra at Hult Center, and Spinal Tap at Paramount (Seattle).
Biggest Disappointments: missing Zappa Plays Zappa in Eugene in late November due to them getting stuck in California due to snow, missing Tristeza in Portland in early December due to a bad sinus infection, missing Melt Banana in Portland due to freezing rain & fog, seeing Yann Tiersen play an utterly dreadful show in Portland, and not seeing Over the Rhine for the 2nd year in a row (we’ll have to make up for it in 2010).
And to end on a positive note…
My favorite concert photos of 2009: (in no particular order)
- The Swell Season in Eugene

- Sweethead, opener for Puscifer in Portland

- Carina Round and Maynard James Keenan behind their boxes for Puscifer in Portland

- Sin Fang Bous, opener for Múm in Portland

- Hildur Guðnadóttir of Múm screaming her heart out in Portland

- Nellie McKay in Seattle

- Aimee Mann smiles in Portland

- Sara Watkins of Works Progress Administration in Eugene

- Alice in Chains iPhone shot in Portland

- Gavin from dredg moves too fast for me in Portland

- King Buzzo of The Melvins in Eugene

- Zoë Jakes dancing with Beats Antique in Eugene

- Jerry Gaskill’s stick action with King’s X in Portland

- Brian Borcherdt of Holy Fuck in Portland

(all images are free to use under a creative commons designation, simply identify Daniel Temmesfeld with a photo credit and link to jazzsick.wordpress.com)
Past Favorite Concerts Lists:
Favorite music of 2009 will be coming the week of Dec 28th… EPs/DVDs/etc, vocal albums, instrumental albums, artists of the decade…
~Dan – np: Anthony Coleman – Freakish: A Tribute to Jelly Roll Morton 

Zappa Plays Zappa @ McDonald Theatre (canceled)

So, I just got a call from TicketsWest… the Zappa Plays Zappa show for tonight has been “canceled due to inclement weather in California“… boo… no word on a reschedule. Tickets will be refunded at the place of purchase.
Check out more tour dates below.
~Dan – np: The Swell Season – Strict Joy

Current Tour Dates
- Nov 19, ’09 – Austin, TX – Stubbs Amphitheater
- Nov 20, ’09 – Dallas, TX – House of Blues
- Nov 21, ’09 – Houston, TX – House Of Blues
- Nov 23, ’09 – Albuquerque, NM – Sunshine Theater
- Nov 24, ’09 – Aspen, CO – Belly Up
- Nov 25, ’09 – Boulder, CO – Fox Theatre
- Nov 27, ’09 – Lake Tahoe, NV – Montbleu Resort
- Nov 28, ’09 – Eugene, OR – McDonald Theatre canceled
- Nov 29, ’09 – Spokane, WA – Bing Crosby Theater
- Nov 30, ’09 – Bend, OR – Tower Theater
- Dec 01, ’09 – Arcata, CA – Van Duzer Theater
- Dec 02, ’09 – Santa Cruz, CA – Rio Theater
- Jan 3-7, ’10 – Carribbean Ocean – Jam Cruise 2010
- Jan 8, ’10 – Ft. Lauderdale, FL – Revolution Live
- Jan 9, ’10 – Tampa, FL – The Ritz Ybor
- Jan 11, ’10 – Atlanta, GA – Variety Playhouse
- Jan 12, ’10 – Charlotte, NC – Neighborhood Theatre
- Jan 13, ’10 – Raleigh, NC – Lincoln Theatre
- Jan 14, ’10 – Richmond, VA – The Hat Factory
- Jan 15, ’10 – Baltimore, MD – Rams Head Live
- Jan 16, ’10 – Montclair, NJ – Wellmont Theatre
REVIEW: My Oregon Weekend with Peter Mulvey (11/7 & 11/8/2009)
FYI… PHOTOS of both SHOWS at the BOTTOM
I’ve been into Peter Mulvey for the past 10 years, right around when The Trouble With Poets came out. I used to be able to see him at least twice a year in Southwest Ohio (Canal Street Tavern, Southgate House, etc). Since moving to Eugene, Oregon, I’ve only had one opportunity. It was a great show, but I needed more… hence the need to drive up to Portland to see him before he hit my hometown the next day. :)
Alberta Street Pub (Saturday in Portland) was packed when I got there. I didn’t know it was an early show and I showed up right when Krista was going on. The venue was long and narrow… most of the seating was church pews (a la Dayton’s Canal Street Tavern). Given that fact, I gladly stood in back (church pews are horrid on my back). The acoustics in the room were good. The light wasn’t all that great… but I still got a few shots that ended up being decent (see below).
Sam Bond’s Garage (Sunday in Eugene) is a place I’ve been to many times. It is also dark; so I usually don’t bring my camera for shows. I was able to get a few shots, though. The plus of SBG for the Peter Mulvey weekend is that it seems more spread out compared to Alberta Street Pub… plus their beer selection is tops (Alberta seemed to have half of theirs socked up/out of stock). So, as far as venue winner… Sam Bond’s. But I’ll definitely hit Alberta again if a show suits me.
Krista Detor played about a 20-30minute set on both nights. She mainly played piano, but also pulled out the accordion for a song of her own (and one of Peter’s). Her songs that I caught in Portland… “Steal Me A Car”, “100 Years More,” “Mudshow,” “Early Grave,” and “Waterline.”
In Eugene, Krista played the same songs except she threw in “All to Do with the Moon” in between “Mudshow” and “Early Grave.”
Peter Mulvey was in a great mood in Portland. He had a shorter set due to a different show going on after him, but he was a graceful and funny as usual. Some of the best parts of the set were his banter in between songs… his bit on Sean Connery had me cracking up. How can someone with a speech impediment be so well known for his speaking roles? It was schplendid. Peter also went off on a riff about Sting that was also pretty funny, surrounding a “wet t-shirt” promo for a recent Saturday Night Live appearance. I think if Peter’s guitar and voice weren’t so grand, he could be a stand-up comedian. :)
He played a lot from his new album, but also a few older tunes and covers. He had some limited edition The Bicycle EPs for sale, and I snagged one for me and a couple friends. He also mentioned that next September (2010) he might bring his bike tour out to Oregon. Yippie! Anyway, here’s what he played on Saturday night…
Setlist (Portland 11/7): about 80 minutes
- If Love Is Not Enough
- Some People
- Kids In The Square
- Here In The Going Going Gone [Greg Brown cover]
- Letter From A Flying Machine
- “Sean Connery”
- Windshield
- The Knuckleball Suite (with Krista Detor)
- Shirt (with KD)
- “Sting SNL”
- Shoulderbirds (You Know Me) (with KD)
- Bears
- Sad, Sad, Sad, Sad (And Far Away From Home)
- (I Don’t Know Why) But I Do [Bobby Charles cover]
- Mailman
- Vlad The Astrophysicist
- On A Wing And A Prayer
- Encore: Our Love Is Here To Stay [Nat King Cole cover]
One food-related add-on… close to the Alberta Street Pub was a place called Grilled Cheese Grill. Holy cow… excellent stuff. It does for grilled cheese what Eugene’s Off the Waffle does for waffles. Yummy!
~*~*~*~
Eugene’s set was similar – Peter seemed to be in a pretty great mood. The crowd was much smaller than Portland, but I figured smaller market to pull from and Sunday night were a factor in that. I will say that I’m disappointed in Eugene a lot for not coming out to some great shows (I made my best attempt for last night). We did conjure up a trio of friends to join us, and there were some other definitely Peter Mulvey fans in the crowd – including a couple of teddy bear loving peeps (that was interesting, to say the least). My friendJenny asked me if teddy bears were a theme with Peter’s fans, to which I blurted out, “noooooo.” And then Peter announced the spoken word piece “Bears.” :)
Setlist (Eugene 11/8): about 90 minutes
- I’m Beginning To See The Light [Duke Ellington cover]
- Kids In The Square
- “Time Machine”
- Some People
- Letter From A Flying Machine
- Abilene (The Eisenhower Waltz)
- The Knuckleball Suite (with Krista Detor)
- Shirt (with KD)
- Shoulderbirds (You Know Me) (with KD)
- …Plus The Many Inevitable Fragments / Dynamite Bill
- Bears
- Moonshiner [Uncle Tupelo cover]
- Vlad The Astrophysicist
- On A Wing And A Prayer
- Encore: Sad, Sad, Sad, Sad (And Far Away From Home)
(We also caught a snippet of “Brand New ’64 Dodge” and “A Better Way to Go” in soundcheck.)
All in all, I think the Alberta show was my fave of the two, but both were fantastic. I hope Peter ventures out this way more often. He promised again to head out this way next year – and possibly via bike. It’ll be earlier in the year (September vs November). If you want to check out some of his stuff… his latest record, Letters From a Flying Machine, is excellent. I think it’s his strongest since 2000’s The Trouble with Poets. You can listen to some samples at Petermulvey.com (one free download) or Amazon (samples of all songs):
The Appropriate Linkage:
- Peter Mulvey’s Site
- Peter Mulvey on MySpace
- Krista Detor’s Site
- Krista Detor on MySpace
- Alberta Street Pub
- Shining City Music (promoter for the PDX show, she’s rad!)
- Sam Bond’s Garage
Check out more tour dates below.
~Dan – np: Galactic Cowboys – Space In Your Face

PETER MULVEY & KRISTA DETOR PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
Fall 2009 U.S. Tour Dates
- 11/7 PORTLAND, OR The Alberta Pub
- 11/8 EUGENE, OR Sam Bond’s Garage
- 11/10 ARCATA, CA Arcata Playhouse
- 11/11 BERKELEY, CA Freight & Salvage
- 11/12 FELTON, CA Don Quixote’s
- 11/13 SANTA MONICA, CA McCabe’s
- 11/14 SAN DIEGO, CA AcousticMusicSanDiego
- 11/20 BURLINGTON, VT UVM Recital Hall
- 11/21 FRAMINGHAM, MA Amazing Things Arts Center
- 12/1-2 FAIRBANKS, AK College Coffeehouse
- 12/3 TOK, AK Fast Eddy’s
- 12/4 TALKEEKTNA, AK Whole Wheat Radio
- 12/5 ANCHORAGE, AK Snow Goose Theatre
- 12/6 PALMER, AK Vagabond Blues
- 12/8 KODIAK, AK The Golden Anchor
- 12/10 CARBONDALE, CO Steve’s Guitars
- 12/11 DENVER, CO Swallow Hill
- 12/12 COLORADO SPRINGS, CO Friends House Concert
- 12/13 FORT COLLINS, CO Avogadro’s Number
- 12/15-19 FORT ATKINSON, WI Cafe Carpe
REVIEW: David Bazan Band @ Mississippi Studios (Portland, OR – 11/6/09)
FYI… PHOTOS of the SHOW at the BOTTOM

So, last night’s show could have been presented by “Keep Portland Beard.” Every member of both bands sported beards (which, to be fair, had some dual members). I think beards and indie rock are like eye shadow and goth. Except at least the women of indie rock don’t have beards (not that I know of at least).
I drove by the venue around “doors” time… and the line was part way down the block. Yikes. As I parked my car and walked to the venue, I spotted David Bazan and some of his posse hanging out by the nearby burrito cart. He was on his mobile; so I opted not to bug him.
After a delicious hummus plate washed down by a McTarnahan’s Amber, SAY HI started… I found my seat at the awesomely cozy Mississippi Studios.
Say Hi is a trio, and they played what I’d call “power pop indie rock.” I mean, that’s my best explanation… very catchy, hooky – yet retaining that gristle and DIY charm of a touring group of guys. While Say Hi didn’t have the one-two writing & vocal punch of Neil Gust & Elliott Smith’s Heatmiser, I think Heatmiser is my closest comparison to Say Hi. Great pop songs in a rock setting, definitely enjoyable. They played about 40 minutes and, unfortunately, it flew by. But… they’re from Seattle; so they’re totally on my “auto notify” Pollstar radar now.
After a very short set break (5 minutes, maybe)… David Bazan (plus band) hit the stage…
The first time I saw David Bazan (December 2003 with Over the Rhine) was the only time I’ve seen him with a “band.” Even that time, it was a stripped down Pedro the Lion set with just David and T.W. Walsh (drummer). The singer of Say Hi joined David on guitar, the Say Hi bassist traded bass duties for guitar / keyboards / percussion. Blake Wescott joined on guitar, there was a new drummer, and David took care of bass (and guitar during the encore).
The set was a heavy David Bazan “solo albums” set, as expected. I’ve really been digging his latest album, Curse Your Branches; so I picked it up on vinyl last night. Most of the set was CYB stuff and Fewer Moving Parts material. He did throw in a few expected Pedro the Lions and Headphones songs as well…
Setlist: about 90 minutes
- Hard To Be
- Please, Baby, Please
- I Do (Pedro the Lion tune)
- Bless This Mess
- Q&A #1
- I Never Wanted You (Headphones tune)
- Magazine (Pedro the Lion tune)
- Heavy Breath
- Q&A #2
- Cold Beer And Cigarettes
- When We Fell
- Lost My Shape
- Curse Your Branches
- Q&A #3
- Fewer Broken Pieces (aka Fewer Moving Parts)
- Bearing Witness
- Q&A #4
- Keep Swinging (Pedro the Lion tune)
- How I Remember
- In Stitches
- Encore (David solo): Priests and Paramedics (Pedro the Lion tune)
- Will You Still Love Me In December (Julie Doiran cover)
- Q&A #5
- Harmless Sparks
Best David Bazan line of the night… “Infants are necessary, but they’re kinda bullshit.”
I loved David with a band. I think the highlight of the night for me, though, was Say Hi. I usually don’t expect to like an opener, and I like being pleasantly surprised. I didn’t have enough coin to get some Say Hi music last night, but I plan to in the near future.
Another highlight… David’s Q&A sessions are also usually a fun aspect of his shows – it really makes a Bazan show more personal and intimate. Most of the questions surrounded his recent “coming out” as an atheist-leaning agnostic after many years in the Christian indie rock scene. I always loved his candor and questioning of things in religion, even when he considered himself to be a Christian and I had moved out of that camp. I, honestly, don’t think his lyrical themes changed all that much. His Q&A answers last night were more along the lines around around tolerance, regardless of religious beliefs or non-beliefs. Personally, I’m glad to have him in the more doubtful camp. However, above that, I’m glad that he’s not trying to be divisive with things like faith and his “falling from faith.” We should move towards being different than the prior generations who don’t know tolerance.
The Appropriate Linkage:
- David Bazan’s Site
- David Bazan on MySpace
- Pedro the Lion on MySpace
- Say Hi’s Site
- Say Hi on MySpace
- BrooklynVegan’s NYC 10/18 Review
- Fan videos from the Chicago show: video #1 – video #2
- Mississippi Studios
Check out more tour dates below.
~Dan – np: Lowell Brams, Sufjan Stevens & Bryce Dessner – Library Catalog Music Series: Music for Insomnia

DAVID BAZAN & SAY HI PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
Recent/Upcoming Tour Dates
- 10/01 – San Francisco CA – Independent
- 10/02 – Costa Mesa CA – Detroit Bar
- 10/03 – San Diego CA – Casbah
- 10/04 – Los Angeles CA – Troubadour
- 10/05 – Tucson AZ – Solar Culture
- 10/07 – Austin TX – Mohawk
- 10/08 – Denton TX – Dan’s Silverleaf
- 10/09 – Memphis TN – Hi-Tone Café
- 10/10 – Murray KY – Lovett Auditorium / Murray State
- 10/11 – Birmingham AL – Bottletree
- 10/13 – Orlando FL – The Social
- 10/14 – Atlanta GA – Drunken Unicorn
- 10/15 – Chapel Hill NC – Cat’s Cradle
- 10/16 – Washington DC – Black Cat
- 10/17 – Philadelphia PA – Kung Fu Necktie
- 10/18 – New York NY – Bowery Ballroom
- 10/20 – Cambridge MA – TT the Bear’s +
- 10/21 – Montreal QC – Il Motore
- 10/22 – Toronto ON – Lee’s Palace
- 10/23 – Pontiac MI – Pike Room
- 10/24 – Chicago IL – TBA
- 10/25 – Champaign IL – Highdive
- 10/27 – Madison WI High – Noon Saloon
- 10/28 – Minneapolis MN – Turf Club
- 10/29 – Iowa City IA – The Picador
- 10/30 – Lawrence KS – Jackpot Saloon
- 10/31 – Omaha NE – Slowdown
- 11/01 – Denver CO – Hi Dive
- 11/02 – Salt Lake City UT – Kilby Court
- 11/05 – Vancouver BC – Media Club
- 11/06 – Portland OR – Mississippi Studios
- 11/07 – Seattle WA – Neumos
House Shows - 12/9 – Detroit, MI – 8pm – tickets available on db.com
- 12/10 – Cleveland, OH – 8pm – tickets available
- 12/11 – Columbus, OH – 8pm – SOLD OUT
- 12/12 – Indianapolis, IN – 5pm – tickets available
- 12/12 – Indianapolis, IN – 8pm – SOLD OUT
- 12/13 – New Haven, IN – 5pm – tickets available
- 12/13 – Ft. Wayne, IN – 8pm – SOLD OUT
- 12/14 – Goshen, IN – 8pm – SOLD OUT
- 12/15 – Lansing, MI – 8pm – tickets available


















































































































































































































































































































































































































