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REVIEW: Kaki King with An Horse @ WOW Hall (Eugene, OR – 5/16/10)

17th May 10 (Mon) 1 comment

FYI… PHOTOS of the SHOW at the BOTTOM

Last night the fine folks of Eugene were treated to two lovely indie rock acts… Kaki King and An Horse. Kaki had played a short, but fantastic set earlier on Sunday at CD World (review with photos/videos) – and she brought up Kate Cooper from An Horse at the end, which had been my only exposure to An Horse outside of the WNYC Soundcheck podcast a month ago.  Kate’s “Camp Out” with Kaki solidified it to me that I shant be late to the opening set…

An Horse went on right around 8pm and played a SOLID melodic indie rock set.  Being only vaguely familiar with their songs didn’t matter.  It was 45 or so minutes of indie rock goodness.  “Camp Out” was played, which is perhaps their “single” but it far from being their only good song.  The Aussie duo put out a nice wall of sound, too.  Mighty big for a two person crew!  Check out their latest record, Rearrange Beds!

After a short break, Kaki came on with her band…

They started off strong with a powerful few numbers.  “Bone Chaos” may have been my favorite of the night… it really shows off Kaki’s guitar prowess combined with some haunting EVI by Dan Brantigan.  It was pretty obvious early on that the drums were taking over (unfortunately).  The mid-section of the show was nice, as we got to see Kaki shine solo with some “Pink Noise”…

Kaki’s Setlist: just shy of 2 hours

  • Falling Day
  • Bone Chaos in the Castle
  • Life Being What It Is
  • Pull Me Out Alive
  • Death Head
  • The Betrayer
  • Hallucinations From My Poisonous German Streets
  • Playing with Pink Noise [solo]
  • Goby [solo]
  • All the Landslides Birds Have Seen
  • Doing The Wrong Thing
  • My Nerves That Committed Suicide
  • unknown song
  • Spit It Back in My Mouth
  • Everything Has An End, Even Sadness (which is not new age)*
  • You Don’t Have to Be Afraid
  • Encore: unknown rock jam
  • fucking around on the lap steel
  • Gay Sons of Lesbian Mothers
  • unknown dance song

*– don’t ever call Kaki new age… especially if you have balls and would like to retain them.
any help on unknown songs is appreciated

Kaki came out for an encore and treated us to another instrumental favorite, “Gay Sons of Lesbian Mothers,” which featured Dan trading the EVI off for a theremin, alongside Kaki’s lapsteel.  She then capped the show off with a “dance number,” which unbeknown to us involved her jumping amongst the crowd and dancing it up while her guitar went on loop above us… a great end to a great day full of music.

more photos below

The Appropriate Linkage:

Check out more tour dates below.

~Dan – np: Kaki KingHow I Got Lost (soundtrack)

KAKI KING with AN HORSE PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

Spring 2010 Tour Dates

Apr 15, 2010 Music Hall of Williamsburg – Brooklyn, New York
Apr 16, 2010 Bowery Ballroom – New York, New York
Apr 17, 2010 Middle East – Boston, Massachusetts
Apr 19, 2010 Iron Horse – Northampton, Massachusetts
Apr 20, 2010 Port City Music Hall – Portland, Maine
Apr 21, 2010 Higher Ground – Burlington, Vermont
Apr 28, 2010 TLA – Philadelphia, Pennsylvania
Apr 29, 2010 9:30 Club – Washington, DC, Washington DC
Apr 30, 2010 Cat’s Cradle – Carrboro, North Carolina
May 1, 2010 The Variety Playhouse – Atlanta, Georgia
May 4, 2010 Beachland Ballroom – Cleveland, Ohio
May 5, 2010 The Ark – Ann Arbor, Michigan
May 6, 2010 Park West – Chicago, Illinois
May 7, 2010 High Noon Saloon – Madison, Wisconsin
May 8, 2010 Varsity Theater – Minneapolis, Minnesota
May 9, 2010 The Waiting Room – Omaha, Nebraska
May 11, 2010 The Fox Theater – Boulder, Colorado
May 12, 2010 Cervantes – Denver, Colorado
May 14, 2010 Neumos – Seattle, Washington
May 15, 2010 Wonder Ballroom – Portland, Oregon
May 16, 2010 WOW Hall – Eugene, Oregon
May 19, 2010 Knitting Factory – Reno, Nevada
May 20, 2010 Mystic Theater – Petaluma, California
May 21, 2010 The Fillmore – San Francisco, California
May 22, 2010 The El Rey Theater – Los Angeles, California
May 24, 2010 The Belly Up – San Diego, California
May 25, 2010 The Glass House – Pomona, California

Kaki King @ WOW Hall (5/16)

16th May 10 (Sun) Leave a comment

REVIEW: Kaki King @ CD World (Eugene, OR – 5/16/10)

16th May 10 (Sun) 4 comments

As a warm up for her show tonight at WOW Hall, Kaki King stopped by and wowed us at CD World (i.e.- the best CD shop in Eugene).  Here’s what she played:

(click on the photos for larger)

In-Store Setlist:

  • Bone Chaos in the Castle
  • The Betrayer
  • Death Head [YouTube]
  • Sunnyside
  • Camp Out (An Horse song w/ Kate Cooper) [YouTube]

http://www.kakiking.com/http://www.anhorse.com/

all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution

See y’all at WOW Hall tonight!

~Dan – np: Ani DiFrancoLive at Bull Moose Music 4/17/09

REVIEW: That 1 Guy & Boy Eats Drum Machine @ WOW Hall (Eugene, OR – 5/15/10)

16th May 10 (Sun) 4 comments

FYI… PHOTOS of the SHOW at the BOTTOM

I’ve been a fan of That 1 Guy and the Magic Pipe since seeing him a dank club in Cincinnati opening for Drums & Tuba in the early 2000s.  He’s toured incessantly throughout the decade, hitting some major festivals and being a supporting act for some big bands.  It’s been nice to see his fanbase grow, and at many times I didn’t think his music was growing all that much.  Well, he proves us wrong with his fourth record, Packs a Wallop.  He seems to have found a nice balance between the experimentation and the groove.  The lyrical silliness is still there, but that’s part of the charm…

The opener was Portland’s Boy Eats Drum Machine.  Boy Eats Drum Machine is a one man band made up of Jon Ragel and his musical toys. I was only familiar with the video for “Hoop + Wire” (see below).  It’s a clever video, but I didn’t think it gave any insight into his live set.  Well, the Eugene crowd was blown away, to say the least.   He put out an incredibly danceable mix of record spinning, drum machine, live drums, saxophone and vocals.  He has a great voice, passion, and energy.

Boy Eats Drum Machine “Hoop + Wire

Well, no, his live set wasn’t stop-motion animation, but it was as full of energy and fun as the video shows.  Eugene ate Boy Eats Drum Machine.  Portland, you can’t have him back!!

After only a short break, Mike Silverman aka That 1 Guy joined the Magic Pipe on stage for almost two and a half hours of lights, smoke, lasers, and all around jam-worthy tom-foolery…

Mr. Guy played almost non-stop, busting through his catalogue… playing many tunes from his latest album…

Setlist: almost 2 1/2 hours

  • Modern Man
  • Packs a Wallop
  • Buttmachine (with extended jam)
  • How’s Bout Them Holes In The Moon (Butter Side Down)
  • Heaven or Heck
  • Jam
  • Stones Throw
  • Oranges
  • Bananas
  • Laser Beans
  • Step Into Striped Light
  • Mustaches
  • Jam
  • Rainbow
  • Dig
  • One
  • “Magic Show”
  • Credit Card Jam
  • Lounge Outtro
  • Encore: Weasel Potpie
  • The Moon is Disgusting
  • Word Up (Cameo cover)
  • Lounge Outtro

Of the frequent stops through Eugene, this one seemed to be the most action packed.  He had full reign to play a longer set, and his light show has definitely stepped up a notch (I did miss the Mustaches & Laser Beams tour; so maybe this is just a continuation).  He pulled out the magic saw and magic boot near the end of the show.  He also treated the crowd to his magic card tricks and laser bows.  Ever the showman, he was soaking wet by the end of the night, yet still full of energy…

many more photos below

The Appropriate Linkage:

~Dan – np: Ben Goldberg Quartet plays Masada Book TwoBook of Angels, Vol 15: Baal

THAT1GUY & BOY EATS DRUM MACHINE PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

REVIEW: MEDGE presents Karim Nagi @ WOW Hall (Eugene, OR – 4/30/10)

1st May 10 (Sat) 4 comments

The Middle Eastern Dance Guild of Eugene (aka MEDGE) hosts monthly shows at Cozmic Pizza.  Great food, great music, and great dancing come to mind when I make my way over there the third Fridays of each month.  For a special International Dance Day celebration, they brought in Karim Nagi for special workshops and moved their event down the street to WOW Hall.

Karim Nagi is an Egyptian musician, composer, music arranger and DJ.  He specializes in traditional Arabic music but works in other musical mediums.  He has two CDs out under the artist moniker of Turbo Tabla.  He has also recorded music for Bellydance Superstars, Bellyqueen, and the Bellytwins, as well as mainstream artists like Alicia Keys, and The Urban Griot Project.

Sadly he didn’t pull out a traditional Indian tabla last night (apparently an Egypt table / darbuka is very similar to a dumbek).  Regardless, we were treated to a lot of wonderful dancing and drumming.  Here’s a pictorial review of last night’s show… Enjoy!

all pictures (cc) 2010 Daniel Temmesfeld & Margaret O’Brien,
you may use freely under a creative commons attribution
(click for larger)

Karim Nagi (stick dance, traditional folkloric dance of Egypt)

Mem Aleph (troupe consisting of Candice Nelson, Barbie Griggs, Jeannie Anderson, Amanda Bounds, Marie Scott and Monica Trent) performing three folk dances: Syrtos from Greece; Hands Talk (a Jewish Yemenite dance); and Ma Nava (an Israeli dance)

Siobhan performing a Ghawazee-inspired dance choreographed by Hassan Khalil

Amani (choreography by Mahmoud Reda — Oriental piece with his signature balletic movements incorporated into Raks Sharqi)

Elena Villa (Arab Flamenco Fusion)

Caravan Dancers (Troupe consists of Deena, Zendra, Crystal and Erin performing a Folkloric Suite: Basket Dance, Turkish 9/8, Cane Dance, Tambourine Dance)

Sabine (Indian Sapera Dance of the Kalbeliya snake-charmers)

Karim Nagi – improvisational finger cymbal dance

>> << intermission >> <<

Jamara (dance performance to live drumming by Karim Nagi)

Devi Safir (dance performance to live drumming by Karim Nagi)

musical performance by Karim Nagi & Ishmael, a qanun player (stringed instrument from Egypt), followed by an audience participation debke, a traditional Arabic folk dance

Be sure to check out MEDGE on the web to find out about the monthly shows and upcoming special events & workshopshttp://medge.org/

The Appropriate Linkage:

~Dan – np: Carla Kihlstedt2 Foot Yard

REVIEW: Derek Webb & Jennifer Knapp @ Aladdin (Portland, OR – 4/27/10)

28th Apr 10 (Wed) 11 comments

FYI… PHOTOS of the SHOW at the BOTTOM

There’s something about songwriters that draw me in.  With Derek Webb, I’ve been a long time fan since 1996… ever since first seeing him with his folksy-poppy band Caedmon’s Call.  While I dug Caedmon’s a lot as a group, I really enjoyed Derek’s songwriting the most.  He seemed to have the more “real life” songs – ones I could relate to the most.  His initial departure from the band went OK with me, as he kept making solo music… starting out in the traditional acoustic and then morphing into more rock and even electronic-infused meets acoustic.  His last album, 2009’s Stockholm Syndrome, was one of my favorites from last year (#3 to be exact).

Stockholm Syndrome fuses some great keys & beats from fellow Caedmon’s Call member Joshua Moore with Derek’s solid songwriting.  Lyrically, Derek tackles many issues that I think are relevant and important to everyone (not just christians) – including, but not limited to, addressing Fred “God Hates F-gs” Phelps from the hate-mongering Westboro Baptist Church (“Freddie Please”) to one-side of a superficial relationship with a club beat (“Jena & Jimmy”) to the conflict of a walk of faith and easier route living in the world at large (at least, that’s my take on “The Spirit Vs. The Kick Drum”) to the seemingly-singling out of homosexuality in the church as a major sin (What Matters More).

“What Matters More” is a song that resonates with me, as it is a big part of why I eventually left the church.  The church’s singling out of one sin over another really hit me as hypocritical, legalistic, and not loving.  If this was the god that the bible talked about, I didn’t want to be part of this disease.  If this wasn’t god’s view, then I didn’t want to be part of this group of “believers.”  Regardless of my personal road that led to a lack of faith and becoming an atheist, I still hold Derek’s music closely, as I think of any christian artist, he seems to “get it.”

Derek going out on tour with Jennifer Knapp ended up being a perfect match (she just “came out” as being in a long-term, committed same-sex relationship).  This isn’t shocking to me, and I wish it didn’t even have to be mentioned.  Why is someone’s sexuality any of our business? I suppose that in this day and age, especially coming from a christian musician, this “coming out” has to occur to set the record straight that there is nothing wrong with this.  I’m happy that she was finally comfortable coming back into making music, touring and coming out to be true to herself.  I didn’t know much of her music prior to this show (though she was on my radar back when I was a music buyer at a christian bookstore in the Midwest), but I was equally excited to see her play alongside Derek.

Amy Courts opened the show right at 8pm.  She only played about 3 songs, but had a lot of banter (she was up there about 20 minutes).  Her banter was quite adorable, and her songs were in a similar acoustic singer-songwriter vein to both Webb & Knapp.  Amy had a gentler song in the middle, but her opener and closer showed off her powerful voice.  Definitely a good warm up…

Derek Webb went on immediately after Amy.  I guess with a bunch of acoustic guitars and no backing bands, it’s easy to stack the artists right after one another.

Prior to the show, I wasn’t sure how the Stockholm Syndrome songs would translate to solo acoustic, and according to Derek – he can only play about half of them on a solo tour.  With that being said, he played a good mix of older tunes, newer tunes, and even a brand new Caedmon’s Call song…

Derek’s Setlist: about 50 mins

  • Heaven
  • A Love That’s Stronger Than Our Fear
  • New Law
  • My Enemies Are Men Like Me
  • Freddie, Please
  • Nobody Loves Me
  • God’s Home Town (new Caedmon’s Call song)
  • Wedding Dress
  • What Matters More
  • American Flag Umbrella

My favorites from his set were the last three, but I enjoyed his set throughout.  Derek was fighting some form of sickness, which contributed a little bit to his normal raspiness (which I love).  Hopefully he’ll come by soon and be able to be more talkative, as that’s usually where things get interesting. :)

After a short 10-minute break, Jennifer Knapp hit the stage.  As mentioned previously, I was not too familiar with her music, but I did recognize one of the tunes early on from my old christian bookstore days – “Whole Again.”  I also recognized “Dive In” from her webpage.  She definitely had a powerful voice and stage presence.  I can totally see her draw… she’s a great performer and has some vocal and guitar chops.

Some of her songs were a bit too “christianeze” for my tastes.  Though, she is decidedly less CCM-y than most, and I can definitely appreciate that. :)  One funny moment (to me) was her describing how “such and such” song was written a while ago but never put on a record because it didn’t have the right mentioning of “Jesus” and wasn’t as religious, etc – but to me, it definitely seemed religious… I mean, why do christians many times think that songs aren’t religious if they don’t use “god” or Jesus’ name directly?  This song’s mentioning being “in need of mercy” (among other things) definitely had a religious bent, if you ask me.  Anyway, christians’ perceptions of christian songs gets a chuckle out of me.  That’s all.  She is enough of a cross-over lyricist where I think she’ll do fine on the Lilith Fair circuit… she’s a powerful woman musician warrior.

I enjoyed just under an hour of Jennifer’s set before heading out back home to Eugene.  I did catch a few songs with Amy Court joining her, and I’m sure Derek joined her later in the set (as he has done in the past).  All in all, I thought it was an A+ triple singer-songwriter bill.  If you have any thoughts on Jennifer’s set or if you have her setlist, please post in the comments.

This was one of the last shows featuring both Derek & Jennifer.  Derek Webb will likely be more involved in the Caedmon’s Call album wrap-up in the coming months (I’m hoping they tour with Derek).  Jennifer Knapp will be on the Lilith Fair tour in 2010 alongside many other great artists.  I’d highly (HIGHLY) recommend Derek’s latest album, Stockholm Syndrome.  Also, check out Jennifer’s album, Letting Go, when it drops on May 11th…

many more photos below

The Appropriate Linkage:

~Dan – np: Erin McKeownHundreds of Lions

AMY COURTS, DEREK WEBB
& JENNIFER KNAPP PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

REVIEW: Erin McKeown & Emily Wells @ Mississippi Studios (Portland, OR – 4/21/10)

22nd Apr 10 (Thu) 3 comments

FYI… PHOTOS of the SHOW at the BOTTOM


(despite these pictures, this show was not a head-scratcher)

Last night, the Mississippi Studios in Portland had a triple-bill tour de force.  Almost two and a half hours from three wonderful musicians – violinist indie-rapper Emily Wells, folk-pop songwriter Erin McKeown, and Portland-based singer Timmy Straw.  All three were showered us with great music (both old and new)…

Timmy Straw hit the stage late and quickly went into the first number.  Timmy’s vocals were gorgeous, in that gristly-yearning kind of way.  Songs were mostly haunting piano numbers, but there was some electronic-infusion on a song or two.  I picked up Timmy’s equally gorgeous debut CD, 2009’s State Parks.  Timmy only had a little banter during the set, playing fairly straight from one to the next (playing about 6 or 7 songs in a half hour).  Songs I did catch names for are “Rock of Ages,” “Scoops,” and “Herakles.”  I highly recommend State Parks. I think you can only get it at shows at this point (if someone has other info, please pass it along).

Erin McKeown went on around 10 and his us with a lot of gems from her latest album, Hundreds of Lions, out on Ani DiFranco’s Righteous Babe Records.  I’d seen her a couple times prior (in Cincinnati), and she was just as adorable and delightfully charming with her stories and music as she can be.  My wife noted (and I agree) that Erin has such great stage presence and spark.  She’s a ball of joy and it comes through in her songs…

Erin’s Setlist: ~45 mins

  • “Manifestra” (new song)
  • Cinematic
  • Santa Cruz
  • You, Sailor
  • (Put the Fun Back in) the Funeral
  • Queen of Quiet
  • Didn’t They
  • “Train of Steel” (new song)
  • Lullaby in 3/4

Emily went on around 11 and started swinging with her crowd-pleasin’ hip-hop numbers.  She employed Doug from the Portland Cello Project during half of her set.  I saw her play with the PCP last summer, and it’s what had me sold on her music.  She switched between violin and various other toys in her arsenal (toy pianos, drum loops, toy microphones, guitar, ukulele, etc).  She relied a lot on looping – which is always fun, as far as I’m concerned.  The hour-long Emily Wells “solo/live remix” included some of her Symphonies, her über-fun Notorious B.I.G. cover, as well as some newer songs… oh, and she was sportin’ some bling

Emily’s Setlist: ~1 hour

  • If You Love Me, Really Love Me
  • Symphony 1 In the Barrel of a Gun
  • Symphony 6: Fair Thee Well & the Requiem Mix
  • Juicy (Notorious B.I.G.)
  • Mama’s Gonna Give You Love (new song)
  • Give Ya Everything (new song)
  • Let Your Guard Down (new song)
  • The Fire Song (new song)
  • Passenger
  • Encore: Symphony 9 & the Sunshine

Emily has a new album coming out later this year, and also a project with Dan the Automator called Pillowfight.  Check her out on the MySpaces to keep in the loop.  We headed back home to Eugene around midnight… tired, but content.

many more photos below

The Appropriate Linkage:

~Dan – np: OzomatliFire Away
no download or free torrent mp3 flac available
support music by buying it

EMILY WELLS, ERIN McKEOWN
& TIMMY STRAW PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld and Margaret O’Brien,
you may use freely under a creative commons attribution

(click for larger)

REVIEW: Jónsi of Sigur Rós @ Roseland (Portland, OR – 4/13/10)

14th Apr 10 (Wed) 6 comments

FYI… PHOTOS of the SHOW at the BOTTOM

Jon Thor Birgisson aka “Jónsi” has a majestic voice and a penchant for clever, extravagant, and utterly gorgeous stage show that converts the already beautiful music into something worthy of an art exhibit.  His voice is well known in the indie rock scene via his long history bringing the enigmatic Sigur Rós to our shores/ears.

Sigur Rós is on a hiatus while many of the members’ families welcome new children into their lives; so Jónsi decided to follow-up his last album (Riceboy Sleeps with his partner Alex) with a “solo acoustic album.”  That “solo acoustic” album morphed into what became GO, a not-so-acoustic album.  Go fits in with the most recent Sigur Rós album (Með suð í eyrum við spilum endalaust).   It’s a “more accessible rock” affair full of the ideals, quirks, and high quality craftsmanship we’ve come to expect.

That high quality craftsmanship shows in Jónsi’s decision to bring in 59 Productions to work up his tour stage.  If I wasn’t sold on going to see Jónsi before, the lead-up to the show was almost unbearable after seeing the 59 Productions behind the scenes video.  More on that later… first, the opener…

Death Vessel (aka Joel Thibodeau) hit the stage around 8 and played a 35 minute set (6-7 songs).  His songs were gentle acoustic numbers, and his voice reminded me a lot of the late Jeff Hanson (nice falsetto).  The crowd seemed a little restless near the end, but I thought Death Vessel put out an enjoyable set.

Jónsi went on right at 9pm and started the show with just an acoustic guitar solo tune, Stars in Still Water.  Shortly thereafter the band joined him and the stage show began.  The walls and projectors played for about half of the songs in the set, and ranged from butterflies, to other animals, to a rainstorm that turned into a flood.  Some of the coolest effects were the burning stage-pieces early on, as well as the water flood.  It was quite astonishing how well done everything was… and it didn’t take away from the music at all.

Setlist: ~85 minutes

  • Stars in Still Water (solo)
  • Hengilás
  • Icicle Sleeves (K14 or Red Bicycle)
  • Kolniður
  • Tornado
  • Saint Naive (K7)
  • Sinking Friendships
  • Go Do
  • Boy Lilikoi
  • K12
  • New Piano Song (K365)
  • Around Us (with acoustic piano intro)
  • Encore: Jonsi New Guitar Song
  • Animal Arithmetic (Jonsi donned a colorful headdress)
  • Grow Till Tall

The fave songs of the night were Tornado, Go Do, Boy Lilikoi & Grow Till Tall – as those were the ones that resonate with me the most from the record.  All in all, it was an utterly superb show, and it ranks easily in my favorite shows ever (which includes many Sigur Rós shows, too).  The stage, the songs, the voice, the beauty… I hope Jónsi comes back through soon – either solo or with his “main band.”

Speaking of bands… the band members for Jónsi’s solo tour are Alex Somers on guitar, Úlfur Hansson on bass, þorvaldur þorvaldsson on drums and Ólafur Björn Ólafsson on piano

many more photos below

The Appropriate Linkage:

OK, I’m off for a while… if you comment, sorry if I won’t/can’t  respond (or potentially be able to approve comments) for a bit.  Anyway, for those of you who are going to one of the upcoming dates, have fun.  It is an AMAZING show.  Check out more tour dates below.

~Dan – np: Derek WebbStockholm Syndrome

JÓNSI (from Sigur Rós) & DEATH VESSEL PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

Higher Resolution (8 pics)

Limited to 1200 pixels wide or tall (5 DV, 27 Jónsi pics)

2010 North American Tour Dates

  • april 6 vancouver, canada vogue theatre
  • april 7 vancouver, canada vogue theatre
  • april 9 seattle, wa the showbox sodo
  • april 10 seattle, wa the showbox sodo
  • april 13 portland, or roseland theatre
  • april 15 berkeley, ca zellerbach auditorium
  • april 16 san francisco, ca palace of fine arts
  • april 18 indio, ca coachella
  • april 21 denver, co paramount theatre
  • april 22 lawrence, ks liberty hall
  • april 24 minneapolis, mn pantages theatre
  • april 25 minneapolis, mn pantages theatre
  • april 26 milwaukee, wi the pabst theatre
  • april 27 chicago, il vic theatre
  • april 28 chicago, il vic theatre
  • april 30 toronto, canada sound academy
  • may 1 toronto, canada sound academy
  • may 2 montreal, canada metropolis
  • may 3 philadelphia, pa electric factory
  • may 5 boston, ma house of blues
  • may 6 boston, ma house of blues
  • may 8 new york, ny terminal 5
  • may 9 new york, ny terminal 5

REVIEW: Tegan & Sara @ Keller Auditorium (Portland, OR – 4/8/10)

9th Apr 10 (Fri) 11 comments

FYI… PHOTOS of the SHOW at the BOTTOM

Last night’s Portland show was near the end of a long, 3 month tour for Tegan and Sara‘s sixth album, Sainthood.  The record (out last fall) is rockier than their prior, but fits in with their near history.  A great mix of pop songwriting with an alternative, modern rock edge.  The twin sisters trade off on vocal duty, and this is their first record where they actually wrote the songs together in the same room.  The closeness shows in the cohesiveness of this record compared to 2007’s The Con or 2004’s So Jealous (both great records as well).

Upon arrival to the Keller Auditorium, I got a good chuckle out of “tailgators” in a nearby park running through the oddly entrancing “Alligator” dance (see the music video).  If you hadn’t heard, there’s also a remix LP out now of the Alligator Remixes.

Holly Miranda was the first opener and went on right after 7:30.  I wasn’t expecting a full band for her, but more of a singer-songwriter.  Her band put together a great 30 minute set – more like a singer-songwriter vibe with a rockin’ boost.  I didn’t know any of her music, but I’ll definitely check her out soon.

Steel Train hit the stage after a short set break.  They’re all seemingly young guys from New Jersey, but they played a very throw-back, ‘cross-the-big-pond 30 minute set.  Really reminiscent of 80s Brit-poprock, they had a great stage presence.  The lead singer was very humbled alongside his rock energy… again, they seemed like really nice gents.  Great tunes, great energy.  Their set was capped by some crew coming out and drumming alongside them – one in a gorilla costume.

Tegan and Sara hit the stage right at 9pm.  They came out blazin’ with quartet of songs from their latest record… The Ocean, On Directing, The Cure, and Alligator.  I’m actually a little surprised they didn’t try to incorporate some of the aforementioned “Alligator dancers” in their stage show.

Tegan and Sara both switched between guitars and keys.  Most of the vocal duties for the night were Tegan’s, but Sara had a few of her songs in the mix as well.  The set was primarily made up of selections from Sainthood and The Con, but they threw in a handful of older tunes for good measure.  Both Tegan and Sara had some funny stories (and a little bit of sisterhood bickering).  It was cute… :)

Setlist: about 95 minutes

  • The Ocean
  • On Directing
  • The Cure
  • Alligator
  • You Wouldn’t Like Me
  • I Bet It Stung
  • The Con
  • Nineteen
  • Northshore
  • Night Watch
  • Red Belt
  • Monday Monday Monday
  • Where Does The Good Go
  • Speak Slow
  • Walking With A Ghost
  • So Jealous
  • Hop A Plane
  • Sentimental Tune
  • Hell
  • Encore: Back In Your Head (acoustic)
  • Dark Come Soon
  • Divided
  • Call It Off
  • Living Room

Due to it being the last night of the tour, emotions ran high (for all bands).  The bands also seemed really well practiced.  The show ended early (comparably to most rock shows), but due to its earlier start time, we all got a great amount of bang for our buck.  I imagine Tegan and Sara will take a bit of time off before the summer festival circuit, but I hope they swing through Oregon again soon!!

many more photos below

The Appropriate Linkage:

Check out their past 2010 tour dates below.

~Dan – np: JónsiGo

no free download or torrent available

TEGAN & SARA PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

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The North American Sainthood 2010 Tour Dates

  • January 5 – 6 Vancouver, BC Orpheum
  • January 7 Kelowna, BC Community Theatre
  • January 8 – 9 Calgary, AB Southern Alberta Jubilee Auditorium
  • January 11 – 12 Edmonton, AB Northern Alberta Jubilee Auditorium
  • January 13 Saskatoon, SK Saskatchewan Place Concert Bowl
  • January 14 – 15 Winnipeg, MB Burton Cummings Theatre
  • January 18 Montreal, QC Place des Arts
  • January 19 – 20 Toronto, ON Kool Haus
  • January 22 – 23 Ottawa, ON Bronson Centre
  • January 25 Quebec City, QC Imperial Du Quebec
  • January 26 Fredericton, NB Fredericton Playhouse
  • January 27 Halifax, NS Rebecca Cohn Auditorium
  • February 12 Northampton, MA Calvin Theater
  • February 13 Boston, MA Orpheum Theatre
  • February 16 Upper Darby, PA Tower Theatre
  • February 17 Washington, DC Warner Theatre
  • February 18 Richmond, VA The National
  • February 20 Tampa, FL Tampa Theatre
  • February 21 Boca Raton, FL Sunset Cove Amphitheatre
  • February 23 Atlanta, GA Variety Playhouse
  • February 24 New Orleans, LA Tipitina’s Uptown
  • February 25 Dallas, TX Palladium Ballroom
  • February 26 Austin, TX Bass Concert Hall
  • February 27 Houston, TX Warehouse Live
  • March 2 Las Vegas, NV House Of Blues
  • March 3 San Diego, CA Copley Symphony Hall
  • March 5 – 6 Oakland, CA Fox Theater
  • March 24 Minneapolis, MN The Orpheum Theatre
  • March 25 Milwaukee, WI Riverside Theatre
  • March 26 Chicago, IL Aragon Ballroom
  • March 27 Royal Oak, MI Royal Oak Music Theatre
  • March 28 Lakewood, OH Lakewood Civic Auditorium
  • March 30 Columbus, OH PromoWest Pavilion
  • April 2 St. Louis, MO The Pageant
  • April 3 Kansas City, MO Uptown Theater
  • April 4 Denver, CO Ogden Theatre
  • April 6 Salt Lake City, UT In The Venue
  • April 8 Portland, OR Keller Auditorium

REVIEW: Nellie McKay @ Berbati’s Pan (Portland, OR – 3/31/10)

1st Apr 10 (Thu) 4 comments

FYI… PHOTOS of the SHOW at the BOTTOM

Nellie McKay‘s most recent album, As Normal As Blueberry Pie, came out last year, and while different from her prior records, it definitely fit in her catalog nicely.  It featured her at her campiest but also her jazziest, versus her edgier side. For evidence of the campiness, check out the lovely publicity shots over on nelliemckay.com.  The serious and silliness perfectly fit her personality.  I wouldn’t want Nellie any other way.

On to the show…

The venue, Berbati’s Pan, was known to me more for its rock acts.  The “jazzy, bluesy, singer-songwriter evening” in store for us was bound to be a big question mark regarding how it would come across… well, it was delightful.  The lighting and small couches on the outskirts of the club made for a nice atmosphere.  We got to the show just before Howard went on.  Most of the people were hanging out on the chairs & couches; so we got some spots right up front.

Howard Fishman opened up the show and hit the stage around 8:45pm.  He played guitar in Nellie’s backing band, the Aristocrats, last fall.  He played a good set of bluesy standards and originals.  He had a lap steel guitarist, Henry Bogdan, playing with him.  He played about 25-30 minutes, primarily “upbeat blues” tunes… with a few darker tunes thrown in near the end.  Some of my favorites were “The One Rose (That’s Left in My Heart),” a silly song about the Red Sox, and the capper called “Best Days.”

After a short break, Nellie hit the stage alongside both Howard and Henry around 9:20pm.  Her set was a more stripped down version of what she brought to Seattle last fall.  A great selection of Doris Day and other older standards, with a few of her own songs thrown in for good measure.  Her originals were some of my favorites for the night – specifically “Toto Dies” and “The Dog Song.”  The newer cover tunes added to her setlist – “Small Day Tomorrow” and “Two Sleepy People” – were really great as well.

She was a giddy and lovable as usual… very jokey and generally in a delightful mood.

Setlist: about 75 minutes

  • Do Do Do (Doris Day cover)
  • Sentimental Journey (Doris Day Cover)
  • A Wonderful Guy (Doris Day cover)
  • Georgie Girl (The Seekers cover)
  • Mean to Me (Doris Day cover)
  • Prisoner of Love (Kitty Wells cover)
  • Close Your Eyes (Doris Day cover)
  • “Happy Birthday” (to Becky)
  • If I Ever Had a Dream
  • Toto Dies
  • P.S. I Love You
  • Mother of Pearl
  • Alone When It Rains (duet with Howard Fishman)
  • The Dog Song
  • A-Tisket, A-Tasket (Ella Fitzgerald cover)
  • Small Day Tomorrow (Bob Dorough / Fran Landesman cover)
  • Crazy Rhythm (Doris Day cover)
  • Encore: “Old-fashioned Bodega” (title unknown)
  • Two Sleepy People (Hoagy Carmichael cover, duet with Howard Fishman)


many more photos below

Howard joined her on vocals on two songs.  “Alone When It Rains” is actually a song of his, which was sung last night as a tribute to her former dog, Charro.  The Hoagy Carmichael duet (“Two Sleepy People”) had a giggle-fit lyrical screw up, but they kept rolling with it.  Henry’s lap steel changed the Doris Day sound to a more bluesy feel from the jazz sound of the Aristocrats backing band.  The more stripped down Nellie backing band was a treat.  I hope she keeps on swinging through the Pacific Northwest.

They’re off to Seattle next (check out more tour dates below).  Catch them if you can!

The Appropriate Linkage:

~Dan – np: Coheed & CambriaYear of the Black Rainbow

no free download or torrent here
2010 Tour Dates (so far)

  • 3/28/2010 Los Angeles, CA Alex Theatre
  • 3/29/2010 San Francisco, CA Great American Music Hall
  • 3/31/2010 Portland, OR Berbati’s Pan
  • 4/3/2010 Seattle, WA Paramount Theater A Prairie Home Companion
  • 4/10/2010 Delaware Water Gap, PA Deerhead Inn
  • 5/15/2010 Sellersville, Pennsylvania Sellersville Theater 1894
  • 6/1/2010 through 6/12/2010 New York, NY Feinstein’s at The Regency
  • 9/17/2010 Monterey, California, United States Monterey Jazz Festival

NELLIE McKAY with HOWARD FISHMAN PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

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REVIEW: Jake Shimabukuro @ the Shedd (Eugene, OR – 3/16/10)

17th Mar 10 (Wed) 1 comment

FYI… PHOTOS of the SHOW at the BOTTOM

Jake Shimabukuro is an amazing guitar player.  The media that he uses to express that phenomenal talent is on the diminutive instrument known as the ukulele.  The ukulele’s use is more popular in traditional Hawaiian music, but it has made its way into mainland pop music recently via the likes of Ingrid Michaelson, Amanda Palmer, and one of my favorites – Nellie McKay (review / ukulele pic).

Well, Jake brings his music from Hawaii, but he is nothing resembling a “traditional” Hawaiian ukulele player.He is a master fret-worker on the ukulele and brings sounds out of it that you wouldn’t necessarily find on the islands.

Jake Shimabukuro hit the stage around 7:30pm.  His set bridged gaps between traditional Hawaiian music, to jazz, to blues, to classical, to folk, to classic rock, to bluegrass, to flamenco, to traditional Japanese music.  He played a few new tunes from his forthcoming album including “143” and “Piano-Forte.”  The latter was written with two piano parts (left and right hand), and due to Jake only containing the standard issue “two hands” only played the left-handed rendition.  We’ll have to wait for the album for the full version.

Here’s what he blessed us with last night…

Setlist: about 90 mins

  • 143
  • Blue Roses Falling
  • Me & Shirley T.
  • Let’s Dance
  • Dragon
  • “Bowing for the Queen” story
  • In My Life (Beatles)
  • While My Guitar Gently Weeps (Beatles)
  • Sakura Sakura
  • Piano-Forte (left hand rendition)
  • Trapped
  • Five Dollars Unleaded
  • Orange World
  • Bohemian Rhapsody (Queen)
  • Encore: Crazy G

Jake was a very talkative person, full of stories about song origins and his childhood: the too many sugary drinks induced “Me & Shirley T.,” the Carlos Montoya-influenced flamenco number “Let’s Dance,” the Bruce Lee meets Eddie Van Halen song “Dragon” (beautifully full of finger taps), playing with Bette Midler and bowing a lot for the Queen of England, the Ralph McDonald (of Jimmy Buffett’s band) 9/8-time rhythm that inspired “Trapped,” and riding around Hawaii in his dad’s old pickup truck.  Full of stories, full of excellent melodies and wicked fast hands – Jake Shimabukuro was a treat.

more photos below

The Appropriate Linkage:

~Dan – np: Haftor Medbøe GroupA Box of Monkeys -EP-

JAKE SHIMABUKURO PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution

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REVIEW: Fishtank Ensemble @ House Show (Eugene, OR – 3/5/10)

6th Mar 10 (Sat) 3 comments

FYI… PHOTOS of the SHOW at the BOTTOM

Fishtank Ensemble hit the scene in 2005 with Super Raoul.  The first record hit my radar with members from bandmembers from bands I was already into: Kevin Kmetz (from God of Shamisen/Estradasphere/Secret Chiefs 3 on occasion), Doug & Tim Smolens (El Douje’s record & Estradasphere), and Adam Stacey (Estradasphere).  Only Doug “El Douje” Smolens remains from that first group of guys who got me into the band, but the other members definitely kept me around…

The band is Fabrice Martinez (pictured above –  violin), Ursula Knudson (pictured above – vocals, saw, violin, etc), El Douje (guitar) and Djordje Stijepovic (Bass).  They play a mix of Eastern European “gypsy” music mixed with a heavy dose of Django Reinhardt influenced French jazz (dominated by guitars & violins).  Think… Hot Club de Baltic States.  On their records thus far, they also add in some Japanese music (from former member Kevin Kmetz’s shamisen work).

This was my first time to one of their shows.  Last time they came through Eugene, I was up in Portland for another band, but my wife gave a rousing thumbs up (she ended up going to see Fishtank at Cozmic Pizza).

The band played about two hours, split up with a nice intermission / snack time in the middle.  The band was red hot, and the intimate living room setting made this concert very special.  I’ll admit, I’m not usually a fan of vocals as of late, especially in world music.  However, Ursula nails it.  Seeing her perform in concert 4 feet in front of me was quite stunning.  Besides the stunning dress (!!!), her vocals were utterly fantastic!  She did a lot of vocal acrobatics, which worked amazingly well with violin, bass and guitar acrobatics that the rest of the band was giving us as well.

They played a lot of material I recognized from their second album, Samurai over Serbia, as well as some new and/or traditional tunes.  Here’s what I scribbled down (fixed by bassist Djordje – – Thanks!)…

Setlist:

  • Espagnolette
  • Saraiman
  • Arabo Andaluz
  • After You’ve Gone
  • Fraima
  • Woman in Sin
  • Swing 2003
  • Hopa di Bida
  • Am Furat de la Haidouks (Romanian Sirba dance medley)
    <<intermission>>
  • O’Dewel
  • Kolo Suite (Serbian/Transylvanian Medley)
  • Tchiki Tchiki
  • Djordje’s Rachenitza
  • Coucou
  • Opa Opa
  • Samurai Over Serbia
  • Encore: Ursula’s high school song
  • Ciocarlia

They’ve got a new record coming out soon, called Woman in Sin.  Keep an eye out for it on their webpage, MySpace, et cetera.  Thank you to Michael & Carolyn for putting on a great house show!  I look forward to the next Rolling & Tumble house show — Tuvan throat singers!!

many more photos below

The Appropriate Linkage:

~Dan – np: Bill FrisellRambler

FISHTANK ENSEMBLE PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution

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REVIEW: David Bazan @ Sam Bond’s (Eugene, OR – 3/4/10)

5th Mar 10 (Fri) 7 comments

FYI… PHOTOS of the SHOW at the BOTTOM

So, what is there to say about David Bazan that I haven’t already said?  Well, not much; so I’ll just recap.  In short, he’s a genuine song-writer, an honest thinker, a gentle soul, and a wonderful song-weaver.  Since moving to Eugene, I’ve had the opportunity to see him three times… now a fourth.  All in a shorter window of time compared to the rare opportunities when I saw him in Ohio.

The show last night was one of the first shows from his Winter/Spring Tour (and the first with opener Headlights).  For more tour dates, check out the list at the bottom.  At Sam Bond’s Garage, David Bazan isn’t on the same A-frame as a delicious quiche (click for picture from a recent gig), but he does share the venue with some mighty fine pizza and beer.

Headlights were really good.  They played about 45 minutes and had some good indie rock / pop songs with nice melodies.  They are a traditional four piece (guitar, keys, bass, drums) and swapped lead vocal duties around a bit.  Their sound at Sam Bond’s Garage last night was a little too loud, but that’s definitely not the band’s fault.  I think Sam Bond’s doesn’t seem to have the acoustics for rock bands (this issue spilled over into David’s set, too).  Anyway, Headlights = good.  Check ’em out!  Here’s the video for their song “Secrets“:

David went on with his band a little after 10pm.  His band this time around is Blake Wescott on guitar, Andy Fitts on bas, and Alex Wescoat on drums.  The set was filled with songs from his most recent solo album, Curse Your Branches, as well as older material – including a nice collection of Pedro the Lion and Headphones songs.  Outsider of the aforementioned curse that Sam Bond’s Garage has on rock bands’ sound, it was a highly enjoyable show.  The mix of tunes and passion with which David sings is fun to take in.

Setlist: about 75 minutes

  • I Do (Pedro the Lion)
  • Transcontinental (Pedro the Lion)
  • Man in Me
  • Please, Baby, Please
  • June 18, 1976 (Pedro the Lion)
  • Q&A #1
  • When We Fell
  • Magazine (Pedro the Lion)
  • How I Remember
  • When They Really Get To Know You, They Will Run (Pedro the Lion)
  • Q&A #2
  • Shit Talker (Headphones)
  • Harmless Sparks
  • Fewer Broken Pieces
  • Q&A #3
  • Bands With Managers (Pedro the Lion)
  • Bad Diary Days (Pedro the Lion)
  • Cold Beer and Cigarettes
  • I Never Wanted You (Headphones)
  • Penetration (Pedro the Lion)
  • In Stitches
  • No Encore

Personally, ending the show with “In Stitches” is perfect.  That song sunk in with me last fall, especially the last verse…

When Job asked you a question,
You responded, “Who are you
to challenge your creator?”
Well if that one part is true
It makes you sound defensive
Like you had not thought it through
Like you didn’t have an answer
Like you bit off more than you could chew

So, yeah, the well documented pivot from religious to questioner to agnostic suits Bazan’s songwriting especially well in my book.

more photos below

SO, if you haven’t gotten it already, go check out his new live in the studio recording from his Fall 2009 band tour.  Bazan: Live at Electric Audio is a great recording, and it’s out on CD, vinyl, or digital only (for insane people):

The Appropriate Linkage:

Check out more tour dates below.

~Dan – np: Bill FrisellRambler

DAVID BAZAN & HEADLIGHTS PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

Winter/Spring 2010 Tour Dates

  • 03/03/10 Wed – Salem OR – Ike Box
  • 03/04/10  Thu – Eugene OR – Sam Bond’s Garage
  • 03/05/10  Fri – Sacramento CA – Blue Lamp
  • 03/06/10  Sat – Visalia CA  – Cellar Door
  • 03/07/10  Sun – Santa Barbara CA – Soho
  • 03/08/10  Mon – Long Beach CA – Alex’s Bar
  • 03/09/10  Tue – Las Vegas NV – Beauty Bar
  • 03/10/10  Wed – Phoenix AZ – Sail Inn
  • 03/12/10  Fri – Norman OK – The Opolis
  • 03/13/10  Sat – Springfield MO – Gallery Sounds
  • 03/14/10  Sun – St Louis MO – Old Rock House
  • 03/15/10  Mon – Newport KY – Southgate House
  • 03/17/10  Wed – Nashville TN – Exit/In
  • 03/18/10  Thu – Asheville NC – Grey Eagle
  • 03/19/10  Fri – Columbia SC – New Brookland Tavern
  • 03/20/10  Sat – Richmond VA – Alley Katz
  • 03/21/10  Sun – Baltimore MD – The Ottobar
  • 03/22/10  Mon – Philadelphia PA – First Unitarian Church
  • 03/23/10  Tue – Brooklyn NY – Music Hall of Williamsburg
  • 03/27/10  Sat – Grantham PA – Messiah College
  • 03/28/10  Sun – Columbus OH – The Summit
  • 03/29/10  Mon – Bloomington IN – The Bishop
  • 03/30/10  Tue – Grand Rapids MI – Calvin College
  • 04/01/10 Thu – Iowa City IA – The Mill
  • 04/02/10 Fri – Urbana IL – Canopy Club
  • 04/03/10  Sat – DeKalb IL – House Cafe
  • 04/04/10  Sun – Milwaukee WI – Pabst
  • 04/05/10  Mon – St. Paul MN – Turf Club
  • 04/06/10  Tue – Fargo ND – The Aquarium
  • 04/08/10  Thu – Missoula MT – The Palace
  • 04/09/10  Fri – Spokane WA – Empyrean
  • 04/10/10  Sat – Bellingham WA – Western Washington University

PDX Jazz Photo Wrap-up

2nd Mar 10 (Tue) Leave a comment

As mentioned earlier, there is a Flickr stream for all official Portland Jazz Festival 2010 photos by Fran Kaufman.  Check them out, they capture various aspects of the fest from shows, jam sessions, interviews, et cetera…

http://www.flickr.com/photos/pdxjazz/
(click link for larger photos)

http://www.flickr.com/photos/pdxjazz/
(photos by Fran Kaufman)

And if you missed it, check out my reviews for Dave Holland Quintet (2/27), Pharoah Sanders (2/28), and Dave Douglas & Brass Ecstasy (2/28).  It was a truly fantastic weekend.  Also check out Oregon Music News’ complete coverage

Stay tuned to http://www.pdxjazz.com/.  Sign up for their mailing list and be there for next year’s fest!

~Dan – np: First Meeting (Satoko Fujii, Natsuki Tamura, etc) – Cut the Rope 

REVIEW: Dave Douglas @ PDX Jazz Fest (Portland, OR – 2/28/10)

1st Mar 10 (Mon) 5 comments

Right on the heels of Portland Jazz Fest‘s Dave Holland Quintet and Pharoah Sanders, was Dave Douglas and his Brass Ecstasy band – the capper to the festival.  I’d seen Dave Douglas four times before, twice with John Zorn‘s Masada quartet and twice with SF Jazz Collective (with Joe Lovano, Miguel Zenon and others).  I was looking forward to seeing my first show with Dave Douglas as primary bandleader.

This new band of his features Dave Douglas on trumpet, Vincent Chancey on french horn, Luis Bonilla on trombone, Marcus Rojas on tuba, and Nasheet Waits on drums.  Their debut album, Spirit Moves, came out last year, and it was in my Top 5 Instrumental Albums from 2009.  Go get it!

They hit the stage shortly after 7:30pm and went right into the title track from their record, “Spirit Moves.”  It’s a fun number and a great start to the set.  Right after that, they did a lengthy version of “Bowie,” which is dedicated to Lester Bowie.  It was fun to see that song breathe and take over the room.  I’m also impressed by Luis Bonilla’s soloing on it.  It has to be difficult to solo on a trombone…

The trombone, horn, and definitely tuba drive the sound of this band to a familiar New Orleans street band – which I’d imagine was what Dave Douglas was aiming his sights towards.  Marcus Rojas also did some “tuba beat boxing” to mix things up.

I knew all of the songs they played, but luckily Dave announced them from the stage (yay, I didn’t have to keep them all up in my head)…

Setlist: about 90 minutes

  • Spirit Moves
  • Bowie
  • I’m So Lonesome I Could Cry (Hank Williams)
  • Fats
  • Rava
  • Awake Nu (Don Cherry)
  • The Brass Ring (with drum solo)
  • Mr Pitiful (Otis Redding)
  • Encore: Twilight of the Dogs

All members got their fair share of solos.  The drum solo on “The Brass Ring” was fantastic, and Dave Douglas’s trumpet solos were colorful and vibrant, as usual.  Favorites of the night were the bebop of “Fats,” and the acrobatic trumpet on “Rava.”  Dave played a lot of that song off mic, yet his sound carried throughout the room.  Thank you Portland Jazz Fest!  It was a wonderful weekend of great music.  See you next year!

I took a few iPhone photos.  I wish I was able to bring in my regular camera, as I was right up front and the iPhone only takes marginal photos at best (::sigh::).  Anyway, check out my photos below, or check the link at the bottom for PDX Jazz’s Flickr photo stream.

DAVE DOUGLAS’ BRASS ECSTASY PHOTOS
these pictures are (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

For photos from this and other PDX Jazz shows, check out PDX Jazz’s flickr stream:



(photos by Fran Kaufman)

The Appropriate Linkage:

~Dan – np: Susie Ibarra & Roberto RodriguezElectric Kulintang

REVIEW: Pharoah Sanders @ PDX Jazz Fest (Portland, OR – 2/28/10)

1st Mar 10 (Mon) 4 comments

So, Pharoah Sanders is a legend.  He’s played with jazz great John Coltrane, and his tenor sax work has eclipsed those around him.  Free-jazzmaster Ornette Coleman referred to Pharoah as “probably the best tenor player in the world.”  He has a large swath of albums over the past 5 decades.  Passing up an afternoon concert at this year’s Portland Jazz Fest wasn’t an option. :)

I was just at the Newmark Theatre the night prior for the smokin’ Dave Holland Quintet show.  My seat for Pharoah was is almost the exact same spot (L12 versus L11).  I got a good spot right in the middle to check out Pharoah’s band: William Henderson on piano, Hans Glawischnig on bass, and Justin Faulkner on drums.  After a short introduction, the band hit the stage – Pharoah in a bright purple shirt…

The feel of the show was all over the place.  When Pharoah first started, it was quite remarkable.  He doesn’t play in straight lines, but your mind tends to connect those lines right as his sax is connecting them for you.  He seemed very much like a songbird who was free to sing what he wanted – but still very melodic.  He was very much like a bridge between John Coltrane and the more free-jazz Ornette Coleman.

They started off the show with a 25+ minute “My Favorite Things.”  Most of the rest of the 2+ hour show was the power trio of piano/bass/drums playing with Pharoah walking on and off stage and jumping in where he saw fit.  His long disappearances were interesting, but a 70 year old jazz legend can do whatever he wants. :)  On three of the songs, Portland (now New Orleans) saxophonist Devon Phillips came up and joined the band.

They played 6 or 7 tunes, and ended the show with an encore of “Save Our Children,” sung by Pharoah.  2 hours in total… utterly brilliant work from this master and his great band.

For photos from this and other PDX Jazz shows, check out PDX Jazz’s flickr stream:

(photos by Fran Kaufman)

The Appropriate Linkage:

~Dan – np: David Bazan – Curse Your Branches

REVIEW: Damien Jurado @ Mississippi Studios (Portland, OR – 2/27/10)

28th Feb 10 (Sun) 8 comments

I’ve been into Damien Jurado since the late-90s when his first Sub Pop record came out.  I’d only had a few chances to see him play live, but it never seemed to work out.  This weekend, since I was already up in Portland for the PDX Jazz Fest, I figured I could swing on over to Damien’s show at the Mississippi Studios after the Dave Holland Quintet show.

While I was “studying” for this show, I listened to Damien’s most recent album, 2008’s Caught in the Trees.  Wow.  I was reminded why I like this guy so much.  Great songwriting in an unassuming package.  Clever and gritty/lo-fi, but well crafted, melodically framed songs… quintessential indie rock.  Damien has the honesty and drive in his lyrics a la Elliott Smith and Pedro the Lion’s David Bazan.  There must be something about the Pacific Northwest that brings these things out in songwriters.

On to the show…

I got there late due to Dave Holland’s killer show across town.  John Vecchiarelli was nearing the end of his set, but I caught his last four songs.  I really liked him.  He had a genuine voice (kind of reminded me of Jeffrey Foucault).  John is from Portland; so hopefully I’ll get a chance to see him again soon.

Next up were another Portland group, The Robinsons (formerly of Viva Voce).  They were a nice indie rock / americana duo, also from Portland.  I had heard a little bit of their Viva Voce music before, but not much.  They were good, and had nice melodies.  They were a little bit folky and a little bit rocky.  I imagine a fuller band setting would suit them very well.  They played a short set (only about 30 minutes).  They have a new album coming out soon under the bank moniker Blue Giant.

Up next was Damien Jurado.  While his latest album, Caught in the Trees, was a more collaborative trio effort, this show was just Damien with a guitar and two vocal mics.  The first 5 songs were completely new, and it struck me to the genius that is Damien Jurado (song names complete guesses below).  He is a pure songwriter.  I didn’t know these songs from Adam, but they captivated me completely.  They are for an upcoming album called Saint Bartlett (out in May), and it is a collaboration between Damien and Richard Swift.

He played some older songs, as well as a few Caught in the Trees songs as well… serious help on setlist needed.  Any help?

Setlist: 80 minutes

  • Beacon Hill (aka “Return to Me”) (new)
  • Kansas City (new)
  • “I Could Float” (new)
  • Arkansas (aka “Fade Out”) (new)
  • Wherever I May Lay (aka “Finally Tasted the Dawn”) (new)
  • Abilene
  • Denton, TX
  • Ohio (false start) into “Sound of Settling” spoof of Ben Gibbard
  • Ohio (false start again, Damien couldn’t stop laughing)
  • Harborview (aka “speak for me, would you”)
  • Ohio
  • Sheets
  • Pear (new)
  • I Am Still Here
  • “Diamond Sea” (new)
  • “not the best time to fall to pieces” (song title unknown)
  • The Killer
  • Lose My Head
  • Encore: Wyoming Birds (aka “sorrow replaced our joy”) (song title unknown)
  • Caskets
  • Paperwings

I hope he continues to tour, at least in Seattle and Portland (the “quiet crowd” towns).

The Appropriate Linkage:

~Dan – np: Dave Douglas’ Brass Ecstasy – Spirit Moves

REVIEW: Dave Holland @ PDX Jazz (Portland, OR – 2/27/10)

28th Feb 10 (Sun) 5 comments

I got into Dave Holland around the same time as a lot of other jazz.  I got into jazz through the backdoor (John Zorn) and then slowly moved into the more straight ahead jazz.  I think I can officially blame Ken Laster and his In the Groove, Jazz and Beyond podcast for playing a lot of Dave Holland.  Anyway, shortly after hearing Holland, I picked up Extended Play: Live at Birdland and Critical Mass.  Both are great, but the latter is quite fetching.  When I found out he was one of the headliners at this year’s Portland Jazz Fest, I was stoked.

I was equally stoked that he’d be bringing saxophonist Chris Potter and drummer Nate Smith with him.  I saw Chris & Nate play in Cincinnati a few years back, and I loved both of them but was quite entranced with Nate’s drumming.  His flow and style are a sight to behold.

Well, on to the show…

I missed PDX Jazz Fest last year.  I was deeply entrenched in busy season at work (I’m a CPA), and perhaps there wasn’t as big of a draw in 2009 as in 2008 (SF Jazz Collective and Ornette Coleman).  2010, well, that’s another story… as I ended up staying the night to catch two shows on Sunday, too (check back for the Pharoah Sanders and Dave Douglas’ Brass Ecstasy reviews on Monday).  Anyway, no cameras allowed.  I took a couple with my iPhone, but they didn’t come out all that well; so, yeah, I’m not posting them.

The band went on around 7:40pm after a short introduction.  The band was Dave Holland on upright bass, the aforementioned Chris Potter (sax) and Nate Smith (drums), along with Alex Sipiagin on trumpet and Steve Nelson on vibes.  The first thing I noted was how Dave’s bass really breathed.  There’s a reason why he’s a heavyweight in the jazz world.  His tone, his swing, his lyricism – all very prevalent.

They started off with “Step To It,” which started with Nate Smith drumming barehanded and featured a massive Chris Potter solo, and was capped off with a great gentle back and forth between Dave and Nate.  Here’s how it all went down last night…

Setlist: 95 minutes

  • Step To It
  • Last Minute Men
  • Looking Up
  • Cosmosis
  • Make Believe
  • Free For All
  • Encore: Easy Did It

“Cosmosis” and the encore “Easy Did It” both featured great Dave Holland solos.  On “Free For All,” Nate Smith drum solo was quite playful.  He was going all out, and actually lost one of his drumsticks amidst his free for all.  I haven’t mentioned Alex or Steve yet… both were great, but didn’t seem to take as many solos as Chris or Nate.  Alex’s few solos were superb.  I love some good trumpet music (hence my Sunday plans for Dave Douglas).  Steve’s vibe work was great, moreso as a back-up for the band (his solos didn’t do much for me).  I think as far as a quintet goes, I’d opt for piano over vibes (especially with an already powerful drummer on the stage).

All in all, Dave Holland reaffirmed his place with me as a force to reckon with.  They played over an hour and half, and it seemed like it was about 20 minutes.  It totally flew by and was highly energetic.  I hope he brings this band around sometime soon!

For photos from this and other PDX Jazz shows, check out PDX Jazz’s flickr stream:


(photos by Fran Kaufman)

Well, off to the next show, Damien Jurado across town at the Mississippi Studios

The Appropriate Linkage:

~Dan – np: Dave Douglas’ Brass Ecstasy – Spirit Moves

REVIEW: Medeski Martin & Wood @ McDonald (Eugene, OR – 2/25/10)

26th Feb 10 (Fri) 6 comments

FYI… PHOTOS of the SHOW at the BOTTOM

This was my fourth time seeing the great trio of Medeski Martin & Wood… and the second time as an “evening with,” which tends to work out nicely for a weekday concert.  No painful opener to sit through, and less likely a late show time.

We got to the venue only a few minutes before they went on.  They came out around 8:20 and started off with one or two from Zaebos, their album from John Zorn‘s Masada Book Two: Book of Angels series.  From there, they hopped right into a Medeski-keys-oriented tune and a more exotica piece.  Overall, their show last night was definitely more of the MMW groove show, versus a improvisational MMW “messin’ around” kind of show.  Sure, at one point illyB pulled out the ducks calls while Chris and John noodled around, but then they ripped right back into the more lyrical pieces.

McDonald had the floor set up with chairs for the evening, which was a shock for me.  The crowd started out in chairs, but by the third song, they were moving up the aisles and dancing.  When MMW came back out for the second set, it was pretty much a dance party… well, a dance party with a bunch of pesky chairs in the way.

I’ll post the setlist when/if I find it… again, I recognized a couple Zaebos tunes, plus I’m pretty sure they played “Amber Gris,” “Padrecito,” “Amish Pinxtos,” “Reliquary,” “Free Go Lily,” and a few more Radiolarians tracks.  Don’t quote me on all of those songs, but it was definitely a Radiolarians-heavy show.

Setlist: (thanks, nastyshadows!)

  • Set 1: Agmatia
  • Pappy Check
  • Broken Mirror >
  • Disrobe >
  • Open Improv >
  • Padrecito
  • Amber Gris
  • Set 2: Free Go Lily
  • Jean’s Scene
  • Reliquary
  • New Planet
  • Cloud Wars
  • Encore: Bass Solo >
  • Chubb Sub

Two hour-long sets plus encore (which started out with a nice Chris Wood bass solo).  Excellent show.  Medeski Martin & Wood do not disappoint.

more photos below

The Appropriate Linkage:

Check out more tour dates below.

~Dan – np: Dave Holland Quintet Critical Mass

MEDESKI MARTIN & WOOD PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

Higher Resolution (9 pics)

Limited to 1200 pixels wide or tall (21 pics)

February 2010 Tour Dates

  • 17 – San Diego, CA – House of Blues
  • 18 – Los Angeles, CA – El Rey Theatre
  • 19 – Anaheim, CA – House of Blues
  • 20 – Santa Cruz, CA – Rio Theatre
  • 21 – San Francisco, CA – The Fillmore
  • 23 – Petaluma, CA – The Mystic Theatre
  • 24 – Crystal Bay, NV – Crystal Bay Club Crown Room
  • 25 – Eugene, OR – McDonald Theatre
  • 26 – Portland, OR – Roseland Theater
  • 27 – Seattle, WA – Showbox at The Market

PDX Jazz Fest :: Dave Douglas & Brass Ecstasy

16th Feb 10 (Tue) Leave a comment

Well, the PDX Jazzfest in Portland, Oregon, is only 1 week away.  You won’t want to miss it.  There are many fantastic local and national acts, including these great headliners:

Thursday, February 25 – Luciana Souza
Friday, February 26 – Mingus Big Band
Saturday, February 27 (3pm) – Trygve Seim & Frode Haltli
Saturday, February 27 (7:30) – Dave Holland Quintet
Sunday, February 28 (3pm) – Pharoah Sanders
Sunday, February 28 (7:30) – Dave Douglas Brass Ecstasy

As we lead up to the event, I’ll focus on one of the headliners a week… last up Dave Douglas and his horny band Brass Ecstasy.  I’ll be going to this show, which caps the PDX Jazz Fest.  I got into Dave Douglas via John Zorn’s Masada.  I’ve since gotten into Dave’s other bands: Tiny Bell Trio, Keystone, DD Quartet, DD Quintet, SF Jazz Collective, Second Sight, New & Used, Mosiac Sextet, Orange Then Blue, A Single Sky… tons of releases over 20+ years.

His Brass Ecstasy band released their debut recording, Spirit Moves, in 2009 – which features Dave joined by Vincent Chancey on french horn, Luis Bonilla on trombone, Marcus Rojas on tuba, and Nasheet Waits on drums and releases on Greenleaf Music.

Two-time Grammy-nominated jazz musician Dave Douglas is arguably the most prolific and original trumpeter & composer of his generation. From his New York base, where he’s lived since the mid 1980s, Douglas has continued to earn lavish national and international acclaim including trumpeter, composer, and jazz “Artist of the Year” by such organizations as the New York Jazz Awards, Down Beat, Jazz Times, Jazziz, and the Italian Jazz Critics’ Society. His solo recording career began in 1993 with Parallel Worlds on Soul Note and he has since released over twenty-eight recordings. In 2005, after seven critically-acclaimed albums for Bluebird/RCA, Douglas launched his own record label, Greenleaf Music. The same year, he was honored with a Guggenheim Fellowship. On Greenleaf, Douglas has released albums with his long standing Quintet, the electronic sextet Keystone, and the mixed chamber ensemble Nomad. His latest project, Brass Ecstasy, features a brass quintet of trumpet, french horn, trombone, tuba and drums and will release Spring 2009.

Douglas is currently the artistic director of the Workshop in Jazz and Creative Music at the Banff Center and the co-founder and director of the Festival of New Trumpet Music, which will celebrate its 7th year in 2009.

In addition to leading his own groups, Douglas has an important ongoing musical relationship as a member of John Zorn’s Masada and with artists such as Anthony Braxton, Don Byron, Joe Lovano, Miguel Zenon, Uri Caine, Bill Frisell, Cibo Matto, Mark Dresser, Han Bennink and Misha Mengelberg. As a composer, Douglas has been commissioned by the Trisha Brown Dance Company, Birmingham Contemporary Music Group, Norddeutscher Rundfunk, Essen Philharmonie, Library of Congress and Stanford University. Recent large scale works have included Blue Latitudes, for chamber orchestra and 3 improvisers, and Delighted States, for big band with soloists (both unreleased as of press date).

Webpage: http://www.davedouglas.com/

FOR INFO & TICKETS: http://pdxjazz.com/tickets/

~Dan – np: Hotel LightsHotel Lights