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REVIEW: Dead Kenny G’s & Trio Subtonic @ Mt Tabor (Portland, OR – 10/16/10)

17th Oct 10 (Sun) 2 comments

FYI… PHOTOS of the SHOW at the BOTTOM

OK, so I have to start this out with an apology.  I absolutely wanted to see Jacob Fred Jazz Odyssey.  I had been up in Portland for a third night in a row (driving back to Eugene late each night)… and was thus quite tired and I couldn’t possibly stay for their set (which was posted to start at 12:30am).  It’s a running theme on this blog… I miss them for one reason or another.  Last night wasn’t gonna be a missed opportunity.  Alas, it ended up as such.  Damn.  SO, JFJO, I’m sorry.  I’ll do better next time. I dig your new one, Stay Gold.  I’m getting old.  I have no other excuse for bailing at midnight.

So, unfortunately this amazing triple modern jazz bill turned into an pretty damn good double bill for me.

Trio Subtonic started things off around 9:30.  No Radiohead as in the past, but still a great groove for their 45 minute set.  They really are what I’d consider to be Portland’s own Medeski Martin & Wood.  Great piano-based three piece combo.  They’ve got two killer albums out over at CD Baby (aka the best indie CD seller in the universe).

Skerik, Mike Dillon, and Brad Houser hit the stage after a short set change…

While also a three-piece modern jazz combo, the Dead Kenny G’s definitely weren’t a repeat of Trio Subtonic’s sound.  Fitting with their name, they bring powerful elements of punk rock and a “fuck you” attitude to a jazz trio.  Mix some sax groove from Skerik with some harder edged beats, avant-garde squeaks, gonzo drumming, and punk vocal belts…

I’d seen them before (at Sam Bond’s in Eugene), but it was nice to see them able to spread out a little more on the Mt Tabor Theater stage.

Setlist: over an hour

  • Death Panel
  • Birther Blues
  • Black Goldman Sax
  • “Black Death”
  • unknown
  • Bewildered Herd
  • I’m Your Manager, I’m Your Pimp
  • unknown
  • Yeah, Cat
  • Improv with some JFJO guys

more photos below

The Appropriate Linkage:

Check out more DKG’s tour dates below.

~Dan – np: Milli VanilliGirl, You Know It’s True

DEAD KENNY G’S & TRIO SUBTONIC PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

DKG’s Fall 2010 Tour Dates

Date Venue Band
10.9.10 Coda
San Francisco, CA
With Mike Dillon’s Go-Go Jungle and Black Frames
10.10.10 Harlow’s
Sacramento, CA
Dead Kenny G’s
10.12.10 Forestville Club
Forestville, CA
Dead Kenny G’s
10.13.10 HumBrews
Arcata, CA
Dead Kenny G’s
10.15.10 Sam Bond’s Garage
Eugene, OR
Dead Kenny G’s
10.16.10 Mt. Tabor Theater
Portland, WA
Dead Kenny G’s and
Jacob Fred Jazz Oddysey
10.17.10 Chop Suey
Seattle, WA
Dead Kenny G’s
10.18.10 The Top Hat
Missoula, MT
Dead Kenny G’s
10.19.10 Knotty Pine
Victor, ID
Dead Kenny G’s
10.20.10 The State Room
Salt Lake City, UT
Dead Kenny G’s
10.21.10 Aggie Theater
Ft. Collins, CO
Dead Kenny G’s
10.22.10 Cervante’s Otherside
Denver, CO
Dead Kenny G’s
10.23.10 Davey’s Uptown
Kansas City, MO
Dead Kenny G’s
10.28.10 Kessler
Dallas, TX
Dead Kenny G’s
10.29.10 Momo’s
Austin, TX
Dead Kenny G’s and
Hairy Apes BMX
10.30.10 La Bon Ton Roule
New Orleans, LA
Dead Kenny G’s
10.31.10 The Blue Nile
New Orleans, LA
Dead Kenny G’s
11.12.10 11.13.10 Bear Creek Music Festival
Live Oak, FL
Dead Kenny G’s
12.1.10 Momo’s
Austin, TX
Dead Kenny G’s
12.2.10 Kessler
Dallas, TX
Dead Kenny G’s
12.3.10 The Deli
Norman, OK
Dead Kenny G’s
12.4.10 Eclipse
Tulsa, OK
Dead Kenny G’s
12.5.10 Chester’s
Fayetteville, AR
Dead Kenny G’s
12.8.10 Momo’s
Austin, TX
Dead Kenny G’s
12.9.10 Chelsea’s
Baton Rouge, LA
Dead Kenny G’s
12.10.10 DBA
New Orleans, LA
Dead Kenny G’s
12.11.10 Martin’s
Jackson, MS
Dead Kenny G’s

REVIEW: Holy F*ck & Indian Jewelry @ Holocene (Portland, OR – 10/14/10)

15th Oct 10 (Fri) 4 comments

FYI… PHOTOS of the SHOW at the BOTTOM

First off… if you haven’t seen the adorable and infectious new music video for Holy Fuck‘s “Red Lights,” you need to go check it out now.  OK, now that you’re back, on to the review…

This was the first time to the Holocene for me.  It’s a nice venue, trendy looking bar, good beer on tap (Double Mountain IRA for me).  They had a few side rooms with colorful lights, practically unusable mirrors in the bathroom, and odd fabric or paper christmas tree looking things in the performance area.  In other words, everything that makes Portland its quirky, trendy self.

I got there near the middle of the first opener’s set.  Clipd Beaks, from Oakland, were good from what I heard.  Fuzzy rock with somewhat melodic vocals, use of trumpet, but primarily traditional rock sounds coming forth.  I didn’t get any usable photos from their set as the lights were in force, yet.

Next up was Indian Jewelry, a four-piece from Houston, put out a 40 minute blast of tom percussion, dirty guitars and keyboards.  They were a little warbly, drone-y in spots, and switched off between male and female vocalists.  I enjoyed them, but I couldn’t really “re-sing” any of their songs… nice and percussive, genre-less but not aimless.  I can see them working way better live than on record, but then again, I’ve been wrong about that before.  Anyway, I’d recommend checking them out if they swing by your neck of the woods… cracked cymbals and all.

Holy Fuck started setting up immediately after Indian Jewelry’s set ended.  They went on right around 11:30 and played a full hour, with encore.  Not dissimilar from their Mississippi Studios show from earlier in the year… lots of tunes from Latin – which I am legally required to state in every mention of its name… it’s the best album of 2010 so far.  Great groove-based live/organic electronic.

There were a few absent fab live tunes (Royal Gregory, Super Inuit, Milkshake), and I think I’m going crazy, as now I’m doubting my own note-taking… did they end with Lovely Allen?  Or was it Safari?  Or am I going crazy?  Anyway… they played Red Lights, which smoked!  I love Punchy’s bass on that track…

Setlist: about an hour

  • 1MD
  • Super Inuit
  • Foxy
  • Jungles
  • Red Lights
  • Lucky
  • Stay Lit
  • Silva & Grimes
  • Stilettos
  • Encore: The Pulse
  • Lovely Allen (I should know this with confidence, but my brain fell apart)
    italics – unsure of in the setlist, any help is appreciated

Great show as usual from Holy Fuck.  But… severe lack of dancing again… or at least in comparison to the grooves.  This seems to happen (i.e.- not happen) in Portland; so I don’t blame the band at all.  They should swing down to Eugene next time… we’ll show ’em how to party!  Pretty please!

many more photos below

The Appropriate Linkage:

Check out more tour dates below.

~Dan – np: Metallica – S&M

HOLY FUCK & INDIAN JEWELRY PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

Holy Fuck Fall 2010 Tour:

08-28 Leeds, England – Leeds Festival
08-29 Reading, England – Reading Festival
09-08 Louisville, KY – Zanzabar
09-09 Birmingham, AL- Bottletree
09-10 New Orleans, LA – Howlin’ Wolf
09-11 Austin, TX – The Mohawk
09-12 Houston, TX – Walter’s on Washington
09-13 Mobile, AL – Alabama Music Box
09-14 Athens, GA – New Earth Music Hall
09-15 Chapel Hill, NC – Local 506
09-17 Washington, DC – Black Cat
09-18 New York, NY – Le Poisson Rouge
09-19 Boston, MA – Paradise
09-20 Philadelphia, PA – Johnny Brenda’s
09-21 Buffalo, NY – Soundlab
09-22 Pittsburgh, PA – Brillobox
09-23 Cincinnati, OH – Midpoint Music Festival
09-24 Urbana, IL – Pygmalion Music Festival
09-25 Cleveland Heights, OH – Grog Shop
09-26 Detroit, MI – Magic Stick (Fucking Awesome Fest)
09-27 London, Ontario – London Music Hall
09-28 Hamilton, Ontario – Studio Theatre
09-29 Toronto, Ontario – Phoenix Theatre
09-30 Montreal, Quebec – Espace Dell’Arte
10-02 Ottawa, Ontario – Capital Music Hall
10-03 Guelph, Ontario – Vinyl
10-05 Winnipeg, Manitoba – Pyramid Cabaret
10-06 Saskatoon, Saskatchewa – Louis Pub
10-07 Toronto, Ontario – Republik
10-08-09 Edmonton, Alberta – Pawn Shop
10-11 Victoria, British Columbia – Element Nightclub
10-12 Vancouver, British Columbia – The Rickshaw Theatre
10-13 Seattle, WA – Neumos
10-14 Portland, OR – Holocene
10-16 San Francisco, CA – Treasure Island Music Festival
10-17 Los Angeles, CA – Echoplex
10-18 Phoenix, AZ – Rhythm Room
10-20 Denver, CO – Larimer Lounge
10-21 Lincoln, NE – Bourbon Theatre
10-22 St. Louis, MO – Firebird
10-23 Indianapolis, IN – Radio Radio

PDX Jazz 2011 schedule

14th Oct 10 (Thu) Leave a comment

About 3 weeks ago, the Portland Jazz Fest (aka PDX Jazz Fest) announced their 2011 line-up and theme (Bridges & Boundaries – Jewish & African-American jazz playing together), well, last night, they announced the actual schedule for the main line-up.  Many more side shows will fill-in, but here’s the schedule for the main shows:

  • Friday, February 18, 7:30pm, Winningstad Theater, Randy Weston
  • Saturday, February 19, 7:30pm, Winningstad Theater, Anat Fort
  • Sunday, February 20, 7:30pm, Winningstad Theater, Dave Frishberg
  • Thursday, February 24, 7:30pm, Newmark Theater, Don Byron
  • Friday, February 25, 7:30pm, Newmark Theater, Esperanza Spalding
  • Friday, February 25, 9:30pm, Crystal Ballroom, Poncho Sanchez
  • Friday, February 25, 9:30pm, Alberta Rose Theatre, Nik Bartsch’s Ronin
  • Saturday, February 26, 2:00pm, Crystal Ballroom, The 3 Cohens
  • Saturday, February 26, 7:30pm, Newmark Theater, SFJAZZ Collective
  • Saturday, February 26, 8:00pm, Tony Starlight’s, Gerald Clayton
  • Saturday, February 26, 9:30pm, Crystal Ballroom, Regina Carter
  • Sunday, February 27, 2:00pm, Newmark Theater, Joshua Redman
  • Sunday, February 27, 7:30pm, Crystal Ballroom, Maceo Parker

Nik Bartsch’s Ronin & SF Jazz Collective (featuring a Stevie Wonder catalogue) are my top two picks for the festival.  Tickets for PDX Jazz Members went on-sale yesterday (10/13/2010).  General public on-sale date is Saturday, October 23rdConsider joining and supporting this great jazz festival!

~Dan – np: Jacob Fred Jazz OdysseyStay Gold

PDX Jazz 2011 Theme

23rd Sep 10 (Thu) 3 comments

Portland Jazz Festival (aka PDX Jazz) has announced their 2011 theme:

BRIDGES AND BOUNDARIES:
JEWISH & AFRICAN AMERICANS PLAYING JAZZ TOGETHER

FESTIVAL HEADLINERS INCLUDE: ESPERANZA SPALDING, SFJAZZ COLLECTIVE featuring STEVIE WONDER’s catalog, REGINA CARTER, AND JOSHUA REDMAN

February 18 through 27

Past, present and future collaboration between African Americans and Jewish Americans is the message behind Bridges and Boundaries: Jewish & African Americans Playing Jazz Together, the theme of the 2011 Alaska Airlines/Horizon Air Portland Jazz Festival presented by US Bank. The festival, which annually selects a compelling musical and programming theme, will be held Friday, February 18 through Sunday, February 27 at venues throughout Portland. The complete festival lineup will be announced on October 13 when single show and special package tickets go on sale exclusively to PDX Jazz members. Tickets will become available to the general public on October 23.

A select few of this year’s culturally diverse headliners include Avishai Cohen, the Israeli trumpeter, one of the leading players in the new all-star SFJAZZ Collective, performing the work of African American pop icon Stevie Wonder. Cohen will also be joined by his siblings Anat Cohen and Yuval Cohen for a special performance of The 3 Cohens. Famed African American violinist Regina Carter will return to Portland, presenting her newest project, Reverse Threads, which traces the musical history of African cultures, including tribes of Ugandan Jews. And, Joshua Redman, son of African American saxophonist Dewey Redman and Jewish American dancer Renee Shedroff, leading his new James Farm Quartet that includes both African American and Jewish American musicians.

African and Jewish American community leaders, Portland Jazz Festival’s new Artistic & Community Ambassador Esperanza Spalding (who will lead her new Chamber Music Society in an exclusive Portland area engagement), and many other artists will participate and interact in panel discussions and “Jazz Conversations” focusing on artistic and social perspectives. National jazz journalists, writers, and critics-including Nat Hentoff-will also participate in these events.

For a complete schedule of events, please visit:

www.pdxjazz.com

I’m excited about the SF Jazz Collective and their 2011 Stevie Wonder theme (though it won’t have Dave Douglas and Joe Lovano this year), but I’m mainly excited about Nik Bärtsch’s Ronin.  Holy cow, they’re good.

~Dan – np: Andy McKeeOne World

Portland Cello Project on Daytrotter

7th Aug 10 (Sat) 6 comments

The few websites that aren’t RSS feed-able that made it to my “must check every day” list… Daytrotter is great, and they hit us this past week with a live in the studio session with the Portland Cello Project

Go here for the free music:
http://tinyurl.com/daytrotter-pcp

1) Turkish Wine 2) Mouth For War 3) Halo 3 Theme 4) Remedy

Past Daytrotter Sessions I’ve blogged about and dug (links and free music not guaranteed on these old blogs): Matisyahu, Tori Amos, The Swell Season, David Bazan #2, Copeland, Bad Veins, Nellie McKay, Clare and the Reasons, My Brightest Diamond #2, Damien Jurado, Talkdemonic, Aimee Mann, Ani DiFranco, Bad Veins #1, Kaki King, Holy Fuck… and David Bazan, My Brightest Diamond, Erin McKeown.

~Dan – np: MasadaYod (#10)

REVIEW: Toad the Wet Sprocket @ Crystal Ballroom (Portland, OR – 7/28/10)

29th Jul 10 (Thu) 4 comments

FYI… PHOTOS of the SHOW at the BOTTOM

Last night was my fourth opportunity to see one of my favorite bands, Toad the Wet Sprocket.  I have been able to see frontman Glen Phillips many times, and he does throw in some Toad tunes here and there – but it’s not quite the same as the full conglomerate Toad experience with guitarist Todd Nichols, bassist Dean Dinning and drummer Randy Guss.  While Toad’s alternative melodic rock isn’t in my usual jazz or metal wheelhouse, I could never pass up a chance to see them… even if it meant making a 4 hour round-trip up to Eugene’s big sister, Portland.

Opener Hey Marseilles went on around 8 and played a full and energetic set of what they call “folkestral” music.

The seven piece band is from Seattle, and the guys were hard to pin down on any instrument.  Several of the guys swaped out instruments for each song.  They definitely had the folky, singer-songwriter band elements, but mixed in some great violin, viola, cello, accordion, trumpet, amidst traditional rock guitar, bass & drums.

Check out their video for “Rio” from their new album To Travels and Trunks.

If you go to their MySpace page, you can download the “Rio” single for free.  See the download button in the left pane under their contact info.

Glen, Todd, Dean & Randy of Toad the Wet Sprocket hit the stage around 9pm with an extra player – Johnny Hawthorn on slide guitar, electric mandolin, and guitar.  The packed Crystal Ballroom got a taste of something from every album…

Setlist: ~90 mins

  • Something’s Always Wrong
  • Rings
  • Stupid
  • Woodburning
  • Crowing
  • Good Intentions
  • Is It For Me
  • Windmills
  • Torn
  • Before You Were Born
  • Spirit [The Waterboys cover] ->
  • Know Me
  • Nightingale Song
  • Come Back Down
  • Whatever I Fear
  • All I Want
  • Fall Down
  • Encore: Come Down
  • Brother
  • Walk on the Ocean

There were no new songs, Lapdog tunes, or Glen solo material as they have done in the past.  This was all Toad from all around their decade long catalogue.  My favorites of the night were “Windmills” and “Whatever I Fear” – and some of their classics like “Brother,” “All I Want,” and “Walk On the Ocean” were crowd favorites as well.

The fact that Toad keeps touring on occasion keeps me hopeful that they may record again.  In the meantime, check out Glen’s multitude of projects and Todd & Dean’s work as well (see links below).  Support indie music!

many more photos below

The Appropriate Linkage:

Check out more tour dates below.

~Dan – np: Wynton Marsalis – Tune in Tomorrow

TOAD THE WET SPROCKET &
HEY MARSEILLES PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

Glen Phillips and/or Toad TWS Tour Dates

Fri, 07/23/10 The Fillmore San Francisco CA 9:00 PM 415-775-7722 thefillmore.com
Sat, 07/24/10 The Uptown Theater Napa CA 8:15 PM N/A uptowntheatrenapa.com
Sun, 07/25/10 Knitting Factory Concert House Reno NV 7:30 PM 208-367-1212 knittingfactory.com
Tue, 07/27/10 Knitting Factory Concert House Boise ID 8:00 PM 509-325-SEAT knittingfactory.com
Wed, 07/28/10 Crystal Ballroom Portland OR 8:00 PM 503-225-0047 mcmenamins.com
Thu, 07/29/10 Moore Theatre Seattle WA 7:30 PM 206-628-0888 stgpresents.org
Sat, 08/14/10 Blue Sky Music & Adventure Festival Mammoth Lakes CA 8:00 PM 888-285-5893 ext. 2 blueskymusicfest.com
Tue, 08/17/10 Gerald R Ford Amphitheatre East Vail CO 6:30 PM 970-476-2918 vvf.org – free show!
Thu, 08/19/10 The Belly Up – Aspen Aspen CO 10:00 PM 970-544-9800 etix.com
Sat, 08/21/10 Chautauqua Auditorium Boulder CO 8:00 PM 303-440-7666 chautauqua.com
Sat, 09/11/10 Red Rock Resort, Spa & Casino Las Vegas NV 10:00 PM N/A redrocklasvegas.com
Tue, 09/14/10 The Intersection Grand Rapids MI 7:30 PM 616-459-0931 intersectionlive.com
Wed, Thu 09/15-16/10 The Ark Ann Arbor MI 8:00 PM 734-761-1451 theark.org
Fri, 09/17/10 Midland Theatre Newark OH 8:00 PM 740-345-LIVE midlandtheatre.org
Sat, 09/18/10 The Southgate House Newport KY 8:00 PM 895-431-2201 southgatehouse.com
Sun, 09/19/10 The Vogue Theatre Indianapolis IN 8:00 PM 317-254-2028 thevogue.com

REVIEW: Antibalas @ Berbati’s Pan (Portland, OR – 7/19/10)

20th Jul 10 (Tue) 3 comments

FYI… PHOTOS of the SHOW at the BOTTOM

Originating from Brooklyn, ANTIBALAS (aka Antibalas Afrobeat Orchestra) is: AMAYO (Vocals & Percussion), VICTOR AXELROD (Organ/Clavinet), ERIC BIONDO (Trumpet), STUART BOGIE (Tenor Sax), MARCUS FARRAR (Shekere), MARCOS GARCIA (Guitar), AARON JOHNSON (Trombone), JORDAN MCLEAN (Trumpet), NICK MOVSHON (Bass), LUKE O’MALLEY (Guitar), MARTIN PERNA (Baritone Sax, founder) and CHRIS VATALARO (Drums).

They are sooooo fun in concert, words don’t do them justice.  I saw them back in 2007 in the Cincinnati area, and haven’t had a chance since now to see them again.  I’ve been Jonesin’ for an Antibalas fix.

They’ve been busy the last couple years with the multiple-Tony Award winning FELA! Broadway musical (a tribute to afrobeat pioneer Fela Kuti).  This July, Antibalas is doing a mini-tour in pre-support for their upcoming album on Anti-Records (untitled as of now).  The Sway Machinery opened the Portland show…

They were a nice horn-infused Jewish five piece rock band.  Their MySpace billed them as “Other / Blues / Afrobeat.”  Outside of the horns, I didn’t really hear the afrobeat.  Definitely Judaic and bluesy –  I dug their sound.  The mix last night was a bit bass heavy, and the vocals got drowned out, but I liked their vibe overall.  Their line-up is fairly power-packed… guitarist Jeremiah Lockwood of Balkan Beat Box, drummer Brian Chase of the Yeah Yeah Yeahs, bass saxophonist Colin Stetson of Arcade Fire and Tom Waits‘ band, and the trumpet and tenor sax horn section of the band Antibalas, Jordan McLean and Stuart Bogie.  They’ve got an album, Hidden Melodies Revealed, out on JDub Records (same record label as Balkan Beat Box, SoCalled, etc).

Antibalas went on a little after 10:15 and hit the ground running with their percussive, groove-laden, horn-drenched bombast.  Lead vocalist Amayo came out at the second song and started off on percussion before moving over to lead vocals…

The sound in the club got a little more balanced for Antibalas, whose 12 band members were tightly jamming away.  Great mix of horn-heavy tunes, percussion heavy tunes.  The packed house danced away to the fun beats.  I’m horrible with their song names, and they didn’t play as many lyrical songs; so no luck on a setlist this time around.  If anyone has a setlist, pass it along, please.

Antibalas jammed away for a fairly dancey, long set without showing signs of letting up.  A fantastic night!  I’m hoping they hit the PacNW again when they come back through to support their upcoming untitled record.  Portland, Eugene, anywhere really. :)

more photos below

The Appropriate Linkage:

Check out more tour dates below.

~Dan – np: Jon Madof’s RashanimMasada Rock 

ANTIBALAS & THE SWAY MACHINERY PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

Antibalas July 2010 Tour Dates

  • 07.14.10 – San Diego, CA – Casbah
  • 07.15.10 – Los Angeles, CA – The Echoplex
  • 07.16.10 – San Francisco, CA – Great American Music Hall
  • 07.17.10 – Garberville, CA – Reggae on the River
  • 07.19.10 – Portland, OR – Berbati’s Pan
  • 07.20.10 – Seattle, WA – Neumos
  • 07.22.10 – New York, NY – River to River Festival, Castle Clinton
  • 07.29.10 – Philadelphia, PA – Kimmel Center, Perelman Theater

REVIEW: Dream Theater @ Roseland Theater (Portland, OR – 6/21/10)

22nd Jun 10 (Tue) 3 comments

FYI… PHOTOS of the SHOW at the BOTTOM

Progressive metal powerhouse Dream Theater is quite possibly one of the most technically superb group of musicians ever assembled.  They’ve also weathered over 20 years in the dog-eat-dog music industry and remained a challenging force in the progressive rock/metal landscape.  One might say that they’ve risen to icon status amongst their peers.  When I think about drummer Mike Portnoy, guitarist John Petrucci, and bassist John Myung – I can’t really think of many other musicians in any genre that baffle me with their prowess so profoundly.

Singer James LaBrie and keyboardist Jordan Rudess round out the quintet.  They are both very talented in their own right, and while I won’t dwell on it, LaBrie and Rudess sometimes make Dream Theater’s sound a throwback to the 80s… which I suppose is an unfortunate consequence of shrieking singers and ax-blade keytars (come on, guys, this is 2010!).  Thankfully, the rhythm from Myung & Portnoy and the shred from Petrucci prevailed for most of the over two hour set.  Sorry, but in the everlong, ever-subjective DT-fan keyboardist debate I rank Kevin Moore > Derek Sherinian > Jordan Rudess.  Just laying it out there now… sorry if it’s offensive to some. Again, I don’t want to dwell… so back to the positive – all five guys in Dream Theater now run circles around the notes, making them fit in a pretty incredible sonic package.

This show was one of the handful of one-off in between dates as Dream Theater tour the U.S. with metal legends Iron Maiden.  If you hit one of the Maiden shows, make sure you show up early, as Dream Theater doesn’t have much input on when they go on, and sometimes it has been before the advertised time.

Luckily, this Portland show was Dream Theater’s to shine.  I showed up a little late, and unfortunately missed the opener.  Dream Theater started right around 8:45pm and ripped into A Nightmare To Remember from their latest record, Black Clouds and Silver Linings.  The 16-minute song (on the record) showcases all five guys’ talents and set the stage for what was to come…

Some of my favorite parts of the set were their earlier tunes… the “puppies on acid” intro to the “The Mirror / Lie” seamless prog-metal fest and the switch-up “Pull Me Under” that converts into “Metropolis Part 1” during the middle of the solos.  Wow!  The newer tunes, which I consider anything from Scenes from a Memory and on (i.e.- since Jordan joined), were also full of amazing musicianship… led by the “balls and chunk” in “Home” and the instrumental opening to “Count of Tuscany.”  Another new era song, “As I Am,” ranks for me due to John Myung’s bass harmonics’ opening and some of my favorite Dream Theater word play (justify / just defy)…

Setlist: 2 hours 15 minutes

  • A Nightmare To Remember
  • Constant Motion
  • Hollow Years
  • The Mirror / Lie
  • A Rite Of Passage
  • Home
  • Panic Attack
  • As I Am
  • Pull Me Under / Metropolis Pt. 1
  • Encore: The Count Of Tuscany

Brilliant showmanship, technical skill with an air of ease, stellar solos, and only a touch of keytar… Dream Theater is yet again showing up the competition.  They are truly the kings of the progressive scene.

(and one from MikePortnoyDT’s twitter…)

many more photos below

The Appropriate Linkage:

Check them out on tour with Iron Maiden now…

~Dan – np: Pink Martini – Hey, Eugene!

DREAM THEATER PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

Higher Resolution (20 pics)

Limited to 1200 pixels wide or tall (29 pics)

Dream Theater @ Roseland Portland (6/21)

21st Jun 10 (Mon) Leave a comment

So, since I’m out of town for work, I won’t be able to upload my photos and review from tonight’s Dream Theater‘s Roseland Theater gig in Portland (Oregon) until most likely Tuesday night (6/22)… in the meantime, check out some of Cinn City / Skulls-n-Bones photo coverage of the recent Denver gig… I sooooooo envy their amazing shots!!

Check back later on Tuesday for my Portland coverage!  It shant be as nice looking as Cinn City’s shots, but hopefully make you wish you were there and/or bring back the joy of being there.

~Dan

REVIEW: Imogen Heap @ the Schnitzer (Portland, OR – 6/16/10)

17th Jun 10 (Thu) 2 comments

FYI… PHOTOS of the SHOW at the BOTTOM

As many others, I got into Imogen Heap via her band Frou Frou‘s inclusion on the Garden State soundtrack.  Their song “Let Go” was featured heavily in the Garden State trailer and movie.  Thanks to Zach Braff, a love of all things Imogen Heap started to develop.  A solid electronic-pop singer-songwriter in her own right before and after the Frou Frou debut Details, she took a longer break before her 2009 re-emergence, Ellipse.  She needed some time away, and many times the much needed time away brings forth some great work.  Ellipse is a solid album in both song catchiness and experimentation.

Her interest in experimentation spanned to her openers for this 6th leg of the North American tour… Geese is a stringed duo, backed by Imogen’s drummer.  They started out slow and moving with high use of looping of their violins.  Their 20 minute set only featured 3 songs, but it was quite captivating.  It went from the aforementioned moving piece to a more spastic, experimental uproarious piece to a final piece that I’d describe as “noodley junkyard chic” with occasional drumming bombast.  Being a fan of more experimental instrumental music, I was quite fond of their set.  They also played with Imogen on a few of her songs that required strings (definitely “Little Bird” and a few others).

Ben Christophers came on shortly after Geese… he also played a fairly short set (and joined her on stage as part of her Ellipse band).  Ben is a British singer-songwriter who focused mainly on the electric guitar with a voice in the higher registers.  I found him similar to Sean Lennon mixed with the late falsetto/whispy singer Jeff Hanson.  Ben played five songs for about 25 minutes… quite delightful, with a nice reference to Pink Floyd’s “Set the Controls for the Heart of the Sun.”

Imogen and her band started shortly after 9pm.  First off, Imogen has an adorable stage presence.  She is very unassuming, and even came out to introduce both openers.  She told many stories in between songs, and carried on a nice dialogue with the audience.  She really made a concert in a large concert hall seem like an intimate show in a smaller venue.  The intimate setting was quite beautiful at times with the simple but sleek stage design.  The center piece was a tree which worked in nicely with the light show, even appearing to be on fire or dancing in the wind at times (sorry, no photos of that, as press cameras were not allowed past the 3rd song).

Second, Imogen knows how to mix it up… she played rockier songs, mellower songs, songs from across her catalogue.  Some favorite moments were “Let Go,” the dancing trees in “A-ha!,” the rocking out of “Goodbye and Go,” the loops and general excellence of “First Train Home,” and the gentleness of “Little Bird.”  Oh, and the ’80s sunglasses and keytar used in “Tidal” was quite the throwback… it nicely showed off her silly, fun side.

Setlist: about 2 hours

  • The Walk
  • Swoon
  • Come Here Boy
  • Wait It Out
  • First Train Home
  • Little Bird
  • Canvas
  • Breathe In
  • Charity Improv
  • A-Ha!
  • Speeding Cars
  • Let Go
  • Just For Now
  • Goodnight and Go
  • Headlock
  • Tidal
  • The Moment I Said It
  • Hide and Seek

Half way through the set, she did the charity improvisation that is an important part of her tour this time around.  Each city’s fans help her pick an important charity.  The audience gets to recommend the key and melody starting point.  Imogen records the song and it becomes available later for purchase.  The charity improv song for Portland was for Eco Trust, whose mission is to “inspire fresh thinking that creates economic opportunity, social equity and environmental well-being.”

To get the Portland improv song to help out the charity, go to imogenheap.com/charity.  To donate to the charity directly, click the banner below…

Imogen wrapped up her final two songs solo, bringing to a close a wonderful night of both danceable and gorgeous music.  The only disappointment: there was no “Earth” with Portland-based chorus this time.  All in all, a great show!  Thank you, Immie!

Check out her latest album, Ellipse, or her forthcoming documentary DVD, Everything In Between:

many more photos below

The Appropriate Linkage:

Check out more tour dates below.

~Dan – np: Dream TheaterBlack Clouds and Silver Linings

IMOGEN HEAP PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

North American Tour Dates (2010 World Tour – 6th Leg)

  • May 22nd Detroit, MI Fillmore Theatre
  • May 23rd Chicago, IL Riviera Theatre
  • May 25th New York, NY Hammerstein Ballroom
  • May 26th Boston, MA Orpheum Theatre
  • May 27th Philadelphia, PA Tower Theatre
  • May 29th Washington DC Warner Theatre
  • May 30th Norfolk, VA Norva
  • June 1st Orlando, FL House Of Blues
  • June 2nd Miami, FL Fillmore Theatre
  • June 4th Atlanta, GA Tabernacle
  • June 5th Nashville, TN Ryman Auditorium
  • June 7th New Orleans, LA House Of Blues
  • June 8th Houston, TX Verizon Wireless
  • June 9th Dallas, TX Nokia Grand Theatre
  • June 11th Denver, CO Ogden Theatre
  • June 12th Salt Lake City, UT Rail Event Center
  • June 14th Seattle, WA Paramount Theatre
  • June 15th Vancouver, BC Commodore Ballroom
  • June 16th Portland, OR Schnitzer Hall
  • June 18th Saratoga, CA Mountain Winery
  • June 19th Los Angeles, CA Greek Theatre
  • June 20th San Diego, CA Humphrey’s
  • June 21st Santa Barbara, CA Granada Theatre

#ihportland

Imogen Heap @ Schnitzer (6/16)

17th Jun 10 (Thu) Leave a comment

REVIEW: Holy Fuck @ Mississippi Studios (Portland, OR – 6/6/10)

7th Jun 10 (Mon) 2 comments

FYI… PHOTOS of the SHOW at the BOTTOM

“Analog electronica at its finest.”

One of the best bands that you may have never heard of because of a fear of the unknown and/or an aversion to George Carlin’s Seven Dirty Words is Toronto’s experimental electro-rock band Holy Fuck.

Starting off more experimental with their self-titled debut in 2005 and moving into a more groove-fueled diet of instrumental rock in 2007, Holy Fuck has been tearing up clubs around Canada, Europe, and the United States for the past few years.  Their records are superb, and their live shows are even better.  This show in Portland was stacked with some other electro-pop favorites…

Portland-based Fake Drugs went on a little after 9pm.  They are made up of a few guys from Starfucker – Keil Corcoran and Shawn Glassford.  Their sound was a nice pop electronic.  Primarily rhythm guitar & live drums with primarily pre-recorded keyboards & loops.  Danceable and fun… not what I expected from Starfucker gents, but a good warm up.

Another Portland band, Nice Nice had a great electro-pop sound.  This two piece band was the primary tour support for Holy Fuck.  Fewer guys on stage compared to Fake Drugs, but it seemed like they had more going on.  The drummer played both live drums and electronic drum pads… there was a nice juxtaposition of both the organic and artificial sounds – usually intertwined with each song.  The singer played keys, electronic drum pads, as well as guitar.  They have a building, electronic-rock sound, much like Holy Fuck… they meshed really well, and I can see why HF brought them along.

On to Holy Fuck

The seemingly scattered performance with keyboards, toy instruments, live drums & bass, 35mm audio strip replay, guitars, and distorted vocals ultimately leads into the music that is undeniably catchy and composed.  Brian Borchedt and Graham Walsh man the up-front melodic and non-melodic drive of the band, and bassist Matt McQuaid and drummer Matt Schulz are an excellent battery to fuel the groove.  They’re out supporting their latest, excellent record, LATIN.  It’s out now on CD, vinyl, and download formats (click picture to the right).  Personally speaking, it’s one of my favorite albums this year so far.

Holy Fuck went on at 11:25 and kicked it right off with the charged “Latin America.”  The band seemed pretty charged up, especially bassist Matt McQ… who really looked to be having a blast.  They plowed through an over hour set, hitting many of their new tunes, with some choice cuts from LP and the new version “Jungles” (on the +Ghost EP, based on the 2005 debut’s “Tonebank Jungle”).

Even if you aren’t a dancin’ fool… you’ll usually be turned into one at a Holy Fuck show.  The very danceable set was met with a severe lack of dancing from the crowd compared to past shows I’ve witnessed.  Perhaps it was a “Portland on a rainy Sunday” thing, because Holy Fuck was deep in the groove but the crowd seemed more concerned with their PBR’s.  Regardless of the “dancin’ deficit,” the crowd definitely showed their appreciation for the mighty HF via hoots & hollers…

Here’s what they played as best I remembered the song names…

Setlist: ~70 mins

  • Latin America
  • Super Inuit
  • Foxy
  • Jungles
  • 1MD / Red Lights
  • SHT MTN
  • Frenchy’s
  • Stay Lit
  • Lovely Allen
  • The Pulse
  • Stilettos
  • Encore: unknown… a really dirty, fuzzed out riff
  • P.I.G.S.

Brilliant show… my favorite was Red Lights, and its deep groove and killer bass.  Jungles and Stay Lit were close behind.  Stay Lit is probably HF’s most mellow song, and it features Brian on guitar instead of the electronics table.  They ended the night with a new song (or at least new to me) featuring a really fuzzy, dirty bass followed by P.I.G.S..

many more photos below

The Appropriate Linkage:

Check out more tour dates below.

~Dan – np: Frank ZappaWaka/Jawaka

HOLY FUCK, FAKE DRUGS & NICE NICE PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

Holy Fuck 2010 N.A. Tour Dates (so far)

  • May 28 Le Poisson Rouge New York, New York #
  • May 29 The Middle East Cambridge, Massachusetts #
  • May 30 Johnny Brenda’s Philadelphia, Pennsylvania #
  • May 31 Rock N Roll Hotel Washington, Washington DC #
  • Jun 1 Grog Shop Cleveland Heights, Ohio #
  • Jun 3 Turf Club Saint Paul, Minnesota #
  • Jun 6 Mississippi Studios Portland, Oregon #
  • Jun 8 The Independent San Francisco, California #
  • Jun 10 Troubadour Los Angeles, California #
  • Jul 5 Club Soda – Festival International de Jazz de Montreal Montreal, Quebec
  • Jul 9 Molson Amphitheatre Toronto, Ontario ^
  • Jul 30 Sappyfest Sackville, New Brunswick
    # w/ Nice Nice
    ^ w/ Metric and Passion Pit

REVIEW: Derek Webb & Jennifer Knapp @ Aladdin (Portland, OR – 4/27/10)

28th Apr 10 (Wed) 11 comments

FYI… PHOTOS of the SHOW at the BOTTOM

There’s something about songwriters that draw me in.  With Derek Webb, I’ve been a long time fan since 1996… ever since first seeing him with his folksy-poppy band Caedmon’s Call.  While I dug Caedmon’s a lot as a group, I really enjoyed Derek’s songwriting the most.  He seemed to have the more “real life” songs – ones I could relate to the most.  His initial departure from the band went OK with me, as he kept making solo music… starting out in the traditional acoustic and then morphing into more rock and even electronic-infused meets acoustic.  His last album, 2009’s Stockholm Syndrome, was one of my favorites from last year (#3 to be exact).

Stockholm Syndrome fuses some great keys & beats from fellow Caedmon’s Call member Joshua Moore with Derek’s solid songwriting.  Lyrically, Derek tackles many issues that I think are relevant and important to everyone (not just christians) – including, but not limited to, addressing Fred “God Hates F-gs” Phelps from the hate-mongering Westboro Baptist Church (“Freddie Please”) to one-side of a superficial relationship with a club beat (“Jena & Jimmy”) to the conflict of a walk of faith and easier route living in the world at large (at least, that’s my take on “The Spirit Vs. The Kick Drum”) to the seemingly-singling out of homosexuality in the church as a major sin (What Matters More).

“What Matters More” is a song that resonates with me, as it is a big part of why I eventually left the church.  The church’s singling out of one sin over another really hit me as hypocritical, legalistic, and not loving.  If this was the god that the bible talked about, I didn’t want to be part of this disease.  If this wasn’t god’s view, then I didn’t want to be part of this group of “believers.”  Regardless of my personal road that led to a lack of faith and becoming an atheist, I still hold Derek’s music closely, as I think of any christian artist, he seems to “get it.”

Derek going out on tour with Jennifer Knapp ended up being a perfect match (she just “came out” as being in a long-term, committed same-sex relationship).  This isn’t shocking to me, and I wish it didn’t even have to be mentioned.  Why is someone’s sexuality any of our business? I suppose that in this day and age, especially coming from a christian musician, this “coming out” has to occur to set the record straight that there is nothing wrong with this.  I’m happy that she was finally comfortable coming back into making music, touring and coming out to be true to herself.  I didn’t know much of her music prior to this show (though she was on my radar back when I was a music buyer at a christian bookstore in the Midwest), but I was equally excited to see her play alongside Derek.

Amy Courts opened the show right at 8pm.  She only played about 3 songs, but had a lot of banter (she was up there about 20 minutes).  Her banter was quite adorable, and her songs were in a similar acoustic singer-songwriter vein to both Webb & Knapp.  Amy had a gentler song in the middle, but her opener and closer showed off her powerful voice.  Definitely a good warm up…

Derek Webb went on immediately after Amy.  I guess with a bunch of acoustic guitars and no backing bands, it’s easy to stack the artists right after one another.

Prior to the show, I wasn’t sure how the Stockholm Syndrome songs would translate to solo acoustic, and according to Derek – he can only play about half of them on a solo tour.  With that being said, he played a good mix of older tunes, newer tunes, and even a brand new Caedmon’s Call song…

Derek’s Setlist: about 50 mins

  • Heaven
  • A Love That’s Stronger Than Our Fear
  • New Law
  • My Enemies Are Men Like Me
  • Freddie, Please
  • Nobody Loves Me
  • God’s Home Town (new Caedmon’s Call song)
  • Wedding Dress
  • What Matters More
  • American Flag Umbrella

My favorites from his set were the last three, but I enjoyed his set throughout.  Derek was fighting some form of sickness, which contributed a little bit to his normal raspiness (which I love).  Hopefully he’ll come by soon and be able to be more talkative, as that’s usually where things get interesting. :)

After a short 10-minute break, Jennifer Knapp hit the stage.  As mentioned previously, I was not too familiar with her music, but I did recognize one of the tunes early on from my old christian bookstore days – “Whole Again.”  I also recognized “Dive In” from her webpage.  She definitely had a powerful voice and stage presence.  I can totally see her draw… she’s a great performer and has some vocal and guitar chops.

Some of her songs were a bit too “christianeze” for my tastes.  Though, she is decidedly less CCM-y than most, and I can definitely appreciate that. :)  One funny moment (to me) was her describing how “such and such” song was written a while ago but never put on a record because it didn’t have the right mentioning of “Jesus” and wasn’t as religious, etc – but to me, it definitely seemed religious… I mean, why do christians many times think that songs aren’t religious if they don’t use “god” or Jesus’ name directly?  This song’s mentioning being “in need of mercy” (among other things) definitely had a religious bent, if you ask me.  Anyway, christians’ perceptions of christian songs gets a chuckle out of me.  That’s all.  She is enough of a cross-over lyricist where I think she’ll do fine on the Lilith Fair circuit… she’s a powerful woman musician warrior.

I enjoyed just under an hour of Jennifer’s set before heading out back home to Eugene.  I did catch a few songs with Amy Court joining her, and I’m sure Derek joined her later in the set (as he has done in the past).  All in all, I thought it was an A+ triple singer-songwriter bill.  If you have any thoughts on Jennifer’s set or if you have her setlist, please post in the comments.

This was one of the last shows featuring both Derek & Jennifer.  Derek Webb will likely be more involved in the Caedmon’s Call album wrap-up in the coming months (I’m hoping they tour with Derek).  Jennifer Knapp will be on the Lilith Fair tour in 2010 alongside many other great artists.  I’d highly (HIGHLY) recommend Derek’s latest album, Stockholm Syndrome.  Also, check out Jennifer’s album, Letting Go, when it drops on May 11th…

many more photos below

The Appropriate Linkage:

~Dan – np: Erin McKeownHundreds of Lions

AMY COURTS, DEREK WEBB
& JENNIFER KNAPP PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

REVIEW: Erin McKeown & Emily Wells @ Mississippi Studios (Portland, OR – 4/21/10)

22nd Apr 10 (Thu) 3 comments

FYI… PHOTOS of the SHOW at the BOTTOM


(despite these pictures, this show was not a head-scratcher)

Last night, the Mississippi Studios in Portland had a triple-bill tour de force.  Almost two and a half hours from three wonderful musicians – violinist indie-rapper Emily Wells, folk-pop songwriter Erin McKeown, and Portland-based singer Timmy Straw.  All three were showered us with great music (both old and new)…

Timmy Straw hit the stage late and quickly went into the first number.  Timmy’s vocals were gorgeous, in that gristly-yearning kind of way.  Songs were mostly haunting piano numbers, but there was some electronic-infusion on a song or two.  I picked up Timmy’s equally gorgeous debut CD, 2009’s State Parks.  Timmy only had a little banter during the set, playing fairly straight from one to the next (playing about 6 or 7 songs in a half hour).  Songs I did catch names for are “Rock of Ages,” “Scoops,” and “Herakles.”  I highly recommend State Parks. I think you can only get it at shows at this point (if someone has other info, please pass it along).

Erin McKeown went on around 10 and his us with a lot of gems from her latest album, Hundreds of Lions, out on Ani DiFranco’s Righteous Babe Records.  I’d seen her a couple times prior (in Cincinnati), and she was just as adorable and delightfully charming with her stories and music as she can be.  My wife noted (and I agree) that Erin has such great stage presence and spark.  She’s a ball of joy and it comes through in her songs…

Erin’s Setlist: ~45 mins

  • “Manifestra” (new song)
  • Cinematic
  • Santa Cruz
  • You, Sailor
  • (Put the Fun Back in) the Funeral
  • Queen of Quiet
  • Didn’t They
  • “Train of Steel” (new song)
  • Lullaby in 3/4

Emily went on around 11 and started swinging with her crowd-pleasin’ hip-hop numbers.  She employed Doug from the Portland Cello Project during half of her set.  I saw her play with the PCP last summer, and it’s what had me sold on her music.  She switched between violin and various other toys in her arsenal (toy pianos, drum loops, toy microphones, guitar, ukulele, etc).  She relied a lot on looping – which is always fun, as far as I’m concerned.  The hour-long Emily Wells “solo/live remix” included some of her Symphonies, her über-fun Notorious B.I.G. cover, as well as some newer songs… oh, and she was sportin’ some bling

Emily’s Setlist: ~1 hour

  • If You Love Me, Really Love Me
  • Symphony 1 In the Barrel of a Gun
  • Symphony 6: Fair Thee Well & the Requiem Mix
  • Juicy (Notorious B.I.G.)
  • Mama’s Gonna Give You Love (new song)
  • Give Ya Everything (new song)
  • Let Your Guard Down (new song)
  • The Fire Song (new song)
  • Passenger
  • Encore: Symphony 9 & the Sunshine

Emily has a new album coming out later this year, and also a project with Dan the Automator called Pillowfight.  Check her out on the MySpaces to keep in the loop.  We headed back home to Eugene around midnight… tired, but content.

many more photos below

The Appropriate Linkage:

~Dan – np: OzomatliFire Away
no download or free torrent mp3 flac available
support music by buying it

EMILY WELLS, ERIN McKEOWN
& TIMMY STRAW PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld and Margaret O’Brien,
you may use freely under a creative commons attribution

(click for larger)

REVIEW: Tegan & Sara @ Keller Auditorium (Portland, OR – 4/8/10)

9th Apr 10 (Fri) 11 comments

FYI… PHOTOS of the SHOW at the BOTTOM

Last night’s Portland show was near the end of a long, 3 month tour for Tegan and Sara‘s sixth album, Sainthood.  The record (out last fall) is rockier than their prior, but fits in with their near history.  A great mix of pop songwriting with an alternative, modern rock edge.  The twin sisters trade off on vocal duty, and this is their first record where they actually wrote the songs together in the same room.  The closeness shows in the cohesiveness of this record compared to 2007’s The Con or 2004’s So Jealous (both great records as well).

Upon arrival to the Keller Auditorium, I got a good chuckle out of “tailgators” in a nearby park running through the oddly entrancing “Alligator” dance (see the music video).  If you hadn’t heard, there’s also a remix LP out now of the Alligator Remixes.

Holly Miranda was the first opener and went on right after 7:30.  I wasn’t expecting a full band for her, but more of a singer-songwriter.  Her band put together a great 30 minute set – more like a singer-songwriter vibe with a rockin’ boost.  I didn’t know any of her music, but I’ll definitely check her out soon.

Steel Train hit the stage after a short set break.  They’re all seemingly young guys from New Jersey, but they played a very throw-back, ‘cross-the-big-pond 30 minute set.  Really reminiscent of 80s Brit-poprock, they had a great stage presence.  The lead singer was very humbled alongside his rock energy… again, they seemed like really nice gents.  Great tunes, great energy.  Their set was capped by some crew coming out and drumming alongside them – one in a gorilla costume.

Tegan and Sara hit the stage right at 9pm.  They came out blazin’ with quartet of songs from their latest record… The Ocean, On Directing, The Cure, and Alligator.  I’m actually a little surprised they didn’t try to incorporate some of the aforementioned “Alligator dancers” in their stage show.

Tegan and Sara both switched between guitars and keys.  Most of the vocal duties for the night were Tegan’s, but Sara had a few of her songs in the mix as well.  The set was primarily made up of selections from Sainthood and The Con, but they threw in a handful of older tunes for good measure.  Both Tegan and Sara had some funny stories (and a little bit of sisterhood bickering).  It was cute… :)

Setlist: about 95 minutes

  • The Ocean
  • On Directing
  • The Cure
  • Alligator
  • You Wouldn’t Like Me
  • I Bet It Stung
  • The Con
  • Nineteen
  • Northshore
  • Night Watch
  • Red Belt
  • Monday Monday Monday
  • Where Does The Good Go
  • Speak Slow
  • Walking With A Ghost
  • So Jealous
  • Hop A Plane
  • Sentimental Tune
  • Hell
  • Encore: Back In Your Head (acoustic)
  • Dark Come Soon
  • Divided
  • Call It Off
  • Living Room

Due to it being the last night of the tour, emotions ran high (for all bands).  The bands also seemed really well practiced.  The show ended early (comparably to most rock shows), but due to its earlier start time, we all got a great amount of bang for our buck.  I imagine Tegan and Sara will take a bit of time off before the summer festival circuit, but I hope they swing through Oregon again soon!!

many more photos below

The Appropriate Linkage:

Check out their past 2010 tour dates below.

~Dan – np: JónsiGo

no free download or torrent available

TEGAN & SARA PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

Higher Resolution (15 pics)

Limited to 1200 pixels wide or tall (28 pics)

The North American Sainthood 2010 Tour Dates

  • January 5 – 6 Vancouver, BC Orpheum
  • January 7 Kelowna, BC Community Theatre
  • January 8 – 9 Calgary, AB Southern Alberta Jubilee Auditorium
  • January 11 – 12 Edmonton, AB Northern Alberta Jubilee Auditorium
  • January 13 Saskatoon, SK Saskatchewan Place Concert Bowl
  • January 14 – 15 Winnipeg, MB Burton Cummings Theatre
  • January 18 Montreal, QC Place des Arts
  • January 19 – 20 Toronto, ON Kool Haus
  • January 22 – 23 Ottawa, ON Bronson Centre
  • January 25 Quebec City, QC Imperial Du Quebec
  • January 26 Fredericton, NB Fredericton Playhouse
  • January 27 Halifax, NS Rebecca Cohn Auditorium
  • February 12 Northampton, MA Calvin Theater
  • February 13 Boston, MA Orpheum Theatre
  • February 16 Upper Darby, PA Tower Theatre
  • February 17 Washington, DC Warner Theatre
  • February 18 Richmond, VA The National
  • February 20 Tampa, FL Tampa Theatre
  • February 21 Boca Raton, FL Sunset Cove Amphitheatre
  • February 23 Atlanta, GA Variety Playhouse
  • February 24 New Orleans, LA Tipitina’s Uptown
  • February 25 Dallas, TX Palladium Ballroom
  • February 26 Austin, TX Bass Concert Hall
  • February 27 Houston, TX Warehouse Live
  • March 2 Las Vegas, NV House Of Blues
  • March 3 San Diego, CA Copley Symphony Hall
  • March 5 – 6 Oakland, CA Fox Theater
  • March 24 Minneapolis, MN The Orpheum Theatre
  • March 25 Milwaukee, WI Riverside Theatre
  • March 26 Chicago, IL Aragon Ballroom
  • March 27 Royal Oak, MI Royal Oak Music Theatre
  • March 28 Lakewood, OH Lakewood Civic Auditorium
  • March 30 Columbus, OH PromoWest Pavilion
  • April 2 St. Louis, MO The Pageant
  • April 3 Kansas City, MO Uptown Theater
  • April 4 Denver, CO Ogden Theatre
  • April 6 Salt Lake City, UT In The Venue
  • April 8 Portland, OR Keller Auditorium

REVIEW: Nellie McKay @ Berbati’s Pan (Portland, OR – 3/31/10)

1st Apr 10 (Thu) 4 comments

FYI… PHOTOS of the SHOW at the BOTTOM

Nellie McKay‘s most recent album, As Normal As Blueberry Pie, came out last year, and while different from her prior records, it definitely fit in her catalog nicely.  It featured her at her campiest but also her jazziest, versus her edgier side. For evidence of the campiness, check out the lovely publicity shots over on nelliemckay.com.  The serious and silliness perfectly fit her personality.  I wouldn’t want Nellie any other way.

On to the show…

The venue, Berbati’s Pan, was known to me more for its rock acts.  The “jazzy, bluesy, singer-songwriter evening” in store for us was bound to be a big question mark regarding how it would come across… well, it was delightful.  The lighting and small couches on the outskirts of the club made for a nice atmosphere.  We got to the show just before Howard went on.  Most of the people were hanging out on the chairs & couches; so we got some spots right up front.

Howard Fishman opened up the show and hit the stage around 8:45pm.  He played guitar in Nellie’s backing band, the Aristocrats, last fall.  He played a good set of bluesy standards and originals.  He had a lap steel guitarist, Henry Bogdan, playing with him.  He played about 25-30 minutes, primarily “upbeat blues” tunes… with a few darker tunes thrown in near the end.  Some of my favorites were “The One Rose (That’s Left in My Heart),” a silly song about the Red Sox, and the capper called “Best Days.”

After a short break, Nellie hit the stage alongside both Howard and Henry around 9:20pm.  Her set was a more stripped down version of what she brought to Seattle last fall.  A great selection of Doris Day and other older standards, with a few of her own songs thrown in for good measure.  Her originals were some of my favorites for the night – specifically “Toto Dies” and “The Dog Song.”  The newer cover tunes added to her setlist – “Small Day Tomorrow” and “Two Sleepy People” – were really great as well.

She was a giddy and lovable as usual… very jokey and generally in a delightful mood.

Setlist: about 75 minutes

  • Do Do Do (Doris Day cover)
  • Sentimental Journey (Doris Day Cover)
  • A Wonderful Guy (Doris Day cover)
  • Georgie Girl (The Seekers cover)
  • Mean to Me (Doris Day cover)
  • Prisoner of Love (Kitty Wells cover)
  • Close Your Eyes (Doris Day cover)
  • “Happy Birthday” (to Becky)
  • If I Ever Had a Dream
  • Toto Dies
  • P.S. I Love You
  • Mother of Pearl
  • Alone When It Rains (duet with Howard Fishman)
  • The Dog Song
  • A-Tisket, A-Tasket (Ella Fitzgerald cover)
  • Small Day Tomorrow (Bob Dorough / Fran Landesman cover)
  • Crazy Rhythm (Doris Day cover)
  • Encore: “Old-fashioned Bodega” (title unknown)
  • Two Sleepy People (Hoagy Carmichael cover, duet with Howard Fishman)


many more photos below

Howard joined her on vocals on two songs.  “Alone When It Rains” is actually a song of his, which was sung last night as a tribute to her former dog, Charro.  The Hoagy Carmichael duet (“Two Sleepy People”) had a giggle-fit lyrical screw up, but they kept rolling with it.  Henry’s lap steel changed the Doris Day sound to a more bluesy feel from the jazz sound of the Aristocrats backing band.  The more stripped down Nellie backing band was a treat.  I hope she keeps on swinging through the Pacific Northwest.

They’re off to Seattle next (check out more tour dates below).  Catch them if you can!

The Appropriate Linkage:

~Dan – np: Coheed & CambriaYear of the Black Rainbow

no free download or torrent here
2010 Tour Dates (so far)

  • 3/28/2010 Los Angeles, CA Alex Theatre
  • 3/29/2010 San Francisco, CA Great American Music Hall
  • 3/31/2010 Portland, OR Berbati’s Pan
  • 4/3/2010 Seattle, WA Paramount Theater A Prairie Home Companion
  • 4/10/2010 Delaware Water Gap, PA Deerhead Inn
  • 5/15/2010 Sellersville, Pennsylvania Sellersville Theater 1894
  • 6/1/2010 through 6/12/2010 New York, NY Feinstein’s at The Regency
  • 9/17/2010 Monterey, California, United States Monterey Jazz Festival

NELLIE McKAY with HOWARD FISHMAN PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

Higher Resolution (8 pics)

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Derek Webb in Portland (4/27)

4th Mar 10 (Thu) Leave a comment

4/28 update… my review with photos is here:
https://jazzsick.wordpress.com/2010/04/28/webb-knapp-portland/

Yay! Derek Webb is bringing his tour with Jennifer Knapp through my neck of the woods.  They’re playing the Aladdin Theater on April 27, 2010.  It’s not posted on the Aladdin site, but it is listed over on Derek’s tour page.  Tickets on sale later in March.

They’re also hitting San Diego and Seattle… maybe they can swing a Eugene date on the way up?  I’m crossing my fingers, but if no Eugene show, I’ll be at Portland for sure.

It’s been a while since I’ve seen him… I’m totally looking forward to it.

~Dan – np: Satoko Fujii Desert Ship 

REVIEW: Dave Douglas @ PDX Jazz Fest (Portland, OR – 2/28/10)

1st Mar 10 (Mon) 5 comments

Right on the heels of Portland Jazz Fest‘s Dave Holland Quintet and Pharoah Sanders, was Dave Douglas and his Brass Ecstasy band – the capper to the festival.  I’d seen Dave Douglas four times before, twice with John Zorn‘s Masada quartet and twice with SF Jazz Collective (with Joe Lovano, Miguel Zenon and others).  I was looking forward to seeing my first show with Dave Douglas as primary bandleader.

This new band of his features Dave Douglas on trumpet, Vincent Chancey on french horn, Luis Bonilla on trombone, Marcus Rojas on tuba, and Nasheet Waits on drums.  Their debut album, Spirit Moves, came out last year, and it was in my Top 5 Instrumental Albums from 2009.  Go get it!

They hit the stage shortly after 7:30pm and went right into the title track from their record, “Spirit Moves.”  It’s a fun number and a great start to the set.  Right after that, they did a lengthy version of “Bowie,” which is dedicated to Lester Bowie.  It was fun to see that song breathe and take over the room.  I’m also impressed by Luis Bonilla’s soloing on it.  It has to be difficult to solo on a trombone…

The trombone, horn, and definitely tuba drive the sound of this band to a familiar New Orleans street band – which I’d imagine was what Dave Douglas was aiming his sights towards.  Marcus Rojas also did some “tuba beat boxing” to mix things up.

I knew all of the songs they played, but luckily Dave announced them from the stage (yay, I didn’t have to keep them all up in my head)…

Setlist: about 90 minutes

  • Spirit Moves
  • Bowie
  • I’m So Lonesome I Could Cry (Hank Williams)
  • Fats
  • Rava
  • Awake Nu (Don Cherry)
  • The Brass Ring (with drum solo)
  • Mr Pitiful (Otis Redding)
  • Encore: Twilight of the Dogs

All members got their fair share of solos.  The drum solo on “The Brass Ring” was fantastic, and Dave Douglas’s trumpet solos were colorful and vibrant, as usual.  Favorites of the night were the bebop of “Fats,” and the acrobatic trumpet on “Rava.”  Dave played a lot of that song off mic, yet his sound carried throughout the room.  Thank you Portland Jazz Fest!  It was a wonderful weekend of great music.  See you next year!

I took a few iPhone photos.  I wish I was able to bring in my regular camera, as I was right up front and the iPhone only takes marginal photos at best (::sigh::).  Anyway, check out my photos below, or check the link at the bottom for PDX Jazz’s Flickr photo stream.

DAVE DOUGLAS’ BRASS ECSTASY PHOTOS
these pictures are (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

For photos from this and other PDX Jazz shows, check out PDX Jazz’s flickr stream:



(photos by Fran Kaufman)

The Appropriate Linkage:

~Dan – np: Susie Ibarra & Roberto RodriguezElectric Kulintang

REVIEW: Pharoah Sanders @ PDX Jazz Fest (Portland, OR – 2/28/10)

1st Mar 10 (Mon) 4 comments

So, Pharoah Sanders is a legend.  He’s played with jazz great John Coltrane, and his tenor sax work has eclipsed those around him.  Free-jazzmaster Ornette Coleman referred to Pharoah as “probably the best tenor player in the world.”  He has a large swath of albums over the past 5 decades.  Passing up an afternoon concert at this year’s Portland Jazz Fest wasn’t an option. :)

I was just at the Newmark Theatre the night prior for the smokin’ Dave Holland Quintet show.  My seat for Pharoah was is almost the exact same spot (L12 versus L11).  I got a good spot right in the middle to check out Pharoah’s band: William Henderson on piano, Hans Glawischnig on bass, and Justin Faulkner on drums.  After a short introduction, the band hit the stage – Pharoah in a bright purple shirt…

The feel of the show was all over the place.  When Pharoah first started, it was quite remarkable.  He doesn’t play in straight lines, but your mind tends to connect those lines right as his sax is connecting them for you.  He seemed very much like a songbird who was free to sing what he wanted – but still very melodic.  He was very much like a bridge between John Coltrane and the more free-jazz Ornette Coleman.

They started off the show with a 25+ minute “My Favorite Things.”  Most of the rest of the 2+ hour show was the power trio of piano/bass/drums playing with Pharoah walking on and off stage and jumping in where he saw fit.  His long disappearances were interesting, but a 70 year old jazz legend can do whatever he wants. :)  On three of the songs, Portland (now New Orleans) saxophonist Devon Phillips came up and joined the band.

They played 6 or 7 tunes, and ended the show with an encore of “Save Our Children,” sung by Pharoah.  2 hours in total… utterly brilliant work from this master and his great band.

For photos from this and other PDX Jazz shows, check out PDX Jazz’s flickr stream:

(photos by Fran Kaufman)

The Appropriate Linkage:

~Dan – np: David Bazan – Curse Your Branches

REVIEW: Damien Jurado @ Mississippi Studios (Portland, OR – 2/27/10)

28th Feb 10 (Sun) 8 comments

I’ve been into Damien Jurado since the late-90s when his first Sub Pop record came out.  I’d only had a few chances to see him play live, but it never seemed to work out.  This weekend, since I was already up in Portland for the PDX Jazz Fest, I figured I could swing on over to Damien’s show at the Mississippi Studios after the Dave Holland Quintet show.

While I was “studying” for this show, I listened to Damien’s most recent album, 2008’s Caught in the Trees.  Wow.  I was reminded why I like this guy so much.  Great songwriting in an unassuming package.  Clever and gritty/lo-fi, but well crafted, melodically framed songs… quintessential indie rock.  Damien has the honesty and drive in his lyrics a la Elliott Smith and Pedro the Lion’s David Bazan.  There must be something about the Pacific Northwest that brings these things out in songwriters.

On to the show…

I got there late due to Dave Holland’s killer show across town.  John Vecchiarelli was nearing the end of his set, but I caught his last four songs.  I really liked him.  He had a genuine voice (kind of reminded me of Jeffrey Foucault).  John is from Portland; so hopefully I’ll get a chance to see him again soon.

Next up were another Portland group, The Robinsons (formerly of Viva Voce).  They were a nice indie rock / americana duo, also from Portland.  I had heard a little bit of their Viva Voce music before, but not much.  They were good, and had nice melodies.  They were a little bit folky and a little bit rocky.  I imagine a fuller band setting would suit them very well.  They played a short set (only about 30 minutes).  They have a new album coming out soon under the bank moniker Blue Giant.

Up next was Damien Jurado.  While his latest album, Caught in the Trees, was a more collaborative trio effort, this show was just Damien with a guitar and two vocal mics.  The first 5 songs were completely new, and it struck me to the genius that is Damien Jurado (song names complete guesses below).  He is a pure songwriter.  I didn’t know these songs from Adam, but they captivated me completely.  They are for an upcoming album called Saint Bartlett (out in May), and it is a collaboration between Damien and Richard Swift.

He played some older songs, as well as a few Caught in the Trees songs as well… serious help on setlist needed.  Any help?

Setlist: 80 minutes

  • Beacon Hill (aka “Return to Me”) (new)
  • Kansas City (new)
  • “I Could Float” (new)
  • Arkansas (aka “Fade Out”) (new)
  • Wherever I May Lay (aka “Finally Tasted the Dawn”) (new)
  • Abilene
  • Denton, TX
  • Ohio (false start) into “Sound of Settling” spoof of Ben Gibbard
  • Ohio (false start again, Damien couldn’t stop laughing)
  • Harborview (aka “speak for me, would you”)
  • Ohio
  • Sheets
  • Pear (new)
  • I Am Still Here
  • “Diamond Sea” (new)
  • “not the best time to fall to pieces” (song title unknown)
  • The Killer
  • Lose My Head
  • Encore: Wyoming Birds (aka “sorrow replaced our joy”) (song title unknown)
  • Caskets
  • Paperwings

I hope he continues to tour, at least in Seattle and Portland (the “quiet crowd” towns).

The Appropriate Linkage:

~Dan – np: Dave Douglas’ Brass Ecstasy – Spirit Moves