Archive
El Ten Eleven on Daytrotter
The few websites that aren’t RSS feed-able that made it to my “must check every day” list… Daytrotter is great, and they just hit us with a live in the studio session with post-rock heros El Ten Eleven…
Go here for the free music:
http://tinyurl.com/elten11-daytrotter
1) The Sycophants Are Coming! 2) Living on Credit Blues
3) Indian Winter 4) Falling
Past Daytrotter Sessions I’ve blogged about and dug (links and free music not guaranteed on these old blogs): A Weather, Tegan & Sara, Clare and the Reasons #2, CocoRosie, Portland Cello Project, Matisyahu, Tori Amos, The Swell Season, David Bazan #2, Copeland, Bad Veins, Nellie McKay, Clare and the Reasons #1, My Brightest Diamond #2, Damien Jurado, Talkdemonic, Aimee Mann, Ani DiFranco, Bad Veins #1, Kaki King, Holy Fuck… and David Bazan, My Brightest Diamond, Erin McKeown.
A Weather on Daytrotter
Slight delay in the Nellie McKay photo blog from her Eugene show on Friday. I’ll post it once the write-up by Margaret is done.
The few websites that aren’t RSS feed-able that made it to my “must check every day” list… Daytrotter is great, and they just hit us with a live in the studio session with Portland’s indie rockers A Weather… Happy Halloween from Daytrotter:
Go here for the free music:
http://tinyurl.com/aweather-daytrotter
1) Giant Stairs 2) Happiness 3) Midday Moon
Past Daytrotter Sessions I’ve blogged about and dug (links and free music not guaranteed on these old blogs): Tegan & Sara, Clare and the Reasons #2, CocoRosie, Portland Cello Project, Matisyahu, Tori Amos, The Swell Season, David Bazan #2, Copeland, Bad Veins, Nellie McKay, Clare and the Reasons #1, My Brightest Diamond #2, Damien Jurado, Talkdemonic, Aimee Mann, Ani DiFranco, Bad Veins #1, Kaki King, Holy Fuck… and David Bazan, My Brightest Diamond, Erin McKeown.
REVIEW: Holy F*ck & Indian Jewelry @ Holocene (Portland, OR – 10/14/10)
FYI… PHOTOS of the SHOW at the BOTTOM
First off… if you haven’t seen the adorable and infectious new music video for Holy Fuck‘s “Red Lights,” you need to go check it out now. OK, now that you’re back, on to the review…
This was the first time to the Holocene for me. It’s a nice venue, trendy looking bar, good beer on tap (Double Mountain IRA for me). They had a few side rooms with colorful lights, practically unusable mirrors in the bathroom, and odd fabric or paper christmas tree looking things in the performance area. In other words, everything that makes Portland its quirky, trendy self.
I got there near the middle of the first opener’s set. Clipd Beaks, from Oakland, were good from what I heard. Fuzzy rock with somewhat melodic vocals, use of trumpet, but primarily traditional rock sounds coming forth. I didn’t get any usable photos from their set as the lights were in force, yet.

Next up was Indian Jewelry, a four-piece from Houston, put out a 40 minute blast of tom percussion, dirty guitars and keyboards. They were a little warbly, drone-y in spots, and switched off between male and female vocalists. I enjoyed them, but I couldn’t really “re-sing” any of their songs… nice and percussive, genre-less but not aimless. I can see them working way better live than on record, but then again, I’ve been wrong about that before. Anyway, I’d recommend checking them out if they swing by your neck of the woods… cracked cymbals and all.


Holy Fuck started setting up immediately after Indian Jewelry’s set ended. They went on right around 11:30 and played a full hour, with encore. Not dissimilar from their Mississippi Studios show from earlier in the year… lots of tunes from Latin – which I am legally required to state in every mention of its name… it’s the best album of 2010 so far. Great groove-based live/organic electronic.

There were a few absent fab live tunes (Royal Gregory, Super Inuit, Milkshake), and I think I’m going crazy, as now I’m doubting my own note-taking… did they end with Lovely Allen? Or was it Safari? Or am I going crazy? Anyway… they played Red Lights, which smoked! I love Punchy’s bass on that track…


Setlist: about an hour
- 1MD
- Super Inuit
- Foxy
- Jungles
- Red Lights
- Lucky
- Stay Lit
- Silva & Grimes
- Stilettos
- Encore: The Pulse
- Lovely Allen (I should know this with confidence, but my brain fell apart)
italics – unsure of in the setlist, any help is appreciated
Great show as usual from Holy Fuck. But… severe lack of dancing again… or at least in comparison to the grooves. This seems to happen (i.e.- not happen) in Portland; so I don’t blame the band at all. They should swing down to Eugene next time… we’ll show ’em how to party! Pretty please!



many more photos below
The Appropriate Linkage:
- Holy Fuck’s Site
- Holy Fuck on MySpace
- My Prior HF Reviews~
- Mississippi Studios in Portland (June 2010)
- Doug Fir Lounge in Portland (June 2009)
- Southgate House in Cincinnati (April 2007)
- Great Recent HF Videos / Outside Links~
- Indian Jewelry’s Site
- Indian Jewelry on MySpace
- Clipd Beaks on MySpace
- Holocene Portland
Check out more tour dates below.
HOLY FUCK & INDIAN JEWELRY PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
Holy Fuck Fall 2010 Tour:
08-28 Leeds, England – Leeds Festival
08-29 Reading, England – Reading Festival
09-08 Louisville, KY – Zanzabar
09-09 Birmingham, AL- Bottletree
09-10 New Orleans, LA – Howlin’ Wolf
09-11 Austin, TX – The Mohawk
09-12 Houston, TX – Walter’s on Washington
09-13 Mobile, AL – Alabama Music Box
09-14 Athens, GA – New Earth Music Hall
09-15 Chapel Hill, NC – Local 506
09-17 Washington, DC – Black Cat
09-18 New York, NY – Le Poisson Rouge
09-19 Boston, MA – Paradise
09-20 Philadelphia, PA – Johnny Brenda’s
09-21 Buffalo, NY – Soundlab
09-22 Pittsburgh, PA – Brillobox
09-23 Cincinnati, OH – Midpoint Music Festival
09-24 Urbana, IL – Pygmalion Music Festival
09-25 Cleveland Heights, OH – Grog Shop
09-26 Detroit, MI – Magic Stick (Fucking Awesome Fest)
09-27 London, Ontario – London Music Hall
09-28 Hamilton, Ontario – Studio Theatre
09-29 Toronto, Ontario – Phoenix Theatre
09-30 Montreal, Quebec – Espace Dell’Arte
10-02 Ottawa, Ontario – Capital Music Hall
10-03 Guelph, Ontario – Vinyl
10-05 Winnipeg, Manitoba – Pyramid Cabaret
10-06 Saskatoon, Saskatchewa – Louis Pub
10-07 Toronto, Ontario – Republik
10-08-09 Edmonton, Alberta – Pawn Shop
10-11 Victoria, British Columbia – Element Nightclub
10-12 Vancouver, British Columbia – The Rickshaw Theatre
10-13 Seattle, WA – Neumos
10-14 Portland, OR – Holocene
10-16 San Francisco, CA – Treasure Island Music Festival
10-17 Los Angeles, CA – Echoplex
10-18 Phoenix, AZ – Rhythm Room
10-20 Denver, CO – Larimer Lounge
10-21 Lincoln, NE – Bourbon Theatre
10-22 St. Louis, MO – Firebird
10-23 Indianapolis, IN – Radio Radio
Shara Worden & Sarah Kirkland Snider – Penelope
On October 18th, at (le) Poisson Rouge in NYC, Shara Worden (aka My Brightest Diamond) will be performing the music of Sarah Kirkland Snider backed by yMusic, a six piece chamber ensemble with violinist Rob Moose at the helm (who has played on MBD’s albums).
The album, entitled Penelope (which comes out on October 26th) is a 60-minute song cycle composed by Snider for Worden and the orchestral group, Signal, based on texts by playwright Ellen McLaughlin, derived from the music theater piece of the same name she and Snider wrote together in 2007-2008.
Here is a free taste: “This is What You’re Like” mp3
Penelope is up for pre-order on the Amazons…
The songs loosely tell a story: A woman’s husband appears at her door after an absence of 20 years, suffering from brain damage. A veteran of a modern war, he doesn’t know who he is and she doesn’t know who he’s become. While they wait together for his return to himself, she reads him Homer’s epic poem The Odyssey, and in the journey of that book, she finds a way into her former husband’s memory and the terror and trauma of war.
Oh, and sorta related to My Brightest Diamond… her labelhead, Sufjan Stevens‘ new album The Age of Adz comes out today, and it’s on special deal over at the Amazons. $3.99 for the download version (for a limited time).
But it’s also out on CD & vinyl, and you know those are better for your diet anyway. :)
no free mp3 download or flac torrent ever. if you like music, support it by buying it
Iron and Warner
the death of an indie rocker.
Iron & Wine, aka Sam Beam, has been on indie Sub Pop since inception. I&W pulled a rat out of a hat and notified us all today that they just signed to Warner Bros. The new album, Kiss Each Other Clean, is due out in January 2011.
Why would they choose to join a major label at this point in their already successful career? Discuss.
Hopefully he signed on with good terms for I&W (and rights to their own masters). Other than that, I’ll buy their new one, but I won’t like supporting WB as I did Sub Pop.
Sidenote… fall tour dates…
- October 12, 2010 Iowa City, IA IMU Main Lounge
- October 13, 2010 Milwaukee, WI Pabst Theater
- November 13, 2010 St Louis, MO The Pageant
- November 14, 2010 Memphis, TN Minglewood Hall
- November 15, 2010 Asheville, NC The Orange Peel
- November 16, 2010 Atlanta, GA Variety Playhouse
- November 17, 2010 Jacksonville, FL Florida Theatre
- November 18, 2010 Miami Beach, FL Fillmore Miami Beach
- November 19, 2010 Tallahassee, FL The Moon
- November 20, 2010 New Orleans, LA House Of Blues
David Bazan’s Christmas 2010 7″ vinyl
It’s October… leaves are starting to change, school is in full swing, days are getting even shorter, and David Bazan‘s annual Christmas 7″ vinyl is up for pre-order… starting with the Pedro the Lion days (2002’s The First Noel 7″), it’s become an indie rock tradition to get your mits on the meloncholy holiday tunes pressed to wax from Bazan.
For 2010, the songs are “WISH MY KIDS WERE HERE” and “I HEARD THE BELLS ON CHRISTMAS DAY.” Suicide Squeeze Records has it – limited to 1000 copies (200 Orange, 400 Opaque Red, 400 Opaque Yellow). This 7-inch EP opens with a Bazan original, a heartbreaker of a track titled, “Wish My Kids Were Here.” The flip revisits an old favorite, Longfellow’s “I Heard the Bells on Christmas Day,” an update on a song he first recorded/released, in 2002, at the start of the series.
ORDER HERE:
http://www.suicidesqueeze.net/index.php?section=store&ID=91
Act fast… 1,000 doesn’t last long.
Bad Veins featured on ABC’s Amplified
Cincinnati rock duo Bad Veins has been a favorite on this blog since their inception… they’ve been growing in audience, and just had a nice little feature on ABC‘s Amplified…
Excellent exposure for Ben & Sebastien. They’re heading out on a West Coast tour with Frightened Rabbit in October after a few Midwest dates with We Are Scientists in August…
August 12 2010 – Record Bar, Kansas City, MO – w/ We Are Scientists
August 13 2010 – The Old Rock House, St. Louis, MO – w/ We Are Scientists
August 14 2010 – The Basement, Columbus, OH – w/ We Are Scientists
August 15 2010 – Brillobox, Pittsburgh, PA – w/ We Are Scientists
August 20 2010 – Fountain Square, Cincinnati, OH – Indie Summer
October 07 2010 – Shadowbox at the Market, Seattle, WA – w/ Frightened Rabbit
October 08 2010 – Vogue Theatre, Vancouver, BC – w/ Frightened Rabbit
October 09 2010 – Wonder Ballroom, Portland, OR – w/ Frightened Rabbit
October 10 2010 – The Fillmore, San Francisco, CA – w/ Frightened Rabbit
October 13 2010 – Mayan Theatre, Los Angeles, CA – w/ Frightened Rabbit
October 14 2010 – House of Blues, San Diego, CA – w/ Frightened Rabbit
October 15 2010 – House of Blues, Anaheim, CA – w/ Frightened Rabbit
October 16 2010 – Beauty Bar, Las Vegas, NV – w/ Frightened Rabbit
October 17 2010 – The Clubhouse, Tempe, AZ – w/ Frightened Rabbit
October 19 2010 – Loft @ Palladium, Dallas, TX – w/ Frightened Rabbit
October 20 2010 – Stubbs, Austin, TX – w/ Frightened Rabbit
Keep up with news at badveins.com or their twitter page…
REVIEW: Holy Fuck @ Mississippi Studios (Portland, OR – 6/6/10)
FYI… PHOTOS of the SHOW at the BOTTOM
“Analog electronica at its finest.”
One of the best bands that you may have never heard of because of a fear of the unknown and/or an aversion to George Carlin’s Seven Dirty Words is Toronto’s experimental electro-rock band Holy Fuck.
Starting off more experimental with their self-titled debut in 2005 and moving into a more groove-fueled diet of instrumental rock in 2007, Holy Fuck has been tearing up clubs around Canada, Europe, and the United States for the past few years. Their records are superb, and their live shows are even better. This show in Portland was stacked with some other electro-pop favorites…

Portland-based Fake Drugs went on a little after 9pm. They are made up of a few guys from Starfucker – Keil Corcoran and Shawn Glassford. Their sound was a nice pop electronic. Primarily rhythm guitar & live drums with primarily pre-recorded keyboards & loops. Danceable and fun… not what I expected from Starfucker gents, but a good warm up.

Another Portland band, Nice Nice had a great electro-pop sound. This two piece band was the primary tour support for Holy Fuck. Fewer guys on stage compared to Fake Drugs, but it seemed like they had more going on. The drummer played both live drums and electronic drum pads… there was a nice juxtaposition of both the organic and artificial sounds – usually intertwined with each song. The singer played keys, electronic drum pads, as well as guitar. They have a building, electronic-rock sound, much like Holy Fuck… they meshed really well, and I can see why HF brought them along.
On to Holy Fuck…
The seemingly scattered performance with keyboards, toy instruments, live drums & bass, 35mm audio strip replay, guitars, and distorted vocals ultimately leads into the music that is undeniably catchy and composed.
Brian Borchedt and Graham Walsh man the up-front melodic and non-melodic drive of the band, and bassist Matt McQuaid and drummer Matt Schulz are an excellent battery to fuel the groove. They’re out supporting their latest, excellent record, LATIN. It’s out now on CD, vinyl, and download formats (click picture to the right). Personally speaking, it’s one of my favorite albums this year so far.

Holy Fuck went on at 11:25 and kicked it right off with the charged “Latin America.” The band seemed pretty charged up, especially bassist Matt McQ… who really looked to be having a blast. They plowed through an over hour set, hitting many of their new tunes, with some choice cuts from LP and the new version “Jungles” (on the +Ghost EP, based on the 2005 debut’s “Tonebank Jungle”).
Even if you aren’t a dancin’ fool… you’ll usually be turned into one at a Holy Fuck show. The very danceable set was met with a severe lack of dancing from the crowd compared to past shows I’ve witnessed. Perhaps it was a “Portland on a rainy Sunday” thing, because Holy Fuck was deep in the groove but the crowd seemed more concerned with their PBR’s. Regardless of the “dancin’ deficit,” the crowd definitely showed their appreciation for the mighty HF via hoots & hollers…

Here’s what they played as best I remembered the song names…
Setlist: ~70 mins
- Latin America
- Super Inuit
- Foxy
- Jungles
- 1MD / Red Lights
- SHT MTN
- Frenchy’s
- Stay Lit
- Lovely Allen
- The Pulse
- Stilettos
- Encore: unknown… a really dirty, fuzzed out riff
- P.I.G.S.
Brilliant show… my favorite was Red Lights, and its deep groove and killer bass. Jungles and Stay Lit were close behind. Stay Lit is probably HF’s most mellow song, and it features Brian on guitar instead of the electronics table. They ended the night with a new song (or at least new to me) featuring a really fuzzy, dirty bass followed by P.I.G.S..


many more photos below
The Appropriate Linkage:
- Holy Fuck’s Site
- Holy Fuck on MySpace
- My Prior HF Reviews~
- Doug Fir Lounge in Portland (June 2009)
- Southgate House in Cincinnati (April 2007)
- Doug Fir Lounge in Portland (June 2009)
- Great Recent HF Videos~
- Nice Nice’s Site
- Nice Nice on MySpace
- Fake Drugs on MySpace
- Mississippi Studios
Check out more tour dates below.
~Dan – np: Frank Zappa – Waka/Jawaka 

HOLY FUCK, FAKE DRUGS & NICE NICE PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
Holy Fuck 2010 N.A. Tour Dates (so far)
- May 28 Le Poisson Rouge New York, New York #
- May 29 The Middle East Cambridge, Massachusetts #
- May 30 Johnny Brenda’s Philadelphia, Pennsylvania #
- May 31 Rock N Roll Hotel Washington, Washington DC #
- Jun 1 Grog Shop Cleveland Heights, Ohio #
- Jun 3 Turf Club Saint Paul, Minnesota #
- Jun 6 Mississippi Studios Portland, Oregon #
- Jun 8 The Independent San Francisco, California #
- Jun 10 Troubadour Los Angeles, California #
- Jul 5 Club Soda – Festival International de Jazz de Montreal Montreal, Quebec
- Jul 9 Molson Amphitheatre Toronto, Ontario ^
- Jul 30 Sappyfest Sackville, New Brunswick
# w/ Nice Nice
^ w/ Metric and Passion Pit
Carissa’s Wierd – “Die”
News from SeattleShowGal’s blog…

When the story broke May 3, 2010 that Carissa’s Wierd were going to be doing a reunion show on July 9th and releasing a retrospective with Hardly Art, the blogosphere was a flutter. The original Carissa’s Weird crew that split and went on to be solo act Sara Cahoone and others formed Band of Horses were coming back and in righteous form! Today, Hardly art is being kind enough to share the track “Die” off the up and coming retrospective They’ll Only Miss You When You Leave: Songs 1996-2003, scheduled to be released on July 13, 2010. The strings swoon as the keys dance and vocals charm. Get it! Listen to it. Download it. Be excited for the upcoming show and release.
Carissa’s Wierd – “Die” (hosted by Seattle Show Gal)
It’s available for pre-order now at http://hardlyart.com/carissaswierd.html and the first 50 pre-orders get a special limited edition 7″ vinyl.
Bad Veins – Outliers EP
According to their show at the Taste of Cincinnati this past weekend, Bad Veins are getting ready to release a 4 song EP called Outliers. It features four brand new b-sides and will get a release on June 15th through Dangerbird Records…
- Fake Baby
- Devil Hides
- Blanket
- Good People
Here’s an exclusive listen of “Devil Hides” available (with permission from the band) at Each Note Secure’s Soundcloud page:
Stayed tuned for more info…
REVIEW: Kaki King with An Horse @ WOW Hall (Eugene, OR – 5/16/10)
FYI… PHOTOS of the SHOW at the BOTTOM
Last night the fine folks of Eugene were treated to two lovely indie rock acts… Kaki King and An Horse.
Kaki had played a short, but fantastic set earlier on Sunday at CD World (review with photos/videos) – and she brought up Kate Cooper from An Horse at the end, which had been my only exposure to An Horse outside of the WNYC Soundcheck podcast a month ago. Kate’s “Camp Out” with Kaki solidified it to me that I shant be late to the opening set…

An Horse went on right around 8pm and played a SOLID melodic indie rock set. Being only vaguely familiar with their songs didn’t matter. It was 45 or so minutes of indie rock goodness. “Camp Out” was played, which is perhaps their “single” but it far from being their only good song. The Aussie duo put out a nice wall of sound, too. Mighty big for a two person crew! Check out their latest record, Rearrange Beds!
After a short break, Kaki came on with her band…

They started off strong with a powerful few numbers. “Bone Chaos” may have been my favorite of the night… it really shows off Kaki’s guitar prowess combined with some haunting EVI by Dan Brantigan. It was pretty obvious early on that the drums were taking over (unfortunately). The mid-section of the show was nice, as we got to see Kaki shine solo with some “Pink Noise”…

Kaki’s Setlist: just shy of 2 hours
- Falling Day
- Bone Chaos in the Castle
- Life Being What It Is
- Pull Me Out Alive
- Death Head
- The Betrayer
- Hallucinations From My Poisonous German Streets
- Playing with Pink Noise [solo]
- Goby [solo]
- All the Landslides Birds Have Seen
- Doing The Wrong Thing
- My Nerves That Committed Suicide
- unknown song
- Spit It Back in My Mouth
- Everything Has An End, Even Sadness (which is not new age)*
- You Don’t Have to Be Afraid
- Encore: unknown rock jam
- fucking around on the lap steel
- Gay Sons of Lesbian Mothers
- unknown dance song
*– don’t ever call Kaki new age… especially if you have balls and would like to retain them.
any help on unknown songs is appreciated
Kaki came out for an encore and treated us to another instrumental favorite, “Gay Sons of Lesbian Mothers,” which featured Dan trading the EVI off for a theremin, alongside Kaki’s lapsteel. She then capped the show off with a “dance number,” which unbeknown to us involved her jumping amongst the crowd and dancing it up while her guitar went on loop above us… a great end to a great day full of music.
more photos below
The Appropriate Linkage:
Check out more tour dates below.
~Dan – np: Kaki King – How I Got Lost (soundtrack) 
KAKI KING with AN HORSE PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
Spring 2010 Tour Dates
Apr 15, 2010 Music Hall of Williamsburg – Brooklyn, New York
Apr 16, 2010 Bowery Ballroom – New York, New York
Apr 17, 2010 Middle East – Boston, Massachusetts
Apr 19, 2010 Iron Horse – Northampton, Massachusetts
Apr 20, 2010 Port City Music Hall – Portland, Maine
Apr 21, 2010 Higher Ground – Burlington, Vermont
Apr 28, 2010 TLA – Philadelphia, Pennsylvania
Apr 29, 2010 9:30 Club – Washington, DC, Washington DC
Apr 30, 2010 Cat’s Cradle – Carrboro, North Carolina
May 1, 2010 The Variety Playhouse – Atlanta, Georgia
May 4, 2010 Beachland Ballroom – Cleveland, Ohio
May 5, 2010 The Ark – Ann Arbor, Michigan
May 6, 2010 Park West – Chicago, Illinois
May 7, 2010 High Noon Saloon – Madison, Wisconsin
May 8, 2010 Varsity Theater – Minneapolis, Minnesota
May 9, 2010 The Waiting Room – Omaha, Nebraska
May 11, 2010 The Fox Theater – Boulder, Colorado
May 12, 2010 Cervantes – Denver, Colorado
May 14, 2010 Neumos – Seattle, Washington
May 15, 2010 Wonder Ballroom – Portland, Oregon
May 16, 2010 WOW Hall – Eugene, Oregon
May 19, 2010 Knitting Factory – Reno, Nevada
May 20, 2010 Mystic Theater – Petaluma, California
May 21, 2010 The Fillmore – San Francisco, California
May 22, 2010 The El Rey Theater – Los Angeles, California
May 24, 2010 The Belly Up – San Diego, California
May 25, 2010 The Glass House – Pomona, California
REVIEW: Tegan & Sara @ Keller Auditorium (Portland, OR – 4/8/10)
FYI… PHOTOS of the SHOW at the BOTTOM
Last night’s Portland show was near the end of a long, 3 month tour for Tegan and Sara‘s sixth album, Sainthood. The record (out last fall) is rockier than their prior, but fits in with their near history. A great mix of pop songwriting with an alternative, modern rock edge. The twin sisters trade off on vocal duty, and this is their first record where they actually wrote the songs together in the same room. The closeness shows in the cohesiveness of this record compared to 2007’s The Con or 2004’s So Jealous (both great records as well).
Upon arrival to the Keller Auditorium, I got a good chuckle out of “tailgators” in a nearby park running through the oddly entrancing “Alligator” dance (see the music video). If you hadn’t heard, there’s also a remix LP out now of the Alligator Remixes.

Holly Miranda was the first opener and went on right after 7:30. I wasn’t expecting a full band for her, but more of a singer-songwriter. Her band put together a great 30 minute set – more like a singer-songwriter vibe with a rockin’ boost. I didn’t know any of her music, but I’ll definitely check her out soon.

Steel Train hit the stage after a short set break. They’re all seemingly young guys from New Jersey, but they played a very throw-back, ‘cross-the-big-pond 30 minute set. Really reminiscent of 80s Brit-poprock, they had a great stage presence. The lead singer was very humbled alongside his rock energy… again, they seemed like really nice gents. Great tunes, great energy. Their set was capped by some crew coming out and drumming alongside them – one in a gorilla costume.

Tegan and Sara hit the stage right at 9pm. They came out blazin’ with quartet of songs from their latest record… The Ocean, On Directing, The Cure, and Alligator. I’m actually a little surprised they didn’t try to incorporate some of the aforementioned “Alligator dancers” in their stage show.

Tegan and Sara both switched between guitars and keys. Most of the vocal duties for the night were Tegan’s, but Sara had a few of her songs in the mix as well. The set was primarily made up of selections from Sainthood and The Con, but they threw in a handful of older tunes for good measure. Both Tegan and Sara had some funny stories (and a little bit of sisterhood bickering). It was cute… :)
Setlist: about 95 minutes
- The Ocean
- On Directing
- The Cure
- Alligator
- You Wouldn’t Like Me
- I Bet It Stung
- The Con
- Nineteen
- Northshore
- Night Watch
- Red Belt
- Monday Monday Monday
- Where Does The Good Go
- Speak Slow
- Walking With A Ghost
- So Jealous
- Hop A Plane
- Sentimental Tune
- Hell
- Encore: Back In Your Head (acoustic)
- Dark Come Soon
- Divided
- Call It Off
- Living Room
Due to it being the last night of the tour, emotions ran high (for all bands). The bands also seemed really well practiced. The show ended early (comparably to most rock shows), but due to its earlier start time, we all got a great amount of bang for our buck. I imagine Tegan and Sara will take a bit of time off before the summer festival circuit, but I hope they swing through Oregon again soon!!

many more photos below
The Appropriate Linkage:
- Tegan & Sara’s Site
- Tegan & Sara on MySpace
- Steel Train’s Site
- Steel Train on MySpace
- Holly Miranda’s Site
- Holly Miranda on MySpace
- PCPA/Keller Auditorium
Check out their past 2010 tour dates below.
~Dan – np: Jónsi – Go 

no free download or torrent available
TEGAN & SARA PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
Higher Resolution (15 pics)
Limited to 1200 pixels wide or tall (28 pics)
The North American Sainthood 2010 Tour Dates
- January 5 – 6 Vancouver, BC Orpheum
- January 7 Kelowna, BC Community Theatre
- January 8 – 9 Calgary, AB Southern Alberta Jubilee Auditorium
- January 11 – 12 Edmonton, AB Northern Alberta Jubilee Auditorium
- January 13 Saskatoon, SK Saskatchewan Place Concert Bowl
- January 14 – 15 Winnipeg, MB Burton Cummings Theatre
- January 18 Montreal, QC Place des Arts
- January 19 – 20 Toronto, ON Kool Haus
- January 22 – 23 Ottawa, ON Bronson Centre
- January 25 Quebec City, QC Imperial Du Quebec
- January 26 Fredericton, NB Fredericton Playhouse
- January 27 Halifax, NS Rebecca Cohn Auditorium
- February 12 Northampton, MA Calvin Theater
- February 13 Boston, MA Orpheum Theatre
- February 16 Upper Darby, PA Tower Theatre
- February 17 Washington, DC Warner Theatre
- February 18 Richmond, VA The National
- February 20 Tampa, FL Tampa Theatre
- February 21 Boca Raton, FL Sunset Cove Amphitheatre
- February 23 Atlanta, GA Variety Playhouse
- February 24 New Orleans, LA Tipitina’s Uptown
- February 25 Dallas, TX Palladium Ballroom
- February 26 Austin, TX Bass Concert Hall
- February 27 Houston, TX Warehouse Live
- March 2 Las Vegas, NV House Of Blues
- March 3 San Diego, CA Copley Symphony Hall
- March 5 – 6 Oakland, CA Fox Theater
- March 24 Minneapolis, MN The Orpheum Theatre
- March 25 Milwaukee, WI Riverside Theatre
- March 26 Chicago, IL Aragon Ballroom
- March 27 Royal Oak, MI Royal Oak Music Theatre
- March 28 Lakewood, OH Lakewood Civic Auditorium
- March 30 Columbus, OH PromoWest Pavilion
- April 2 St. Louis, MO The Pageant
- April 3 Kansas City, MO Uptown Theater
- April 4 Denver, CO Ogden Theatre
- April 6 Salt Lake City, UT In The Venue
- April 8 Portland, OR Keller Auditorium
Sarah Kirkland Snider, My Brightest Diamond & Signal – Penelope

Sarah Kirkland Snider‘s debut album Penelope (New Amsterdam Records, September 2010) is a 60-minute song cycle for female voice, chamber orchestra, and electronics, composed by Sarah Kirkland Snider, featuring vocalist Shara Worden of My Brightest Diamond and highly acclaimed chamber orchestra Signal, conducted by Brad Lubman, with sound design by Michael Hammond.
A deft blend of Snider’s classical training and strong interest in indie rock, pop and folk musics, Penelope is a genre-defying work that moves organically from moments of wistful strings-and-harp reflection to dusky post-rock textures with distorted drums and guitars, helmed by a strong sense of melody and a craftsman’s approach to songwriting. Derived from a multimedia-theater piece co-created by Snider and acclaimed playwright Ellen McLaughlin, the work centers on a woman whose long-missing former husband turns up at her door, traumatized by two decades spent in an unnamed war. To restore his memory, the woman reads aloud from Homer’s “Odyssey.” The result is a poignant, haunting story in song.
The New York Times praised the work for having “an elegiac quality that deftly evoked sensations of abandonment, agitation, grief and reconciliation…ably [demonstrating] the poised elegance of Ms. Snider’s writing.”
Penelope has appeared in various guises over the past two years: it originated as a music for a theater piece and then debuted as a song cycle with Signal last May. When Shara came aboard the project, Sarah revised and expanded the songs yet again, tailoring them to Shara’s unique talents and arranging them for Sarah’s dream cast of characters: a 25-person orchestra of strings, harp, percussion, drums, electric guitar and bass, and electronics (with sound design by Michael Hammond). The cycle grew from 40 to 60 minutes. The album comes out this fall!
For more info, and a link to a free download of the first “single,” visit the brand-spankin’-new Penelope website.
REVIEW: David Bazan @ Sam Bond’s (Eugene, OR – 3/4/10)
FYI… PHOTOS of the SHOW at the BOTTOM
So, what is there to say about David Bazan that I haven’t already said? Well, not much; so I’ll just recap. In short, he’s a genuine song-writer, an honest thinker, a gentle soul, and a wonderful song-weaver. Since moving to Eugene, I’ve had the opportunity to see him three times… now a fourth. All in a shorter window of time compared to the rare opportunities when I saw him in Ohio.
The show last night was one of the first shows from his Winter/Spring Tour (and the first with opener Headlights). For more tour dates, check out the list at the bottom. At Sam Bond’s Garage, David Bazan isn’t on the same A-frame as a delicious quiche (click for picture from a recent gig), but he does share the venue with some mighty fine pizza and beer.

Headlights were really good. They played about 45 minutes and had some good indie rock / pop songs with nice melodies. They are a traditional four piece (guitar, keys, bass, drums) and swapped lead vocal duties around a bit. Their sound at Sam Bond’s Garage last night was a little too loud, but that’s definitely not the band’s fault. I think Sam Bond’s doesn’t seem to have the acoustics for rock bands (this issue spilled over into David’s set, too). Anyway, Headlights = good. Check ’em out! Here’s the video for their song “Secrets“:

David went on with his band a little after 10pm. His band this time around is Blake Wescott on guitar, Andy Fitts on bas, and Alex Wescoat on drums. The set was filled with songs from his most recent solo album, Curse Your Branches, as well as older material – including a nice collection of Pedro the Lion and Headphones songs. Outsider of the aforementioned curse that Sam Bond’s Garage has on rock bands’ sound, it was a highly enjoyable show. The mix of tunes and passion with which David sings is fun to take in.
Setlist: about 75 minutes
- I Do (Pedro the Lion)
- Transcontinental (Pedro the Lion)
- Man in Me
- Please, Baby, Please
- June 18, 1976 (Pedro the Lion)
- Q&A #1
- When We Fell
- Magazine (Pedro the Lion)
- How I Remember
- When They Really Get To Know You, They Will Run (Pedro the Lion)
- Q&A #2
- Shit Talker (Headphones)
- Harmless Sparks
- Fewer Broken Pieces
- Q&A #3
- Bands With Managers (Pedro the Lion)
- Bad Diary Days (Pedro the Lion)
- Cold Beer and Cigarettes
- I Never Wanted You (Headphones)
- Penetration (Pedro the Lion)
- In Stitches
- No Encore
Personally, ending the show with “In Stitches” is perfect. That song sunk in with me last fall, especially the last verse…
When Job asked you a question,
You responded, “Who are you
to challenge your creator?”
Well if that one part is true
It makes you sound defensive
Like you had not thought it through
Like you didn’t have an answer
Like you bit off more than you could chew
So, yeah, the well documented pivot from religious to questioner to agnostic suits Bazan’s songwriting especially well in my book.

more photos below
SO, if you haven’t gotten it already, go check out his new live in the studio recording from his Fall 2009 band tour. Bazan: Live at Electric Audio is a great recording, and it’s out on CD, vinyl, or digital only (for insane people):

The Appropriate Linkage:
Check out more tour dates below.
~Dan – np: Bill Frisell – Rambler 

DAVID BAZAN & HEADLIGHTS PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
Winter/Spring 2010 Tour Dates
- 03/03/10 Wed – Salem OR – Ike Box
- 03/04/10 Thu – Eugene OR – Sam Bond’s Garage
- 03/05/10 Fri – Sacramento CA – Blue Lamp
- 03/06/10 Sat – Visalia CA – Cellar Door
- 03/07/10 Sun – Santa Barbara CA – Soho
- 03/08/10 Mon – Long Beach CA – Alex’s Bar
- 03/09/10 Tue – Las Vegas NV – Beauty Bar
- 03/10/10 Wed – Phoenix AZ – Sail Inn
- 03/12/10 Fri – Norman OK – The Opolis
- 03/13/10 Sat – Springfield MO – Gallery Sounds
- 03/14/10 Sun – St Louis MO – Old Rock House
- 03/15/10 Mon – Newport KY – Southgate House
- 03/17/10 Wed – Nashville TN – Exit/In
- 03/18/10 Thu – Asheville NC – Grey Eagle
- 03/19/10 Fri – Columbia SC – New Brookland Tavern
- 03/20/10 Sat – Richmond VA – Alley Katz
- 03/21/10 Sun – Baltimore MD – The Ottobar
- 03/22/10 Mon – Philadelphia PA – First Unitarian Church
- 03/23/10 Tue – Brooklyn NY – Music Hall of Williamsburg
- 03/27/10 Sat – Grantham PA – Messiah College
- 03/28/10 Sun – Columbus OH – The Summit
- 03/29/10 Mon – Bloomington IN – The Bishop
- 03/30/10 Tue – Grand Rapids MI – Calvin College
- 04/01/10 Thu – Iowa City IA – The Mill
- 04/02/10 Fri – Urbana IL – Canopy Club
- 04/03/10 Sat – DeKalb IL – House Cafe
- 04/04/10 Sun – Milwaukee WI – Pabst
- 04/05/10 Mon – St. Paul MN – Turf Club
- 04/06/10 Tue – Fargo ND – The Aquarium
- 04/08/10 Thu – Missoula MT – The Palace
- 04/09/10 Fri – Spokane WA – Empyrean
- 04/10/10 Sat – Bellingham WA – Western Washington University
REVIEW: Damien Jurado @ Mississippi Studios (Portland, OR – 2/27/10)

I’ve been into Damien Jurado since the late-90s when his first Sub Pop record came out. I’d only had a few chances to see him play live, but it never seemed to work out. This weekend, since I was already up in Portland for the PDX Jazz Fest, I figured I could swing on over to Damien’s show at the Mississippi Studios after the Dave Holland Quintet show.
While I was “studying” for this show, I listened to Damien’s most recent album, 2008’s Caught in the Trees. Wow. I was reminded why I like this guy so much. Great songwriting in an unassuming package. Clever and gritty/lo-fi, but well crafted, melodically framed songs… quintessential indie rock. Damien has the honesty and drive in his lyrics a la Elliott Smith and Pedro the Lion’s David Bazan. There must be something about the Pacific Northwest that brings these things out in songwriters.
On to the show…
I got there late due to Dave Holland’s killer show across town. John Vecchiarelli was nearing the end of his set, but I caught his last four songs. I really liked him. He had a genuine voice (kind of reminded me of Jeffrey Foucault). John is from Portland; so hopefully I’ll get a chance to see him again soon.
Next up were another Portland group, The Robinsons (formerly of Viva Voce). They were a nice indie rock / americana duo, also from Portland. I had heard a little bit of their Viva Voce music before, but not much. They were good, and had nice melodies. They were a little bit folky and a little bit rocky. I imagine a fuller band setting would suit them very well. They played a short set (only about 30 minutes). They have a new album coming out soon under the bank moniker Blue Giant.
Up next was Damien Jurado. While his latest album, Caught in the Trees, was a more collaborative trio effort, this show was just Damien with a guitar and two vocal mics. The first 5 songs were completely new, and it struck me to the genius that is Damien Jurado (song names complete guesses below). He is a pure songwriter. I didn’t know these songs from Adam, but they captivated me completely. They are for an upcoming album called Saint Bartlett (out in May), and it is a collaboration between Damien and Richard Swift.

He played some older songs, as well as a few Caught in the Trees songs as well… serious help on setlist needed. Any help?
Setlist: 80 minutes
- Beacon Hill (aka “Return to Me”) (new)
- Kansas City (new)
- “I Could Float” (new)
- Arkansas (aka “Fade Out”) (new)
- Wherever I May Lay (aka “Finally Tasted the Dawn”) (new)
- Abilene
- Denton, TX
- Ohio (false start) into “Sound of Settling” spoof of Ben Gibbard
- Ohio (false start again, Damien couldn’t stop laughing)
- Harborview (aka “speak for me, would you”)
- Ohio
- Sheets
- Pear (new)
- I Am Still Here
- “Diamond Sea” (new)
- “not the best time to fall to pieces” (song title unknown)
- The Killer
- Lose My Head
- Encore: Wyoming Birds (aka “sorrow replaced our joy”) (song title unknown)
- Caskets
- Paperwings
I hope he continues to tour, at least in Seattle and Portland (the “quiet crowd” towns).
The Appropriate Linkage:
REVIEW: Van Dyke Parks with Clare & the Reasons @ Mississippi Studios (Portland, OR – 2/10/10)
FYI… PHOTOS of the SHOW at the BOTTOM
Van Dyke Parks is recognized around the world as a musical genius… he’s a brilliant session musician, composer, arranger, lyricist, and singer. He has contributed to many masterpieces (check out his rap sheet). He is most well known for his collaboration with Brian Wilson of the Beach Boys. While Brian is a prodigiously gifted composer, he was no lyricist, and needed one who could match the daring new music he was devising in his head. The result is their collaboration on the much vaunted SMiLE album.
I’ll admit, I’m not a fan of the Beach Boys. I just don’t care for their music. Well, I connected with Van Dyke Parks via a newer band… Silverchair (VDP did string arrangements for Diorama and Young Modern). Yeah, yeah… if you only knew them from 1995’s “Tomorrow” (from when they were 15 years old)… well, they’ve grown.
Anyway…
Van Dyke Parks rarely ever records or tours, putting at most one or two records per decade. When I heard about the shows via the Clare & the Reasons‘ email, I jumped at the chance of seeing both of these artists on the stage together. I had seen Clare & the Reasons open up for My Brightest Diamond back in Nov 2008, and I loved their French bohemian meets modern indie rock vibe.
There were only four shows slated for this rare double bill tour…
02.09.10 – Seattle, WA Triple Door
02.10.10 – Portland, OR Mississippi Studios
02.12.10 – San Francisco, CA Swedish American Hall
02.14.10 – Santa Monica, CA McCabe’s
This was only my second time up to the Mississippi Studios. I really like the intimate setting, even the crazy hovering piano. The last time I was there was for David Bazan in November. For the VDP & Clare show, I’m glad they had chairs down… whew. :)

Opener Josh Mease went on around 9pm and played 6 songs. He had a very gentle singer-songwriter style. His guitarwork was good, but his voice was simply superb (nice lyrics, too). Josh is on Frogstand Records, the same record label as Clare & The Reasons. I dug his own tunes more than the Randy Newman cover. For his last song, Clare & The Reasons came up to play with him…

Josh Mease’s Setlist: about 20 mins
- missing song name
- missing song name
- Marie (Randy Newman cover)
- Days Like This
- Eleanor
- Start Over (with Clare & The Reasons)

Clare & The Reasons stayed up after Josh’s last song and moved some instruments around (and subsequently lost a percussion brush). Off to a great start! :) They joked lightly about it and then… viola, they found it! Their set was a sandwich of Arrow songs, The Movie songs, and more Arrow songs.
Arrow came out late last year, but I didn’t get a chance to pick it up until yesterday. I also picked up Olivier Manchon’s brand new instrumental CD, Orchestre de Chambre Miniature Volume 1, with saxophonist John Ellis, Gregoire Maret (from a Herbie Hancock band), and more string and woodwind players. Check their albums out (click pictures below)…
What I love about the band is not just limited to Clare Manchon’s vocals, but also the wonderful multi-instrumentation from Olivier and the well rounded guitarist and upright bassist. The set was full of great percussion, strings, garbage ukelele, french horn, pizzicato strings, a borrowed saw, acoustic & electric guitars, and sublime vocals. Van Dyke Parks & Josh Mease joined them on stage for their next to last song… (apparently Bill Frisell also joined them on stage up at the Seattle show).

Clare & the Reason’s Setlist: about an hour
- You Got Time
- All the Wine
- Perdue A Paris
- Ooh You Hurt Me So
- Wake Up (You Sleepy Head)
- You Getting Me
- This Is The Story
- Alphabet City
- Pluton
- Pluto
- Our Team Is Grand
- Love Can Be A Crime (with VDP & Josh)
- That’s All (Genesis cover)


Van Dyke Parks came on after a short break. He was seated at the piano and brought The Reasons (sans Clare) as his backing band. They started out with a great instrumental piece. The rest of the songs we heard were poppier tunes with some great instrumentation (as expected). VDP is an amazing pianist and composer. His voice wasn’t superb or sublime, but it fit the songs. I wasn’t familiar with his songs, but of the ones he announced while we were there… Opportunity for Two, Orange Crate Art, and Sail Away.
VDP was also a great banterer in between songs. Usually short, but funny… one of my faves was “my wife thinks that ‘cook’ is a noun.”
We only stayed for half of his scheduled hour-long set (as we had a 2 hour drive back home), but it was a great set of tunes. If anyone has the complete VDP setlist, let me know.

many more photos below
The Appropriate Linkage:
- Van Dyke Park’s Site
- VDP on MySpace
- A VDP fan’s review of the show on Oregon Live
- Clare & The Reason’s Site
- Clare & The Reason on MySpace
- Josh Mease’s Site
- Josh Mease on MySpace
- Mississippi Studios
~Dan – np: Sade – Soldier of Love

VAN DYKE PARKS, CLARE & the REASONS and JOSH MEASE PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
Wussy… and rumors of Wussy

One of my beloved Cincinnati locals, Wussy, has put out some great rock. Three albums, an EP, and some vinyl to be exact… they continually put out great material. And while not an “official press release,” they leaked some great news via a status update on the Facebox on Monday…
I got into Wussy via knowing their lead singer Lisa Walker in college… Lisa plus Ass Ponys‘ Chuck Cleaver, Mark Messerly, and Joe Klug make up Wussy. They put out drony-yet-hook-laden rock, and they release their stuff via hometown Shake It Records (in the lovely Northside neighborhood in Cincinnati). They’ve gotten some buzz in national rags (like Spin, CMJ, et cetera). First national tour, first time they’ve hinted at coming out my way = Yippie!
Anyway… I hope it happens. Srsly.
Oh, check out a recent article about Wussy’s Chuck & Lisa in Cincinnati Magazine (click picture):
PS- Celldweller‘s Wish Upon a Blackstar Ch 2 is out now. Just DL’d it… looking forward to spinning it…
~Dan – np: Iron & Wine – Around the Well 

no free download or torrent available here
REVIEW: David Bazan Band @ Mississippi Studios (Portland, OR – 11/6/09)
FYI… PHOTOS of the SHOW at the BOTTOM

So, last night’s show could have been presented by “Keep Portland Beard.” Every member of both bands sported beards (which, to be fair, had some dual members). I think beards and indie rock are like eye shadow and goth. Except at least the women of indie rock don’t have beards (not that I know of at least).
I drove by the venue around “doors” time… and the line was part way down the block. Yikes. As I parked my car and walked to the venue, I spotted David Bazan and some of his posse hanging out by the nearby burrito cart. He was on his mobile; so I opted not to bug him.
After a delicious hummus plate washed down by a McTarnahan’s Amber, SAY HI started… I found my seat at the awesomely cozy Mississippi Studios.
Say Hi is a trio, and they played what I’d call “power pop indie rock.” I mean, that’s my best explanation… very catchy, hooky – yet retaining that gristle and DIY charm of a touring group of guys. While Say Hi didn’t have the one-two writing & vocal punch of Neil Gust & Elliott Smith’s Heatmiser, I think Heatmiser is my closest comparison to Say Hi. Great pop songs in a rock setting, definitely enjoyable. They played about 40 minutes and, unfortunately, it flew by. But… they’re from Seattle; so they’re totally on my “auto notify” Pollstar radar now.
After a very short set break (5 minutes, maybe)… David Bazan (plus band) hit the stage…
The first time I saw David Bazan (December 2003 with Over the Rhine) was the only time I’ve seen him with a “band.” Even that time, it was a stripped down Pedro the Lion set with just David and T.W. Walsh (drummer). The singer of Say Hi joined David on guitar, the Say Hi bassist traded bass duties for guitar / keyboards / percussion. Blake Wescott joined on guitar, there was a new drummer, and David took care of bass (and guitar during the encore).
The set was a heavy David Bazan “solo albums” set, as expected. I’ve really been digging his latest album, Curse Your Branches; so I picked it up on vinyl last night. Most of the set was CYB stuff and Fewer Moving Parts material. He did throw in a few expected Pedro the Lions and Headphones songs as well…
Setlist: about 90 minutes
- Hard To Be
- Please, Baby, Please
- I Do (Pedro the Lion tune)
- Bless This Mess
- Q&A #1
- I Never Wanted You (Headphones tune)
- Magazine (Pedro the Lion tune)
- Heavy Breath
- Q&A #2
- Cold Beer And Cigarettes
- When We Fell
- Lost My Shape
- Curse Your Branches
- Q&A #3
- Fewer Broken Pieces (aka Fewer Moving Parts)
- Bearing Witness
- Q&A #4
- Keep Swinging (Pedro the Lion tune)
- How I Remember
- In Stitches
- Encore (David solo): Priests and Paramedics (Pedro the Lion tune)
- Will You Still Love Me In December (Julie Doiran cover)
- Q&A #5
- Harmless Sparks
Best David Bazan line of the night… “Infants are necessary, but they’re kinda bullshit.”
I loved David with a band. I think the highlight of the night for me, though, was Say Hi. I usually don’t expect to like an opener, and I like being pleasantly surprised. I didn’t have enough coin to get some Say Hi music last night, but I plan to in the near future.
Another highlight… David’s Q&A sessions are also usually a fun aspect of his shows – it really makes a Bazan show more personal and intimate. Most of the questions surrounded his recent “coming out” as an atheist-leaning agnostic after many years in the Christian indie rock scene. I always loved his candor and questioning of things in religion, even when he considered himself to be a Christian and I had moved out of that camp. I, honestly, don’t think his lyrical themes changed all that much. His Q&A answers last night were more along the lines around around tolerance, regardless of religious beliefs or non-beliefs. Personally, I’m glad to have him in the more doubtful camp. However, above that, I’m glad that he’s not trying to be divisive with things like faith and his “falling from faith.” We should move towards being different than the prior generations who don’t know tolerance.
The Appropriate Linkage:
- David Bazan’s Site
- David Bazan on MySpace
- Pedro the Lion on MySpace
- Say Hi’s Site
- Say Hi on MySpace
- BrooklynVegan’s NYC 10/18 Review
- Fan videos from the Chicago show: video #1 – video #2
- Mississippi Studios
Check out more tour dates below.
~Dan – np: Lowell Brams, Sufjan Stevens & Bryce Dessner – Library Catalog Music Series: Music for Insomnia

DAVID BAZAN & SAY HI PHOTOS
all pictures (cc) 2009 Daniel Temmesfeld,
you may use freely under a creative commons attribution
(click for larger)
Recent/Upcoming Tour Dates
- 10/01 – San Francisco CA – Independent
- 10/02 – Costa Mesa CA – Detroit Bar
- 10/03 – San Diego CA – Casbah
- 10/04 – Los Angeles CA – Troubadour
- 10/05 – Tucson AZ – Solar Culture
- 10/07 – Austin TX – Mohawk
- 10/08 – Denton TX – Dan’s Silverleaf
- 10/09 – Memphis TN – Hi-Tone Café
- 10/10 – Murray KY – Lovett Auditorium / Murray State
- 10/11 – Birmingham AL – Bottletree
- 10/13 – Orlando FL – The Social
- 10/14 – Atlanta GA – Drunken Unicorn
- 10/15 – Chapel Hill NC – Cat’s Cradle
- 10/16 – Washington DC – Black Cat
- 10/17 – Philadelphia PA – Kung Fu Necktie
- 10/18 – New York NY – Bowery Ballroom
- 10/20 – Cambridge MA – TT the Bear’s +
- 10/21 – Montreal QC – Il Motore
- 10/22 – Toronto ON – Lee’s Palace
- 10/23 – Pontiac MI – Pike Room
- 10/24 – Chicago IL – TBA
- 10/25 – Champaign IL – Highdive
- 10/27 – Madison WI High – Noon Saloon
- 10/28 – Minneapolis MN – Turf Club
- 10/29 – Iowa City IA – The Picador
- 10/30 – Lawrence KS – Jackpot Saloon
- 10/31 – Omaha NE – Slowdown
- 11/01 – Denver CO – Hi Dive
- 11/02 – Salt Lake City UT – Kilby Court
- 11/05 – Vancouver BC – Media Club
- 11/06 – Portland OR – Mississippi Studios
- 11/07 – Seattle WA – Neumos
House Shows - 12/9 – Detroit, MI – 8pm – tickets available on db.com
- 12/10 – Cleveland, OH – 8pm – tickets available
- 12/11 – Columbus, OH – 8pm – SOLD OUT
- 12/12 – Indianapolis, IN – 5pm – tickets available
- 12/12 – Indianapolis, IN – 8pm – SOLD OUT
- 12/13 – New Haven, IN – 5pm – tickets available
- 12/13 – Ft. Wayne, IN – 8pm – SOLD OUT
- 12/14 – Goshen, IN – 8pm – SOLD OUT
- 12/15 – Lansing, MI – 8pm – tickets available
REVIEW: Bad Veins @ Sam Bond’s (Eugene, OR – 10/16/09)

Rarely do elements of the Cincinnati music scene tromp through Oregon. I got the opportunity to see Bad Veins about 5 weeks ago up in Portland, and now they’re back through Oregon, but this time in my lovely city of Eugene. They received a nice write-up in the 10/15/09 Eugene Weekly, too…
We showed up late but before anyone started yet; so we moseyed over to One Cup for some delicious coffee. On the way back to Sam Bond’s, we could hear the opener (Blue Horns from Portland) blaring through the door & windows… and we were about 2 blocks away. “Oh, crap, I forgot my earplugs!” Blue Horns were a good rock band. Really loud, though (and I don’t think it was their fault). They had a nice vibe, but it was hard to tell what the guy was singing most of the time. Listening to them on MySpace now, they’re kinda jangly & bouncy indie rock. Maybe I should write a letter to SB’s soundguy to turn it down from 17 to 11. I mean, come on… 11 is enough.
Bad Veins got all set up and ready to go by 11pm… based on the poster (above), they seem to be the main band for this Daytrotter sponsored tour (I ♥ Daytrotter), yet they went on before The Subjects. This was fine with me. Nothing against The Subjects, but I was done after BV’s set. Tired after a long week’s work and ears practically in tears.
Sebastien and Benjamin rocked us out for about a half hour. As they like to say in the industry, Sebastien was “killing the fuck out of his drums.” OK, maybe they don’t say that in the “industry.” He was doing it regardless. Maybe his drums slept with his girlfriend or ate the last breakfast burrito… or… or… both. Regardless, he was going nuts. :)
After about the first song, we moved outside to help shelter our ears (again, Mr. Soundman… 11 is loud enough). I was able to find a good spot on SB’s patio and watch through the window. No pictures this show, as I rarely get any good shots at Sam Bond’s (even with a good camera). For recent Bad Veins concert photos, check my last month’s review (click picture below)…
Setlist:
- Found
- Gold and Warm
- Crosseyed
- Afraid
- Dry Out
- Falling Tide
- The Lie
Their set was identical to the time prior, and my wife made a good comment… “well, they use that reel-to-reel so they have to keep things in the same order.” Duh on my part. Anyway, it was still a really good set, despite the extreme loudness of it all. I think Sam Bond’s is not the place to see rock music (prior to this, I’ve only seen Skerik/ jazz, Talkdemonic/ acoustic post-rock, and various singer-songwriters). Hopefully The Subjects got better sound treatment.
The Appropriate Linkage:
- Bad Veins Official Webpage
- Bad Veins on MySpace
- Blue Horns on MySpace
- The Subjects on MySpace
- Sam Bond’s Garage
~Dan – np: Foo Fighters – In Your Honor

Copeland – Daytrotter Session
The few websites that aren’t RSS feed-able that made it to my “must check every day” list… Daytrotter is great, and they hit us on Saturday with a live in the studio session with Copeland…
Go here for the free music:
http://tinyurl.com/copeland-daytrotter
1) The Grey Man 2) On the Safest Ledge 3) The Day I Lost My Voice (The Suitcase Song) 4) Eat, Sleep, Repeat
http://www.copelandmusic.com
http://www.myspace.com/copeland
Past Daytrotter Sessions I’ve blogged about and dug (links and free music not guaranteed on these old blogs): Bad Veins, Nellie McKay, Clare and the Reasons, My Brightest Diamond #2, Damien Jurado, Talkdemonic, Aimee Mann, Ani DiFranco, Bad Veins #1, Kaki King, Holy Fuck… and David Bazan, My Brightest Diamond, Erin McKeown.











































































































































































































































