Posts Tagged ‘art gallery’

John Zorn’s new art gallery

20th Dec 10 (Mon) Leave a comment

Reposted from A-to-Z media blog

A to Z is excited to announce that our long time friend/client/unyielding supporter, John Zorn, has created a new online art gallery –  Obsessions Collective that has just gone live. The site has been beautifully designed by Heung-Heung Chin whose own work will be exhibited on the site and can be seen at the top of this post.

The aim of this non-profit site is to serve as the conduit between living, cutting edge artists who work outside of the gallery system and art collectors and patrons who seek to interact and purchase art directly from the artists themselves with no interference or meddling from a third party.

In true Zorn fashion, 100% of the income derived from the sales of the artwork goes to the artist directly. No commission or bullshit admin fee’s will be charged on any of the pieces purchased. 

John has created this site simply to shine a light on the many talented artists he is friends with and to encourage art collectors to open their minds and wallets to discover, nurture and support  truly independant artists who are deciding to make real art for art’s sake.

~Dan – np: Sarah Kirkland Snider & Shara WordenPenelope 

Dirty Car Art Gallery

20th Aug 09 (Thu) 2 comments

Mike Bragg :: Pulled from the Ground

7th Aug 09 (Fri) 2 comments

Yesterday, I went up with some friends (including the featured artist) to see the opening of Mike Bragg‘s Pulled from the Ground at OGLE in Portland.  Fun times, too much food, great art, and voodoo donuts were had by all.  If you’re up in Portland within the next two months, go check it out.  It is set up with a great view from the street, too…

Pulled from the Ground
@ Ogle
August 6th to September 26th, 2009
310 NW Broadway
Portland, OR

The images & video below are the intellectual property of Mike Bragg
and are used with promotional intent only.

(click for larger)

The performance piece / video is located at:
Mike Bragg’s Video Archive

Pulled from the Ground is a series comprised of a multi-channel video installation, a single channel video, photographs, drawings and a sound collage. Its foundation imagery centers on a collection of roots and a man’s obsession with them. The symbolization of the roots is seen throughout: they are an anchor of stability, yet at the same time, a literal reminder of the tangling snare of obsessiveness. Pulled from the Ground documents a struggle for stability against the constant flux of existence. The perception of safety and comfort derived from man’s organization and compulsory system of stability are precarious when viewed from within an exaggerated environment.

The elements of this series are designed to operate both autonomously and in conjunction with one another. The main element of the installation is the substantial, obsessive collection of roots. Displayed within the existing space or within a constructed set, the jars of roots are combined with drawings, photographs, videos and sounds to create an overwhelming, claustrophobic effect. In addition to the installation videos, there is a single channel video providing an experimental narrative echoing the themes explored in the installation.

Pulled from the Ground is adaptable to a variety of spaces. The project can be assembled as a full installation, a site specific modified version or as a single channel projection. The full installation includes three monitors situated in a room cluttered with root filled jars. The monitors loop images of pulsating and turning roots synchronized to a cacophony of sounds ranging from deep breathing to frantic mumblings. Almost every space is covered with worn photographs, tattered drawings and jars filled with roots. Other items contribute to the obsessive collection, such as microphones positioned to “capture the sounds of the roots” and a reel-to-reel recorder. A fourth monitor is tethered to the space via an extension cord, distanced somewhat from the cluttered collection and displaying an experimental narrative that documents the themes’ progression.


And unrelated, but also dark & arty (ok, maybe Anti-Sweden could use Mike Bragg’s accompanying music to sell jeans, too)… drone metal titans Sunn O))) are now being used to sell Anti-Sweden jeans in Norway:

Odd.  I doubt we’ll ever see Sunn O))) used for commercial purposes in the U.S.A.

~Dan – np: Bill FrisellDisfarmer

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