Double-REVIEW: Beck @ Les Schwab (Bend, OR – 5/27/12) and Jack White @ the Hult (Eugene, OR – 5/28/12)
It was a long Memorial Day weekend. But it was a musically fruitful weekend. I could have made it more fruitful by adding The Shins / Blind Pilot / Head and the Heart as well as the Tenacious D shows on Friday and Saturday in Bend, respectively; alas, I needed to save some time and energy for Beck in Bend on Sunday and Jack White in Eugene on Monday. It was still quite a great full weekend for my ears!
I had never seen either Beck or Jack White in concert. I was familiar with Beck’s music fairly well… having all of his stuff. I was completely unfamiliar with Jack White’s music – outside of some of the White Stripes and Raconteurs that I’d heard. Needless to say, I was equally excited about both shows.
Beck in Bend was the tail-end of a nice “Bend Ale Trail” weekend for me… sampling some new places for me: 10 Barrel Brewing & Good Life Brewing. Both highly recommended for their beer and their food! Bend also had some lovely weather and some odd rainbows in the clouds…
(not photoshopped… photo taken near Deschutes Brewery in Bend, OR)
Metric was Beck’s opener… the Toronto indie rock quartet ripped through a dancey hour-long set. Their fifth album, Synthetica, comes out on June 12, 2012. If the way they had the Bend audience going is any indication, the new album should be a crowd pleaser as well.
Beck went on after a short set break… kicking the show off right with some Odelay goodness by way of “Devil’s Haircut.”
Among his two-hour long set, he bounced around his back and “recent” catalog (2008’s Modern Guilt) fairly well. Every era got some great representation. As mentioned, I had never seen him live before. I was pleasantly surprised with the great mix, especially the songs off of Sea Change…
Beck’s Setlist: about 2 hours
- Devil’s Haircut
- Loser
- Black Tambourine
- Soul of a Man
- Hotwax
- Sissyneck
- The Golden Age
- Lost Cause
- Sunday Sun
- Think I’m In Love
- The New Pollution
- Modern Guilt
- Paper Tiger
- “Song for Bend” [Improv]
- End of the Day
- Tropicalia [partial]
- Jack-Ass
- Gamma Ray
- Minus
- Girl
- Where It’s At
- Encore: Soldier Jane
- Looking Back
- Mutherfuker
- E-Pro
Next, on to Eugene…
I missed Jack White’s opener, Quasi. I’d heard of them before, and would have liked to have seen the show (I like Sam Coomes work with Elliott Smith). Alas, driving back from Bend and personal commitments made it so we skated into the venue right as Quasi was ending their set… d’oh!
Jack White’s show… what to say, what to say? Professional, yet muddy. Loud, yet not necessary. Thoroughly energetic, yet confusing. Quite enjoyable, yet painful.
The man writes hooky songs, and plays guitar and piano very well… yet, the sound was cranked through the roof. It lost so many of the lushness and subtlety that I think would have been suited for this show at the Hult Center.
Another thing that can’t go without mentioning, the “III” imagery abounding. Sure, rockstars should have iconic imagery. But a suffix namesake seems like an odd thing to so vehemently brand… unless you’re branding your ego or something.
Several times it seemed as if Eugene wasn’t stroking his ego enough… he quipped that if we didn’t want, they didn’t have to come back out (after their 45 minute initial set). He tried to get the crowd to do a sing-a-long on one song, but it seemed as if the song had ended already, and it was more of a confusing thing (or so it seemed to me).
The loudness, was, again… unnecessary. Fantastic musicianship and seemingly intricate things going on with fantastic players… completely lost in the brash, feedback-induced sound cloud. So many subtleties lost. So many subtleties lost.
Jack White’s Setlist: two sets, ~45 mins & ~35 mins
- Set 1: Dead Leaves and the Dirty Ground [The White Stripes]
- Missing Pieces
- Sixteen Saltines
- Love Interruption
- Cannon/300 Pounds of Joy [Howlin’ Wolf]
- You Know That I Know [Hank Williams]
- Hotel Yorba [The White Stripes]
- Weep Themselves to Sleep
- We’re Going to Be Friends [The White Stripes]
- Blunderbuss
- I Cut Like A Buffalo [The Dead Weather]
- Steady as She Goes [The Raconteurs]
- Set 2: Freedom At 21
- Trash Tongue Talker
- I’m Slowly Turning Into You [The White Stripes]
- Carolina Drama [The Raconteurs]
- Seven Nation Army [The White Stripes]
- Goodnight, Irene [Lead Belly]
(pro photos from Eugene will be posted at jwiii.com)
The bottom line… I really enjoyed the Jack White show. The flaws that I saw in the show are totally fixable. Who am I to say what he should do anyhow? :) I’m just thinking that something that shows off his musical chops, his writing prowess, his voice, his players, and his songs at the forefront – not clouded by sheer volume – could have been far, far, FAR more enjoyable… and probably far, far, far more enjoyable to more to others (not just me).
The Appropriate Linkage:
- Beck’s Site
- Beck’s Social Media Links (see below)
- Metric’s Site
- Metric’s Facebook / MySpace / Twitter
- Les Schwab Amphitheater’s Site / Facebook / Twitter1 / Twitter2
– – – – – – – – – – – – – – – – – – – – – – –
- Jack White’s Site
- Jack White 2012 Tour Photos by Jo McCaughey
- Jack White’s Social Media Links (see below)
- Quasi’s Site
- Quasi’s Facebook / MySpace
- The Hult’s Site / Facebook / Twitter
Next show for me… Emily Wells @ WOW Hall on 6/3.
~Dan – np: Sigur Rós – Valtari
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beck was a total snorefest. Time to call it.
I dug it. But I’m a big fan of Sea Change as much as the dancier stuff.
I’ve seen Jack White in concert about a dozen times now, with various of his bands. It’s always been an awesome, mind-blowing, electrifying, and cathartic experience. But then, I try to always remember to bring earplugs. Without earplugs the pain and the fear of hearing loss is distracting.
Anyway, there is very little about his music that’s ‘mellow’ or ‘subtle’ – except the multiple layers of meaning and metaphor in his lyrics. It’s rock music. It’s supposed to be loud and dirty and scuzzy and noisy and explosive. It’s supposed to be angry and fiery and fierce and piercing and fraught with madness and passion. It’s supposed to melt your face off and leave you feeling like you’ve been shredded into itsy bitsy pieces and then stomped on vigorously.
If that is not the kind of experience you’re looking to have at a concert, then Jack White probably won’t be your favorite live performer. But for those of us who are looking to be blown away – as opposed to gently carried off on a mellow cloud of pleasantly subtle harmonies – there is nothing more killer than the kind of show that Jack White puts on.
I always have ear plugs… it was still painful.
He’s a great guitarist. I’d have liked to actual discern what he was playing. His band was also great, but the volume just made things seem sloppy.
Also, about his ubiquitous ‘III’ logo: It’s not about ego, it’s about his sacred number 3. One of the best-known of his many ‘quirks’ is the fact that the number three holds a deep mystical and spiritual significance for Jack White. Hence “Third Man Records” and “Jack White III” and the limited color palettes of three primary colors, and special releases in limited editions of 333, and etc. Keep in mind that this is a man who very nearly went to seminary school and became a priest instead of a rock star. So deeper spiritual questions are of great interest and importance to him. For all his tricksy mischief and eccentric, artsy playfulness, Jack White is deeply and profoundly serious about some things, and the number three is one of them.
Cool… didn’t know that. :)