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Moonchild & Melvins Lite

17th Feb 12 (Fri) Leave a comment

The upcoming Moonchild record will be the first to feature lyrics that John Zorn has written for Mike Patton to sing.  Prior Moonchild albums have been trio affairs of noise/jazz metal glossolalia from Patton, Trevor Dunn (bass) and Joey Baron (drums) with a smattering of guests musicians like Ikue Mori, Jamie Saft and Marc Ribot.  The sixth (!!) Moonchild release is set for a 2012 delivery on Zorn’s Tzadik Records.  Based on info from Chippy (Tzadik’s art designer), the album name may very well be called Templars.

Here’s some more tidbits from the mixing/mastering crew:

Other related news… Trevor Dunn is also involved in the new stripped-down Melvins Lite band with the Melvins “core” members: King Buzzo and Dale Crover.  The debut album from this evolution of the band comes out in June 2012 on Patton’s Ipecac Recordings…

Source: Ipecac

Oh, Freak Puke… such lovely imagery…

~Dan – np: CelldwellerSoundtrack for the Voice in My Head Vol 2, Ch 2

Mike Patton’s Mondo Cane – pro-shot footage from Chile

19th Oct 11 (Wed) Leave a comment

It appears there’s a televised, pro-shot Mike Patton/Mondo Cane performance from the Teatro Caupolicán in Santiago, Chile.

Seeing as our chances of a North American tour came and went, here’s hoping it shows up as a live DVD on Ipecac sometime in the near future.

Here’s also an interview with some more live footage (including some Moonchild!)… it’s long (over 50 minutes)…

~Dan – np: Jeffrey FoucaultGhost Repeater

astronome: a night at the opera

18th Oct 08 (Sat) Leave a comment

John Zorn’s Moonchild Trio (Mike Patton/Trevor Dunn/Joey Baron) is due out with a fourth recorded installment (The Crucible) later in 2008/early 2009.  Their second installment, 2006’s Astronome, is getting a revised treatment for the stage.  From the Downtown Music Gallery‘s newsletter this week:

ASTRONOME: A NIGHT AT THE OPERA!

Director Richard Foreman and musician John Zorn team up for Astronome: A Night at the Opera opening next year [2009] at Ontological-Hysteric Theater.

WATCH VIDEO FEED of rehearsals and see how Foreman develops this production… EVERY WEDNESDAY from 10 a.m. to 4:30 p.m. Nov. 26, 2008-Jan. 21, 2009 live from the Ontological-Hysteric Theater in Manhattan! [No rehearsals Dec. 24, 2008]

Tune in at http://www.free103point9.org

http://www.ontological.com/

hmm… No word in the above weblinks if the Patton/Dunn/Baron Moonchild Trio (pictured below) will be in the production.  I don’t know how it would work without them, but you never know.  I mean, it could probably only be non-rad if they got Renee Zellweger to play Mike Patton’s parts. :)  .

NYC trip in 2009 for me?  Unlikely.  But I can dream…

~Dan – np: Paul Brody’s SadawiFor the Moment


JZ’s The Crucible, The Dreamers, biography, and JFJO grumbles

13th Sep 08 (Sat) Leave a comment

Well, first.. I didn’t end up at the Jacob Fred Jazz Odyssey (JFJO) show last night.  Boo.  Stupid Eugene Celebration blocking off within 60 yards of the art gallery where they were playing and wanting me to buy a wristband to see a show I’d have to pay for that’s not on a stage at Eugene Celebration.  I think me skipping it was on principle, not on lack for wanting to see JFJO.  Rassen frassen… but I hope to catch the free Richard Crandell show today at Cozmic Pizza.  He’s a mbira player, and I have one of his composer series CDs on Tzadik Records.  He’s from frickin’ Eugene and on Tzadik Records – – how cool is that?

Speaking of Tzadik… on to some upcoming Jay-Z news… and by Jay-Z, I mean John Zorn (founder of Tzadik).

Graphic design artist extraordinaire Heung Heung “Chippy” posted on her blog about some new design stuff that she’s been working on for Tzadik:

I’m designing a book jacket for John Brackett’s biography on John Zorn, published by Indiana University Press.  Title: John Zorn Tradition and Transgression.  Cover photo by Scott Irvine, Book Jacket Design by myself, Book Interior Design by Jamison Cockerham.  It’s nearly done and looking pretty good. Please look for it and buy this first biography ever on one of New York City’s heroes.

FOR MORE JOHN ZORN MUSIC, we have many treats for you–he’s been releasing amazing FilmWorks CDs (yes, prolific), another one is on its way–this one is extra special, one I’ve been listening to everyday–very meaningful, touching upon so many personal levels. (The Last Supper, FilmWorks XXII).

For those who are eagerly waiting for The Crucible (Moonchild’s 4th CD), it is coming very soon. Expect more killer photography by Scott Irvine (Tzadik’s official photographer–thank you to all who voted for him this summer), design by myself. Powerful music. And yes, you can have your Mike Patton too.

And it doesn’t stop there. The Dreamers will be expanding like a Chippy dream come true. For you audiophiles, this is our first yet–can’t say now until I’m working on it. Expect limited edition. Speaking of Limited Edition–The Dreamers’ shirts–they will now be considered limited edition, so please get them at Zakka in Dumbo (childrens are only available there or through me) or http://www.tzadik.com Note: once these go and we reprint, the artwork will be different.

My recap in backwards order…

I imagine The Dreamers limited edition thing for audiophiles may very well be a vinyl issue.  That’s my inkling and heretofore a rumor.  Tzadik hasn’t done a vinyl yet, and what else for audiophiles is considered limited edition these days?  Sweet… The Dreamers is a fantastic, exotica meets Electric Masada ventures out earlier this year on Tzadik.  It’s one of my favs of 2008 so far.

The Crucible… yay!  A 4th installment from the noisemetal Moonchild Trio of Mike Patton, Trevor Dunn, and Joey Baron was inevitable.

I dig JZ’s Filmworks series… Sholem Aleichem: Filmworks XX is on its way to me now.

Additional info on the John Zorn biography… it’s due out in early 2009.  It’s a book.  With pages.  Some probably graphic (just judging based on JZ’s Naked City album artwork and Dr. Brackett’s recent presentations at recent conferences).

~Dan – np: The Tiptons Sax QuartetLaws of Motion

* Favorite INSTRUMENTAL Albums of 2007 *

23rd Jan 08 (Wed) 2 comments

I do mainly music-related blogging. I like lots of different musics. If you want to subscribe to my blog, lick here. With your mouse, not your tongue.

My Other Favorites of 2007 Recaps:
Fav Concerts of ’07 are recapped *HERE*
Fav Local / Vinyl / Internet-Only / Podcasts of ’07 are *HERE*
Fav EPs / Compilations / Music DVDs of ’07 are *HERE*

Favorite Instrumental Albums of 2007
Most of what I’m really enjoying lately doesn’t include vocals. Maybe I’m getting sick of normal music, I don’t know. I still love a good pop song, but I’m definitely more into jazz and avant-garde the past two years. That’s why this “Instrumental” list keeps expanding and my “normal” Fav Albums list seems to be shrinking. Alas, here are my favorite instrumental (or largely instrumental) albums of 2007:

1) Holy FuckHoly Fuck LP2 – Brilliant groove-oriented “live electronic” post-rock. I saw these guys (almost twice) in 2007. Brilliant live show, excellent moving melodic-yet-avant-garde songs. Great stuff. Less than fortunate name, I know. Great music, though.

http://www.holyfuckmusic.com/
http://www.myspace.com/holyfuck

2) Dave Douglas & KeystoneMoonshine – A new one from trumpeter/composer Dave Douglas. This CD also includes interactive stuff online (remix source tracks, videos, bonus tracks). Trumpet is one of my favorite jazz instruments, and Dave Douglas is at the forefront of melodic, compositional-meets-improvisational trumpet in the current era.

http://www.davedouglas.com/
http://www.myspace.com/greenleafmusic

3) John ZornSix Litanies for Heliogabalus – A completely powerful noise-rock onslaught from John Zorn’s Moonchild trio (Mike Patton, Trevor Dunn, and Joey Baron) plus a choral, electronics by Ikue Mori, keys from Jamie Saft, and John Zorn himself on saxaphone. This album is not for the faint of heart. It’s all over the place, but completely composed (hard to believe). I saw the trio in Seattle in Nov 2007. It was insane.

http://www.tzadik.com
http://www.myspace.com/theatreofmusicaloptics

4) FloratoneFloratone – This album is a wonderful jazz gem from Matt Chamberlain (who I’ve seen drum for Tori Amos and A Perfect Circle), Bill Frisell (jazz guitarist who needs no intro), Tucker Martine, and Lee Townsend. It also has guest spots from Eyvind Kang (Seattle violinist on my “fav” list), Viktor Krauss, and Ron Miles. This fits with the Barnes & Noble clientele, but it’s enjoyable to a fan of the lower eastside NYC/downtown music scene, too.

http://www.floratone.com/
http://www.myspace.com/floratone

5) Explosions in the SkyAll of a Sudden I Miss Everyone – I have a hard time defining “post rock,” but I know I like it. Ambient, wall of sound, momentous… anyway… Explosions in the Sky fits in well with other post-rock favs of mine like Mogwai, Godspeed! You Black Emperor, Euphone, Boards of Canada, and even the borderline post-rock Sigur Rós. Anyway, EITS is a welcome addition to my collection. All of a Sudden I Miss Everyone is quality, moving ambient music.

http://www.explosionsinthesky.com/
http://www.myspace.com/explosionsinthesky

6) AntibalasSecurity – OK, not entirely instrumental, but probably at least 90% instrumental. Antibalas is an afrobeat band in the mold of Femi Kuti, et al. Driving rhythm, multi-percussionists, horns, guitars, political lyrics (when there is singing). Quality live show, too.

http://www.antibalas.com/
http://www.myspace.com/antibalas

7) The TiptonsTsunami – A sax quartet with drums from Seattle. I just barely missed them when they came through Eugene, but I’ll see ‘em next time for sure. Thanks to Jim Wilke’s Jazz NW podcast for getting me into these wonderful musicians.

http://www.tiptonssaxquartet.com/
http://www.myspace.com/tiptons

8 ) The Lithuanian EmpireThe Lithuanian Empire – Funky horn-based klezmer jazz. Klezmer music is really interesting. I’m going to blame John Zorn’s Masada quartet and Tzadik label for my fondess. The Lithuanian Empire isn’t connected with Zorn in any business sense, but they connected with my ears. Great stuff…

http://www.thelithuanianempire.com/
http://www.myspace.com/thelithuanianempire

9) Ric HordinskiThe Silence of Everything Yearned For – Ric Hordinski knows how to put layers of guitar down that build slowly, smooth throughout, and hit you with a wall of sound when you’re not paying attention. He’s a true midwest treasure. I’m gonna miss him now that I’ve moved across country.

http://www.richordinski.com/
http://www.myspace.com/richordinskimusic

10) IncubusLook Alive – OK, this was a shock. Incubus isn’t an instrumental band. They’ve got a fabulous vocalist, Brandon Boyd. This CD was merely a bonus CD with the concert DVD. It contains 11 tracks of musical joy (plus 6 bonus live tracks with vocals, which are good too). These 11 tracks really show off the band’s music writing. I knew guitarist Mike Einziger could write some great instrumental jams (based on 2003’s Time Lapse Consortium live album), and I’m glad he and the band are still up to the vocal-less challenge, even though they’ve got one of my favorite vocalists in rock music today.

http://www.enjoyincubus.com/
http://www.myspace.com/incubus

11) Method of DefianceInamorata – A flood of avant-garde mayhem unleashed by Bill Laswell. A mix of music collaborations (whether intentioned or illegal) from usual Laswell friends Buckethead, John Zorn (& Zorn’s Masada Strings), Bootsy… but also unlikely mixes with Herbie Hancock, Pharoah Sanders, and more… masterful and avant-garde, heavy industrial and ambient meets jazz.

http://www.myspace.com/methodofdefiance

12) Hiromi’s SonicbloomTime Control – Cutting edge piano-based jazz on the primarily classical Telarc label. Hiromi runs circles around her tight band. a very enjoyable disc… I’m almost embarrassed that I didn’t pay for it (the BMG club system = awesomes).

http://www.hiromimusic.com/
http://www.myspace.com/hiromimusic

13) For a Minor ReflectionReistu Þig Við, Sólin Er Komin Á Loft… – A band from Iceland that is on the same foreign label and same audio approach as another band from Iceland, Sigur Rós. For a Minor Reflection are one of my “best surprises” of the year. They even sent me the CD for free. I said I liked their sound from the MySpace player, and I think they were trying to break into the U.S. or something. I don’t know. I dig their sound a lot, though. Just don’t ask me to pronounce their album title…

http://www.myspace.com/foraminorreflection

14) John Zorn played by Marc RibotMasada Book Two: Book of Angels, Vol. 7 (Asmodeus) – A spastic take on new Masada tunes, not unlike Marc Ribot’s other guitar adventures on John’s Tzadik label.

http://www.tzadik.com
http://www.myspace.com/marcribotmusic
http://www.myspace.com/marcribotsceramicdog

15) Pocket Change4 – Blues based jazz/funk from Seattle. They play Eugene every once in a while, too… I hope I can check ‘em out the next time they’re here.

http://www.pchangemusic.com/
http://www.myspace.com/pocketchangefunk

16) Ned RothenbergSync with Strings: Inner Diaspora – A moving set of Jewish music on Zorn’s Radical Jewish Culture category on Tzadik. This set also features string-masters Mark Feldman and Erik Friedlander (who are part of Zorn’s Masada Strings group, among other Zorn incarnations).

http://www.tzadik.com
http://www.myspace.com/nedrothenberg

17) John Zorn played by Erik FriedlanderMasada Book Two: Book of Angels, Vol. 8 (Volac) – A quite moving set of arrangements on new Masada tunes. I’m really enjoying the Masada Book Two songs and the concept of having different artists tackle each batch makes for some interesting listening. I’m still waiting for the Secret Chiefs 3 one, though… next year…

http://www.tzadik.com
http://www.myspace.com/erikfriedlander

18 ) Boris MalkovskyTime Petah-Tiqva – Klez-classical, but hard-edged in spots (not heavy, though).

http://www.tzadik.com
http://www.myspace.com/borismalkovsky

19) Alex KontorovichDeep Minor – More klez-jazz. Again, it strikes my fancy. Sue me. :-)

http://www.myspace.com/deepminor

20) Kenny WernerLawn Chair Society – Piano based jazz with Dave Douglas on trumpet & Chris Potter on sax. You had me at Dave Douglas, and Chris Potter made me a fan earlier in 2007 when I saw a show at Raymond Walter’s College in a north Cincinnati suburb. Anyway, Kenny’s piano playing is quite a feast as well.

http://kennywerner.com/

honorable mentions:
Brian Bromberg
Downright Upright / Jonny Greenwood (of Radiohead)There Will Be Blood -soundtrack- / Eyvind KangThe Yelm Sessions / Medeski & MartinMago / Rob Price Quartet (with Trevor Dunn, Ellery Eskelin, Jim Black)I Really Do Not See the Signal

myspace/brianbrombergmyspace/radioheadmyspace/eyvindkangeyvindmyspace/martinmedeskigutbrain.com/

I feel bad due to some likely gems didn’t make their way into my basket this year… David Buchbinder‘s Odessa/Havana, Anat Cohen, et cetera… but I guess you gotta stop somewhere and just make a damn list (or at least I do…).

The “regular” list in a week or so… it’s slow goin’ this year…

~Dan – np: Nellie McKayObligatory Villagers

Favorite Concerts of 2007

24th Dec 07 (Mon) 2 comments

Well, there are still some 2007 CDs that may or may not arrive in my hands before the year’s over (specifically Eyvind Kang, Dave Douglas, Greydon Square, Radiohead, Doug Pinnick & La Mar Enfortunaall of which have Top 20 potential); so I’m not ready to post my “Best CDs of 2007” list, yet. Look for that one sometime in early 2008…

This blog is for my favorite concerts of 2007. I went to too many to recount in detail, but these are the tip-top ones…

  1. Music Now Festival 2007 (Pedro Soler, Bryce Dessner, David Cossin, the Clogs, the Havels, Osso, Amiina, My Brightest Diamond, Sufjan Stevens) at the Memorial Hall, Cincinnati-OH (4/5/07 to 4/7/07) my review
  2. Masada (John Zorn, Dave Douglas, Greg Cohen, Joey Baron) at the Rose Theatre at the Lincoln Center, New York-NY (3/10/07) my review
  3. Nellie McKay at the Shedd Institute, Eugene-OR (10/5/07) my review
  4. Silverchair at the Fillmore @ the TLA, Philadelphia-PA (7/28/07) review snippet
  5. Secret Chiefs 3 at the Bowery Ballroom, New York-NY (3/15/07) my review
  6. John Zorn’s Moonchild (Mike Patton, Trevor Dunn, Joey Baron) at the Moore Theatre, Seattle-WA (11/4/07) my review
  7. Holy Fuck at the Southgate House, Newport-KY (4/1/07) my review
  8. Antibalas at the Southgate House, Newport-KY (4/29/07) review snippet
  9. Noctaluca at the Taste of Cincinnati, Cincinnati-OH (5/28/07)
  10. Blackfield (Steven Wilson & Aviv Geffen) at the Bowery Ballroom, New York-NY (3/16/07) my review

OK, I guess I’ve still got coming up in 2007 Iron & Wine in Portland (12/2) and maybe David Bazan (Pedro the Lion) in Eugene (12/14); but the above concerts were my favorites of 2007…

Happy thanksgiving, yo! One thing I’m thankful for is definitely music… :-)

~Dan – np: npr jazz profiles (podcast) – duke ellington: the bandleader, pt. 1

12/24 Update: wow… I totally forgot the kick ass Zappa Plays Zappa show at Moonlite Gardens in Cincinnati, OH on 7/24/07. I think I forgot because I didn’t blog about it when it happened (gettin’ ready to quit my job and pack up and head west at the time)… but now reading this week’s CityBeat, tons of people listed it as a favorite, and man, I was at that show, too… Dweezil = awesomes! Ray White = awesomes! Frank on a big screen behind the band, singing and soloing with the live band = awesomes! 2nd time seeing the ZPZ tour in 2 years (completely different setlist, too). I think it needs to be a once-a-year thing… in perpetuity.

REVIEW: John Zorn’s Moonchild @ The Moore Theatre / Earshot Jazz (Seattle, WA – – 11/4/07)

6th Nov 07 (Tue) 6 comments

Two statements needed to be made prior to really starting this review… 1) caveat for the non-Moonchild enthusiast: “They’re like an audible Jackson Pollock,” and 2) I feel sorry for the ushers who obviously didn’t know what they were getting into when they signed up for this.

A little background / sidenote… I came into being a John Zorn fan through first being a Mike Patton fan. One of Mike Patton’s (and Trevor Dunn’s) early bands, Mr. Bungle, had a Zorn link early on (JZ produced their Warner debut in 1991). However, I didn’t really start getting into Zorn until about 2-3 years ago when I stumbled on his jazz-klez band Masada. I didn’t know that John Zorn did such melodic work; so Masada totally caught me off guard. Anyway, by that time in my musical meanderings, my interests had started getting into more experimental bands anyway. When I dug deeper into John Zorn’s back catalog I really dug most of his work – whether it be the melodic Masada incarnations, Bar Kohkba, FilmWorks, et cetera or the experimental, harder-edged Naked City, Painkiller, et cetera.

By the time the first mention of the upcoming album Moonchild: Songs Without Words (on his label Tzadik or an email from Downtown Music Gallery), I about flipped… as an experimental/avant-garde trio with Mike Patton (the aforementioned Mr Bungle, Fantômas, Tomahawk, Peeping Tom, Faith No More, many many more), Trevor Dunn (the aforementioned Mr Bungle, Fantômas, Trio Convulsant, many more), and Joey Baron (Masada, Barondown, many more) was right up my alley. After that initial album in early 2006, Moonchild: Songs Without Words, the trio has put out two more albums of John Zorn’s compositions… Astronome (late 2006) and Six Litanies for Heliogabalus (early 2007) which also includes a chorus and other players (Ikue Mori, Jamie Saft, and Zorn himself).

All beautifully packaged and musically brutal, I don’t know where composition from Zorn stops and improvising by the Trio begins, but it can be as breath-taking as it is ear-hurting (remember my line above about it being an “audible Jackson Pollock“…?).

OK, now on to the concert review… note: 6 video snippets and 14 pictures are linked at the bottom of this review.

I took this concert trip alone… While I ease my lovely wife into listening to some of Zorn’s music (like Masada), I know when to not even bother (like Moonchild). I’m sure she’ll check out the video below and think I’m even more crazy than she already thinks I am for all of the cross-country concerting. But I think she’ll at least be thankful that I didn’t try to drag her to it, too… :)

I really had no idea or expectations for this show. I mean, I knew what to expect musically, but I didn’t know what to expect of the venue or the crowd. The venue, the Moore Theatre in downtown Seattle, was um… OK. I’ve been in better places, but I’ve been in worse. I was surprised at how big it was (capacity of 1419) compared to what I was thinking (a small venue, maybe not as small as The Stone, but not much bigger than 100 people). By the time the start time rolled around, the theatre was fairly full (the main floor was sold out, and I know the balcony was also open, too). Great turnout maybe due to the Earshot Jazz Festival or maybe due to the potentially “handful of shows only” nature of this band.

The band came on around 8:15pm… and blistered through around a solid hour of compositions. All three of them had sheet music on stands; so I’m fully aware that it’s somewhat composed music. Again, where the composition stops and the improvisation begins… your guess is as good as mine. Due to the lack of other players (like Saft, Mori, Zorn), and my lack of identifying the Moonchild trio’s “song” names… let’s just say that they stuck to a good mix of Moonchild and Astronome tracks.

Mike Patton was fairly wild for most of the set: jumping, squat-walking, tying himself up in the mic cord, swallowing the mic while screaming into it, spitting and belting out noises that made my throat sore just listening. He left the stage maybe 30-40 minutes in to let Joey Baron and Trevor Dunn have their way with our ears. I’d only previously seen Dunn in Mr. Bungle and Baron in Masada. In this entirely different setting with Moonchild, they really put out a veritable wall of sound. Even without Mike Patton’s screeching and guttural belts, Dunn and Baron were menacing in their own right.

The sound in the room was brutal. Loud, loud, loud. I thank my local music store for Hearos(tm). And, again, bless those poor ushers who didn’t know what they were getting into. I bet they were equally stunned with this “music” and the overwhelming positive crowd response. I wonder what they told their loved ones after going home from this ushering gig. hmmm…

The capper for the show proper was when Joey and Trevor left the stage. Mike Patton ripped into a 12-minute vocal solo which to me had many elements of “Litany IV”… probably the only Six Litanies piece in the set.

After a short break, they all came back for an encore… with the man himself, John Zorn. I had hoped that he was there, but after the main set was half over, I had written that off. He came out and directed them through a rippin’ tune… it could’a been 10 minutes, it could be 20 minutes, it could’a been 2 minutes. All I know was that it was intense, and Mike/Joey/Trevor definitely fed off of his energy on stage with them. My only desire on this one would have been for John Zorn to come out with his alto sax and do some of the call-and-repeat sax vs. voice that he did with Patton on Six Litanies… alas, I’ll have to wait another lifetime, perhaps.

All in all… great show – probably an hour twenty or just shy of an hour thirty of Zorn/Patton/Dunn/Baron. Worth the 8 hour roundtrip from Eugene, Oregon. Worth losing a little bit of sleep and homework time reading accounting valuation doctoral papers (blah blah blah). The Earshot Jazz Festival, or at least the only piece I could attend, was fantastic!! Being one of a potential handful of Moonchild appearances ever, I was happy to be in attendance and happy to document some of it in words above and in {cheap/low quality} video/pictures below.

Enjoy! :)

VIDEO SNIPPETS (6 totaltoggle amongst them in lower section of YouTube screen)

http://www.youtube.com/view_play_list?p=B84E0210411747E9

These are digital camera “movie file” snippets. Low quality? Sure. Posted mainly for “(blurry) fly on the (noisy) wall” add-on to this review. MOONCHILD is Mike Patton (voice), Trevor Dunn (bass), Joey Baron (drums), and John Zorn (director/composer). All music copyright John Zorn, 2006-2007.

PICTURES
(14 totalclick thumbnail for larger)

/ / /

/ / /

/ / /

/

~Dan – np: Hiromi’s SonicbloomTime Control

PS- to the guy who was handing out free CDs after the show… I got one… maybe you were trying to give them to Earshot Jazz “bigwigs,” but somehow I got one. I love it!!! Anyone interested in some great instrumental music, The Coma LiliesMemento Mori -EP- is GREAT!! The Coma Lilies‘ MySpace page is HERE. Listen to their stuff, it’s goooood.

PPS- other related MySpace & other Links (some fan sites, some official):

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