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REVIEW: Seun Kuti & the Egypt 80 @ WOW Hall (Eugene, OR – 3/18/12)

21st Mar 12 (Wed) 3 comments

FYI… PHOTOS of the SHOW at the BOTTOM

I have to be honest, part of me loves afrobeat due to it originating from my country of birth – Fela Kuti brought it to the forefront in Nigeria in the 1970s (I was born in Jos, Nigeria in the mid-70s as well).  Another part of me loves afrobeat due to how straight-up awesome that it is… blending and stirring folk, jazz, funk, rock, and world music into a brilliant, bubbling, oozing-through-your-pores musical and political form of expression.  It represents the struggle alongside the joy… and it’s got a funky beat I can dance to

Sadly, I missed Femi Kuti (elder son of Fela) when he came through a few years back.  But I love the music, and didn’t want to miss that opportunity again.  I got into the style via NYC-based Antibalas.  When I saw that Seun Anikulapo Kuti was coming to Eugene, I had to go…

had. to.

The opener was California based instrumental afrobeat band Afromassive.  The crowd was sparse at first, but near the middle of the set, the WOW Hall was beginning to fill out…

They played a 45 minute set of instrumental afrobeat songs and a James Brown cover… definitely fun and danceable.  They were an 8-piece band on this tour – lighter on the horns than what was to come, but definitely a horn-centered funky vibe.

They were a perfect warm-up for Sean Kuti and the Egypt 80 The Egypt 80 was Fela Kuti’s band that Seun started singing in as a young boy.  After his father died in 1997, Seun took over the band when he was only 14!  Many of the members in this 15-piece (!) touring band were active in the band when Fela was alive and kicking.

The set kicked off with singer / trumpeter Muyiwa Kunnuji (in purple below) getting things going on vocals for “Giant of Africa.”  During this song, each member of the horn section got a chance to come out and show off their chops with a solo…

Sean came out during the 2nd song with backup singers/dancers and his sax in tow.  He took over the bulk of the lead vocals duties, but most of the band pitched in for the shouts and choruses…

The band played a spirited set of anthems with large swaths of stunning musicianship.  The band, presumably the same from the album’s liner notes (as the album photo appears to be the same people), was made up of the aforementioned Seun on sax & vocals, Muyiwa on vocals and trumpet, Bidemi Adekunle on baritone sax, Gdabe Okunade and Lekan Animashaun on trumpets, Oyinade Adeniran on tenor sax, David Obayendo and Gbenga Alade on guitars, Kunle Justice on bass, Ajayi Raimi on drums, Kola Onasanya on percussion, Okon Iyamba on shekere, Wale Toriola on keyboards, and Iyabo Adeniran and Yetunde Ademiluyi on backing vocals and dancing.

Setlist: 90+ mins

  • Giant of Africa
  • African Soldier
  • Kalakuta Show [Fela Kuti]
  • Zombie [Fela Kuti]
  • African Problems
  • Rise
  • Mr. Big Thief
  • The Good Leaf
  • You Can Run
    No Encore (despite “Mosquito Song” listed)

Seun was drinking hot tea during part of the set… which couldn’t have helped with the heat on the packed stage.  His voice had been giving him troubles; so they ended their set without the listed “Mosquito” encore, despite the many cheers for an encore from the nearly-danced out crowd.  This was only the band’s fourth show on a 2-month long tour (full tour dates at the bottom).  I wish Seun rest and many large mugs of tea!

I picked up their most recent record, From Africa With Fury: Rise.  I dig it.  It’s available in CD or 12″ double-vinyl at the show… or over on the Amazons.  And next time a Kuti or other afrobeat band comes to town… get there.  You won’t be disappointed.

many more photos below

The Appropriate Linkage:

Check out more tour dates below.

Next show for me… well, as I write this, it’s in a few hours… Skerik’s Bandalabra @ Cozmic Pizza (3/20).  After that, it’s Dan Bern @ Cozmic (3/27) and Ani DiFranco @ Roseland (3/31).

~Dan – np: Seun Kuti and the Egypt 80From Africa With Fury: Rise

SEUN KUTI & THE EGYPT 80 PHOTOS
all pictures (cc) 2012 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

Seun Kuti & the Egypt 80 – Spring 2012 U.S. Tour Dates
3/15 – SXSW – Austin, TX
3/16 – Neumo’s – Seattle, WA
3/17 – Mt. Tabor Theater – Portland, OR
3/18 – W.O.W. Hall – Eugene, OR
3/21 – Center for the Arts – Grass Valley, CA
3/23 – Moe’s – Santa Cruz, CA
3/24 – Mateel Cultural Center – Redway, CA
3/28 – Belly Up – Aspen, CO
3/29 – Boulder Theater – Boulder, CO
3/30 – Granada Theater – Lawrence, KS
3/31 – Englert Theater – Iowa City, IA
4/1 – House of Blues – Chicago, IL
4/4 – Variety – Atlanta, GA
4/5 – Duke Performances – Durham, NC
4/6- Soundstage – Baltimore, MD
4/7 – Club Helsinki – Hudson, NY
4/8 – Highline Ballroom – New York, NY
4/12 – UW Madison – Madison, WI
4/13 – Rhythm Foundation – Miami, FL
4/14 – The Cedar – Minneapolis, MN
4/15 – Coachella – Indio, CA
4/16 – Campbell Hall – Santa Barbara, CA
4/18 – UC San Diego – San Diego, CA
4/19 – Zellerbach Hall – Berkeley, CA
4/20 – UCLA Royce Hall – Los Angeles, CA
4/22 – Coachella – Indio, CA
4/24 – KTAOS Solar Center – Taos, NM
4/25 – Albuquerque Museum Amphitheater – Albuquerque, NM
4/27 – New Orleans Jazz Festival – New Orleans, LA
4/29 – Houston International Festival – Houston, TX
5/2 – House of Blues – New Orleans, LA
5/13 – Lake Eden Arts Festival – Black Mountain, NC

Seun Kuti & the Egypt 80 in Eugene [photos soon]

19th Mar 12 (Mon) Leave a comment

Youngest son of afrobeat legend Fela Kuti, Seun Anikulapo Kuti & the Egypt 80 hit Eugene’s WOW Hall on Sunday night… it was an amazing show!

More photos, setlist and review of the show to be posted by Wednesday morning are posted here.

~Dan

REVIEW: Secret Chiefs 3 in Oregon @ WOW Hall & Dante’s (Eugene & Portland – 2/6 & 2/7/12)

9th Feb 12 (Thu) 1 comment

FYI… PHOTOS of the SHOW at the BOTTOM

I’ve been a fan of instrumental world/surf/film metal shape-shifters Secret Chiefs 3 for a long time and a fan of Los Angeles-based, Cambodian-pop-fusion band Dengue Fever for a handful of years as well.

SC3 and DF has their own connection.  Dengue Fever’s debut album in 2003 was on Web of Mimicry, the label that SC3 frontman Trey Spruance runs.  Their connection goes a little deeper still.  Dengue guitarist Zac Holtzman was in Dieselhed with Danny Hefietz (drummer for Mr. Bungleanother Trey Spruance band).  Danny is also back drumming with SC3 on this co-headlining West Coast tour.

For this tour, the bands have been switching off their order of performance.  I was able to catch both Oregon shows… for Eugene (Mon 2/6), DF played first and SC3 closed.  There was no opener, and Dengue Fever went on just before 8:30 at WOW Hall.  I have a couple of their earlier records, but never had the chance to see them live.  I dug it… pretty fun, and it looked like they were having fun on stage as well.

They played about an hour of Cambodian power pop.  Trey Spruance joined them on stage and played guitar and a wicked solo for their final number “1000 Years of a Tarantula”…

DF Eugene 2/6 Setlist: about an hour

  • Genjer Genjer
  • Seeing Hands
  • New Year’s Eve
  • Hold My Hips
  • Tiger Phone Card
  • Durian Dowry
  • A Go Go
  • Uku
  • Pow Pow
  • Sober Driver
  • Only A Friend
  • Cement Slippers
  • 1000 Tears of a Tarantula [with Trey]
    No Encore

Secret Chiefs 3 came out at about 10pm, donned in long, dark hoods except for violinist/ guitarist Timb Harris dressed in more masked martial arts attire…

This was my third time seeing them, and it was definitely the tightest band I’ve witnessed.  They ripped through a blistering set of proggy, world metal.  The off-kilter timings, the meticulous instrumentation… all spot on.  “Bereshith” is a tune that I think I saw them start the 2007 NYC show with, and I thought it was “off” in NYC.  It’s a really odd number, from a timing perspective.  This time… they nailed it.

Probably the most strikingly different moment “live vs. studio” was the gorgeous intro/outro to “Exodus.”  The intro/outro on the Book of Horizons studio version is a lovely melody played on strings (Eyvind Kang on viola & Timb Harris on violin).  For this live setting, Timb put down his violin and played it on trumpet.  I looooooove trumpet… and this melody on trumpet about made me swoon…

SC3 Eugene 2/6 Setlist: about 80 mins

  • Radar (The Day the Earth Stood Still) [Bernard Herrmann]
  • Zombievision
  • Personnae: Halloween [John Carpenter]
  • Balance of the 19
  • Fast
  • Bereshith
  • RFID Slaverider / Agenda 21 / Codex Alimentarius (Le Mani Destre Recise Degli Ultimi Uomini Medley)
  • Sophia’s Theme
  • Vajra (Rat Puriya)
  • Combat for the Angel
  • Tistriya
  • Book T: Exodus [Ernest Gold]
  • Saptarshi
  • Encore: Hurqalya

For Portland (Tues 2/7), I showed up at Dante’s right around 8pm, and the first band wasn’t going on until closer to 8:45.  It was U SCO, who I had never heard of before; so I walked to the near-ish Deschutes Pub and had one of the last pours of their Jubel Kriek (their Jubel Ale aged 25 months in a barrel on cherries and with Brettanomyces).  They blew their 2nd (and last) 1/6 BBL keg shortly after I ordered.  Mmmm… sour beer… after that, I skedaddled back just in time to catch U SCO’s bitchin’ set.

U SCO were helmed by guitarist Ryan A. Miller, who I had just seen a week prior in Eugene opening for a solo bass show from Trevor Dunn (a former Trey Spruance band member as well).  Small musical world in a quite vast musical sea.  Crazy.  Anyway, U SCO was a shredding, avant-garde jazz-metal band – to the best of my descriptions.  They’re a three piece made up of Ryan on guitars, Jon Scheid on bass, and Phil Cleary on drums.  They also had a guest saxophonist for some songs.  They’re from Portland; so I hope I’ll get a chance to see them again.  Definitely!

SC3 started setting up right afterwards and hit the stage about 9:45pm… of core of their setlist was the same, but they did throw in a few new ones: “The 15,” “The 4” and “Zulfikar.”

They ripped through a great set once again.  They’re such a tight band on this tour – quite stunning.  Even when Trey kicked his cord out for about 5-10 seconds during “Halloween,” they didn’t miss a beat.  And, once again, Timb’s trumpet intro/outro for “Exodus“… swoon…

SC3 Portland 2/7 Setlist: about 70 mins

  • Bereshith
  • Radar (The Day the Earth Stood Still) [Bernard Herrmann]
  • Zombievision
  • Personnae: Halloween [John Carpenter]
  • The 15
  • The 4 (Great Ishraqi Sun)
  • RFID Slaverider / Agenda 21 / Codex Alimentarius (Le Mani Destre Recise Degli Ultimi Uomini Medley)
  • Vajra (Rat Puriya)
  • Zulfikar
  • Tistriya
  • Book T: Exodus [Ernest Gold]
  • Saptarshi
    No Encore

The one gripe with the Portland show… the lighting was pretty poorly matched.  They didn’t turn the house lights down until nearing the end of SC3′s first song.  Also, the lights in general were behind the band, and they were still too bright if you ask me.  For some bands, that’s probably good… but with the Chiefs, the air of mystery and cloaks in darkness adds to the allure of the live show.  Don’t get me wrong, it was still an amazing show.  I’m just glad I got to catch it in Eugene, too.

I had a long drive home and work in the morning; so I sadly bailed on Dengue Fever’s closing set in Portland.  I’m sure it was groovy like the Eugene show.  Sorry, but my body thanks me for getting home at 1am instead of 2:30am!

The tour wraps this weekend… but stick around, SC3 are bound to kick something off later in 2012.  More 7″ vinyls?  More touring?  The long-awaited Book of Souls?  A Chinese Democracy cover album?

If you missed the tour, I’d HIGHLY RECOMMEND checking out their new schwag… including the new SC3 Traditionalists Le Chanson de Jacky / The Western Exile 7″ split (featuring Trey’s fellow Mr. Bungle band-mate Mike Patton on “Jacky”), the 12″ re-releases of First and Second Grand Constitution & Bylaws, and three bitchin’-design new t-shirts.

many more photos below

The Appropriate Linkage:

Check out more tour dates below.

Next show for me… most likely the David Bazan (Pedro the Lion) house show in Portland on 2/15, unless something pops up before then.

~Dan – np: John ZornFilm Works XIII: Invitation to a Suicide

SECRET CHIEFS 3 & DENGUE FEVER PHOTOS
all pictures (cc) 2012 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

SC3 & DF 2012 West Coast Tour Dates

  • Jan 24 – Denver CO – Bluebird Theatre
  • Jan 25 – Santa Fe NM – Santa Fe Brewing Company
  • Jan 26 – Phoenix AZ – Crescent Ballroom
  • Jan 27 – Los Angeles CA – El Rey Theatre
  • Jan 28 – Santa Ana CA – Constellation Room
  • Jan 29 – San Diego CA – The Casbah
  • Jan 31 – San Luis Obispo CA – Club SLO Brew
  • Feb 1 – Santa Cruz CA – Moe’s Alley
  • Feb 2 – San Francisco CA – Great American Music Hall
  • Feb 3 – San Francisco CA – Slim’s
  • Feb 4 – Sacramento CA – Harlow’s
  • Feb 6 – Eugene OR – WOW Hall
  • Feb 7 – Portland OR – Dante’s
  • Feb 8 – Seattle WA – Neumos
  • Feb 9 – Bellingham WA – The Wild Buffalo
  • Feb 10 – Vancouver BC – Rickshaw Theatre

Secret Chiefs 3 & Dengue Fever in Eugene & Portland

7th Feb 12 (Tue) 1 comment

Due to my schedule, I won’t be able to edit photos until Wednesday night, but I should have my Secret Chiefs 3 / Dengue Fever post covering both the 2/6 Eugene WOW Hall show and the 2/7 Portland Dante’s show posted on Thursday morning.  Here’s a teaser from Eugene…

2/6/12 Eugene Setlists:

2/7/12 Portland Setlist (SC3 only):

Bereshith
Radar
Zombievision
Personnae: Halloween [John Carpenter]
The 15
The 4 (Great Ishraqi Sun)
Medley (Le Mani Destre Recise Degli Ultimi Uomini)
Vajra (Rat Puriya)
Zulfikar
Tistriya
Book T: Exodus [Ernest Gold]
Saptarshi
no encore

Check back Thursday morning for more photos…

~Dan – np: MadLoveWhite With Foam

REVIEW: Thee Silver Mt Zion Memorial Orchestra @ Mississippi Studios (Portland, OR – 2/4/12)

6th Feb 12 (Mon) Leave a comment

FYI… PHOTOS of the SHOW at the BOTTOM

Montreal’s Thee Silver Mt. Zion Memorial Orchestra appear to have an identity crisis.  They’ve been known as A Silver Mt. Zion, The Silver Mt. Zion Memorial Orchestra & Tra-La-La Band, Thee Silver Mt. Zion Memorial Orchestra and Tra-La-La Band with Choir, and Thee Silver Mountain Reveries.  For short hand, I’ll simply refer to them as Silver Mt Zion.  I’ll admit, I am new to their music… I got into them via ambient post-rock giants Godspeed You! Black Emperor, who share three members with Silver Mt Zion (singer/guitarist Efrim Menuck, violinist Sophie Trudeau, and bassist Thierry Amar).

More on Silver Mt Zion later…

The opener was a one-man band called Total Life.  He played a 25-minute, ambient/drone guitar & loop set (his clear guitar to the right).  It had a slow burn, then quickly morphed into a wall of sound.

For most opening gigs, this would not do, but for a post-something crowd, Total Life’s 25 minute experiment showed the audience’s patience and respect.  All bundled up, he was barely moving making the sounds, but sweat started dripping down his forehead and nose until the final note.

While GY!BE tend to stay in the ethereal, ambient, sweeping post-rock movement, Silver Mt Zion are a little more difficult to pin down.  They have many components similar to GY!BE, but they definitely write more in a “song” vein, with vocals.  Yet, I wouldn’t call them a singer-songwriter troupe.  The first two “songs” alone clocked in at 35 minutes.  They sweep, they go places, come back.  The vocals sometimes have choruses, and sometimes it more resembles lofty prayers… to whom? I do not know.

Their label describes their influences as “free jazz, community sight-singing, Minimalism and American folkways – still anchored to a punk-rock take on neo-classical and modern music tropes.”  If that narrows it down for you, well, you’re more forgiving of “genre-fication” than I.  Whatever you want to call them, they made great music on Saturday night at Mississippi Studios in Portland.

Setlist: about 90 minutes

  • 13 Blues for Thirteen Moons
  • There Is A Light
  • What We Loved Was Not Enough
  • Black Waters Blowed / Engine Broke Blues
  • Take Away These Early Grave Blues
  • Blind, Blind, Blind
  • Horses In The Sky
  • Encore: God Bless Our Dead Marines

more photos below

The Appropriate Linkage:

They only have a select number of dates on this tour.  Definitely go see them if you have the chance!  Check out more tour dates below.

Next shows for me… back-to-back Secret Chiefs 3 & Dengue Fever co-headlining in both Eugene (2/6 WOW Hall) and Portland (2/7 Dante’s).

~Dan – np: John ZornFilm Works IX: Trembling Before G-d

THEE SILVER MT ZION MEMORIAL ORCHESTRA PHOTOS
all pictures (cc) 2012 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

Thee Silver Mt Zion — 2012 Jan/Feb Tour Dates

  • 31.01.12 Calgary, CAN The Republik
  • 02.02.12 Vancouver, CAN The Rickshaw Theatre
  • 03.02.12 Seattle, USA The Crocodile
  • 04.02.12 Portland, USA Mississippi Studios
  • 06.02.12 San Francisco, USA Great American Music Hall
  • 07.02.12 Santa Ana, CA, USA Constellation Room
  • 08.02.12 Los Angeles, USA Troubadour
  • 09.02.12 San Diego, USA Casbah
  • 10.02.12 Tucson, USA Club Congress
  • 12.02.12 Dallas, USA Sons of Hermann Hall
  • 13.02.12 Austin, USA The Mohawk
  • 14.02.12 New Orleans, USA One Eyed Jacks
  • 15.02.12 Birmingham, USA Bottletree
  • 16.02.12 Cincinnati, USA MOTR Pub
  • 17.02.12 Buffalo, USA Soundlab
  • 18.02.12 Ottawa, CAN First Baptist Church
  • 19.02.12 Montreal, CAN La Tulipe

REVIEW: Cirque du Soleil (Zumanity & O), Penn & Teller, and Criss Angel (Las Vegas, NV – 1/17-21/11)

24th Jan 12 (Tue) Leave a comment

I was in Las Vegas last week for a conference/convention… no, not the AVN/Adult Entertainment Expo – that was just “serendipity“… outside of seeing the random porn star walking around a hotel lobby (like Dana DeArmond, Belladonna, and some others that “a friend” told me about…), I didn’t take in that frivolity.

Some excellent Las Vegas shows were taken in, though… and here is my mega, 4-part review

First up was the Cirque du Soleil show BeLIEVE from Criss Angel on Tuesday night (1/17).   I’ll say it now, that I’ve been a fan of Criss Angel before most of you had even heard of him (long before the TV show, long before “the Loyal” were dreamed up).  I’m not trying to gain “street cred,” but merely setting up a background for my ultimate opinion on the show…

I got into Criss Angel via his first album, Angel Dust’s 1998 debut Musical Conjurings from the World of Illusion – which was a collaboration between Criss Angel (on vocals) and hard-industrial artist Circle of Dust (music).  The album was later re-branded as a Criss Angel release called System 1 (nixing the Angel Dust moniker).  Klayton (Scott Albert aka Circle of Dust aka Celldweller) was still involved in the System 2 & 3 in the trilogy (and even in Criss’ Mindfreak Broadway show and the A&E Mindfreak TV series), but it definitely became more of a Criss Angel project, and less of a Circle of Dust/Celldweller project.  That’s all fine and good.  It became what Criss was… a loud, audacious rocker magician.  There’s a place for everything in this world of entertainment.

I was curious when I heard a few years ago that he was pairing with Circue du Soleil.  I love Cirque shows; so I thought it’d be a given show to see.  Well, Cirque still has its name associated with the BeLIEve show, but apparently toned down the acrobatic/dance/surreal aspects of the show, as it was distracting from the magic side.  What was left was more resembling the A&E Mindfreak show set on a stage… it wasn’t very Cirque-y anymore, but that was probably a-OK with me.

My thoughts… the “clowns” were only “meh.”  The set design was gorgeous.  Some of my favorite tricks were the metamorphosis, dove tricks, and swallowing razor blades and a string only to pull them out on the string (HOW!?).   The Celldweller score was great, the pyro was flashy/bodacious.  It does come off as a bit cheesy/corny/”metal,” but that’s part of what Criss Angel’s always been; so that wasn’t a shock.  One thing I will say, though, on this night’s performance, it did seem like there were too many similar tricks (teleportation/metamorphosis).  Yeah, sure, it’s cool… but how many times do I need to see Criss or one of his characters show up somewhere unexpected?

Bottom Line for Criss Angel’s Believe: I enjoyed it.  Drop the price $20, and I’d like it more.  3.5 of 5 stars.

BeLIEve snippets*
*- much of this show has been somewhat “de-Cirque’d” as it were.
the above was not what was presented when I saw it.
Criss Angel/Cirque website

On Wednesday (1/18), I decided to follow Criss with some more magic.  This had to be Penn & TellerThe hour prior to show was featuring the Mike Jones Duo (Mike on piano, and Penn on upright bass).  I’m a fan of Penn Jillette via his skepticism slant, his Crackle show, his Penn Point show, his book (God No!), and their recent Discovery show P&T Tell a LieI’ve yet to see the Bullshit series on Showtime (but I will!), but what I had seen via short internet clips – I knew I’d like.

Prior to the show on Wednesday, they invited everyone in the audience to come check out the big wooden box on stage and sign an envelope.  The box was solid, no false bottom / trap door that I could see.  The opening of the box was facing the crowd, and when the show started, Penn came out, shut the door, and only moments later Teller showed up inside the box.  WTF!?

Some of my favorite tricks were cell fish, metal detector, slight of hand, ball and string, phony psychics (with the audience signed envelope), helium, the ring trick with Grace, sawing woman in half (better than Criss Angel), goldfish/coins, cow barn camera, nail gun (wow! Penn’s memory!), American flag burning, flower shadow, and the magic bullet.

OK, those were basically all of the tricks.  There were honestly no slow parts.  I found it all profoundly interesting and genuinely entertaining.  Some tricks, I had an idea how they were done.  Other tricks were simply feats of the mind.  And some tricks are still driving me mad…

Bottom Line for Penn & Teller: If you love magic, go see this show.  Utterly brilliant.  They tip their hand a bit, but still mess with you.  4.5 of 5 stars.  I would see this again, without flinching.

the official P&T trailer
ignore the cheesy music (by Rio), this show rocked
Penn & Teller website

Friday night (1/20), it was date night… the sensual Cirque du Soleil show Zumanity.  This is the “sensual side” of Cirque du Soleil.  No, it was the HOT side.  We had 2nd row seats… luckily we escaped the torment of the Cirque “clowns” (barely).

The show started out with a beautiful wind dance mixed with an African dance.  The first bit of acrobatics was with a pool performance (see to the right) by two gorgeous beauties.  Up next was quite amazing… a hula hoop woman who did amazing work on stage, then hula hooped in the air, then hula hooped in the air while doing contortions, and then hula hooped about 20-30 hoops at one time in the air.  Her school girl outfit didn’t hurt either.

There were many aerial artists – all amazing, all sexy… even a “little person” aerial ropes artist.  There was a pole dancer; an extreme balance guy; a sensual balancing couple; a 2-man cage fight over a girl that turned into a lurid, long homo-erotic kiss (saw it coming a mile away, but it was hot); the rose guy’s striptease that worked the crowd into a frenzy; an amazing contortionist; some great audience participation with the clowns in between set changes; an S&M metal hoop guy (blindfolded during parts of his act); and the show culminated in a sexy bath dance number.

Bottom Line for Zumanity: Ya hozna!  Hot, sexy, and amazing Cirque acrobatics.  4.75 of 5 stars.  I would see this again, without flinching.  This is what a Cirque show in Sin City should be!  Pay extra and get a good seat – yum!

the official Zumanity trailer
fairly representative of the show
Cirque du Soleil / Zumanity website

The final show of the Vegas week was the water-borne Cirque du Soleil show O on Saturday (1/21).   The $70 million dollar pool/theatre was quite amazing.  The show was full of some pretty stunning feats – aerial acrobats, outrageous acrobatic diving, floor work with the raising and lowering underwater set, the usual Cirque clowns, a swinging balance girl… but it was all held together by a very confusing/odd storyline (more confusing and odd than other Cirque shows I’ve seen).

The most amazing feats were definitely the diving numbers and the balancing swing woman.  The other acrobatics were made a little bit more interesting than other normal Cirque shows simply due to the water element.  We even had one visible mistake (an acrobat fell off the aerial boat), but they swam to safety and rejoined the crew later.

Bottom Line for O: Pricier than the rest – I left confused but magically entertained.  4 of 5 stars.

the official O trailer
fairly representative of the show
Cirque du Soleil / O website

Best show: Zumanity, with P&T close behind.  If you compared the budgets of both shows, P&T’s was more economical from both an artist creation and audience wallet perspective (high quality entertainment, with a lot of thought and not a lot of exorbitant, unnecessary cash outlay).

Most Frivolous Vegas-y show: O for sheer audacity of grandeur.  BeLIEve for sheer audacity of ego.

Next time I go to Vegas, I’d take in Zumanity and Penn & Teller again in a heartbeat.  I’d also plan to save time for Mystère and - the other non-band-oriented Cirque du Soleil shows in Las Vegas.  I might go see the Beatles’ Cirque show (LOVE), but I am not as keen on the Elvis one (Viva).

~Dan – np: Frank ZappaZoot Allures

REVIEW: Cirque du Soleil’s Michael Jackson: The Immortal @ Matt Arena (Eugene, OR – 11/15/11)

16th Nov 11 (Wed) 1 comment

I love shows by Cirque du Soleil.  I also dig some Michael Jackson’s music.  A perfect combination?

The short of it: No, not a perfect combination in my opinion.

The stage set-up, lights and costumes, dancers, live band mixed with Michael Jackson vocal tracks was TOP NOTCH.

The usual acrobatics from a Cirque du Soleil show were a bit toned down.  Well, more than a bit… A LOT.  The intro spray can skit was great, the few aerial artists were awesome, the pole dancer was awesome (but seemingly out-of-place), and the dancing overall was awesome.  One of the dancers was one-legged… wild stuff.

But… I don’t think people tend to go to Cirque shows for “dancing.”

They played a great mix of MJ’s music.  The live band was top notch, though sometimes a bit over the top with the crazy rocking (it just seemed out-of-place).

My bottom line opinion: I had fun, but I think if you’re a Michael Jackson fan and have some money to blow… go for it.  If you’re more of a Cirque fan, I’d recommend saving your money for one of their other terrific shows.  For me, it was more of a “price tag” thing.  With that being said, I understand the price tag based on the number of people & sets involved.  I just don’t think the pay-off was up to past Cirque experiences.

~Dan – np: Chali 2Na – Fish Outta Water

MINI-REVIEW: Gonzalo Bergara Quartet @ house concert (Eugene, OR – 10/23/11)

24th Oct 11 (Mon) 1 comment

I love the Rolling & Tumbling house concerts.  If you’re in Eugene and love good music in an intimate setting, head over to HERE and sign up for the mailing list.  They host concerts about once a quarter, and it’s usually some interesting world music.  The next one is January 15th… the Michael Winograd klezmer trio from NYC.

Last night’s show was the Gonzalo Bergara Quartet from Los Angeles via Argentina.

They were a hot band, playing primarily Django Reinhardt-influenced gypsy jazz guitar pieces, with a few variations (like bossa nova) added in.  The frontman, Gonzalo Bergara, was phenomenal on guitar… truly worthy of following in Django’s shadow.  His band was made up of Rob Hardt primarily on clarinet (and sax on occasion), Jeffrey Radaich on rhythm guitar (and vocals for “L.O.V.E.“), and Brian Netzley on upright bass.

They played an hour-long set, then we broke for snacks/intermission and they came back for a show-capping 45 minute set.  They were humorous, graceful, and virtuosos.  They played many unidentifiable tunes, but I do know they played these: Simplicated, Gonzalogy, August (new/unrecorded), L.O.V.E., Coquette, Nightmare #1, Octubre/Noviembre, La Muerte De Un Lobo Bueno, some more Django tunes, a bossa nova tune (possibly Elena’s Bossa).

(click albums below for sound samples)

They play all over the world.  They played in Eugene a couple years ago; so they’re likely not back for a bit.  Check out their tour dates to see if they’re coming to your neck of the woods.

The Appropriate Linkage:

  • Gonzalo Bergara Quartet‘s Site
  • Gonzalo Bergara Quartet’s Social Media Links (see below)

Next show for me… John Scofield at the Shedd (Eugene) on 10/26, and then Pomplamoose at Doug Fir Lounge (Portland) on 10/27.

~Dan – np: Toad the Wet SprocketAll You Want

REVIEW: Melt Banana @ WOW Hall (Eugene, OR – 10/1/11)

3rd Oct 11 (Mon) Leave a comment

Melt Banana started off their two month U.S. tour with an initial stop at the WOW Hall in Eugene, Oregon, on Saturday.  Their last time through Oregon, the Tokyo-based screamo/noise metal band didn’t stop here, and the freezing rain & severe winter fog kept many Ducks who wanted to trek up to Portland away.  Not so this time… and I made it there just in time to catch their blistering set.

Agata shredded up the guitars, making dental exams seem pleasant.  Yako was a sandstorm of power and unexpectedness on vocal duties… and charming in between songs.  The drum & bass battery (presumably Takiya & Rika) propelled the blasts of music forward.

It’s one thing to hear this band on record, it’s quite another to see them live.  They’re going all over the U.S.A. from now until late November!  Catch them (dates below).  They’re also working on a new album, out in 2012.

more photos below

The Appropriate Linkage:

Check out more tour dates below.

Next shows for me… Chromeo & Opeth at the Roseland (Portland) in a couple of weeks!

~Dan – np: John ZornAt the Gates of Paradise

MELT-BANANA PHOTOS
all pictures (cc) 2011 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

MxBx 2011 U.S.A. Tour Dates

  • 10/1/2011 WOW Hall Eugene, OR
  • 10/2/2011 Star Theater Portland, OR
  • 10/3/2011 Chop Suey Seattle, WA
  • 10/4/2011 The Badlander Missoula, MT
  • 10/6/2011 Kilby Court Salt Lake City, UT
  • 10/8/2011 Larimer Lounge Denver, CO
  • 10/9/2011 The Record Bar Kansas City, MO
  • 10/10/2011 The Waiting Room Omaha, NE
  • 10/11/2011 The Mill Iowa City, IA
  • 10/12/2011 Nutty’s Sioux Falls, SD
  • 10/13/2011 Triple Rock Social Club Minneapolis, MN
  • 10/14/2011 High Noon Saloon Madison, WI
  • 10/15/2011 Cactus Club Milwaukee, WI
  • 10/16/2011 Subterranean Chicago, IL
  • 10/17/2011 Cicero’s St. Louis, MO
  • 10/18/2011 The Bishop Bloomington, IN
  • 10/19/2011 The Historic Southgate House Newport, KY
  • 10/20/2011 Mac’s Bar Lansing, MI
  • 10/22/2011 Grog Shop Cleveland Heights, OH
  • 10/23/2011 The Haunt Ithaca, NY
  • 10/25/2011 Wrongbar Toronto, ON
  • 10/26/2011 Il Motore Montreal, QC
  • 10/27/2011 T.T. The Bear’s Cambridge, MA
  • 10/28/2011 The Space Hamden, CT
  • 10/29/2011 Santos Party House New York, NY
  • 10/31/2011 First Unitarian Church Philadelphia, PA
  • 11/1/2011 The Red Palace Washington, DC
  • 11/2/2011 Ottobar Baltimore, MD
  • 11/4/2011 Local 506 Chapel Hill, NC
  • 11/5/2011 The EARL Atlanta, GA
  • 11/06/2011 The Engine Room Tallahassee, FL
  • 11/08/2011 Backbooth Orlando, FL
  • 11/09/2011 Crowbar Tampa, FL
  • 11/10/2011 Double Down Gainesville, FL
  • 11/11/2011 Jack Rabbits Jacksonville, FL
  • 11/12/2011 Caledonia Lounge Athens, GA
  • 11/13/2011 The End Nashville, TN
  • 11/15/2011 BottleTree Birmingham, AL
  • 11/16/2011 Alabama Music Box Mobile, AL
  • 11/17/2011 Fitzgerald’s Houston, TX
  • 11/18/2011 The Prophet Bar Dallas, TX
  • 11/19/2011 The Mohawk Austin, TX
  • 11/20/2011 Jack’s Patio Bar & Grill San Antonio, TX
  • 11/22/2011 Club Congress Tucson, AZ
  • 11/23/2011 Hollywood Alley Mesa, AZ
  • 11/25/2011 The Bunkhouse Las Vegas, NV
  • 11/26/2011 Soda Bar San Diego, CA
  • 11/27/2011 Echoplex Los Angeles, CA
  • 11/28/2011 Harlow’s Night Club Sacramento, CA
  • 11/29/2011 Bottom Of The Hill San Francisco , CA

John Zorn’s Masada Marathon 2011 (via Aural Addict)

31st Mar 11 (Thu) Leave a comment

Great review from Jeff from AuralAddict of the recent John Zorn Masada Marathon in New York City… CLICK BELOW…

John Zorn's Masada Marathon 2011 March 30, 2011 8:00PM City Opera at Lincoln Center, NYC When I saw this event listed I figured there was no way I was going to be able to go.  I happened across a ticket giveaway contest from Relix magazine and entered, then kinda forgot about it.  Tuesday morning I received an email saying I had won tickets…and there was much rejoicing.  The … Read More

via Aural Addict

REVIEW: Erik Friedlander plays John Zorn’s Masada Book Two @ the Shedd (Eugene, OR – 1/8/11)

9th Jan 11 (Sun) 4 comments

FYI… PHOTOS of the SHOW at the BOTTOM

NYC-based cellist Erik Friedlander is a favorite musician of mine.  I have only a handful of his solo works, but he shows up in the subtlest of places… I mean, if I do a quick search for “Friedlander” in my iTunes, I show 32 and a half hours of music (Tzadik Records & DMG are a key component of my monthly music budget).  He has worked with Courtney Love, Dar Williams, the Mountain Goats and many more… but I primarily know his work in the NYC jazz & avant-garde scene: Dave Douglas, Ikue Mori/Death Praxis, Jamie Saft, Yuka Honda, Wadada Leo Smith, Tim Sparks, Ned Rothenberg, and of course… John Zorn.

With John Zorn, Erik has been involved in several Masada incarnations, notably the Masada String Trio (with Greg Cohen & Mark Feldman) and the Bar Kokhba Sextet.  When John Zorn was done writing music for the original acoustic Masada Quartet, he sat down and penned over 300 songs that became the Masada Book Two: Book of Angels.  I’ve talked a lot about Masada Book Two on this blog… it is the most consistently amazing set of music out on Tzadik (John Zorn’s 503(c)3 record label).  MBT is essentially John Zorn’s Masada tunes, covered by those around him.  Some of my favorites are Secret Chiefs 3′s Xaphan, Bar Kokhba Sextet’s Lucifer, and Medeski Martin & Wood’s Zaebos… but quite honestly, all sixteen releases (to date) have been stunning and essential.

Erik was one of the early invites to the Masasa Book Two Club… releasing Volac (volume 8 in 2005).  The John G. Shedd Institute for the Arts in Eugene commissioned Erik Friedlander to come in a perform these Volac songs last night.  I had seen Erik in Portland in 2009 with his photography & music piece – Block Ice & Propane (his music set to his father Lee Friedlander’s photography); so I knew Erik would deliver a wonderful performance.  Set-up in the Shedd Recital Hall, just off the courtyard, Erik went on around 7:40 and entranced us with his playing…

He was playing his carbon-fiber “alien cello.”  I imagine that was his easiest axe to bring for a two-night Seattle & Eugene weekend before heading back home.  Its sound was quite similar to a wooden cello – at least to my untrained ears.  Per Erik, it’s not as ornery or sensitive as a wooden cello.

The Masada songs have a definitive Jewish klezmer feel in points of the melodies.  Erik’s arrangements and playing definitely bring in a chamber music and jazz improviser aspect to the Volac songs.  He played roughly half of the songs bowed, and the rest either plucked or strummed.  Switching between the styles for each song for the most part – as is one of John Zorn’s “rules” which Erik joked about.  Hush, don’t tell John, but Erik acknowledged that he broke a few “rules” during the night.

Setlist: about 70 minutes

  • Harhazial
  • Yeruel
  • Ylrng
  • Haseha
  • Sannul
  • Rachsiel
  • Kadal
  • Anahel (the 1st written by Zorn for MBT)
  • Zumiel
  • Ahaniel
  • Zawar
  • Encore: Sidriel

Essentially the entire Volac album, just in a different order. Erik doesn’t make it out to the Pacific Northwest as much as I’d like, but when he does make it out, I’m going.  If you love cello or other chamber music – you should go, too!  Nary a disappointment. Oh, also check out his free podcast First Light which features a weekly early morning improvisation.

more photos below

The Appropriate Linkage:

Next show for me… Reptet (jazz combo from Seattle) at Luckey’s in Eugene, Friday, January 14th!

~Dan – np: Nine Inch NailsGhosts I-IV

ERIK FRIEDLANDER PHOTOS
all pictures (cc) 2011 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

REVIEW: Le Serpent Rouge @ WOW Hall (Eugene, OR – 11/30/10)

1st Dec 10 (Wed) 4 comments

 FYI… PHOTOS of the SHOW at the BOTTOM
12/3 update: emobie photographs added

Last night, the Indigo Bellydance group and friends brought Eugene the stupendously entertaining Le Serpent Rouge: An Evening of Beguiling Dance and Strangely Familiar Music.

Le Serpent Rouge is a traveling road show that captivates.  At its core it is the Indigo: made up of Mardi Love, Rachel Brice, and Zoë Jakes (L-to-R in picture to the right).

While they have danced in various groups — including the Bellydance Superstars, Beats Antique and the Yard Dogs Road Show — The Indigo is the group that they call home. They each bring their own influences to make their own modern dance forms unique. Love’s fluidity, Brice’s sinewy strength, and Jakes’ intensity and charm make their sum greater than each one individually. They are known to be theatrical and playful, often playing characters within their performances.

While rooted in Middle Eastern styles, their dance style for this tour might be found in an old West saloon mixed with a Prohibition-era speakeasy. The burlesque and tribal fusion bellydance fits snugly with steampunk-meets-flapper blues/jazz/jug band from the Crow Quill Night Owls and Gallus Brothers. Tub bass, washboard, kazoo, banjo, guitars, percussive bones, feathers, tattoos and legs.

Local group Blair Street Mugwumps were the openers the show… fantastic performers.  I had never heard them, but I had heard of them, and well, now I’ll make a point to hear more of them.  All fantastic musicians, and while not all that dissimilar from the main group, they were a noticeable difference from “just another opening band.”  A jug band with a modern edge.  Quite entertaining.

Le Serpent Rouge started with Rachel Brice coming out dressed as an old lady… and introducing the show for us.  The show was a nice mix of saloon tunes from Crow Quill Night Owls and the Gallus Brothers with dancing (group, duo and solo) and skits mixed in.  The dramatic side of the Indigo shone through in their silly stage presence.

As far as the backing bands… the Gallus Brothers were actually part of the Crow Quill Night Owls band, but then splintered off to do silly tricks, juggling, and of course… glitter throwing.  Here’s a shot of one of their silly tricks during a song…

Of course, the ladies of the Indigo were lovely… here are a few photos, with more at the bottom.  I’ll also post some from Margaret O’Brien (emobie photography) once she gets them edited… update: added 12/3.

many more photos below

The Appropriate Linkage:

Tonight is their last night of the tour (Dec 1st at Portland’s Mississippi Studios).  For a list of where they’ve played, check below.

~Dan – np: PusciferC is for…

LE SERPENT ROUGE PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld
and Margaret O’Brien (emobie photography)
you may use freely under a creative commons attribution

(click for larger)

Le Serpent Rouge Fall 2010 Tour Dates

  • 11/5 – Seattle, WA – Market Theater
  • 11/6 – Bellingham, WA – Wild Buffalo
  • 11/9 – Ashland, OR – CultureWorks
  • 11/11 – Sabastopol, CA – Hopmonk Tavern
  • 11/12 – San Francisco, CA – Great American Music Hall
  • 11/14 – Reno, NV – The Great Escape
  • 11/16 – San Diego, CA – Casbah
  • 11/18 – Tucson, AZ – Solar Culture
  • 11/20 – Albuquerque, NM – Low Spirits
  • 11/23 – Los Angeles, CA – King King
  • 11/28 – Santa Cruz, CA – Moe’s Alley
  • 11/30 – Eugene, OR – WOW Hall
  • 12/1 – Portland, OR – Mississippi Studios

 

REVIEW: Yard Dogs Road Show @ WOW Hall (Eugene, OR – 11/5/10)

6th Nov 10 (Sat) Leave a comment

FYI… PHOTOS of the SHOW at the BOTTOM

Great show last night by local bellydance favorites / friends Audralina & Luminessah followed-up by a melting pot of sights and sounds from the headliner – Oakland’s Yard Dogs Road Show[I have to apologize, as due to a "user error" I lost about half of my photos when transferring to my computer.  Luckily Margarita was also snapping away.]

Opener Dela Project suffered the most from the lack of photos due to my error… sorry!  They were a great gypsy-folk duo… nice sound and a wide array of instruments including saw, wood block, cello, as well as a traditional bag of tricks.  Up next was a beautiful set of bellydance numbers by Lila, Regina & Ali of Luminessah with Audralina doing a couple of songs as a set break.

The bellydance set was more intimate than the last time I saw a MEDGE show at WOW Hall.  Both Luminesseh and Audralina danced on the floor (not the stage), surrounded by candles and tunes coming from DJ Layla.  Layla mixed it up for Luminessah’s last song (total improv!!).

The capper for the night was the Yard Dogs energetic set.  I had never experienced the Yard Dogs, but they were equal parts street band, roaring ’20s flapper show, burlesque, hipster steam-punk, and rock circus – including a sword (and chair leg) swallower.  It was a completely fun experience, and a nice set-up on the WOW Hall stage.  The YDRS banners seemed to box the group in pretty tight on stage, but they pulled it off amazingly.

many more photos below

The Appropriate Linkage:

~Dan – np: Elliott SmithAn Introduction to…

LUMINESSAH, AUDRALINA &
YARD DOGS ROAD SHOW PHOTOS
all pictures (cc) 2010 Margaret OBrien (emobie photography)
& Daniel Temmesfeld, you may use freely
under a creative commons attribution

(click for larger)

Higher Resolution (15 pics)

Limited to 1200 pixels wide or tall (42 pics)

REVIEW: AMA Trio @ House Show (Eugene, OR – 9/25/10)

26th Sep 10 (Sun) Leave a comment

FYI… PHOTOS of the SHOW at the BOTTOM

My second time to a lovely Rolling & Tumbling House Concert near UO campus in Eugene, OR.  R&T is a great!  They seem to bring in a lot of songwriters and world musicians.  SO, this was only my second of many R&T house shows…

When I saw Amy Denio on the list with a new project, the AMA Trio, I didn’t want to miss it.  I have been a fan of another of Amy’s bands – The Tiptons Sax Quartet.  The AMA Trio is a bit different from the woodwind-forward jazz of the Tiptons, more world fusion / Latin American music.  The AMA Trio is Amy Denio alongside Madeleine Sosin & Abel Rocha (who have a few CDs out under the name Correo Aereo).

They played traditional songs from Venezuela, Mexico and Argentina, as well as many of their own original tunes.  All three were proficient multi-instrumentalists.  Madeleine also played the violin, guitar, drum, shakers as well as singing on a few songs.  Amy played accordion, clarinet, and drum.  She sang on a few tunes as well.  Abel was the primary vocalist (when they weren’t jamming), as well as played a mean set of guitars and harp.  The ease of all three members switching from one instrument made it seem quite effortless.

Some of the most fascinating playing was what might be considered normally subdued instruments… Madeleine’s shaker playing made the little instruments seem way more distinctly rhythmic.  She should teach lessons… because I don’t know how many times I’ve seen people “just shaking” them with no real purpose.  Abel’s harp playing was also captivating… playing both the lead melodies and the rhythm parts.  Amy stuck to accordion for more than half the set, when she broke out the clarinet, she had some nice flavors and solos to add to the songs.  I dug the more jazzy textures she added when she was on reeds.

Setlist: a little over 2 hours

  • Set 1~ unknown
  • Carnaval (Venezuela)
  • Ararat (Armenian)
  • Jarabe Loco (Mexico)
  • Martiñana (Mexico)
  • “I Love You” (Amy’s tango for a cat)
  • Playa Grande (Venezuela)
  • Cuatrapeado
  • Raisa (Algerian-based original)
  • Ti Feu (Mexico – Spanish & Zapotec)
  • Entre a Mi Pago (Argentina)
  • Golpe de Agua
  • Set 2~ Tres Diamantes (Venezuela)
  • Finadita
  • Breakfast in Bed (Amy original)
  • Los Hermanos (Argentina)
  • unknown klezmer-Argentinian tune (Tiptons-y in spots to my ear, but actually arranged by Madeleine)
  • Guendanabani (Zapotec)
  • Darling, Please Don’t Wake Me (Amy original)
  • Golpes Tocuyanos
  • Hanana (Amy original)
    corrections to the setlist are welcomed

They’re going into the studio this coming week to make their first record as a trio.  Stay tuned to their MySpace page below for news as it becomes available.

more photos below

The Appropriate Linkage:

~Dan – np: Beats AntiqueBlind Threshold

AMA TRIO PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

REVIEW: Boys Eats Drum Machine & Beats Antique @ McDonald / Eugene Celebration (Eugene, OR – 8/28/10)

29th Aug 10 (Sun) 1 comment

FYI… PHOTOS of the SHOW at the BOTTOM

Eugene Celebration 2010Raise the Roof” was in full effect on Saturday.  This year’s Celebration was in a partnership with with Springfield/Eugene Habitat for Humanity and Northwest Community Credit Union to fund the construction of two houses in the Eugene-Springfield community over the next three years.

We caught some good grub, interesting people watching, scoped out the pretty damn awesome electric vehicle (the Pulse made by Arcimoto)… and some music.  The first band I saw was Upstate Trio.  They’re from New York, but now live in the Eugene area.  Great groove rock trio.  I hope to catch them again soon.

Boy Eats Drum Machine was the next major act to take in.  I saw him open for That1Guy in May (review link with photos below), and he put on a great show.  Last night’s performance wasn’t any exception.  Sax, turntable, drums, effects pad, loops, and all around great grooves from this one-man wrecking crew.  Check out the stop-animation video for “Hoop+Wire“:

You can also download the BEDM song “Hoop+Wire” on mp3 and FLAC (or other options) for FREE over at Bandcamp.  Next up…

As mentioned a little over a week ago, Beats Antique is coming out with a new album in about two weeks.  It’s called Blind Threshold.  If it’s anything like their past two albums and an EP, it’ll be great.

They hit the stage around 11pm and played a fairly percussive set.  Zoë Jakes wasn’t able to dance last night.  She hurt her knee a while ago and is on doctor’s orders to take it easy for a while.  So, we didn’t get the gorgeous dance performance that we’re used to (photos of Zoë dancing at prior events linked below).  Despite the lack of dancing by Zoë, their infectious music got the rest of the crowd to pick up some of the slack.  It was a great show, and hopefully they’ll be back soon, with Zoë in full health.

The overwhelming bass attacked our ears for both BEDM’s and Beats Antique’s sets.  It got especially painful up in the balcony; so we stayed downstairs for most of the night.  All in all, a great hour-long set from each band.  Round 2 of Celebration for me today… I hope to catch 3 Leg Torso‘s set.

many more photos below

The Appropriate Linkage:

Check out more Beats Antique tour dates below.

~Dan – np: Bar Kokhba SextetJohn Zorn 50th Birthday Celebration 11

BOY EATS DRUM MACHINE & BEATS ANTIQUE PHOTOS
pictures (cc) 2010 Daniel Temmesfeld, except for Beats Antique #21-29 (cc) 2010 Margaret O’Brien, you may use freely under a creative commons attribution

(click for larger)

Beats Antique Tour Dates

  • 8/20 – Sheldon, VT – Liberate Music And Arts Festival
  • 8/21 – Stephentown, NY – Bella Terra Music Festival
  • 8/28 – Eugene, OR – McDonald Theatre
  • 9/10 – Clarks Grove, MN – Harvestfest – Harmony Park
  • 9/11 – Minot, ME – 1st Annual Dankfest
  • 9/17 – Laytonville, CA – Earthdance
  • 9/18 – Denver, CO – Ogden Theatre
  • 9/24 – Seattle, WA – Decibel Festival @ Motor
  • 9/25 – Arcata, CA – Aracata Theatre
  • 9/28 – Fargo, ND – The Aquarium
  • 9/30 – Madison, WI – Majestic Live
  • 10/1 – Milwaukee, WI – Miramar Theatre
  • 10/2 – Chicago, IL – Abbey Pub
  • 10/3 – Grand Rapids, MI – The Intersection
  • 10/6 – New Orleans, LA – Republic
  • 10/9 – Austin, TX – Austin City Limits
  • 10/11 – Mobile, AL – Alabama Music Box
  • 10/12 – Birmingham, AL – Zydeco
  • 10/13 – Nashville, TN – Exit/In
  • 10/14 – Asheville, NC – TBD
  • 10/15 – Charleston, SC – The Pour House
  • 10/16 – Athens, GA – New Earth Music Hall
  • 10/17 – Atlanta, GA – Masquerade – Hell Room
  • 10/22 – Allston, MA – Harpers Ferry
  • 11/11 – Vancouver, BC – Biltmore Cabaret
  • 11/12 – Edmonton, AB – The Pawn Shop
  • 11/13 – Calgary, AB – Royal Canadian Legion
  • 11/14 – Winnipeg, MB – Crescent Wood United Church

REVIEW: Antibalas @ Berbati’s Pan (Portland, OR – 7/19/10)

20th Jul 10 (Tue) 3 comments

FYI… PHOTOS of the SHOW at the BOTTOM

Originating from Brooklyn, ANTIBALAS (aka Antibalas Afrobeat Orchestra) is: AMAYO (Vocals & Percussion), VICTOR AXELROD (Organ/Clavinet), ERIC BIONDO (Trumpet), STUART BOGIE (Tenor Sax), MARCUS FARRAR (Shekere), MARCOS GARCIA (Guitar), AARON JOHNSON (Trombone), JORDAN MCLEAN (Trumpet), NICK MOVSHON (Bass), LUKE O’MALLEY (Guitar), MARTIN PERNA (Baritone Sax, founder) and CHRIS VATALARO (Drums).

They are sooooo fun in concert, words don’t do them justice.  I saw them back in 2007 in the Cincinnati area, and haven’t had a chance since now to see them again.  I’ve been Jonesin’ for an Antibalas fix.

They’ve been busy the last couple years with the multiple-Tony Award winning FELA! Broadway musical (a tribute to afrobeat pioneer Fela Kuti).  This July, Antibalas is doing a mini-tour in pre-support for their upcoming album on Anti-Records (untitled as of now).  The Sway Machinery opened the Portland show…

They were a nice horn-infused Jewish five piece rock band.  Their MySpace billed them as “Other / Blues / Afrobeat.”  Outside of the horns, I didn’t really hear the afrobeat.  Definitely Judaic and bluesy -  I dug their sound.  The mix last night was a bit bass heavy, and the vocals got drowned out, but I liked their vibe overall.  Their line-up is fairly power-packed… guitarist Jeremiah Lockwood of Balkan Beat Box, drummer Brian Chase of the Yeah Yeah Yeahs, bass saxophonist Colin Stetson of Arcade Fire and Tom Waits‘ band, and the trumpet and tenor sax horn section of the band Antibalas, Jordan McLean and Stuart Bogie.  They’ve got an album, Hidden Melodies Revealed, out on JDub Records (same record label as Balkan Beat Box, SoCalled, etc).

Antibalas went on a little after 10:15 and hit the ground running with their percussive, groove-laden, horn-drenched bombast.  Lead vocalist Amayo came out at the second song and started off on percussion before moving over to lead vocals…

The sound in the club got a little more balanced for Antibalas, whose 12 band members were tightly jamming away.  Great mix of horn-heavy tunes, percussion heavy tunes.  The packed house danced away to the fun beats.  I’m horrible with their song names, and they didn’t play as many lyrical songs; so no luck on a setlist this time around.  If anyone has a setlist, pass it along, please.

Antibalas jammed away for a fairly dancey, long set without showing signs of letting up.  A fantastic night!  I’m hoping they hit the PacNW again when they come back through to support their upcoming untitled record.  Portland, Eugene, anywhere really. :)

more photos below

The Appropriate Linkage:

Check out more tour dates below.

~Dan – np: Jon Madof’s RashanimMasada Rock 

ANTIBALAS & THE SWAY MACHINERY PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

Antibalas July 2010 Tour Dates

  • 07.14.10 – San Diego, CA – Casbah
  • 07.15.10 – Los Angeles, CA – The Echoplex
  • 07.16.10 – San Francisco, CA – Great American Music Hall
  • 07.17.10 – Garberville, CA – Reggae on the River
  • 07.19.10 – Portland, OR – Berbati’s Pan
  • 07.20.10 – Seattle, WA – Neumos
  • 07.22.10 – New York, NY - River to River Festival, Castle Clinton
  • 07.29.10 – Philadelphia, PA – Kimmel Center, Perelman Theater

mini-REVIEW: Tiempo Libre @ OBF/Hilton Ballroom (Eugene, OR – 7/10/10)

11th Jul 10 (Sun) Leave a comment

How does the penultimate night of the Oregon Bach Festival keep things going?  By having a Cuban dance party… naturally. ;)

Wait… Cuban music at the Bach Fest?!  Well, Tiempo Libre melds the two seemingly disparate styles together in quite a popular way.  In fact, their latest CD, Bach in Havana, was nominated for a Grammy this past year (category: Best Traditional Tropical Latin Album).

The show moved out of the Hult Center’s confining chairs over to the Eugene Hilton’s Ballroom.  The dance floor filled up almost immediately.  Throughout Tiempo Libre’s two sets, the dancers spilled out off of the dance floor onto the surrounding carpet.  Super fun night, super hot music!

Tiempo Libre is Jorge Gomez (piano, coros, music director), Joaquin Díaz (lead vocal), Leandro G. (congas, bata & coros), Tebelio Fonte (bass, coros), Luis Beltran C. (sax & flute), Cristóbal F.G. (trumpet, trombone), and Armando Arce (drums, timbal & bata).

If you’re reading this early on Sunday… today is the last day of the Oregon Bach Festival.  Catch the festival-capping Elijah this afternoon at the Hult (3pm)!  Or check back soon for the 2011 schedule… http://oregonbachfestival.com/

The Appropriate Linkage:

~Dan – np: MúmSing Along to Songs You Don’t Know

REVIEW: Bobby McFerrin & Stangeland Youth Choral @ OBF/Hult Center (Eugene, OR – 7/5/10)

6th Jul 10 (Tue) 1 comment

This special Oregon Bach Festival performance brought together two diverse but compatible vocal acts – the more straight-forward orchestral-meets-gospel Stangeland Family Youth Choral Academy [SFYCA] and the vocal gymnastic Bobby McFerrin.  Outside of the rendition of 23rd Psalm being penned by Bobby McFerrin, which prompted his walk on to the stage to show gratitude to the choral and conductor Anton Armstrong, the entire first set belonged to the youth.  The first piece, Kyrie, showcased their angelic voices and was the start to what would become a very religious-centric repertoire…

SFYCA’s 1st Set: ~90 mins (SFYCA only)

  • Kyrie from Mass in B Minor [Bach]
    *set change*
  • The 23rd Psalm [McFerrin]
  • Estampie Natalis [Nelhybel]
  • Jesus Christ the Apple Tree [Scriven]
  • Zigeunerleben, Op. 29, No. 3 [Schumann]
  • The Seal Lullaby [Whitacre]
  • Beautiful City [A.Thomas]

The group was very talented, but I felt they could have mixed it up in both song selection and interaction with Bobby McFerrin.  Perhaps it’s my own slant, but the church music is good in moderation.  Again, outside of Kyrie (which was from a Mass, but in another language and not so god-y), I could have done without most of the rest of the choral-only selections.  Additionally, trading off more with Bobby in both sets would have been better in my opinion.

Bobby came on right away during the second set, which was welcome…

He started off with his standard first song improvisation – which set the stage for his vocal gymnastics throughout the show.  He twisted his vocals chords into warbles, gurgles & bubbles.  He moved all over the range of several octaves with ease.  His style, for those unfamiliar, is much more than the “Don’t Worry Be Happy” guy, but one of vocal experimentation – not quite singing, not quite beat-boxing, not quite human.  He’s a one-man band with only one organic instrument.

Beyond his initial improv song, he sang and vocalized alongside the SFYCA, who for the second set was conducted by Bobby’s VOCAbuLarieS co-writer Roger Treece.  Bobby interacted a lot with both the choral group and the audience – directing us in ”call & repeat” verses and improvising on some random people’s names…

SFYCA with Bobby McFerrin Setlist: ~85 mins

  • Bobby McFerrin solo improvisation
  • Circlesongs (with SFYCA)
  • VOCAbuLarieS[McFerrin & R.Treece]:
    • The Garden (with SFYCA)
    • Blackbird [Beatles]
    • I Can See Clearly Now [Johnny Nash] (with SFYCA)
    • Messages (with SFYCA)
    • He Ran the Train / Name Improvisation (with SFYCA)
    • Wailers (with SFYCA)
  • True Light [K.Hampton] (SFYCA only, Anton back conducting)

My favorite pieces of the evening were the initial improvisation and the Beatles cover.  This show gave me a great taste for Bobby’s music, and I’d definitely recommend seeing him if he comes through your town.

The Appropriate Linkage:

More OBF shows are running through July 10th.  Find out more at http://oregonbachfestival.com/events/

Next shows for me?  The Melvins on Wednesday (not part of OBF… haha), and OBF’s Tiempo Libre on Saturday.

~Dan – np: +Live+Birds of Pray

 

 

REVIEW: Pink Martini @ OBF/Hult Center (Eugene, OR – 6/26/10)

27th Jun 10 (Sun) 3 comments

FYI… PHOTOS of the SHOW at the BOTTOM

The only appropriate way to explain the multi-culturally influenced, genre hopping band Pink Martini is that they are an Oregonian treasure.  You expect some schizophrenia when you mix classical, big band, jazz, and pop with vocals in not only English, but also French, two dialects of Italian, Japanese and Turkish.  However, that schizophrenic expectation melts away when you see how seamlessly they stir the musical melting pot.

Since 1994, Pink Martini has wowed not only their local Portland Oregonians, but also the world – Europe, Asia, Greece, Turkey, the Middle East, Northern Africa, Australia and New Zealand, and North America.  And while Pink Martini aren’t strangers to Eugene (we’re only 100+ miles south of their hometown), this was their first appearance at the Oregon Bach Festival (OBF).

The “mini orchestra” last night was led by pianist/founder Thomas Lauderdale and vocalist China Forbes and includes Timothy Nishimoto (vocals and percussion), Robert Taylor (trombone), Gavin Bondy (trumpet), Phil Baker (bass), Dan Faehnle (guitar), Nicholas Crosa (violin), Maureen Love (harp), Brian Davis (congas, drums and percussion), Derek Rieth (percussion), Martín Zarzar (drums) and more (names announced that weren’t in the program but I didn’t catch).

Saturday’s concert was only the second day of 2010′s OBF, and Pink Martini played the first bit of Bach for the Fest – Double Concerto for Two Violins in D Minor.  Pink Martini also dug into many songs from their excellent back catalogue, as well as a few new tunes – including the Turkish song “A Dusty Road” from their upcoming symphonic release.

Setlist: 2 sets spanning 2+ hours

  • Set 1: Bolero
  • Let’s Never Stop Falling in Love
  • Sympathique
  • Lilly
  • Kikuchiyo To Mohshimasu
  • big band instrumental song with band solos
  • Fantasy in F-minor for Piano and 4 Hands (Schubert)
  • And Then You’re Gone
  • But Now I’m Back
  • Double Concerto for Two Violins in D Minor (Bach)
  • Splendor in the Grass
  • instrumental song – Spanish flavor
  • Set 2: Ninna Nanna
  • Tempo Perdido (Adolfo Alves)
  • Over the Valley
  • Tuca Tuca
  • Hey Eugene
  • A Dusty Road
  • Hang On Little Tomato
  • Dosvedanya Mio Bombino
  • Encore: Amado Mio
  • Brazil

Some fan favorites throughout the double set were the entrance of China Forbes with “Let’s Never Stop Falling in Love,” the tango-rific “Lilly,” and the Schubert-inspired “And Then You’re Gone” (with China on vocals) and “But Now I’m Back” (featuring Timothy Nishimoto’s vocal response).  Even though the song is not about our fair city, “Hey Eugene” got the biggest crowd reaction.  To cap the wonderful night of music, Pink Martini got the crowd on their feet for a conga line with “Brazil.”  This was a wonderful ensemble opening to the two week long 40th Annual Oregon Bach Festival.

OBF attendees can win a chance to “cuddle up with Pink Martini.” There is a raffle to win this beautiful Pink Martini quilt (pictured at the right), handsewn by Corvallis fiber artist Karen Illman Miller. It has the band members’ autographs inscribed on each of the pink fabric martini glasses. Miller designed the quilt she calls “Singing the Blues” to help mark the twenty-fifth anniversary of the Corvallis Youth Symphony in 2007 (Pink Martini had performed with the CYS the prior year). Raffle tickets for the Pink Martini quilt are only $5 and on sale at the Bach Boutique in the Hult Center lobby, where the quilt is on display. The winner will be announced on July 11, prior to the Festival’s Eugene performance of Elijah. All proceeds from the raffle benefit the Stangeland Family Youth Choral Academy Scholarship Fund.

many more photos below

The Appropriate Linkage:

More upcoming OBF shows are running through July 10th.  Find out more at http://oregonbachfestival.com/events/

~Dan – np: Damien JuradoSaint Bartlett

PINK MARTINI at OBF PHOTOS
all pictures (cc) 2010 Daniel Temmesfeld,
you may use freely under a creative commons attribution

(click for larger)

Higher Resolution (7 pics)

Limited to 1200 pixels wide or tall (34 pics)

<p style=”text-align:center;”><span style=”color:#800000;”><span style=”text-decoration: underline;”><strong>PINK MARTINI PHOTOS

</strong></span></span><strong><span style=”font-size:x-small;”>all pictures (cc) 2010 Daniel Temmesfeld,

you may use freely under a <a href=”http://creativecommons.org/” target=“_blank”>creative commons attribution</a></span></strong>

<p style=”text-align:center;”><em><span style=”color:#800000;”>(click for larger)</span></em></p>

<p style=”text-align:center;”><strong><span style=”color:#0000ff;”><em>Higher Resolution (7 pics)</em></span></strong>

<p align=center><a href=”http://www.unemployedingreenland.com/pics/pmobf2010/pinkmartini01.jpg” target=”_blank”><img title=”Pink Martini plays Oregon Bach Festival OBF in Eugene 2010, photo by Daniel Temmesfeld, cc 2010″ src=”http://www.unemployedingreenland.com/pics/pmobf2010/tn01.jpg”></a> <a href=”http://www.unemployedingreenland.com/pics/pmobf2010/pinkmartini02.jpg” target=”_blank”><img title=”Pink Martini plays Oregon Bach Festival OBF in Eugene 2010, photo by Daniel Temmesfeld, cc 2010″ src=”http://www.unemployedingreenland.com/pics/pmobf2010/tn02.jpg”></a> <a href=”http://www.unemployedingreenland.com/pics/pmobf2010/pinkmartini03.jpg” target=”_blank”><img title=”Pink Martini plays Oregon Bach Festival OBF in Eugene 2010, photo by Daniel Temmesfeld, cc 2010″ src=”http://www.unemployedingreenland.com/pics/pmobf2010/tn03.jpg”></a> <a href=”http://www.unemployedingreenland.com/pics/pmobf2010/pinkmartini04.jpg” target=”_blank”><img title=”Pink Martini plays Oregon Bach Festival OBF in Eugene 2010, photo by Daniel Temmesfeld, cc 2010″ src=”http://www.unemployedingreenland.com/pics/pmobf2010/tn04.jpg”></a> <a href=”http://www.unemployedingreenland.com/pics/pmobf2010/pinkmartini05.jpg” target=”_blank”><img title=”Pink Martini plays Oregon Bach Festival OBF in Eugene 2010, photo by Daniel Temmesfeld, cc 2010″ src=”http://www.unemployedingreenland.com/pics/pmobf2010/tn05.jpg”></a> <a href=”http://www.unemployedingreenland.com/pics/pmobf2010/pinkmartini06.jpg” target=”_blank”><img title=”Pink Martini plays Oregon Bach Festival OBF in Eugene 2010, photo by Daniel Temmesfeld, cc 2010″ src=”http://www.unemployedingreenland.com/pics/pmobf2010/tn06.jpg”></a> <a href=”http://www.unemployedingreenland.com/pics/pmobf2010/pinkmartini07.jpg” target=”_blank”><img title=”Pink Martini plays Oregon Bach Festival OBF in Eugene 2010, photo by Daniel Temmesfeld, cc 2010″ src=”http://www.unemployedingreenland.com/pics/pmobf2010/tn07.jpg”></a> </p>

<p style=”text-align:center;”><strong><span style=”color:#0000ff;”><em>Limited to 1200 pixels wide or tall (34 pics)</em></span></strong>

<p align=center><a href=”http://www.unemployedingreenland.com/pics/pmobf2010/pinkmartini08.jpg” target=”_blank”><img title=”Pink Martini plays Oregon Bach Festival OBF in Eugene 2010, photo by Daniel Temmesfeld, cc 2010″ src=”http://www.unemployedingreenland.com/pics/pmobf2010/tn08.jpg”></a> <a href=”http://www.unemployedingreenland.com/pics/pmobf2010/pinkmartini09.jpg” target=”_blank”><img title=”Pink Martini plays Oregon Bach Festival OBF in Eugene 2010, photo by Daniel Temmesfeld, cc 2010″ src=”http://www.unemployedingreenland.com/pics/pmobf2010/tn09.jpg”></a> <a href=”http://www.unemployedingreenland.com/pics/pmobf2010/pinkmartini10.jpg” target=”_blank”><img title=”Pink Martini plays Oregon Bach Festival OBF in Eugene 2010, photo by Daniel Temmesfeld, cc 2010″ src=”http://www.unemployedingreenland.com/pics/pmobf2010/tn10.jpg”></a> <a href=”http://www.unemployedingreenland.com/pics/pmobf2010/pinkmartini11.jpg” target=”_blank”><img title=”Pink Martini plays Oregon Bach Festival OBF in Eugene 2010, photo by Daniel Temmesfeld, cc 2010″ src=”http://www.unemployedingreenland.com/pics/pmobf2010/tn11.jpg”></a> <a href=”http://www.unemployedingreenland.com/pics/pmobf2010/pinkmartini12.jpg” target=”_blank”><img title=”Pink Martini plays Oregon Bach Festival OBF in Eugene 2010, photo by Daniel Temmesfeld, cc 2010″ src=”http://www.unemployedingreenland.com/pics/pmobf2010/tn12.jpg”></a> <a href=”http://www.unemployedingreenland.com/pics/pmobf2010/pinkmartini13.jpg” target=”_blank”><img title=”Pink Martini plays Oregon Bach Festival OBF in Eugene 2010, photo by Daniel Temmesfeld, cc 2010″ src=”http://www.unemployedingreenland.com/pics/pmobf2010/tn13.jpg”></a> <a href=”http://www.unemployedingreenland.com/pics/pmobf2010/pinkmartini14.jpg” target=”_blank”><img title=”Pink Martini plays Oregon Bach Festival OBF in Eugene 2010, photo by Daniel Temmesfeld, cc 2010″ src=”http://www.unemployedingreenland.com/pics/pmobf2010/tn14.jpg”></a> <a href=”http://www.unemployedingreenland.com/pics/pmobf2010/pinkmartini15.jpg” target=”_blank”><img title=”Pink Martini plays Oregon Bach Festival OBF in Eugene 2010, photo by Daniel Temmesfeld, cc 2010″ src=”http://www.unemployedingreenland.com/pics/pmobf2010/tn15.jpg”></a> <a href=”http://www.unemployedingreenland.com/pics/pmobf2010/pinkmartini16.jpg” target=”_blank”><img title=”Pink Martini plays Oregon Bach Festival OBF in Eugene 2010, photo by Daniel Temmesfeld, cc 2010″ src=”http://www.unemployedingreenland.com/pics/pmobf2010/tn16.jpg”></a> <a href=”http://www.unemployedingreenland.com/pics/pmobf2010/pinkmartini17.jpg” target=”_blank”><img title=”Pink Martini plays Oregon Bach Festival OBF in Eugene 2010, photo by Daniel Temmesfeld, cc 2010″ src=”http://www.unemployedingreenland.com/pics/pmobf2010/tn17.jpg”></a> <a href=”http://www.unemployedingreenland.com/pics/pmobf2010/pinkmartini18.jpg” target=”_blank”><img title=”Pink Martini plays Oregon Bach Festival OBF in Eugene 2010, photo by Daniel Temmesfeld, cc 2010″ src=”http://www.unemployedingreenland.com/pics/pmobf2010/tn18.jpg”></a> <a href=”http://www.unemployedingreenland.com/pics/pmobf2010/pinkmartini19.jpg” target=”_blank”><img title=”Pink Martini plays Oregon Bach Festival OBF in Eugene 2010, photo by Daniel Temmesfeld, cc 2010″ src=”http://www.unemployedingreenland.com/pics/pmobf2010/tn19.jpg”></a> <a href=”http://www.unemployedingreenland.com/pics/pmobf2010/pinkmartini20.jpg” target=”_blank”><img title=”Pink Martini plays Oregon Bach Festival OBF in Eugene 2010, photo by Daniel Temmesfeld, cc 2010″ src=”http://www.unemployedingreenland.com/pics/pmobf2010/tn20.jpg”></a> <a href=”http://www.unemployedingreenland.com/pics/pmobf2010/pinkmartini21.jpg” target=”_blank”><img title=”Pink Martini plays Oregon Bach Festival OBF in Eugene 2010, photo by Daniel Temmesfeld, cc 2010″ src=”http://www.unemployedingreenland.com/pics/pmobf2010/tn21.jpg”></a> <a href=”http://www.unemployedingreenland.com/pics/pmobf2010/pinkmartini22.jpg” target=”_blank”><img title=”Pink Martini plays Oregon Bach Festival OBF in Eugene 2010, photo by Daniel Temmesfeld, cc 2010″ src=”http://www.unemployedingreenland.com/pics/pmobf2010/tn22.jpg”></a> <a href=”http://www.unemployedingreenland.com/pics/pmobf2010/pinkmartini23.jpg” target=”_blank”><img title=”Pink Martini plays Oregon Bach Festival OBF in Eugene 2010, photo by Daniel Temmesfeld, cc 2010″ src=”http://www.unemployedingreenland.com/pics/pmobf2010/tn23.jpg”></a> <a href=”http://www.unemployedingreenland.com/pics/pmobf2010/pinkmartini24.jpg” target=”_blank”><img title=”Pink Martini plays Oregon Bach Festival OBF in Eugene 2010, photo by Daniel Temmesfeld, cc 2010″ src=”http://www.unemployedingreenland.com/pics/pmobf2010/tn24.jpg”></a> <a href=”http://www.unemployedingreenland.com/pics/pmobf2010/pinkmartini25.jpg” target=”_blank”><img title=”Pink Martini plays Oregon Bach Festival OBF in Eugene 2010, photo by Daniel Temmesfeld, cc 2010″ src=”http://www.unemployedingreenland.com/pics/pmobf2010/tn25.jpg”></a> <a href=”http://www.unemployedingreenland.com/pics/pmobf2010/pinkmartini26.jpg” target=”_blank”><img title=”Pink Martini plays Oregon Bach Festival OBF in Eugene 2010, photo by Daniel Temmesfeld, cc 2010″ src=”http://www.unemployedingreenland.com/pics/pmobf2010/tn26.jpg”></a> <a href=”http://www.unemployedingreenland.com/pics/pmobf2010/pinkmartini27.jpg” target=”_blank”><img title=”Pink Martini plays Oregon Bach Festival OBF in Eugene 2010, photo by Daniel Temmesfeld, cc 2010″ src=”http://www.unemployedingreenland.com/pics/pmobf2010/tn27.jpg”></a> <a href=”http://www.unemployedingreenland.com/pics/pmobf2010/pinkmartini28.jpg” target=”_blank”><img title=”Pink Martini plays Oregon Bach Festival OBF in Eugene 2010, photo by Daniel Temmesfeld, cc 2010″ src=”http://www.unemployedingreenland.com/pics/pmobf2010/tn28.jpg”></a> <a href=”http://www.unemployedingreenland.com/pics/pmobf2010/pinkmartini29.jpg” target=”_blank”><img title=”Pink Martini plays Oregon Bach Festival OBF in Eugene 2010, photo by Daniel Temmesfeld, cc 2010″ src=”http://www.unemployedingreenland.com/pics/pmobf2010/tn29.jpg”></a> <a href=”http://www.unemployedingreenland.com/pics/pmobf2010/pinkmartini30.jpg” target=”_blank”><img title=”Pink Martini plays Oregon Bach Festival OBF in Eugene 2010, photo by Daniel Temmesfeld, cc 2010″ src=”http://www.unemployedingreenland.com/pics/pmobf2010/tn30.jpg”></a> <a href=”http://www.unemployedingreenland.com/pics/pmobf2010/pinkmartini31.jpg” target=”_blank”><img title=”Pink Martini plays Oregon Bach Festival OBF in Eugene 2010, photo by Daniel Temmesfeld, cc 2010″ src=”http://www.unemployedingreenland.com/pics/pmobf2010/tn31.jpg”></a> <a href=”http://www.unemployedingreenland.com/pics/pmobf2010/pinkmartini32.jpg” target=”_blank”><img title=”Pink Martini plays Oregon Bach Festival OBF in Eugene 2010, photo by Daniel Temmesfeld, cc 2010″ src=”http://www.unemployedingreenland.com/pics/pmobf2010/tn32.jpg”></a> <a href=”http://www.unemployedingreenland.com/pics/pmobf2010/pinkmartini33.jpg” target=”_blank”><img title=”Pink Martini plays Oregon Bach Festival OBF in Eugene 2010, photo by Daniel Temmesfeld, cc 2010″ src=”http://www.unemployedingreenland.com/pics/pmobf2010/tn33.jpg”></a> <a href=”http://www.unemployedingreenland.com/pics/pmobf2010/pinkmartini34.jpg” target=”_blank”><img title=”Pink Martini plays Oregon Bach Festival OBF in Eugene 2010, photo by Daniel Temmesfeld, cc 2010″ src=”http://www.unemployedingreenland.com/pics/pmobf2010/tn34.jpg”></a> <a href=”http://www.unemployedingreenland.com/pics/pmobf2010/pinkmartini35.jpg” target=”_blank”><img title=”Pink Martini plays Oregon Bach Festival OBF in Eugene 2010, photo by Daniel Temmesfeld, cc 2010″ src=”http://www.unemployedingreenland.com/pics/pmobf2010/tn35.jpg”></a> <a href=”http://www.unemployedingreenland.com/pics/pmobf2010/pinkmartini36.jpg” target=”_blank”><img title=”Pink Martini plays Oregon Bach Festival OBF in Eugene 2010, photo by Daniel Temmesfeld, cc 2010″ src=”http://www.unemployedingreenland.com/pics/pmobf2010/tn36.jpg”></a> <a href=”http://www.unemployedingreenland.com/pics/pmobf2010/pinkmartini37.jpg” target=”_blank”><img title=”Pink Martini plays Oregon Bach Festival OBF in Eugene 2010, photo by Daniel Temmesfeld, cc 2010″ src=”http://www.unemployedingreenland.com/pics/pmobf2010/tn37.jpg”></a> <a href=”http://www.unemployedingreenland.com/pics/pmobf2010/pinkmartini38.jpg” target=”_blank”><img title=”Pink Martini plays Oregon Bach Festival OBF in Eugene 2010, photo by Daniel Temmesfeld, cc 2010″ src=”http://www.unemployedingreenland.com/pics/pmobf2010/tn38.jpg”></a> <a href=”http://www.unemployedingreenland.com/pics/pmobf2010/pinkmartini39.jpg” target=”_blank”><img title=”Pink Martini plays Oregon Bach Festival OBF in Eugene 2010, photo by Daniel Temmesfeld, cc 2010″ src=”http://www.unemployedingreenland.com/pics/pmobf2010/tn39.jpg”></a> <a href=”http://www.unemployedingreenland.com/pics/pmobf2010/pinkmartini40.jpg” target=”_blank”><img title=”Pink Martini plays Oregon Bach Festival OBF in Eugene 2010, photo by Daniel Temmesfeld, cc 2010″ src=”http://www.unemployedingreenland.com/pics/pmobf2010/tn40.jpg”></a> <a href=”http://www.unemployedingreenland.com/pics/pmobf2010/pinkmartini41.jpg” target=”_blank”><img title=”Pink Martini plays Oregon Bach Festival OBF in Eugene 2010, photo by Daniel Temmesfeld, cc 2010″ src=”http://www.unemployedingreenland.com/pics/pmobf2010/tn41.jpg”></a> </p>

REVIEW: MEDGE presents Karim Nagi @ WOW Hall (Eugene, OR – 4/30/10)

1st May 10 (Sat) 4 comments

The Middle Eastern Dance Guild of Eugene (aka MEDGE) hosts monthly shows at Cozmic Pizza.  Great food, great music, and great dancing come to mind when I make my way over there the third Fridays of each month.  For a special International Dance Day celebration, they brought in Karim Nagi for special workshops and moved their event down the street to WOW Hall.

Karim Nagi is an Egyptian musician, composer, music arranger and DJ.  He specializes in traditional Arabic music but works in other musical mediums.  He has two CDs out under the artist moniker of Turbo Tabla.  He has also recorded music for Bellydance Superstars, Bellyqueen, and the Bellytwins, as well as mainstream artists like Alicia Keys, and The Urban Griot Project.

Sadly he didn’t pull out a traditional Indian tabla last night (apparently an Egypt table / darbuka is very similar to a dumbek).  Regardless, we were treated to a lot of wonderful dancing and drumming.  Here’s a pictorial review of last night’s show… Enjoy!

all pictures (cc) 2010 Daniel Temmesfeld & Margaret O’Brien,
you may use freely under a creative commons attribution
(click for larger)

Karim Nagi (stick dance, traditional folkloric dance of Egypt)

Mem Aleph (troupe consisting of Candice Nelson, Barbie Griggs, Jeannie Anderson, Amanda Bounds, Marie Scott and Monica Trent) performing three folk dances: Syrtos from Greece; Hands Talk (a Jewish Yemenite dance); and Ma Nava (an Israeli dance)

Siobhan performing a Ghawazee-inspired dance choreographed by Hassan Khalil

Amani (choreography by Mahmoud Reda — Oriental piece with his signature balletic movements incorporated into Raks Sharqi)

Elena Villa (Arab Flamenco Fusion)

Caravan Dancers (Troupe consists of Deena, Zendra, Crystal and Erin performing a Folkloric Suite: Basket Dance, Turkish 9/8, Cane Dance, Tambourine Dance)

Sabine (Indian Sapera Dance of the Kalbeliya snake-charmers)

Karim Nagi – improvisational finger cymbal dance

>> << intermission >> <<

Jamara (dance performance to live drumming by Karim Nagi)

Devi Safir (dance performance to live drumming by Karim Nagi)

musical performance by Karim Nagi & Ishmael, a qanun player (stringed instrument from Egypt), followed by an audience participation debke, a traditional Arabic folk dance

Be sure to check out MEDGE on the web to find out about the monthly shows and upcoming special events & workshopshttp://medge.org/

The Appropriate Linkage:

~Dan – np: Carla Kihlstedt2 Foot Yard

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